hey did you know??? that if you stop stretching and maintaining mobility in your body then it goes away?? things get tight and you can't move the way that you used to??? and when you decide to try getting a stretch routine going that the first week fucking sucks because you keep going 'damn i used to be able to do this no problem' and then you have to switch gears and be kind to yourself and just focus on getting better from here instead of berating yourself for dropping the good habits in the first place??? and your body never stops aging so you gotta keep taking care of it and sometimes you gotta take care of it extra in certain areas because of things that happened when you were younger and it's boring and sometimes hurts but it's so necessary???
i am yelling this at myself right now i am going through An Experience (trying to get into a routine of body maintenance again for my physical and mental health)
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"(blank) hates laios!" WRONG WRONG WRONG. SHUT THE FUCK UP
shuro is just as awkward as laios and it is made So clear he considers him a friend and likes him. he defends him when the canaries start talking shit and actively readies himself to physically fight them so they dont get to him.
namari also likes laios. she respects him as a leader and also defends him and readies to fight the canaries.
ive not actually seen anyone claim izutsumi hates laios, but a lot of ppl Are weird abt them. izutsumi and laios' relationship was rocky at the beginning. he struggled to figure out how to interact with her. but by the end, she actively seeks him out to talk with during the lead up to the feast. she hides behind him when falin wakes up. she has already realized shecan do what she wants and does not need to stick around, yet she does. she sleeps near him on the windowsill, waiting with him and marcille for falin to wake up. she has accepted him as part of her life and wants to keep him in it.
marcille does not hate laios. let me say this again.
Marcille Donato Does Not Hate Laios Touden.
marcille Loves him. in a platonic, familial sense. laios returns this just as readily. she yells at him. she whacks him. she tells him whats on her mind. she uses healing magic to ease his pain during the parasite fiasco. she reattaches his leg when he loses it. she teaches him magic. she lays her head on his corpse and cries before reviving him. she launches herself at him two times, when the canaries interrogate them and when he talks her down in the tower. he is a comforting presence to her. she trusts him, she cares about him, she worries about him, she imagines him as a big fluffy dog that loves and protects her. laios is her rock when falin is taken from them time and time again. and she tries to be his as well. she whole-heartedly, unconditionally, loves and trusts laios.
chilchuck does not hate laios. laios pays him his rates, no questions asked. laios trusts and respects chilchuck's job as a lockpick. laios does not see him as a child (at least, i cant think of an instance where he does so). chilchuck states, outright, he sees him as a friend and doesnt want to see him hurt. he actively worries about him as the falin situation gets worse. chilchuck respects laios. he shows almost 0 hesitation in helping get falin back, nor eating her by the end. he does not think of leaving him once, until he realizes he could lose him. chilchuck is cowardly with emotions and prefers to bottle things, so his first instinct was to bolt. he was angry because he was scared of watching someone he cares about destroy himself. laios is his Friend.
and holy shit. holy Fucking shit. kabru DOES NOT hate laios. kabru has the rockiest start known to man with him, and he Still helps him by occupying the canaries. he warns him about them. he hides the black magic from them just as shuro does. his whole Thing is trusting laios despite himself. kabru has his own baggage regarding other people, just like laios, yet he tries so hard to believe and trust this man. he Wants to. kabru is not very hopeful, but laios makes him Want to be. he states like 3 times he wants to be close to him and sees him as a friend. he stays through the entire feast!! the man who hates monsters, whose biggest trigger is monsters, actively, consciously, Willingly stayed through the entire monster meat feast. all to help his friend get his sister back. he could've left!! the feast was like an entire week!! yet he was there for every single day. he was one of the closest people to the door when falin awoke!! after reuniting with her brother, her friends, the people who knew her the most (plus senshi and izutsumi), the first person she greets is kabru!! he wants to be close to laios, he likes laios, laios is his friend and he cares for him, he wants to meet his sister!!! kabru fucking stays on the island with him as one of his closest, most trusted advisors when he becomes king!!!!! he wants to help him succeed!!!! he wants him to be happy!!!! laios is his friend!!!!!!!!
im just. people like laios!! laios is a nice guy! he is friendly and cares about people! he is weird, he doesn't understand most social cues, he oversteps boundaries, but they stay beside him, because they like him and he is their friend. he is their friend!!!!! friendship is not all sunshine and rainbows, relationships in general are not sunshine and rainbows. you will upset people, people will upset you, you will get into arguments, things will happen, but at the end of the day, the people close to you like you! they love you! they care for you! they want to work it out and get through it because they love you, but they will feel those emotions first! human relationships are complex and messy and life is complicated. even shows for toddlers know this.
if you truly believe any of these characters hate laios you are worse than a toddler. watch some fucking oobi or something. god. fuck.
take this
thanks
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A fun way imo to develop characters is to look at them and ask, "what does this imply?" This unfortunately only works if you already have a character concept in mind, but it's always been useful for me when I need to create some interiority for a character who feels a little flat.
As previously stated, literally all you're doing is looking at a character and performing a rudimentary analysis of them based on what you've already developed. A good example of this is my character Mordred, who early on in his development was conceived of as a sickly looking teenager wearing a full suit and bowtie. This is because I thought there was a lot of potential in this image. "What kind of teenager goes to school everyday wearing a full suit and bowtie?" Probably a kid who takes himself very seriously and has some interest in looking "polished" -- perhaps he even views himself above his peers for how he dresses. And, how might this visual extend to other aspects of him? Is he always someone who goes against the grain? Does he actually have an interest in men's wear, or is this a symbolic image for how he stands against his peers? I bet he has strong opinions on society. Did he buy the suit himself, or did his mom buy it, because one or the other also implies some stuff about the nature of their relationship, if his mother is supportive of his oddness or not, etc. etc. etc. A lot of stuff that you can find out, just from looking at one small aspect of a character! The same kind of process can spiral from anything - a character's actions, a character's thoughts, their beliefs, a line they say, a face they make, a hobby they have... all can be a good starting point for developing them further and figuring out more about them.
In a similar vein, I know that people recommend filling out character charts and stuff, but usually I find it more useful to think of a character in terms of a "scenario" or a "description" than in terms of their traits. "This character is smart" vs. "This characters complains to the teacher when the test has a question that isn't in the book" ; "This person is stubborn" vs. "This is the kind of person who'd rather starve than order food if they said they weren't hungry." Figuring out a character through something like this gives me a specific image of how they might act in a story as opposed to more broadly-described traits. Being as I tend to think up characters with story ideas and scenarios, it's much more helpful for me! "Ah, but how do you do this, Gert?" Easy: you stare at a wall for multiple hours until you have a revelation about a character. This is surely what everyone is capable of [nodding sagely]
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