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#TUMBLR CAN NO LONGER LIMIT MY POWER
professor-abeloved · 2 years
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the way i clicked this in a drunken panick and ended up with the FUNNIEST scene ever 🤡❤️
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smileysuh · 5 months
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nerd TEASER
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🌙 starring. Jeon Wonwoo x afab!Reader
🔮 preview. Look up at me for a moment, gorgeous,” Wonwoo commands, and you do as you’re told. He meets your gaze, his skin flushed from your mouth suctioning on his cock. “Just need to get your eyes right for your character,” he explains, threading his fingers through your hair and aiding you up and down on his throbbing length. “Such pretty eyes. You look so good staring up at me with your mouth stuffed full, baby.”
tw/cw. Unprotected sex, use of dragon knotted dildo toy, use of vibrator, multiple reader orgasms, blow job, dirty talk, slight power play/humiliation, clit sucking, overstimulation, pussy stretching, reader rides the toy then Wonwoo uses the toy to make her cum again, talking reader through it, mutual masturbation, Wonwoo strokes himself off to the reader using her toys, etc… I pet names: (hers) baby. (Wonwoo’s) puppy
👹 rating.18+ explicit I wc. 3.9k
🍭 aus. Established relationship au, gamer!Wonwoo, etc…
☀️ mlist + an. I know this is on the shorter side, it’s pwp, but I’ve been reading shorter things lately, and I’ve been insanely busy, so I figured a short and sweet fic couldn’t hurt after last month's near 20k meanie fic :)
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“I guess I didn’t really have the energy to take care of you last night,” Wonwoo admits, leaning forward to press his lips to the spot above your navel.
You let go of his hand in favour of threading your fingers through his curls, his hair teasing your sensitive skin as he presses kisses up toward your rib cage. He cups the back of your thighs, tugging you closer.
Wonwoo reaches your breasts, his tongue darting out to lick at the underside of your boob, eyes gazing up at you.
“How about a compromise?” he suggests, breath hot on your sensitive skin.
“A compromise?” Your words come out shaky as he takes your nipple into his mouth, sucking on it gently.
He hums against the sensitive bud, one hand lifting to massage your ass. Then, he pulls away from your breast, looking up at you with a grin. “I just wanna finish your character first.”
You let out a deep sigh, shaking your head at Wonwoo. You step away from him, but he grabs at your hand. “Kiss,” he instructs, and you begrudgingly lean down to press a chaste peck to his lips. His fingers thread through your hair, cupping the back of your skull to keep your mouth on his for a few moments longer, then he releases you. 
“Should only take five or ten minutes,” he tells you. “And I need you here to model.” 
“One second,” you groan, heading to your closet.
If he doesn’t want to fuck you right away, if he wants to prioritize his video game, that’s just fine. You can start without him.
READ IT NOW
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☀️ to read the full fic AND 3k bonus NOW, subscribe to my Patreon, then click here
👹 or wait till the fic is posted on tumblr Friday, May 10th, 2024
🔮 see what’s already available to read on my m.list
taglist is limited, to ensure a tag please reply, reblog with a comment, or reblog, those who do one of those three options will be prioritized when it comes to posting day
READ IT NOW
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lucabyte · 5 months
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obligatory ramble about postcanon loop ask
also your art is amazing
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Hiiiiiiiii :D thank you :)!!
and thank you for the excuse to post the. just absolute wall of text that i truncated down to form the tags of that post. (i did,,, hit the tag limit. i forgot tumblr had one of those...) so let me just paste that and tidy it up a bit...
I am putting this under a readmore because it's a bit long. but:
This is like. The General Context for all* of my postcanon doodles? (Except AUs obviously) Like this is the base idea I've been drawing them all in. So, feel free to backread with this in mind. I've basically had this 'postcanon' timeline set in my brain since finishing the game...
My general thoughts are that I like the idea of Loop (even if through dubiously ethical means) being able to slowly reintegrate with the party as a whole new person, because they are, in fact, their own person.
It's a muddle of thematic threads im pulling on and "wouldn't it be fucked up if", but. (at its core, it's powered by the fact that like, while narratively isat's theme of 'the only person who can truly take the first step to help you is yourself'. (wrt: loop helping the party help siffrin in act 5) which i LOVE AND IS GREAT NARRATIVELY…. would be super fucked up irl to learn that your friend 'learned as a lesson' while you stood by kinda uselessly. I know i'd be upset about it. but thats mostly background here. doesn't really come up. at least not until loop has to explain who they are and the party realises they had to fall back on literally themselves again for help, but i digress,)
The real core concept is: Occam's razor. It is like, inherently, a buckwild thing to accuse a person of being somehow a clone or copy of your friend. Even if they start vaguely alluding to a backstory it's far more likely they were some other person before all that. (I still think Odile has that theory in the back pocket but she's rational enough to know it's a really long shot without a solid explanation. and i think Loop deep down knows this, and would, if cornered into confessing, turn the situation around to go J'ACCUSE and make HER explain it instead. Ever longer dodging being direct with their emotions...)
And the party are nice! And if someone has changed and wants to keep stuff secret it's kind of not their business? (Though it's hard not to speculate… see: the main joke of the doodles) And they seem important to Siffrin so they just try to accept them abrasive quirks and all. And eventually the question of their prior identity just fades away since, well, they're Loop. Their friend Loop.
but yeah. personal headcanon is that a few months/weeks after picking up and getting aquainted with Nille** (since that was presumably the IMMEDIATE TASK postgame), Loop reappears (either after a literal period of nonexistance, or just spending a few months wandering the french countryside alone being attacked by wild dogs). Since Siffrin has had a while to be therapised by the party they're doing mostly okay, but Loop showing up and still being agitated/aggressive pulls them both into a bit of a backslide behaviourally and puts the party on the back foot again.
Hooowever, I do think that due to no longer being literally stewing in the worst pressure cooker of all time together, the two do mostly actually sort themselves out with productive conversation. (Via a cycle of: genuinely distressing argument -> weeeird lovebombing -> ok we're good -> repeat, that gets less intense over time)
Thus, allowing the party to just. Integrate loop as a new person. They and Siffrin shuffle into different ecological niches (Loop taking over stuff Siffrin is now too squeamish for, etc (see: hunting, mostly)), and while it's not exactly what Loop wanted they generally get that beggars can't be choosers and it's a pretty good deal. And the rest of the party does straight up just like them as a friend, especially when Loop quits trying to actively antagonise them after a few weeks of being around them, since they just can't keep up being mean to people they like forever.
As for how I think the truth eventually drags itself out. This is where I invoke The Isabeau Torment Nexus™. So its gonna get shippy here for a bit hold on.
Which is, I think giving them time before Loop reappears long enough that Siffrin and Iseabeau actually manage to become established, Isabeau has to be the one to nudge the pair of them and go. "Hey. You know we're in Vaugarde right. I'm okay with polyamory if we all communicate." Before Loop and Siffrin actually even acknowledge that whatever the fuck they have going on kinda looks a lot like a relationship of some kind. (or have already been agonising about that via fighting and arguing, depending) (Obviously this comes after Isa "Emotionally intelligent enough to keep a lid on the jealousy" Beau has managed to use that big brain of his to Not just go Scream somewhere on the daily because oh godddd they keep talking like theyre suicide-baiting each other jesus chriiist. is it overstepping his boundaries to bring that up?? god)
This, taking a bunch of the tension out of Loop and Isabeau's relationship (Since I imagine Loop is a. being weird for the obvious reasons and b. feeling kinda guilty about 'getting in the way of' Siffrin and Iseabeau), allows them to actually get close in a normal friend way. (I think an interesting turning point could be Isabeau actually taking Loop's side in an argument vs Siffrin, which would absolutely break Loop's brain. Especially if it's an argument that matters. Like what do you mean he isn't just going to play favourites. What?)
Then Isabeau, just actually open minded and charmed by Loop (and maybe even somewhat at Siffrin's suggestion?) tries to close the final open side on the polyamory triangle here and that's the final straw for Loop on "This lie by omission is too unethical to keep up, this is just actually sick and wrong. I can't do this while he doesn't know who I am." Though. Obviously it probably goes. Very poorly with emotions high like that. And the added element of several months of deceit. Getting dark here for a second but that dagger is going MISSING and so are THEY for a hot minute.
Then yaaay everything works out in the end 👍 yippieee!! all it took was maybe a lot of harrowed recontextualisation of all the weird shit your new friend said and did when it turns out they're your old friend. It's fine.
But yeah. this is basically the context all of my postcanon doodles have existed within? And those exist to give other people something to chew on. So this does too.
I suppose TL;DR: Imagine if sloopis almost fucking happens before isabeau knows who loop is. can you fucking imagine. can you imagine having to navigate that. nightmare.
*Yes this includes the implied cannibalism comic. Uhh. Comes part and parcel with headcanoning that Loop went way off the deep end similar to A5 Sif But Maybe Worse before giving in. Add weepy half-asleep confessions to murder wherever you see fit in your mind palace. 👍👍👍
**Re: Nille footnote. I don't have anywhere to put this besides here! I have some thoughts on Loop and Nille having an odd dynamic. I don't imagine Nille to be super gung-ho on trusting a bunch of adults (even if they are majority around her age) given their implied backstory. It's probably a big shock to the system, especially since Bambouche is a good couple hundred Kilometers up north from Dormont and these guys don't seem to have trains. She would've been unfrozen and without Bonnie for some time....
Which is to say: I think she's suspicious of them. I think she may be looking for excuses to distance herself, keep Bonnie safe. SO.... A new guy showing up? And antagonising the party? What do they know that I don't...? I should find out.
And since... Loop didn't ever know Nille, they have no ammunition or real reason to be cruel. Plus, if they're trying to stay on Bonnie's good side (SINCE... if Bonnie thought Loop was cringe they may as well kill themselves. In their mind.) they SUPER have no reason to antagonise Nille.
Mostly, they might be able to open up to each other easier than they can the rest of the party?
I feel like this resolves with Loop feeling compelled to apologise for what they and Siffrin let happen to Bonnie, though... Hmm... Depends on how you interpret Nille that they'd be glad nobody else had been told about that yet, or furious it had been secret this long. I lean toward the former.
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copperbadge · 5 months
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Lately, it's felt like every time I've started to work on writing, I'll just be getting into the rhythm of it when I get interrupted, either by work or the cats or because the time I'd booked in the library study room is up (you can only do two hours at a time, and only four hours a week total). It was getting to the point where I kept re-reading the same chapter or so of previous work but never managing to add to it.
So I tried an experiment this past weekend -- I found a really cheap rate on a local hotel room, and on Friday I took an overnight bag and a very old laptop with limited processing power and checked into a room about a mile from home for a quasi "staycation". I unpacked and had a quiet night on Friday, as prelude to working Saturday-Sunday. The idea was to write uninterrupted by other people, pets, the presence of all my Stuff around me at home, et cetera.
I had snacks but I also bought meals out, which was nice; I don't often order in or buy out when I'm at home. The way I set up was that I would do fifty minutes of writing with do-not-disturb engaged on my phone and then ten minutes of checking email, texts, etc. since often what pulls me out of writing is a text or an email that needs answering, or the anxiety that I'm missing one that would. If I set it so that every hour I check, well, nobody's going to die if something doesn't get answered in an hour, so the anxiety isn't there, and neither is the distraction. (I found a nice app for this, review later depending on how functional it continues to be for me, but it's a like $4 app called Forest.)
It worked pretty well -- writing for an uninterrupted hour, as long as I know what I'm working on, is very functional for me. I average about two thousand words, that way, though there is a limit to the number of hours I can put in. I ended up doing two hours in the morning and one hour in the afternoon, then switched from fiction writing to clearing out my tumblr drafts and some correspondence for the fourth hour. So it went something like
Go out and get breakfast, bring back and eat in room
Change into lounging clothes and do two one-hour sessions
Go out and get lunch, eat lunch out
Bit of a rest break back in the room
Two one-hour sessions, one of writing; when tired, switch to something that requires less creativity
Go out and get dinner, bring back and eat in room
And then in the evening the plan was to watch movies or catch up on reading, but I ended up being mentally weary, so instead I did some simple tarot reading. It was less divination or even meditation than just messing around, keeping the creativity stimulated; I did a couple of Creative Writing spreads, some very brief divination spreads (I nicked a nice three-card spread here that I mentally call He To Hecuba, and just used it in general rather than for a specific question) and then invented a spread when I was starting to get irritated that the same like, five cards kept coming up, more on this in its own post.
Sunday I did one more writing session but it was less successful, I think partly because what I was writing required a lot of research and partly because the previous day I'd dumped eight thousand words into the file. (Research took longer because I brought the most garbage laptop known to man, and the browsers crash if you try to open Google Maps, but in other ways it was ideal since there wasn't much I could do on it other than write.) But I had a good breakfast, got some rest, packed up easily enough, and headed home just ahead of the rain storm.
I don't think it's something I'll be able to do in that format especially often, since the deal I got on the hotel was an anomaly and Chicago lodging, even just AirBNB stuff, is stupid expensive. But in addition to helping get some work done it was a nice break, so I'm going to look into ways I could swing it on a perhaps monthly basis, or some other way to cheaply spend an entire day alone with decent access to a bathroom/snacks and a way to come and go easily. I've looked into coworking spaces before but they tend to be prohibitively expensive and don't really have the setup I'd prefer; there's a hostel on the north side with private rooms that I might try out but it doesn't seem significantly cheaper than a hotel. I might just have to pick one weekend a month and watch last-minute hotel price cuts where they simply want to fill a room for a day or two.
Anyway, functionally I wrote almost a fifth of a novel this weekend, and one that I wasn't feeling super on fire about; I'm feeling much better about it now that I've got some established plot going and I feel like I "know" the newer characters a bit better. (Also I'm enjoying writing Simon as someone who is absolutely entranced by his love interest and clueless that what he's feeling isn't mild antipathy because they met while fighting over ricotta.) So it was a big help, although if I were to put a budget line item in the Extribulum Press ledger for "writing staycation" it would wipe out my royalties surplus very quickly.
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userpeggycarter · 4 months
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i was requested by anon to make a tutorial for this gifset and here it is!
DIFFICULTY intermediate/difficult. basic giffing knowledge is definitely required.
while my gifset has a fair amount of animation, the only handmade animations can be found in the second and fifth gif. the rest are assets (the checkmarks, the sharpie circles) (either gifs or videos) i found on the internet and pasted over my gif.
THE BASICS OF TIMELINE GIFFING
if you gif with frames, you will need to use a timeline for the animation to work (keyframes). i’m a timeline giffer anyway so this was another Tuesday for me. if you never used that method of giffing, however, it can be confusing, especially if you never used a video editing software before (the timeline works like video editing). 
so, here’s a breakdown of what is the timeline:
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the player icons work like any video/music player in existence. ignore the volume icon.
the gear icon indicates the quality of the reproduction while editing it, not the quality of the end product. think like it’s Youtube reproduction settings on a video in order to save your 4G data, but with RAM power instead. this is very useful if your computer isn’t very powerful to begin with and gifs with VFX are very heavy to handle. 
i always click the loop option inside the gear panel because i like to see how the gif will be viewed by the public, i find watching to play only once isn’t very productive. you can stop and restart the reproduction by pressing the space bar on your keyboard.
every layer of your PSD file will have its own bar. the length of the bar means the duration of the gif, so a longer bar means a longer gif and a shorter one, a shorter gif. for everything that isn’t your gif/screencap-based (ie, coloring, typography, lightning, shapes, etc) can be dragged by the extremities as much as you want, making the asset last as long as you want. the only layer that is limited by its maximum duration is naturally your gif, but you can also drag it to make it shorter.
you can also drag a whole layer bar by clicking it and dragging it, making the start and finishing point different from the rest. be careful while doing that otherwise you will end up with blank frames, messing up the looping of your gif completely.
there’s a needle you can drag across the timeline and it works just like on a vinyl disc, the moment the needle drops, it’s the moment/frame Photoshop will show you.
you can also trim your stuff by cutting and deleting snippets of the bar. for that, you will drag your needle to the desired moment, use the scissor tool and then press delete to erase the unwanted bit.
it’s important to point out that the timeline only allows 0.03x or 0.07px speed, no matter what the speed the gif was before converting to that method. if the original speed is closer to 0.03x, then PS will define the new speed as 0.03x. if it’s closer to 0.07x, then it’s 0.07x. i always change the speed to 0.03x before converting to timeline for the sake of not screwing stuff up, which means i see my gif looping while editing in a faster way than Tumblr users will see when the gifset is posted. this takes a while to adjust to if you’re new to timeline giffing, but eventually you don’t think it’s jarring anymore.
that also means you will need to correct the speed after your gif is completely finished. to do that, i use this action.
you can zoom in and zoom out using the little mountain sliding bar. this will be useful later in the tutorial.
if you zoom to the max, you will see all the numbers above your layer bar. these are time marks. the thing is, they seem a bit weird at first. the bigger numbers indicate SECONDS (01:00f, 02:00f, 03:00f, etc), while the smaller and repetitive numbers indicate frames (5f, 10f, 15f, 25f). that means that the smallest drag of your needle possible (from point A to point B) refers to an interval of 1 frame. you will need to take this into consideration while animating stuff.
you can color code your layers, if you think that makes it easier for you to see what you are doing. this is something i do, not only in Photoshop but every Adobe product with a timeline. to change the color of a layer bar (the default is purple), you can right-click on your layer in the layer panel and click the color you want. the colors are the very last thing in the list when you right-click it.
another organization tip is the use of folders. if you create a folder in the layers panel, a folder is created inside the timeline and any layer inside of that folder will disappear from the panel until you click the little arrow next to the name of the folder in the timeline panel. you can color code your folder as well, making every layer inside of it the same color or even different colors.
THE BASICS OF KEYFRAMES
every change related to any property selected (transformation, opacity, style, text warp, position of the layer mask, activation of the layer mask) will be computed in the exact moment in the gif you change it. if that doesn’t happen, you can force Photoshop to do it by clicking the small diamond next to the property name.
let’s say you want an animation to start 0.5 seconds after the gif starts, so you will drag your “needle” to 0.5 seconds and then make the change (making a text bigger, moving a shape, etc). 
Photoshop will automatically bridge the gap between the state of the gif at 0 seconds and 0.5 seconds, thus animating your gif. 
to start animating, you will need to click the little clock next to the property you want to animate. make sure you click the clock while your needle is at the exact beginning of the gif.
every change (keyframe) will be marked with a small diamond under the layer bar, at the exact moment you changed it. that means if you make jarring changes in a short amount of time/frames, the animation will be quick and abrupt. if the interval is very long, the animation will be slow and smooth.
the selected(s) keyframe(s) will have their diamond painted yellow, while the unselected ones will be grayed out. 
you can right-click the diamonds to delete or copy them. if you have many diamonds and want to delete them all, you can click and drag to form a square and select all of them just like when you do to select many files at once on a PC folder. there’s also the option “select all” under the right-click panel.
you can also drag them and change their timing that way. if you have more than one diamond selected, if you drag them, their interval will remain the same, but the starting and finishing point of those two diamonds will change.
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THE SQUARES BAR
the easiest of the two animations. this one doesn’t require keyframe animation, but i put this in the last bit of the tutorial for the sake of its flow.
first, i added the empty squares. they last as long as the gif lasts. after 6 frames, i added the first colored square and made that square last until the end of the gif. i repeated this in a staggered manner (+2 frames delay each colored square) so the colored squares appear at equal intervals. 
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THE STATS BAR
the most difficult of the two, but don’t worry, you got this. 
first, you will need to structure your stats, ie, add the text, the dividing line and the pointed lines. that is, if you want to follow the exact design i used in my gif, but you don’t have to if you don’t want to.
next, you will create rectangles that fill the entire stat bars. you will add a layer mask to each one of them and with a layer mask selected, select a rectangle about the size of your original rectangle, then paint it black. you will notice the original rectangle will disappear. if you delete the layer mask, the original rectangle will appear again. that is because you didn’t delete the original rectangle, you just hid it by using a layer mask.
there’s a chain icon between the layer and the layer mask in the layers panel, click it to unlink them.
click the clock next to “layer mask position” with your needle at 0 seconds/frames. drag your needle to the moment you want the stats to end and use the arrow keys to move the layer mask. you will notice the original rectangle will slowly be revealed by you moving the layer mask. you will also notice that a small diamond will appear in the “layer mask position” line in the timeline. you created a keyframe!
if you press play, you will see the animation from the bar going from null to full!
FURTHER READING/VIEWING
this tutorial uses layer mask animation to reveal text too!
a video tutorial for better visualization!
another keyframe tutorial, this time focusing on coloring!
if you still have any questions, feel free to contact me!
and if you (or anyone) else want, i can go in depth in animating each property, i just did a quick overview + explained the stats animation.
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st-eve-barnes · 1 year
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Moan for me (modern Aegon x fem Reader)
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Summary: After yet another horrible date leaves you horny and alone your roommate Aegon takes care of your needs.
Or: the one where Aegon wants to prove he's better than your vibrator.
I posted this fic a couple of weeks ago but it got blocked by Tumblr and was no longer visible for anyone but me so this is a repost!
Warning: 18+ for smut and explicit language. Fingering, oral (female receiving, p in v, mentions of masturbation.
This is porn without plot and it was written quickly so forgive me for any grammar mistakes! I just had to get this out there so I can focus on my series again ;)
Word count: +2700
***
All my fics are also on AO3
***
It wasn’t that you cared about being stood up, it was nothing new and you hadn’t even been into the guy all that much to begin with. But he was easy on the eyes and it had been too long since you’d been with anyone.
You were craving sex, badly, but you didn’t want to fuck someone who was a total moron. And all guys you had met with lately had turned out to be idiots, it was like the powers-that-be had made it their priority to have you meet every single loser on this planet and you were so tired of it.
Take this guy tonight for example.
What started as an innocent discussion about the Barbie movie had quickly become a heated argument that had uncovered layers of misogyny you weren’t prepared to deal with, not even for a quick -no doubt totally unsatisfying- fuck.
But it hadn’t changed the fact that you were still horny as hell and your chance at finally getting dicked down had just walked out the door.
You walked home feeling frustrated and looking forward to another night with your vibrator, who knew you better than any guy at this point and was also much better in satisfying your needs. Still, it wasn’t the same, you missed the skin on skin contact and the feeling of an actual human being underneath or on top of you.
You opened the door to your shared apartment and found one of your roommates in the living room. 
Aegon was wearing sweatpants and a wrinkled t-shirt while he was absentmindedly browsing through Netflix, taking up the entire couch. 
“You’re home early,” he stated, not taking his eyes off the tv,”Date didn’t go as planned?”
“You could say that,” you sighed,”What are you doing in? It’s Friday night, shouldn’t you be out picking up some random girl in a bar somewhere?”
“Couldn’t be bothered tonight,” he shrugged.
“You’re not missing much anyway,” you took off your shoes and plopped yourself down onto the other couch.
“That bad, huh?” he moved to sit up so he could look at you,”What happened?”
“I do not wanna talk about it.”
“Okay, that’s fair.”
You shared the apartment with Helaena and her brother Aegon. Helaena had been your best friend for years and Aegon had joined you both earlier last year. You two had clicked right away, his open and fun personality made him really easy to talk to and you had grown comfortable around him much quicker than you usually did with other people. 
He was the typical party boy, going out every chance he got and bringing home different girls every week, but they all knew what they were in for with him and by the screams and moans coming out of his bedroom not a lot of girls complained. 
You always considered him off limits because he was your best friend’s brother and it would make things awkward as fuck between the three of you. But tonight your horniness was winning and you couldn’t help but look at him with lust in your eyes.
Aegon was pretty, dreamy blue eyes and long curly blond hair and a smile that would melt any girl’s heart. He wasn’t ripped but he was fit and the sweatpants he was wearing tonight weren’t leaving much to the imagination. It didn’t help your already fragile state.
“You alright there?” Aegon asked when he noticed you staring.
“Fine,” you sighed,”Just…getting a little tired of spending another night with my vibrator.”
That statement got Aegon’s attention and he stared at you shamelessly.
“I mean, it gets the job done,” you continued oversharing,”But…it’s just not the same.”
Aegon nodded quietly.”How long has it been?” he then asked.
“Seven months,” you confessed.
He clicked his tongue,”Damn, oh babe, you must be frustrated as fuck.”
“Yeah, no shit,” you laughed and stood from the couch,”With that information…any sounds you hear coming out of my room tonight, just ignore it, okay? I may get a bit loud.”
Aegon nodded his head and swallowed hard.
“Hey, wait,” he stopped you before you could leave the room.
“What?”
He licked his lips while he looked up at you,”You don’t have to…I mean, I’m right here…I could…take care of you tonight.”
Your mouth opened in shock and you only now realized what you’d just shared with him,”Oh, I didn’t meant to…shit, I wasn’t trying to…”
“I know you weren’t,” he quickly reassured you,”But…I’m offering.”
He stood from the couch and took a few steps closer to you, looking into your eyes.
“I bet I can make you cum harder than your vibrator can,” he then whispered with a cheeky grin on his lips.
“Are you sure? He’s pretty good at finding my weak spots,” you teased,”It might be a challenge.”
“One I willingly accept, if you let me,” he took another step closer, his face mere inches away from yours now and you got lost in his blue eyes.
Your pussy was screaming yes let’s do this but your mind was a little more hesitant.
“Aegon…we’re roommates, I don’t know if we should…”
“I won’t be weird about it if you aren’t, it would just be a friend helping out another friend. We’re friends, right?”
You nodded,”Yeah, we’re friends.”
“Well, I can see that my friend is clearly frustrated and that she just needs a hand tonight,” while he spoke those last words he placed his hand on your inner thigh, rubbing softly and slowly moving up higher underneath your dress until his fingers reached the hem of your panties.
You didn’t pull away but your cheeks flushed at the intimate contact.
“What kind of friend would I be if I just left her to suffer like this, hmm?” he teased in a soft voice. His fingers moved up over your clothed pussy, feeling how soaked you were right through the fabric.
“Oh, sweetheart, you’re practically dripping all over me,” he whispered while his lips curled up into an amused smile.
“Aegon,” you whimpered.
“You want me to stop?” he asked.
You quickly shook your head and your hand wrapped around his arm, fingers digging into his skin while you let your head fall down onto his shoulder. Aegon took that as confirmation you wanted him to continue and he slowly started moving his fingers, circling your clit through your panties. 
“Look at you all needy and wet. I’d be a really bad friend if I didn’t help you out, wouldn’t I?” his lips found their way to your neck, leaving soft open mouthed kisses on your skin. 
You couldn’t hold back your moan. It had been so long since someone touched you like this. Your hips were bucking into his hands, already desperate for more contact and Aegon knew not to waste time with you. His fingers slipped underneath your panties, spreading you wetness through your folds and then back up to play with your clit. You were embarrassingly close to falling apart already.
“That feel good, sweetheart?” he breathed in between kissing your neck and your jaw,”Was this what you needed?”
“Yes,” you whimpered, burying your face into the crook of his neck to muffle your moans. You gasped when he pushed a finger into your wetness and Aegon chuckled into your ear.
"Fuck, you're squeezing me so good already," he breathed, not hesitating to add another finger and fucking you with them agonizingly slowly.
He then moved you back towards the couch and pushed you down onto it, you whined at the loss of his fingers but it was quickly forgotten when he sank down on his knees in front of you and pulled your panties down. His eyes meeting yours eagerly as he licked his lips slowly.
“Can I eat you out? Please?” he practically begged.
Your mouth opened and your breathing picked up instantly, you nodded your head. It had been a long time since anyone touched you like that but it had been even longer since anyone had done that to you. 
Your eyes closed in a heavy sigh when Aegon started kissing the inside of your knee and then your thighs, his hands spreading you open for him slowly while he made his way up higher and higher. You felt exposed and naked under his gaze but you didn’t care, the feel of his soft lips and his hot tongue on your skin made you forget everything else and the anticipation was making your head spin.
Your hand moved into his hair, caressing him softly and he hummed against your skin. Your free hand grasped the edge of the couch when his mouth finally landed on your clit.
“Fuck,” you breathed when he started licking your folds, teasing your entrance with the tip of his skilled tongue.
You knew he’d be good at this but you still weren’t ready for it to feel that good. Your muscles were tensing up, heat coiling in your belly already and your entire body was trying to fight it.
“Shhh, relax,” Aegon purred while he placed a few innocent kisses to your clit, his hands caressing the inside of your thighs,”Remember to breathe, sweetheart.”
You did as he asked, taking a few deep breaths and telling your body to surrender to him. When he continued kissing and licking your pussy your mind finally shut down and allowed yourself to submit to him and the pleasure he was giving you.
“That’s it, my sweet girl,” Aegon encouraged you,”Just lay back and let me take care of you.”
When he started fucking you with his tongue you knew you wouldn’t last much longer and you pulled his hair to indicate you were close. Aegon picked up instantly and when his thumb circled your clit again you began your descent.
He held you down when your legs started shaking around him, fucking you deeper and faster, your juices spilling all over his eager tongue and when he moaned into it you came so hard you almost blacked out.
Your moans and heavy breathing filled the room for a long time after that and Aegon took his time to lick you clean and let you come down from your high. When he eventually moved back up his lips were curled into a smug, satisfied grin. Your hand was still in his hair and you used it to pull him into you, licking your own arousal from his lips. Aegon was quick to push his tongue into your mouth and kiss you, deep and hungry.
You pulled at his sweatpants, your hands grabbing his ass and pulling him down onto the couch with you. He was quick to help you and take them off, letting his hard cock spring free against your inner thigh.
“Fuck me,” you begged and your eagerness made him moan into your mouth.
“Yeah?” he asked,”You sure, baby?”
“Yes, I’m sure,” you bit down on his bottom lip,”I fucking need you, now, Aegon.”
It was all you needed to say, he wrapped his free hand around his already leaking cock and gave a few hard strokes before aligning himself with your entrance. 
“Wait, you’re clean, right?” your brain kicked in at just the right time.
Aegon nodded,”I’m clean, promise. You?”
“On the pill,” you explained.
“Music to my ears,” Aegon grinned and then he was pushing into you slowly, both of you moaning in unison now.
He took his time, letting you adjust to his size before he started moving. Having him inside you was the best feeling in the world and you couldn’t believe you hadn’t done this with him much sooner.
Aegon pinned you down onto the couch and started fucking you, slowly, while keeping his eyes locked on yours.
“Fuck,” you whined, tangling your fingers into his hair while your eyes rolled back into your head.
He pulled down your dress, revealing your breasts and taking one of them into his mouth while he kept pounding into you. The feeling of him stretching you to the core while he sucked on your nipple was overwhelming and quickly sending you towards another climax.
“Fuck, baby, you feel so good around my cock,”Aegon breathed against your skin, moving up to your neck again,”Always fucking knew you’d feel so good.”
He grazed your skin with his teeth and then kissed your lips again, hard and desperate this time as he picked up the pace with his hips, slamming into you and knocking the air out of your lungs.
“I could fucking hear you, you know?” he then whispered in between kissing you,”When you play with that vibrator of yours…your moans go straight through my wall, driving me fucking insane every time.”
You whimpered at his confession, wrapping your arm around his neck to hold him close to you.
“I jerked off so many times to the sound of your sweet moans, did you know that?” he continued while breathing into your ear,”Nothing makes me cum as hard as you do, I bet you didn’t know that, huh?”
You shook your head and bit your lip, keeping your eyes on him. He was breathing so hard, his cheeks flushed, his lips burning red from kissing you and the rest of your arousal still on his face. He had never looked prettier than he did right now. You cupped his cheek and he leaned into your touch eagerly, kissing the inside of your hand and then moving down to kiss your lips again.
You could lose yourself in his kiss, get addicted to his taste so easily if you allowed yourself. You quickly pushed that thought to the back of your mind.
“Fuck me harder, Aegon,” you whispered into his ear, making him grunt into your mouth and he did as you asked, pushing you deeper into the couch with every snap of his hips.
“Like that?” he breathed,”Oh, you like it when it hurts a little, huh?”
“Yes,” you moaned, dragging your nails over his back,”Yes, don’t stop, please.”
He took hold of your hips to keep you still and fuck you even deeper while he kissed your neck and your jaw. Sloppy, wet kisses leaving a trail all over your skin. You were close, so close, the built up tension almost too much to bear, you needed to let go.
“Aegon,” you begged, not even sure for what but Aegon seemed to understand anyway. He moved one hand down in between your legs, fingers brushing over your clit, fast small circles that pushed you right over the edge. Your entire body convulsed with pleasure.
“That’s it, sweetheart, moan for me,” he breathed, closing his eyes in a heavy grunt, feeling his own climax closer and closer,”Cum for me, please…cum for me, baby…oh, fuck.”
He spilled inside of you as soon as you started clenching around him and you took every last drop he had to offer you. Aegon kissed you through your orgasm, both of you swallowing each others moans and clinging to each other as the last wave of it passed through you. Afterwards he buried his face against your shoulder, kissing the skin he’d bruised earlier.
It took a few minutes to calm down your breathing and to stop your body from shaking. You could feel Aegon laugh against your neck and you couldn’t help but laugh with him. Every ounce of frustration you had felt earlier today was fucked out of you.
“So, was I better than your stupid vibrator?” he asked with a smug grin, already knowing the answer before you confirmed it.
You nodded,”So…much…better.”
He kissed your shoulder again and smiled sweetly,”Good. Next time you feel horny you come to me and I’ll take care of it.”
You looked at him and narrowed your eyes,”Next time?”
He gently moved a few locks of hair from your face and tucked them behind your ear, caressing your cheek in the process.”Maybe next time you’ll let me use that thing on you and get the best of both worlds,” he then teased with a smirk,”Would you like that, sweetheart?”
The fire he had just put out in you was suddenly making some new sparks and you bit your lip and stared into his eyes. “Why wait until next time when we can go do that right now?”
Aegon was up from the couch within seconds, pulling you with him and into your bedroom.
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hypnotic-kink · 3 months
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How I found my happiness in this hellhole we call Tumblr
Don't let yourself become addicted; it can take over your life. Set limits.
Find a balance between your real life and this place is crucial
Use your queue to post pictures for you. Load it up and go :)
Using Tumblr as a dating site, can get very frustrating. Perhaps try an actual dating site maybe if you want to be happier.
Sexting can end badly if the women or man are seeking more than just sex. Mentally it's just not healthy unless you are both on the same page so make sure you are.
Don't be afraid to use your BLOCK feature
Turn off anonymous ASKS
Turn on only people you follow can message you
If you post pics of yourself, define your limits in your intro
If you are into BDSM realize that more than 80% if I had to guess are *not* in the lifestyle in real life and have never had a Dom or Sub in real life. Learning about it online IS safe. Taking it offline IS dangerous. Trust me, the lifestyle is *not* all 50 Shades of Grey. Please be careful.
Do not lead people on or be a player.
DO make good friends and enjoy your chats, I have some friends I've known for years & I cherish those friendships.
If someone DM's you, don't feel obligated to answer.
Don't try to fill a void that's missing in your life with someone on here. Try real life solutions to fixing it or find real activities to occupy your life that are more fulfilling then spending hours online.
Just my two cents from personal experience and for anyone that isn't enjoying the site anymore. I got caught up in this place to try and fulfill my unhappiness in real life ... I finally found my balance. I still enjoy Tumblr just differently now. I love finding pics for my blog that fit and I have some great friends on here, but I no longer live in here and guess what ... I'm wayyyyy happier & mentally healthier both here and in real life! :) It's hard to break the addiction of this place. I hope you find your balance too!
If you're happy with Tumblr then disregard LOL More power to you :)
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tryagainstarlight · 5 days
Note
[Hi! I really like what you're doing so far! I'm glad there's a dedicated ask blog for Start Again and the premise comic of Siffrin getting a phone connected to tumblr from the Universe was hilarious when I first saw it.
First of all, do you have a name that you'd like us anons to use when addressing you blog owner? My last ask had referred to you as Showrunner, since showrunners are the people with the highest authority for a show and call the shots, but that was mostly to fit with how Isat and Sasasaap love making shows, actors, and play metaphors. (It also mean we're staff writers who, in real life, are people at the bottom of the hierarchy and writes ideas for the story. I think it fits well)
Secondly, will you do a mix of comics and just plain answering the ask for Siffrin answering our asks?
Thirdly, are there anything you'd like to mention here? Like the stuff we are not allowed to mention right off the bat, limitations for our summoning powers, would you prefer for us anons to work as this one unanimous voice or could we differentiate ourselves with tags? I'm leaving this as a opportunity for you to go off.
P. S This ask is currently in brackets to indicate that this is meant for you and not Siffrin. Does this work well? I'm trying to test the waters since this is the first time I'm interacting with a dedicated story blog and this blog is still quite young.]
Tumblr media Tumblr media
AQ Under the Cut
゚.+:。 To start off, feel free to call me, Director, or Showrunner. Maybe Auteur, if you're feeling ✨️fancy✨️
゚.+:。 For the comics? I plan on having a mix of the two. With the longer form of comics happening when story important events are taking place.
゚.+:。 Example: Going through Odile's friend quest or talking with the head housemaiden for the first time.
゚.+:。 But with the simpler drawings would be the moments between comics to allow repreave and overall shenanigans, so like hanging out at the favor tree or exploring the house. Plus, it's a good time to chat with our dear Starlight and possibly co and plan out future events.
゚.+:。 Hmmm. Well, this is a good time as any to let you know what you can and can not do... With summoning things, it's a hit or miss, I do not promise any items will be sent over. Plus, it can't be anything heavily story relevant.
゚.+:。 EX: Keyknife. Or make the story heavily deviate: A car. And once the loop resets, it will go away so it won't be permanent.
゚.+:。 It's up to you, Anons, if you want to work together as a singular hivemind or have individuality. Tiz the beauty of the internet.
゚.+:。 About Mal du Pay in your other ask... It's too early to ask about that, spoilers~
゚.+:。 Speaking of which, don't reveal anything that happens after act 4, Starlight over here is basically a worse act 5 Siffrin at the start of Act 3. That would be spoilerssssss
゚.+:。 That is all that comes to mind, thanks Anon for asking! And if there's further questions, I maybe able to answer them. :]
゚.+:。 Oh and the brackets work quite well, I'll keep it as a little mental note when you lovely people are trying to talk to me :]
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morty-witch · 7 months
Text
Vox x F!PopStar!Reader
A/N: Hello! This is my first ever fanfiction on tumblr and first ever fanfiction i wrote fully in english and i went kinda crazy with this prologue and went WAYYY over the signs limit. I will publish it in few parts and i'll link other parts to this one. Ily guys and i hope you enjoy it <3 This story will have few chapters, because i got a lot of ideas for it WARNINGS: Language, cursing, swearing, Valentino being Valentino, emotionally abusive boyfriend, mentions of cult, mentions of d3ath Y/N: YOUR NAME S/N: STAGE NAME
PROLOGUE 1 PROLOGUE PART 2 PROLOGUE PART 3
stop, you're losing me
PAST
Y/N and Vox got to know each other during their first days in hell. She was innocent, lovely doll in his eyes, even though she was in hell for a reason. She was practicing witchcraft, occultism, whatever you’d call it. That’s also how she died - she got killed by fanatics of different beliefs. Vox on the other hand was her prince charming. She adored every single thing about him and was fully commited to their relationship or whatever it was. He enjoyed how she played piano or guitar in their apartment while he was working, she was happily breaking the silence with her self-written songs practicing them to then sing it in some shabby restaurants. And everything was going well, Y/N thought she got someone to spend her hellish torment with, until everything went downhill and “forever” she wished for fell apart. ”Doll, i adore you, i really do, but what the fuck are you even thinking?” Vox asked, while looking at her notebook full of songs. “I know you like music and i never had anything against you having a little creative freedom and fun, but pursuing it as a career? Really?” he asked, visibly tired of this. For a second he thought he should never even allow her sing her little songs in those bars for little money, but that was making her happy and everytime she was coming home, he enjoyed seeing how energized and recharged she was. Little did he knew, that music was strongest medium of her power. ”I know what are you thinking, but music really will be worth the wait. I just need more…” she started, but then he just laughed annoyed. ”More what? Money? Time? What do you need this time?” asked, leaning his back on the countertop. Girl opened her lips to answer. They had this conversation way too many times, but every single time Y/N was enough of a good girl, she just apologized and they just came back to their everyday routine, but that time she was prepared to fight him, if she had too. ”Time. I need… More time. I got plan! I-I” She stuttered. YN got anxious just by seeing her lover in this state. As she was about to start explaining everything to her, as she took a deep breath, he snapped. “For fucks sake, Y/N, we are in fucking hell, nobody really cares about your cute little songs. Focus on making contracts and gaining power, not… this” his hands were moving violently and then he just took her notebook and burned it with one spark of electricity. That was it. She had enough. She looked at him with teary eyes and then just walked out, leaving her phone in their apartment, so he wouldn’t know where to find her. He called and cursed her name, said she was overreacting, but she was in amok, she heard nothing excepr for blood running through her vains and her heart pounding heavily like it was about to jump out of her chest. That was last time they spoke.
PRESENT
“Get ready you fuckers we have to be on the stadium in like 30 minutes” Velvette yelled, waiting for other Vee’s to get out of their rooms ready. She got them concert tickets for one of the biggest tours all around the Hell. This artist has been trending for years already and this is her first tour after longer break and it was all around social media. It was indeed a big event, so Velvette had to be there, as she is hells biggest trendsetter and influencer if she wouldn’t be there, what kind of influencer would she be? ”You can as well go without us if you are in such a hurry” Said Vox, walking out of his bedroom wearing white turtleneck and a blazer. Velvette rolled her eyes up annoyed with him and focused on her phone once again. “Please, tell me again why you want me and Val out of all people to go with you?” sighed “isn’t your bodyguard enough of a big strong man to make you feel safe? Not to mention you would do just fine on your own” he said, then looked at Valentino walking out of his room. ”I did not want to go alone, there will be a lot a lot of sinners, good way to earn contacts and meet someone useful. And Val wanted to do some scouting, because apparently he needs some fresh meat or whatever” she said, then decided to add “Also i thought about offering her a collaboration, because we need to grow in different directions and to be honest she has most influence in the entertainment field” Velvette explained and when Vox tried to speak, she hushed him “Yes, even more influence than you. She is everywhere”. ”Weird i never heard of her” he said with his typical annoying smirk, but Velvette just brushed it off. ”You are just not a man of culture, Voxxy, she has been in the industry for years” Valentino took a puff of gis cig. ”and i can barely hear you listening anything except for old Alastor broadcasts” Velvette joked and moth chuckled this comment, while Vox got angry and started explaining to them that he is just getting to know his enemy. So basically he’s only way to justify it was saying he’s preparing himself to next diss battle.
They all got to the place in silence. Well… Kind of. Valentino bitching about Angel Dust moving out (as always) broke the silence, but other than that, nobody else spoke anything except “mhm”, “really?”, “woah” without even paying attention to whatever moth said. Velvette had a backstage pass, she got it from manager of the tonights star. ”Vees! You are just in time, guys. (S/N) is about to enter stage in few minutes” welcomed them the mentioned manager. Eddie was a powerful hellborn - no matter how ridiculously it sounds, she indeed had a lot of contacts and connections in all of the hell. She may not be strong, but her greatest power is who she knows and one word from her was enough to make a specific demon or even an overlord vanish. “Velvette, darling, you are looking absolutely stunning, (Y/N) would absolutely love working with you” woman said, walking through the backstage with Vees. Vox felt a knot in his stomach when he heard this name. He have not heard it in years. He tried to look for her first years, but he couldn’t find her anywhere, especially without the phone, so he gave up looking for her. ”(Y-Y/N)? Who is this?” He asked, trying to clear his mind. Maybe its not my (Y/N) he thought. ”It’s her concert, you dumbass. But she uses (S/N) because it’s more catchy and looks better on album covers. More aesthetic or some shit” Velvette explained, turning back to Eddie and talking about business, while Valentino was looking around, eyeing some young, pretty hellborns and sinners working there. ”What are those pretty things~” he purred and smiled mischiviously. Vox rolled his eyes, but stayed quiet. It probably is someone else, it’s not like she was the only person in hell with this name, right? he asked himself in thoughts
“Alright, my dear, here you go, wear those bracelet, it will keep your energy and power safe and you may take your sits” Eddie handed them all a silver bracelet. Vox just looked at the thing in confusion. Keeping energy safe? Why in the sweet Satan ass would he need to do that? He wore it anyway, but still… Was a little confused. Velvette thanked Eddie and they just exchanged quick “see ya” and overlords left, going straight to their sits. Velvette got the ones quite in the front, since she wanted to see everything. Y/N was known for being quite the performer and everyone in hell was saying her concerts are the experience of a lifetime. PROLOGUE PART 2
PROLOGUE PART 3
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y0ncan · 21 days
Text
whenever you prayed to god for a companion - an angel on your side to guide you through life and make times less lonely - the devil himself has made it his very own purpose to never let that happen.
you had read the folklore on him. too many theoretical assumptions exist on his origin and how "misguided" most of them were, according to some history graduate's blog. he's either bad or… well, definitely never entirely good. one source states he was a conjoined twin who got purchased by a sick bastard and then killed off for his own sadistic tendencies.
some say he originates from the mountain, his complexion too powerful for the human eye. so, he becomes a kannon statue, spiritually guiding locals. others assume he was first found in a cave in full armor. sometimes he is a mere human who tries to escape his enemies. sometimes he kills a dragon with the spear in his four arms.
however, one urban legend goes as following: a group of foreign men try to dismantle an old temple. a giagantic wooden box lays in front of them. the head abbot warns them - do whatever you have to but don't open it. the manager returns the next day and greets the workers. they don't speak nor move. the cascet is open. a monk arrives. "i deeply apologize. you won't live long lives." a purification ritual won't save them butbhe can try. the affected ones are long gone.
the manager checks the paper glued to the box. the kanjis are loud and clear.
ryomen sukuna.
your first… ecounter wasn't really the first. there is no official date or day in the calender you could mark in retrospect. it just happened. like friendships, they bound throughout time without feeling the need to put a label on it.
except, the mean girls back at your high school couldn't come close to the curse on your left side.
"brat, you look absolutely disgusting."
oh, how you wish you could turn back time. you would confess: "yeah… you're targetting girls who don't give a shit about you and treat those who seek your validation like subordinates. for being hormonal monsters though? damn, it really gets worse from here on. sorry, i wasn't familiar with your game."
you are what? a month and a few weeks into this. you have learned not to cry or ruminate over his words. he is only a voice in your head, you repeat. now it is a mindset, hearing him bicker around like a free podcast that you try to pause with slippery fingers.
"i'm talking to you, woman."
"too bad, you have no face to do that- or should i say two-faced?"
you know that he knows that you know that his verbal impact on you has lost most of its value - to be exact, the insults he would throw at you at the most random moments. he makes you nostalgic - like you are time-travelling back to school. means it's nothing you haven't experienced yet. you realize that life will always put you in a room with at least one person who can't seem to stand you for whatever reason. oh, and you are stuck with him forever. hah! you can't escape him. might as well prepare as early as you can.
"what are you doing?"
"blocking proshippers on my tumblr."
you always thought he has limited access to you - that he could only reach you through nice small-talks. after all, he hasn't reached out to you for longer unless it is about how useless you apparently are.
turns out, he has control over you. when you think about it, he can basically see you whenever, wherever. the first weeks you refused to change out of your pyjamas. toilet breaks in the dark weren't allowed to last longer than needed. kinda reminds you of the sprints you would take whenever the lights in the halls were shut off at night.
you can't hear him but can imagine a scowl, theoratically speaking. you couldn't find images other than the google photographs of his statues or various ancient drawings.
"is staying in this cave of yours all you are capable of."
"didn't seem to bother you weeks ago." you swipe across your page, the light of your screen highlighting your droopy eyelids.
"woman, you can't do the same everyday, it's getting tiresome. you modern peasants are good-for-nothings - all gone soft. you wouldn't survive a day in my era, tch."
now that you give it a thought, for months you have been hiding in your room. the fear of your new guest making you look like a clown in public made you hesitant. talking about your non-existent social connections! - you haven't shared your little secret with anyone, yet.
eventually you had to get out for school.
the train station isn't as packed despite it being a thursday. the sky is a greyish blue, the sun shining through the clouds just enough. students and office workers in attire pass by. people order from the cozy underground bakeries. the smell of buttery pastry mixed with gas penetrates your nostrils. a smile forms on your lips at the familiar atmosphere.
you ascend the concrete stairs, careful not to clash into the rushing kids. something behind you echoes with a vibrating impact.
"hey girl, you good?" you ask, yet, you move onwards again unless you wanted to get morphed into jam by the mass. you catch another girl helping the high schooler by collecting some items from the floor, then they sprint away.
"weak."
you shake your head. is he serious? "why would you say that." it's not a question. you are occupied with not overrunning the group of seniors in front of you. the sounds of rails' screeching are audible.
he exhales, dragging the interjection with what sounds akin to disbelief.
"look at these losers depending on each other as if the ground will swallow them if they move fast. can't believe this is what humans have become - old and weak. it's pathetic."
you always see how people in wheel chairs rush to the station, faces painted with fear as the doors close on them. or how the tactile guides on the floors are blocked by the rest who seem to suddenly be in dire need of the earth's space - as if they couldn't act different for a second.
"you love to look down on others, don't you? - belittling anyone and anything that isn't you, huh?" there was no way you could explain him basic decency without getting a breakdown under the concrete roof.
"ahh, aren't you one to learn quick? i do whatever i desire, brat." the tone in his last words goes down, new in comparison to his nonchalant bickering you would normally get to hear.
you don't - or can't risk provocating him further. your skin is getting warm and you would rather save yourself from getting emotional.
next: shibuya station.
you enter the white train as the last person, immediately sitting down on a seat near the exit. your mouth and throat are dry, arms tensing as you burry them in your pockets. an announcement goes through and in the next second, the doors close.
the mesmerizing view of trees and small houses surrounding a lake enters, making you lean back and try to enjoy it. you ask yourself why you feel so moody and suddenly feel reality creep into you. what felt like an episode of hallicunations or the after-effects of surfing the internet for too long, you still find yourself struggling with the same question: why?
not even anonymous questions on forums come close to contemporary enlightenment. you wouldn't want to fall victim to the horrendous waiting area of your family doctor. you weren't desperate enough to get a one-way ticket to an asylum for speaking on what you struggle with. they are usually cautious with diagnosing patients for various health concerns but would fill out a form to transfer you to any facility before you could even blink.
you weren't crazy, you were just talking back to the voice inside your head. does that sound crazy?
the warm shades light up the train, the pane coloured in oranges and browns. you close your eyes at the contact. opening them, you let your gaze wander around the room. the seats across you were empty, a lady reading her daily newspaper. ahead, there are two students around your own age. one has spiky white hair that was shining in the light, a brunette next to him.
you must have been eyeing him for too long as he meets your gaze. before you can even try to act uninterested, he gives you a lazy smile. dark patches surround his lower lash lines, the corners of his eyes squeezing with sincerity.
you turn your head away and don't dare to look at him until he exits at the next station.
your clothing flutters as the bus drives away. taking a few steps, you are framed by green. the soft breeze dances around you. is that gratitude that you feel right now? you breath out and decide to walk along the path. as long as you could just relish the tranquility it would be fine.
as long as.
a harsh tug makes your shoulder fly back, not being able to bite down a groan. what a son of a bitch, you huff. all these men are of the same species indeed.
"what are you doing here?" your brows furrow at the sickening grin. what type of question is that supposed to be?
"what do you mean?" you bark back.
you were too busy trying to understand his behaviour to notice where you are.
zen'in estate. extra engraved in platinum, because there is enough money to throw into the air.
"for applications as a cleaning lady you're at the wrong place."
normally, you don't mind the term he is using. you have always respected their work, since school times, no matter if they tried to throw you out for re-entering the class late to collect your books. but no, that wasn't the problem.
you couldn't allow his shit-eating face to talk to you in that voice.
"well, uh, i'm a barber. i heard they need a life-saving trim and bleach to safe some rusty and split ends. seems like i'm at the right place, sir." your hand scratches the back of your neck, your face slightly pouting.
here we go.
his nose stretches, mouth and eyes going sour. he weirdly breaks his necks to the side. you didn't lie about his head.
before you know it, you are being showed back, amost crashing down on the asphalt. your heart rate speeds up, your lips separating. has this man just touched you? not only that, he moves towards the mansion as if he hasn't physically violated you.
it wouldn't be the first time you would get into a fight with a male, nuh uh, the annoying boys in elementary school have and will always be the blue print. too bad there isn't a female teacher who is going to baby him.
instead, you have a literal curse on your side - only symbolically of course. you were quite keen on proving him something. yes, you were riled up to get rid of the tension in your body. enough is enough.
your jelly legs carry you to his stairs. you form a fist and strike out, your arm moving with the entire weight of your body.
pam!
his head bends forward. you are satisfied with the vista, his posture still bent over. you pant loudly. oh god.
your legs move. you swear you could have stumbled down.
the look of the empty street worries you a bit too much for your own standard. the adrenaline doesn't let you stop until you are in the company of a filled main street, minutes later. you huff and puff, head scanning for a white head with black, ugly ends. what was he even on? he should have a serious conversation about his hair instead of hitting women.
it not like you don't already share a room with a mysoginist. are you a perhaps a magnet? and if so, why?
but you can't fight the feeling of accomplishment. something akin to the superheroes in your favourite comics. the pride and encouragement you would sense whenever you read them. girl, you are her. you can't help the grin on your face as you head to the restaurant in the middle of the street. if you don't indulge now, then when? there couldn't be a more perfect timing for this. you wouldn't want to go home to his nagging yet.
"i have to say… i wasn't expecting it from you."
you roll your eyes. there wasn't the need for you to answer him, especially not with the music blasting in the saloon. the saliva in your mouth is assembling as the aroma of food engulfs you.
"brat, i'm talking to you."
"..."
"disrespectful brat."
"… oh wow, nasty by tinashe, what a banger."
finally, the waitress drops by with your order. you interchange smiles. the second she walks away, you sink your teeth into the big sandwich. finally. spices, bread and meat overflow your tastebuds. the sauce makes you shake your head in an impressed manner. at the end of the day, food was the only component in your day-to-day that has never dissapointed you. no chance.
"what are you shaking your head like a drunk busker, tch, some things don't change with you humans."
another bite. you are too chill to respond, hack, you don't hear him anymore. you take a sip of your beverage.
"what's that?"
you chew.
"what's what?"
"the thing you're eating."
oh. you can't help but burb. the food is very fulfilling, you didn't care how grossed out he must have appeared.
"it's döner."
"..."
if he somehow wanted you to make him give a piece of your meal - although that was impossible - that was still a big no. he doesn't deserve it. and even if it is possible, you would have already gulped down the döner before he could physically descend. the thought alone is creepy but that was for another time to contemplate.
"what's the other thing." he must have taken notice of the images in the menu.
"ah, you mean kebab?" you can't escape the slices of meat that shout "eat me! eat me!" and you again indulge the flavour. you take joy in imagining his face - disgusted, corner tucked down as he crosses his arms. his four arms. you are being reminded of his four legs. god, make it go away.
"what's the difference?"
hmm, wouldn't you want to know that, weatherboy? - is what you would have said, if you weren't nice.
"so this has bread-"
"i can see that brat."
"uh… seriously, good question. so, kebab is eaten on a plate with… maybe tomato sauce, rice and salad and other side dishes. döner is the thing that turns around on that stick," you point at the open kitchen behind the bar, "and is served in thin slices in this pide. this is an invention by turkish migrant workers in 70s' germany if i remember correctly," you raise the bread with the sesame seeds. now that you have possibly answered his question, you take your last bite.
"what's german about it then?"
"i don't know - the country?
"hmm."
ideas for this series are welcome (sfw) virgin (proudly), loser, loner, asocial reader x antique sukuna curse. reblogs are appreciated. hope this is a enjoyable??
❂ (sukuna ryomen x loser!reader(fem))
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What if Dipper and Mabel Pines were in Super Smash Bros?
This is something I wrote several years ago and it's just been sitting on my drive. I posted it on Ao3, but recently became aware that Tumblr might be a better platform. So, here goes my first real post on this site.
Ever wondered what it would be like if Dipper and Mabel from Gravity Falls were playable characters in Super Smash Bros.? Well, wonder no longer, because here's my extensive idea for what their moveset would be like. Though sadly, I don't have art of this, since my digital art skills are... lacking, at best.
I also haven't 100% figured out all the nuances like how much damage every move does, so if anyone has any balancing-related suggestions (for that or anything else, really).
General Overview
Statistically speaking, the Mystery Twins would be fairly weak, with relatively low average damage and launch power, as well as being lightweight and not particularly fast. This makes sense as they are both (physically, at least) completely ordinary just-barely-teenagers with none of the inherent supernatural powers of most of the other child characters like Ness, Lucas, the Inklings, or the younger Links. Even though they are older than the younger Links (not sure about Ness/Lucas/Villager), the Links have the Triforce of Courage making them stronger and granting them the combat prowess of previous Links, Ness and Lucas have their supernatural PK abilities, etc. 
The Mystery Twins make up for this statistical weakness with versatility due to their variable moveset. Many of their special moves are also able to temporarily either nerf opponents or buff themselves to even the odds. They are also significantly stronger when working together, since for most moves, they’ll attack at the same time, but even together, their raw damage wouldn’t be particularly excellent. The Mystery Twins would be a very difficult fighter to play effectively, but I’m hoping they’d also be a very fun one. I am aware that this fighter would be a nightmare to program and animate, but this is my imagination, so such paltry concerns as “budgets,” “programming,” and “animation time” mean NOTHING!
We'll start with their special gimmick, since that's key to understanding how this character works:
Gimmicks:
Mystery Twins Forever: This is basically the fact that they’re a two-part fighter, like the Ice Climbers, and work in much the same way, though with one notable difference. Using their D-Special when neither twin is KO’d will switch which twin is in front and under direct control (same as pressing [L] in Gnome Gemulets), changing most other moves. 
Because of this, they essentially have two different movesets (similar to Zelda/Sheik from Melee and Brawl), meaning there’s a lot of versatility to this character, though of course it’s dependent on both twins being around. Though they are a single fighter, each twin is a separate entity and can be independently KO’d, just like the Ice Climbers. Try to avoid this, as it will both limit your move choices and make an already complex and statistically inferior fighter much weaker. 
A KO’d twin respawns only after the other is also KO’d, or after using a Final Smash. If the current active twin is KO’d, you lose a stock (or point) and both respawn. KO'ing the non-active twin will not affect points or cause stock loss, but does replace the remaining twin's D-special with a different move.
On the fighter select screen, you can decide which twin will start as active, much like Pokémon Trainer can choose the starting Pokémon.
Special Moves
[B] Neutral Special (Dipper) - Growth Ray: Dipper turns the size-altering flashlight’s blue Growth Ray on himself, increasing his size for 10 seconds, with the same effect as the Super Mushroom item. Others very close to Dipper (such as Mabel) can also be affected. There is a 20% chance that Dipper fumbles the flashlight and points the growth ray forward (with the same hitbox as the normal shrink ray), not affecting him at all, but potentially growing other fighters who touch it.
Duration: 10 seconds
Backfire chance: 20% (1 in 5)
[B] Neutral Special (Mabel) - Shrink Ray: Mabel turns the size-altering flashlight’s pink Shrink Ray on enemies, creating a short-ranged cone in front of you that shrinks enemies hit by it, causing the same effect as the Poison Mushroom item for 10 seconds. There is a 10% chance that Mabel fumbles the flashlight and shrinks herself (and Dipper, if he's there) with the same hitbox as the normal Growth Ray.
Duration: 10 seconds
Backfire chance: 10% (1 in 10)
This move is of course based on the size-altering flashlight which Dipper created in s1e11: Little Dipper, though its function seemed both too powerful and too confusing to put into a single move, so I split its two options between the twins, on the grounds that Mabel also uses the flashlight in that episode, and it is her magic item in PinesQuest, in which case shrinking is the only thing it does.
Both rays have slight startup lag to take out the flashlight and aim it, so you can’t just surprise someone with a sudden growth. No other fighter can so easily buff themselves or nerf opponents, but overuse of this powerful move is inadvisable, as that gives enemies more chances to take advantage of it (though in team battles, you could also grow your teammates!), and also provides more chances for it to backfire. However, this is the main means by which the Mystery Twins’ low stats are directly compensated. The move can’t be used again (by either twin) until its current duration wears off (no matter what happened). Use it strategically!
[<B>] Side Special (Dipper) - Memory Gun: [EN] Dipper fires a short-ranged blue energy projectile (about the same range as Z-Suit Samus’s charged Stun Pistol N-Special) that deals small flinching damage. It also makes the target temporarily forget how to use their special moves, disabling them for 8 seconds. This can be reflected and also absorbed. The ray will have no effect on subsequent hits aside from the light damage until the disabling effect wears off. If the ray hits a fighter while they are performing a special move, it won't take effect until that move is over.
This move is based on Dipper’s use of the memory gun in s2e07: Society of the Blind Eye and s2e15: The Last Mabelcorn, and the fact that he evidently had it in his backpack all the way from s2e07 to s2e13: A Tale of Two Stans.
Damage: 2%
Duration: 8 seconds
[<B>] Side Special (Mabel) - Leaf Blower: [WI] Mabel uses a leaf blower to suck in objects and blow wind. Hold {B} to suck in air. The sucking grab box is visible, similar to King Dedede’s Inhale N-Special. She can’t suck in other fighters unless they've been shrunk down, but she can suck in projectiles and non-heavy items. If she sucks in a projectile, item, or shrunken fighter, the suction stops, and the object will shoot back out of the leaf blower when [B] is released, again similar to King Dedede’s Inhale, and with a similar sort of speed boost.
If Mabel doesn't suck in anything after 3 seconds or if you just tap {B}, she’ll blow wind in a cone straight out in front of her, causing a visible windbox similar to the Gust Bellows item, but smaller and weaker. Mabel can move left and right and jump once while holding the leaf blower. This move is based on Mabel shooting Jeff the gnome leader out of a leaf blower in s1e01: Tourist Trapped.
[^B] Up Special (Dipper) - Magnet Gun: Dipper fires a beam from Ford’s Magnet Gun (which he uses in s2e17: Dipper & Mabel vs. The Future) which can grapple onto ledges when used in the air. On the ground, it’s fired straight forward by default, but can be angled slightly up or down. In the air, it’s always fired at a 45° upward angle but will autocorrect toward ledges within a wide radius of the end of the beam. The magnet beam appears instantly at full length (though it will be interrupted by walls that can't be grappled onto) and can’t be reflected or blocked, but can be dodged.
If the beam hits an enemy, Dipper will either pull them toward himself as a command grab, or him towards them, depending on the difference in weight between Dipper and the target. If the enemy weighs more than him, he’s pulled toward them; if he weighs the same or more, the enemy is pulled toward him. When Mabel is present, she holds onto him and they collectively weigh twice as much for this move.
If Dipper is pulled toward another fighter, he'll automatically footstool jump off them upon contact, pushing the enemy down while gaining height himself. The same will happen if an enemy is pulled toward him while he is in the air.
If Dipper is on the ground and pulls another fighter toward himself, this special move can be canceled immediately into a grab when the enemy enters his reach, making this move potentially the longest grab in the game.
This move causes no damage.
[^B] Up Special (Mabel) - Grappling Hook!: [PH] Mabel fires her grapple gun upward, acting as a tether for recovery, which can also cause damage with decent launching ability. It’s a long tether that can grab onto ledges, basically the same as Joker’s default U-Special. On the ground, the hook is fired at a slight upward angle and has significant end lag as it retracts. In the air, it’s fired at a 60° angle by default but can be changed with directional input to 90° (straight up) or 45°. The area in which it will autocorrect to ledges is smaller than for Dipper's magnet gun. The hook can be reflected, but won’t bounce back at Mabel if it is; it just falls to the ground and must then be retracted.
Damage: 12%
Dipper’s Magnet Gun is better at horizontal recovery and can be very useful for combos, but doesn't actually deal any damage and its effects are very conditional. Mabel’s Grappling Hook is better for vertical recovery and actually deals damage, but has a lot less combo potential and more end lag. If both twins are present, they’ll hang onto each other and both be moved by either version of this move.
[vB] Down Special (both present and within reach of each other) - Tag Out: You switch which twin is under direct control. This can be used in the air (but only if the twins are within reach of each other) and is accomplished quite quickly, but does still leave you open for about a second. The newly active twin's Zodiac symbol (Dipper: blue Pine Tree, Mabel: pink Shooting Star, Stanford: red Six-Fingered Hand, Stanley: gold Mackerel) will appear on the damage counter, and will also flash in the air overhead when switching. If one twin is KO’d, this move changes (see below).
[vB] Down Special (Dipper alone) - Enter the Mindscape: [MA] Dipper casts the Mindscape projection spell from Journal 3 (seen in s1e19: Dreamscaperers, though in Smash it’s quicker, and he won’t say the words as that would give him away), causing his physical body to collapse, but entering the Mindscape as a ghostly, nearly invisible psychic avatar (inspired by what happened to him when Bill possessed his body in s2e04: Sock Opera). In this form, he can fly around freely with directional controls and pass through all parts of the stage, though speed is limited. The astral projection is intangible and immune to physical-, fire-, ice-, earth-, water-, sound-, toxic-, and wind-based damage, but not to magic-, electric-, or energy-based ones. However, Dipper’s real body is completely immobile and open to attack.
Pressing [B] again will immediately return Dipper to his real body. If you do so while overlapping an enemy fighter, that fighter will take heavy damage and become dizzy (like with a shield break; this is due to Dipper entering their mind and inflicting psychic damage). However, there is some end lag when you return, so don't get too cocky.
This attack cannot be blocked or countered. Fighters with higher damage will be stunned longer. If either Dipper’s real body or astral projection is hit, he’ll immediately return to normal (with end lag) though he’ll only be launched if the physical body is hit. You definitely need to keep an eye on Dipper’s real body when using this move, as well as watching out for attacks that can actually hit his astral projection, since they’ll deal 1.5x damage.
Dipper will be automatically returned to his real body after 12 seconds, but returning this way cannot affect enemies and will cause Dipper to become dizzy instead. If Dipper successfully hits someone or lets the move time out, there is a 20-second cooldown before he can use this move again.
If this seems a bit ruthless for Dipper, put it down to him seeking revenge for Mabel.
Duration: 12 seconds
Damage (non-launching): 25%
Immunity (x0 damage): PH, FI, WA, IC, EA, WI, SO, TO
Vulnerability (damage taken x1.5): EL, EN, MA
Cooldown: 20 seconds
[vB] Down Special (Mabel alone) - Attack Glitter: [WI] It’s pretty but it hurts! Mabel blows (or possibly coughs up?) a cloud of glitter into the air in front of her (based on the attack glitter used on Soos in s2e11: Not What He Seems). The glitter cloud floats in the air for 8 seconds, causing small, non-flinching tick damage over time and slowing down other fighters moving through it, similar to the Swirlix Pokéball summon (“I got glitter in my eye!”). 
Hold {B} before releasing to gather more glitter and create a larger cloud. Though each cloud only lasts 8 seconds, there’s no cooldown (Mabel always has glitter), so she can make more than one at a time. 
Damage (per tick): 1%
Normal Moves
If both twins are present, they will perform their neutral attacks at the same time, allowing you to set up “team” combos if positioned properly.
[A] Jab (Dipper): [PH, EN] A basic but quick 1-2-3 punch that can be used for jab-locking but is very weak until the third hit, which is enhanced with a glowing blast of power from the Gnome Battle Cuffs. Launches on the final hit.
This is Dipper's basic ground combo in Rumble’s Revenge, with the added power boost on the last hit being based on his charged-up attack from Gnome Gemulets.
Damage (1, 2):
Damage (3):
[A] Jab (Mabel): [PH] A one-two spammable swinging punch (similar to Villager’s Jab). It has slightly more reach than Dipper’s jab, as well as better damage per hit, but it's slower. Can launch on either hit at higher percentages. This is Mabel's basic ground combo in Rumble’s Revenge.
Damage (1, 2):
[>>, A] Dash Attack (Dipper): [PH] A fast side kick that launches diagonally upward at a slight angle. This is Dipper's dash attack in Rumble’s Revenge.
Damage:
[>>, A] Dash Attack (Mabel): [PH] A straight punch that's stronger than Dipper's kick, but launches at a lower angle and has more end lag. Same as her dash attack in Rumble's Revenge.
Damage:
Smash Attacks
When the twins are present and within reach of each other, they’ll perform a combined Smash Attack.
[<<A>>] Side Smash (Dipper): [SL] Dipper slashes downward with the Manotaurs’ bone spear (seen in s1e06: Dipper vs. Manliness, also his strength item in PinesQuest). Has less forward reach than Waddles, but a wider vertical hitbox, a sweet spot at the spear tip, and also less start and end lag. This is one of Dipper’s only moves that’s potentially stronger than Mabel’s corresponding one, if you land the sweet spot. Similar to Marth's S-smash.
Damage (min, sweetspot):
Damage (max, sweetspot):
Damage (min, normal):
Damage (max, normal):
[<<A>>] Side Smash (Mabel): [PH] Mabel sends her pet pig, Waddles, charging forward a short distance (based on Mabel's ground combo finisher in Rumble’s Revenge, which is itself based on her siccing Waddles on Robbie in s1e10: The Time Traveler’s Pig). Distance increases slightly with greater charge. Waddles moves the full distance whether you hit someone or not, before turning around and running back to Mabel for a hug. The run back is a sourspot that's much weaker. Waddles does not count as a projectile and cannot be reflected (he would never hurt Mabel).
The alternate costume of Stan (#8) uses Shanklin the Stab Possum from Lost Legends Part 4: Pines Bros. Mystery instead, to the same effect.
Damage (min, forward):
Damage (max, forward):
Damage (backward):
[<<A>>] Side Smash (Combined): Both twins perform their respective S-smash, with the active twin facing forward and the inactive twin facing backward.
[^^A] Up Smash (Dipper): [SO] Use awkwardness as a weapon! While charging, a lamb costume appears on Dipper and he performs the Lamby Dance. When released, he cuts to the end pose, causing a semicircular burst of music notes above and around himself that will damage and launch enemies. This is based on Dipper's ground combo finisher in Rumble’s Revenge, which is itself based on Dipper doing the Lamby Dance for the ghosts in s1e05: The Inconveniencing.
The hitbox is similar to Samus’s U-smash, but all at once instead of individually. Only the notes are a hitbox, but it’s pretty wide even on the sides, However, it's on the weaker side for a Smash attack.
Damage (min):
Damage (max):
[^^A] Up Smash (Mabel): [FI] Mabel fires a blast from a confetti cannon (used against zombies in s2e01: Scary-oke) directly overhead. Similar to Ivysaur’s U-smash, it can hit very slightly in front but is much better for anti-air. It’s stronger than Dipper’s embarrassing dance, but with a lot less reach. 
Damage (min):
Damage (max):
[^^A] Up Smash (Combined): [FI] The twins perform both U-smashes at the same time, as Mabel gives an explosive confetti finish to Dipper's dance, combining the power of Mabel’s cannon blast with the reach of Dipper’s music notes.
[vvA] Down Smash (Dipper): [EA] Dipper casts a spell from the Journal that summons two zombie hands out of the ground on either side of himself, which can launch enemies directly upward. Similar to Megaman’s D-smash, though somewhat weaker. Based on Dipper summoning zombies during s2e01: Scary-Oke.
Damage (min):
Damage (max):
[vvA] Down Smash (Mabel): [BL] Swing a golf club in a wide-reaching attack that hits from back to front, covering nearly a complete circle around Mabel, with only directly overhead being uncovered. It doesn’t reach as far outward as Dipper’s zombie hands, but is faster and can actually launch enemies quite hard. This is one of Mabel’s only attacks that’s faster than Dipper’s corresponding one. It’s based on Mabel's mini-golf skills showcased in s2e03: The Golf War.
Damage (min):
Damage (max): 
[vvA] Down Smash (Both): [EA, BL] Instead of causing damage, the zombie hands summoned by Dipper’s spell will hold enemies still, then Mabel swings her golf club to knock them out of the park, breaking the zombie hands and gaining a damage bonus as the trapped enemies can't defend themselves.
Tilts
If both twins are present, they will perform their tilts at the same time, similar to Ice Climbers. 
[<A>] Side Tilt (Dipper): [PH] Two quick slices with a fireplace poker, based on Dipper's duel with Wax Sherlock Holmes in s1e03: Headhunters. This move is fast and has decent reach, but it’s not particularly strong. It’s useful in combos or as a “get off me” tool, but not for launching.
Damage (per hit): 
[<A>] Side Tilt (Mabel): [PH] Swing a karaoke machine for a strong attack that can launch enemies quite well, but has both start and end lag. Based on her use of the karaoke machine as a “surprisingly good weapon” against zombies in s2e01: Scary-Oke.
Damage:
[^A] Up Tilt (Dipper): [PH, EN] Dipper jumps slightly forward with an uppercut. (This is a combination of the only time Dipper actually hits Rumble McSkirmish during their battle in s1e10: Fight Fighters, and his charged attack in Gnome Gemulets). It’s similar to Megaman’s U-tilt, having a sweet spot at the very start of the move (indicated by a flash of energy from the Gnome Battle Cuffs) and significant end lag. This is one of Dipper’s only moves with more end lag than Mabel's corresponding one. In fact, it's one of his only moves with significant end lag at all.
Damage (sweetspot):
Damage (sourspot):
[^A] Up Tilt (Mabel): [PH] Spin a stretchy sleeve overhead to multihit enemies, based on the charging-up animation for her charged attack in Gnome Gemulets.
Damage (per hit):
[vA] Down Tilt (Dipper): [PH] A very short and weak but fast and spammable kick that barely flinches enemies, much like Ness or Lucas’s D-tilt. It isn’t based on anything in particular, there’s just not that many actual times when Dipper fights things, so I’m pulling from other child characters.
Damage:
[vA] Down Tilt (Mabel): [PH] Mabel curls into a ball and rolls forward a short distance, similar to King Dedede’s D-tilt, though much weaker.
Damage:
Air Attacks
If both twins are present and within reach of each other, they’ll hold onto each other and use a combined air attack, improving both hitboxes and damage, though often at the cost of end lag.
[A] N-Air (Dipper): [BL] A basic aerial kick with a lingering whole-body hitbox, similar to Mario’s N-air (and many others). Based on the first hit of Dipper's aerial combo in Rumble’s Revenge.
Damage (initial kick):
Damage (lingering hotbox):
[A] N-Air (Mabel): [BL] A basic spinning move, similar to DK or Ness. She never does this in any medium I’m aware of, but it certainly seems like her style. Hits once but is stronger than Dipper's lingering kick.
Damage:
[A] N-Air (Combined): [BL] Mabel grabs Dipper’s arms from behind and spins him around right as he tries to use his normal kick attack, resulting in a spinning kick with greater than normal reach and a sweet spot on Dipper’s foot, though it does now have some landing lag (Dipper was not prepared for this).
Damage (middle):
Damage (sweet spot):
[A>] F-Air (Dipper): [BL] Dipper swings his hat in an arc from high to low, which somehow actually does damage. It's fast and has a wide hitbox, but is pretty weak. Based on the final hit of Dipper's air combo in Rumble’s Revenge. For alternate costumes without a hat (such as tuxedo and Gideon's suit), he’ll suddenly be holding his normal pine tree hat for this move. The Ford alts use an explorer-style pith helmet.
Damage:
[A>] F-Air (Mabel): [BL] A diagonal downward punch, similar to Little Mac’s F-air. Not as big as Dipper’s hat swing, but with more damage. Based on the first hit of Mabel's air combo in Rumble’s Revenge.
Damage:
[A>] F-air (Combined): [BL] Dipper’s hat swing carries enemies downward into Mabel’s slightly delayed punch, which becomes a sweet spot that can spike diagonally.
Each hit does the same damage as when performed individually.
[^A] U-Air (Dipper): [BL] Dipper swings the Journal overhead from front to back. It’s a wide attack, similar to some other fighters’ “headbutt” U-airs, and can be used for juggling, but isn’t very strong, at least in comparison to other U-airs with similar hitboxes like Ness's.
Damage:
[^A] U-Air (Mabel): [BL] A back-flipping kick, similar to Mario's U-air. The twins' U-airs aren't really all that different.
Damage:
[^A] U-Air (Combined): [BL] The respective air attacks collide in the center for a strong launching blow, similar to Sonic’s U-air.
Damage:
[<A] B-Air (Dipper): [BL] Dipper kicks backwards with both feet, similar to Mario’s B-air. Not based on anything, really.
Damage:
[<A] B-Air (Mabel): [BL] Whip a stretchy sleeve backward for a long, but somewhat weak attack, similar to her Z-air.
Damage:
[<A] B-Air (Combined): [BL] Dipper holds onto Mabel’s stretchy sleeve while she flings him back, creating a sweet spot as he kicks outward. 
Damage (sourspot):
Damage (sweetspot):
[vA] D-Air (Dipper): [BL] A downward axe kick. Can spike enemies at the start of the move and has more reach than Mabel’s stomp, but isn’t as strong. This is the second hit of Dipper's air combo in Rumble's Revenge.
Damage:
[vA] D-Air (Mabel): [BL] Stomp downward with both feet, which has more startup lag than Dipper’s kick, but is also stronger and has a longer-lasting hitbox, kind of like a smaller version of Captain Falcon’s D-air. This is Mabel's aerial combo finisher in Rumble’s Revenge.
Damage:
[vA] D-Air (Combined): [BL] Similar to their combined F-air, Dipper performs his attack slightly ahead of Mabel and can hit foes into hers.
Damage:
[Grab] Z-Air (Mabel only): [BL] Mabel whips a stretchy sleeve forward for a decent-reaching, though weak attack. Unlike most Z-airs, this cannot grab ledges.
Damage:
Grabs and Throws
If both twins are present, the throws are changed; otherwise they are the same for either twin.
[Grab] Grab (Any): A basic short-ranged grab.
[Grab, A] Pummel (Both): Mabel ties up the enemy in her stretchy sleeves while Dipper punches them in the face (or whatever else is at his eye level).
[Grab, A] Pummel (Single): Holds the enemy with one hand and punches them in the face (or whatever) with the other. Easier to escape than most grabs. Based on grappling in Rumble’s Revenge.
[Grab, >] F-Throw (Both): [PH, EN] Mabel grips the foe with her sleeves and Dipper punches them outward (obviously making use of the Gnome Battle Cuffs), causing the foe to snap back into a second, stronger punch that knocks them out of Mabel's grip. This throw hits twice, but does take a while.
Damage (total):
[Grab, >] F-Throw (Single): [PH] Weakly toss the enemy forward. This is based on throwing enemies in Rumble’s Revenge; it's the least effective attack.
Damage:
[Grab, ^] U-Throw (Both): [PH, EN] Dipper uppercuts the tied-up enemy into the air, then Mabel whips them back into the ground. Hits twice.
Damage (total): 
[Grab, ^] U-Throw (Single): [PH] A basic and weak upward toss.
Damage:
[Grab, <] B-Throw (Both): [PH, EN] Mabel spins the enemy around a full circle with her stretchy sleeves, which can hit other enemies, similar to Mario’s B-throw, while Dipper charges up the Gnome Battle Cuffs, then punches them out of Mabel’s grip and backwards over her head. This is the twins’ strongest throw in terms of launching.
Damage:
[Grab, <] B-Throw (Single): [PH] A basic and weak backward toss.
Damage:
[Grab, v] D-Throw (Both): [BL] Dipper curls into a ball on the ground, then Mabel shoves the enemy, causing them to trip over him. Leaves the enemy prone. Based on when Wendy does this to Ghost Eyes in s2e18: [Weirdmaggedon].
Damage:
[Grab, v] D-Throw (Single): [PH] A basic and weak toss onto the ground that pops the enemy upward.
Damage:
Movement
(Speed and jump height are stated as an approximate comparison to existing fighters.)
Walking, running, and jumping animations, as well as idle animations, are taken from Gnome Gemulets.
[<>] Walking: Despite being light, the Mystery Twins aren’t particularly fast. They're probably similar to Lucas and Ness.
[<<>>] Running: Still not particularly fast, but better. If both twins are present, they’ll hold hands while running.
[^] Jumps: 2, a bit below average in height.
Wall Jump: No
[v] Crouch: They kneel down.
[v, <>] Crawl: Yes
[Shield, v^] Spot dodge: There’s nothing approximating dodging in any of their games, so these will probably just have similar animations to those of the other Smash fighters that share their proportions (Ness, Lucas, Villager, Inkling).
[Shield, >] F-roll: See above
[Shield, <] B-roll: See above
[Shield, <>v in air] Air dodge: See above
Ledge roll: If both twins are present, they’ll pull each other up, though the animation takes the same amount of time no matter what.
Miscellaneous
If both twins are present, they will perform a different, unique taunt on the Up and Down Taunts. For the Side Taunt, if both are present, they’ll do both at the same time.
Up Taunt (Both): A simple high five. This is a double reference, first to their end-of-level victory high-five in Gnome Gemulets, and second to Stanley and Stanford’s “high six.”
Up Taunt (Dipper only): Pumps arms up and down in a victory celebration while saying “Yeah-ha-ha!”. This is Dipper's end-of-level victory screen in both Rumble’s Revenge and the Take Back the Falls mobile game.
Up Taunt (Mabel only): Jumps up and down in joy. 
Down Taunt (Both): Awkward sibling hug (pat, pat). Seen in both s1e01: Tourist Trapped, and s2e19: Escape From Reality.
Down Taunt (Dipper only): Dipper pulls out a magnifying glass and inspects something on the ground. References both the theme song and Dipper’s general investigative nature.
Down Taunt (Mabel only): Mabel snuggles with Waddles, just like in the theme song (and plenty of other times throughout the show).
Side Taunt (Dipper): Dipper opens his journal and writes something in it. The first time this taunt is performed on [name of as-yet-undecided Gravity Falls stage], it starts a Journal Entry on whichever other player is both next after you in the player order and not on your team. These will be similar to the Palutena’s Guidance conversations, opening a text box that resembles a page from the Journal at the bottom of the screen, where Dipper reads his observations about that fighter, with commentary from Mabel and occasionally other characters as well. I’m not sure whether I’ll ever actually write these out (suggestions welcome).
Side Taunt (Mabel): Mabel takes out both a sock puppet of herself and a puppet of either another Gravity Falls character or a random other fighter currently on-screen and plays around with them. The second puppet can be any one of Dipper, Ford, Stan, Soos, Wendy, Gideon, Pacifica, Robbie, McGucket, or other fighters present on-screen. If a Pokémon Trainer is present, the puppet can be of them or any of their three Pokémon.
Idle Animation: Same as in Gnome Gemulets (I don't remember what it is).
Stage Entry: The twins fall out of a dimensional rift, like the one Mabel falls into in Lost Legends Part 3: Don't Dimension It.
Origin Symbol: The Zodiac Wheel (duh). No, it’s not too complicated. What are you, a cop?
Kirby Hat: Since there are two potential N-Specials here, there are also two Kirby hats, as Kirby only inhales the active twin.
Dipper: The Pine Tree hat (duh). (Growth Ray)
Mabel: Mabel's hairstyle, with a Shooting Star clip on the headband. (Shrink Ray)
Palette Swaps/Costumes
All of Dipper and Mabel's palette swaps are alternate outfits that they (or others) wear throughout the show.
1) Dipper and Mabel’s most iconic appearance.
Dipper: red t-shirt, dark blue vest, Pine Tree hat, gray shorts, black sneakers, holds Journal 3 (unless otherwise specified, he’s holding Journal 3 in all of these).
Mabel: purple skirt, pink headband, magenta Shooting Star sweater, black flats.
2) Fancy dress outfits from the ball in s2e10: Northwest Mansion Mystery.
Dipper: tuxedo, brown dress shoes, no hat
Mabel: fluffy pink dress (if Peach, Daisy, and Rosalina can fight in ball gowns, so can Mabel), weird hat thing, high heels, uses a feather boa instead of stretchy sleeves.
3) Mystery Shack employees/Anti Gravity AU inspired.
Dipper: Soos's dark green Question Mark t-shirt, cargo shorts, and cap.
Mabel: orange headband, white t-shirt, Wendy's green flannel jacket, boots, uses a rope lasso instead of stretchy sleeves.
4) Secondary antagonists inspired.
Dipper: Gideon's light blue suit and Pentagram cape, holds Journal 2.
Mabel: Pacifica's purple shirt, skirt, jacket, boots, and hairstyle, uses a purple scarf instead of stretchy sleeves.
5) Pool outfits from s1e15: The Deep End.
Dipper: red swim trunks, white t-shirt, whistle, sandals, red-and-white “Night Patrol” hat.
Mabel: pink one-piece swimsuit with a yellow star on the chest, flip-flops, uses a jump rope instead of stretchy sleeves.
6) Goodbyes, based on the series finale. Dipper: same as #1 but with Wendy’s trapper hat instead of his regular one, and holding the blue Pine Tree Journal.
Mabel: red birthday cupcake sweater, pink skirt and headband.
7) Outfits from s2e13: Dungeons, Dungeons, and More Dungeons; Dipper: elf costume consisting of a green tunic and cape, pointed ears, no hat, replaces S-Smash spear with a sword.
Mabel: orange Ducktective sweater and headband, blue skirt.
8) Original Mystery Twins/Relativity Falls AU. Stanley and Stanford as kids, with their appearance from s2e12: A Tale of Two Stans/Lost Legends Part 4: Pines Bros. Mystery. Ford takes Dipper’s place, Stan takes Mabel’s. They have different voice actors and lines than the younger twins (applies to #12 as well).
Ford: white t-shirt, brown jacket and shoes, dark green pants, holds Journal 1, replaces Dipper's hat with a light brown pith helmet.
Stan: red-and-white striped t-shirt, jeans, missing tooth, band-aid on face, brown shoes, uses a rope lasso instead of stretchy sleeves and Shanklin the Stab Possum replaces Waddles for the S-Smash.
Additional Alternate Costumes (just for fun)
9) Evil versions. They have different voice lines and facial expressions. Dipper: Dippy Fresh, the twisted, ‘90s-stereotype version of Dipper created by Mabeland in s2e19: Escape from Reality, has a different voice actor.
Mabel: Anti-Mabel from Lost Legends Part 3: Don't Dimension It, wearing a black sweater with an x-eyed cat face on it.
10) Outfits from Dipper vs. Manliness. Dipper: Manotaur loincloth and tattoos; Mabel: Yellow skirt and headband with black lightning bolt sweater.
11) Trick-or-treating costumes from s1e12: Summerween.
Dipper: peanut butter costume
Mabel: strawberry jelly costume, Waddles wears his brown business suit costume.
12) “Modern” Stan twins; same as #8 but wearing downsized versions of their “modern” attire.
Ford: red turtleneck, brown trench coat, black pants, shoulder bag, holds Journal 1.
Stan: black Mr. Mystery suit, red string tie, eyepatch, and Mackerel fez, uses a rope lasso instead of stretchy sleeves. 
13) Outfits from the Woodstick Festival in s2e09: The Love God. Dipper: dark red v-neck shirt, vest, jeans, sunglasses on forehead, no hat, holds Journal 3.
Mabel: Rainbow-striped pride sweater, purple skirt.
14) Outfits from s1e13: Boss Mabel.
Dipper: Mystery Junior suit (similar to Stan's #12), combed hair, eyepatch, no hat.
Mabel: blue business suit and glasses, Stan’s Mackerel fez, uses a rope lasso instead of stretchy sleeves.
15) Campaign manager outfits from s2e14: The Stanchurian Candidate.
Dipper: red “Team Stan” t-shirt, no vest, yellow visor.
Mabel: red-and-white striped sweater and headband, blue star-spangled skirt.
16) Inspired by my Reunion Falls AU fanfiction One Day Reunited.
Dipper: dark brown jacket (same as #8 Ford), red t-shirt, hiking boots, cargo shorts, no hat, holds blue Pine Tree Journal
Mabel: purple “Love Yo’self” sweater, yellow skirt, purple headband.
17) Reverse Falls AU version #1. They have different facial expressions and voice lines.
Dipper: similar to #4 but also with an amulet, holds Journal 2.
Mabel: light blue dress, amulet on hair band.
18) Reverse Falls AU version #2. Dipper and Mabel are replaced with Reverse Gideon and Pacifica, respectively. They have different voice actors and lines.
Gideon: Similar to Dipper’s #1, but with a light blue shirt instead of red, plus white hair and freckles.
Pacifica: tie-dyed shirt, ripped jeans, hoop earrings, bracelets, uses a scarf instead of stretchy sleeves, replaces Waddles in S-Smash with a chicken.
19) Gravity Rises AU inspired. Dipper and Mabel switch roles, Zodiac symbols, and movesets. They have different voice lines.
Mabel: blue-and-white Pine Tree t-shirt, brown pants, orange hoodie, holds Journal 3.
Dipper: dark blue t-shirt with a yellow Star over yellow long-sleeve shirt, black shorts, no hat, band-aid on face, sleeves of his shirt stretch just like Mabel’s sweaters.
Victory 1: Lower down from the top of the screen on Mabel's grappling hook, just like when they destroyed Gideon's robot in s1e20: Gideon Rises.
Victory 2: Do the short victory dance that happens when you solve certain puzzles in Gnome Gemulets, finishing with a high five (or high six, as the case may be).
Victory 3: Awkward sibling hug (pat, pat), same as the D-taunt. Yes, even the Stan and Ford alts do this.
FINAL SMASH
Like most of their moveset, the Mystery Twins’ Final Smash changes depending on which of them is present when it’s activated, though after using any of these Final Smashes, a missing twin will respawn. This is the only way to cause a missing twin to respawn without being KO’d.
Dipper only - Quantum Destabilizer: Dipper fires a straight shot from Ford’s Quantum Destabilizer, the super weapon with which he unsuccessfully attempted to destroy Bill Cipher in s2e18: [Weirdmaggedon], though it will certainly prove effective against Smash fighters. This is very similar to Dark Pit’s Final Smash; the narrow beam travels the length of the screen and will heavily damage and launch anyone hit by it, resulting in an instant KO if it takes a fighter’s damage above 100%.
Damage:
Mabel only - Imagination Unleashed: While mounted upon the dolphin-man-hallucination-monster Aoshima and karaoke singing either “Don’t Start Unbelieving” or “Taking Over Midnight” backed up by the music of her totally-a-different-art-style dream boys Xyler and Craz, Mabel unleashes her disturbing extraordinary imagination in a glittery tidal wave of rainbows, waffle soldiers, cat faces, stickers, flying sweaters, random stuffed animals, and of course, shooting stars. This is very similar to Wii Fit Trainer’s Final Smash, and is based on Mabel’s Mystery Power attack in Rumble’s Revenge.
Damage (per hit):Both - Unite the Zodiac: A large image of the Zodiac Wheel, albeit missing the image of Bill Cipher in the center, appears around the twins. Any enemies it touches take Bill Cipher’s place in the center of the wheel. After a cinematic of the ten members of the Zodiac united around the wheel, a white pillar of cosmic energy erupts from its center, obliterating anyone inside. This is always an instant KO on anyone it catches… damage doesn't matter, no exceptions.
Since the Zodiac Wheel Prophecy was unsuccessful in the actual show, it’s unknown what would have happened had it worked, so I’m free to interpret it however I want for Smash. I don’t necessarily think this is what would have happened, but it works quite well for a Final Smash. The initial capture hitbox is a ring around the twins, and its limits are pretty obvious.
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notakugelblitz · 2 months
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YOUR POWER • THE UMBRELLA ACADEMY
A/N : hi ! here is a series of a few preferences (well i think that’s what they’re called). I really hope you’ll like them even though they’re short sometimes ! i’m planning on posting character x reader stories too so stay tuned. first post here on Tumblr so let’s see how it goes ! oh and English isn’t my first language, i’m sorry if you spot some mistakes. enjoy :)
no trigger warning, all safe ;)
PART 1 : YOUR POWER
You were born on October 1st 1989. You are the eighth child adopted by Sir Reginald Hargreeves. Welcome to the Umbrella Academy, number 8.
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LUTHER • TELEPATHY
You have the ability to establish a connection between your mind and another in order to carry on a silent conversation. There wasn't a day when you weren't in communication with Luther when he was on the moon. You missed him like crazy, and it was mutual.
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DIEGO • SEE THE FUTURE
You can get a vision of the near future by touching an object or a person. There are many opportunities to annoy Diego and cut him off at every turn, knowing exactly what he is going to say. It drives him mad. But that´s something you relished as soon as he got over his stammer. Before that, you preferred to apply this mischief to your other brothers and sisters, much to the delight of Diego, who was always by your side.
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ALLISON • WATER MANIPULATION
You have the ability to manipulate water to your heart's content, melt or liquefy it, create tsunamis, shoot jets from your palms and breathe in the depths. Diego teases you a lot and calls you "The Fish" all the time. It gets on your nerves a little, but Allison is always there to cast a rumour when Number 2 isn't already being sprayed with cold water.
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KLAUS • ANIMAL METAMORPHOSIS
You have the ability to take on any animal form. When Dad locked Klaus in the mausoleum, you'd transform yourself into an insect and crawl into the grooves to join him. One day, you found yourself crushed under your father's foot. Seriously injured, Grace took care of you for a while. Dad then decided to take control of your powers : thanks to a little gadget, he could control your metamorphoses. And that was quite a burden for you but Klaus never stopped trying to find it and break it for you.
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FIVE • HEALING
You have the ability to heal and to give of your energy. During your trainings back at the Academy, you only went into battle when someone was seriously injured. If your brothers and sisters needed you, Five would teleport to pick you up and bring you back. The first few times, these trips made you vomit, so Sir Reginald Hargreeves trained you for a long time until you were no longer ill. It pained Five, but he had to obey. Unfortunately, when he disappeared, you were forced to stay with Viktor and your father : close to the mission but inactive.
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BEN • INVISIBILITY
You have the ability to disappear completely. When you were sad, you’d become invisible and cower at the bottom of Ben’s statue. Before he died, you used to play hide and seek with him. The rule was that there wasn’t any. Often, you’d stand right in front of him, invisible to his eyes, and he’d surprise you with his tentacles, tickling you until you’d surrender. Dad often punished you for this but you never ever regretted it.
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VIKTOR • SELF-MULTIPLICATION
You have the ability to clone yourself ad infinitum, but it takes a lot of effort. Reginald Hargreeves always pushed you to the limit during missions, which finished you off far too quickly. Most of the time, you'd fall over from exhaustion before the criminals had even been arrested, resting as much as you could with Viktor who took care of you, away from the battle scene.
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ninewheels · 2 months
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So I just saw a montage video on YouTube of Amazing Shots in Furiosa, and yeah are A+ (Furiosa is an A+ looking movie) but the priority of this video is clearly on the shots that look amazing in the desktop background or tumblr gifset sense. Which is fine, I love those, and that channel can do whatever it wants, but there are many different kinds of amazing shots, and this just inspired me to talk about my personal favorite shot in the film.
First of all, this is what I think of as an Alfonso Cuarón oner (although Miller's been around longer, were the 80s Mad Maxes like this and should he have dibs?) which is to say a oner that doesn't draw attention to itself, but uses the uncut nature to create a particular feeling, and also because if your blocking set-up means you can transition smoothly from one great angle into another without cutting, why not do it?
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We see Furiosa and Jack being dragged out of the V8...
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And laid on the ground in front of Dementus...
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Who starts making with the villainous grandstanding that is his specialty. This whole scene is about simultaneously conveying how powerful he is, but at the same time how powerful he isn't. Notice how the harsh sunlight backlighting him and his droogs amplifies the melodramatic menace; notice also how much of his monologizing is quite nihilistic, and puts more emphasis on how Furiosa and Jack fucked things up than how good it's gonna be when they punish them.
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He moves camera right, and the camera keeps him in frame, but it doesn't move away from Furiosa and Jack either. They're also in the foreground here, and a little closer to center than Dementus is. (The center point is right in between Jack/Davidson and the background biker nearest to them.) Not only are they pulling the audience's focus from Dementus, they are pulling each other's focus as well. They share this tender moment ("My Jack" "My Fury"), not giving a flying fuck about whatever this asshole is saying.
(Also, pay attention to Harley's grip on Furiosa, and how he releases it to let her nuzzle up to Jack.)
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"I'm chewing the bloody scenery over here, pay attention to me!"
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This specific section of the shot--the camera and the characters refusing to focus on him, and then him getting pissy about it in a fourth-wall nudging fashion--was the part that I was thinking of when I decided to make this post. I'd forgotten how long the shot in its entirety was, and it's all good.
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It's harder to tell with Jack, but Furiosa definitely never once looks at Dementus in this entire scene. Most of them time she's looking at Jack, but even when she isn't, she deliberately keeps her eyes off of Dementus. She knows how much he loves being looked at, and decides to not give him the satisfaction. (There's a parallel to "Witness me!", one that increased for me in Dementus's final scene with the line "Do you have it in you to make it epic?" which has strong War Boy energy to it.)
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Up to this point, movement was limited, both for the characters and the camera. While the angles shifted, the camera would linger in place for longer sections, or move slowly from one to the next. And after our heroes are dragged away from the car, Dementus is the only character who crosses any distance.
Now the time for talking is over (in a tonal sense, obviously there's still more dialogue) and the time for action is here: specifically, enacting punishments for these two. All the characters are in motion now, and the camera is too, and it stays active until the end of the shot.
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In a shot that is physically tracking Furiosa the whole time, these couple of seconds following Jack as he's being forced to run behind the bike are the only part where she's not in frame, not even in the background. It enforces the finality of this physical separation of the two of them. He's alone now (in the way that matters) and when the camera moves back to her, she is too.
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And a more blatant follow-up to Harley's body language from earlier. He's like the camera and the audience in a way--he's been paying more attention to our heroes than to his lunatic boss's nihilist proclamations. (I've heard someone assert that he's the one who let Furiosa go, which might emotionally match what's happening, but there's no actual evidence for it, and it's so much more in-character for her to single-handedly find a way to straight-up tear her arm off at the mangled joint.*
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And we end on this: Dementus is staring intently at Furiosa, and Furiosa is not looking at him, which in this case is because it'd be physically impossible for her, but the imagery is telling the story it's telling. A different film with different characters could use still this exact same blocking and framing, but create a different story by having the prisoner crane their neck to the side in vain to make some attempt to address their captor, whether to beg for mercy or tell them to go fuck themselves. Furiosa may be defeated, fully aware she's living the second worst day of her life, but she can still deny Dementus the thing he wants: her attention.
There are definite shortcomings with this screenplay, but the direction, the cinematography, and the general moment-to-moment storytelling are fucking good.
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inspector-montoya-fox · 5 months
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It's always really difficult to choose between An Opera of Fear and A Cold Alliance for my favourite Sly 3 episode, but it's safe to say that Flight of Fancy is easily the most nostalgic. Not because it's rooted in my childhood memories (it is) but in the sense that it shares elements with episodes from Sly 2 during a game which presents the gang at the peak of their career. Let's discuss
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I think we can all agree that the series very effectively presents the gang's development, not only as individual characters, but also as a team of thieves. Sly 1 shows the gang as teens during their first set of adventures which sprout from Sly's desire for vengeance. They make many mistakes, they don't really have planned heists or jobs - Sly just casually goes into every level breaking shit and then faces off the big baddie - and they surpass their own expectations of themselves to defeat Clockwerk in the end. Then, Sly 2 covers a crucial point in the gang's career. It felt as if up until this point they hadn't truly fucked up so they went into it being very cocky, especially Sly. And when they got their asses handed to them by Neyla, getting separated tested their individual and collective limits.
In Sly 3, the gang has evolved to master thieves, capable enough to feel comfortable recruiting and as such mentoring strangers and also worthy enough to inherit an entire lineage's stolen loot. This is also shown in the missions, which up in scale and spectacle. It's no longer just "follow this villain" or "pickpocket this person". It's a combination of missions we grew accustomed to during Sly 2 like "follow Octavio and do recon under time pressure", or something completely new. Right off the bat, for example, we send a ferris wheel rolling across Venice squashing guards in its way, like this is just a mission not Thunderbeak or something. Every Sly 3 mission evolves explosions, high-tech and the eventual mini boss-fight.
So it's then a bit surprising to see the gang reverting to their sneakier, more subtle ways during Flight of Fancy. That's not to say we don't have explosions and thrill in the episode (the dogfights, Muggshot vs Carmelita, wolf-riding, shooting literal fucking windmills into blimps), but the way they choose to sabotage the competition due to how delicate its internal politics are creates some nostalgia. Paddling around the sewers in a blow-up rowboat and breaking into the pilots' rooms is very Sly 2. It felt like something 18 year old Sly would do. Also, scaling the Baron's castle harks back to Sly 1's platforming and is reminiscent of how small Sly would seem when approaching a villain's daunting lair.
The design choices for the Netherlands seem primitive too, enhanced by the fact that we're in the countryside. I feel like there's that Sly 1 and 2 rule of thumb at play here, where Sucker Punch chose the aesthetic or genre first and then chose the location. For example, they wanted a spooky level in Sly 2 so they chose Prague which would accommodate the genre through its architecture and gothic character. That allowed them to exaggerate a lot in terms of level design. And it's the same for Flight of Fancy, where we have a spooky castle on top of a very cartoony hill and you can hide under haystacks. Oppositely, the rest of the game's levels seem to have departed from the previous entries' design principle (except Kaine Island, which is fully fictional). It feels as if SP chose Venice and wanted to play up how European it is, or the wilderness of the Australian outback but without any radical stylistic choices. The genres are explored through the narrative, not through design.
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Lastly, let's close off with some Thieves in Time slander because it wouldn't be a signature me tumblr essay without it. If we really use the entirety of our brain power and manage to look past all of the game's bullshit, one additional flaw would be how it doesn't consider the gang's development when telling its story. I'm not saying that in the series' fourth game the gang should have been infallible or indestructible due to achieving master thief status in Sly 3, but here the mistakes they make feel so unnecessarily stupid and like shit they wouldn't have done even in Sly 1. Falling for Penelope's schtick twice; Sly letting his guard down during the Le Paradox boss fight after the Contessa; whatever the fuck went down in Arabia... yea.
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actiwitch · 10 months
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The Gods' myths sometimes include horrific or immoral aspects. That doesn't mean we should behave as if those myths dont exist!
(A Pagan perspective)
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(tw: sa, misogyny)
When we are faced with myths that no longer fit in modern moral views (such as so much SA in Greek mythology alone there's a whole Wikipedia page on it) we should not shy away! Even if we don't like or approve of it, it's a part of the Gods' history and mythos.
All mythology is written by humans, and as such is unavoidably a product of its time. The way that anyone (including modern pagans) interprets the Gods as entities, or any interaction with them, is limited within our own culture, time period, and personal beliefs. By examining both the beliefs of the present and the past, we can decide for ourselves how we see the Gods while considering the context their myths were written in.
Even within one time period or similar group of people, such as modern pagans today, interpretations of the Gods can vary widely.
Zues is a cheating rapist. He is also a powerful god of the skies, lightning, and order.
Lucifer is literally the devil. An evil liar full of sins. And yet he is enlightening, independent, and honest.
Freyja is constantly associated (some say reduced) to sex. She uses her body for her gain, and is quite canonically called a slut. At the same time, she's the goddess of women! Of female power, both in mental skill and physical strength. She leads the Valkyries.
Loki is dark and deceptive, bringer of Ragnarok-- and he's a deity of change and freedom.
And neither is wrong. In mythology, both are true.
The Gods, all their aspects, and all the texts we have of them are complicated, complex, multifaceted, and interpretive- of course, there will be various understandings within pagan practices. No one view is superior to the other. Our understandings all exist on a scale, or rather some sort of mashup, of how important and what importance we attribute to various myths and aspects of deities.
When I worshipped Hera, I did so in two 'versions'. 1. Hera as resistance against men and abuse. I found solace and connection with her in powerful womanhood and female rage. I prayed to her before attending a pro-choice rally. And 2. Hera as a symbol of deep love, power, and marriage, and commitment. I lit her candle when my partner was over or when I needed a confidence boost.
These aspects never felt conflicting to me. Separate, maybe (I certainly wasn't thinking of any cheating or abuse in mythology as overlapping with the love and commitment)- but just part of one THING. Of Hera and everything surrounding her.
To many other deities of various 'immoral' aspects, these conflicting elements aren't just both present but often integral to their presence and worship.
Lucifer is often worshipped in rebellion. In healing from oppressive Christianity and finding light and understanding in that darkness.
Freyja is sexual! One of her many aspects. (which by the way, should not be seen as immoral. looking at yall, bs tumblr feminists) There is pleasure, joy, and power to be found in reclaiming that part of women we are told is shameful.
Loki is so much at once. He is outcast and destructive, and within that he spurs necessary change and chaos. So many pagans look to her as a symbol of queerness in the broadest sense and in facing the necessary chaos of growth.
TLDR: Don't just ignore aspects of mythology that feel uncomfortable (obviously unless something like trauma is involved). There is a lot to learn both from understanding the time and context their myths were written in as well as self-reflection on how certain myths or aspects of deities fit (or don't fit) within your practice.
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jaypea00101010 · 10 months
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Expanded Optional Class Features!
Over my time playing 5e there's a few small tweaks I've wanted to make to the core classes, below are just a few of the tweaks I personally use at my tables!
Below are optional class features for Barbarians, Clerics, Monks, Paladins, Rangers and Warlocks, with reasoning given for them all
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Barbarian
Ancestral Rage
Rage stops barbarians casting spells, but that leaves races that get spells a little high and dry, not able to use their spells in most fights, this is intended to fix that. Nothing super crazy, but tiefling barbarians will have just a little more fun.
Unending Rage
The latest barbarian playtests have let barbarians use bonus actions to keep raging, and let them rage for 10 minutes. While I think this doesn't really work thematically, it made me realise Rage probably shouldn't be as limited either. Will this come up much, not really, but it's a little less tracking and it's more thematic.
Unshakeable Rage
Force damage is becoming a lot more common on higher CR monsters, so having resistance to it for barbarians is pretty important. It's a fix to the main problem I have with barbarians, like I spoke about in THIS tumblr post.
Cleric
Channel Divinity: Spirit Guardians
Once again this is a fix to my biggest problem with the class, I don't really think turn undead is thematic for all clerics, but I think the spirit guardians spell both is pretty thematic for all clerics (or can easily be reflavoured to be), and is such a must pick for the class, it should just be built in, so this does! Scales with your proficiency bonus so it'll stay useful at all levels, and frees up your third level slots for something else
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Monk
Overflowing Ki
Monks need more ki points, and while this might look like it's giving them less at first, the recharge on this is a lot better, you might have less ki points overall, but you'll have all of them for all every combat
Perfect Flow
Similarly to overflowing ki, monks deserve a better capstone, so this is it, a constant flow of ki points, so you can always do what you need in a fight
Paladin
Swear Your Oath
Again a fix to my biggest problem with paladins. The source of sorcerers power is their subclass, so they get it at level 1, same with clerics and warlocks, so why not paladins? This feature, while not doing anything mechanical, helps the thematics of paladins immensely
Ranger
Mark Foe
Potentially the first part of a full ranger rework, rangers need a better feature than Favoured Enemy, and this is it. In an ideal world rangers would have a core class feature like this that subclasses could build off...... maybe....
Survivalist's Spellcasting
Another fix, rangers are the masters of the wilderness, they should be able to prepare for any situation.... but no, they're known casters, well no longer
Warlock
Eldritch Blast
The final fix I've spoken about before, it's such a must-have, that it just needs to be a class feature. Plus having it be a class feature means it doesn't scale with multiclassing which helps a lot (still not quite enough to stop hexblades, but I've got another fix there
Cunning Contract
Warlocks were int based in the D&DNext playtests, and they still absolutely make sense to be, so this just does that!
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