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hotvintagepoll · 5 months

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Propaganda

Sophia Loren (Marriage Italian Style, Houseboat)—Major Italian star, first actress to win an Oscar for a performance not in English (for Two Women (1960)) and later when Roberto Benigni won an Oscar in 1999 he jumped over the chairs towards the stage going "Sophia Sophia!!" because he was running towards Sophia Loren and said he cared more about her than the Oscar, that's the effect she had on people. She was big in the 60s already even though she gained a lot more notoriety after that. And I mean. Can we take a moment and just.

Pola Negri (The Wildcat, Men, A Woman Commands)—Legally obliged to submit her as she's from Poland, but also it is one of the greatest stars of silent film, both in Hollywood and Europe, so she has to be here. The og femme fatale and a fenomenal dramatic actress. And just so hot in this 1920s vamp style. Obviously her career slowed down in America with the introduction of sound movies, because of her accent and low voice. I'd say her voice is so much hotter thanks to that, but I'm just a simple simp. But then she made movies in Germany, and after the war she was even offered Gloria Swanson's role in "Sunset Boulevard'' but she declined. She was probably bisexual as after romances with Charlie Chaplin and Rudolf Valentino in the 20s, since the 1940s she lived with her 'female friend'.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Sophia Loren:

She has maxed out all her stats: beauty, elegance, sensuality, she's got it all. her mesmerizing eyes, her sensual mouth, her sharp face shape, her everything is so striking and unlike any other beauty in films. she was also voted the world most beautiful woman when she was freaking 65

im submitting her in honor of my dad bc she was the first celebrity crush of his he ever admitted to me and my sister :) and he was right. shes so pretty

OSCAR WINNER. Worked with some of the hottest leading men in Hollywood but remained faithful to her husband whom she had a loving marriage with till he died (even though Cary Grant almost tempted her once, it's complicated)

One of the most well-known sex symbols of the Golden Age of Hollywood, and unlike some unfortunate others, she seems to have been pretty well at peace with occupying that status. She made assertiveness and a tempestuous temper seem glamorous, and although she's famous for side-eying Jayne Manisfield's cleavage, honestly? She's one to talk.

Absolutely, drop-dead sexy, also a hard working, extraordinarily talented actress who didn't shy away from the less glamorous roles to gift us some gritty, memorable performances

Submitting this on behalf of my dad, who knows nothing of tumblr or this blog, but I remember being a kid watching Houseboat while my mom thirsted after Cary Grant, dad thirsted after Sophia Loren, and I was excited that they lived on a boat. Anyway, she's extremely beautiful and was an international star, doing a ton of movies in Italy before being recognized in the US.

JUST LOOK AT HER Y'ALL

Very smart and beautiful, the characters that she played (I mean those in the movies that I put in the previous question) are as strong and determined as her which I think adds to her hotness.

Global superstar and my late grandfather's long time movie star crush and for a man as quiet as he was, and as hopelessly devoted to his wife as he was, the fact that I know that means she was EXCEPTIONAL.

Big in the chest, snatched in the waist, pretty in the face 😳

Sexy, beautiful, deep. A real star.

Her performance in "Man of La Mancha" is just so very captivating. Dubbed as "the Italian Marilyn Monroe", she looks beautiful in any movie and at any age.

Forget the exotic sexpot of her Hollywood films and go back to her Italian career: sparking with Marcello Mastroianni as the woman who drives him mad and outwits all his fumbling attempts at macho posturing in their early films, and showing a tender side in their 1970s films. Sophia isn’t self-conscious about who she is or her beautiful body: she enjoys being herself and she wants us all to enjoy ourselves too.

She starred in films as a sexually emancipated persona and was one of the best known sex symbols of the time. She is a great cook and her filmography is immense.

On the misattributed quote that Sophia owed everything to spaghetti: 'Did you actually say the quote frequently attributed to you, "Everything you see I owe to spaghetti"?' "Non è vero! It's not true! It's such a silly thing. I owe it to spaghetti, no, no. Completely made up."

Pola Negri:

A tempestuous green-eyed vamp of the silent screen, she tantalized with both her onscreen and offscreen romances. Rocked a Polish accent - well, once there was sound! A true proficient at promoting herself and using all possible tools to do so - from a dead Rudolf Valentino to a cheetah named Teddy, the latter of which she brought to a press conference.

First European actress to be contracted by Hollywood! She survived poverty and illness to become The Queen of Tragedy, she divorced a count to date stars like Charlie Chaplin and Rudolph Valentino, then spent the rest of her life living with Margaret West in what could have been a romantic relationship.

I don't have much to say about her actual career, personal life, etc. but I just need everyone to see how hauntingly beautiful her face is. I haven't been able to stop thinking about her since the first time I saw her LOL like its pretty clear why she was such a star

#pola negri #sophia loren #hotvintagepoll #fuck that old woman #ladies 4

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wilcze-kudly · 26 days

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I've honestly always loved the scene between Zuko and Katara in the Crystal Caves during the Crossroads of Destiny, even though it's been kinda diluted by shipping discourse.

I love how this scene showcases how far Zuko's story has come, but that it still has a ways to go. It's also a great moment from Katara, showing off her compassion and kindness, despite her rightful anger at Zuko. And this moment of "reaching across the aisle" between two children who were forced into something much bigger and crueler than they could ever be apways makes me quite emotional.

But I'm kinda tired of seeing this scene in just that vacuum, when looking at it in relation to two other scenes makes it so much more interesting.

The first scene we can compare this interaction to is pretty obvious, since it's basically "the other half" of Katara and Zuko's moment. It's Iroh and Aang's conversation in the tunnel.

I adore this scene it's just such a vibe I too would like to walk through a tunnel with a nice old man who gives me good advice (even if said nice old man is a war criminal)

Of course the first obvious parallel between these two converastions is a member of the Gaang (two members who have been most affected by the fire nations actions btw) having a genuine, deep conversation with a banished member of the Fire Nation royal family.

I also think this conversation contrasts Katara and Zuko's conversation very well. It juxtaposes Iroh and Zuko, showing us how far Iroh has come and how far Zuko still has to go.

I think it's very symbolic that Katara and Zuko connect mainly on their pasts, while Iroh and Aang do about the present and future.

Two quotes in this conversation stand out to me particularly.

Iroh: Perfection and power are overrated. I think you were very wise to choose happiness and love.

It not only relates to Aang's current predicament, but it also foreshadows Zuko's dissatisfaction with his life after he returns to the Fire Nation at Azula's side. After Zuko helps "kill" Aang and take over Ba Sing Se, he has acheived what he believed would be his version of perfection, while also getting back the power he was born into. But he is miserable. He's dissatisfied, wracked with guilt and constantly second guessing himself and the world around him. He even says this: During the meeting, I was a perfect prince... the son my father wanted. But I wasn't me.

But Zuko was also unable to fully choose a simple life of peace and happiness in Ba Sing Se, choosing to fight Azula when she attacks him and Iroh. Because he still subconciously was searching for that feeling of power and wasn't ready to allow himself to prioritise things other than his honour. He wanted to fight Azula and prove himself, but he just eneded up allowing himself to be captured by the overwhelming force of the Dai Li.

While Iroh has learnt to see the merit in a simple life and actively rejects the power (for better or for worse) that comes with his status as a member of the royal family.

Iroh: I don't know the answer. Sometimes, life is like this dark tunnel. You can't always see the light at the end of the tunnel, but if you just keep moving, [Aang earthbends the rocks away one last time. Iroh's fire blows out. He smiles.] you will come to a better place.

Of course, this quote could relate to many things, including just the whole story of the show, but it also obviously relates to Zuko's redemption arc. Zuko's story is the epitome of continuing to slowlu crawl through a dark tunnel until you reach a better place. He stagnates and stumbles occasionally, but he keeps goingm and eventually gets there.

He reaches his better place.

It's interesting to see the contrast between Zuko and Katara's interaction and that of Iroh and Aang.

I think the scene in which Aang and Katara split off from Zuko and Iroh.

Aang and Iroh maintain eye contact, and Aang even gives a respectful bow. While Katara tries to make eye contact with Zuko, but he turns his gaze away, as if ashamed of his moment of weakness. Eye contact is very important is ATLA's visual storytelling, as I've spoken before in my post analysing the mutuality of Kataang's gaze.

I believe this scene foreshadows Zuko siding with Azula and Iroh siding with the Gaang at the end of the episode. Iroh and Aang have reached an understanding, and therefore, they are represented as facing each other and parting on good, respectful terms.

While in Katara and Zuko's case, Katara tries to make a similar connection with Zuko, however he rejects that connection. Ultimately this forces Katara to turn her back on him too, which may foreshadow her rightful anger at him in B3.

Ok, so the first interaction I want to metion gives us a bit of insight to Zuko, but what about Katara?

For that we have to go all the way back to B1, to an episode that I don't really see talked about in relation to Katara's story. Jeong Jeong is only the second friendly firebender Katara has encountered in probably her entire life, the first being Shayu, with whom she had very little interaction. Of course, I think this would at least give her pause.

Jeong Jeong and Katara's conversation is very short, but I think it had a great impact on Katara.

Jeong Jeong : You have healing abilities. The great benders of the Water Tribe sometimes have this ability. I've always wished I were blessed like you - free from this burning curse. Katara: But you're a great master. You have powers that I will never know. Jeong Jeong: Water brings healing and life. But fire brings only destruction and pain. It forces those of us burdened with its care to walk a razor's edge between humanity and savagery. Eventually, we are torn apart.

Jeong Jeong is the polar opposite of the firebender archetype Katara had in her head. He's thoughtful, disciplined and very careful with his firebending. Jeong Jeong's hatred of his own firebending also stands as a contrast to Katara considering her waterbending a vital and beautiful part of who she is as a person.

I always found it interesting that outside of Aang, Jeong Jeong was one of the first people in the series to respect Katara as a waterbender and see her potential, as he even connects her abilities to great waterbenders. It's especially a stark difference to how he treated Aang, the literal Avatar.

The way Jeong Jeong talks about firebending also reflects what Katara has seen herself of it.

Yet she pushes back at his self depreciation, showing that she still sees the value of his abilities. This foreshadows Katara's compassion for the people of the Fire Nation, especially when paired with Sokka's distrust of them.

I also think it's quite interesting that healing is often involved in Katara's attempts to connect with Fire Nation people. Her first connection is with Jeong Jeong, then she offers to heal Iroh, later Zuko's scar, she heals people in the village during the Painted Lady incident. Finally, the crowning jewel of this series of events is her healing Zuko after the Agni Kai.

This is especially poignant in the story of her and Zuko's relationship, with Katara offering her healing services to him twice, but being either rejected or interrupted. And finally she does heal him at the very end of the show, after he took lightning for her, symbolising a "bridging the gap", so to speak.

I think Katara and Zuko's conversation ties back to Katara's interaction with Jeong Jeong for a few reasons. Firstly, there's the obvious of Katara having a moment with a firebender with a facial scar. Also Katara's wording when she offers to heal Zuko's scar: instead of saying that she's a healer, she says "I have healing abilities ", which is exactly how Jeong Jeong described her power.

Ans once again, Jeong Jeong is the one to protect Katara and buy her time to escape, ehile Zuko betrays her. This once again just shows how far Zuko has yet to go before B3.

I've always thought that the way ceratain Avatar scenes intertwine with themes and similarities is very fascinating and fun to pick apart.

The scene between Zuko and Katara is profound, but I think it's often viewed in isolation, be it due to people wearing ship goggles or it just standing our more. But I think one of the reasons it's so wonderful is that it interweaves into so many other events of "reaching across the isle", of our protagonists connacting with firebenders. It's not just a good character moment for Zuko and Katara, it's a mark that connection and peace with the Fire Nation is possible, that it can be acheived, that it slowly is being acheived. Every one of these interactions is unique, but they all form a good foundation for B3, when we really get into humanising the Fire Nation civillians.

The scene between Zuko and Katara is beautiful not only because of what it is, but also because of what it symbolises: the hope of peace.

Ok this was "stating the obvious", once again brought to you by Quill in their pretentious humanistics student hat. I like to vomit words and some of you like to read them! So thank you if you have read them

#ok getting off my soapbox #underrated platonic relationship I want more of- Jeong Jeong and Katara. get pakku out of here jeong jeong is her grandather now #zuko #katara #iroh #aang #jeong jeong #atla #avatar #avatar: the last airbender #the last airbender #avatar the last airbender

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theresattrpgforthat · 3 months

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The one part of D&D that still hooks me every time is the thrill of character creation. Tweaking all those numbers, the min-ing, the max-ing, all to put together a vision of a character and the life they've led. Are there any solo games that scratch that itch?

THEME: Solo Character Depth

Hello there! So much of what I’m familiar with in regards to solo play has a pretty light character creation compared to games like D&D, because the game itself is where you get to piece together that character’s life. Big shoutout to the Lone Adventurer, a You-tuber who plays solo games and records his play sessions - you might find more games that interest you on his channel!

KUROI, by Candlenaut.

Kuroi is a cyberpunk setting which pays homage to the greatest giants of the Cyberpunk genre, of which the author has been a die-hard fan since the early 90s.

The game is played on a 6x6 inch grid and is a so-called micro wargame. You progress from level to level of a heavily guarded corporate building, trying to fulfill the objectives of your Heist. The game uses a unique Action roll system with two re-rolls (Yatzee style) that you must tactically manage in your turn by using these dice to buy various actions and enhance them. In the game, you can choose several ways to progress through each level, you can be stealthy or manipulate enemies or go all out with your entire arsenal.

This is a micro skirmish game, so much like D&D, your character is built with combat in mind. You play through levels, trying to get around or fight through various enemies. Your character has skills and actions, although rather than rolling for your stats, you distribute a range of numbers according to your strengths. The higher your skill points, the more resources you have, in the form of re-roll. You also have descriptive characteristics, which you can fill in as you like.You can also look at a play through of the game on the Lone Adventurer’s YouTube channel!

Anamnesis, by Sam Leigh.

You play as an individual who has woken up with memory loss. You do not remember who you are, where you are, or what you care about. As you draw tarot cards, you fill the blank spaces of your past and learn more about your present. There is no winning or losing in Anamnesis - the goal is to tell a story and discover the identity of the character you've created.

Anamnesis as a game is entirely about character creation. You use a deck of tarot cards to provide prompts: your character is someone who has to piece together pieces of their backstory slowly, as pieces of the world around them remind them of who they used to be. If you like slowly discovering a backstory using vivid imagery and symbolism, you might like Anamnesis.

Notorious, by Always Checkers Publishing.

Notorious is a sci-fi tabletop roleplaying game for one player. Play to tell stories of the Nomads; notorious bounty hunters who strike fear among the scum & villainy of the universe & follow the dubious code of the Nomad's Guild.

In the midst of an intergalactic war, you'll take on a lucrative contract from one of six factions. The job is simple: bring the target back, dead or alive—no disintegrations.

But your presence won’t go unnoticed.

Your growing reputation also attracts a series of hostiles. Suspicious locals who simply don’t like you (& their friends might not either), rival Nomads or faction agents working against you.

Notorious feels pretty fleshed out, with races, origins, load out and personalities that all come into play when you create your character. You play through a hunt, with descriptions of your mark and the planets they may be hiding out on determined through random rolls. Part of your character is randomly rolled, but these pieces feel like an outline that you can fill in.

You can check out a play-through of this game on the Lone Adventurer’s channel. If you want to follow the story of a lone bounty hunter like Boba Fett or the Mandalorian, this might be the game for you.

Ironsworn, by Shawn Tomkin.

In the Ironsworn tabletop roleplaying game, you are a hero sworn to undertake perilous quests in the dark fantasy setting of the Ironlands.

Others live out their lives hardly venturing beyond the walls of their village or steading, but you are different. You will explore untracked wilds, fight desperate battles, forge bonds with isolated communities, and reveal the secrets of this harsh land. Are you ready to swear iron vows and see them fulfilled—no matter the cost?

I don’t think Ironsworn really leans into the min-maxing that you’re looking for, but it does have a wealth of character options, especially if you consider the Starforged and Sundered Isles expansions. Characters choose three Modules that can represent your skills, tools, or companions, all of which help flesh out who you were before you started adventuring. You develop the character as you play, expanding on their abilities and forging bonds with NPCs as you complete quests. Your character isn’t a blank slate before you start, but I think much of the fleshing out happens as you roll.

Ironsworn isn’t solely a solo game, but it’s definitely designed with solo players in mind. The base game is free, so you can try it out without having to pay anything before you have to make a decision to buy any of the supplements!

Colostle, by Nich Angell.

Colostle is a solo RPG rulebook that allows you to play a single player adventure campaign through the impossible and incredible world of the Colostle.

The Colostle is a castle so big that there are oceans, mountains and cities within its rooms! There is no 'outside' to the Colostle, everything is within. And stalking these Roomlands, are the Rooks, huge walking stone castle towers that attack anything they see, but hold the Rookstones, the only source of magic in this world.

Colostle uses character classes, similar to D&D, complete with stats attached to your class choice. However, the game uses a deck of cards that you draw to help determine what happens next when you fight and/or explore. You also choose a calling; a reason why your character is questing in this gigantic castle. Compared to many other solo games that I’m familiar with, this game is much more structured and similar to traditional fantasy games, so Colostle might be worth checking out.

You can watch a how-to-play video for Colostle here!

#tabletop games #indie ttrpgs #game recommendations #dnd #asks #solo games #characters

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reyreadersblog · 4 days

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ALRIGHT Y'ALL MADE ME DO IT!!!

My unpopular tig/tgg opinions!!

FIRST!

These are MY opinions and i'm allowed to have my own thoughts on certian things, just as you are, okay..? Just wanna..get this out of way, i know everyone is respectful in this fandombut still.

1. this is something that should NOT be an upopular opinion. AVERY IS THE MAIN CHARACTER FOR A REASON. okay? She is a girlboss, and she needs more appretiation, cus literally search up tig on tt rn. Everybody and their cat named Stewie is talking about Grayson and Jameson? WHAT ABOUT MY MG AVERY? And if you see any post about her, it's probably a hate vid about how Avery should've kept the money...SHUT UP. Read what she said carefully..."no one deserves that kind of power.." and then think about it deeply.

2. I DO NOT WANT TIG TO TURN INTO A TV SERIES (or even a movie). i can't name all the reasons 'cus then the the list would be endless. First of all, i know, I JUST KNOW, they'll choose the worst cast ever. And even if they find the most accurate cast for the Hawthorne brother i will still be dissapointed, because the images of them i have in my head...THEY'LL NEVER TOP EM. second of all, they will leave out important moments, just as simple as it sounds, and trust me they will, just like they do with most of the live adaptations of books. Third of all, SHIP WARS!!! I phisically can't with ship war, like I'VE HAD ENOUGH OF EM IN THE PAST WHEN THE BOOKS WERE STILL COMING OUT. And just the thought of Averygrayson shipper saying "yeah Avery and jameson were endgame in the books but they might change it in the movie..." GIVES ME NIGHTMARES. and overall, not everything needs a live adaptation yk? sometimes things just have to stay the way they are.

3. ...this is a bit contrevertial.and i don't want to sound like a hater since i've said this a multiple times before but Rohan's pov was my least favourite in the grandest games. Purely bcs whatever Savannah and Rohan had going on...don't get me wrong, i like Savannah (even tho she did and said some fucked up things) and Rohan, SEPERATLY. But them being together...idk man, they were too..."booktokish" for my liking, yk? and i do love banter and teasing, but they were like basic "i like you but i like winning more" "couple". Not to mention they were so random...like where did they come from? I remember when we first saw Sav and Rohan having the same symbols on their cards i was very excited, i expected a different dynamic between them...PLUS THE WHOLE GAME THEY JUST WANTED TO FUCK💀

4. Hating Alisa Ortega and loving Grayson Hawthorne is CRAZYYY, and i'm saying this bcs they're pretty similar in different ways. And the thing is people are mad at Alisa for "saying mean words to Libby" (she was literally doing her job, you would understand if you were at her place) MEANWHILE GRAYSON LITERALLY THREATENED A HEIRESS! (sayin this as a Gray stan) *sigh* y'all are something else🤦🏻‍♀️.

5. Ohh...this one is risky...BUT CAN Y'ALL STOP ACTING LIKE JAMESON IS BLAMELESS?? all i see is Grayson slander, AND I UNDERSTAND, he fucked up, but saying "Jameson was so much better than Grayson" is a lie, at least for me. (He was better for Avery tho) he fs made mistakes that fandoms chooses to ignore. Like lets not act like treating Avery like a toy wasn't wrong. Lets not act like him blaming Grayson for everything wasn't wrong. Let's not act like him reminding Grayson of Emily's death wasn't wrong. And i know that later on both him and Grayson had a great character development, but still, i've never seen anyone talk about this.

6. This isn't about tig. But LIKING JLBS WORK AND BEING HER FAN DOESN'T MEAN YOU'RE GLAZING HER💀 (talking about an argument i had a while ago...) like is it so hard for your brain to understand that it's called having an opinion. Idc if it's JLB or any other author, okay? Like i've read almost every Jlb's books and i love them, AND i also publicly talk about how much iblove her work, does that mean i'm glazing her? UHM NO WTF💀.

7. LET. PEOPLE. HAVE. PREFRENCE. (I'm talking about ships btw) . Someone prefers LyraGray over Averyjameson, and that's okay. Someone loves Averyjameson the most, and that's also okay, someone likes Libbynash more then Xandermax, AND THAT IS ALSO OKAY.

I'll probably do part 2, i have more to say i'm just really tired rn.

Also it's not proof read so sorry if there are many mistakes.

#the inheritance games #the hawthorne legacy #grayson hawthorne #the hawthorne brothers #avery grambs #the grandest game #the brothers hawthorne #the final gambit #libby grambs #nash hawthorne #lyra kane

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tyxaar · 8 months

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SCAR CRIMES LIGHTING ROUND!!!

I've been getting a lot of asks in my inbox about this post relating to Scar's crimes lol.

Indeed they are.

@numbah-7-knd and @david-tennants-left-ear I've already talked about the cannibalism here, but the soul trading comes from Last Life! He made soul contracts in order to trade Lives with other players. Also he might've sold his soul to the Vex? I dunno the lore is weird so that's mostly my own headcanon lol.

@zev-the-traveler Possesion and patricide, the perfect pair! So possession is also in the weird hazy Convex lore zone, but for a while the Vex masks possessed Cub and Scar to do their shenanigans. With that context they they end up possessing False by giving her one when she helps with a prank. Source As for the patricide, that's simple! Etho is Scar's dad in the Life Series and he murdered him all three times in Secret Life. Same for Cleo's final death! :P

@welsknightenjoyer @mocah @neurotic-sinkhole and @fuck-edfrugs Ah yes, this. The Geneva Convention violation is the only crime on the list that was committed by real life content creator Scar! He used the Red Cross symbol in the Scarland medical office. However, that symbol is protected by the Geneva Convention and it's very much a crime to use it outside real Red Cross operations.

@weirdocritter Here we go!

Well, the war profiteering in S6 was kinda iconic lol. Concorp made SO many diamonds off the civil war that Scar and Cub were actually giving them away basically to stimulate the economy by the end of the season.

The cannibalism is also a fucked up favourite, that one part where he talks FAR to enthusiastically about eating the NHO is so on-brand lol.

Trading of souls is really spooky if you take it out of its original context!

Now, the one I'm most uncertain about is Oathbreaking. That happened in Third Life with the no-kill pass, especially with the Bdubs situation. That's a bit of a toss-up but considering how much they both care about keeping promises, yeah, I'd count it.

Ritual sacrifice!!!! Actually has happened like, four times on count lol. This man can NOT stop joining cults. There's the Convex Cathedral with blood on the offering altars, there's the constant boatem hole sacrifices, there's sacrificing Bdubs to the Moon, and most recently he's tried to sacrifice his friends to the Magic Mountain Bell!!! Or, well, told them they have to at least.

Ah yes, sale of human remains!!! He tried to sell Lizzie's spine (although it was prolly Jim or Mumbo cause she died in the void lol) to Joel. It's really wild when you look at it lmao.

Identity fraud is a littttle abstract, but he's worn so many random disguises and various characters that I'm almost certain there's some in there somewhere. Also, it seems pretty damn likely that Pirates Scar "murdered" S8 Tycoon Scar in order to get off the hook (pun intended) for all of his crimes.

That's a typo I swear!!! AJKSHDsfkjhfdkjsd. Anyways, I've replaced it with Treason on the OG post now.

#goodcrimeswithscar #tyxasks #tyx’s ramblings #convex #goodtimeswithscar #gtwscar #mcyt #hermitcraft #trafficblr

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findmeinthefallair · 1 year

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An Uncommonly Discussed Trauma Symptom

Disclaimer: This is in no way a substitute for therapy: it’s only psychoeducation. Please consult a therapist and/or hotline and get the help you need if you are experiencing mental health difficulties, especially if experiencing distress or issues that feel unmanageable.

Warnings: Mentions and discussion of suicidal ideation, death, abuse and violence.

Special thanks to @ashanimus and @childlikegoblinqueen

Ever heard of "the sense of a foreshortened future"?

If you have suffered trauma over a sustained and long enough period of time, you may find that you can't imagine yourself living long. You can't see yourself reaching milestones, because it hardly makes sense to your mind that you can go on for that long...given how much you have felt like you've escaped danger, given just how many close calls you have had in life.

Yet the sense of a foreshortened future is a separate thing from suicidality.

If you have both of those together though, it really isn't fun because they may feed one another in a cycle, in the way that symptoms under the same mental health condition have the potential to do the same.

It isn't a desire for pain to end (which is what suicidality is), more so a generated expectation that takes root, and a framework which a survivor tries to fit their experiences into, with the goal to get things to make as much sense as can be. Because it's often the easier thing to devise a simple formula, to feel certainty and to manage one's expectations: rather than embrace the grey areas of uncertainty about how life will turn out.

It's almost as if this feeling of a foreshortened future is in a tug-of-war match between what appears to be solid reasoning, and a person's natural survival instinct along with the hunger for a meaningful life.

This symptom isn't on the *official* criteria for a psychiatrist or clinical psychologist to make any diagnoses, it is not listed in the Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition (DSM-5) or International Classification of Diseases, 10th Revision (ICD-10). But informally it is sometimes categorized as an avoidance symptom under both PTSD and Complex PTSD, and also under longer-term depression.

(however, I think it can extend to other conditions. The key criteria is it emerges from repeatedly experiencing horrible things until it makes sense in one's head to expect themselves not to last much longer)

If you hop onto Google Scholar to find proper research about it, the findings are very scarce because it's hard to define it, empirically measure it and quantify it in the first place.

Again, it's not the same as suicidal ideation because a foreshortened-future view is an expectation, while the latter is about a desire.

I wasn't taught about this symptom in any training and supervision before becoming a licensed therapist, nor did any of my own therapists bring it up as psychoeducation when I saw them. It was only through online articles on informal websites that I stumbled upon the phrase and it all clicked for my long-term experiences.

But I feel it is good knowledge for anyone providing psychotherapy to bear in mind.

In The Owl House, the grimwalker lore weaved into Hunter's arc, can shockingly be linked with this symptom, symbolically and thematically.

But the show's age rating means it would likely be too dark for the writing team to explicitly incorporate it into Hunter's dialogue.

Hunter was a lamb marked for the slaughter early on.

He has questioned his survival and ability to thrive.

The following article on Psychology Today describes Belos's long-term influence on Hunter pretty well and provides info that strengthens the points I'm making in this whole post:

Link

It's bad enough that before Hunter and Luz found Belos's mindscape, he struggled with the fear of failure to the extent that there was already the raging inner battle between his primal survival instinct and the already knackered part of him that sought eternal rest from his suffering (showing up as suicidal thoughts):

Fast forward a number of episodes...and we see the looming horrors in Hollow Mind that culminated in Hunter's discovery of what his predecessors went through:

followed by permanent rejection by his parental figure:

The power held by a foreshortened-future view, and its potential to isolate you - to make you feel like you're invisible, or a ghost - can be strong.

What Hunter said to Gus in the following screencaps sums up what it feels like pretty well:

In the context of having an abuser, it emerges from the negative beliefs they impose on you. It gets tricky if those beliefs are internalized, and which may remain internalized even after you get to safety and away from said abuser. Internalized until they become what you expect of your life.

It's about those thoughts which you know in your rational mind are lies, but you feel their apparent truth. They go more silent when you practice self-care but they return to try and reel you in again, and to a degree, they succeed in getting you to believe them all over again, before you renounce them once more.

Being in the C-PTSD Club along with Hunter, I personally experience the feeling of a foreshortened future as a voice deep down which almost always says that life feels too long and it therefore feels absolutely weird, like it doesn't make sense. Life feels too long, contrary to that commonly heard cheesy quote, "Life is too short to blah blah blah".

When I reached milestone birthdays like my 21st, it was confusing and made me irritable, feeling an itch deep down that I could not scratch.

The voice asks me why the heck I'm still around when it apparently doesn't make sense. It's a pervading feeling which can be pretty annoying, though I have it far enough in the background that it's like noise instead of being a source of distress.

It's not the easiest thing to explain this, but Hunter may have confusing thoughts creeping into his head like "Caleb didn't last long, why would I?" whereby such thoughts have a strange feel to them. They aren't exactly hard rules, nor are they distant enough that they can be easily brushed aside. Brain hurty, emotions spooky.

After the horror of this night:

I can definitely see Hunter wrestling with this symptom from time to time. No doubt. It was a major loss of autonomy and control that would significantly aggravate what was already brewing deep down.

I'm doubtful that the crew even established this on purpose (unless they actually consulted trauma experts and/or experienced mental health practitioners), but...this one symptom ties in with grimwalker lore so perfectly...it's hella fascinating that all Hunter's predecessors' lives (including Caleb's) were cut short. Prematurely.

They came with an expiry date set by their abuser: something very characteristic of this foreshortened future feeling, though not unique to survivors of abusive home environments (e.g. if you experienced natural disasters over many years, yet had a loving family, you could also feel like you may not live long). And Hunter's experience of seeing the grimwalker graveyard in Hollow Mind is a shockingly visceral and visual metaphor to symbolize a concept like this, which matches perfectly with his symptomology as a Complex PTSD survivor.

The battle for inner peace has a high price: it is ongoing, and extends beyond him being physically free from Belos. Because Hunter can't just trim away the Belos-related memories from his earliest years and formative years. He can't forget, but he can choose to give those memories less attention, and choose not to let them take the steering wheel in the long-term.

In my opinion, the possession scenes don't just portray the physical experience of an abuser returning to try regaining control or restoring the status quo of having the survivor in their grasp.

The scenes also represent the abuser's imprint upon the survivor that lasts beyond the duration for which Belos is present in Hunter's life. Belos is the kind of abuser that is so insidious that he knows he could leave some marks that outlast his directly physical presence, in the event that he meets his own end. He would have definitely thought about this. Leaving the kind of grisly reminders that won't ever technically fade away (not to be confused with how they can certainly "fade further into the background" via therapy, new positive experiences and the support of loved ones).

For example, the patterns of the permanent scars on Hunter look so much like the patterns on Philip's own face and body. When possessed, the markings were dark green, later faded to the colour of scar tissue once Belos leaves his body.

As we all know, it's hella sad to imagine Hunter having to look at himself in mirrors throughout the rest of his life. It was awful enough that he had the haircut-related panic attack.

If we tie all that back to the symptom of a foreshortened-future view: Hunter might be left with a spooky nebulous feeling (that will alternate between coming back to haunt him, and subsiding) that he too has some expiry date that is different from how the people around him naturally and confidently expect to live a substantially long life. As a cult survivor with C-PTSD, Hunter can't afford the luxury of those natural expectations.

I don't mean that he might plan a day in the future to end his own life, not at all. But he may have a strange ghostly expectation of how long more he has till his life may come to an end, and he wouldn't be sure of how this subconscious expectation came about.

The darker days of navigating the confusing mess of his complex trauma may feel like exhaustion from paddling and swimming to keep your head above water to breathe.

Speaking of water and drowning, plus the theme of sinking down vs. rising back up above the water surface...the fact that Camila jumped in to bring him back up, his friends helped to pull him out, and Flapjack passes new life to him...this is also some crazy powerful symbolism for surviving complex trauma.

Falling back on a support network, your "tribe", that won't abandon you.

My other Hunter analyses (link) go into more detail about his support network and why he needs it.

I was talking to a friend about all this: she has relevant lived experience and mentioned that poor Hunter would reach a milestone birthday and perhaps cry at least a bit on that day, maybe even during the birthday party: out of sheer confusion. The confusion would be silently screaming "But...this doesn't...make sense?". And he might feel confusing waves of darker emotions along with a strange sense of joy.

He may make a decision to start a family with Willow, and a confused questioning voice will bother him now and then with "How are you still here, doing this and living to see this?".

(...also, when is his birthday...? Is it documented in some Emperor's Coven records that they will find..? Even the mere concept of having a birthday is messed up for him to think about, given the purpose behind his creation)

Complex trauma changes its survivors' relationships with the world, not just with people, and this can even apply to their relationships with things like joy and how joy is experienced.

Flapjack's absence would have bred survivor's guilt. It might translate into Hunter questioning whether he is worth the love and effort his friends put in for him. This feeling could emerge at random moments over the years in his life.

Visually, I feel that these two frames - the lighting (which I'd say is unique among all his scenes because they are parts of his arc that stand out so much), his pose, his expression - somehow capture the experience of how complex trauma is chronic and long-term:

The currently most known C-PTSD memoir out there, What My Bones Know by journalist Stephanie Foo, has some content that I feel matches nicely with what Hunter is experiencing in the two separate scenes above.

The author describes something she calls "the dread" (if you get the book, it's first mentioned on page 51). I would call it the amalgamation of multiple things such as shame, the fear of impending harm, self-doubt where you question whether you did something wrong, fearing that someone hates you, etc.

And basically, good lord my poor boy in the first screenshot..with that expression of suspecting what he thought was Belos's presence in the room: something about it fits the book author's words, feeling like she was "on the precipice of fucking everything up".

That's certainly something that would cross Hunter's mind multiple times as he processes the worst night of his life. That he could have done something to prevent all that.

With so much pre-existing worry that his friends and family might actually hate him, the possession scenes and Flapjack's death would definitely shake his foundation and I'm sure he isn't past this kind of ingrained thought pattern at all:

Second, the book author calls C-PTSD a shapeshifting "beast" (page 316). And when she fights it, she must use a different strategy depending on what form it takes, and that it will keep coming back from time to time in another form. Which is why there is a particular exhaustion one feels from having to adapt to each battle.

For Hunter, the second screencap of him fighting Belos's coercion in a direct physical manner is the first of many battles he has to win in his mind, even after Belos is gone for good. Outlasting whatever invisible assailant is trying to get him, as he faces inevitable episodes of being retraumatized in the future: these are called emotional flashbacks (one of the symptoms of C-PTSD).

Being a survivor of complex trauma who experiences a weird sense of time via a foreshortened-future view, can feel like being on the outside looking in.

But! To end this meta on a hopeful note, I should reiterate something from my most recent long meta about Retraumatization vs. Self-Soothing, the first part of Hunter's important speech in Thanks to Them touches on wild magic and palisman. Wild magic represents freedom, while palismen (quoting the Bat Queen) represent close bonds in relationships, emotion, and conviction.

Applying this to how we can navigate the swampy waters of a foreshortened-future view, Hunter can use his newfound freedom and sense of agency to create the story he'd like to tell about his life. It is pretty much impossible to avoid bringing beliefs from our young formative years into adulthood. But expectations (which have a direct link with emotions we end up feeling) of ourselves and of life can be altered over time, so they become less rigid and instead more open to new possibilities.

He has an inquisitive mind which is a big plus point in understanding the impact of what he has been through, and I have full faith that he'll do just fine in that regard because of the courage we have seen in him.

Among the hobbies he explores in the future, flyer derby will be one example of an excellent outlet for him because of its physicality: trauma and grief are not only emotional battlegrounds but also highly physical ones. The body is also very much involved e.g. feeling the lead-like weight of depressive moods in one's body, feeling the physical tension of hypervigilance, etc.

It's fantastic that he has Luz, Willow, Gus and company, he will have a very meaningful career, and he'll have everyone else in his large found family.

His story...his heart...his resilience and vitality...it's all truly inspirational.

We might learn even more about the grimwalkers in the finale and that would undoubtedly prompt me to do a shorter Part 2 on top of this meta.

#toh analysis #toh hunter #grimwalkers #the owl house #loz writes a meta #huntlow

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chaikachi · 1 year

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Little Red Riding Hood, The Big Bad Wolf, & The Silver Bullet

Aka I did an Oscar as The Little Prince analysis and now I wanna do one for Ruby's allusion in honour of the 10th Anniversary.

I know most if not all of us are familiar, but I'm still going to start with a summary.

Little Red is a story about a young girl in a red cloak who is sent into the woods at her mother's behest to bring baked goods to her sick grandmother. There, she meets a malicious wolf that asks her many questions, to which she answers all truthfully and without hesitation. The wolf takes this information and uses it to beat the girl to her destination where he then swallows her grandma whole and disguises himself in the woman's clothes. There he waits for the child to arrive and come closer so he can swallow her up too.

There are actually two popular versions of this story with different endings that we often look back to.

In Perrault's story, there is no happy ending. They're both eaten up, the wolf is content. The end. But in the Grimm version, there is an additional character... the Huntsman (aka the woodsman). He hears the wolf snoring after its meal and ends up cutting the beast open & saving the victims. Then, with the help of Little Red Riding Hood, he kills the wolf before it can do anymore harm.

All in all, it's a story about childhood innocence being lost, learning not to trust strangers, and being mindful to always follow the correct path. For if you stray too far, you may lose track of time, invite unwanted danger, or find yourself lost.

In RWBY, we have some very clear allusions here since it's the basis for so much of the show as a whole:

Little Red - Ruby Rose

The Mother - Summer Rose

The Grandmother - Maria

The Hunstman/Woodsman - All Three of Them

The Wolf - Salem and her Grimm (but ESPECIALLY The Hound)

They're all pretty self explanatory.

Ruby has the red cloak, her og trailer is clearly inspired by the tale, she loves baked goods, she's referred to as "Red" and "Little Red" by Torchwick & Cinder. She's also a huntress. And, by and large, her entire arc is about losing that childhood innocence and the view that life "is like a fairytale" as well as struggling with what the "right path" to follow is.

Summer is the mother (baker of cookies) and also the huntsman (slayer of giant monsters). The battle axe being her weapon choice alludes well to the alternate name, Woodsman, as well.

While Maria as the grandmother makes the most sense. Another silver eyed huntress that becomes a mentor figure for Ruby.

And while Salem, her war, & the Grimm (that are all emblematic of that loss of innocence) can absolutely symbolize the wolf... There's a reason why I want to focus on The Hound.

All three previous characters are connected by a very specific common denominator: Silver Eyes.

And the hound is no different.

Just another huntsman... but one devoured by the malice of a canine. And, if Ruby's theory is right, that's the same fate that Summer met as well.

And if you think about Silver Eyes specifically... What is one of the most famous lines from the original fairytale?

"My, what big eyes you have grandmother." "The better to see you with, my dear."

Which, when applied to the grimmification of SEWs, is HAUNTING.

Terrifying when you remember "Woah... you have silver eyes". Also thanks to Behind The Scenes content, that Ruby's hair design was always meant to "be a bit wolf-y". And that since Volume 4, Salem has been interested in capturing Ruby alive... I am WORRIED ABOUT HER.

Some interesting things about silver though that ARE worth noting...

1. "In folklore, a bullet cast from silver is often one of the few weapons that are effective against a werewolf or witch."

2. "The term silver bullet is also a metaphor for a simple, seemingly magical, solution to a difficult problem."

3. "In the Brothers Grimm fairy-tale of The Two Brothers, a bullet-proof witch is shot down by silver buttons, fired from a gun."

The lyric "Yeah I'm a girl but I'm also a gun" from Triumph really tells us point blank (lol) why Ruby is so important to this war against Salem, huh.

I'm gonna end this meta on a fun little easter egg; a hidden fifth character allusion to the original Red Riding Hood fairytale: The Woods.

Now I know what you're thinking, the woods aren't a person, they're a location. But they're INCREDIBLY important to the story.

Overall, the woods are the world outside of the cabin that Little Red grows up in. Whenever she travels beyond it, she's liable to meet all sorts of horrible tragedies and monsters. But I want to talk again specifically about The Hound & just where Ruby first meets them: Atlas.

Or, more specifically, Ironwood's kingdom.

For those unfamiliar, while Jimmy's main allusion is the Tin Man from Oz, his last name gives us a hint to another subtle allusion: Járnviðr. Aka the Iron Wood of Midgard in Norse Mythology (a mythos that's been alluded to a lot in RWBY).

Whiiich if you look at a stanza (40) in the infamous Völuspá, a historic poem which is chalk full of Norse myths, you get the following passage:

In the east sat an old woman in Iron-wood and nurtured there offspring of Fenrir a certain one of them in monstrous form will be the snatcher of the moon

A poem that talks all about the Biggest Baddest Wolf of the Norse pantheon, Fenrir... who is the offspring of a powerful Witch...

and is destined to eat the moon...

All within the Iron Wood, a character Ruby spends an entire volume contemplating on whether or not she can trust...

And the moment she does finally tell Ironwood the truth? The secrets she was keeping? The woods become unsafe, the witch and the wolf appear, and everything else falls apart. Resulting her and her team lost and very far from home.

Say what you want about analyses like these but CRWBY knows what they're doing, okay?

#rwby #ruby rose #rwby meta #analysis #rwby analysis #chainalysis #little red riding hood #did I wanna tie this into warrior in the woods to make it about rg? yes #was i able to? no #that'll have to be its own thing #greenlightvolume10 #long post

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wendingways · 1 year

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Wendingways' Star Wars fic recs

The vast majority of these are fix-its. Some are time travel/time loop. Most revolve around PT, TCW, and OT characters. A lot are also gen, as it turns out.

The order of the list has nothing to do with how much I enjoyed each fic, because I've enjoyed them all in different ways, for different reasons! Fics that seem to be really popular have been placed toward the bottom of each section, because I'm guessing they already appear on a lot of other rec lists. Aside from that, the order is pretty much random.

*Chapter and word counts may not be up to date. I try to go through once in a while to update the details for WIPS, but it's a lot to keep track of!

Complete multichapter fics

Finding Obi-Wan; T, 86.9k. Obi-Wan, having disappeared from the Jedi Temple, wakes up with no idea who he is or what the Force is and gets pulled into all manner of messes (yes, Hondo gets involved, of course he does), while Anakin refuses to believe he's dead and struggles to find him.

Blood and Copper Oxide; T, 36.3k. "Luke Skywalker and Darth Vader crash land on a planet that shouldn't have existed. Luke can't escape Vader and survive the planet at the same time. Darth Vader can't capture Luke and fight off the innumerable threats the planet sends his way. They might have to work together instead." Very cool story!

The Skywalker Secret; T, 39.8k. Anakin time travels back to the Clone Wars following Endor. The story is told mostly through the eyes of perplexed observers, and has an excellent ending; it's very satisfying and lovely!

Lunches at Anakin's; T, 93.1k. After Endor, thanks to the Force's meddling, Anakin finds himself alive but stuck on Tatooine, where he ends up reluctantly mentoring a Force-sensitive girl. (Technically complete, but part of a series which is not complete.)

(Tooka)Cat Scratch Fever; not rated, 17.7k. Luke adopts a tooka which turns out to be his father, under a curse by Sidious. (I would probably rate this one as T.)

In the Tall Grass; T, 18.5k. "After a failed order 66, in which many Jedi still died but the Sith were defeated, an exiled warrior and a boy wander a distant planet and attempt to get along." This one is so cool, it has such a fairytale feel to it! And there's a sequel!

Shadows of the Future; K+, 129.3k. Obi-Wan dies on Mustafar and is sent back to TPM, where he bonds with Anakin and begins to change the future for the better.

Gut Feeling; T, 7.5k. Amusing little multichapter wherein Piett is assigned a new aide who goes by the name of Lucas Starkiller (who is clearly not Luke Skywalker, definitely not), and from there becomes embroiled in treason.

May Death Find You Alive; T, 11.0k. Anakin gets stuck in a time loop where Obi-Wan keeps dying.

Empire Reimagined; series, T, 341.7k. A saga of Luke, Vader/Anakin, Piett, Veers, and Leia covering from ESB-era to post-ROTJ. Epic friendships abound! (Series not marked complete, but the last completed fic doesn't leave you hanging.)

Mirjahaal; T, 132.8k. Another lovely Wishful fic in the spirit of Empire Reimagined, involving favorite characters and somebody else who's a surprise!

The Exiled; T, 20.1k. "Leia has tried everything to help her baby son. She has turned to every expert on the Force she knows-- all but one. (Ben and Grandpa go camping)" (Visible to registered AO3 users only.)

Cloudy Symbols of High Romance; G, 22.1k. This one's a bit of a relict! Posted pre-AOTC, way back in 2001, it's a cool take on how Anakin and Padmé's AOTC-era reunion happened, and omg, it's so much better than AOTC. It's actually cute, and you can see why they like each other, and man does it make the knowledge of what's coming so much the worse.

Kintsugi; T, 16.7k. Quietly tragic, even though nobody dies and it's broadly a fix-it. Not a comfy fic, but one which is well done.

What Lurks in the Dark; T, 155.4k. "A simple mission to check out an abandoned weapons factory turns into a dangerous fight for survival. Trust is broken, loyalties will be tested, and dark secrets are brought to light. Because sooner or later, the truth always comes out."

The Beauty in the Beast; T, 46.1k. "When the Force decides it's had enough of Darth Vader and wants Anakin Skywalker back, it dumps his long-lost teenage son on his doorstep with an ultimatum: unless Vader renounces the Sith and turns back to the Light within three months, Luke will die."

Sibling Revelry; T, 24.9k. "After Bespin and before Endor, Darth Vader is shocked to discover that Luke and Leia are twins. Especially since Imperial Intelligence just told him that Organa and Skywalker are, erm, a tad closer than previously suspected..." A hilarious comedy of misunderstandings!

The Sith Who Brought Life Day; G, 13.3k. A rather entertaining take on how Vader found out who blew up the Death Star.

This Life of Ours; T, 53.9k. "On the run from the empire and the remaining Jedi alike, Vader must come to terms with his past and his future, all the while learning to care for the boy that is his only connection to his life as Anakin Skywalker." (Visible to registered AO3 users only.)

Teach the Padawan. Save the Galaxy.; series, T, 387.4k. 4 books complete, but the series itself is not complete. Ben Kenobi goes back in time and becomes Obi-Wan's master instead of Qui-Gon.

Legacy; G, 175.5k. Post-ROTJ Luke and Leia time travel to the Clone Wars.

there but for the grace of god; T, 49.2k. Young Luke winds up time traveling to the Clone Wars, where he causes both confusion and conversations that will lead to a brighter future for the TCW crew and the galaxy in general.

Precipice; M, 231.7k. "An AU in which Anakin Skywalker does not follow Mace Windu and the others to Palpatine’s office after they leave to arrest the Chancellor. As a result, he doesn’t get that final push over the edge, and doesn’t Fall." Padmé and Anakin each raise a twin and work to bring Palpatine down.

Don't Look Back; M, series, 533.7k. 2 books complete, 1 in progress. Leia gets sent back to AOTC-era, and omg is she a force to be reckoned with! Very detailed, very political series.

Oneshots

Negative Static Stability; G, 8.1k. Vader and Leia meet when Leia is 5; lessons on the workings of ships ensue, along with some good old Artoo scheming. Adorable!

Palpatine's Greatest Hits II: Imperial Boogaloo; T, 1.3k. Just Palpatine being salty. It's very fun! "Fortress Dramaticus" has got to be one of my favorite bits, coupled with Palpatine's ongoing disgust at its lack of shields and certain people's inability to learn certain lessons. And his disgust at Vader's Kenobi obsession. Okay, the whole thing is great. Go read it!

Dust to Dust; T, 4.7k. "Darth Vader goes back in time. The Galaxy is saved; he is not."

Puppet Kings; series, T-M, 18.8k. Really nicely done, dark oneshot trilogy (complete) about Luke, Vader, & Co. I'm not usually one for horror and tragedy, but I read the first fic in the series and didn't want to stop!

Amelioration; T, 8.2k. "A recently liberated Vader attempts to ameliorate the future by changing the past." A different sort of angle, and an interesting fic!

The Horrendous Space Kablooie; T, 6.2k. "9 year old Anakin wakes up on the Executor. Chaos ensues." Well worth reading! Can't say more because I don't want to spoil anything.

The Agony of Tarkin; G, 4.8k. "An extra in the Imperial Opera Company discovers he has been assigned the role of Darth Vader in its upcoming production of The Agony of Tarkin." Another hilarious fic in the vein of The Sith Who Brought Life Day and Accountant Non-Heroes of the Republic.

Accountant Non-Heroes of the Republic; G, 7.0k. "Palpatine makes a choice to hide his fiscal manoeuvres in the Financial Department. The Financial Department takes advantage of this lack of transparency to do whatever they want. This saved the Republic." It's always fun to watch Palpatine shoot himself in the foot, and all the better when it comes completely out of left field.

Out of Step; T, 4.9k. Nice little oneshot with post OT-era Obi-Wan and Anakin stuck into their TPM-era selves.

FIVE HUNDRED AND ONE THING THE MEMBERS OF THE 501ST LEGION OF THE GRAND ARMY OF THE REPUBLIC ARE NOT ALLOWED TO DO; T, 4.9k. A hilarious list composed by General Kenobi. I laugh myself silly every time I read this. (Visible to registered AO3 users only.)

501 MORE THINGS THE 501ST ARE NOT ALLOWED TO DO; T, 3.4k. A sequel to the 501st list fic, also very funny, although it only has about 250 entries, not 501. (Visible to registered AO3 users only.) Listed with oneshots because the extant 250 entries can be read as a complete list.

Where Have We Come?; T, 2.0k. "The first time was one of the hardest and the easiest. Obi-Wan loses at Mustafar, but instead of dying he wakes up at the dawn of the last day of the republic, doomed to repeat the worst day of his life, over and over again." Time loop!

you drew stars around my scars (but now i'm bleeding); not rated, 1.1k. Post-Twilight of the Apprentice, Ahsoka and Anakin. I'd rate G or T. (Visible to registered AO3 users only.)

still dancing with your ghosts (sleeping with your memories); M, 1.1k. "Everyone knows about the Massacre, and how no Jedi made it out alive. The Jedi refuse to let anyone forget." I do not cry easily at fics. This one made me cry.

The Trick is to Keep Breathing; T, 3.5k. "She's older now, and so is he. Far older now. She wonders: will he have lost any power with his age? Will he be shorter, weaker? An old man on a ventilator? It's hard to imagine that he won't still be dangerous. But then, that's exactly what she's counting on."

Tuning up your TIE-Fighter to prove you’re better than the bastard currently running the TIE-Fighter Program for fun and profit; G, 7.1K. "As a rule, Vader didn't really do anything with his social media account, but then the rant of some kid from Tatooine about the inefficiency of TIE Fighters began trending, the pilots and engineers on the Devastator started fixing their ships and Vader got invested."

Multichapter fics that are incomplete but still appear to be alive as of now

Turning Point; T, 9.8k. After Vader dies on the second Death Star, he's sent back in time to the year 69 BBY, on Naboo, where he picks up an unfortunate barnacle in the person of the teenage Sheev Palpatine. Quite entertaining, and I can't wait to see where it goes!

The Good He Seeks; T, 70.1k. "After killing the Emperor, Darth Vader agreed to serve the fledgling New Republic and destroy the last true-believers of the Empire he had once helped create. But he's living on borrowed time." Though I do enjoy pure fix-its, there's just something that really gets me about fics that are fix-it-ish, but life is messy, the characters are messy, there are no easy answers or perfect solutions, and every positive development really feels earned. So far, this is one of those fics, and I'm loving it!

The Galaxy Revolves at a Million Miles a Day (Around Me); T, 40.7k. After dying on Executor during the battle of Endor, Piett finds himself trapped in a time loop which he must break. I'm a sucker for time loops, and this is such a good one!

The Sleepover to Restore the Republic; T, 56.1k. This many Skywalkers, clones, and associated friends, relatives, and coworkers were never intended to be thrown together, and when they are, boy oh boy. Gloriously chaotic and funny. (Visible to registered AO3 users only.)

Nameless, on the Edge of Nowhere; M, 100.7k. Vader survives ROTJ, but both he and Luke made it out of the second Death Star via random hyperspace jumps in separate ships. After getting by for a time, the not-fully-Sith-but-not-fully-redeemed Vader ends up with the Rebellion, where Leia becomes his handler. Slow build, and a really rewarding read thus far! (Also, I love the OCs in this one; they all feel very natural and vivid, and like people in their own right.)

Multichapter fics/series for those okay with living on the edge (inconsistent updates, long hiatus, or abandoned)

Headaches; T, 31.2K. "When Luke overhears his aunt and uncle arguing, he follows old Ben to Daiyu. Skywalker shenanigans ensues." Oh my goodness, the pure child chaos that is in this fic, it's an excellent time. Hasn't updated in almost a year, but what's there is so good!

Balance on the knife edge; T, 136.6k. After dying on Malachor, Ahsoka time travels back to Mortis, during the Clone Wars.

The Thunder Answered Back; M, 13.1k. "Count Dooku survives his duel with Anakin Skywalker only to wake up as a captive in the Jedi Temple on the evening of Order 66 and the siege. Betrayed, maimed, and surrounded by slaughter on every side, he must choose his path forward - and choose it quickly. RotS AU." Featuring Jocasta Nu.

Synchronous; G, 67.9k. "It's the usual time-entangling fiasco: 'Find the disturbance. Rectify the wrong. Fix the anomaly. Bring balance to the past so the Force may be balanced in the future.' There is a slight miscalculation, however, and Luke Skywalker finds himself in the Clone Wars while having to masquerade in the body of his late father Anakin Skywalker. Leia and Han aren't so helpful either."

In the Midst of Darkness Lays a Sleeping Light; T, 26.0k. Series, wherein Palpatine turns Vader into a dragon. (It goes great for both of them. Totally.) Angsty and enjoyable, and an interesting exploration of dehumanization/rehumanization.

To Set Up a Sith; T, 35.2k. "Teenage Luke tries to help his unwitting Sith father make a friend, with a little help from his ghost mom and the Force." Interesting story with fun and sweet bits, and I'm super curious about how it will turn out if it's ever finished!

like a lazy ocean hugs the shore; T, 10.7k. After Vader kills him, Fox gets stuck in a time loop around the time when Fives is killed.

Living Every Day; T, 82.9k. "When Satine Kryze survives her encounter with Darth Maul, it changes the galaxy. But even more than that, it changes the lives of Obi-Wan Kenobi and the Skywalker family."

Dancing with Ghosts in Your Garden; T, 979.3k. Star Wars PT and TCW characters, but in a Hogwarts setting. It works surprisingly well! There's a little more teenage romance than is my personal preference, but it's a cool AU and quite long if you're looking for a fun, imaginative fic to absolutely bury yourself in for a while. (And it looks like Ahsoka might finally be entering during the next year of the fic!!)

What We've Become; T, 82.0K. "Darth Vader and Ahsoka’s fight on Malachor takes a different path, and Ahsoka actually is able to save her master. Or rather, she’s able to convince him to save himself. Diverges from canon in the last few minutes of Twilight of the Apprentice and goes increasingly AU from there."

better late than never; G, 41.4k. Ahsoka wins at Malachor, Vader redemption fic.

Madhouse Promenade; T, 13.0k. "In a bid to save his new apprentice's life, Darth Sidious siphoned the life force from Padmé Amidala, ultimately killing her. Ten years later, after finding out the truth, Darth Vader finds himself haunted by her ghost, and Padmé finds herself face-to-face with what her husband has become."

Hard Reset; T, 33.4k. "Anakin Skywalker wakes up to his worst nightmare, and he doesn't even know all of it yet." Aka Vader gets amnesia, and Anakin is confused about everything. (Visible to registered AO3 users only.)

The Ghosts on Coruscant; T, 143.6k. After surviving Mustafar and living as a rebel for eight years, Padmé is captured by the Empire, and Vader finds out.

Of Queens, Knights, and Pawns; T, 616.6k. ST-era Leia time travels back to ANH.

Old Man Luke; M, 109.4. ST-era Luke and Leia time travel to the Clone Wars.

Comics (all wips)

Dark Chasm; T, 21 chapters. "On Bespin, the truth is revealed, and Vader bids for Luke to join him. Luke looks down into the dark chasm and makes a choice."

Imperial Babysitters; T, 17 chapters. Cute comic/art series with Luke being raised by Vader, Piett, and Veers.

Our New Hope; T, 57 chapters. "After Ahsoka Tano discovers 12-year-old Luke Skywalker on Tatooine, she takes him under her wing and around the Galaxy. Meanwhile, Darth Vader has found Bail Organa's force-sensitive daughter and has started training her as a Junior Inquisitor. A chance encounter between the twins brings their worlds together."

The Tinies; G, 76 chapters. Cute comic with Vader and Padmé raising Luke and Leia.

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girlactionfigure · 8 months

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@shlomo_fishman

One of the main foundations of the Palestinian narrative states that: "according to international law, Israel is occupying Palestinian land".

What most people don't know is that the international law states, in fact, the exact opposite. I'll explain.

In the picture below, you can see article 80 in the UN charter, signed by the UN in 1945 during the San Francisco convention. As stated, its purpose was to ensure the rights given by trusteeship agreements approved by the UN, one of them being the British Mandate which officially began in 1920 and was designated to the establishment of a "national home" for the Jewish people on the area shown in the map below, as previously declared in the Balfour Declaration in 1918.

Now you may say: "but what about the UN general assembly Resolution 181 (the partition plan)?". The answer here is pretty simple: first of all, the general committee has no official power to enforce their decisions, which are mostly symbolic. Second, the plan was never set in motion, as the Arab leadership refused to accept it and the war between the Jewish population and the Arab one, broke down. Regarding the UN security council, Article 24(2) states: "the Security Council shall act in accordance with the Purposes and Principles of the United Nations". Which means it also cannot overrule article 80 in the UN charter.

There is also an argument I heard, about the British Mandate being a class A mandate. Class A mandates, were territories formerly controlled by the Ottoman Empire that were deemed to "... have reached a stage of development where their existence as independent nations can be provisionally recognized subject to the rendering of administrative advice and assistance by a Mandatory until such time as they are able to stand alone. The wishes of these communities must be a principal consideration in the selection of the Mandatory". There is one major problem with this argument: the Muslim Arabs NEVER had any national ambitions back then, nor wanted an independent state until after 1948.

Haj Amin Al-Husseini, probably the most prominent Muslim leader during the British Mandate and the Mufti of Jerusalem at that time, who dedicated his life to combat Zionism and purge the Jewish population in the area, even reaching Adolf Hitler at some point to help him fulfill those plans, never wanted an establishment of an independent Muslim state.

While launching massacres against the Jewish population (the great Arab revolt, 1929 Arab riots and more) and trying to convince Arabs not to sell lands to Jews, he justified it only using religious Islamic motives and blood libels against the Jews. Their only mission was to erase Zionism, so there was never an appeal by him, nor the Arab League and not any other Muslim leadership of that time to the international community, for the establishment of a Muslim state called "Palestine".

So when I define the Palestinians as: "a political movement pretending to be a nation, only to combat Zionism", I talk about this exactly.

This text sums up the main things you should know about the non-existent Israeli occupation, which many people unfortunately don't. So it was very important to me to write about it, especially in these difficult times, and I'd appreciate your support in spreading this message, a lot.

#Israel #Palestine

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tomwambsgans · 5 months

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if someone who's actually knowledgeable about star wars has already made a better version of this meta post pls link me but in the meantime. i'm up thinking about the rich vein of character implications and foreshadowing done by the star wars references in 1x3 lifeboats (and where it briefly resurfaces in 1x6)

like, firstly, upon rewatch this becomes a clear symbol of waystar being a fascist organization (prior to the audience seeing evidence of that) and tom's likely consciousness of the fact, as he ascends:

i'd assumed that the "grill on the exhaust vent" line was directly from star wars for the longest time, only to search it and find that it comes 100% from succession lol. of course it's tom saying "all the death star needed was a grill on the exhaust vent and then the rebellion wouldn't have had anything to exploit." but even that alone, funnily enough, feels like a solid parallel to what's to come. whether he knows it or not, tom is accurately calling out waystar's very simple weaknesses for what they are. and he's right that he'll be the one fixing it, or at least trying to.

also you get the sense from this that tom has either recently watched the movies and/or that he's just a big nerd about them and has that reference on tap. which isn't part of the analysis as much as it's just fun but anyway,

...kendall as vader/anakin is a pretty fun parallel, but tom as c3p0 is both fucking hilarious and perfect in the scheme of things.

the humor is that if tom was placing himself in a SW role in his head, here, it was likely a general or something. only for kendall to swiftly knock him down to something so much more accurate -- a protocol droid. you're built from scrap, tom. programmed for etiquette and it's made you high-strung and constantly anxious lmao. now, i've covered the robot thing in a more thorough parallels post, but with c3p0 specifically it's just so fun in particular not only bc of c3p0's personality (and how this scene hints what we'll learn about tom's), but bc of the matching roles that he and r2d2 play in star wars:

constantly together, basically immortal due to being droids, defectors from the republic, comic relief... and integral to very important events. these seemingly unimportant hunks of metal just keep lucking (or unlucking) into the most pivotal moments in history.

i also think it's important to note that tom immediately accepts his role as c3p0. because then, when he later says this,

it's completely undeniable that greg is the r2d2 to his c3p0, not anyone else. therefore not mine as in "i'm his owner." therefore a different kind of mine.

and of course, it works. r2 is the droid between them who can act spontaneously. who may get them into more trouble but who can also get them out of it. who may not be able to speak basic, but who 3p0 can understand while most others can't. and who is EXTREMELY useful, with a lot of unexpected skills and tools under his belt. it's uncanny.

finally, these are basically the same image:

#tom wambsgans #tomgreg #1x3 lifeboats #meta #mine

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karlyuchka · 6 months

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ATLA isn't that great at showing the reality of war and you are ready for this conversation.

You can call me biased for this post, but whatever. I've been silent for too long.

It's certainly better than a lot of other shows, but fans often overestimate how good it actually is. It's excellent at showing more simple things like people getting hurt and traumatized because of war, but when it gets to more complicated things it's not that good.

In the show we got two people opposing to the fire nation. TWO. (Technically more because Jet wasn't alone, but you get what I'm saying). And they're BOTH antagonists. It's great to show that anger can blind you, but couldn't they make at least one character who wasn't somehow affiliated with Gaang who was against Fire nation and was in positive light? It kinda sucks. Also it doesn't make sense that Hama could actually attack military men and she just didn't. Why? She could attack civilians AND military and it could have been much better.

Then we get an entire arc to show that fire citizens aren't that bad, they're also people and they're also victims, blah, blah, blah... And the idea isn't entirely bad, but it was shown like they're just all innocent and can't affect what's happening in their kingdom? If the show authors wanted to show something positive about Fire citizens wouldn't it be better to show that there are some opposition to Fire Lord or something? But no, we get episodes about how the citizens are prohibited to show their true selfs because they can't breakdance and we get propaganda mentioned a little. Obviously it's a kids show and demanding to show 100% how war works is dumb, obviously the writers have to tone it down a little, but it still kinda sucked. This is actually why it's my least favourite season. Like, it looked like literally no one in Fire nation was against war? The opposition wasn't mentioned even in the comics? HUNDRED YEARS war and Fire citizens didn't even try to do anything? This fire school arc just made me despise Fire nation more because it looks like they just don't give a damn. (Don't start on "they're being brainwashed by propaganda". If propaganda is enough to convince you that killing is good than you were never good in the first place).

Jet was portraied extremely weird in Ba Ding Se too. Like... Fire nation is occupying Earth nation, killing and abusing civilians. Jet sees two fire benders in the most secured city. One of them was a war general who actually had this exact city under six hundred days siege. OBVIOUSLY he would try to arrest them. Who wouldn't? Who knows what they're doing there? Why would he believe that they don't want to do anything malicious? But show portraits it like some sort of obsession. Like he was crazy and in the wrong, like "they're not hurting anybody and he's nagging them and wants them arrested for no reason". Jet was being completely logical.

At the end of the show Iroh keeps his tea shop in Ba Sing Se??? What??? The same city he had under siege? And he names it "Jasmine dragon". DRAGON. The literal symbol of Fire nation. HUNDRED YEAR war just ended, I refuse to believe that citizens were completely fine with it.

And in "Legend of Korra" we find out that Fire nation still has an army? It got much smaller, but still it was pretty powerful? After hunder year war? How? WHY?

It's also extremely weird that in LOK they explored goddamn ANARCHISM, but not how Fire nation is treated after the war? It looked like nobody even remembers it. It was mentioned like three times in the series.

Also I read the comics and the creation of Republic city was weird af. Kuvira was terrible, but she was right at one thing: Republic city belongs to Earth kingdom. There was a lot of resistance. In comics this colony was still full of Earth civilians and culture. It wasn't completely mixed. And the argument to not returning the colony to Earth kingdom was literally "we've been colonizing this territory for so long that it can't be yours anymore" wich is dumb. It becomes even dumber when you remember it wasn't the only colony like that. It was mentioned that it was ONE OF THE OLDEST colonies. Which means there were colonies where fire culture was even more integrated. Then why weren't those colonies also turned into "something completely new"? And the resistance stopping resisting was really weird. They were extremely enthusiastic and determined and then just stopped because the Avatar came and told them "protect people, not borders"???

In conclusion: "Avatar" has a lot of flaws which are caused by "love everyone" mindset, wich isn't bad at it's core, but sometimes you gotta hate. And some flaws are caused by writers' inability to understand war and what comes after. The series are amazing, and comics too, but people tend too overlook a lot of mistakes.

Thanks for reading

(no one's reading allat💀)

Also if you disagree, it's completely fine, just know that I will not argue about it. It's my opinion that I thought about for a very long time and I will not change it.

#atla #avatar the last airbender #the legend of korra #war #rant #essay #probably #Ukrainian rage in this one is really strong #I'm sorry #I love atla #uncle iroh #republic city #atla rant #jet atla #fire nation #hama atla

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phoenixcatch7 · 5 months

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Various headcanons about sephiroth that come from someone who does not know enough about ff7 to have any sort of credible opinion:

He got artificially aged a couple years as a kid. This lines up with hojos astoundingly selfish, cruel, results oriented modus operandi. It gets results faster and means he doesn't have to deal with an infant/toddler for the usual years. It's said in some ff7 encyclopedia that he was on the front lines before he was ten, but his mind and body in ever crisis do not reflect that. And I SINCERELY doubt even propaganda fed soldiers would accept a nine year old in a war zone. That and he's the youngest of the 1st trinity, with them being very young adults, but looks fully matured (if with the face of someone who's never had a single spot ever lol).

His hair isn't normal. There's no way that's just normal keratin it simply isn't. I don't know what it is but it's as weird as the rest of him. Maybe it's like polar bear fur and suuuuper thick but hollow like bird feathers. Did you know their skin is pure black?? Do you think his hair reflects rainbows in the right light like glass tubes???

Speaking of his hair he probably started growing it out the second he stepped on the battlefield and away from hojo. Probably a buzz cut when he was a kid. I imagine it to be a combination of a symbol of independence and self care (as it is to me), taking control of his own appearance, and picking up a bit of the samurai/noble warrior culture alongside his katana during the war with wutai, which (in real life eastern cultures, notably traditional Japan and China, but do NOT quote me) associated long hair with nobility and high ranking samurai, and short/shorn hair with slavery and criminals. (Also, lions manes shorten or even fall out when they lose (gain injuries in) fights, and that's very funny to imagine sephiroth dealing with.) His bangs? They're the only part of his appearance that actually needs regular upkeep, so why does he have them? Simple. They're the same bangs as the picture of his mum lucrecia he got as a kid. Their hair spikes up there the same way ToT.

I lied there's another part of his appearance that needs upkeep. Man is wearing eyeliner and mascara. I get it's a character design choice to bring attention to his eyes but that is definitely eyeliner and the rest of his hair is white as snow, so mascara as well. The whole of gaia (ff7) is pretty 90s metal scifi dystopia and the general fashion (cohesive character designs) feature plenty of belts and earrings (but only for the men??) so it's unlikely to be any sort of big deal Mr macho war mascot is wearing subtle eye makeup.

But I do get the feeling he doesn't have earrings because he heals too fast. Like even cloud has a stud. I like to imagine the three of them went and got them all at the same time but only sephiroths didn't stick.

Those weird metal cuff looking bracelets all soldiers have are used to brace your sword with. Sephiroth is the only one I've seen use them through, so they're obviously very reinforced XD! But he can probably backhand all sorts with them. Wish they got more usage. Imagine charging sephiroth with a claymore or something (side eyes cloud) and he just slaps it away and his stupid leather glove doesn't even have a scratch.

He got taught reading and writing pretty late. You know the way he reads with his finger keeping track of where he is like a little kid? That's definitely an old habit. When you raise a super strong, super intelligent kid in the labs you're gonna want to restrict the information he can get, and I sincerely doubt hojo was going to be invested in getting his baby alien child soldier a well read education. Gast probably taught him some if he was old enough to understand. He might have originally been taught Ancient text before that fell through. Might even be mostly self taught.

You just know he's got a dog eared dictionary somewhere in his apartment.

Hojo has got a winter soldier style shutdown code in him as a failsafe. I sincerely doubt sephiroth would know, but he might suspect something. In canon sephiroth went off the rails exactly the way hojo wanted, so it was never used, but that man's psychopathy and tendency for mind manipulation combined with his thoroughness and self serving god complex (and general sadism) makes for a perfect breeding ground for that sort of brainwashing when dealing with a subject capable of ripping his blackened heart from his chest in a microsecond. The first word is jenova, because why would sephiroth suspect a surge of adrenaline at the sound of his 'mother's' name? Also I think it'd be super scary and ripe for fics.

Sephiroth doesn't experience gender the same way as humans. Not a chance. He'd totally use neo pronouns. Star gender. He achieved his safer form and had the biggest wave of gender euphoria ever (outside of that black wing arm which reads to me as a sign of corruption from.. *waves in shinras direction*). If a sane sephiroth saw it he'd be so jealous. (In contrast angel and genesis don't.)

He's got cptsd from hojo and labs/doctors in general. But he wouldn't know until he got therapy and exited survival mode lol.

I get the feeling he tried really hard to have morals and kindness even if it didn't come naturally until the library. It probably didn't come naturally but listen he was trying his best and succeeding!! But then his last thread snapped and he was like 'fine. If I'm a monster I'll be the worst monster they've ever seen' and went on to do exactly that.

He thinks he's rebelling and shedding his chains exacting vengeance etc etc but hojo handed him directly to jenova. Like he went from one slave master to the other he doesn't even know what his chains actually look like. Hojo was jenova yes man he was so happy to do anything for her out of scientific curiosity and sadistic glee. He was happy to watch the world burn if it meant he had a hand in it.

Sephiroth is actually a pretty good blend of his parents. Got all his looks from his mother though XD. And his temper. But his laser focused cruelty is all hojo.

Him and aerith probably knew each other in the labs at least peripherally. I like the idea they knew each other as kids.

He can't taste sour well at all, can taste water like cats and dogs, and craves fish. These have zero basis in canon and are mostly from a really good fic (ROADTRIP! by copper_nights on ao3, who does my absolute FAVOURITE characterisations of sephiroth and the gang) but I like the idea of him craving fish because of the whole 'part planet eating alien' thing and the fact life first developed in the oceans. So seafood is probably a pretty big part of jenova diet XD. But hojo probably has him on a more red meat based diet for ~protein~. Get this man some sushi!

The way he fights is very offensive unless he's sparring (obviously) but the way he takes damage is by being absolutely fine until he abruptly keels over. Like cats. This worries everyone around him and is entirely hojos fault. It's partly ff7 having limited gore like most media and partly the fight in advent children where he acts untouched, gets off a one liner to cloud and then IMMEDIATELY dies of his injuries. Kadaj survives about another twenty seconds. It's very classy big bad video game boss but it's also hilarious how much he refuses to ragdoll at any cost. He may be insane and clawing his way back to the earth's surface by kidnapping children but man has his dignity!! (Literally the only time he goes where he's sent is in rebirth when he grapples cloud for?? Absolutely zero reason?? And lets himself be pushed off and even then it's because he's playing mind games. Remake sephiroth is wild.)

He was also degrading before he died. As the youngest and most stable he lasted longest, but just like genesis (and Angel) he went downhill real fast even before he got thrown into the reactor. The degradation seems to start mentally before bigger symptoms appear, with paranoia, irritability, tunnel vision. I don't doubt chronic pain, which would exacerbate everything.

He LOVES space. It's almost hypnotic to him. He can navigate by stars amazingly well.

And I hit the character limit XD.

To round off briefly, I also feel he would be disappointed or betrayed upon finding out about/meeting lucrecia, for not being able to get him out of the labs (like elmyra did for aerith) because he probably struggled a lot with realistic power levels and his idolisation/fantasies of his mother, but I don't like that and also they both deserve a proper reunion so I usually ignore that lol.

And Vincent would have been his godfather, which is another reason hojo shot him - he could have lost legal guardianship over sephiroth, and thus, total control. A top ranking turk would have been the only person capable of successfully hiding such a child. Maybe they had the paperwork all ready.

They might be just headcanons, but I really like them XD! I don't usually make these, I prefer fleshing out canon with sturdier stuff or straight up making aus, but sephiroth sends me feral so lol.

#Yeah I don't know how many of these are shared with other people!#Or how many have been proven/disproven in canon #But there's a ton of stuff to think about and some are just fun to imagine #I love his whole deal he pulls it off so well but there's always this element of loneliness and tragedy.#I also love wondering how a baby planet eating space germ angel would deal with life as a flesh and blood person #Like you'd assume those things were mutually incompatible lol #sephiroth #sephiroth crescent #final fantasy 7 #ffvii #ff7 #sephiroth ff7 #ffvii remake #crisis core #ff7 meta #sephiroth ffvii #sephiroth final fantasy #ff7 sephiroth #ffvii sephiroth

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marvel-starwarsfangirl · 5 months

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Ep. 13 "Into the Breach" Review

This was another fantastic episode that packs so much into its 25 minute runtime. Seriously, the finale better be like an hour. I feel like there's so much we have to address, yet so little time. My faith in you doesn't waver Jennifer; you've guided us through thick and thin. I will say that Rampart is surprisingly a really fun character to revisit and I enjoy watching him interact with the Batch. This man doesn't learn, but he's funny now so I give him kudos for entertainment purposes. I loved the dark atmosphere as the finale draws nearer and near. This is the end of the Bad Batch. We know it and they know it.

As usual, spoilers below:

MAMA ECHO RETURNS!!! After so long, he graces us with his appearance and he serves. I loved everything from his action sequences to his sass. Watching him sneak around the Imperial ship, rolling off of crates and working his magic was awesome to watch. That's why he's the Arc Trooper. And boy was he funny too. If it were possible, Rampart would've definitely be set on fire. Between being told he was being demoted to being denied the title of "sir," Rampart was demolished by Echo. It's just so good to see Echo again. I love him so much for his kind heart, quips, and awesome action sequences. The writers delivered!

Rampart, Rampart, Rampart... what will we do with you? He certainly hasn't changed and probably never will. But honestly, I kinda hope he doesn't. Sometimes, people are just aholes who do the right things for the wrong reasons. Rampart provides an interesting moral perspective. And he's still hot. Seeing him cleaned up in the uniform didn't help either. I'm a simple woman guys. He's also hilarious and I love it. Rampart's ego is so big that he unintentionally comes across as whiny and comical. Going forward, I seriously wonder what they'll do with him because he's going to Tantiss. Will he get dropped off? Sell the Batch out? Die in the battle that is to come? Next week will tell. I'm glad he was brought back though. He did his job as a villain well. Now, we get to see him in different situations and it's fun.

Omega, my sweet bean, hang in there. This episode does so well in establishing just how much she's grown over the past few seasons. Omega's always been resourceful and clever. Seeing her scheme to escape the Vault was exciting. You can also see the influence her brothers, particularly Hunter, have had on her. Omega's become more confident and mature. She's a leader in every sense of the word. The other kids look to her for guidance as she plans an escape. I also want to give the other kids a huge hug; I can't imagine what it must be like for them. It's one of the darkest things we've ever seen in Star Wars. Also, Emerie and Scalder rivalry definitely is gonna end with Emerie's true motivations being discovered. Scalder's not gonna let her allow Omega to slip away.

And seeing the boys strip their armor of all their color... that was legitimately heartbreaking to watch. I see it as a symbol of finality. There is no going back once they get to Tantiss. Hunter's "negative" just cements that. The last 5 minutes of the episode were so tense as the boys hitched a ride. As a my discord friend put it, "all roads lead to Tantiss."

There were a lot of smaller moments I enjoyed too. Wrecker was pretty funny this episode. Crosshair and Hunter voicing their trust in Echo was sweet. It furthers just how much the Batch truly trust and know each other. It's that implicit trust that makes me love their dynamic so much.

Anyways, that's all for now. We're truly in the endgame guys. After so long, we've finally made it to Tantiss. All that's left is to get Omega, the children, and escape which is so much easier said than done. I'm so scared yet excited for what's to come. See y'all next week!

#star wars #the bad batch #tbb crosshair #tbb hunter #tbb echo #tbb wrecker #tbb omega #tbb rampart #tbb season 3 #tbb spoilers

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kuroneko1815 · 1 year

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The Handkerchief

Okay, am I the only one who thought Penelope might have been slightly jealous when Callisto brought up the fact that the handkerchief was from another woman? It seemed to me like Callisto might have been angling for one from her. (And I’m disregarding the translation that says it was given before the hunt. Because what I remembered reading originally was before the war).

There’s a symbolism of accepting and keeping a woman’s hanky which means that you accept and reciprocate her feelings.

Callisto: I’ll give it to the Princess and maybe she’ll give me one as an indirect love confession.

Penelope, a bit jealous: Here, wash it up and give it back to her if you don’t want it.

Callisto: The Princess is cold but I love it.

(Callisto likes the chase)

It could be that the handkerchief was really Callisto’s and he was giving it to her, just hoping for an exchange as well because then she’d be obligated to keep it to wash it and she could conveniently forget it and give him a new one.

Meaning that they reciprocate each other’s feelings and want a relationship. But he also wasn’t sure how it’d be taken so he tells her it’s from another woman to gauge her reaction.

Because Callisto at 12 or 13 receiving a hanky and holding on to it without it getting soiled or stained, or just plain ruined while he was at war for almost ten years is nearly impossible unless he left it at his palace. In that case, how’d he even remember something like that? Like this man, I think also has a case of subjective memory… He purposefully forgot that he nearly killed her at the maze.

If you’ve read this far… welcome to the hidden side plot from the past.

Penelope at the age of seven was an independent child who had grown up practical and pragmatic but loved deeply by her family. Penelope was there with her mother and the caravan and runs into an older child who was about eleven or twelve. He was a pretty boy with hair like gold and eyes like the rubies the wealthier merchants traded.

She was unknowing of his real identity, of the Crown Prince that now holds her hands and takes in the streets of the capital, the narrow corridors of the slums that she’s taken to showing him around. He’s a wealthy child, she can tell immediately from the make of his clothes. The merchant in her can easily see that. The poor commoner child that she was felt some slight envy at the obvious luxuries he had. But more than that… he looked the very definition of rich and she loved looking at rich people. Especially when they were like this boy who was like a living jewelry. Gold and rubies.

She shows him the life of a commoner, of the children she’s learned to play with. And teaches him what it’s like, let’s him experience what her life is like. She calls him Cal and he calls her Penny.

Mother calls for her and she pulls him along, laughing happily. (She doesn’t know that the boy looks enraptured at the child with dark pink hair who laughs so freely). Mother pats her head and bends down to kiss her and give her a hug, inquiring over her health before turning to Cal who she introduces immediately.

Mother smiles at him and pats him as well. Gives him a small kiss on the forehead and a hug. “Any friend of my daughter is a friend of mine as well.”

The caravan, her family, all laughingly echo that. And they give him a place at their table. Invite some of the others as well and share a simple meal. Cal watches all this with a wistful longing smile, listening to their tales and happy teasing. (He nods to himself, resolute. He marches off to war soon and he knows what he needs to fight for now. It’s this tangible thing, this one happy family. This warm girl who smiles and laughs freely.)

When the sun dips low, Cal says goodbye. Penelope is used to this. Never has friends that she gets to keep, is used to hellos and goodbyes and reunions and distances but somehow she thinks it’s different with Cal, as if he’s found the answer to some question that’s been in his mind for so long. She wonders what it was but knows better to ask so she wishes him well.

She has nothing to give but a simple handkerchief. It’s not to the quality that he’s no doubt used to but it’s the best thing she has, it’s clean and new. Grandma had made it for her. Had woven it herself and created the patterns on it. She presses it to his hands.

“For you.” She says. “To remember today.”

He’s silent, looking at it with a frown but he nods.

“Have a good life, Cal. And be safe.”

The golden boy walks away into the distance and she returns to her family.

Callisto walks no more than twenty steps into the alley he’d turned into when he stops. Porter appears silent like a shadow along with three other men, his guards who’d been shadowing him from a distance. He knows they’d been following him since he snuck out but he just… he needed this moment.

Needed to understand the heart of the Empire, of this place that he was being sacrificed for. Needed to see why he was being sent off to fight in a war. Why he needed to bloody his hands, his mind, his heart; why he needed to taint his very soul.

But he’s found that answer. He wants to do it for her. This innocent little girl who welcomed him without another thought.

“Are you done, Your Highness?” Porter asked. Not commenting on the handkerchief he holds in his hands. Staring at the delicate fabric.

“Yes, let’s return to the palace now.”

If the Empire had more children, more families like that one… he wanted to protect them. He remembered the spike of jealousy at the way her family had so easily shown affection. At the open love her mother showered her with. His forehead feels warm from where the woman had given him a motherly kiss.

His heart has been closed for awhile now, after his mother’s death. After, the remarriage. After the assassination. But for a moment… even if he felt like an outsider as he ate that simple fare, he felt that he wanted to belong. Felt as though the food was the most delicious he’d ever eaten.

Callisto marches off to war not too long after that. He brings the handkerchief with him, cherishes it and keeps it practically pristine. Holds on to it only when his hands are clean. Washes it gently by hand when it gets even a single speck of dirt. Uses it to remind him of that one day when he got to act as a normal child with her; uses it to remind him of the innocence he wants to protect.

Time has dulled their memories of one another. Callisto no longer remembers her name or what she looks like. All he has is the simple handkerchief made of common cotton to remember her by. And the ghost of her laughter ringing in his ears, the feeling he felt when he held her hand and the warmth that spread through him when she looked him in the eyes bravely and gave him that sunshine smile.

Penelope’s memories are warped through all that she’s suffered from. The abuse has her lock those happy days away, knows that she’d shatter if she remembered them. The regressions don’t help. Now all she remembers is pain, humiliation, and death. Her soul cracks and shatters, forming anew in another world before she’s returned to this world.

Even after the war, even after the jaded, brutal thing that he becomes. He still keeps the handkerchief with him. He never offers it to anyone.

At least he didn’t. And then Penelope Eckhart came into the picture and he finds himself offering the handkerchief to her. Feels right to do it, even when she dirties it with soot and gives it back to him with an annoyed face.

He tucks it back into his pocket determined to wash it when he got back to the palace.

After all is said and done, Penelope finds the handkerchief again among his possessions. He doesn’t try to justify it. But she merely raises a brow. Penelope now remembers the child she’d been.

Touches the handkerchief and feels the fabric. There’s one feature to it that she knows deeply. A minuscule P is embroider there.

“I didn’t know you’d kept it all these years. I’m glad you remembered that day even after all these years, Cal.” She said.

His eyes snap up to her and he laughs, feels as though fate had been telling him where his heart and future lay all along with that handkerchief. “I’m glad I got to meet you again, my beloved Penny.” He pulls her in for a kiss.

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