#The history of man is just all of them

[ghostly--omens]

The Good Witch by Maisie Peters is so Ghosts coded. Obviously it fits Mary but so many songs remind me of Pat and it breaks my heart.

[tariah23]

White people are miserable, racist losers period. They’ve even been getting mad at Japanese people for correcting them about Yasuke as well.

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[introspectivememories]

sorry but do you ever think about the fact that the bernard we have today is a direct amalgamation of everything that happened in his past and i know that sound like such an obvious statement to say but it actually kills me to know that you can draw a direct line from who he is today all the way back to that sixteen year old boy who watched his best friend bleed out. like it is the defining moment in his life. it fundamentally shaped who he is and the person he's become. he is the bernard we know and love not despite the grieves shooting but because of it. because the gangs all got together and shot up his school. because tim walked out of that room with nothing but a baseball bat. because his darla got shot. because he watched her gasp and cry as she died. because he watched the blood coagulate around the wound. because he sat there and held her hand as her life drained out of her. because he walked into school that day with a joke he knew would make her laugh and her nose would scrunch up and she'd snort a little and tim would roll his eyes at him and call him ridiculous and instead he walked out with a bloody white shirt, blood under his fingernails, and two friends less. because, even now, almost half a decade out from the shooting, he thinks that if he closes his eyes, he will always be that stupid, scared little sixteen year old, holding the cooling body of dead best friend.

[existingonthisplane]

What’s a better way to celebrate the last day of black history month than with another Lucas and Erica drawing. I really wanted to make sure I got this done by today!!

Tried my hand at perspective,,,

[inkclover]

For how can one say no to a god? A little extra under the cut :3

What if, long ago...they were just kids once? And and what if maybe....they used to play together?

[dollypopup]

"Colin should have grovelled more!" "Penelope folded too easily"

I think statements like this typically come from people who like Penelope. . .but don't really understand her. And don't really understand just why she cares for Colin, and just why him groveling would not in any way bring her peace.

Penelope and Colin are kindred spirits in their loneliness, in season 3 more than any others. Penelope had lost her friendship with Eloise, and Colin didn't really have a close friend circle to begin with. Except with Pen. Pen was the person he could put the mask down for, could open up to, (in particular with their 'dreams' discussion) and that's why he couldn't even entertain the idea of giving up talking to her in Season 2. She is a vital part of his life, and holds so much significance and importance to him.

I imagine that's what made their silence over his travels especially painful for him. They spent such a long time talking after Season 1, and he even informs her that her letters were so encouraging, that it helped him heal something inside of himself. That if she could see him in a gentle way. . .so could he. (And he repays this, because he is honest to god out here acting and looking at her like she hung the moon in the sky). But without her presence in his life, he spiraled. Didn't feel confident in being who he is, and thus put on his persona more firmly. We know this because he wrote in his journal that "I want to be less needy, less insecure, while still maintaining the core of my vulnerability that makes me who I am". That he misses his family, that he misses home.

And we know, from the books, that Home? Home is Penelope. Penelope is his North Star, is his guiding force, and who I argue he feels he needs. In his very first scene, he looks toward her house, tries to find her in the window. When he does not, he returns to his family. In the outdoor gathering, he looks for her and finds her, eager to talk. He states aloud that he misses her, and I imagine he wrote it, too. Not hearing back from her over the course of his travels was surely something that hurt him, but he doesn't hold any ill will toward her for it, only wants to reconnect again. In fact, the one and only time he brings up how he misses her and that she didn't respond, she makes very clear the reason why: she heard what he said and it hurt her. And he's ashamed of it.

Colin hears her call him cruel, and instead of ruffling his feathers about it, instead of getting upset, instead of having a chip on his shoulder as I feel so many men would about it. . .he understands why she does so.

Penelope is a woman who has been largely treated poorly in her society. She feels unheard, she feels undesired, and in her circumstances, and I can't help but ask myself. . .has anyone ever truly apologized to Penelope for hurting her, before? Her mother? Her sisters? Eloise, likely, but. . .anyone else? And the way Colin did? Because of all the characters in the show, Colin? Colin knows how to apologize. He has a lot of practice in it. And very importantly: Colin, a man of privilege in his society, apologizes. . .predominately to women. To Marina, to his mother, and multiple times to Penelope.

Ultimately, Penelope wants to be heard, Penelope wants to be understood, Penelope wants to feel desired.

And Colin checks every single one of those boxes. He informs he is not who he was before, and then he proves it to her. He hears that he hurt her, and he comments on it directly. An entire night apart, and he comes back to her 'Because I embarrass you' with 'I am most certainly not ashamed of you', replies to her 'I am a laughingstock' with 'you are clever, and warm, and I am proud to call you my good friend'. He hears her proclaim her own insecurities, and empathizes so deeply with her. He listens. He understands. He makes clear that he cares for her, and that she *is* desired. 'You lift my spirits' 'I seek you out at every social assembly'. That she helps him see the world in ways he loves, that he sees HER and how much she has cared for HIM, that she makes him feel appreciated, that he appreciates her, in turn.

And then? Then? He shows her. He tells her, and he shows her. His actions all throughout Season 3 reinforce this apology. He continues looking for her in every corner of every ballroom, he continues complimenting her, he laughs at her jokes and respects her boundaries, he is ever so gentle with her, he listens to her with an attentiveness that no one else has ever given her. To Lady Whistledown? Sure. But to Penelope? Who else in the entirety of that ton has listened to Penelope the way Colin has?

Absolutely no one.

Penelope Featherington ghosts Colin Bridgerton for months with no explanation, and Colin comes back wanting to reach out to her, and she finally tells him why.

And he apologizes. Because he listens. Really, truly listens. And really truly cares.

I need you to understand how rare that is, even nowadays, but especially back then. That Colin is the kind of man who can put his hurt to the side and realize he made a mistake, that he said something callous, and he adores her, and he can't lose her, and he has to see her and make it right.

Because that's why Penelope fell for Colin. Not because he's beautiful, not for his charm, not for his family. But for his heart. Because he shows her kindness in a world that so often disregards her. Because he seeks her out and tries to understand her, truly hears what she has to say and compliments her, says he's sorry and looks at things from her perspective.

Because he saw her when she was invisible.

Penelope Featherington, who grew up in a house that made cruel jabs at her, has Colin Bridgerton come to her and say he regrets what he said, and that he was wrong, and that he understands why she's mad at him. Penelope Featherington who has so rarely had much of anyone tell her that they're sorry for what they said about her, sits before Colin Bridgerton as he professes how much she means to him. That he cannot even spend a full day away from her knowing they're on bad terms with each other without making it right. That he sees how she is hurting and he has to in any way he can amend it. She is lonely, with no one really in her corner at the start of season 3, and she feels like she lost it all, and Colin comes to her and says 'no, I'm here and I appreciate you and you are special to me, please let me in and let me prove it'. Is it any wonder why after she shakes his hand, she stands in the sun, and she feels the warmth of it, she can smile? That she can breathe, again? That she can be truly content for the first time in the season?

Because Penelope Featherington does not want Colin to beg. She knows him. She knows the tender, full heart he hides behind the new cavalier persona. She knows the soft underbelly of Colin Bridgerton.

He never had to grovel. All he had to do was love her. Assuredly. Fervently. Loudly. Unapologetically.

And he does.

[fisheito]

rediscovered some eiden trivia in vampire yaku's rooms (R3 to be exact)!!!

idk if it's mentioned in other rooms, but eito has a scar on his head from around the time he left the orphanage. exact location unknown but

- he needs to part his hair to get to it

- can't see it so he forgets about it

- sometimes feels it when he washes his hair

Reason: one of his bosses [nepotism megadouche] was spouting foul things about orphans

Eiden was so pissed off even after going home that he smashed a glass out of rage and TADA!! CONSEQUENCE[shard heckin GOT 'IM]!

He says it feels embarrassing to bring up his former hotheadedness...how his uncontrolled rage in that moment is now immortalised in his scar..... the sides of himself he wants to hide from others..........

[s0fter-sin]

09 soapghost au, ghost was a member of soap’s unit before roba and they were together until he was taken. when he comes back and takes up the ghost mantle, simon riley is declared KIA and the hope that soap had let kindle in his heart that he’d come back to him dies. he throws himself into training, into becoming captain so he won’t let down another soldier the way he let simon down

then he recruits ghost to the 141 and ghost sees how much he’s changed, how much harder he is; slow to smile, never relaxing and he realises how much he fucked up by never reaching out. he’d thought he’d be better off without him, without the shell of the man he used to love but he’d done nothing but hurt him

after the close call with shepherd, soap wants to get right back into it, wants to hunt makarov down for almost getting his sergeant and lieutenant killed and ghost is yelling at him to just take it easy and heal first when soap snaps back, “i can’t lose anyone else! not again!” and ghost just rips his balaclava off, showing his face for the first time in years…

and soap says nothing. he just looks at him, completely unreadable. ghost clenches the balaclava in his hand, waiting for anything; even injured, soap can still pack a mean punch and he’s waiting for it, almost hoping for it… but he still does nothing. just stares

“well? c’mon!” he growls, stalking in closer. “let me have it! tell me how pissed you are! that i left you alone! that i ruined you the moment i touched you! that you regret ever fucking looking at me! scream, shout, say something!” until he’s leaning over soap’s chair, chest heaving

soap’s hand lifts and ghost can’t help his flinch before planting himself, ready to be struck, longing for it, to be punished the way he punishes himself-

soap’s hand gently cups his cheek and he freezes, breath catching as his thumb caresses the snake bite scars on his lip; feather-light and reverent. just like he used to

“you’re as beautiful as the day i lost you”

[pinnithin]

enver gortash fascinates me from the perspective of his relationship with the dark urge because like, as far as i know his alliance with them is one of the very few he didn’t actively despise. the guy was sold into slavery by his own parents (who tried to justify it by saying their child was a hateful monster and anyone would have done the same) and spent his formative years employed by a devil who gets off on gratuitous levels of suffering and manipulation. and then once he's escaped that and built himself up so he can never be used and enslaved again he meets this bhaalspawn who also had to adapt and survive a violent and manipulative environment for years by becoming the monsters who raised them.

gortash sees how the dark urge has risen to command armies and slaughter hundreds in the same way he outfoxed raphael and ruthlessly controls the people in his employ, and after earning and owning his reputation as a tyrant heres another person who might actually have like, a shared lived experience. not exactly a friend, because people like them can't afford to have friends, but someone who at least understands. and he willingly works with them on this plan to enslave the sword coast and agrees to share power with them.

and then orin lobotomizes them, puts a tadpole in their head, and leaves them for dead at moonrise.

like, can you imagine. youre working with the first person you see eye to eye with and prooooobably arent plotting to actively sabotage (or, at least would hesitate to do so) and the rug just gets yanked out from under them by their own sister, and now you're stuck with her because the plan still has to move along. and as the days go by a group of adventurers start to screw up your plot right when baldur's gate is within your grasp, and you learn that among them is your old almost-friend who you actually liked and respected - and they have no memory of you whatsoever. oh, and on top of that they're rolling with people you've actively fucked over and want to kick your ass.

did it hurt for him to learn this? did he ever think about how things could have been different? did he think, you were supposed to be my ally, my friend, someone who actually understands that becoming a monster is the only way to keep yourself safe and in control. we were going to rule together. and now you're ride or die with this squad of people you've only known for a few weeks at best, and you want me dead. you don't even remember me. you don't even remember yourself.

[inquisitor-apologist]

All the problems in the Mandalorian could’ve been solved if Sabine had kept the Darksaber

[evilkitten3]

team minato modern middle school au where kakashi is the annoying genius who skipped like two grades, rin somehow lives in a hospital (no one's sure which nurse/doctor is her parent but. it's one of them. right? it's gotta be. no way did a bunch of worked-half-to-death medical staff accidentally adopt a baby someone forgot about. definitely one of them is her parent. her birth certificate is around here somewhere i'm sure look i'll get back to you once my shift ends in six hours), and obito is the class clown who lives with his awful anarchist stoner grandpa and calls his house "the cave"

minato is a former student of kakashi's dad's friend and he's their carpool driver bc no way in hell would that man be allowed to teach in real life

[hooked-on-elvis]

Elvis during recording session at the American Sound Studio in Memphis, Tennessee. January 22, 1969. ♥

The prints above comes from the video linked on this Tumblr post, together with info on that recording day in Memphis when Elvis met Roy Hamilton.

[jrueships]

older white men who have to announce how much they prefer college sports over professional sports & obsess over it kinda creep me out idk

[mulders-too-large-shirt]

s2 episode 17 thoughts

whispers softly. man... i need a minute. shaky breath.

okay. i'll start at the top like always. AUGH THE TEARS. fighting them. okay. need to put on some sad songs to accompany the 45-60 minutes it will take to type all this up

so, i sat down ready to see where this was gonna go. in fact i noted that i was incredibly locked in. which i continue to believe that i was.

we see a submarine, which is a type of craft i just do not trust. even before all that went down last summer. too scary for me. but they see something giving off a signal. and despite being a cartographer ship, they have missiles. and they're gonna go towards the thing they see on the radar, because they were told to. which seems wrong.

but then all their power is knocked out!!! and they are ordered to surface. but how will they do that under a ton of ice?!?!

title sequence. i was expecting different than the usual "the truth is out there" but i guess it's just business as usual over here despite it all

back to where we left off: scully's on the phone with real mulder and fake mulder is in her room. she hangs up on real mulder and tells the fake one that it was a wrong number, which had to be confusing to real mulder.

she tells him to put his hands on the wall, and he makes some quip about being shot before and not caring for it, and for a minute i'm like oh shit, that's a very mulder thing to do- what if he is, in fact, real mulder, and it's fake mulder on the phone? but that theory didn't make much sense anyway and also it was quickly put to rest by the fact that he started beating the hell out of scully.

so time skip: real mulder shows up to the scene with his "sister", who says the alien hit man is gonna call and ask to make a trade: scully for his "sister", and yeah, quotes are verbatim, i was still not buying this whole family relation thing

but his "sister" says that she knows how to kill the alien hit man: you have to hit the base of his skull. maybe. she isn't 100% certain. and also you can't miss because their blood is toxic. which we actually did already know!

and he's getting suspicious. why won't she explain exactly where she has been all this time? and what's this deal with her "father"? he's yelling at her at this point and i get it because it's not adding up to me either

she says that the aliens have been trying to establish a colony on earth since the 1940's, and:

"it's their belief that the stewardship of the planet is being forsaken" <- okay yeah. can't argue there. some of us are trying, aliens. i am not one of the mega companies pouring nuclear waste into the ocean. but maybe y'all could do a better job. and she continues:

"and that by default they'll someday become the natural heirs" <- well hey. you were sounding reasonable but now you are not. have we considered that maybe the people already here could give it another go free from the shackles of the 1%? you're acting like it's an estate sale and buddy we're still living in the house. you lost me there, and i was willing to hear you out.

she says that all of the clones worked at abortion clinics to gain access to fetal tissue, so they could combine human and alien dna. which i imagine had to be a good pr boost for abortion clinics (heavy on the /s here)

and the killer is after them because their experiments with mixing alien with human dna were not sanctioned, so they're "diluting the race", which i guess seems like the thing they would be worried about.

he doesn't seem to fully buy it, because he says "that's a good story, but i've heard a lot of good stories lately" which is true!!! our old worstie ambrose chapel was a liar, remember? or at least someone impersonating him was doing some lying!

"i'm your sister, fox, you have to trust me" UM PROOF?? have we done a dna test??? you can't just show up like that!!!!!

skinner knocks at the door... but is it really him? or the shapeshifting hit man????

"why are the lights out?" skinner asks quite reasonably "orders from my ophthalmologist" he says, lying very easily for a man for loves the Truth. but it did make me giggle.

sister approves that it is really skinner! only after they set a trap to get him just in case it wasn't. again i ask why she can tell if it's the man or not but okay. we move past that.

he makes introductions: "this is my sister, samantha mulder" to which skinner replies "WHAT"

and yeah. i would react the same!!!!

(also weird to hear mulder used as a last name. to me that's just the guy. you know?)

NOOO his phone rings. it's scully calling from a payphone. "he says he's gonna kill me if you don't give him what he wants" oh. okay.

there's no time to explain to skinner what is going on so!!! just please trust me, he says!!! and he does. another point for skinner, who is like a strange uncle or cousin to me.

they go to do a hostage trade: "samantha" for scully. and is this the same bridge where they did the hostage deal for mulder at the end of s1? do they only have one bridge for hostage deals. might be a bit much to have 2 in one city.

skinner has a sniper in the bush, ready to shoot at the base of the alien hit man's neck during the exchange. okay save the day mister sniper please.

AUGH HOSTAGE EXCHANGE. it's so tense. i paused here to write how tense it was, which did not ease it in the slightest. the hit man has a gun to scully's head and it's recalling mulder's early trauma with hostage exchanges. they're waiting for the right moment to shoot....

scully's in the car!!!! but samantha tried to use the needle that kills the aliens and she MISSED and the sniper shot was messed up and then there's firing and is it the sniper? or is it the hit man? who is hit? it is very unclear!!!!! both hit man and samantha tumble into the cold water beneath.

he's still at the bridge, staring down into the place he last saw her. scully comes out to join him, and he says "you should be at the hospital" (she has gauze on her head and says she was just discharged)

he's staring into the water, trying to come up with different ways she might have lived

"why didn't you tell me on the phone that it was her?" "i couldn't tell you 'cause you'd never let me go through with it" AUGHHHHHHHHH.

(and knowing how the episode ends. i am glad this happened. but in the moment. this was a gut punch)

she asks how he knew it was really his sister (valid question, one i fear he should have asked as well) and he snaps about how could she ask that, and she's like, dude someone with your face and body just kidnapped me???? so the whole who is who thing is a little murky??

(she actually calmly explains this. without any judgement. judgement added was my own. but you can imagine that after this experience, hearing "he's an alien" might still be a bit of a hard sell)

okay, mr. mulder is on the scene. he has to tell his dad he lost his sister. I lost her, he says. emphasis on the I. as if it was an action that he took. fuck.

and his dad hits back with a "you LET this man take your sister?" and son mulder is CRYING. what the HELL this is too much. the man has suffered too much. i'm given flashbacks to the last time we saw him cry when he thought he lost scully forever.

PAUSE. i just know the actors were eating up these lines. ohhh i know they were sinking their teeth into them the way that good dialogue allows you to. when you tap into the soul of a character, a whole person who isn't even real, because the writing cuts to their heart. yeah yeah yeah i knowww they were rolling with it and it felt Good

back to the scene. his father is giving him a guilt trip about how his mother is going to deal with "losing her again". and he's apologizing and crying when his dad pulls out an envelope

"your sis- SAMANTHA" told me to give you this.

the implication that he lost the claim to be considered related to her????? is sooooo entirely messed up?? that is the kind of thing that ruins a person???? holy fuck??

he's sobbing while opening the letter, and it gives an address where she says they can meet up if they are separated... so maybe she's really still out there??? hope has been installed back into "she's not actually dead" camp

he rolls up to the address and parks in an area labeled "NO PARKING". grief will do this to a guy.

but just as he arrives, scully calls and says they found her in the river. NOOOOOO THE NEWLY RETURNED HOPE.... "whatever you're feeling, you can't blame yourself" she says, knowing that he must be putting his whole soul into Blaming Himself

but... her body is melting??? is it an alien body??? is the melting gonna turn into toxic gas?? scully don't stare at it you're gonna get all thick blood!!!!

back to mulder. this man is experiencing all stages of grief at once on the steps of a women's clinic. he goes in and pulls out a gun and boy i sure hope there are no women inside.

someone is in there. it's... someone with samantha's face??? saying that she knows "she's dead"????? "it was all a lie", he mumbles as he realizes he was played

YESSSS I KNEW IT. i knew that was NOT his sister. i knew it was too weird and coincidental to be true. this makes the grief of losing her dissipate entirely so i do consider this a win beyond me just being able to guess where the plot was going

and i'm thinking, how the hell is he gonna explain all this to scully? like, to mom and dad, you will have to play along with the whole "she died" thing, and while that is by no means easy, it is a concrete thing you can say and do. but scully??? how is she going to react to "someone pretended to be my sister and then got killed"

(i suppose mulder could tell his parents that DNA testing on "samantha's body" proved no relation, but that would still be complicated to walk through, because there was no corpse to prove that, you know, because she dissolved- maybe scully could make some paperwork to make it look real?)

back to the matter at hand: these aliens with the same face are saying that he must save their original source. and he says "i am not your savior" which- tea. set your boundaries king. in fact, had i been there, i would have done the opposite of protecting, and instead start blasting these aliens that pretended to be my long-dead sister.

but they have leverage... they know where she really is...... so he doesn't walk out....

hit man arrives!!!!! armed with his needle!!! and mulder goes to confront him, but he knocks him on his back, and sets a fire- mulder's weakness!!!!!!

scully is making a report. she cannot substantiate his claims of aliens. and she's got a cut on her forehead from hit man taking her. my poor queen :(

back to the fbi agent that died in the last episode. he has nasty cuts allllll over. like he was carved with designs. sorry for that imagery but i saw it and must describe it.

she thinks she can solve this case with the power of SCIENCE!!! what killed this guy, exactly? maybe if we can figure it out, the other pieces could fall into place

so the virus that causes the blood to thicken is inhibited by the cold.... which explains our earlier scene of mulder in the ice tub and her yelling about him needing to be cold...

DEEP THROAT 2.0 ARRIVAL? (sidenote does this dude have a real name? like while this was airing what were y'all calling him...)

he tells mulder that the last alien- the one who was sent to kill the clones, our shapeshifting hit man- has been tracked to alaska, and that you have to pick your battles to win the war. telling him not to go to alaska. can you imagine.

scully goes to his place and knocks but no one answers. and his newspapers on at the doorstep. so she busts out her keeeeeeeeeeeeeeeeeeey..... heart still melts that she has this.......

and HE KNEW SHE WAS GONNA INVESTIGATE???? he sent her an email..... and he's saying how he wouldn't let her risk her life... nooo don't you weaponize the earlier drawing a line thing, that was about chasing a very vague alien lead to an agent's death, not about investigating ur sister...........

she bursts into skinner's office. and then apologizes for doing so.

(i love this so much. such a tiny detail that tells us a lot about her character. that Need to be good and do the right thing and please those whom she looks up to. ohhhhh)

he asks to speak to her off the record, and it seems at first promising... but he won't help her get in contact with mulder. EVEN after she says please!!!! she is gonna cry!!!!!

skinner's bitching about mulder's actions being a violation of his oath, and she's saying that he saved her life, and he comes back with a "if he wanted or expected you to do the same, he would have told you where he was going"

skinner being a jerk... at this point i began to revoke the point i earlier gave him...

he looks deeply troubled though, and i was like, ohhh, mulder must have promised him to not tell her where he was going... i see into your plans, mulder (<- this is not what happened)

back at mulder's place. scully's searching for clues. there's an x taped to the window again, which must be something he just does sometimes. and there's ominous music.

she falls asleep on his couch, and i swear i actually felt my heart melting at this moment. the way she was curled up. subconsciously trying to hold onto a piece of him. only finding rest where he did. i can't even wax poetic about this because i can't put the words into the right shape. but it is gonna destroy me.

someone is knocking... but who?

DEEP THROAT 2.0?!?!

he tries to act like he just went to the wrong room, but she isn't buying it, following him and demanding to know where he really is

SKINNER IS HERE? GETTING ON THE ELEVATOR????? SKINNER ATTACKING D.T. 2.0??? the girls are fighting!!!!!!!

he makes deep throat 2.0 tell him where mulder is, even when skinner is pinned up and deep throat 2.0 is the one holding the gun, and he said "i've killed men for less", but skinner says that if you kill him, he'll be killing 2 men....... this gag seems to have worked

SKINNER is AT THE DOOR to mulder's place where scully is staying. and he is bleeding from MANY wounds. tells scully where he is without elaborating on the blood pouring from all over. okay skinner. you're real for that. you get that point i was tossing around back. and a bonus one, in fact.

so mulder's out on the ice, and usually him wearing a big jacket would spark joy in my heart. and i won't lie, it does a little. but there is also a LOT of tension going on, so it's very brief. feels wrong to rejoice in the simple pleasures of man in big funny coat when he just had to lose his sister and then learn it wasn't even her.

but he sees some sort of tower and he's going in!!! and a dead guy is spotted.

pause. at this point i am sitting here thinking, man, these episodes are good, definitely among the best i've seen so far. who let these men cook? can we get them back in the kitchen with more regularity?

someone is leading him deeper and deeper into the maze of this... station? sub? and i fear he is being led into a trap. but he finds a very very scared man and having a big man point a gun at him doesn't help with the fear, i'm sure. but is it really a sniveling coward... or the hit man???

and JUST as he almost had me fooled and wondering if mulder was gonna really shoot an innocent guy, BAM! hit man reveal.

mulder keeps asking where his sister is, even while being pummeled by this alien with super strength. and he says "she's alive. can you die now?"

mulder shoots at the alien and he misses the back of his neck, so his toxic blood is filling up the space, and things are not looking good at all. and the alien takes him out and drops him on the ice!!!!!

he's going to break the ice and let him freeze or hit him with the sub as it goes down, both very bad endings........

CUTSCENE TO WHERE WE BEGAN!!!!

scully is bursting in, telling this doctor that he has a virus that can only be slowed by keeping him cold, and he isn't buying it, but just as he tries to get her kicked out of the room, his heart stops, so she intervenes.

and she's calling all the shots- get 100 grams of this and that and a drip of this- and this doctor has had his shift hijacked by a better doctor. he implies that mulder might not make it, and she refuses to hear this out.

and she's.... gently stroking his hair... while this is going down........

and sitting by his bed while he's getting better...

(so are the counts for who has been in a coma now tied? justice is served)

and now she's doing the case conclusion:

"several aspects of this case remain unexplained, suggesting the possibility of paranormal phenomena" <- OHHH??? is this what makes scully a believer? are we gonna see some character changes?

"but i am convinced that to accept such conclusions is to abandon all hope of understanding the scientific events behind them" okay!!! we are getting a deeper look into her philosophy here. yes yes yes give me more. and more i was given:

"many of the things i have seen have challenged my faith and my belief in an ordered universe, but this uncertainty has only strengthened my need to know, to understand, to apply reason, to those things which seem to defy it"

and i love it. i love it so much. seeing how she understands the world, why she knows that there has to be an order to it all, and if it seems there isn't, it's just because she hasn't figured it out yet... and science did allow him to get better... the need to fight a good fight in the way she knows how... yeah... that's lovely...

and she's CRYING at his bedside and holding his arm when he finally opens his eyes. her smile. her gentle "hey". it's so innocent, seeing that he is okay, that he made it through the worst part of getting better.

"thanks for ditching me" aughhhhghhhhh.......

he says he didn't find what he was looking for, but he did find the faith to keep looking. ohhhhh. ohhhhhhh...

the way his faith was gone at the start of season 2, but now it's back, there's something worth fighting for, his sister is out there, there is a world worth figuring out..........

man.

at this point my friend was sending me texts and i was like queen i need a minute. i need a minute. to put these things in order. and honestly i STILL do!

it was an absolutely amazing duo of episodes. i truly loved the writing, seeing them pushed to the brink with each other and with themselves. seeing skinner come into fruition. seeing what motivates them both and how they see the world and how it is entirely different but still driven by hope and faith and a need to learn the truth. and the tenderness of it all. of her sleeping on his couch in his absence, thinking maybe he'll be home soon. of running her fingers through his hair while he was being revived. the fury of being blamed for the loss of his sister, the fury with which she screamed at deep throat 2.0 to tell him where he went off to, the fury of mulder realizing he had been lied to and that his sister had never come back at all. but there still being hope despite it all. because there are things worth searching for. and they can do it together.

man. it was a very good episode but your girl is gonna go watch a silly video because it definitely hit me right in the Feelings!!

[lord-squiggletits]

Part of why I hate this fandom's take on Autobots vs Decepticons is ppl (mainly 'con fans honestly) who can't have any nuance of the situation whatsoever and love to write plots like "oh the humans are racist and abusive towards Cybertronians so this is how Megatron is right" no actually I don't think colonialism/imperialism and racism are justified so long as you can point the finger and say "they were the aggressors first" or "their hands are no cleaner than ours bc their society sucks too" sorry. Please come up with better sociopolitical narratives in your war story.