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biglisbonnews · 2 years

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Gracie Abrams Says Hello to 'Good Riddance' Gracie Abrams, the esteemed indie-pop little sister of Taylor Swift and Phoebe Bridgers, dropped her highly anticipated debut album Good Riddance last week, nearly three years after her EP, minor, stole the hearts of Gen Z bedroom-pop fans across the globe. Born to heavy-hitter parents, renowned director J.J. Abrams and Time's Up co-founder Katie McGrath, Abrams burst into the scene over the pandemic. She solidified her sun-soaked spot in Hollywood's limelight with angelic vocals, tender artist-to-fan confessionals and high-profile friendships with industry sweethearts Olivia Rodrigo and Taylor Swift. Soon, she was touring with Olivia Rodrigo on the Sour Tour, tapped for select dates for Taylor Swift's The Eras Tour and headlining (and selling out) shows of her own.The 23-year-old Los Angeles singer-songwriter is gearing up for a huge year of touring, both for Good Riddance and to open for Taylor Swift. The 12-track album was crafted with producer and mentor Aaron Dessner (who worked on Swift's Folklore album and whose sonic presence can definitely be felt in Abram's album). The two spent months laying down folksy tracks at Dessner’s Long Pond Studios in upstate New York, creating close-to-the-heart testimonials about fading romance, hitting the road and the mystery of imperfect relationships. To support the release of Good Riddance, Spotify collaborated with Gracie to help share the story of the album with her devoted fans at LA's The Grove on February 24. The 2011 French romantic comedy Amelie, an obvious influence in the lead single track "Amelie," made a thematic appearance in black-and-white photo booths where fans could live out their own Amelie fantasies with bespoke photo strips.Read on for exclusive photo booth strips and PAPER's behind-the-scenes look at the making of Good Riddance.Congratulations on your debut album. Oh my god. Thank you. I have an Amoeba performance in like an hour. So I'm currently in glam, which is why I'm sparing you my camera.I feel like it's almost too easy to say that Good Riddance is about saying goodbye to a past relationship. Is there a breakup that influenced the making of this album?I wouldn't say it's just a breakup album. It's about a past life and evolving and growing up. Being in my early 20s, I have become hyper-aware of how quickly things can shift. So surrendering to that change is more so the thesis.What was it like to experience the release of your album at the Spotify pop-up activation in LA?It was just really touching that people showed up and felt connected immediately to the record. That's sort of the dream for me — to be able to find community through music. So to be able to spend the day with a bunch of people who just immediately felt like friends was just a really sweet experience. And I'm very grateful that they showed up. It was pouring rain.Speaking of your fans, can you explain the significance of baking cakes? I have never seen so many fans bake cakes for someone in my life.Isn't it funny? During quarantine, I baked a lot of cakes. I went through a large chunk of writer's block and I replaced writing for a while with baking. I'd post about it, so it was a little thing that we shared. When my song "Mess It Up" came out a couple years ago, the music video was also baking-related, because that was significant to my life. At this point, [my fans and I] know each other very well.help pic.twitter.com/blAtIl1YH7— GracieAbramsHQ (@gracieshq) February 25, 2023 So, an inside joke. A chance to connect with you and say like, I've been here the whole time. And I see you and your journey.Literally. It's just so sweet and endearing. But also like painful, because I can't eat any of these cakes.Yeah, you can't eat a Twitter post. When you were making the transition from your past producers to Aaron Dessner, were there any growing pains, or was it a very natural partnership?It was the most natural partnership. It became so immediately obvious to both myself and Aaron that we wanted to spend real, thoughtful time diving into the world that ended up being Good Riddance. I never met someone and instantly told them all of my deepest darkest secrets. And so much of that has to do with how he creates these environments that allow for the artists to show up in their most raw and vulnerable state. I think that's why made the record as quickly as we did. The process challenged me in such a beneficial way to explore and push myself in directions that were not only sonically helpful but also deeply cathartic. The whole thing was the best experience, even when we were writing about kind of really brutal shit. Can you talk about the process of getting into that place of vulnerability?A lot has to do with being in therapy for a couple of years and getting more familiar with myself. I grew up using songwriting as the place where I would go to explore feelings that I didn't feel like talking about with anyone else. I could place blame and complain about shit, even if maybe I was the common denominator. So songwriting is important because I think it's led me to a evolve, reflect and come to a more fair perspective.The album's last track, "Right Now," explores the feelings of being away from your family and friends while you're on the road. Are you excited to be back on the road or do these anxieties that you've voiced hamper that?I've definitely never been more excited for a year of touring. This is only the second year I've done it, so I still feel very new here. But the process of making this album feels so true to who I genuinely am, and this show is an extension of that. It's already been such a hands-on experience in every capacity. So even though it's just about to start, I feel very proud of it. Touring is definitely a specific kind of exhaustion, but I've also never been more energized by anything before. I think last year, if any friend was like, "I want to come to your show," I'd be like, "No, you don't have to... maybe don't." But now I am genuinely so stoked for people to see it. When Aaron and I were making the album, there were so many live elements involved and we kept saying "the songs need, need a band." And with building this relationship with my audience, there's going to be little inside jokes throughout the show and I know it's going to feel very special. I don't take it for granted.Your fans are obviously going deep into the subtexts on TikTok. There seems to be a lot of speculation around the "Amelie" track and if it's about someone in particular.The song is about a really haunting feeling that I had been journaling about for a while. Most of the lyrics come directly from journal entries and conversations that I had with Aaron. The process of making that song was as delicate as the feeling was. We tracked it one time through — Aaron played guitar while I sang and we finished doing it once. We were both like, "Yeah, let's just leave it there." It's an unexpected single in terms of pace and it's not an obvious starting point, per se, but as soon as Aaron and I finished it and before even introducing it to my label, we were like, "This is going to be a single for sure." It means so much to me. I'm so grateful that even one person can tie it to their life in whatever way makes sense for them. But yeah, this is my story.I'm so curious about what outside stimulus — music, books or visual art — helped create this album.When I made this record, I was also touring, so it was chaos. When we made it to upstate New York, in what feels like the middle of nowhere, I finally found the quiet that I had missed desperately. To sit in that, instead of listening to a bunch of music, felt so much more appropriate. I do bring this poetry anthology with me anytime I travel called Risking Everything with so many of my favorite poets. Mary Oliver has been one of my favorite poets for a very long time. I grew up with my mom loving her. She writes often about how fragile nature is and I was very inspired by that.Photos courtesy of Spotify https://www.papermag.com/gracie-abrams-good-riddance-2659487402.html

#Gracie abrams #The national #Aaron dessner #Spotify #Alessandra Schade #PAPER

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queenshelby · 3 years

Text

Just Friends - Cillian Murphy Imagine

Featuring: Cillian Murphy x Reader

Warning: SMUT

Words: 5034

Foreword:

I have never written anything for an actual person. For my own comfort, I will not be referring to Cillian’s actual family and, instead, I have created two small biographies for the Reader and Cillian.

Biography:

The Reader:

The Reader is 24 years old and recently moved to Dublin with her 5 year old son, Max in order to take up a fantastic job offer.

Max’s father isn’t interested in a relationship with his son and separated from the Reader pretty much as soon as she found out that she was pregnant.

The Reader is a novelist and editor for the Irish Times.

The Reader’s interests include books, listening to records, theatre and attending live music gigs.

The Reader has a close relationship with her grandmother who is 65 years old and a writer herself. She also lives in Dublin with her second husband, who is originally from Galway.

Cillian:

Cillian is 42 years old in this story. He is divorced from his wife Siobhan and has two kids, Charlie (6) and Hendricks (8).

He lives in a town house in Dublin and shares custody.

In this story, he finished filming Season 4 of Peaky Blinders about three months ago, which is when the Reader first met him.

---------------------------

JUST FRIENDS

Three and a half months ago you moved to Dublin to take a position as editor at the Irish Times. Initially, the move was daunting to you as you were a single mother and moving your son to a different preschool concerned you.

Fortunately, your grandmother was living in Dublin as well and offered to help you with looking after your son, Max. She was a retired novelist herself and you always had a close relationship with her. Having her around was a blessing.

Over the years, you also met some Irish writers and established good relationships with them. Therefore, finding friends in Dublin was not an issue.

One of your best friends was a play writer from London and was working in Ireland at the time, promoting her theatre play called ‘Blessings’. She introduced you to a bunch of people, most of which were working in the entertainment industry in some way or another.

Whilst all of your new found friends were a fair bit older than you, you related to them. You had interests in common and most of them had children, just like you. They understood that sometimes plans had to be cancelled and flexibility was limited. Having children is a commitment which many of your younger friends didn’t understand. You weren’t interested in late nights because a young child meant early mornings. For this reason, you would much rather attend a dinner and board game night as a opposed to a night club.

And this is how you met a very interesting man named Cillian. Three months ago, your friend Orla invited you to a board game night with a couple of her friends. Cillian was pretty much the only other single person in attendance and, since this was a board game that had to be played in teams of two, you and Cillian were paired up with him.

He was funny and smart and very attractive. You had a good time that night and even won the game with your combined knowledge of random trivial facts.

He was a fun person to be around and you had several common interests.

Over the next few months, you spent a fair bit of time together, mostly with other friends but sometimes alone when your friends were doing things as couples with their partners.

Just recently, you went record shopping together and the weekend before last you and another friend of yours would take all of your kids to Dublin Zoo for the day. Your son Max developed a great friendship with Cillian’s youngest son Charlie. Playdates were a common occurrence.

While both of you separately explored the dating world, you really enjoyed Cillian’s company as a friend and he enjoyed yours and you would often chat about the mishaps you encountered and laugh about them. Dates gone wrong was one of your favourite topics.

The last relationship Cillian had was with a co-worker, which was far from ideal. They’ve met on set of one of his movies about a year after he divorced from his wife, but things didn’t go as planned and the relationship didn’t last. It ended about four months ago, being just one month before you met.

The last relationship you had was over a year ago and it also didn’t last as your boyfriend couldn’t deal with the fact that you were a single mum and that your son always came first.

For Valentines Day this year, your friends set up dates for each of you. It was disastrous. Neither of you were interested in committing at this point and you both were rather flustered about your friends’ efforts after you both had told them not to bother.

You were happy singles.

Theatre Night

As happy singles, you decided to go and see your friend’s new play ‘Blessings’ with some of your other friends on the night you all managed to be child free for once. It took a while to organise but was worth the effort.

‘Hi Max, how was preschool?’ Cillian asked as he opened the door to your townhouse for Cillian while you were in the bathroom, putting up your hair.

Max met Cillian numerous times and got along with him very well. After all, Cillian had a son the same age as Max.

‘Good. Do you want me to show you what I made?’ Max asked while you waived at Cillian from the bathroom.

‘Absolutely, show me’ Cillian said with a smile as he followed Max into the living room.

‘Look’ Max said as he held up two paintings.

‘Wow, is that a T-Rex?’ Cillian asked, causing Max to nod with excitement.

‘That’s very cool…he looks super scary’ Cillian added just as there was another knock on the door.

It was your grandmother who was here to pick up Max for his sleepover at her house.

You opened the door and asked Max to get his bag from the living room which you had packed for him earlier.

‘Nan, this is my friend Cillian’ you said as you introduced Cillian to your grandmother.

‘Hello Cillian, I am Margot. I loved Grief is a Thing with Feathers. It was such an intense play’ she said, knowing right away who he was despite the fact that you had never mentioned him to her before.

‘Thank you Margot and I loved By The Sea, it was a fantastic book’ Cillian responded. He read the book after you told him about your grandmother. Your writing style was very similar to hers and he always loved a good book.

‘Oh thank you very much. Now Max, are you ready?’ your grandmother asked.

Max was ready and you said goodbye, giving him a big hug and thanking your grandmother for looking after him for the night.

While Cillian waited in the living room, you finished your make up and slipped on your shoes.

‘Thank you for picking me up. I really have no idea where this place is’ you said as you grabbed your bag and the two of you were heading out of the door.

‘Any time Y/N, it isn’t far from here actually’ Cillian said.

As you were walking to the Arthouse Theatre you talked about all sorts of things, music, childcare and books.

It was a cold night in Dublin and you were probably underdressed for the occasion.

At the Arthouse Theatre you met up with another two friends of yours. They were both married, to each other, and shared three children. Luckily for them, they had a baby sitter that night.

The play was amazing and you all enjoyed it with a few glasses of wine which were served at the theatre. Cillian had good taste when it came to wine and you usually sought his guidance on what to order.

After you left the theatre, you felt awfully hungry. You hadn’t eaten dinner that night.

‘I am starving, is anyone else up for Pizza?’ you asked your three friends, including Cillian

‘We would love to, but only have a baby sitter until 9pm, sorry’ Amanda said, explaining that she and her husband had to head home fairly soon.

‘What about you Cilly?’ you asked.

‘I would love some Pizza, let’s go to Pizzinis’ he said.

Both you and Cillian said goodbye to your friends and made your way to Pizzinis.

As usual, it was packed and there were no table available.

‘Wanna grab them take away and go back to my place? I’ve got wine and you can show me this new album you were talking about earlier’ you said.

‘Sounds good, let’s do that’ Cillian said before ordering two pizzas.

More than Friends

You arrived at your apartment about 30 minutes later and Cillian put on some music. He found this new Irish band he liked and you were really keen to hear them.

‘Hmm Indie…I like it’ you said as he connected his i-phone to your speakers.

‘Wine?’ you asked as you grabbed a bottle of wine from the shelf.

‘Yes please and thanks’ Cillian said as he put the pizzas on the table.

‘I was meant to ask you, how was your Valentine’s date?’ Cillian asked before taking the first bite of the pizza.

‘Oh god, don’t remind me on it please’ you said with a laugh.

‘That good ey? What happened?’ Cillian laughed.

‘He was weird. He basically left after I told him about Max’ you responded.

‘I think that sometimes guys your age might be a bit freaked out by the fact that you have child. I can’t say that I blame them. I couldn’t imagine myself becoming a step father when I was in my 20s’ Cillian said.

‘He was 32’ you responded.

‘Well maybe he was just weird and you are just unlucky when it comes to dating’ Cillian laughed.

‘Yeah, maybe…I am just over dating’ you said…’What about your date?’ you asked.

‘Pretty average. I mean she was nice but had no sense of humour’ Cillian said.

‘Oh what, wait…she didn’t laugh at your Irish jokes?’ you laughed.

‘Outrageous I know. I mean how could she not?’ Cillian joked.

‘Here is to failed dates’ you said as you held up your wine glass for a toast.

‘To failed dates’ Cillian responded with smile.

Over the next hour or so, Cillian and you finished both pizzas and talked about books, including the book you were currently writing, music and embarrassing things your kids had done.

Quite music was playing in the background by then while you talked and laughed together until Cillian brought up a specific book he had read recently, written by a writer named J A Hanson, which he said reminded him on you in a way.

‘I have read all of her books and I really wish I could write romance as well as her’ you said.

‘Her books aren’t exactly romantic’ Cillian responded.

‘Her storylines aren’t romantic, but the character she uses in all of her books involves herself romantically with several other characters throughout the series. The way she writes makes you relate to the character even in these intimate moments’ you explained.

‘She is 60 and probably speaking from experience. I have read in a paper a few months back that she had quite an interesting and adventurous youth in the 70s and 80s’ Cillian said.

‘Free Love…Yeah, I have read this too’ you laughed. ‘Perhaps I just need some inspiration to get over my block, otherwise I will never finish this damn novel’ you said as you poured yourself some more wine.

‘You don’t have to answer this, but when was the last time that…?’ Cillian asked and, before he could finish his question, you interrupted him.

‘That I had sex? Gosh…well over a year ago’ you responded, causing Cillian’s chin to drop.

‘Over a year? Seriously? I mean, surely, a woman like you would get plenty of offers…’ Cillian said, not knowing what else to tell you.

‘A woman like me? What do you mean by that Cilly?’ you asked with a slight giggle.

‘Well, you are attractive, smart and funny. You would get a fair bit of interest’ Cillian responded.

‘So, you think I am attractive?’ you asked with a smirk, causing Cillian to choke slightly on his wine. He regretted what he had said almost instantly, causing awkwardness between you.

‘Well yeah, I think you are an attractive woman’ Cillian said quietly. ‘In a totally objective way of course’ he added, while, just in this moment, you observed his facial expressions.

You observed him drop his eyes to your lips as he said it, and then lower to the place where your shirt opens at the collar, the buttons undone to below your collarbone.

He pressed his lips together. ‘I think I should probably get go…’ he said, and, before he could finish his sentence, you leaned in and kissed him suddenly, like the peck you give a boy you like on the school bus the second before you jump up and get off – a brief bravery without a plan.

He was caught by surprise.

‘Y/N’ he said and, before he could say something else, you apologised to him for what just happened.

‘I am sorry Cilly, I don’t know what just came over me’ you said.

‘It’s alright, I shouldn’t have said what I said. It was inappropriate’ Cillian said.

But, with Cillian’s response, you couldn’t leave it alone and asked ‘So, you don’t think that I am attractive?’ you asked, giggling slightly with some embarrassment.

‘Any man who thinks that you aren’t attractive is clearly blind. But, with that being said, it doesn’t matter what I think, you are 18 years younger than me and it would be wrong for us to take this further. Despite, I don’t want to fuck up our friendship’ Cillian said calmly.

You didn’t know what to say to his comment and, instead of using any words, you ran your hand gently over the side of his perfect face while biting your lip.

‘Just one kiss between friends then, we can blame the red wine after’ you whispered as a comfortable hot feeling washed over you. You felt some sort of attraction towards Cillian since the moment you met him, but didn’t want to admit it to yourself, let alone to him.

‘I don’t know Y/N’ Cillian said as you leaned closer towards him and pressed your lips onto his. You knew he was reluctant but he didn’t push you away.

To the contrary, as you kissed him, his hand came up in a rush to the back of your neck, pulling you in closer. Within seconds, his tongue slipped between your lips, whispering over your teeth and began dancing with your tongue.

You noticed the brush of his stubble on your cheek, the press of his lips on yours and the way his mouth tasted, a mix of minty gum and red wine.

It shouldn’t have been so hot, but it was. The taste of him, the smell and flavour, and it made you whimper in your throat. You knew this was one off and you didn’t want this moment to end.

‘Are you ok?’ he asked after he pulled back a little and paused. He was scanning your eyes and there was a cautious considering from his side. You could tell that he was surprised about what had just happened.

‘Yeah, you?’ you said as you couldn’t help yourself but stare into his baby blue eyes.

‘Yes’ he said as he cleared his throat slightly.

There was an awkward silence in the room and you couldn’t stand it.

You build up all of your courage again and leaned over him, pressing your lips onto his once more.

Cillian didn’t hesitate then.

His tongue slipped right back into the same spot than before, before his lips then moved over your face and down to your neck, leaving gentle bites and kisses.

Cillian’s hands were busy touching you at the same time his lips were trailing over your neck.

One of his hands was in your hair at the back of your head while his other hand was moving down to press the small of your back so that your body was pulled forward into his.

As you were exchanging passionate kisses, you could feel the shape of him, the firmness of his body against yours, your legs pressing into his and his chest pressing into your breasts. You could also feel his erection through his jeans, hard as anything, rigid and warm against your tummy.

By this time, you wanted more than just kisses.

‘Sleep with me, just that once’ you whispered.

‘I can’t Y/N, you are 24, it is not right’ Cillian said pulling away from you.

‘It’s just sex Cilly, I am old enough for that’ you laughed.

‘Yes, but I don’t want this to ruin our friendship’ Cillian said.

‘It won’t. There are no strings attached, it’s just sex. Unless you don’t want me’ you responded. ‘Although I think you do’ you giggled as you ran your hand over his pants, feeling his erection.

Your comment made Cillian chuckle.

‘This is a one off, alright?’ Cillian asked, causing you to nod.

‘One off…and it stays our little secret’ you said before smashing your lips back onto his for another minute or two.

After you exchanged more passionate kisses you stood up.

‘Common, I show you my bedroom’ you said cheekily, taking his hand and guiding him towards the bed.

‘Can you help me with this please’ you asked, turning around to face the bed. Your back was now facing Cillian and you pulled your hair aside so that he can open the zipper of your dress.

Cillian unzipped your dress carefully, exposing your black lace underwear.

As you pushed your dress down onto the floor, Cillian began kissing your back and neck, while running his hands over your breasts and stomach, all the way down in between your legs.

You let out a brief moan before turning around to face him and help him pull his t-shirt over his head, exposing his perfectly shaped biceps.

Looking into his eyes, your hand glided gracefully, for once, past Cillian’s belt buckle and into the holy crevice of his Calvin Klein briefs. His cock was hard and ready.

You moved it between my your slowly, relishing his obvious eagerness.

You used the other hand to unbuckle his belt and unzip his jeans, shortly after which he pushed them down to the floor while your other hand never left his warm and hard cock.

After the jeans came off, Cillian pressed his lips back onto yours while using his skilled hands to unclip the back of your bra. The bra also landed on the floor within seconds.

‘Lie down’ he whispered into your ear. You obliged and crawled onto the bed, facing him.

He loomed over you, climbing on to the bed as you scooted backwards further so that he could straddle your hips while you pushed up against him, wanting the rub and friction against you.

Cillian kissed you passionately as one of his hands moved in between your legs.

He could feel your body tensing up as he ran his fingers over the top of your panties

After all, he knew that it had been a while since you’ve been with anyone. He knew to take it slow and give you some reassurance.

‘Just relax’ he whispered into your ear with his thick Irish accent as he edged his fingers over the lace of your panties, his hand leisurely rubbing up and down the length of your squirming crotch, until he pulled your underwear aside and slipped two fingers inside of you.

You could feel your mouth widen and a loud moan escaped you as he teased the full mound of your clit. The stroke of his thumb was purposeful and steady on your firm, dripping pulse while his fingers plunged in and out of you, sinking further and further.

You held onto him tightly as the slipperiness he found made it easy for him to penetrate you with his fingers. You were so wet.

You shuddered at the pattern, shocked to find it could still stun you, unlocking newfound levels of moisture and desire, even when you began to meet the repetition of his thrusts. You naturally tilted and buckled beneath him.

As he was pushing his fingers in and out of you, he trailed kisses down your neck while your hands clutched at his shoulders, scratched down his back, held him tighter to you as I screamed into his skin.

Cillian’s breath grew more desperate and rugged.

‘It seems like we should take these off’ he said, causing you to nod with anticipation.

‘Don’t move’ Cillian ordered as he lowered himself on the bed while removing your lace undies.

Within seconds, Cillian’s lips were an inch away from your crotch, where he painted your inner thigh with tiny and soft kisses.

Cillian pushed your legs apart gently and you knew what would be next. You have read about this many times but this was the first time any man had gone down on you before and you were nervously biting your lip.

You tried hard to relax as Cillian’s lips finally reached your entrance, tasting the evidence of how much you wanted him.

‘Oh god, fuck’ you moaned as his head dove between your legs. His tongue prodded you softly, short licks against your clit.

Instantly, all restraint and reservations you had vanished. You were relaxed completely as his tongue danced and writhed inside of you.

With each skillful stroke, your thighs clenched. But you still needed more and he read you just right; he didn’t stop as you pushed yourself up the bed. Instead, he held you steady, causing you to look down at him and watching his eyes widen as they met yours, reacting to the rush of your wetness.

‘Cillian, oh god…you need to stop, I am so close’ you moaned, not wanting it to be over. You never came more than once so you wanted to feel him inside of you first.

‘That’s good, just let go’ Cillian said quietly with a grin before he continued and slid two fingers back inside of you while whirling his tongue over your clit.

You couldn’t hold on any longer, no matter how hard you tried. Your exhales began to emerge as deepening sighs and you leaned my head back and lived out the fantasy that had flashed through your mind all along.

‘Oh god Cillian’ you moaned as your back arched and a rush of ecstasy flew through your body. You grabbed onto Cillian’s hair as he sucked every drip from you as your orgasm flooded your body.

As you came down from your orgasm, Cillian shuffled himself back up the bed, kissing you passionately.

You could taste yourself on his lips and you were ready for more.

‘I want to feel you’ you whispered after your lips drifted apart and while reaching for Cillian’s hard cock.

‘Do you have a condom?’ he asked, causing you to nod. You had purchased some before your Valentine’s Date, just in case you needed them.

You reached for the bedside table and opened the pack of condoms, handing one to Cillian.

Cillian was quick to get rid of his briefs and put on the condom, before positioning himself on top of you, in between your legs.

He shuddered a great rushing gasp of breath as he entered you. He couldn’t believe how good you felt, so tight.

You felt him push into you then, slowly and carefully, filling you completely.

‘Cillian’ you moaned as you held onto him tightly as he slowly began to move.

With every thrust, you gasped, whimpered, soft mewling noises, begging for more.

You felt him all the way to your belly button and screamed out with pleasure, your hands taking the heat as he thrusted fast and deep.

As he picked up his pace, you got louder, groans becoming moans becoming shouts, and the bed frame thumped against the wall, louder and faster and louder and faster.

‘Oh god, don’t stop’ you moaned, his skin slapping against yours.

‘You are so beautiful’ Cillian said in between his moans before pulling out of you slowly and lifting up your legs above his shoulders.

He knew exactly that, this way, he would be reaching your g-spot while he was fucking you.

You were slightly surprised by this position but were flexible enough to run with it.

As he entered you again slowly, you let out a loud moan.

‘Fuck’ you moaned in between the high-pitched noises that escaped you.

‘Does this feel alright?’ Cillian asked, wanting to ensure that you are comfortable.

You nodded eagerly and whimpered a shaky ‘yes’ as he continued to thrust into you. He was right at your g-spot and you could barely control yourself.

He slowly picked up the speed and you could feel another orgasm coming on as the tip of his cock kept hitting your g-spot over and over again.

‘Cillian, oh my god, don’t stop…’ you moaned as you held onto his arms tightly.

You began to shake heavily as your orgasm washed over you and tears of joy escaped your eyes.

‘Fuck, Y/N’ Cillian groaned loudly as he felt your walls tightening around him. The sensation coupled with the sounds you were making sent him over the edge and he almost came in sync with you.

As soon as he came, you released your legs from his shoulders and he collapsed on top of you, kissing you passionately.

You could still feel Cillian pulsing inside you when the sudden oddness of what you had done washed over you.

‘Are we ok?’ Cillian asked as he slowly pulled out of you and removed the condom, disposing of it discreetly.

‘I think so’ you said shyly.

‘Good…because I really enjoyed this’ Cillian said as he ran one of his hands over your cheek gently.

‘Me too…plus, I’ve got some inspiration for my book now’ you said cheekily.

‘I am glad to having been of assistance. Make sure you credit me in the end notes’ Cillian said jokingly.

‘Hmm, if I did, it may become a best seller…Sex Scene Inspired by Cillian Murphy’ you said with laughter, causing Cillian to laugh also.

‘I should better get home’ Cillian said as he was playing with your hair. He really didn’t want to leave, but he felt as though it was inappropriate for him to stay the night.

‘You can stay here if you like…’ you offered, but Cillian declined.

After all, this was supposed to be a one off. You are nothing more than friends, or are you?

You accepted Cillian’s decision to leave and weren’t upset by it. You enjoyed your time with Cillian and slept well that night, snugging up in the doona which smelled like his aftershave.

Finishing the Book

The next morning, you got up early to begin writing the intimate chapter of your book. This was the chapter you had struggled with for a while and you finally felt comfortable writing it. If readers would know that, in this particular scene of your book, you were basically reliving your night with your friend, Cillian Murphy, that would be scandalous.

So, you decided to make sure that no one would ever find out about your little adventure.

Unfortunately for you, your grandma seemed to have a good sense of what was going on.

She was on time as usual and dropped Max back at your house at 10am.

‘Had a good night my dear? I can see you are working on your book.’ She said.

‘Yes nan, the play last night was lovely. It has given me some inspiration’ you said.

‘The play has given you some inspiration to write about orgasms?’ your grandmother asked with laughter as she read the screen on your lap top.

‘Nan! Oh my god, don’t read what I am writing’ you said with embarrassment.

‘Oh dear, it’s alright. Believe it or not, I used to write novels myself with a little hint of filth now and then. But, somehow, I don’t think that it was the play that gave you the inspiration to write this little naughty chapter. By looking at the bruises on your neck, perhaps it was your friend Mr Murphy who gave you this inspiration?’ your grandmother said with sarcasm.

‘Nan, no Jesus, please’ you said as your face became flushed.

‘Don’t be embarrassed dear’ your grandmother said. ‘It is good for you. I mean, he is handsome and I saw the way you looked at him yesterday evening…and the way he looked at you’ your grandmother continued.

‘There is nothing between us nan, we are just friends’ you explained with total embarrassment.

‘Alright dear, whatever you say’ your grandmother said, not believing a single word that came out of your mouth.

‘I better go, I have lunch with Alma later… I love you my dear’ your grandmother said before heading out of the door.

‘Love you too nan’ you said.

WHO WANTS A SECOND PART OF THIS?

#cillian murphy #cillian murphy smut #Cillian Murphy x Reader #Tommy Shelby #tommy shelby smut #tommy shelby x reader #cillian murphy imagine #smut #fanfic

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talesofafangirlwithadvr · 4 years

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SEPTEMBER PICKS

I don’t know about you, but this felt like a long month. I just looked back on my August post and that felt like another life. Putting together this list I couldn’t believe how much I was able to watch with the start of the semester. There was a lot of great ones, so let’s get to it!

Our usual spoiler warning....

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The Umbrella Academy

Umbrella Academy was a show that I started at the end of August. Many people I know were shocked I had never watched it and honestly I don’t know what took me so long. It was great and made even better by the second season getting released this summer. Now I had even more episodes to watch.

I love how chaotic the Hargreeves are. The things that happen to them would only happen to them (if you know what I mean). I also love how they always put family first. Despite everything that’s happened to them. They might all be a mess (and honestly who isn’t), but deep down they love each other. For the first season I thought it was great how they formatted the plot. These characters were new to us and they didn’t give us all the backstory. (When you think about it we still don’t know how Ben died.) It made me continue tuning in and figure it all out. I always sensed Vanya had powers and I know it’s shocking that I wasn’t spoiled coming into the show so late. I liked the irony of the family essentially creating the apocalypse themselves by locking Vanya up. Leonard aka Harold always felt shifty to me. I also liked the way they set up his story. Five and Klaus are definitely my favorites of the siblings. I love how Five is such an old man in a young kid’s body. The way they show his teleportation is really cool. The early scene in Run boy run, episode 2, is definitely one of my favorites from the whole show. The images paired with the song are chilling. Really nice job there. I love how Klaus’ power has been explored. We see more of it in season 2 and it’s something I wasn’t expecting. I love his and Ben’s relationship and I easily fell into the Klaus/Dave ship. We only got a slice of their backstory and I was already too invested. Season 2 took me a little bit to get into with the new setting, but after about two episodes I did. I really liked the plot and found it funny that there was yet another apocalypse. With that cliffhanger, I can’t wait to see where season three is headed.

Derry Girls Re-watch

2020 felt like a good time to re-visit my girls in Derry. I wanted something familiar and funny and this was perfect. I just love this show. It makes me so happy after watching it. I’m so thrilled that we’ll eventually get a third season (even if it will be the last). This watch through I am noticing how many songs are in each episode. (Might help I’ve been watching it with subtitles.) There are so many bops. Sister Michael is always my spirit animal. She is hilarious! I also feel Gerry gets funnier as the season goes on. When he’s making the sandwiches at the funeral I crack up EVERY.TIME. I also love the seriousness of the show too. There are SO MANY great parallels. In the season one finale when the historical bomb goes off and the girls are shown at school unaware and just dancing with Orla it is so pure. Then we see Da put his hand on Gerry’s shoulder. Wow. It shows how the generations were affected. I will suggest this show to everyone no matter what they like to watch. IT IS THAT GOOD! So, why aren’t you watching it? (Or Re-watching?)

Violetta Season 3

We can all rejoice! The third and finale season of Disney’s Violetta was released onto Disney Plus mid month. As someone who recently finished the second season, it was no surprise that I was ecstatic and wanted to watch it ASAP. This season is hands down the fastest one I have gotten invested into. Usually it takes me a bit to get into the new plot and characters. Because I’ve gotten so attached, I’m worried that means it will go downhill. I’ve heard mixed things about season 3. But let’s focus on the positives! There is so much music so far (both old and new songs). I am loving a lot of the new songs: En Gira and Armor En El Aire. I like how they started on tour and how they included actual footage from the real tour. Now they are in their last year in the studio (so I guess Seniors?). Lots of changes are already occurring including people leaving the Studio. Some are headed to Gregorio’s Art Rebel. I have to say that Gregorio has grown on me so much and now he is one of my favorite characters. I love his relationship with Diego and every time they call each other Papa and son. OMG it’s fantastic! So great to see them happy. This season we have a new teacher, Milton and I honestly can’t figure out what his deal is. Why is he so mean? I’m in episode 18 now and I am happy Leon and Vilu are still going strong. Obviously, they’re going to have issues (and they’ve already had minor ones), but it’s good to still see them in love. (It is adorable how they call each other Amor.) I also like that their “love triangles” seem to be misunderstandings right now. I’m in the VERY early stages of Fran and Diego and honestly I am so in love with them already. I’m going to fall hard for this ship. I know it. I am so tempted to continue watching spoilers, but I feel they’re not true spoilers if I can only find them in Spanish with no subtitles. ;)

Sunshine on Leith

My journey through watching George Mackay films continued with Sunshine on Leith. This was a great choice and I highly recommend. The main difficulty is how to access it. I couldn’t find it fully anywhere online or through a streaming service, so I wound up purchasing it through Amazon and getting it as a UK DVD. This means you need a Multi-region DVD player to watch it. (I know. It’s weird that not all DVDs are the same.) Of course, I have one of these. I am a TV/Movie junky and love a lot of British programs that are unavailable to purchase in the US. I got it a few years ago also on Amazon and it was pretty cheap. I haven’t had any issues with it, so I highly recommend.

The movie musical includes songs from the Proclaimers and takes place in Edinburgh. As someone who got to visit Edinburgh it was so cool to see the characters in places I’ve actually been. Before watching the film, the only Proclaimers song I knew was (of course) 500 miles. While watching I realized I actually new more and those I didn’t know I really liked. So, now I have a new playlist on my phone. Some are the original songs and others are from the movie (because I prefer their voices on some). What was cool to see was how not all the actors had the strongest voices, but could sing really well. I’m not sure if this was a purposeful choice or not. (I’d have to look more into it.) At times the plot felt a little rushed. Overall it was a fairly short musical, so that was probably why. Characters seemed to know each other really well really fast. So, if a lot of time would have passed I didn’t notice it. I can’t wait to re-watch the film. George Mackay in the cast brought me to watch it, but I stayed for a great story. (And of course I fell more in love with my crush on Mackay...No shock there :)

I Am Not Okay With This

Netflix’s I Am Not Okay With This had been in my queue since the beginning of this year, but I didn’t get the chance to watch it till now....when I heard it got cancelled. [Netflix hit us with this news about a month back when they released that shows that were originally picked up were now getting dropped for a second season. I Am Not Okay With This and The Society were on the chopping block.] To make the comment everyone else already has, I am Not Okay With This.

Despite knowing the show got cancelled, I still wanted to watch it. As I was watching Derry Girls, I wanted another show that was contemporary. I was very surprised to see how few episodes there were as well as how short they each were. It was a very quick watch because of this. While I expected this show to be contemporary with a touch of the supernatural, as Syd has powers, I was not expecting it to be so much more! This show blends so many genres and it does it so well. I honestly don’t know if I’ve seen it done before...at all. Which makes it hard to compare to some others. It feels like an Indy/Contemporary Coming of Age with both supernatural and thriller vibes. It even touches into horror-ish towards the end of the season. If only there was another season to see where it would go. And that ENDING! Is it bad I laughed? I think I did because I was not expecting it to go down like that AT ALL. Syd was a very dynamic main character and I really like how they had her explore who she truly is. Her and Stan’s friendship is one that I strive for. (Speaking of, where can I get a Stanley Barber? I need one in my life.)If you’re willing to be upset that the show got cancelled and there is no second season in the works, then I definitely suggest you just out I Am Not Okay With This.

Enola Holmes

Man, I feel like I’m giving a lot of support to Netflix this month, but there was a lot coming out/ a lot in my queue so it makes sense. Overall, I would give Enola a 7/10. I had a lot of hype for this one (as it was one of my highly anticipated watches for September), which I think hurt my overall reaction. This doesn’t mean it wasn’t entertaining and enjoyable. I loved the female empowerment message as it was very strong. Millie Bobby Brown was fantastic and so charismatic as Enola. I loved the feature of her talking to us as well as giving some really great facial expressions. I am a sucker for a retelling (of any kind, but especially Sherlock Holmes), so I loved the concept and how they included a younger sister to the Holmes family. I know there has been some conversation about how Sherlock was portrayed and that’s not really Sherlock, but I had no problem with this (and I’m not just saying that because he was played by the dashing Henry Cavill). Honestly, Mycroft’s character bothered me more. I get that there had to be a “villainous” character (well other than the one in the mystery), but he felt a little too over the top. The movie felt a little too long at times and I still don’t like the reason for why her mother left and the conclusion to that plot. It did set it up as if there could be a sequel and I would definitely watch it.

I would also like to add that I cannot get enough of the cast. Thanks to the YouTube interviews Netflix keeps uploading, I am falling more and more in love with this trio. They just seem like so much fun and I would love to be a part of this cast. They feel like siblings!

Harriet

Another one in my watch-list for September can be checked off! Harriet has been a film that I have been wanting to watch since it came to theaters last year, but I felt like it came and went pretty fast. Luckily HBO just released it in the past month or so, which made me to tape it. I am so happy I did.

WOW! Why didn’t I know about these facts about Harriet Tubman sooner? Why aren’t we taught these parts of history in school? I already knew she was amazing, and this just put her over the top. She did SO MUCH! It’s super impressive that she was a part of the Civil War and fought. Not only was this something difficult to do as a Black person, but also as a woman. I didn’t know about her visions, so that was something I Googled right when the film was finished. She never lost a freed slave in their journey to freedom. The list goes on and on how amazing Harriet Tubman was. This film showcases that so well and Cynthia Erivo is amazing as Harriet. (I have to start finding synonyms for ‘amazing’.) Her voice...WOW! Before watching the film, I have loved listening to “Stand Up,” but now afterwards it takes on a whole new meaning. Especially when you understand the direct quote from Harriet Tubman: “I go to prepare a place for you.” CHILLS! This film was nominated for multiple Academy Awards and it should have gotten one. WATCH HARRIET!

The Crimson Field

I’ve noticed that most of the programs I watch through Amazon Prime Video are mainly period dramas. So it was no shock that I would tune into The Crimson Field, a 7 episode series following the nurses and surgeons in France during WWI. As someone who is often more drawn to WWII, I am finding myself interested to watch more things involving the first World War (ie: 1917 and Tolkien). And this show was just what I needed. The pressure was on to watch it though, as it was only available through Prime Video till September 30th. Luckily with only 7 episodes this was an easy feat to accomplish, plus the first couple I marathoned because it was so good. As with any show it took a little bit to understand the setting and the cast, but I feel like I got to know them rather quickly, which made me invested to know what would happen next. I did find it strange that Prime Video only had access to the show for a month as it originally aired on BBC one and then PBS in 2015. The streaming service has programs older than that readily available to watch any time.

The beginning of the series was definitely stronger in my opinion. I like how they gave breadcrumbs into people’s backstories, such as the main character Kitty. There was a lot of mystery there when we first learned she had a kid and then of her scandalous marriage. There are still a few things that I don’t 100% understand, but that might be because they thought they were getting a season 2 (but they did not). And with the way they ended the show it definitely had the feel. I enjoyed Kitty and Tom’s romance, but more at the beginning than at the end. With Tom’s character, I feel like they set him up as the super nice guy while Miles was the player, but then as the show progressed they decided Tom should have more Mr. Darcy traits and I just thought that was out of his character. Either way, I did still like him (and Miles) and could listen to Richard Rankin’s Scottish accent ALL DAY! It wasn’t until I looked up his IMDB that I made the connection that he is on Outlander now. Can you see the resemblance to him now?

Phineas and Ferb the Movie: Candace Against the Universe

And don’t we all just feel against the universe sometimes?

I know my range for this month is all over the place, so is it that shocking that I would add a cartoon to the mix. Definitely not...especially because it’s Phineas and Ferb. One of my favorite Disney Channel shows. Watching this film feels like FOREVER ago because it was so early in the month. I’ve only watched it the one time (because I don’t think it needs a second watch...I guess that tells you something), so let’s see how much I remember...

It’s been a while since we’ve had a new installment of Phineas and Ferb grace our screens and it was great to see the citizens of Danville once again. In a way, it felt like no time had passed. (And for them I guess it hadn’t because it always seems like the same summer.) It just felt like the moment for Phineas and Ferb. While I was really happy to see our beloved characters again, the plot of this film felt familiar. Very Queen of Mars. Now thinking back, it’s hard for me to relay what happens and I think that’s a good way to describe this movie. It was very familiar, and I wish they would have done more with it. I can’t even remember any of the songs (and that’s often my favorite part). Of course, it had all the classics antics and jokes. I love how Perry was helping out the kids and had to be very secretive about it. I always love a good Candace and Venessa team up. Dr. Doof was hilarious as usual and his pairing with the kids (specifically Isabella) was a great time. My favorite part was when they got meta and did the reverse engineering of their animation and then we saw the creators in front of the story boards. That was really cool and unexpected. Overall, it felt like Phineas and Ferb and made life in quarantine a little bit easier.

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Well! That’s a wrap. These were some of my favorite picks to talk about (even if it took me longer than usual). I hope you watched some great stuff last month and continue to find new picks for October!

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sinceileftyoublog · 3 years

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Indigo De Souza Interview: Compassion for Different Modalities

Photo by Charlie Boss

BY JORDAN MAINZER

Calling from her home near Asheville, North Carolina earlier this month, singer-songwriter Indigo De Souza is getting ready to go on tour behind her terrific sophomore album Any Shape You Take (Saddle Creek). Like everyone, she’s anxious about navigating the current COVID-19 landscape, but how she and her band adapt to a live performance and play the multi-dimensional songs that make up the record seems to be of little concern. I guess if I was as talented as De Souza, I wouldn’t be worried, either. Released last month, Any Shape You Take is a stunning series of ruminations on love and relationships, platonic and romantic, that span a number of years in De Souza’s life. Raised in a conservative small town in North Carolina by a mom who was an artist, De Souza doesn’t shy away from the fact that her family did not fit in. At the encouragement of her mother, she leaned into her artistic visions, making music as early as 9 years old, releasing her first EP in 2016.

After self-releasing her (very appropriately titled) first album I Love My Mom in 2018, De Souza signed to indie stalwarts Saddle Creek, who rereleased her debut and supplied her with the means to craft a much larger-sounding follow-up. Working with prolific secret weapon co-producer Brad Cook, her first proper label release occupies an incredible amount of genre territory. “This is the way I’m going to bend,” announces De Souza on auto-tuned synth pop opener “17″ before, well, bending in a number of different directions. “Darker Than Death” and “Die/Cry”, nervous songs that were written years ago, sport fitting build-ups, the former’s slow hi hats and cymbals giving way to jolts of guitar noise, the latter’s jangly rock taking a back seat to yelped harmonies. Songs like “Pretty Pictures” and “Hold U” reenter the dance world, the latter an especially catchy neo soul and funk highlight, a simple earworm of a love song. In the end, whether playing scraped, slow-burning guitar or rubbery keyboard, De Souza’s thoughtful and honest meditations center the emotionally charged album, one of the very best of the year.

De Souza takes her live show to the Beat Kitchen tonight and tomorrow night (both sold out) with Dan Wriggins of Friendship opening. Read our interview with De Souza about the making of Any Shape You Take and her songwriting process.

Since I Left You: On Any Shape You Take, there seems to be a good mix of folks you’ve worked with before and folks you’re working with for the first time. What did each group bring to the table?

Indigo De Souza: Brad Cook was co-producing. It was my first time working with a producer on something. That was crazy. He was very supportive of everything and very encouraging. It was nice to have someone to bounce ideas off of who wanted to encourage my vision. I also worked with Alex [Farrar] and Adam [McDaniel] from drop of sun studios in Asheville. They’re both just so sweet and talented. They were engineering but also helped with production as well. I ended up getting really close with Alex, and me and Alex finished out the album together doing vocal overdubs and random overdubs. It feels like he did a lot of production on the album and was a star for me in the process. They were all great to work with. It was interesting to me to have so many people working on the album.

What I realized after the fact, [though], was that it was kind of distracting for me to have so many brains working on it. It taught me I actually feel very confidently about my vision for songs, and I can trust myself to have ideas for my own songs. I think I was scared going in that I was going to come up blank in that scenario because it was such a high-pressure thing, getting on a label and making a high-production album. But I definitely thrived in the space. It was really fun.

SILY: It shows in the finished product. There are so many different styles and subgenres within the record. Do you listen to all the types of music that show up on this record?

IDS: Yeah, for sure. Mostly, I listen to pop music and dance music. That’s probably my most daily genre. I don’t listen to a lot of music daily, though. I listen to music probably a couple times a week when I’m in the car, but it’s so random, and the genres I listen to are pretty random. It depends on my mood. I think when I’m writing, it’s the same way, whether I’m writing a poppier or rock-based song. They’re different moods for me.

SILY: How do you generally approach juxtaposing lyrics with instrumentation?

IDS: With writing, it’s different every time the way they fall into place together. I do notice that one of the more common ways it happens is I’ll be going about my day and hear a melody in my head and start humming it and realize I’m making it up, that I have no record of it before. I’ll start attaching feeling to the melody, depending on what I’m feeling, and at first I’ll be singing gibberish with the melody, but I’ll usually get some headphones on and plug into the computer so I can sing into a microphone. I’ll mess around with the melody and sing random words until something true to me kind of sticks. That’s usually how it goes. Sometimes, I [do] sit down and it comes out in one breath, like the song is already written in my mind.

Honestly, it’s so normalized how songwriting is. It’s such a strange, magical thing that people can write songs that have never been written before. [laughs]

SILY: Thematically, there are a lot of songs on Any Shape You Take where you’re feeling doubts about a relationship, like on “Darker Than Death”. Someone’s feeling bad, and you’re wondering whether it’s you making them feel bad. And on “Die, Cry”, you sing, “I’d rather die than see you cry.” On the other hand, there are some songs like “Pretty Pictures” where you know your place more within the relationship, and you know what’s eventually gonna happen to it. How do you balance those feelings of doubt with knowing what’s gonna happen?

IDS: It’s funny, because the first two songs you mention were written a very long time ago when I was in the only very long-term relationship I’ve ever been in. I was very confused in that time and was having a hard time in general with my mental health. “Pretty Pictures” is the newest song on the album, a last minute addition because another song we had on there didn’t really fit. We looked through my demos folder and chose “Pretty Pictures”, the most recent song I had written at the time, and recorded it for the album. They’re totally different times in my life, and how you said it is definitely how I was. There’s a time I was more confused, and now, love is more simple in my life, and I can process things and see how they are, have compassion for different modalities.

SILY: I love the line on “Way Out”, “There are no monsters underneath your bed, and I’ll never be the only thing you love.” It’s a very logical statement in the face of unbridled emotion that can make you think illogically. Is that contrast something you think shows up throughout the record?

IDS: Within love, over time, I’ve realized that there’s not one person for anybody. There’s a lot of fluidity in the ways people can feel towards other people. That line is definitely a nod to allowing people to love many other people and not taking it personally.

SILY: From a singing perspective, you have a lot of different vocal stylings on the record. I found it interesting you led it off with a track where you’re super auto-tuned. Can you tell me about that decision?

IDS: “17” originally was this demo I made in 2016 or 2017. It was a very old demo. In 2018 or so, I brought the demo to my band at the time, and we created a live version of that song that was nothing like the recording that you hear. The recording was so weird and had a lot of auto-tune and higher-pitched and lower-pitched vocals. We had a live version we played for a while that’s on Audiotree. Whenever we were recording Any Shape You Take, we started to record it the live way and realized it wasn’t feeling right. We listened to the old demo, and it gave this wake up kick to everyone. We got excited by how the demo sounded because we hadn’t heard it in so long. We realized we wanted to record it based on the demo. So that song sounds very similar to the way the demo originally sounded.

SILY: What’s the story behind the album title?

IDS: There are so many layers to the album title. [laughs] It came to me mostly because the album takes so many musical shapes but also so many emotional shapes. It feels like a lot of the themes in the album are about change and acceptance of change and acceptance of a full spectrum of feelings of pain and grief and allowing people to take many forms. It was mainly inspired by the fact that I’ve taken so many forms in my life and am witness to the way changing forms yourself can either push people away or pull them in closer. I’ve always been so appreciative of the people in my life who allow me to take so many different forms and are still there to witness and care about me, whether we’re close to each other or far away. That’s the main reason I wanted to call the album Any Shape You Take. The most beautiful kind of love you can have is allowing someone to be themselves and shift in and out of things freely.

SILY: Is your live show faithful to the studio versions of the songs, or did you have to learn how to adapt the songs to the stage?

IDS: A lot of them sound very similar to the recording. We’ve been having so much fun practicing them and playing them live.

SILY: Is there one in particular you’re most looking forward to playing?

IDS: I love playing “Bad Dream”. That’s just a crazy song to play live because it’s so loud and rowdy. [laughs]

SILY: You have that falsetto in the middle of it, too.

IDS: Yeah. It’s so fun.

SILY: Anything you’ve been listening to, reading, or watching lately that’s caught your attention?

IDS: I’m excited that one of my favorite authors, Tao Lin, just put out a book I haven’t been able to get fully into. It’s called Leave Society. I just got it in the mail last week. Other than that, I’ve just been so, so busy with interviews and work on the computer and with my manager, staying on top of this crazy shift happening on top of my life. I haven’t taken in a lot of media. I was just watching Love Island recently because I wanted to shut my brain down. Somebody was telling me about Sexy Beasts last night, which sounds insane. I’m excited to watch that.

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thekillerssluts · 4 years

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The Story Behind Every Song On Will Butler’s New Album Generations

Will Butler has a lot on his mind. It has, after all, been five years since his solo debut, Policy. A lot can happen in half a decade, and a lot has happened in this past half-decade — much of it quite dire. Butler was in his early 30s when Policy came out, and now he’s closing in on 40. He’s a husband and father. And he’s shaken by the state of the world, the idea of being an artist and a soon-to-be middle-aged man striving to guide his family through the chaos.

At least, that’s how it comes across through much of Generations, his sophomore outing that arrives today. Generations is a big, sprawling title by nature, and the album in turn grapples with all kinds of big picture anxieties. Mass shootings, the overarching darkness and anxiety of our time, trying to reckon with our surroundings but the system overload that occurs all too easily in the wake of it. Then there are more intimate songs, too, tales drawn from personal lives as people plug along just trying to navigate a tumultuous era.

Butler is, of course, no stranger to crafting music that seeks to parse the cultural moment and how it impacts in our daily lives. Ever since Arcade Fire ascended to true arena-rock status on The Suburbs 10 years ago, they have embarked on projects that explicitly try to make sense of our surroundings. (Not that their earlier work was bereft of heavy concepts — far from it — but Reflektor and Everything Now turned more of a specific eye towards contemporary ills and trials.) But as one voice amongst many in Arcade Fire, there is a cinematic scope to whatever Butler’s playing into there.

On Generations, he engages with a lot of similar concerns but all in his own voice — often yelping, desperate, frustrated then just trying to catch a breath. Butler leans on his trusty Korg MS-20 throughout Generations, often giving the album a synth-y indie backdrop that allows him to try on a few different selves. There are a handful of surging choruses, “la-la” refrains batting back against the darkness, slinking grooves maybe allowing someone the idea of brief physical release amidst ongoing strife.

Ahead of Generations’ arrival, Butler sent us some thoughts on the album, running from inspiration between the individual tracks to little details about the arrangement and composition of different songs. Now that you can hear the album for yourself, check it out and read along with Butler’s comments below.

1. “Outta Here”

I think this is the simplest song on the record. Just, like, get me out of here. Get me fucking out of here. I’m so tired of being here. No, I don’t have another answer, and I don’t expect anything to be better anywhere else. But, please, I would like to leave here.

I can play plenty of instruments, and can make interesting sounds on them, but kinda the only instrument I’m good at is a synth called the Korg MS-20. That’s the first sound on the record. It makes most of the bass you hear on the record. It’s a very aggressive, loud, versatile machine, and I wanted to start the record with it cause I’m good at playing it and it makes me happy.

2. “Bethlehem”

This song partly springs from “The Second Coming” by William Butler Yeats: “What rough beast, its hour come round at last, slouches towards Bethlehem to be born?” Like a lot of folks, I woke up after the election in 2016 mad and sad and scared and exhausted. This song is born of that emotion.

My bandmates Jenny Shore, Julie Shore, and Sara Dobbs sing the bridge, and it’s a corrective to my (appropriate?) freaking out — this isn’t the apocalypse. You’re misquoting Yeats. Get your fucking head on straight. History has not ruptured — this shit we’re in is contiguous with the shit we’ve been dealing with for a long, long time. But still, we sometimes do need an apocalyptic vision to make change. Even if it’s technically wrong. I dunno. It’s an ongoing conversation.

There’s a lot of interplay with backing vocals on this record — sometimes the narrator is the asshole, sometimes the backing vocals are the asshole. Sometimes they’re just trying their best to figure out the world. This song starts that conversation.

3. “Close My Eyes”

I tried to make these lyrics a straightforward and honest description of an emotion I feel often: “I’m tired of waiting for a better day. But I’m scared and I’m lazy and nothing’s gonna change.” Kind of a sad song. Trying to tap into some Smokey Robinson/Motown feeling — “I’ve got to dance to keep from crying.”

There’s a lot of Mellotron on this record, and a lot of MS-20. This song has a bunch of Mellotron strings/choirs processed through the MS-20. It’s a trick I started doing on the Arcade Fire song “Sprawl II,” and I love how it sounds and I try to do it on every song if I can.

4. “I Don’t Know What I Don’t Know”

This makes a pair with “Close My Eyes” — shit is obviously fucked, but “I don’t know what I don’t know what I don’t know what I can do.” I’m not a proponent of the attitude! Just trying to describe it, as I often feel it. In my head, I know some things that I can do — my wife Jenny, for instance, works really hard to get state legislatures out of Republican control. Cause it’s all these weirdo state legislative chambers that have enormous power over law enforcement, and civil rights, and Medicaid, and everything.

The image in the last verse was drawn from the protests in Ferguson in 2015: “Watch the bullets and the beaters as they move through the streets — grab your sister’s kids — hide next to the fire station…” It’s been horrifically disheartening to see the police riot across America as their power has been challenged. I’ve got a little seed of hope that we might change things, but, man, dark times.

More MS-20 bass on this one, chained to the drum machine. This one is supposed to be insanely bass heavy — if it comes on in a car, the windows should be rattling, and you should be asking, “What the heck is going on here?” Trying for a contemporary hip-hop bass sound but in a way less spare context. First song with woodwinds — rhythmic stuff and freaky squeals by Stuart Bogie and Matt Bauder.

5. “Surrender”

This song is masquerading as a love song, but it’s more about friendship. About the confusion that comes as people change: Didn’t you use to have a different ideal? Didn’t we have the same ideal at some point? Which of us changed? How did the world change? Relationships that we sometimes wish we could let go of, but that are stuck within us forever.

It’s also about trying to break from the first-person view of the world. “What can I do? What difference can I make?” It’s not about some singular effort — you have to give yourself over to another power. Give over to people who have gone before who’ve already built something — you don’t have to build something new! The world doesn’t always need a new idea, it doesn’t always need a new personality. What can you do with whatever power and money you’ve got? Surrender it over to something that’s already made. And then the song ends with an apology: I’m sorry I’ve been talking all night. Just talk talk talking, all night. Shut up, Will.

Going for “wall of sound” on this one — bass guitar and bass synth and double tracked piano bass plus another piano plus Mellotron piano. The “orchestra” is about a dozen different synth and Mellotron tracks individually detuned. And then run through additional processing.

6. “Hide It Away”

This song is about secrets. Both on an intimate, heartbreaking level — friends’ miscarriages, friends’ immigration status, shitty affairs coming to light — and on a grand, horrible level: New York lifting the statute of limitations on child abuse prosecutions, all the #MeToo reporting. There’s nothing you can do when your secret is revealed. Like, what can you do? You just have to let the response wash over you. If you’ve done something horrible, god-willing, you’ll have to pay for it in some way. If it’s something not horrible, but people will hate you anyway, goddammit, I wish there were some way to protect you.

This song has the least poetic line on the record, a real clunker: “It’s just money and power, money and power might set them free.” But it’s a clunky, shitty concept — the most surefire protection is being rich and knowing powerful people. But even then, shit just might come out. Even after you’re long dead.

Came from a 30-second guitar sample I recorded while messing around at the end of trying to track a different song. I liked the chords, looped them to make a demo. And the song was born from there. This is the one song I play drums on. Snare is chained to the MS-20, trying to play every frequency the ear can hear at the same time on some of those big hits.

7. “Hard Times”

[Laughs] I sat down and tried to write a Spotify charting electro-hit, and this is what came out: “Kill the rich, salt the earth.” Oh well. Written way before COVID-19, but my 8-year-old son turned to me this spring and asked, “Did you write the song ‘Hard Times’ about now, because we’re living through hard times?” No, I didn’t.

In Dostoevsky’s Notes From Underground, the narrator is a real son-of-a-bitch—contrarian, useless. Mad at the strong confident people who think they’ve got it figured out. And they don’t! And neither does the narrator — but he knows he doesn’t, and he at times yearns for some higher answer, and he’s funny, and too clever, but still knows he’s a piece of shit. I read Notes From Underground in high school and kinda forgot how it shaped my worldview until I sat down with it a couple years ago. The bridge on this song is basically smushed up quotes from Notes From Underground.

I was asking Shiftee, who mixed the record, if there are any vocal plug-ins I should be playing around with. He pointed me toward Little AlterBoy, which is basically a digital recreation of the kind of pedal the Knife use, for instance, on their vocal sound. It can shift the timbre/character of a voice without changing the pitch. Or change pitch without changing character. Very fun! Very much all over this track. Tried to make the bridge sound like a Sylvester song.

8. “Promised”

Another friend song masquerading as a love song. I’ve met a handful of extraordinary people in my life, who stopped doing extraordinary work because life is hard and it sucks. People who — I mean, it’s a lottery and random and who cares — could be great writers or artists, who kind of just disappeared. And it’s heartbreaking and frustrating. I don’t blame them. Maybe they weren’t made for this world. Maybe it’s just random. Maybe they’ll do amazing work in their 60s!

We tracked this song before it was written. Julie and Miles came over and we made up a structure and did a bunch of takes, found a groove. Which I then hacked up into what it is now! The bed tracks are lovely and loose. Maybe I’ll put out a jammier version of this song at some point. The other big synth on this record is the Oberheim OB-8, and that’s the bass on this one (triple tracked along with some MS-20).

9. “Not Gonna Die”

This song is about terrorism, and the response to terrorism. I wrote it a couple weeks after the Bataclan shooting in Paris in 2015. For some reason, a couple weeks after the shooting, I was in midtown Manhattan. I must have been Christmas shopping. I had to pop into the Sephora on 5th Avenue to pick up something specific — I think for my wife or her sister. I don’t remember. But I remember walking in, and the store was really crowded, and for just a split second I got really scared about what would happen if someone brought out a gun and started shooting up the crowd. And then I got so fucking mad at the people that made me feel that emotion. Like, I’m not gonna fucking die in the midtown Sephora, you fucking pieces of shit. Thanks for putting that thought in my head.

BUT ALSO, fuck all the fucking pieces of shit who are like, “We can’t accept refugees — what if they’re terrorists?” FUCK OFF. Some fucking terrified family driven from their home by a war isn’t going to kill me. Or anyone. Fuck off. Some woman from Central America fleeing from her husband who threatened to kill her isn’t going to fucking bomb Times Square. You fucking pieces of shit.

In November/December 2015, the Republican primary had already started — Trump had announced in June. And every single one of those pieces of shit running for president were talking about securing our borders, and keeping poor people out, and trying to justify it by security talk. FUCK OFF. You pieces of shit. Fuck right off. Anyway. Sorry for cursing.

I kind of think of the outro of this song as an angry “Everyday People.” Everyday people aren’t going to kill me. Lots of great saxes on this track from Matt Bauder and Stuart Bogie.

The intro of the song we recorded loud, full band, which I then ran through the MS-20 and filtered down till it was just a bass heart-pulse, and re-recorded solo piano and voice over that.

10. “Fine”

I kind of think that “Outta Here” to “Not Gonna Die” comprise the record, and “Fine” operates as the afterword and the prologue rolled into one. An author’s note, maybe. It was kind of inspired by high-period Kanye: I wanted to talk about something important in a profane, sometimes horribly stupid way, but have it be honest and ultimately transcendent.

In the song, I talk semi-accurately about where I come from. My mom’s dad was a guitar player who led bands throughout the ’30s and ’40s. In post-war LA, he had a band with Charles Mingus as the bass player. Charles Mingus! One of the greatest geniuses in all of American history. But this was the ’40s, and in order to travel with the band, to go in the same entrances, to eat dinner at the same table, he had to wear a Hawaiian shirt and everybody had to pretend he was Hawaiian. Because nobody was sure how racist they were supposed to be against Hawaiians.

Part of the reason I’m a musician is that my great-grandfather was a musician, and his kids were musicians, and their kids were musicians, and their kids are musicians. Part of the reason is vast generations of people working to make their kids’ lives better, down to my life. Part of the reason is that neither government nor mob has decided to destroy my family’s lives, wealth, and property for the last couple hundred years. I tried to write a song about that?

Generations is out now via Merge. Purchase it here.

https://www.stereogum.com/2098946/will-butler-generations-song-meanings/franchises/interview/footnotes-interview/

#Arcade Fire #will butler #generations #interview #hq

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ladyherenya · 4 years

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Books read in December

I set myself some reading goals for the end of the year -- finish any books I’d already started, read the books I'd already borrowed, and to read ebooks I’d bought before buying any more. But I guess most of those books just weren’t the right genre? A few exceptions aside, this month I read a bunch of other things instead.

Also read: The Frost Fair Affair and Holiday Brew by Tansy Rayner Roberts, and Sweetest in the Gale and 40-Love by Olivia Dade.

Reread: Love Lettering by Kate Clayborn and Bookish and the Beast by Ashley Poston.

Total: thirteen novels (including two audiobooks and two rereads), three novellas, and three story/novella collections.

Favourite cover: The cover was what caught my attention for Finding My Voice and Old Baggage.

Still reading: Between Silk and Cyanide by Leo Marks, Or What You Will by Jo Walton and The Disorderly Knights by Dorothy Dunnett.

Next up: A Most Improper Magick by Stephanie Burgis.

Queen’s Play by Dorothy Dunnett (narrated by David Monteath): In 1548, Francis Crawford of Lymond arrives in France, incognito in order to protect Scotland’s queen, seven-year-old Mary. I enjoyed this, even though I am not very interested in the antics of the French court and thought The Game of Kings benefitted from having more characters who I found wholly likeable and/or who matter, personally, to Lymond. Dunnett is an impressive storyteller -- vivid descriptions, lively dialogue, nuanced characters and twists that take me by surprise. Moreover, those satisfying puzzle pieces explain the plots and intrigue, give insight into personalities and develop the narrative’s themes (here, the consequences of power).

The Kinship of Secrets by Eugenia Kim: In 1950, four year old Inja lives with her grandparents and uncle in Seoul, while her sister Miran is in America with their parents. War delays the family’s reunion. This is a fascinating portrayal of two sisters growing up in different countries, and an incredibly poignant story about a family separated. Compelling, and beautifully written, and despite moments of intense grief, hopeful. I liked how, in the end, Inja and Miran didn’t have all the answers.. But I wonder if I’d have found the ending more satisfying if I had a deeper understanding of who they both were as adults.

Teacup Magic series by Tansy Rayner Roberts:

Tea and Sympathetic Magic: Stephanie Burgis recommended this novella as something similar to her Harwood Spellbook series and it certainly has a similar appeal: romantic fantasy, bordering on comedy-of-manners territory. Like Georgette Heyer but with magic and diversity and an intention to challenge problematic and outdated attitudes. Charming and cosy, like a good cup of tea rather than a frothy hot chocolate. Miss Mnemosyne Seaborne, a reluctant guest at a houseparty. She joins forces with the other guests after an unexpected abduction occurs. Entertaining, and even though it was too short for me to really become invested, I immediately wanted to read the sequel.

The Frost Fair Affair: After her previous adventures, Mneme has new friends, a suitor and a campaign: overturning the social conventions which prevent women from travelling by portal. After someone in Town steals her political pamphlets, she gets caught up in a mystery. I enjoyed this oh so much! I found myself caring a lot more about Mneme and her relationships; I liked the mixture of intrigue and danger, and how in the cause of dealing with these, Mneme learns more about the man she hopes to marry; and the Frost Fair, on a frozen river, makes a delightful setting. I'd love to read more.

Belladonna U(niversity) series by Tansy Rayner Roberts:

Unreal Alchemy: Oh, this is my new favourite! Urban fantasy about Australian uni students who are connected to an indie rock band, Fake Geek Girl. These stories are funny, geeky and romantic, with great chapter titles and lots of fandom references. They employ different points of view and different narrative styles in a way that’s really effective. I love the characters and how important and intense their non-romantic relationships are. Between them they have a variety of romantic/sexual relationships and feelings, but friendships and familial relationships, like the one between twin sisters Hebe and Holly, also drive the narrative. The first collection contains four stories/novellas.

Fake Geek Girl -- Ferd moves into the Manic Pixie Dream House; Holly and Sage argue about the future of the band.

Unmagical Boy Story -- Viola has feelings about her best friend losing his magic, transferring colleges and making new friends.

The Bromancers -- The band and frriends spend a weekend at a magical music festival.

The Alchemy of Fine -- A prequel about the band’s origins.

Holiday Brew: This collection is more serious and less overtly fandom-y than the first, but arguably still very meta (especially if you consider Viola, Jules and Ferd as a response to the trio in Harry Potter). I sat down intending to read just one of these stories -- and ended up reading them all.

Halloween Is Not A Verb -- Holly invites various people to their mums’ place for Halloween.

Solstice on the Rocks -- A short story about university graduation.

Kissing Basilisks -- Begins on New Year’s Day, is compelling, and picks up the non-band-related narrative threads from Fake Geek Girl.

Missing Christmas by Kate Clayborn: This novella is loosely connected to Beginer's Luck but stands alone. It's sweet. Business partners and best friends Jasper and Kristen pay a last minute trip to a client and get trapped by a blizzard, which pushes them to reconsider the boundaries they’ve drawn in their relationship. I liked the moments which showed that they’re an effective team because they know each other so well and can communicate through subtle body language.

Finding My Voice by Marie Myung-Ok Lee: Ellen is a Korean-American teenager in her final year of high school. Her story is about applying for college, gymnastics training, Ellen’s relationships with her best friend and her first boyfriend, dealing with racism at school and with her parents’ expectations that she will follow her sister to Harvard. It’s very short, first published in 1993. I was aware of all the places where a YA novel written today would be allowed to give more details and to expand the story, but it was still interesting.

The Magnolia Sword: A Ballad of Mulan by Sherry Thomas: I’ve borrowed this several times this year, only to return it unread each time, and I was starting to wonder if I really wanted to read it. But once I actually sat down and focused, I quickly realised that I definitely did! I became completely engrossed in this Mulan retelling. It’s a tense adventure. I enjoyed the characters and their interactions, particularly the elaborate courtesy of formal conversations, and the way Mulan and her companions value loyalty and camaraderie. I thought this was a very believable take on the whole girl-disguised-as-a-boy thing too.

Dear Mrs Bird by AJ Pearce: In 1940, Emmy wants a newspaper job but is instead typing up letters for a women’s magazine and discarding mail from readers whose problems are Unacceptable. Frustrated that Mrs Bird won’t offer advice to so many women in need, Emmy's tempted to take matters into her own hands. Her optimism means she makes some naive mistakes, some of which made me wince, but it’s also an incredible strength. She's delightful company. I really like how much of this story is about her friendship with Bunty and I enjoyed the insight into women's magazines and the Auxiliary Fire Service.

The Lonely Hearts Dog Walkers by Sheila Norton: Recently separated, Nicola moves back in with her mother, starts as a teaching assistant at her daughter’s new school, gets a puppy and joins a group of dog walkers, who embark upon a mission to save the local park. This was very low-angst and, once I realised the sort of story it was, kind of predictable. I can recognise the appeal of this brand of realism, but personally would have preferred more humour or more emotional complexity. Were Nicola a colleague, it’d be easy to find things in common to discuss, but her story wasn’t quite what I was looking for.

Chasing Lucky by Jenn Bennett: When Josie and her mother return to Beauty to look after the family bookshop, Josie has plans -- keep to herself, finish high school, secure a photography apprenticeship, move to LA. But after Josie accidentally breaks a store-front window and her childhood friend Lucky takes the blame, Josie’s priorities change. I enjoyed this more than I expected to. I particularly liked how Lucky subverts people’s expectations, and how Josie’s family works at communicating better with each other.

Old Baggage by Lissa Evans (narrated by Joanna Scanlan): It’s 1928 and Mattie Simpkin, a now-middle-aged militant suffragette, lives in Hampstead with her friend Florrie Lee (aka The Flea). Mattie gives lectures about the suffragettes but realises she’s not reaching the younger generation. So she starts a club for “healthy outdoor fun” for teenage girls. Mattie is wonderfully forthright -- amusing, engaging and informative when it comes to things she’s passionate about -- but she’s also fallible. A really delightful yet bittersweet story about friendship and loss and the opportunities available for women. I liked its awareness that being able to loudly be yourself is a privilege not everyone has.

There’s Something About Marysburg series by Olivia Dade:

Teach Me: Rose is unimpressed -- not only must she share her classroom with the new history teacher, he’s been given her Honors World History class. There’s something particularly satisfying about people who have been hurt and lonely finding support and love in each other. I like that they get to know each other over many months. I like Martin’s relationship with his teenage daughter and Rose’s relationship with her ex’s parents is so touching that one scene made me cry. And it was interesting seeing the US school system from the perspective of experienced teachers; I appreciated the details about their jobs.

Sweetest in the Gale: a Marysburg story collection contains three novellas about couples in their forties.

Sweetest in the Gale -- Griff is worried when Candy, a fellow English teacher, returns for the new school year uncharacteristically sombre and subdued. A really sweet romance about people who are navigating loss and grief.

Unraveled -- Maths teacher Simon is assigned to observe and mentor the new art teacher, Poppy. I enjoyed the threads of mystery.

Cover Me -- After a concerning mammogram result, Elizabeth marries an old friend so she’s covered by his health insurance. Predictable as anything, but that made it a safe position from which to explore serious and sobering topics.

40-Love: I’m not interested in tennis or holiday resorts; I was disappointed that this novel wouldn’t show Tess being an assistant principal; and even though some of my favourite fictional couples have a significant age-gap, I’m wary about age-gap romances (and socially-programmed to think it’s odd for a woman to date a much younger guy). But I liked the other stories in this series and I was curious. It’s Not really My Cup of Tea, but I was convinced that Tess and Lucas were both capable of making their (somewhat unconventional) relationship work. An interesting exercise in challenging my social-programming.

The Viscount Who Loved Me by Julia Quinn: After watching Bridgerton (not always to my tastes but mostly fun), curiosity prompted me to read the opening of the second novel, and I was so entertained by Kate Sheffield verbally sparring with the viscount, whom Kate is determined to prevent from marrying her younger sister. I continued to be entertained up until the viscount acts a bit too entitled on his wedding night (that’s unattractive, if outrightly problematic). Which left me in rather an uncharitable mood for the final act, so I can’t identify if the drama of dealing with past traumas didn’t meet the standard of the earlier comedy or if I just hold such scenes to differing standards.

#Herenya reviews books #sooner or later

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weekendwarriorblog · 4 years

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The Weekend Warrior 10/13/20: FREAKY, THE CLIMB, MANK, HILLBILLY ELEGY, AMMONITE, DREAMLAND, DOC-NYC and MUCH MORE!

It’s a pretty crazy week for new releases as I mentioned a few times over the past couple weeks, but it’s bound to happen as we get closer to the holiday movie season, which this year won’t include many movies in theaters, even though movie theaters are still open in many areas of the country… and closing in others. Sigh. Besides a few high-profile Netflix theatrical release, we also get movies starring Vince Vaughn, Margot Robbie, Kate Winslet, Saoirse Ronan, Mel Gibson and more offerings. In fact, I’ve somehow managed to write 12 (!!!!) reviews this week… yikes.

Before we get to the new movies, let’s look at a few series/festivals starting this week, including the always great documentary festival, DOC-NYC, which runs from November 11 through 19. A few of the docs I’ve already seen are (probably not surprisingly, if you know me) some of the music docs in the “Sonic Cinema” section, including Oliver Murray’s Ronnie’s, a film about legendary jazz musician and tenor sax player Ronnie Scott, whose London club Ronnie Scott’s Jazz Club has been one of the central cores for British jazz fans for many decades.

Alex Winter’s Zappa is a much more satisfying portrait of the avant-garde rocker than the doc Frank Zappa: In His Own Words from a few years back, but I was even more surprised by how much I enjoyed Julien Temple’s Crock of Gold: A Few Rounds with Shane MacGowan, because I’ve never really been a Pogues fan, but it’s highly entertaining as we learn about the chronically-soused frontman of the popular Irish band.

I haven’t seen Robert Yapkowitz and Richard Peete’s in My Own Time: A Portrait of Karen Dalton, a portrait of the blues and folk singer, yet, nor have I watched Marcia Jarmel and Ken Schneider’s Los Hermanos/The Brothers about two brother musicians separated from childhood after leaving their native Cuba, but I’ll try to get to both of them soon enough.

Outside of the realm of music docs is Ilinca Calugareanu’s A Cops and Robbers Story, which follows Corey Pegues from being a drug dealer and gang member to a celebrated deputy inspector within the NYPD. There’s also Nancy (The Loving Story) Buirski’s A Crime on the Bayou, the third part of the filmmaker’s trilogy about brave individuals in the Civil Rights era, this one about 19-year-old New Orleans fisherman Gary Duncan who tries to break up a fight between white and black teens at an integrated school and is arrested for assaulting a minor when merely touching a white boy’s arm.

Hao Wu’s 76 Days covers the length of Wuhan, China’s lockdown due to COVID-19, a very timely doc that will be released by MTV Documentary Films via virtual cinema on December 4. It’s one of DOC-NYC’s features on its annual Short List, which includes Boys State, Collective, The Fight, On the Record, and ten others that will vie for juried categories.

IFC Films’ Dear Santa, the new film from Dana Nachman, director of the wonderful Pick of the Litter, will follow its Heartland Film Festival debut with a run at COD-NYC before its own December 4 release. The latter is about the USPS’s “Operation Santa” program that receives hundreds of thousands of letters to Santa every year and employees thousands of volunteers to help make the wishes of these kids come true.

Basically, there’s a LOT of stuff to see at DOC-NYC, and while most of the movies haven’t been released publicly outside festivals yet, a lot of these movies will be part of the doc conversations of 2020. DOC-NYC gives the chance for people across the United States to see a lot of great docs months before anyone else, so take advantage of some of their ticket packs to save some money over the normal $12 per ticket price. The $199 price for an All Access Film Pass also isn’t a bad deal if you have enough time to watch the hundreds of DOC-NYC offerings. (Sadly, I never do, yet I’m still a little bummed to miss the 10Am press screenings at IFC Center that keeps me off the streets… or in this case, sitting on my ass at home.)

Not to be outdone by the presence of DOC-NYC, Film at Lincoln Center is kicking off its OWN seventh annual “Art of the Real” doc series, which has a bit of overlap by running from November 13 to 26. I really don’t know a lot about the documentaries being shown as part of this program, presented with Mubi and The New York Times, but check this out. For just 50 bucks, you can get an all-access pass to all 17 films, which you can casually watch at home over the two weeks of the fest.

Okay, let’s get to some theatrical releases, and the one I’ve been anticipating the most (also the one getting the widest release) is Christopher Landon’s FREAKY from Blumhouse and Universal Pictures. It stars Kathryn Newton as Millie Kessler, a high school outcast who is constantly picked on, but one night, she ends up encountering the serial killer known as the “Blissfield Butcher” (Vince Vaughn), but instead of dying when she’s stabbed with a ritual blade. The next morning Millie and the Butcher wake up to discover that they’ve been transported into the body of the other. Oh, it’s Friday the 13th… oh, now I get it… Freaky Friday!

Landon is best known for writing many of the Paranormal Activity sequels and directing Paranormal Activity: The Marked Ones. Msore importantly, he directed Happy Death Day and its sequel Happy Death Day 2 U, two of my favorite Blumhouse movies, because they so successfully mix horror with comedy, which is so hard to do. That’s what Freaky is all about, too, and it’s even harder this time even though Freaky has way more gruesome and gory kills than anything in Landon’s other films. Heck, many of the kills are gorier than the most recent Halloween from Blumhouse, and it’s a little shocking when you’re laughing so hard at times.

Landon does some clever things with what’s essentially a one-joke premise of a killer in a teen girl’s body and vice versa, but like the Lindsay Lohan-Jamie Lee Curtis remake from 2003, it’s all about the talent of the two main actors to pull off the rather intricate nature of playing humor without losing the seriousness of the horror element.

It may not be too surprising with Vaughn, who made a ton of dramas and thrillers before turning to comedy. (Does everyone remember that he played Norman Bates in Gus Van Sant’s remake of Psycho and also starred in thrillers The Cell and Domestic Disturbance?) Newton is a bit more of an unknown quantity, but as soon as Tillie dawns the red leather jacket, you know that she can use her newly found homicidal attitude to get some revenge on those who have been terrible to her.

In some ways, the comedy aspects of Freaky win out over the horror but no horror fan will be disappointed by the amount of gory kills and how well the laughs emerge from a decent horror flick. Freaky seems like the kind of movie that Wes Craven would have loved.

I’m delighted to say that this week’s “Featured Flick” is Michael Angelo Covino and Kyle Marvin’s indie comedy THE CLIMB (Sony Pictures Classics), a movie that I have seen no less than three times this year, first when it was playing Sundance, a few months later when it was supposed to open in March… and then again last week! And you know what? I enjoyed it just as much every single time. It’s an amazing two-hander that stars Covino and Marvin as best friends Mike and Kyle, who have a falling out over the former sleeping with the latter’s fiancé, and it just gets funnier and funnier as the friends fight and Kyle gets engaged to Marisa (Gayle Rankin from GLOW) who hates Mike. Can this friendship possibly survive?

I really had no idea what to expect the first time I saw The Climb at the Sony Screening Room, but it was obviously going to be a very different movie for Sony Pictures Classics, who had started out the year with so many great films before theaters shut down. (Unfortunately, they may have waited too long on this one as theaters seem to be shutting down again even while NYC and L.A. have yet to reopen them. Still, I think this would be just as much fun in a drive-in.)

The movie starts with a long, extended scene of the two leads riding bikes on a steep mountain in France, talking to each other as Kyle (once the athlete of the duo) has fallen out of shape. During the conversation, Mike admits to having slept with Kyle’s fiancé Ava (Judith Godréche) and things turn hostile between the two. We then get the first big jump in time as we’re now at the funeral for Ava, who actually had been married to Mike. Kyle eventually moves on and begins a relationship with his high school sweetheart Marisa, who we meet at the Thanksgiving gathering for Kyle’s extended family. In both these cases, we see how the relationship between Mike and Kyle has changed/evolved as Mike has now fallen on hard times.

It's a little hard to explain why what’s essentially a “slice of life” movie can be so funny. On one hand, The Climb might be the type of movie we might see from Mike Leigh, but Covino and Marvin find a way to make everything funny and also quite eccentric in terms of how some of the segments begin and end. Technically, it’s also an impressive feat with the number of amazing single shot sequences and how smooth some of the transitions work. It’s actually interesting to see when and how the filmmakers decide to return to the lives of their subjects – think of it a bit like Michael Apted’s “Up” series of docs but covering a lot shorter span in time.

Most importantly, The Climb has such a unique tone and feel to other indie dramedies we’ve seen, as the duo seem to be influenced more by European cinema than American indies. Personally, I think a better title for The Climb might have been “Frenemied,” but even with the movie’s fairly innocuous title, you will not forget the experience watching this entertaining film anytime soon.

Maybe this should be called “Netflix week,” because the streamer is releasing a number of high-profile movies into theaters and on the streaming service. Definitely one of the more anticipated movies of the year is David Fincher’s MANK, which will get a theatrical release this week and then stream on Netflix starting December 4.

It stars Gary Oldman as Herman Mankiewicz, the Hollywood screenwriter who has allowed himself to succumb to alcoholism but has been hired by Orson Welles (Tom Burke) to write his next movie, Citizen Kane, working with a personal secretary Rita Alexander (played by Lily Collins). His story is told through his interactions with media mogul William Hearst (Charles Dance) and relationship with actress and Hearst ingenue and mistress, Marion Davies (Amanda Seyfried).

It I were asked to pick one director who is my absolute favorite, Fincher would probably be in my top 5 because he’s had such an illustrious and varied career of movie styles, and Mank continues that tradition as Fincher pays tribute to old Hollywood and specifically the work of Orson Welles in every frame of this biopic that’s actually more about the troubled writer of Citizen Kane who was able to absorb everything happening in his own Hollywood circles and apply them to the script.

More than anything, Mank feels like a movie for people who love old Hollywood and inside Hollywood stories, and maybe even those who may already know about the making of Welles’ highly-regarded film might find a few new things to appreciate. I particularly enjoyed Mankiewicz’s relationships with the women around him, including his wife “Poor Sarah,” played by Tuppence Middleton, Collins’ Rita, and of course, Seyfried’s absolutely radiant performance as Davies. Maybe I would have appreciated the line-up of known names and characters like studio head Louis B Mayer and others, if more of them had any sort of effect on the story and weren’t just

The film perfectly captures the dynamic of the time and place as Mank is frequently the only honest voice in a sea of brown nosers and yes-men. Maybe I would have enjoyed Oldman’s performance more if everything that comes out of Mankiewicz’s mouth wasn’t an all-too-clever quip.

The film really hits a high point after a friend of Mank’s commits suicide and how that adds to the writer’s woes about not being able to save him. The film’s last act involves Mank dealing with the repercussions after the word gets out that Citizen Kane is indeed about Hearst.

Overall, Mank is a movie that’s hard to really dig into, and like some of Fincher’s previous work, it tends to be devoid of emotion. Even Fincher’s decision to be clever by including cigarette burns to represent Mank’s “reels” – something explained by Brad Pitt in Fight Club – just drives home the point that Mank is deliberately Fincher’s most meta movie to date.

You can also read my technical/crafts review of Mank over at Below the Line.

Ron Howard’s adaptation of JD Vance’s bestselling memoir HILLBILLY ELEGY will be released by Netflix into theaters ahead of its streaming debut on November 24. It stars Amy Adams and Glenn Close, but in honesty, it’s about JD Vance, you know, the guy who wrote the memoir. The film follows his younger years (as played by Owen Asztalos) while dealing with a dysfunctional white trash family in Middletown, Ohio, dealing with his headstrong Mamaw (Close) and abusive mother dealing with drug addiction (Adams). Later in life, while studying at Yale (and played by Gabriel Basso), he has to return to his Ohio roots to deal with his mother’s growing addiction that forces him to come to terms with his past.

I’m a bit of a Ron Howard stan – some might even say “an apologist” – and there’s no denying that Hillbilly Elegy puts him the closest to A Beautiful Mind territory than he’s been in quite some time. That doesn’t mean that this movie is perfect, nor that I would consider it one of his better movies, though. I went into the movie not knowing a thing about JD Vance or his memoir but after the first reviews came out, I was a little shocked how many of them immediately went political, because there’s absolutely nothing resembling politics in the film.

It is essentially an adaptation of a memoir, dealing with JD Vance’s childhood but then also the past that led his mother and grandmother down the paths that made his family so dysfunctional. I particularly enjoyed the relationship between the older Vance and his future wife Usha (as played by Freida Pinto) earlier in their relationship as they’re both going to Yale and Vance is trying to move past his family history to succeed in the realm of law.

It might be a no-brainer why Adams and Close are being given so much of the attention for their performances. They are two of the best. Close is particularly amusing as the cantankerous Mamaw, who veers between cussing and crying, but also has some great scenes both with Adams and the younger Vance. The amazing special make-up FX used to change her appearance often makes you forget you’re watching Close. I wish I could say the same for Adams, who gives such an overwrought and over-the-top performance that it’s very hard to feel much emotionally for her character as she goes down a seemingly endless vortex of drug addiction. It’s a performance that leads to some absolute craziness. (It’s also odd seeing Adams in basically the Christian Bale role in The Fighter, although Basso should get more credit about what he brings out in their scenes together.)

Hillbilly Elegy does have a number of duller moments, and I’m not quite sure anyone not already a fan of Vance’s book would really have much interest in these characters. I certainly have had issues with movies about people some may consider “Southern White Trash,” but it’s something I’ve worked on myself to overcome. It’s actually quite respectable for a movie to try to show characters outside the normal circles of those who tend to write reviews, and I wouldn’t be surprised if the movie might be able to connect with people in rural areas that rarely get to see themselves on screen.

Hillbilly Elegy has its issues, but it feels like a successful adaptation of a novel that may have been difficult to keep an audience invested in with all its flashbacks and jumps in time.

Netflix is also streaming the Italian drama THE LIFE AHEAD, directed by Edoardo Ponti, starring Oscar-winning actress Sophia Loren, who happens to also be the filmmaker’s mother. She plays Madame Rosa, a Holocaust survivor in Italy who takes a stubborn young street kid named Momo (Ibrahima Gueye), much to both their chagrin.

I’ll be shocked if Italy doesn’t submit Ponti’s film as their choice for the Oscar’s International Film category, because it has all of the elements that would appeal to Oscar voters. In that sense, I also found it to be quite traditional and formulaic. Loren is quite amazing, as to be expected, and I was just as impressed with young Ibrahima Gueye who seems to be able to hold his own in what’s apparently his first movie. There’s others in the cast that also add to the experience including a trans hooker named Lola, but it’s really the relationship between the two main characters that keeps you invested in the movie. I only wish I didn’t spend much of the movie feeling like I knew exactly where it’s going in terms of Rosa doing something to save the young boy and giving him a chance at a good life.

I hate to be cynical, but at times, this is so by the books, as if Ponti watched every Oscar movie and made one that had all the right elements to appeal to Oscar voters and wokesters alike. That aside, it does such a good job tugging at heartstrings that you might forgive how obviously formulaic it is.

Netflix is also premiering the fourth season of The Crown this week, starring Olivia Colman as Queen Elizabeth and bringing on board Gillian Anderson as Margaret Thatcher, Emma Corin, Helena Bonham Carter, Tobis Menzies, Marion Bailey and Charles Dancer. Quite a week for the streamer, indeed.

Another movie that may be in the conversation for Awards season is AMMONITE (NEON), the new film from Francis Lee (God’s Own Country), a drama set in 1840s England where Kate Winslet plays Mary Anning, a fossil hunter, tasked to look after melancholic young bride, Charlotte Murcheson (Saoirse Ronan), sent to the sea to get better only for them to get into a far more intimate relationship.

I had been looking forward to this film, having heard almost unanimous raves from out of Toronto a few months back. Maybe my expectations were too high, because while this is a well-made film with two strong actors, it’s also rather dreary and not something I necessarily would watch for pleasure. The comparisons to last year’s Portrait of a Lady on Fire (also released by NEON) are so spot-on that it’s almost impossible to watch this movie without knowing exactly where it’s going from the very minute that the two main characters meet.

Winslet isn’t bad in another glammed-down role where she can be particularly cantankerous, but knowing that the film would eventually take a sapphic turn made it somewhat predictable. Ronan seems to be playing her first outright adult role ever, and it’s a little strange to see her all grown-up after playing a teenager in so many movies.

The movie is just so contained to the one setting right up until the last 20 minutes when it actually lives the Lyme setting and lets us see the world outside Mary’s secluded lifestyle. As much as I wanted to love Ammonite, it just comes off as so obvious and predictable – and certainly not helped by coming out so soon after Portrait of a Lady. There’s also something about Ammonite that just feels so drab and dreary and not something I’d necessarily need to sit through a second time.

The animated film WOLFWALKERS (GKIds) is the latest from Tomm Moore and Ross Stewart, directors of the Oscar-nominated Secret of the Kells (Moore’s Song of the Sea also received an Oscar nomination a few years later.) It’s about a young Irish girl named Robyn (voiced Honor Kneafsey) who is learning to be hunter from her father (voiced by Sean Bean) to help him wipe out the last wolf pack. Roby then meets another girl (voiced by Eva Whittaker) who is part of a tribe rumored to transform into wolves by night.

I have to be honest that by the time I got around to start watching this, I was really burnt out and not in any mood to watch what I considered to look like a kiddie movie. It looks nice, but I’m sure I’d be able to enjoy it more in a different head (like watching first thing on a Saturday morning).

Regardless, Wolfwalkers will be in theaters nationwide this Friday and over the weekend via Fathom Events as well as get full theatrical runs at drive-ins sponsored by the Landmark, Angelika and L.A.’s Vineland before it debuts on Apple TV+ on December 11. Maybe I’ll write a proper review for that column. You can get tickets for the Fathom Events at WolfwalkersMovie.com.

Next up is Miles Joris-Peyrafitte’s DREAMLAND (Paramount), starring Margot Robbie as Allison Wells, a bank-robbing criminal on the loose who encounters young man named Eugene Evans (Finn Cole) in rural Dust Bowl era North Dakota and convinces him to hide her and help her escape the authorities by taking her to Mexico.

Another movie where I wasn’t expecting much, more due to the generic title and genre than anything else, but it’s a pretty basic story of a young man in a small town who dreams of leaving and also glamorizes the crime stories he read in pulps. Because of the Great Depression in the late ’20, the crime wave was spreading out across the land and affecting everyone, even in more remote locations like the one at the center of Dreamland.

The sad truth is that there have been so many better movies about this era, including Warren Beatty’s Bonnie and Clyde, Lawless and many others. Because of that, this might not be bad but it’s definitely trying to follow movies that leave quite a long shadow. The innocent relationship between Eugene and Allison does add another level to the typical gangster story, but maybe that isn’t enough for Dreamland to really get past the fact that the romantic part of their relationship isn’t particularly believable.

As much as this might have been fine as a two-hander, you two have Travis Fimmel as Eugene’s stepfather and another generic white guy in Garrett Hedlund playing Allison’s Clyde Barrow-like partner in crime in the flashbacks. Cole has enough trouble keeping on pace with Robbie but then you have Fimmel, who was just grossly miscast. The film’s score ended up being so overpowering and annoying I wasn’t even remotely surprised when I saw that Joris-Peyrafitte is credited with co-writing the film’s score.

Dreamland is fine, though it really needed to have a stronger and more original vision to stand out. It’s another classic case of an actor being far better than the material she’s been given. This is being given a very limited theatrical release before being on digital next Tuesday.

This might have been Netflix week, but maybe it could have been “Saban Films Week,” since the distributor also has three new movies. Actually, only two, because I screwed up, and I missed the fact that André Øvredal’s MORTAL was released by Saban Films LAST week. Not entirely my fault because for some reason, I had it opening this week, and I only realized that I was wrong last Wednesday. Oh, well. It stars Nate Wolff as Eric Bergeland, an American in Norway who seems to have some enigmatic powers, but after killing a young lad, he ends up on the lam with federal agent Christine (Iben Akerlie from Victoria).

This is another movie I really wanted to like since I’ve been such a fan of Øvredal from back to his movie Trollhunter. Certainly the idea of him taking a dark look at superpowers through the lends of Norse mythology should be right up my alley. Even so, this darker and more serious take on superpowers – while it might be something relatively unique and new in movies – it’s something anyone who has read comics has seen many times before and often quite better.

Wolff’s character is deliberately kept a mystery about where he comes from, and all we know is that he survived a fire at his farm, and we watched him kill a young man that’s part of a group of young bullies. From there, it kind of turns into a procedural as the authorities and Akerlie’s character tries to find out where Eric came from and got his powers. It’s not necessarily a slow or talkie movie, because there are some impressive set pieces for sure, but it definitely feels more like Autopsy of Jane Doe than Trollhunters. Maybe my biggest is that this is a relatively drab and lifeless performance by Wolff, who I’ve seen be better in other films.

Despite my issues, it doesn’t lessen my feelings about Øvredal as a filmmaker, because there’s good music and use of visual FX -- no surprise if you’ve seen Trollhunters -- but there’s still a really bad underlying feeling that you’re watching a lower budget version of an “X-Men” movie, and not necessarily one of the better ones. Despite a decent (and kinda crazy) ending, Mortal never really pays off, and it’s such a slog to get to that ending that people might feel slightly underwhelmed.

Seth Savoy’s ECHO BOOMERS (Saban Films) is a crime thriller based on a “true story if you believe in such things,” starring Patrick Schwarzenegger as Lance, a young art major, who falls in with a group of youths who break into rich people’s homes and trash them, also stealing some of the more valuable items for their leader Mel (Michael Shannon).

There’s a lot about Echo Boomers that’s going to feel familiar if you’ve seen Sofia Coppola’s The Bling Ring or the heist movie American Animals from a few years back, but even with those similarities, Seth Savoy has a strong cast and vision to make more out of the fairly weak writing than another director might manage. Schwarzenegger, who seems to be pulling in quite a wide range of roles for basically being another generic white actor is only part of a decent ensemble that includes Alex Pettyfer as the group’s ersatz alpha male Ellis and Hayley Law (also great in the recent Spontaneous) as his girlfriend Allie, the only girl taking part in the heists and destruction. Those three actors alone are great, but then you add Shannon just doing typically fantastic work as more of a catalyst than an antagonist.

You can probably expect there will be some dissension in the ranks, especially when the group’s “Fagan” Mel puts Lance in charge of keeping them in line and Allie forms a friendship with Lance. What holds the movie back is the decision to use a very traditional testimonial storytelling style where Lance and Allie narrate the story by relaying what happened to the authorities after their capture obviously. This doesn’t help take away from the general predictability of where the story goes either, because we’ve seen this type of thing going all the way back to The Usual Suspects.

While Echo Boomers might be fairly derivative of far better movies at times, it also has a strong directorial vision and a compelling story that makes up enough for that fact.

In theaters this Friday and then On Demand and Digital on November 24 is Eshom and Ian Nelms’ action-comedy FATMAN (Saban Films/Paramount), starring Mel Gibson as Santa Claus and Walton Goggins as the hired assassin sent to kill him by a spoiled rich boy named Billy (Chance Hurstfield) who unhappy with the presents he’s being brought for Christmas.

While we seem to be surrounded by high concept movies of all shapes and sizes, you can’t get much more high concept than having Mel Gibson playing a tough and cantankerous* Kris Kringle (*Is this the week’s actual theme?) who is struggling to survive with Mrs. Klaus (played by the wonderful Marianne Jean-Baptiste from In Fabric) when they’re given the opportunity to produce military grade items for the army using his speedy elf workshop. Unbeknownst to the Kringles, the disgruntled hitman who also feels he’s been let down by Santa is on his way to the North Pole to fulfill his assignment.

You’ll probably know whether you’ll like this movie or not since its snarkier comedic tone is introduced almost from the very beginning. This is actually a pretty decent role for Gibson that really plays up to his strengths, and it’s a shame that there wasn’t more to it than just a fairly obvious action movie that leads to a shoot-out. I probably should have enjoyed Goggins more in a full-on villainous role but having been watching a lot of him on CBS’ The Unicorn, it’s kind of hard to adjust to him playing this kind of role. I did absolutely love Marianne Jean-Baptiste and the warmth she brought to a relatively snarky movie.

I’m not sure if Fatman is the best showing of Eshom and Ian Nelms’ abilities as filmmakers, because they certainly have some, but any chance of being entertaining is tamped down by a feeling the filmmakers are constantly trying to play it safe. Because of this, Fatman has a few fun moments but a generally weak premise that never fully delivers. It would have thrived by being much crazier, but instead, it’s just far too mild.

Malin Åkerman stars in Paul Leyden’s CHICK FIGHT (Quiver Distribution) as Anna, a woman unhappy with her life and inability to survive on the little money she makes at her failing coffee shop. When Anna’s lesbian traffic cop friend Charleen (Dulcé Sloan) takes her to an underground fight club, Anna her trepidation about joining in, because she has never been in a fight in her life. Learning that her mother has a legacy at the club, Anna agrees to be trained by Alec Baldwin’s always-drunk Murphy in order to take on the challenges of the likes of Bella Thorne’s Olivia.

Another movie where I’m not sure where to begin other than the fact that I’m not sure I’ve seen a movie trying so hard to be fun and funny and failing miserably at both. Listen, I generally love Akerman, and I’m always hoping for her to get stronger material to match her talents, but this tries its best to be edgy without ever really delivering on the most important thing for any comedy: Laughs. Sure, the filmmakers try their best and even shoehorn a bit of romance for Anna in the form of the ring doctor played by Kevin Connolly from Entourage, but it does little to help distinguish the movie’s identity.

Listen, I’m not going to apologize for being a heterosexual male that finds Bella Thorne to be quite hot when she’s kicking ass in the ring. (I’m presuming that a lot of what we see in her scenes in the ring involves talented stuntwomen, but whoa! If that’s not the case.) Alec Baldwin seems to be in this movie merely as a favor to someone, possibly one of the producers, and when he disappears with no mention midway through the movie, you’re not particularly surprised. Another of trying too hard is having Anna’s father Ed (played by wrestler Kevin Nash) come out as gay and then use his every appearance to talk about his sex acts. Others in the cast like Fortune Feimster seem to be there mainly for their bulk and believability as fighters.

Ultimately, Chick Fight is a fairly lame and bland girl power movie written, directed and mostly produced by men. I’m not sure why anyone might be expecting more from it than being a poorly-executed comedy lacking laughs.

And yet, that wasn’t the worst movie of the weekend. That would be Andrzej Bartkowiak’s DEAD RECKONING (Shout! Studios). Yes, the Polish cinematographer and filmmaker who once made the amazing Romeo is Bleeding, starring Gary Oldman and Lena Olin, has returned with a movie with the onus of a premise that reads “a thriller inspired by the Boston Marathon bombing in 2013.” No, I did not make that up. It mostly takes place in Nantucket, Massachusetts, which I guess is sort of close to Boston, but instead it focuses on the relationship between teens Niko (K.J. Apa) and Tillie (India Eisley), the latter whose parents died in a plane crash that might have been caused by a terrorist. It just so happens that Niko’s brother Marco (Scott Adkins) is an Albanian terrorist. Coincidence? I think not!

Once you get past the most generic title ever, Dead Reckoning is just plain awful. I probably should have known what to expect when the movie opens with Eric “Never Turned Down a Job” Roberts, but also, I strong feel that Scott Adkins, better known for his martial arts skills, is easily one of the worst actors ever to be given lines to say in a movie. And yet, somehow, there are even worse actors in this movie. How is that even possible?

Although this presumed action movie opens with one of three or four fight sequences, we’re soon hanging out on the beach with a bunch of annoying teenagers, including Tillie, who is drowning the sorrow of recently losing her parents by literally drinking constantly in almost every single scene. When she meets the handsome Eastern European Niko, we think there’s some chance of Tillie being saved, but it isn’t meant to be.

Part of what’s so weird is that Dead Reckoning begins in territory familiar to fans of Barkowiak’s movies like Exit Wounds, Cradle 2 the Grave and Maximum Impact but then quickly shifts gears to a soppy teen romance. It’s weird enough to throw you off when at a certain point, it returns to the main plot, which involves Adkins’ terrorist plot and the search by FBI Agent Cantrell (played by James Remar) to find the culprit who killed Tillie’s parents. Oh, the FBI agent is also Tillie’s godfather. Of course, he is.

Beyond the fact that I spent much of the movie wondering what these teens in Nantucket have to do with the opening scene or the overall premise, this is a movie that anything that could be resembling talent or skill in Barkowiak’s filmmaking is long gone. Going past the horrendous writing – at one point, the exasperated and quite xenophobic Cantrell exclaims, “It’s been a nightmare since 9/11... who knows what's next?” -- or the inability of much of the cast to make it seem like anyone involved cares about making a good movie, the film is strangled by a score that wants to remind you it’s a thriller even as you watch people having fun on the beach on a sunny day.

Eventually, it does get back to the action with a fight between Cantrell and Marco… and then Marco gets into a fight with Tillie’s nice aunt nurse Jennifer where she has a surprisingly amount of fighting skills. There’s also Nico’s best friend who is either British or gay or both, but he spends every one of his scenes acting so pretentious and annoying, you kind of hope he’ll be blown up by terrorists. Sadly, you have to wait until the last act before the surfboards are pulled out. (Incidentally, filmmakers, please don’t call a character in your movie “Marco,” especially if that character’s name is going to be yelled out repeatedly, because it will just lead to someone in the audience to yell out “Polo!” This is Uwe Boll School of Bad Filmmaking 101!)

The point is that the movie is just all over the place yet in a place that’s even remotely watchable. There even was a point when Tillie was watching the video of her parents dying in a car crash for the third or fourth time, and I just started laughing, since it’s such a slipshod scene.

It’s very likely that Dead Reckoning will claim the honor of being the worst movie I’ve seen this year. Really, the only way to have any fun watching this disaster is to play a drinking game where you take a drink every time Eisley’s character takes a drink. Or better yet, just bail on the movie and hit the bottle, because I’m sure whoever funded this piece of crap is.

Opening at New York’s Film Forum on Wednesday is Manfred Kirchheimer’s FREE TIME (Grasshopper/Cinema Conservancy), another wonderful doc from one of the kings of old school cinema verité documentary filmmaking, consisting of footage of New York City from 1960 that’s pieced together with a wonderful jazz score. Let me tell you that Kirschheimer’s work is very relaxing to watch and Free Time is no exception. Plus the hour-long movie will premiere in Film Forum’s Virtual Cinema, accompanied by Rudy Burckhardt’s 1953 film Under the Brooklyn Bridge which captures Brooklyn in the ‘50s.

Also opening in Film Forum’s Virtual Cinema Friday is Hong Khaou’s MONSOON (Strand Releasing) starring Henry Golding (Crazy Rich Asians) as Kit, who returns to Ho Chi Minh City for the first time since his family fled after the Vietnam War when he was six. As he tries to make sense of it, he ends in a romance with Parker Sawyers’ American ex-pat and forms a friendship with a local student (Molly Harris). Unfortunately, I didn’t have the chance to watch this one before finishing up this column but hope to catch soon, because I do like Golding as an actor.

I shared my thoughts on Werner Herzog and Clive Oppenheimer’s FIREBALL: VISITORS FROM DARK WORLDS, when it played at TIFF in September, but this weekend, it will debut on Apple TV+. It’s another interesting and educational science doc from Herr Herzog, this time teaming with the younger Cambridge geoscientist and “volcanologist” to look at the evidence left behind by meteors that have arrived within the earth’s atmosphere, including the races that worship the falling space objects.

Opening at the Metrograph this week (or rather on its website) is Shalini Kantayya’s documentary CODED BIAS, about the widespread bias in facial recognition and the algorithms that affect us all, which debuted Weds night and will be available on a PPV basis and will be available through November 17. The French New Wave anthology Six In Paris will also be available as a ticketed movie ($8 for members/$12 for non-members) through April 13. Starting Thursday as part of the Metrograph’s “Live Screenings” is Steven Fischler and Joel Sucher’s Free Voice of Labor: The Jewish Anarchists from 1980. Fischler’s earlier doc Frame Up! The imprisonment of Martin Sostre from 1974 will also be available through Thursday night.

Sadly, there are just way too many movies out this week, and some of the ones I just wasn’t able to get to include:

Dating Amber (Samuel Goldwyn) The Giant (Vertical) I Am Greta (Hulu) Dirty God (Dark Star Pictures) Where She Lies (Gravitas Ventures) Maybe Next Year (Wavelength Productions) Come Away (Relativity) Habitual (National Amusements) The Ride (Roadside Attractions, Forest, ESX) Jingle Jangle: A Christmas Journey (Netflix) Transference: A Love Story (1091) Sasquatch Among the Wildmen (Uncork’d) All Joking Aside (Quiver Distribution) Secret Zoo (MPI Medi Group/Capelight Pictures)

By the way, if you read this week’s column and have bothered to read this far down, I think you’re very special and quite good-looking. Feel free to drop me some thoughts at Edward dot Douglas at Gmail dot Com or drop me a note or tweet on Twitter. I love hearing from readers … honest!

#Movies #reviews #Mank #TheClimb #Freaky #Fatman #Heartland #Mortal #EchoBoomers #VOD #Streaming #TheLifeAhead #HillbillyElegy

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fireflythecinnamonjollyrancher · 5 years

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it’s time for ~a year in review~

JANUARY

ya bitch went to paris and became like good, like REALLY good friends with my current roommates!!! we got to see some really beautiful sights, do some STRANGE things like watch a french indie movie and get fucked up at a french gay party club in the basement of our hostel. i apparently shaved my head again (per the use lets be real)

FEBRUARY

accidentally started my Com capstone like a total moron but took it like a mf champ. got to party at a friends place and watch all of “dont hug me im scared”. made a friend try a grap for the first time (he was a sophomore in college). studied a lot with kelli -- and by studying i mean we mostly bullied each other. WENT TO SEE WATSKY with a super dope friend (sad we fell out of touch but she’s living her best life and im happy for her). also like got to meet george watsky uhm WHAT wild. bullied my college in the snow and also manically shoveled the walk. was a bootlicker for the college and dressed in a taco suit

MARCH

WOOF i got pretty fucked up for capstones cast party and this is where the beginning of the end was for some of my friendships. however, other friendships were being built so im grateful for that. ran lights for a really awesome slam poet. FOUND THE KEY THAT WAS MISSING FROM THE THEATRE (turns out it was Sab whoops). spent a lot of time with someone who is no longer a friend -- her choice, certainly not mine. went home for spring break and took so many pictures of my cat. got selected as stage manager for comedy of errors which was a nightmare of a production but certainly not the worst.

APRIL

became a vegetarian!!!! joined/started the flat earth cult because of comedy. helped randi film her weird videos, which was so much fun! the bat came back to the theatre and Basil and I both saw them. comedy of errors opened and it was intense and i really hated every second. ranted about being in a scene for directing, which means i’d been in it for a second. that shit sucked bros oh my god????? he was never on time, he was so disorganized and didn’t understand his own character. organized a dinner for the cast because they had missed a campus dinner for the show. celebrated my best friends birthday!!!! “I can read!” was on the news with two others for comedy. also presented my capstone research for academic showcase day (i still can’t believe people listened to me rant about birth order)

MAY

more videos! this one was zak bagel bites with again my best friends. was elected president for APO and i couldn’t be more grateful. did a research proposal with a friend and i cannot BELIEVE we’re still friends after it because we really could have killed each other. physically fought the MONSTER that is jess (didn’t actually, really should have). helped two friends fall in love on accident/purpose. was elected as KPY president (damn) and forcibly elected as parliamentarian for LPH. ended my junior year. started work immediately after going home for my dad. mostly answered phones, worked 7:30-5 every day for the whole summer yikes. managed to pass junior year with a 4.0!!!

JUNE

learned a lil how to quote and did NOT enjoy it. went to PRIDE with my wife and bought my first ace flag. it was actually petrifying to buy and wear, but i have one now which is awesome. holy shit got my first tattoo!!! it has faded a bit now but still looked awesome. it was the beginning of an addiction. picked up an internship at my old theatre company and... deeply regretted it as it pushed my 12 hour days to almost 18 hours. literally fell in love with the music director.

JULY

a random woman complimented me??? so that was fun. watched after my old band directors kids (they were a nightmare i literally never want kids). got to hike and do all that fun stuff. went to the local county fair

AUGUST

my mom admitted to loving brooke more than me on her birthday (fair). got a card from my office team to celebrate my 21st a lil early. went back for SENIOR YEAR BOYS. got drunk at an old friends place. did marching band. moved in with two of my BEST FRIENDS IN THE WHOLE WIDE WORLD. took improv with friends which was lit. we even did a whole performance. met a new friend! my other roommate brought in a new kitten (which became a whole thing holy shit). used school sanctioned ipads to dick around. shaved my head againnnn. was sober at a party (woof why). got the drunkest i have ever been and puked everywhere and passed out on the stairs. have not ever reached that level again. also cracked my phone. fully assumed position as president of two clubs. started rhetoric (yucky) and theatre and diversity (also ick but for different reasons)

SEPTEMBER

became NOT sober literally the next day nice. started the MASH group i think??? which is like the only thing im proud of. it was around here. had to pick up a friend whos car broke down. went to pride in a local town with friends!!! that was fun. turned 21!! couldn’t celebrate bc school and stage management, but my two roommates still made sure i had a good time. marching band boys! we did a LONG ASS parade with my cute lil section. did mixers for KPY and APO! had our first football game. held a band rehearsal in the dark because the lights didn’t work which was funny and SO weird. walked to the trains with some really awesome friends. broke into the cemetery and stole a traffic cone and put it on a statue on campus bc mania. went to a friends musical career takeoff and ran her merch table bc the person who was supposed to run it showed up almost an hour late. someone showed up at the lib while i was closing with a friend asking for a place to stay. i hope hes good now. tried omegle again for whatever reason. tried to go to a local diner and was DENIED bc they went from 24 hours to closing at 10pm so i had a mental breakdown in my car at 2am in a McDonalds parking lot. FINALLY got to celebrate my birthday and go to the bars!!! well bar singular. but had a really good time even if those people aren’t really my friends any more

OCTOBER

homecoming boysssss!!!! also ace pride. worked the WORST thing I have ever had to operate in the chapel but the people were nice about it so i was kinda okay. also got to be a part of the dopest percussion show and ran lights and sound for it. rhetoric ended thank christ and i never want to talk about anti-war messages in MASH ever again. finally learned that my best friend has a partner and was ECSTATIC. worked a haunted house which literally sucked so hard but we made bank on it so im okay with it. were robbed (i still have suspicions who did it but ill keep my mouth shut). dressed up as a newsie for halloween, and my roommates and i all took pictures which was awesome. started my internship and movement and stage

NOVEMBER

LAST FOOTBALL GAME got drunk too often probably lol. got an impulse tattoo with my roommates. went to a soccer game. went to the trains drunk and also olive garden. did trauma training so i got to act hysterical (act?). did some KPY bonding. had a hella long saturday with a concert and everything. shot my shot and MISSED. did greek thanksgiving. played DD for someones birthday bc expired license. got my NEW license. had a horrible time driving to and from thanksgiving break. got to hang with my WIFE

DECEMBER

made it home somehow?? did box office for the children’s show as well as publicity which was a lot of work tbh. went on a double date with my roommates and their partner. did the filming for the college christmas card. had an awesome party at our place and i regret nothing. celebrated the moving out of our 4th roommate. worked my last gig at the museum. managed to scrape by again with a 4.0. threw a great party at my place for like 5 days straight (jesus christ). did a horrible puzzle. tried an edible (suffered for it). hiked in the mountains a lil. caught up with high school friends by drinking which was AWESOME. saw Frozen 2. went out with my fam bam. had a great christmas. also threw a new years party (what??? that just got over) and felt like a pretty good hostess (i just provided alcohol lol but it worked) and got to catch up with some great great awesome friends and keep people safe and off the roads for new years.

all in all a damn good year. its crazy how quickly things change, but im grateful for the place that i am in. can’t wait to graduate this year and see what happens next!!!

#firefly talks #we're already planning a mash party boys #its gonna be a great last semester i cant wait

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proofthatihaveaheart · 5 years

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2019 fic recs

it’s been a long time since i did a fic rec list so i put one together with some of my favorite fics from this year (and then forgot to post it for a month oops). i’ve been reading in a lot of fandoms so there’s a bunch of variety in this one. also because i read a ton of cap marvel fics earlier in the year, i’m going to do a separate list for those

[1 Coco, 5 Good Omens, 1 Lucifer, 5 Marvel, 1 She-Ra, 3 Steven Universe]

Coco

Work of All Saints by anistar_e (210k): Her mother sends her a letter, after. We cannot help you, Imelda, it says. You are the consequence of your actions."This is not my fault!" Imelda shouts.-Imelda Rivera (b. 1899 - d. 1969), a story that includes but is not limited to: the finest music school this side of the Santo Domingo, three traveling musicians and the mess they made of love, the twice-cursed assassination of Venustiano Carranza, all the patron saints, and ninety-six ways a man can try to cross a bridge. (A masterpiece of character, world-building, development, just everything you could possibly want from a fic and a novel, it is a grand epic that is personal in scope, truly spectacular)

Good Omens

A Stone’s Throw from Jerusalem by RC_McLachlan (Aziraphale/Crowley, 2k): "Are you honestly going to make me listen to bebop in my final moments?” [Absolutely beautiful with just the right amount of aching heartbreak and pining, and this acute awareness that they live on different scales than humans.]

damn.nation, now available on itunes by anistar_e (10k): When lowly tempt-pusher Amphora (formerly of Stairwell 7B North, before she Fell,) gets the notice that end times are nigh, she gleefully quits her job and cancels her Netflix subscription and takes her place among the legions of hell. // This, it turns out, was a bad plan. [The character work is so strong, she paints such a clear vision of Amphora and it’s very easy to fall in love with her. This is the best example of outsider POV of OTP that I’ve seen.]

Salinity (And Other Measurements of Brackish Water) by drawlight (Aziraphale/Crowley, 3k): It's an odd thing, getting on after the End of the World. Crowley takes to sea-watching. [This fic reads like poetry, it’s absolutely beautiful with a very good central metaphor. Also Crowley cooking.]

stars, hide your fires by fishycorvid (Aziraphale/Crowley, 3k): He can feel the pull of the riptide, even in water like this, only a few centimeters deep. The constant, assured call of the ocean: you came from me, and, one day, you will come back. Crowley smiles to himself at that, the water rushing insistently against his fingertips. He hadn’t come from the sea, of course. But he doesn’t think he’d mind much if he had. / “Crowley.” / He goes still at the sound, eyes falling closed. [Beautiful missing scene, I love the emotions and the imagery and the descriptions of the Pacific Northwest and how this fic is just them.]

vintage demon art, vape pens, & other treasures by kyrilu (Aziraphale/Crowley, 1k): Love, Anthony J. Crowley is aware, is a very foolish thing. He’s seen humans do stupid things based on love or lust, whether it’s tacky Disney movie themed weddings, internet catfishing, or matching couple shirts. [I love this, it’s formatted as several short vignettes about the pair and how Crowley very much doesn’t feel love - except he does, he loves an angel. It’s delightful and beautiful and poignant.]

Lucifer

And There Was Light by ariaadagio (Lucifer/Chloe, 143k): When Lucifer Morningstar is found half dead in the desert, Chloe Decker is determined to find out why. The problem is ... not even Lucifer knows the answer. As Chloe's world is flipped upside down by incontrovertible evidence of the divine, Lucifer grapples with feelings of violation and futility. God's meddling has started a chain reaction, but to what end? Deckerstar. Fits with canon through S2. [I love this beautiful masterpiece of a fic. Excellent characterization, spectacular plotting, and a very delicious slow-burn, this fic deals with Chloe finding out Lucifer’s divinity while Lucifer deals with fate and free will and having his wings again.]

Marvel (Misc)

Adjectives Assemble by SugarFey (26k): Natasha wants to find that rare edition of The Master and Margarita before her rival at the Russian language bookstore does. Kate is distracted by the cute barista next door. Carol and Jessica dance around each other. Maria just wants to keep her business afloat without being bothered by pesky police officers or high school art teachers, no matter how polite they may be. Another average day at Adjectives Assemble. [Multiple ships and POVs, lots of awesome ladies dealing with feelings and trying to save an indie bookstore, it’s just a delightful fic to read.]

in oakland by hupsoonheng (Sam/Erik, 11k): in the summer of 1998, the good reverend wilson is shot dead, and darlene wilson runs away from her grief all the way to oakland, california, taking her oldest with her. sam hates her, he hates oakland, and he definitely hates the pretty-eyed neighbor boy who's been volunteered to show him around. it's up to him to make the most of his new situation, but he might need someone to push him. [Not a pairing I ever expected to read, but it’s handled so well, the development of their friendship and then love over the course of a single summer in Oakland as teenagers, like cinematic magic, I couldn’t help but cheer for them.]

Morning Glory by capsicleonyourleft (Tony/Steve, Carol/Jess, 2k): There are a great many things Tony loves about Steve Rogers. His propensity for getting up at the asscrack of dawn, however, is definitely not on that particular list. [Domestic fluff with cute moments, good characterization, and character dynamics that nail them.]

One of the Basic Skills of Civilization (Eddie/Symbiote, 1k): Eddie attempts to civilize the Venom symbiote. [Eddie tries to teach Venom manners by way of Miss Manners. Things don’t go as planned. It’s hilarious and sweet and has a great joke about Amazon]

we were emergencies by gyzym (Clint/Natasha, 37k): It's not about being unmade; it's about remaking, one aching step at a time. [This fic is a classic in the fandom and it’s truly stunning. The way it handles trauma and trust and love is phenomenal, you learn to live with it but it never goes away, and it’s truly the best Clintasha fic.]

She-Ra

plays well with others by Cosanova (Adora/Catra, 4k): Catra may have left the Horde, but that doesn't mean she's ready to join the Rebellion. [Did someone ask for awkward villain redemption? I love this fic and the way Catra navigates the people of Brightmoon and figuring out her feelings for Adora.]

Steven Universe

I Want to Understand by CoreyWW (gen with Steven/Connie and Amethyst/Peridot, 59k): After stopping the Cluster, Peridot must face her next challenge: adjusting to life on her new planet and learning about humans that populate it. Knowing just how out of depth Peridot is, Steven enlists Connie's help in getting Peridot used to humans and acclimated to Beach City. Considering Peridot has no social skills whatsoever, this goes about as well as you'd expect. Funny episodic "Peridot in Beach City" adventures about how Peridot changes over time. Diverges from canon after The Answer (Though by coincidence, the premise of story basically makes this "Log Date 7 15 2: The Series") [What makes this fic so good is the characterization and dialogue. It’s very accurate and the chapters themselves feel like they could be from the show. I especially love the development of Connie and Peridot’s friendship, in addition to Peridot’s own growth and self-reflection.]

Favor for Your Four-Chambered Heart by anistar_e (Jasper/Lapis, 77k): "I don't get it," she says flatly. / "Don't get what?" / "You said we needed to be in peak physical form. What for?" / "Oh!" Peridot perks up. "For harvesting." [Never Let Me Go AU.] [Jaspis isn’t a pairing I considered reading for until I came across this fic and it blew me away with how good it was. This fic hurts, the themes of freedom and self-determination in a world where your only purpose is supposed to be to die for others are beautifully handled, and I love the way all the relationships are written, dynamic and complex and messy. People make mistakes but they’re allowed to grow and become better, and it’s really just so good.]

Set Me Free by cym70 (Lapis/Peridot, 23k): Being roommates gives Lapis and Peridot a lot of time to get to know each other and, despite their rocky history, they might just be able to make something entirely new. [A gorgeous, in-character fic about Lapis healing and falling in love with Peridot. The dialogue is so good, you could really hear their voices, and I love the careful development of their relationship. My favorite Lapidot fic.]

#my current fandom reading trends towards su and she-ra so expect more of those in the future #and maybe i'll find the motivation to write again #i sure hope so anyway #fic recs #monthly fic recs

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letterboxd · 6 years

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Marvellous.

“She doesn’t lay down, she gets back up. I mean, that’s everything. That’s for everybody.” Letterboxd heads back to the 90s with the cast and filmmakers behind Captain Marvel, the latest entry in the Marvel Cinematic Universe.

As the last Marvel Cinematic Universe film to be released before next month’s Avengers: Endgame, it’s reasonable to think that Captain Marvel might’ve been in jeopardy of being overshadowed by the anticipation for the follow-up to last year’s Avengers: Infinity War. Together, these two epics more or less define the modern blockbuster, and cast a wide shadow.

But in actuality, Captain Marvel is in very little danger of being eclipsed by her studio stablemate, thanks primarily to the many ways the 21st entry in the Marvel canon sets itself apart from every MCU film that has come before it.

Brie Larson as Vers/Carol Danvers.

For one thing, it’s set in the 1990s, and boy does it have the musical cues to prove it. More significantly, it is the first MCU film to center around a female character, played by Oscar-winner Brie Larson. It’s also the first MCU film to have a woman calling the shots: Anna Boden, who co-directed with her longtime collaborator Ryan Fleck.

While technically an origin story, Captain Marvel’s plot unfolds in a significantly different way compared to other MCU films—it’s a journey of retrospective self-discovery. When we first meet her, Larson’s character is already a super-powered intergalactic badass known as Vers, and a member of the alien Kree Empire-based strike team Starforce, led by her mentor Yon-Rogg (Jude Law).

A mission brings them to planet Earth in the mid-90s, where Vers meets a somewhat sunnier-than-we’ve-come-to-expect Nick Fury (played by a digitally de-aged Samuel L. Jackson) and a green young agent named Coulson (Clark Gregg, also digitally de-aged). Here she encounters Maria Rambeau (English actress Lashana Lynch), who has a connection to Vers’ forgotten past as Carol Danvers, test pilot.

Marvel Studios has once again selected its directorial talent from the world of independent cinema (hello, Taika Waititi), despite the fact that Boden and Fleck’s past filmography contains very little that suggests a proficiency with super-heroics.

From left: Ryan Fleck, Ben Mendelsohn and Anna Boden on set.

Their last film was the boat-gambling drama Mississippi Grind (which co-starred Captain Marvel scene-stealer Ben Mendelsohn), and they’re probably still best known for 2006’s Half Nelson (directed by Fleck, written by them both), in which Ryan Gosling gave an Oscar-nominated performance as a drug-addicted middle school teacher.

Nevertheless, it has proven to be another good call on Marvel’s part, as the directing pair has delivered something pretty special here.

At a recent press event featuring several cast and crew, along with Marvel Studios head honcho Kevin Feige, Larson kicked things off by explaining what about the character appealed to her:

Brie Larson: There’s a lot to love about her, which is why I was really excited to do this. In particular, the idea of playing a superhero, or a female superhero in particular because my interest is in female complexity. I was a little worried about playing a superhero that would be perfect, because I don’t feel like that’s realistic, or something aspirational at all. So getting to play a character where the whole character arc and turn of this is watching her be this major risk taker, which means it’s not always going to work out the best. And those are the moments, the defining moments of her character, where she doesn’t lay down, she gets back up. I mean, that’s everything. That’s for everybody. There isn’t a person who can’t relate to that, I don’t think.

On how Boden and Fleck got the job: Kevin Feige: It’s their focus on character. And our belief that they wouldn’t have lost the character, amongst the spectacle and the fun and the effects. Anna spoke very eloquently about Carol Danvers and that female hero. It was those early meetings and their amazing body of work that made us realize they could bring Carol to life.

Kevin Feige and Brie Larson.

On making the leap from indies to blockbusters: Ryan Fleck: I think in the early conversations with Kevin and with Brie, that’s what we wanted to bring to this story, a continuation of the things we had done in our other movies, which is an intimacy and character-focused storytelling. The visual effects were challenging at first for us, but we were working with the best in the business here and they’ve done, you know, one or two of these movies before we got here. We were in good hands and we were able to lean on them and work very collaboratively with the effects team and learn how that works. And they were patient with us and it was wonderful. I can’t think of a better studio to take that leap with. I mean, they are just the best collaborators at Marvel. They really let us tell the story we wanted to tell.

On what she learned making the film: Anna Boden: I think I realized over the course of making this movie that I’m, as a person, kind of more comfortable hiding and not being seen. And I think this process, the whole process has helped me, you know, be more confident in my voice and just be more comfortable. I’m not very comfortable right now; I’ve got to be honest. But a little bit more comfortable just being seen.

On the friendship between Carol and Maria forming the emotional core of the film: BL: That’s kind of what we’re talking about in this film, without being too [showboaty] about it, this is the love of the movie; this is the great love. This is the love lost. This is the love found again. This is the reason to continue fighting and to go to the ends of the earth for the person, the thing that you love. And it’s her best friend and her best friend’s daughter. Which to me is so natural. I went and saw the movie with some people and it was like an hour later, they were like, “Oh Maria’s the love.” Like, yeah! So it’s not something that we made a big deal about, but it just feels so natural because that love is so strong.

Lashana Lynch and Brie Larson.

Lashana Lynch: They’re both in the military, so they come from male-dominated environments where they were drawn towards the women. They would find power in whoever they find energetic connections to. I think they had a sarcasm together. Carol is just a normal person. She’s able to be every facet of what a woman represents today—sarcastic, dry, funny—she can kick men down and throw them into different parts of the universe.

On representation in blockbuster cinema: BL: I’m just doing what I can do based upon my experience and my one body, which is why representation on screen is so important. Because not one of us can tell the entire story. We can only tell our piece of it. But with films like this that do end up going international—with smaller movies you don’t know; sometimes they do, sometimes they don’t—it means you get to have a really extensive conversation with movies like this and I’m so grateful that this film has so many pockets in it. If you want to just enjoy it, you totally can. But there are a lot of aspects to it that I think are worth, you know, talking with your friends about, talking with your family about—and so when you have a multi-cultural, global conversation like that, I think it allows all of us through the veil of metaphor to be able to reveal some deeper truths and maybe empathize in a new way.

On what she took away from the film: LL: My forever appreciation for single mothers, who don’t get enough light shone on them ever. So to be able to have that opportunity to represent them and say like, “I’d kind of like a universal thank you for your work,” was really special. Actually I went to my mum and other mums I know afterwards and was like, “Can I just just say thanks for everything that you’ve done for the last however many years.” And it really goes a long way just to say thank you daily. Because then they’re able to feed back to other mothers and say, you know, we’re actually doing an all right job. We’re actually enough. And so that’s what I’ve taken away. I feel like I’m not only representing women, I’m representing black women. I’m representing single mothers and representing women in the military and that’s pretty damn special.

On working opposite Reggie, the ginger cat who plays Goose, the film’s breakout character and a foil to Nick Fury throughout: Samuel L. Jackson: I am not a cat person. But I’m also not a dog, bird or a fish person, either. So I just don’t engage pets. You know, Reggie is like most animals that people bring to set that have been trained to do this, that or the other—he’s snack-oriented. You give him something to eat, he shows up. And there were actually four cats, but Reggie did the majority, he did the heavy lifting most of the time.

A digitally de-aged Samuel L. Jackson as Nick Fury.

On what they miss most from the 90s: RF: VHS tapes.

AB: Pay phones. Because then I wouldn’t have to check my email all the time.

Clark Gregg: I wish MTV had videos again. I mean, not just 90s MC Hammer, which were awesome, but just videos, music videos.

Gemma Chan (Starforce assassin Minn-Erva): Buffy the Vampire Slayer.

SLJ: Laser discs.

BL: He is very passionate about laser discs, by the way. That’s not a joke. [Mine is] Butterfly clips.

Jude Law: I was a big fan of the band The Verve. They were The Verve and then they were just Verve. Richard Ashcroft is on his own now. Sad.

LL: R&B. R&B was the truth, man. The truth!

KF: Video stores. I miss walking around video stores.

‘Captain Marvel’ is in theaters from March 8.

#letterboxd #captain marvel #directors #marvel #marvel studios #brie larson #jude law #kevin feige #interview

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rosedalemike · 6 years

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The Mood: Blog #11 “WTF is next, ROSEDALE?!”

I've had so many random ideas for what this next blog should be about. I wanna try to stay on track with the story of Rosedale's farewell/next chapter as that seems to be the most common topic with the lovely Rosedaliens that have been coming out to shows. But the truth is that I'm just as unsure as everyone else. I don't even have a clear vision of what I picture September looking like. I guess my plan in September is to plan what 2019 is going to look like. 2019 seems so much further than it actually is, I'm sure. The only things I'm sure of are that I would like to: 1: be a helpful contribution to music scenes (artists, venues, promoters, fans etc.) using more than just my own voice. 2: keep making new music under a different name (using my voice ...maybe some features...maybe a band? Who knows. I'd love for someone else to decide that.) 3: continue to work with other artists on their art and ideas. I know those are all vague ideas. And regarding the name delema; I have a giant draft email to myself (the most common email address in my inbox is [email protected]) that has a bunch of artist names and band names. Some are pretty good, some are not.

Self-Lyric Party:

" 'cause I live entirely for the self-satisfaction that I made this- I turn Whiter than a song in C as I watch the room empty No! Just press on, believe. My numbers are truly sad Tell me again; can I beat Quicksand? Yes I Can! " - Quicksand

As I check back to my last blog (to see how I quote/credit a lyric party...to keep continuity) I noticed that google placed a Chipotle add on the right side of the blog page! This is likely because I searched Chipotle at least 10 times in this past week. And that is because there is new company in the new Rosedale crew already and Chipotle sometimes hooks up traveling musicians with free food.

Her name is Siena. We all know Bryan, right? (cousin, hockey guy, #1 merch dude/email address collector...) Siena is the female Bryan. But luckily, she's not my cousin. I mean it'd be awesome to have known her all my life (like I've known Bryan all my life,) but for "heart-crush" reasons, I'm really glad she's most definitely not my cousin.

I met Siena at our San Diego show in November 2017. I say "our" because she's in a band called Going Postal, and they played that Soma show too. Like many bands today, they'll admit that their future is a giant question mark. But unlike many bands today, they sound awesome!

Check them out

.https://goingpostalca.bandcamp.com/releases

I call Siena "S Money" because one of her friends she was facetiming called her that and I, too, wanted to sound gangsta- "DJ $ Money" to be exact. Siena is finishing her final online college classes while traveling around America with me and selling my merch. When she's not selling merch she's helping me move my insane amounts of gear. When she's not selling merch and moving my insane amounts of gear she's teaching me how to promote in a more professional manner by helping me post enticing social media posts/stories/streams more regularly/organically.

Siena is a very kind-hearted, helpful champion that is way too chill to be so attractive. I just may be the luckiest Tall Canadian with Way Too Much Gear to have her on tour with me. After this tour she's moving to LA to become a world famous movie star so I only have about a month more of her awesomeness. She likes animals a lot, especially animal memes/vines. Mostly cats and dogs. So share/send any good ones and I'll make sure she sees them. (I'm also currently tethering off her wifi hotspot because all of Ohio's wifi is down right now.)

Now that I've made you feel warm with paragraphs of cute kittens and puppies and rock n' roll princesses and awesome music and free Chipotle and sharing wifi; I must reveal some bad news; MY BACK IS F**KED!!! I somehow slowly injured my lower back while walking down some rusty stairs at the wrestling ring venue in Benwood, WV last Tuesday. I was getting ready to catch a little light-up-with-movement Nerf football, moving no different than any human casually walking down a set of stairs- then all of a sudden I felt my back juice trickling into the lower center of my back. Don't be alarmed, this is not a career ending injury or anything. This actually happens to me every two years or so. And this time is not nearly as bad as the last time (when I was filling in for my Dad in his Canadian Tire men's hockey league and I casually skated behind my net to find out how 3 weeks of near paralyzing lower back pain felt.) It's funny; when people ask if I have tall people back problems and I'm not dealing with back problems at that given moment, I usually reply "nope". But as soon as I do experience my dual-annually (I made up that word...) back pain, I remember the last time I had severe back pain. So anyway, I had to cancel two shows and I'm not happy about it. It's getting better. I'm three days without pain relief meds. Stretching a lot. Rubbing Tiger Balm and Icey Hot every few hours. Just taking it easy in Cincinnati until Atlanta's show on Tuesday. That show is gonna be really awesome and there’s no way I’m missing it. I played drums for a band on Warped tour in Dallas too. That was pretty fun. I learned their songs in three days. They have a lot of air horns in their music so I went kind of overboard with the Roland Pad's air horn sample. (Maybe that's why they found a replacement drummer for Pittsburgh Warped.) It was fun seeing the Warped Tour for the last year and getting to play on stage again. We also went to the Cincinnati Warped Tour and learned what heat stroke felt like.

Enough updates on my odd summer. I'll wrap it up with some insightful life/music stuff as I'm hanging out with the infamous Alex Baker. https://alexanderbaker.bandcamp.com/ First though, his dad told us one of the greatest dad joke of all time:

DAD JOKE PARTY:

"I was trying to think of a good reason to go to Switzerland and then I realized the flag was a big plus."

But for real; we were talking about how things would be so different if we had just been understanding with our ex-bandmates in the golden years. We were all young and surrounded by the odd discovery of egos driven by art/success. Alex was in a band called Dewey Decibel https://alexanderbaker.bandcamp.com/album/the-dusting-dewey-decibel They had a fun indie style with a really organic, interesting production. Dewey Decibel recorded their album in their house in Nashville. From the sounds of it, once they started getting attention from NPR and local radio stations things started getting to everyone's heads.

It's not uncommon for a band to get along really well when things are on the up then fall apart when the going gets tough. The more I see it the more I understand the damage it did to Rosedale. But on the other end of that unfortunate reality is the fact that I never would have met Alex Baker if the Rockstar ego-turmoil didn't happen to Dewey Decibel and Rosedale. I probably wouldn't have met Siana (AKA DJ $ Money) either. I'm not preaching that everything happens for a reason. I'm just kinda preaching that if you take the inevitable destructive events in life and turn them into fuel to move on and stay positive, better relationships grow. And those relationships are better because you've grown and learned how to be a better person. So, like I keep driving home in all of these "Farewell Blogs", I'm looking forward to where things go. I'm happy I've experienced all the curveballs along the way to teach me how to eventually hit some home runs. I feel like I'm on the right track with these new friends that I've only met through grinding past the hard times and pressing on for what I had my heart set on. Do you ever think of how you came to know some of your best friends? Like what events led them/you there that day and how grateful you are for those events and the transparent friendships they created? I know facebook gives us the ol "5 years of friendship" tag or whatever. But sometimes I see those and think "ohhh if you only knew, facebook...me and Casey Phillips go WAY BACK!" Anyway that's all for now. If you've been thinking of meeting me or Siena or Alex Baker the best way/time to do it is to come out to an event we're at and experience some in person hangouts. This will be the last few weeks of touring for quite some time for me so really try to highlight these dates and make a solid effort to come catch a show. I promise you will not regret it.

UPCOMING SHOWS: 7/24 - Atlanta,GA @ The Masquerade 7/27 - Jacksonville, FL @ Jackrabbits 7/29 - St. Augustine, FL @ Sarbez 8/3 - Pittsburgh, PA @ Black Forge Coffee 8/4 - Niagara, NY @ Evening Star 8/7 - Brampton, ON @ Spot 1 8/10 - Charleston, WV @ The Empty Glass 8/11 - Myrtle Beach, SC @ TBA Then a bunch of East Coast tour dates.

#Rosedale #farewell #chipotle #touring #warped tour #blog #themood #dadjokes #backjuice #brokebackmike #atlanta #music #allages #shows #newmusic #hashtag #warpedtour #alexbaker

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whyshanti · 5 years

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twenty nineteen. periodt.

i genuinely felt the need to write this because i was bored i have not written anything in a really long time. but mostly because there’s only a few who might read this and not care afterwards. it sucks to not be able to do something that i used to enjoy for quite a while. but here i am!

a lot of thoughts to unburden and a lot of unspoken feelings to unpack. let’s get to it, bih.

1. this year felt like it was dragging on. i wanted it to end asap.

so this year, i actually had A LOT of time. where did it go?

to: movies, series, anime, music, watching youtube videos, breakdowns, feeling stuck & paralyzed, academics, reading articles about pop culture & mainstream shit, going out with friends, chatting random ppl at night bc i thought i could trust them (and some of them, i can), and etc.

but on a more serious note, i really was more into the world of media, of both mainstream and indie worlds. i still can’t believe i got through this semester when i have been doing these things unrelated to uni. some ppl are also baffled by this activity log that i have.

point is: i felt like a walking zombie. probably looked like one as well. there is this routine that i have to do and i got really sick of myself. i didn’t have the motivation to strive more. i was always either sleeping (at least for the first half of the year) or watching. it all feels lifeless. the latter part of the year, my body clock was wrecked. i did not like the weather during daytime. at all. i slept during the day when i did not have classes then i was awake at night. but i try to get as much sleep as i can because my health is declining. i think.

also this year felt like it had 3 sequels. unnecessary, boring, full-of-jump-scares type of sequels. fuck.

2. feeling anxious and chill at the same time.

the only thing that made me feel chill at the latter part of the year is the fact that this shit... like all these shitty things we’ve been doing... will pass anyway.

i don’t know if it’s because of the new system that was implemented but it definitely feels like the stress levels were high only during exam weeks. for real. i am grateful to have THAT kind of “stress privilege (??)” but i also wish i was stressing over something that gives me LIFE. i know i’m studying for something that will actually help me provide something for myself and for my family but my soul (oh crap here’s where things get cheesy) screams i should do something else.

my friend always tells me to chill but i couldn’t because there’s always that nagging thought that i have to do something productive everyday. i think it stems from past disappointments, failed expectations from ppl close to me, and just basically feeling like a failure. i’m a frantic mess who somehow has the time to do unnecessary things. wish the energy was put into finishing acads on time or earlier, but here we are. think they meant that i should be chill with mysef. to be kind to myself. to not panic and breathe.

another thing is that there’s a load of information shoved in my head that really paralyzes me to act on something.

3. leaving behind the things i’ve outgrown.

it’s so funny how i’ve met few new people this year who i already treasure only to have quite a number of people to walk out of my life.

it’s not really surprising to me. i think we all wanted it to happen anyway. i’m just happy that things kind of subtly fell apart for things to make more sense. the feeling is kind of like how a misplaced puzzle piece is put into its rightful place. finally, i don’t have to force myself and i think the feelings are mutual. anyway, this year was a revelation in itself despite how dragging the pacing felt. love how the gunk went out and i see now what i’ve been blind to. chuck the deuce! definitely a thank u, next moment.

4. meeting new people, unexpected unions.

i definitely did not expect to form connections and be reunited with some of my old friends this year. also witnessed deepened friendships.

there’s always this thing where i put my energy on a high level when i’m meeting new people just to seem decent and happy then slowly revealing how tired, sad, and boring i can be. then there’s that fear of losing people’s interest in me or people not becoming excited to talk to me about... anything really. never thought i’d have this fear of losing certain people in my life. i want to detach myself from that and from people themselves too (in a healthy way ofc).

i’ve never ever felt like i could lose people in an instant. there’s that thing where i worry if i’m too much or i’m lacking for people. so i appreciate people who let me know if i’m crossing the line or if i’m doing something that completely annoys them because i really want to be part of people’s lives, meaningfully and genuinely. a good one. i don’t want to half-ass my relationships with other people and i seek loving relationships that thrive and inspire where it doesn’t only get good at the start but is continually progressing even when we don’t see each other often. it’s fascinating how as we get older, we see how relationships are not as simple as we think they are but really are simple at the same time. we have different goals, we are at different stages in our lives, we are facing shit that nobody else seems to understand and things that don’t seem to end, and we can only hope that our mere presence and emotionally available hearts will listen to whatever the other person has to unburden.

to somehow let them know that they don’t need permission to rest and to do things that they are afraid of pursuing.

4a. discovering new artists.

AURORA: the most underrated artist for sure. watched every interview/video/set because she is that bitch. her SONGS, man. i swear. she is that ethereal fairy from the forest. her fucking voice just draws me in. she deserved a better role in frozen 2 tho. she needs to be a lead in a musical animated movie. idc idc i said what i said.

beabadoobee: fucking rockstar, reviving the 90s grunge music and looks.

Billie Eilish: a badass. hate how she still stans bieber tho.

5. daydreaming of a new life.

you don’t know how many times i’ve been dreaming to have a big house.

it’s time. we really need a new house. i’m not, as what the kids say, vibing with this old house anymore. this is what i wish to leave behind as soon as possible. how do i even get the MONEY to afford it? i’m just hoping for a miracle to happen, you know. i really wish my family gets to be in a better home soon.

i think if u know me, u might have caught me spacing out a few times.

idk why this always happens. it’s so rude to the person speaking to me but my mind literally drifts off to another planet. it’s not that they’re boring. i just can’t help it. i feel like shit thinking about how many times it has happened to me.

sometimes, i dream of being this whole new different person.

someone who is better than who i am. someone who is good at something and is passionate about the things she does. there are a lot of things i am interested in doing but i don’t have the courage to actually do it. idk why i always turn into a statue when i think of things that i wanna do.

6. God.

it’s been a long time. i have lost contact with You but You are always there to patch things up for me. every effin’ time. i cry everytime.

it must be because i was raised in a christian setting. that’s why i always think it’s You who’s working behind the scenes. but still i am grateful.

saved me from certain people.

saved me this semester.

saved me from pulling worthless all-nighters.

provided me financially esp when i thought i had nothing.

prevented a severe acid reflux situation.

gave me new friends.

did literally so many things that saved me from bad situations and people in general like WHO DOES THAT??

7. a life without a plan.

this is literally what i wanted to happen. not carelessly but like where i don’t have to worry about what to do next. just let things be and go with the flow. the first half of this year, i really did not think things through as i normally would and i let plans fall just to enjoy what was in front of me. be at ease and be present during that time. and i did. it was a peaceful, cheery time tbh.

8. every day i wanted to start over just to get over a lot of things.

9. i missed a lot of ppl.

10. i wanted to be held. not by a certain someone. not romantically. but by anyone close to me. *plays i’m with you by avril lavigne*

sometimes we all just need a long hug. that’s all. and it’d be nice to hear more stories from people. :)

11. not everybody will reciprocate the same energy that i send out to them and it’s okay.

this bummed me out. felt like an effin’ loser but i’ve learned that people have businesses to do. life doesn’t always happen the way we want it to.

12. this the final year of college. just finish it already, dumbass.

13. why can’t i just be kathryn bernardo or AURORA for like a month or a year? i promise i will not ruin their careers lmao.

14. i want to make major changes in my stupid life but money is an issue.

15. the stars are below the sky now.

the state of the environment is the same as of our minds. polluted and overloaded with gibberish to the point that we get scared of doing one thing at a time and where we also don’t throw away the unnecessary baggage/s.

we’re so intent on doing things all at the same time. finishing everything in one sitting. being productive became an addiction and it scared me how i was becoming affected by this. there’s this constant thought that we collectively share which is to do something by every day and it only adds up to people’s anxiety and depression. social media definitely made us aware of mental illnesses/disorders but then it became a trend. people self-diagnose themselves and end up with the wrong treatment. some people use it as a tool to get followers and... ugh it’s all a mess. i hope people get the right treatment/s AND/or professional help because if they don’t, they’ll lose themselves. i mean... just look at the sky. there’s literally no sign of a star now if u live in the city. we’ve lost sight of what should guide us. we are unconsciously following a false light thru our devices.

i’m not good at analogies or at explaining things as u can tell. but moving on...

this hyper self-awareness that i have gained from social media has its advantages but is also distracting me from living my best life. i didn’t realize that i was making my own christmas lights inside my seemingly dark mind when really... it’s just clouded by all this information that’s coming in fast and has affected who i am and certain areas of my life. i’ve almost forgotten this and i’ve come to believe again that there’s always an ever-present light and it will take time to get used to its brightness once my mind gets clearer by the day. hopefully, it will.

anyway, CLIMATE CHANGE IS REAL AND WE NEED TO SAVE EARTH.

16. men are trash.

17. the people who i should avoid always looks odd or unpleasant and has bad energy. i know shit when i sense one.

18. i’m not happy with my life and with who i am but i’ll work with what i’ve got.

life gives u a mirror and shits on your face. sheesh.

for some reason, i can’t forget what my adviser told me during my 4th year of high school. she told me “it seems like you’re a person full of regrets” and every time i have a cryfest, i think of that. idk why. (never underestimate the power of a few words, folks). you know how like in flow charts, u encounter decision points? the diamond shapes? i think i always decide no and end up with the worst consequence and then there’s no more starting over.

i don’t think i understand flow charts well. ugh.

i can’t come up with a cool transition to me having insecurities so let’s say i did!

some people’s beauty, inspiring. but others just make you feel like shit.

i really want to explore my feminine side more because i was more masculine when i was younger. i’m not gentle, i’m a bit aggressive. and it just doesn’t fit with who i want to be. idk why. and also, it’s fun (!!!). you get a taste of what it’s like and it’s so EMPOWERING at least for the short experience that i had. but can make me feel very conscious of my entire being and i just end up wearing cartoony disguises. ironic but BABY STEPS. when i think about it, there’s really no black or white answer whether this or that is feminine or masculine.

self-love is not a 5-step process.

it is continuous improvement of oneself to the point where you don’t give a fuck about what they say. i really envy the ones who are comfortable in their own skin, who are totally embracing their flaws. they just bloom. some people just look like them. like it’s SO THEM. unmistakably them. and i think if everyone had that, we would not have standards anymore.

oh, to live in a time where individuality is encouraged but is also discouraged when not lived up to its standards. hurray.

19. this year was the year of mindless decisions. periodt.

20. hoping that the new year, 2020, will be the year of CLARITY where i know who i really am, embracing it, and where i will not be taking anymore of anyone’s bullshit. where i know where i stand in my relationships with other people and vice versa. there will be intentional but meaningful endings that will pave the way for blossoming beginnings.

let’s hope it unfolds the way it should be. for the better.

bonus: nobody knows what the fuck they’re doing. everyone’s just going with the flow. be yourself.

note: this is a compilation of thoughts, informally. thank u.

#2019

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