#You send me a ask that i can vaguely make work with a character i wanna draw

[justatypicalwizard]

Katsuki doesn't believe in love at first sight

Katsuki never believed in love at first sight. How could someone meet eyes and feel as if a thunder ruptured down from the skies and struck them? To love someone means to accept every part of them and to be able to incorporate them into your everyday life. It means building a brand new everyday with that person.

In order to do so you need to know a lot about them. Who they are, what are their plans for the future, what is their character and so on. Then you need to see if you are compatible in many spheres. You need to invite them to your friends group to see if it’ll hit off, you should try living together, they need to get to know your parents.

There are simply so many things to check off the list in order to be able to say you love someone. Otherwise it’s just empty words. I love you here and there. I love you for a week. I love you when you do as I please. Bullshit.

Mina constantly pestered Katsuki that his definition of love feels more like a chore or a job interview than like something a human would be able to accomplish. It wasn’t his fault he had some standards everyone else seemed to lack.

So even now Katsuki doesn’t like to admit that he fell in love at first sight, because it wasn’t the first time when he looked at you.

A quiet ping of his phone tore him out of his work. A new message from someone he didn’t recognise. Without much thought he opened the text.

[Hi, you may not know me but we go to the same lecture on Wednesday at 1 PM. I heard you have neat notes and wanted to ask if it wouldn’t be a problem if you send me today’s ones. I  got sick and couldn’t come and I wouldn’t want to fall behind with the material. Thanks!]

Geez, was there a longer way to type it? Couldn’t you just write: can you give me notes? On the other hand he always complained about people being douchebags.

Clicking onto your profile Katsuki saw a cheesy photo and a few posts from your daily life and vacations. Nothing much to be honest. Yet, he could vaguely remember your face around the people who entered the lecture hall. It won’t hurt to help.

[Sure]

[File attached]

Pushing his phone to the far end of his desk he went back to work. A few minutes later there was another quiet ding and this time Katsuki felt irritation bubbling inside him. It was you once again.

[Thank you so much!]

[I owe you]

[If you ever need anything feel free to write]

Whatever.

It only took a week for Katsuki to be indeed looking for help from someone. Once in a while, during his hero training, he was forced to pair up with someone in order to work on his rescue skills. Usually they’d use dummies but some fucktard in the course planning team decided that it would be most helpful if the students could train with a real human.

Normally Katsuki would ask Mina. He’d swallow his pride and force himself to listen to her babbling for two hours. Just to get it done. Unfortunately, Mina dumped him today, leaving only a [sorry, not feeling well, find someone else]. Damned flu season.

Who was he supposed to ask now, Denki?

As he scrolled down his chats, your profile pic flew by making Katsuki halt.

If you ever need anything feel free to write.

Screw it, you said it yourself, might as well find a person already and move on with his day. He typed a quick explanation and pushed the send button. The day was nearing the afternoon when you responded.

[Sure, if it’s two hours I can make it. Send me when and where I should be]

He shrugged and gave you the address for today's training.

In the early evening Katsuki found himself trotting towards his usual fighting ground absentmindedly. He was thinking about something related to work at Miruko’s when the idea flew out of his head. You were there, he could see you from afar, walking in circles in front of the main door.

Were you an idiot? It was the middle of winter and the early evening cold tore through layers of warm coats to sink into your bones. Why weren’t you entering the building to warm up a bit.

That’s why Katsuki is so stubborn about the whole love at first sight thing. It certainly wasn’t that exact moment when his heart skipped a beat because of you. You were shivering, hiding your chin and red tinted cheeks deeper into the collar of your winter coat. When you spotted him you reached out a gloved hand and waved.

“What the fuck are you doing outside, get in there or you’ll catch another cold.” He persisted, ushering you towards the entrance.

“Wow, good evening to you too.” You looked at him from under your woollen hat, surprised to get yelled at first thing you see him. Though, you did hear the upcoming pro-hero Dynamite, who went to the same lecture as you, was rather intense. “I don’t know, this place just looks fancy. Didn’t want to stand inside like a dumbass not knowing where to go.”

“So you stood outside like a dumbass not knowing where to go.”

“Exactly.”

He let you in and showed you around. After leaving your coat and getting a warm tea (his idea), you were ready to help with his training. The support students and university staff running around asked you to take off any unnecessary piece of clothing such as jewellery or sweaters that could get in the way. You gladly went through with their instructions.

You b-lined another student, a senior support course, who showed you the place where you’d be waiting to be rescued. The spacious arena was moulded into the shape of a city. Some buildings were fine, others rundown as if a villain attack rolled over them. There were paveways and roads, streetlamps and plastic trees. You even spotted a car, though it didn’t look like it could take off anytime soon. 

“It will look the same over and over. You sit or lie down in the place where I leave you and wait for your hero.” Your guide briefed the rules. “And every time pick out a different scenario and tie the band in the place that is put on it.” He handed you a dozen of ribbons with small notes attached to them. The first one you grabbed read: broken arm (tie around elbow).

“Sure.” You nodded your head and he left you on the second floor of a wannabe office building. There were a few chairs scattered around and a table that had a weird bite mark on it. You obediently wrapped the band around your arm and sat down on the floor, waiting.

You wondered how it’ll be, to get fake rescued. You were never in such a situation, always watching the villains from the comfort of your TV rather than first hand. What was Dynamite’s quirk? Suddenly you felt stupid for not knowing. On the other hand, you were never up to date with new heroes and all the popularity polls or colourful magazines. Guess you’d just have to wait and see.

Katsuki didn’t leave you for long. You were counting the pieces of shattered glass beneath your feet when a series of explosions passed beside the building. The small pieces you were meticulously adding shook and you let out a squeak when something heavy hit the wall behind you.

“Shut up, it's me.” Craning your neck, you saw Dynamite’s face, upside down, looking at you. He was halfway through the window. “What have you got?”

“God, you scared me.” You chuckled but quickly shut your mouth. The guide asked you to play the best victim you can. Victims shouldn’t laugh.

Dynamite hopped in front of you and crouched to read the note attached to your elbow. He mumbled something in the lines of fucking scenario and looked you straight in the eye.

“I’m gonna get you out of here.”

There wasn’t anything dramatic going on, it was even quiet outside save for a few shouts here and there. Yet, there was just something in a bulked man looking at you and promising you protection, one secured by his own arms. You felt like the guy from the firefighters video.

You couldn’t stop the giggle at the thought.

“What the fuck are you laughing at?” Dynamite spat.

“Nothing, nothing.” You shook your hands in front of your still laughing face. “Oh shit, this one’s supposed to be broken. Okay, just save me already.” You really fought with the snicker but the cheesiness and awkwardness of the whole situation had you in a chokehold.

“Whatever.” The hero sighed, visibly annoyed, and scooped you into his hands like a sack of potatoes. “I’ll need you to wrap your legs around me. Push the broken arm into my chest and use your healthy one to hold onto me.”

You did as instructed and glued yourself to him as tight as you could. He still held you with one of his arms and just when you started to wonder how the two of you would get down from the second floor he jumped out of the window.

A scream escaped your lips but it was muffled by a loud explosion.

For the next two hours you flew through the air in Dynamite’s hands over and over again. He held you in different ways, depending on your supposed injury, but every time you landed into the safe zone, you realised you were the first or nearly the first. That guy was quick like hell.

The last scenario rolled over and it was a panic attack. You were supposed to be physically fine but otherwise unresponsive and difficult to work with due to your shock. Dynamite tried to take extra steps to calm you down, speaking about how he’ll take you to safety and how it will all be over in a second. It looked like he was having a hard time.

“I need to touch you to take you somewhere safe.” He said, wrapping one of his hands around you.

When you were both at the safe zone, with cardboard paramedics to take care of you, Dynamite did something different. Instead of leaving you in the place where the group of injured would grow, he carried you straight to the ambulance.

“She has a panic attack.” He said to the empty fake vehicle and you just couldn’t take any more of it. You erupted in a fit of laughter. Your body shook in his hands and you gripped the X on his uniform to steady yourself. “What the fuck?”

“I’m sorry, I’m sorry!” You tried to explain but the laughter squeezed your throat. “I’m a shitty actor.”

“I see that.” Dynamite grumbled.

“Do you really need to talk to cardboard people and empty vehicles for two hours every week?” You asked, wiping a tear from your cheek.

“Is it really that fucking funny?”

“No, no! I get it.” You finally calmed down, letting go of the front of his costume. “It’s not that funny, maybe a bit but not that much. I think I’m just in a good mood.” You shrug your shoulders. “It was fun, flying with you, like a free rollercoaster ride.” You gave him a big, big smile. A big genuine smile. A big, genuine, lovely smile, with your eyes closed and teeth out and cheeks tinted pink.

People are stupid. That’s what Katsuki thinks. It’s not love at first sight. It’s love because of a single sight.

Even though Katsuki came to some fundamental conclusions in the topic of love he would get all defensive and intense when he was asked about how the two of you met. It would sound way better if he could say the two of you met, then started to talk more, then went on a date and agreed to meet each other and so on. He just felt so stupid, so awkward and silly when he had to admit that all it took for you was a single smile to make his heart skip a beat.

The worst part? It felt a little pathetic honestly, as if people never smiled at him, but truthly they didn’t, not like that. Not like you.

Katsuki still doesn’t believe in love at first sight. Yet, every other piece of his meticulously calculated equation of love was torn down and rewritten, all of which he gladly took.

[oifaaa]

"I wouldn't do this to my worst enemy" I would.

You guys really do hand me these at times

[luveline]

grumpy hotch x pregnant reader where he is just having an off day and the team calls reader in to deal with him and as soon she arrives in his office he just holds her and her belly as she scratches his scalp omg 🥹😭🫶🏻

You’re lounging in your husband's favourite chair with a book and an ice cold soda in your hand when your phone rings. You almost knock your tooth out pulling it up to your face without looking, wanting it to be Aaron, knowing it probably won’t be. Maternity leave can be excruciatingly boring. 

“Hello?” you ask. Your book slides down your bump. You pull it back up. 

“Hi, mom.”  

You grin to yourself. “Hi, Emily. Please tell me you’re calling because you miss me and you know I have cabin fever.” 

“I’m calling because someone misses you.” Her ire tone is unmissable and ever endearing. “I do miss you, I can’t wait for you to have your stinking baby and come back to work.” 

“That would be fun, right? We’ll get Hotch on paternity leave.” 

“It’s him I’m calling about.” 

“Is he okay?” you ask. You know if he were injured she would’ve mentioned that first. You’re not so scared of his being grumpy. 

“Moody as ever. I can’t believe I’m asking you to, but would you consider coming in for lunch? I’ll send a car, no walking, but he could really use it. He’s been biting off heads all morning.” Emily laughs down the line. “You’re the only one who can cheer him up.” 

It’s not true, but you are usually the quickest. You bid Emily goodbye with a promise to be there soon and get dressed, with no choice but to wear some maternity pants and a peplum blouse. Any excuse to see your haggard husband is one you’ll take. 

You look at your bump and you love the baby in there, but it feels weird sometimes to see yourself differently. If Aaron weren’t as nice about it as he is, you would’ve broken down by now; he’s sussed many breakdowns before they could begin, kissed fingertips and collars promising you’re just as pretty as always. And it’s reassuring, but it isn’t pretty that worries you. You’re a genuine walking beach ball right now. 

The car Emily promises is none other than Anderson himself. “He’s bullying you?” you ask him. 

He doesn’t say yes or no, but his smile is enough of a clue. You can’t get to the BAU quick enough (though you’re slower these days), pushing open the glass door with a tired sign. 

Spencer comes across you first by coincidence. “Hey!” he says, ushering you in for a hug, his cup of coffee hot behind your shoulder. “What are you doing here? You’re supposed to be resting.” 

“He’s in a mood,” you say. Not without fondness. 

Spencer grimaces. “Sort of.” 

Emily attacks you from the side. “Thank god you’re here! I think he just told Morgan to go fuck himself,” she says under her breath. 

She’s just saying it to make you laugh, and it works. It’s vaguely out of character, but if you know Emily, you know she has a crass, often dirty-minded side, and it’s been a while since you’ve heard her swear. You’re still giggling when the door you’d been making your way to opens. 

Aaron emerges with an expression half bemusement and half confusion. “Honey?” 

“My love,” you say, too quiet for him to properly hear, but he can read lips just fine. 

He rushes in a very gentlemanly display down the steps to help you up them, but you’d only been going up them to see him, and you stop at the foot of them with your hand raised to his elbow. “Hey, handsome.” 

“What’s wrong?” he asks. 

“Nothing. Just missed you, wanted to have dinner, and I figured you couldn’t say no. You know.” You touch your tummy. “Considering.” 

He peers suspiciously past your head. “Yeah?” 

You look where he’s looking, find Emily and Spencer not so subtly turned away. You laugh again, pleased when the sound makes him smile. “Come on. Take me to your office.” 

He puts a hand behind your shoulders and leads you upstairs to his office. There are papers strewn haphazard across the front of the desk, his briefcase open and muddled, his pen lost within the mess. You’re smug knowing he’d been knee deep in paperwork but abandoned it all when he heard you laughing, like he just couldn’t miss it. 

“Let me sit you down,” he says. 

“Woah, slow your roll. Why are you stressed?” 

He blinks at you. “There’s a lot to do?” 

“Sure, but why are you stressed about me? I can sit down by myself.” 

He must look at you for five whole seconds without saying a word, and the door’s not closed, there’s no answer to your question, and then he takes you into his arms for a hug. “I know you can,” he says. 

It’s admittedly hard to hug him with the bump between you. You worry you’re hurting him as your cheeks press together, crushing his shoulders under your hands. 

He usually asks first, but he knows by now that you’re two halves of the same heart, two sides of the same coin, his hand slipping between you both to nudge aside your shirt and feel your stomach. 

You close your eyes. 

“Rough day?” you ask. 

“A lot to do…” His face moves down into your neck. 

You know what he wants, moving your hand to the back of his head to thread your fingers into his hair. “I can fix it,” you say sympathetically, beginning a gentle scratch of your nails against his scalp. 

“How’s that?” 

“If I go into labour right now, you get a reprieve.” 

“Honey, in the most loving sense possible, you going into labour now would not be ideal.” 

“It’s gonna happen one day, babe. And you’re gonna be just as busy then. You need to take less on or–”

“No, I know.” 

His hand slides still under your shirt to your hip, encouraging you away from him, his eyes flitting up and down your figure, checking you over. You let your hand fall to his shoulder, fingertips interested in the starchy fabric of a new suit. 

“Thank you,” he says quietly, dipping down to give you a kiss. His eyes are dark, so close. “That helped. What can I get you for dinner?” 

You give a fond, pitying smile. You’re not gonna get him out of this office today, that’s for sure. “Half your sandwich, probably.” 

He kisses you again. You take it for a thank you. 

[taylor-titmouse]

hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

[prettyflyforawhitelie]

Hi I love your work so far, do you think you could do headcannons for all the different characters of the main Hazbin Hotel cast when their lover comes to them injured? Like how they would treat you and then how they would deal with the person who harmed you. I would love to see this ahhhh 😫

Ahh of course! I love this, thanks for the request! I hope you like it!

Trope: Hazbin Hotel x Injured!reader

Characters: Alastor, Charlie, Vaggie, Angeldust, Husk, Sir Pentious, Lucifer

Warnings: Physical violence, mention of death, injured reader, blood.

author's note: hey guys! this is my first time doing one of these, and I'm still getting better, so forgive me if its a bit shabby. If you have any requests, feel free to send them in! I'm in a creative buzz rn lol. Enjoy!

🦌📻Alastor📻🦌:

The day that your attacker decides to hurt you is the day that they decide to die. Messing with the Radio Demon’s plaything is about the last thing you want to do. 

Alastor often sent his shadows to follow you into town when he couldnt be with you, so the second you were attacked, Alastor could sense that something was wrong. 

By the time his shadows had carried you back to the hotel, your attacker had already escaped, but luckily, his shadows saw everything.

When he rushed down to see you, he seemed rather indifferent at first. He carried you up to his room, immediately conjuring several healing ointments to heal you quickly.

He laid you in his bed, in which you almost immediately fell asleep.

He hears the whispers of his shadows, and gains all of the information he needs out of them. 

With a single snap of his finger, the issue was taken care of. Rumor has it that the screams of your attackers' seemingly “random” death could be heard about 3 rings down. 

While waiting for you to wake, Alastor conjures two steaming bowls of his mother’s jambalaya. Placing one on the side table next to you, he sits down next to your sleeping body and lightly grazes your head, singing soothing songs until you wake up.  

😈🗝️Charlie🗝️😈:

Would of course be so very angry at whoever did this, but her first priority would be healing you up and making sure that you’re absolutely 100% okay and comfortable. 

Would set you up in her bed and assure that you have anything at all that would make you feel more comfortable. Tea? Yup. Ice pack? Already got it. Cuddles? Of course!

Would definitely let you cuddle with Razzle and Dazzle for as long as you needed.

She would try her best to talk to you and figure out what happened - to figure out who did this to you.

As you told her, she seemed surprisingly… calm? She simply thanked you for telling her and left the room. 

Though Charlie doesn't seem like a particularly violent person… She can get protective over the people she loves. So, let's just say she got that issue taken care of real quick. How stupid to mess with the Morningstar family. 

🪽⚔️Vaggie⚔️🪽:

Anybody in her vicinity needs to watch out when she hears that her love is hurt. 

Like, seriously, heads will roll. But not before she checks on you to evaluate how badly she needs to fuck up the person who did this to you. 

When she sees you, bruised and bloody, she can't help but hold you so tight and cry, scolding you for getting yourself into a bad situation without her there to protect you.

Vaggie knows what it feels like to be beaten and dumped on the side of the street like garbage. She could never forgive herself if she allowed that to happen to anybody else, let alone the genuine love of her life. 

When she asks for the person who did this, you can only give her a vague description. That’s alright though, she will use her former exterminator skills to scan all of Hell and find the person who dared to do this to you. She will not leave this alone until she serves you justice. 

🕷️💖Angeldust💖🕷️:

Coming home from the studio to find you in his room, crying and bruised, he immediately drops whatever he’s doing and comforts you in the biggest hug ever. 

Angel has plenty of experience with being abused and left to fend for himself, so he doesn't immediately resort to asking questions. No, that’s not what you need right now. You just need to know that you’re loved, beautiful, and that this does nothing to affect your worth or value as a person.

He carries you from the floor to his bed, covering you in blankets and laying next to you with Fat Nuggets. 

“It’s okay baby. You can cry, it's okay.” he whispers as you sob into his chest.

He allows you to initiate the conversation of what happened, not wanting to push you past your limits. 

Once he finds out what happened, he knows what he has to do. He waits until you fall asleep, and heads down to the club where your attacker happens to frequent. For once, being a famous pornstar will actually serve in his favor. He tempts your attacker to follow him, and immediately beats him to an absolute pulp. 

He allows the person to live, saying “I am only letting you live so you can know how it feels. You ever try this shit again, and I will find you. Except that time, you wont leave here looking so… whole.”

♥️♦️Husk♦️♥️:

Husk is used to all the residents of the hotel bitching and moaning to him about all of their issues. With Charlie coming to him and oftentimes crying about the many failures of the hotel, tears were no foreign sight to him.

But coming from the kitchen to the bar and seeing you there, looking an absolute mess, was different. 

“What the-What the fuck happened?” he yells. When you flinch, he knows that something happened.

When you explain to him what happened, he immediately needs a description of the attacker. He takes possibly the largest shot you've ever seen and storms out of the hotel.

He wishes that he could do more to protect you. Back when he was an overlord, he had power beyond anybody's imagination. He could've snapped a finger and your attacker would simply disintegrate (but not before he tortured him a bit first). But now that Alastor owned his soul, his powers were limited. 

You know what wasn't limited on husk, though? His pure physical strength.  

He immediately finds the guy walking on the street adjacent to the hotel (dumb, right?) and absolutely obliterates him. 

As the attacker is begging for his life, he just keeps hitting, blind with rage and love for you.

When he wants back into the hotel bloody and exasperated, he sits in the stool next to you and wraps you with one of his wings. 

“It’s all okay now. I’m here” he says as you lean on his shoulder, so ready to go to bed. 

🐍⚙️Sir Pentious⚙️🐍:

Sir Pentious always loved coming to your room to show you his many zany inventions. Normally you welcome him in with open arms, a sweet smile on your face, but today was different.

When he knocked on your door, he was met with absolute silence, which isn't normal for you. When he listened a bit closer, though, he could hear your small sniffles. He trusted his gut and slowly opened the door, fully ready to be denied entry.

Instead, you looked at him shyly, turning away and crying. He could've sworn that he saw a… black eye?

He took this opportunity to come and sit next to you on your floor, placing his arm around you and letting you lean your head on his shoulder. 

When he noticed that you were calming down a bit, he asked you what was wrong.

You explained that while you were engaged in a turf war, some ruffian beat you up, and badly. The girl you had momentarily teamed up with had left you behind, and you were left to trek back to the hotel on your own, barely able to walk. 

You could see something change in his eyes. 

He curled his tail around you, his cool skin calming your nerves. He assured you that he was here now, and nothing like this would ever happen to you again. He then swiftly called his egg bois to entertain and comfort you while he prepared his airship. The idiot that did this to you was going to pay, and not just in turf.

😈🐣Lucifer🐣😈:

Bursting into Lucifer’s room, the only thing you could mutter is “Help” as you fell into his arms. 

He frantically carried you to a chair and tried to assess your injuries. Man, someone fucked you up, and badly. Too bad he would kill them before they could brag about their success. 

He rushed to find ANYTHING that could help you. Bandages, ice, your favorite food, a rubber duck, ANYTHING. 

When he finds you absolutely passed out asleep in the chair, he gently moves you to his bed and tries his best not to stir you. 

As he sits watching you, thinking of your beautiful smile (and how he’ll brutally kill the person who did this to you), he observes your features with great detail. 

When you wake up, you smile. Lucifer must have gone, but sitting on your table is a bowl of soup and… is that a rubber duck that looks like you?

[ackermans-angel]

BROTHER'S BEST FRIEND!GOJO SATORU | FIC RECS

A/N: Been obsessed with the Brother's Best Friend trope recently, specifically regarding Satoru, and I really wanted to share my favorite fics created by the amazing writers listed below. ALSO I wanted to do this because I haven't made one of these recommendation lists in awhile, and I love to do them number one to help promote the writers I love, and number two because when I find a trope I love with a character I wish I had a list like this to just find fics instantly LMAOOO. PLEASE feel free to recommend me your favorite brother's best friend fics if you know anymore and FEEL FREE to send me an ask at anytime if you're searching for fics of a certain trope I'd be happy to make more lists. Now enough of my yapping, I got ahead of myself and I'm posting this now but I'll update as I find more fics.

WARNING: I WON’T BE MORE CLEAR ON THIS! If you proceed to these accounts make sure to look at the rules and warnings. please respect the account owner, as most of them don’t want people under 18 on them. ALWAYS READ WARNINGS ON FICS TO INSURE YOU ARE RESPECTING THE WRITERS GUIDELINES!!!

One more thing! IF YOU LIKE A FIC PLEASE REBLOG NO MATTER THE ACCOUNT! The easiest way to show a creator you care and that their work is being appreciated is to reblog reblog reblog! They spend hours of their time creating work FOR US. The least we can do is REBLOG!

accounts under the cut. (last updated January 4th, 2024.)

IF IT’S ONLY A TOUCH…AITA? by @tteokdoroki This one is so good and the most recent one I read. It's the perfect amount of angst and smut. It does have some descriptions of the reader having braids, darker skin, and brown eyes so if you don't like when it's not vague about how the reader looks then this is probably not for you. However, those descriptions do not match me at all and I didn't have a problem while reading at all. I think you should definitely give it a read if you like the brother best friend trope!

BROTHER'S BEST FRIEND by @cptnleviackerman This one was so good for it only having so few notes. definitely go hype this one up because it deserves it. Read the tags before you continue on though because some of the themes could be triggering! Other then that this one was super good.

HOW LONG DOES IT TAKE TO FUCK YOUR BROTHER'S BEST FRIEND? (FOUR WHOLE DAYS) by @saetoru SOOO GOOD. I love this fic so please go check this one out!

CRYBABY. by @ieirism AHHHH I FORGOT ABOUT THIS ONE. This one was soooooo goood. It is really fluffy and has so much sweet satoru. love love love.

TELL ME YOU DON'T WANT ME by @awearywritersworld I completely forgot about this one but from what I can remember it was really sweet. All angst and fluff and omg their dynamic after sugurus death is just so sweet.

YOUNGER BROTHER'S BEST FRIEND GOJO by @satocidal this is just a little drabble but the smut>>>>> that's all I have to say. go read!!

[mangostarjam]

knot happening (part one) — bnha, alpha!bakugou katsuki x f!reader, aged up characters, established relationship, a/b/o dynamics, use of "brat" and "pipsqueak" as pet names, smut in the second part (coming soon), omegaverse!au for the spring fever collab run by @lorelune ! 1.2k words

your new company has some... interesting policies for employee heat cycles. you do your best to find a loophole.

"I can't do it."

"The hell d'ya mean, you can't do it?"

You give your Pro Hero boyfriend and resident alpha A Look. Bakugou Katsuki has the grace to shut his mouth, but he rolls his eyes and drapes a heavy arm over your shoulders, yanking you into him on the faded yellow couch you picked out together years ago.

"This is my first heat at this new job, and it's just... embarrassing. Do you know what they do, Katsuki?"

He raises a sharp blonde eyebrow in invitation.

"They..." your voice drops with horror, "they announce it to the whole company."

"Hah?" Katsuki sits up a little, strong thighs flexing beneath his gym shorts. He came in on the tail end of your mental breakdown, finding you pacing in the living room of your apartment with your hands tugging incessantly on your borrowed shirt. "What the fuck?"

"I know," you wail, "it's ridiculous! The president sends out a company wide email explaining your absence, and the HR team sends you a care basket, and the Sales team sets up a pre-heat drinking party! Do you know what's in the care basket, Katsuki?"

"Do I wanna know?"

"It's filled with sex toys, babe! SEX TOYS! From my company! They're branded!"

A spark lights up in Katsuki's otherwise vaguely concerned expression. "Don't they know you're mated?"

"Yes, of course, that was in my file," you wave him off, still seeing horror images of company branded sex toys floating in your mental vision. "I heard from Sasaki in Accounting that the toys are for when your mate needs a break. Y'know, from fucking."

Katsuki's derisive snort is loud and breaks you out of your personal hellhole. "What kinda fuckin' alpha needs a break when their mate needs 'em?"

"Well, not every alpha is a big strong Pro Hero like you," you point out, poking him on one annoyingly firm bicep. The familiar scent of caramel and smoke fills your nose. "And actually, maybe I should ask if they've got any onaholes for when you're the one in heat. Last time I needed another two days to recover."

"Hah?! There's no fucking way I'll use one of those!"

You peer up at your boyfriend reproachfully. "I like being able to walk, Katsuki."

"You don't need to fuckin' walk if I'm carryin' you everywhere, brat."

"Hmm, we'll see," you say. Katsuki's red eyes flash as you tap your bottom lip with your finger thoughtfully. "There's gotta be a way for me to take a week off work without telling them I'm going into heat."

"There's no way you'll be able to avoid it," Katsuki rumbles, leaning forward to catch your finger with his teeth. He nips at it lightly before leaning down more to capture your lips in a sweet kiss. That, more than anything, finally makes your anxiety simmer down. "You always smell so fucking good before it starts. Everyone's gonna notice."

"You're the only one who can do anything about it, though, so you'll have to keep it in your pants or quit picking me up after work."

"Not happening," Katsuki presses another kiss along your hairline and noses into the strands, sniffing deeply. It tickles, and you laugh, trying halfheartedly to shove him off of you. "What else do they give in these care packages?"

"Actually, besides the super cursed sex toys, they include really good snacks and electrolyte drinks to keep your energy up," you say, "and I'm really glad my company is so open about it all, but it's just so embarrassing!"

Katsuki hums, letting you vent out your worries. You look really pretty like this, dressed in one of his shirts and a pair of pajama shorts, some soft cotton thing that barely covers your perfect ass. He pulls your legs onto his lap and you flop backwards on the couch, moving on from your minor breakdown to sharing a funny story that happened to one of your new coworkers the other day. He had missed hearing about it then, stuck on overtime for a patrol, so he basks in your attention now as the two of you laze around on the couch.

The afternoon passes into evening. It's a rare lazy Monday together — your new job lets you have three day weekends in exchange for slightly longer work days, and Katsuki's patrol schedule happened to line up this week. You're digging into a pint of ice cream after polishing off a plate of his delicious (but spicy) curry and rice when it comes up again.

"What're you gonna do about your heat?"

"Well, I was thinking," you slide your spoon into the thick cream and wave it at him, "I'll still need to use my authorized heat cycle time off, since I want to save my vacation and comp time for real uses, so there's no avoiding the company finding out..."

Katsuki raises an eyebrow and accepts the spoonful of ice cream you're dangling in his face. His tongue pokes out to chase a bit of cream lingering on the edge of his lip and he grins, sharp, at the way your eyes track the movement. "But...?"

You have a feeling Katsuki hasn't fully thought through the horrors of corporate sponsored pleasure items, but you have, and the thought of everyone at your new company knowing you'll be getting fucked within an inch of your life makes you want to shrivel up and die. All companies have policies in place to protect time off for heat cycles, as society couldn't function otherwise, but this is the first place you've worked where impending heat cycles are declared company-wide. Normally it's just marked as time off.

"But they don't have to find out until after it starts, right? So as long as I can get through the pre-heat stuff without anyone noticing, I can avoid the cursed care package and company-wide email!"

"Ain't happening," Katsuki says flatly.

"We've been mated for sooo long now, babe," your gaze flicks up to meet his and you pout. Your boyfriend outright snorts when you start batting your eyelashes at him. "Surely you can resist the pre-heat symptoms this one time? I swear I'll get over my company's shenanigans once I see it happen to a few other people. It's really great how supportive they are, but I need some time, that's all."

"Your heat is in like. Two weeks," Katsuki says.

You pout up at him some more.

"During your last heat cycle we broke the mattress frame when I missed your first few pre-heat days."

"Yeah, but that was because you had that mission that went long," you say. If you could just... convince him... "C'mon, babe, this will be different! You're such a strong, powerful alpha — resisting me will be a piece of cake! Unless..." you pause and scoop another bite of ice cream into your mouth, "you're too weak to resist me."

"Are you callin' me weak?" Katsuki narrows his eyes. You wave your spoon casually and shrug.

"I mean... all you've gotta do is ignore my pre-heat. I'm just an itty bitty omega..."

Getting into a staring match with Pro Hero Dynamight is not on anyone's Top Ten Good Ideas list, but you match your boyfriend's red glare steadily.

"Alright, pipsqueak, you're on," Katsuki scoffs. "We'll see who's beggin' for who by the time your heat rolls around."

part two

[deunmiu-dessie]

Wait, how do you break character ai's filter? I've been wanting to smash it with a hammer for so long

♡♡𝆬🍠 nonnie, y'know- i'm glad you asked. i first learned from my best friend of...well my whole life-- they sent me a few pictures of words to use, so i'll put that at the end. the words just below are some of the words i use. i'll also leave a few ai characters i'm talking to right now, that i've easily broken the filter with.

my advice? be very vague, let the ai do the dirty work if you're going the submissive route- however if you're more dominant, it's better if you do most of the work.. though i have noticed that on certain characters, the filter seems to be very like...gone? i once had a threesome and like, the filter only popped up once-- i was in shock. i've also noticed that when i do break the filter, it's easier at like 4-6AM, it's rarely ever popped up during that time.

replace common words with more ambiguous words.

pussy -- sensitive place, mound, folds, panties, slick heat, sensitive flesh, etc clit -- bundle of nerves, nub, etc (sometimes i still just use clit.) breasts -- chest, breasts (sometimes you can get away with it, sometimes no) nipple -- areola, peaks, etc (can get rlly percise, so i avoid it most times.) cock -- bulge, hardness, sensitive part, length, thickness. [ i've also used, 'sticky tip' or 'sensitive tip' if giving a blowjob or grinding. and some of the women have used 'princess parts' as well. ]

here are some examples! all mine of course!

let's focus on words i use to describe how my character is feeling. i'll just go through my chats and pick them out and make a small list.

1. "trembling thighs." "quivering thighs." "shaking thighs." 2. "wobbly knees." "knees buckled." 3. "mewling." "cried out." "keened softly." "sobbed." "squealed out." "she whined." 4. "eyes rolled back." "eyes flutter shut." "eyes clench shut." 5. "back arches." "back bows softly." 6. "body quivers." "tremors wrack her body." 7. "toes curl." "fingers grip the sheets." "hands pull his/ her hair." 8. "she comes undone around him." "reaches her climax." "falls over the edge." 9. "body clenches tightly around him." "her walls squeeze tight." 10. "rolls her hips." "grinds her hips." "hips buck involuntarily." "hips jolt." "hips stutter softly."

don't be afraid or thrown when the filter does pop up, it's not the end of the world and it's not like you're gonna be reported or anything. you can rewrite your response ( if it pops up when you send something ) or you can just refresh to get another response. better yet, you don't have to respond to everything they send- just hit enter and they'll continue for you. (the first two are an example, i'm just joking around for this post-- don't type what i just said lol)

also don't just go in willy-nilly, make sure you have a plot; it shouldn't be immediate smut; that's crazy. build the world, give your character a personality, tease a little here and there to wear down the filter (nothing crazy), and slowly add more and more. you have all the time in the world, there are no ads, no time limits, no waiting--- enjoy it.

here are some other words you can use to try and bypass the filter as well! thanks to my bestie for sending me these when i just downloaded character ai.

alright...bai! ૮₍´˶• . • ⑅ ₎ა ₊˚⊹♡🫧— 𝒹𝑒𝓈𝓈𝒾𝑒

[airas-story]

Wrong Number (The Right Person)

“Hello,” Stephen said, half asleep as he answered his phone. He squinted at the clock. 4.19.

Who the hell was calling at four in the morning?

“Bruce. I figured it out,” the words on the other side of the phone were rushed, eager. “The serum is supposed to rebuild on a cellular level. I just—“

“Who the hell is this?” Stephen asked, annoyed. “Because I’m not Bruce.”

The voice cut off. “You’re not���“ A quiet curse and a distant, “JARVIS!” echoed over the line, before a faint click indicated the end of the call.

Stephen blinked tiredly as he tried to figure out what had just happened. He shoved his phone away; he’d deal with that tomorrow. Or later today.

Whatever.

Stephen eyed the number on his cell. He had the vague memory of someone calling and waking him up. Which normally didn’t necessitate anything from Stephen as long as they only did it once. But he had the faintest recollection of the words ‘serum’, ‘rebuild’ and ‘cellular level’ which… all right, Stephen would be lying if he said he wasn’t curious.

He called the number.

It rang for a moment before someone was answering. “Who are you and how did you get this number?”

Stephen arched an eyebrow. “You called me, that’s how I got this number,” he said. “As for who I am, this is Doctor Stephen Strange.”

“I called—” the man on the other side of the phone spluttered. “I did not call—” He cut off. The next words were distant as though someone was covering the speakers. “I did? Really?” A pause. “And you didn’t stop me?” A moment of silence, then the person was back. “So, apparently I called you. It looks like I do not have Bruce’s number memorized the way I thought I did.”

“Clearly,” Stephen said dryly.

“Right, great, so…” the man on the other end of the line paused. “Wait, why are you calling? Did you call to make me apologize? Because that’s a waste of your time. I’ve got to say, apologies aren’t my strong suit.”

Now that the man mentioned it, an apology really would be a good place to start. Stephen hadn’t been planning on asking for one, but he had to admit that, now that he’d been denied one, he was rather peeved with the notion.

“The ability to apologize shows good character,” he said. He took a moment to be grateful that Christine wasn’t around to hear him say those words. She would never let him live it down.

The man scoffed. “What makes you think I care about having ‘good character’? But if that’s why you were calling, I’m going to—”

“Wait,” Stephen interrupted before the man could hang up. “You said something about a serum last night. You also mentioned rebuilding on a cellular level.”

“Okay, hanging up—”

“I work in nerve regeneration,” Stephen interrupted again. “It’s a special focus of mine.”

There was no immediate answer, but the phone wasn’t hung up, either, so Stephen took that as a win. “Whatever you're working on sounds… well, impossible, but like it will change the world of medicine. I want to be involved.”

The silence lingered a moment longer.

“Doctor Stephen Strange, you said?” the man asked.

“Yes.”

“Columbia. Top of your class. Got your MD and your PhD at the same time. Considered one of the top neurosurgeons in the field at the moment despite the fact that you only recently finished your residency.” The man let out a low whistle. “Got to say, you look good on paper.”

Stephen didn’t ask where he’d gotten that information. “That doesn’t come close to what I’m capable of,” Stephen said.

The man hummed. “You know what, why not. I’m going to send over an NDA. If you want in, you sign it.”

“Done,” Stephen said quickly. He’d read it through, of course, but this was rebuilding on the cellular level. That was the sort of research that he wanted to be involved in. 

The man laughed, but he sounded almost confused, as though he wasn’t quite sure how they’d gotten here. “All right. Well then, I’ll get that NDA to you. Once you sign it you can come to my lab and we can talk.”

“Where’s your lab?”

The man paused. “Right, I guess we never covered that part. Stark Tower.”

Stephen had once heard that SI had a tendency to hire the best in their fields. That was a promising sign for his future collaborator. “Do I get a name to go with that?” Stephen asked. “If I’m asking the receptionist—”

He got a second laugh at that. “Tony,” the man said after a moment. “Tony Stark.”

Stephen froze. Wait, what?

The man—Tony Stark—let out another laugh, as though he knew just how Stephen had reacted. “I’ll see you in a few days, Doctor Strange. I look forward to working with you.” The phone clicked with the end of the call. Tony Stark had just hung up on him, but Stephen could only spare that fact the slightest bit of his attention.

Tony Stark.

Well, this was sure to be interesting.

[darkficsyouneveraskedfor]

A Hold On You 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, bullying, depression, controlling and abusive behaviour, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: you try to look on the bright side of life but a man comes along to blot out the sun.

Characters: Bucky Barnes

Note: Thank you all for feeding into this.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

It’s a nice day to get out. One of the last sunny days of autumn. You can smell the soil and leaves and hear the call of pumpkin spice. Maybe on your way back. 

You can’t spend another day inside. Not after the week you’ve had. Besides, once the winter hits, you’ll have more than enough reason not to go past your front door. You’re going to make the most of your day off. More so, you’re going to keep your mind busy so it doesn’t fall back into the pit. 

It feels good to move around. Between hunching at your cubicle desk and squinting over your dining room table, that crick in your neck needs to be ironed out. You have to remind yourself to stand up straight as the muscles tug between your shoulder blades. 

You stop and turn to face the record shop. As you do, you’re nearly bowled over by another pedestrian. You hadn’t realised they were so close behind you. You back up and apologise but the man doesn’t even look at you as he veers toward the front door. The bell jingle as he enters with a huff, the back of his dark jacket a vague splotch in your vision. 

Oop. You’re in the way. Again. You do your best not to do that. You never want to stir the waters or be a bump in the road but somehow you always find a way to do that. No good comes from wallowing in it. As stressful as it can be to brave the public and its unpredictability, a smile keeps you from falling apart. 

You approach the shop and swing open the door. Oof, it’s much heavier than that man made it look. You greet the associate behind the counter with a beaming morning and ‘hello?’ He asks how you are and you give the easy answer; ‘good, how are you?’ He responds with the same empty courtesy. 

You look around the covers and the little signs that delineate every genre. Before you can get into all that, you need the most important piece of all. A record player. For as long as you’ve been waiting to set foot in the shop, you’ve been saving up for the player. 

You near the table stacked with varying shades of suitcase players. You read up on each brand and style. It will be best to tuck away when you’re not using it. Your small apartment is already too cluttered. 

You pick a lilac player with little white roses stamped over the cover. It’s on sale. A sign above proclaims that you can get twenty percent off three or more records when you by a player. Well, how about that? It isn’t all doom and gloom. 

You hug the player under your arm and near the shelves mounted to the walls. You peruse the titles intently. Something new? Something you know? You definitely don’t want to get just one genre.  

As you sidle along, the corner of the box knocks against something. You look back and another ‘sorry’ bubbles from your lips. It’s that man again. He’s browsing the end cap behind you and growls at your apology. You stare at him for a moment, he seems at home in a place like this. 

“Um, excuse me, sir,” you say, “do you have any recommendations?” 

He grumbles and puts the album back in its slot. He looks over his shoulder with detest curled into his lip. The stone chiseled into his jaw makes you gulp. 

“What?” He scowls. 

“Sorry, I didn’t... I was only... curious. Have a good day, sir.” 

“Good? What’s good about it?” He hisses. You wince and move to the next section. Not far enough as he sighs, “you know, you wouldn’t like my taste anyway. Stick to your girly pop.” 

You resist a frown. You’re not going to let someone like that bring you down. You can tell that he looks for the worst in everything and everyone. You wouldn’t judge someone by their appearance but his demeanour says as much as his words. You won’t add to his cynicism but bothering him further. 

You pick out an Etta James album that you recognise. Your grandmother had the same one. You think your mother snatched it up after she passed. You didn’t get much from the inheritance. As it is, you’d rather have your grandma back. Someone to talk to. 

You move on to the rock section. There’s hair metal and classic rock and grunge and all sorts. You’re not unfamiliar with the genre but you don’t want to be too obvious.  

A scuff startles you and you glance over at the man in the dark jacket. He seems familiar. His short brown hair, his stubbly jaw, and his intensity trigger something in your head. You definitely don’t know him. Everyone you know is too busy for you. 

“Probably don’t even know how to use the damn thing,” he snips under his breath as he gets closer. 

You realise he’s talking about you. It’s no good arguing. You’ve met his kind before. Back when your friends had the time of day for you, you met that type at their parties. You avoided them. 

You leave the aisle. You don’t want to be in his way, though it seems no matter what you do, you are. You find yourself exactly where he predicted. Well, who cares? It’s all a matter of brain chemistry, right? You don’t get to choose what you like, you just like it. It makes your brain happy and heaven knows you need more of that. 

You pick out another favourite then head over to new release. You’ve never heard Sabrina Carpenter. You’ll give it a try. 

You approach the counter and as you do, another sigh storms through the shop. The man’s behind you. Oh no, had you cut him off? 

“You want to go ahead of me?” You ask as you keep your haul in your arms. 

He rolls his eyes and crosses his arms, a single record in his hand; The Boswell Sisters. You’ve never heard of them but it really doesn’t look like heavy metal. You turn back to the cashier and smile, “hello, um, this is it.” 

You put your things up as the man returns your smile. He asks if you want a bag and you say, ‘yes, please’. Things might not be perfect but it doesn’t mean you can’t try to make them better. And if a smile and manners can brighten someone else’s day, that alone makes yours a little sunnier. 

🪢

The box for the player has a little plastic handle. You’re happy for that as it makes your journey to cafe a little easier. You stand in line with your paper bag and bulky box and move along until it’s your turn. You order the pumpkin spice but think better of double up with the pumpkin cream muffin; you instead opt for the apple cinnamon with the chunks you can see through the top. 

Patiently, you stand by the wall until your order comes up. You crinkle around the other customers and claim it, balancing it all delicately toward an empty table. You tuck the box underneath and lean the bag against it. 

You tear apart the muffin, dividing the bottom from the top. You peel back the liner and eat the former first, pinching morsels between your fingers. You don’t know why you do it that way, you just always have.  

You taste the pumpkin spice. It’s good. Not too spicy at all. It tastes like real pumpkin. Considering the place is local, it might very well be. You pop the lid off to reveal the mostly melted cream and have another sip. 

You wipe the dairy mustache from your upper lip with a napkin and your eyes flick up to meet another pair. Not far from you, that man stands with his hands in his pockets. He’s waiting by the order window for his own delight. Well, that’s great. Maybe it will cheer him up. 

He glowers until you look through the window. Or not. The baristas call out a black coffee as you chew on the brim of the paper cup. You stare out into New York traffic and feel yourself getting smaller. It’s easy to feel lost in the city. 

As you watch through the window, a dark figure passes before it. You lift your gaze and again find yourself at the mercy of that man’s grim snarl. You quickly turn back to your latte. He must’ve had that black coffee. He might do with a bit of sugar. 

You try not to think about it. You don’t know him. You don’t know his problems. Just like anyone else. People don’t know that you feel heavy when you wake up or that you spend your hours keeping your hands busy so you don’t have to think. They only know the woman with the smile and the chipper voice and just as swiftly forget about her. 

You pick away at the muffin, savouring in each bite. You’re thankful for that. For that moment. You have coffee and a nice dessert and you got your record player. It's best not to think about all the existential stuff you can’t change. It will come back later when you’re alone. It can wait until then. 

🪢

Your walk home sees the sun hiding behind the clouds. The downpour begins a block away from your building and soaks you through. You keep your head down against the sheets of rain and hurry up the walk as the front door comes in sight. 

The elevator is out of order. Again. You climb the stairs in your squeaky soles and finally reach your apartment. You push inside and kick off your sodden shoes and peel away your jacket. The turtleneck beneath is just as drenched. 

You don’t strip down right away. You’re more concerned with your prizes. The records are fine, the covers just a bit damp, and the player doesn’t seem to have taken too much water. You leave it all on the counter and go to change into your favourite fuzzy pajamas. 

You come back out to the front room and stop to admire the slake of rain pelleting against the large windows. It might be dreary but it’s beautiful in its own way. You let the tempo lull you as you unpack the player and set it up on the book shelf.  

You slide the Etta James record from its sleeve and lay it on the player, moving the needle into place. You let it play as you back up, the boisterous tones of the legend melding perfectly with the raindrops. You smile; not the put-upon smile you wear for strangers but a smile of nostalgia and calm. You miss your grandma terribly but the music doesn’t make you sad. 

You go to the table, still messy from last night’s work. It never is clear. You always have scraps and bits littered over it, your sewing machine a permanent fixture on the worn wood. You sit and pick up the felt clump and go back to needling it to a discernible shape. 

Your brows nearly meet in the middle for your focus and it isn’t until the record begins to skip that you sit up. That damn kink is back. Your own fault. Can’t be mad at anyone but yourself. 

You flip the record and let it play out. When it’s over, you shut off the player. You eat the leftovers you’ve been parsing out for the week and settle in for your favourite romcom. It’s cheesy and a little lame but you only have to keep yourself happy. Or try to. 

You leave your plate on the coffee table and hunker down to finish the movie. You’re tired when it’s over but know you won’t sleep. So you go back to the table and work as the rain slows to a lazy rhythm. Your eyelids droop, your shoulders too, but you persist. 

The windows grow dark and there is only the distant shine of streetlights and few windows in the neighbouring buildings. You stare out at the blurring haze and it fades to a deep grey. You wake leaning back in the chair, your head hanging off your neck. You groan as you sit up and curse your carelessness. 

It won’t make work any less intolerable. You check the time ticking away on the clock that came with the apartment. You can get another hour or two. You get up and trod off to bed, not bothering to shut off the lights. You don’t sleep well in the pitch black. 

You fall into bed and just as quickly find yourself unbearable awake. All those little doubts and fears rise up to the surface and have you drowning just below. This is why you end up sleeping upright or folded over. Trying never works for you. Not at anything. 

[marys2ndson]

hunting fucking sucks: a fic rec list

I just love when their lives suck not because they’re vessels for archangels or whatever, but just because their job is the worst. thankless, dangerous, morally ambiguous, leaving them injured and dirty and bone-tired. i <3 whump

Due East by sowell (4,700 words)

Just hunts and angst and them, together. Love the characterization. 

“I think I like you injured. Less bitchy,” Dean says with a smile, and Sam blinks at him. / “What?” / “You think I haven’t noticed you sulking for two days straight?”

Hard to Come By by sevenfists (1,700 words)

Hunting, driving around, sleeping in shitty motels. Making difficult choices, dealing with hard realities. 

"You don't smoke," Sam says, and Dean says, "What's it look like I'm doing?" The cigarette tastes like ass. He smokes it anyway, tapping the ash out the open window. It's August. Sam turns up the air conditioning. Dean turns it back down.

Below Breath by kalliel (3,100 words)

Season 2, case fic. Love the complete lack of exposition. You’re just thrown into it on Dean’s terms, and everything is complicated and difficult and unknown. 

Dude, he says, and shoves you in the back with his shotgun. You resist the urge to turn around and smack him with it. Or kiss him, all teeth. See how much he’s paying attention then. 

Every Rhyme Without Reason by kalliel (44,800 words) 

Season 1, case fic, Sam POV. Fascinating and atmospheric and a tough read bc Sam’s life is very uphill at this point, but he’s so present, wrestling and grappling with it. Love him. <3

Maybe they killed that rawhead, released that reaper, slashed that bax'aan's throat. Maybe they'll kill this thing in Rime. But this is what's gonna get them: They have $127.34, four more nights, half a tank of gas, and some cold leftovers to their name. Out here, there's nowhere to go but down; and even then, they're going to have to limp.

With Gravy by kalliel (3,700 words)

Vague season 2. A hunt gone wrong. Slim chances of survival, complete darkness, pain, and heroism. 

The tunnel stretches on and on, and all Dean hears is their footsteps getting heavier, sloppier. One kid cries. The woman cries. The man's leg doesn't quite clear some jutting rocks, and he weeps.

The Real Thing by ameliacareful (14,200 words)

Jensen wakes up in a motel room in Dean’s place. So outsider POV. That thing about the third trial, about Tom and Shep… Kill me. 

“Are you doing that on purpose?” / “What?” / “Sounding like him?” / “A little. Does it work?” Jensen asked. / Sam did that funny little flicker of a smile/grimace that Jared only did as Sam. “Yeah, it does.” His gaze hardened. “Don’t do it again.” / Sam was suddenly very big. Armed. / “Gotcha,” Jensen said.

Catch Your Death by road_rhythm (22,300 words)

They work a ghost hunt while Sam’s sick. This fucks severely! All their petty fights and their biases and bickering really get the spotlight they deserve, as well as the fact that they just really love and care about each other. Feels exactly like a really good ep of s2. And takes up some of the interesting Sam issues as well.

It was this, every time. Sam lashed out and Dean came back with impenetrable patience and washcloths and medicine and touch and one day it would be his life. And there was no answering back to that.

my habit of breaking hearts as soon as i have them by acccording2thelore (6,600 words)

WARNING: major character death. 

A hunt gone wrong. Staggering grief and horror mixed with intimacy and connection. <3 

If he can just get to Garth, he can send up some of his people and help carry Sam to the base of the mountain. Dean won’t make it that far.

the blurriness of being alive by hathfrozen (3,500 words)

WARNING: major character death. 

Sam dies of an infection.

“They don’t get to grieve for him,” Dean tells Miracle when he decides he isn’t calling anybody to tell them. “They ain’t allowed. They don’t get it.” Dean’s had the worst things in the known universe leeching off of him, trying to turn him into evil, but this is the most rotten, meanest he’s ever felt. He doesn’t fucking care.

A Lifetime or Two by nigeltde (18,400 words)

They work a case with their mom; Sam gets banged up; they try something new. This fic feels so real and lived in. The familiarity between Sam and Dean, the way Sam feels left out, Sam’s quiet loneliness and enduring hope, Dean’s desperate affection. <3

Sam would say lucky it was just broken bones. Lucky nothing else cut too deep. Lucky his ear was intact. Dean gets lost, strung out, trying to calculate: if Sam had been concussed, would that still be good luck? If he’d lost the finger, should Dean be thankful? Where does it end, the tallying? Sam thrown through glass, dragged across pavement, tossed into a car, stitched up in this cramped doll’s house of a room, having to bluntly endure; this is what he’s supposed to be grateful for?

Settle Down My Shivered Bones by abitingsmile (4,800 words)

WARNING: disordered eating, food insecurity, and child neglect. 

Pre-series. John, unreliable and off hunting somewhere, and Sam and Dean, making it work with too little cash and too little food. Love this exact flavor of codependency, not sweet, but hard-earned and for survival. 

Sam still bickered with him about school and television and laundry, but not about food. Hell, he practically waited for Dean to give him permission to eat, because that way they knew there’d be enough. John or no, this was something incredibly important they could control, they could handle. John simply wasn’t in the loop anymore.

[illubean]

Request 4 you :-D alright I was wondering if you could do a drabble with a reader with a men ability that makes her similar to a banshe pls😣 (chrollo, illumi, kurapikachu, layoreo, and 🌹feitan🌹)

HXH W/ a Banshee!Reader

Characters: Kurapika Kurta, Leorio Paladaknight, Illumi Zoldyck, Chrollo Lucilfer, Feitan Portor Type: Headcanons, Gn!Reader

alright i did some reading on banshees for this and obviously they have their scream right? but they also have clairaudience, precognition and supernatural detection! p cool if you ask me :D

Warnings: none??

Kurapika Kurta

every time you predict the death of a phantom troupe member he's like fuck yeah

if you work with him you mostly end up gathering info

like you can literally fly super fast, see vaguely into the future and have super cray hearing

i couldn't think of anything for this guy im so sorry...

Leorio Paladaknight

the first time he saw you hovering about he damn near shit his pants because he thought you were genuinely some type of ghost

knowing its just your nen doesn't make him any less scared since you can sense supernatural and paranormal activity...

sometimes you tell him you feel ghosts and whatnot around to fuck with him

he cries

he can't even rant about you to anyone because you WILL hear it

every time he mentions you he has to look around and make sure you're nowhere near him even if he knows you're cities away

sometimes you use your clairaudience to snitch on him LOLLL

he will mutter something under his breath and you'd be like "Leorio just said ____"

you probably told him Gon would die (he didn't actually but almost did) and he didn't believe you at first

bro was like do NOT joke about that and you're like I'm not joking and he's like FUCK

maybe you should stop playing pranks on him because now he finds everything you say hard to believe...

Illumi Zoldyck

you help him catch runners on missions LMAO

if he happens to keep you around you know all of the Zoldyck estate gossip because your clairaudience lets you hear everything that goes on in the mansion

every time you hear something new you and Illumi whisk away to some corner and chat quietly

no matter what you tell him he's surprisingly interested, he can and will gossip like a teenage girl

sometimes when he feels like a job is too much of a hassle he lets you handle it with your death scream thingy

he's not a lazy person but everyone has their moments

you are his personal little ghostlike assistant

Chrollo Lucilfer

yeah he's making you one of the supportive members of the troupe

he uses you to gather information with your heightened hearing and ability to predict the death of others

probably asks you if you can contact the dead

if you can then awesome, now you can answer a lot of his questions but if not then oh well

since you can fly pretty fast sometimes he has you snatch up people for questioning

he avoids using you for offensive purposes because your screams reach very far and could possibly accidentally kill him or the other troupe members

so when he does you're usually alone

you were able to sense that Uvo was going to die and also the exact moment he did

knowing his friend would die didn't make it any less painful for Chrollo tho :(

Feitan Portor

he thinks you're a valuable asset to the troupe

most of the time when it comes to catching people for torture and interrogation Chrollo sends you two

you guys are the perfect team for the job honestly, you can catch enemies quickly and also attack them from long distances while Feitan handles all the gross torture stuff

he probably carries ear plugs for this so yk..you don't accidentally kill him when you scream at the enemy

when you predicted Uvo would die after the first run in with the shadow beasts Feitan is like no way

then all of that shit happens yada yada yada then he goes to fight Kurapika and he actually dies

and Feitan was like fuck you were right

now he knows not to doubt your morbid intuition..

[creaman]

Hi there! I apologize for taking up your time, I am just so curious: When you tackle a comic, what does the process behind it look like?

Asking because I found myself scrolling through your blog once again and couldn't help but marvel at all the beautiful effects you use, at how flawlessly the structure guides the viewer's eye across each page, how the graphic weight seems to always be in just the right places…, and wonder how you learned doing this. Everything you put out looks incredibly professional and I aspire to reach your level of skill 😌❤️

Thank you Finz!! You're no bother at all, I'm an open book. This is such high praise for a guy that really doesn't have a set process, I feel like a hack. Ha. Rest assured my style is still developing. Besides the referencing of the linework and composition of official comic books, (practicing by redrawing panels for fun), explaining the process makes me feel like a serial killer but I will do my best.

(WIP Riddler panel, scrapped Scarecrow composition)

My comics usually stem from a single panel or concept — I like to focus on/emphasise particular panels of my pages, the heavy hitters, the main piece that catches your eye. I know I'm not a profoundly technically proficient artist so I prefer visually interesting elements and formatting, i.e. drawing characters outside their frames, negative space, notation, perspectives etc.

(Kung Fu Panda 4 sketch god I hate Kung Fu Panda 4)

I like to establish 'main focus' panels, the bits of the comic that really, well. make people want to chew on it. This is where the technical effort is concentrated, really, and the rest of the comic is generally build around these concepts.

('Restaurant Balthazar' focus panels)

Textures and effects are done on individual panels first, then the entire page as a whole to even out the unity. Generally, blocking in shadows, hatching for visual interest + middle tones, then textures/half-tones, then highlights.

(Script excerpt WIP)

I'm not a writer per se, but having a vague 'script' in your pages helps with pacing and direction. Comics are a versatile story-telling medium. I only really do scripts for comics longer than 2 pages. An optional but recommended strat is to send your script to a friend for a second opinion.

(Script excerpt — 'Restaurant Balthazar', annotated by @vincepti0n I don't know why he drew a face in the middle)

With the script crudely slapped together, I rough out the thumbnails and composition with the text, prioritising coherence and clean integration of previously mentioned 'main focus' panels.

Settling on a composition sucks the hardest. Drawing is fun, thinking makes brain hurty. Variety is good! Close-ups, wide shots, visual metaphors. Every panel is its own artwork.

The text bubbles are usually added in post, yes, but I'm just one guy and I don't have a writer to call me a good boy for doing things correctly. Bite me.

(Early 'Restaurant Balthazar' drafts)

In addition, keeping the text graphics in mind help create a sounder composition wherein even if the panels don't read cleanly left to right + top to bottom, the text can stagger and create the same reading order effect.

Panels and concepts are constantly tweaked, and my comic process is still highly experimental. A lot of industry standard comics aren't illustrated to their full potential due to deadlines and such — I strive for visual epiphany by treating each panel as its own artwork, and every page as a a bit of a mural.

(Old art hurts the soul)

Constantly experimenting allows you the insight of looking at your current art in comparison to your older works. In more recent works, I've been blocking in more shadows wiht lineart with thinner lines and more line weight, and learned to integrate the subject characters with less plain, abstract backgrounds.

TLDR: I have no idea

[gwenllian-in-the-abbey]

Not fluent in English. 

Please tell me I’m not the the only who noticed that team green characters in the show aren’t allowed to hate team black characters. 

Like Aemond can’t even hate Lucerys for cutting his eye and disabled him for life. 

And Alicent can’t hate Viserys for marrying and gr*ping her and forcing pregnancies on her, even though he have no intention to name any of their sons his heir, and treating her mostly like a caretaker and concubine rather than his lawful wife and the mother of his legitimate children. 

Aegon and Helaena aren’t even allowed to hate Daemon the man who ordered the death of their Son.

Like why??? Why aren’t they allowed to hate them???

Hi aleksandra! You make a good point! I think there are a few things going on here.

For one, I think the writing is incredibly inconsistent across the board this season, and there are a lot of dropped plot threads. Some of it is intentional (like, I do think B&C was deliberately downplayed and undermined so that Alicent could have that Dragonstone scene, more on that in a bit), some of it I think is just bad writing and a kind of ... well, look, I can't speculate as to what goes down in the writer's room and have no idea what their workflow looks like or what processes they follow, but a problem going back to S1 is that characters and dialogue vary a lot from episode to episode. I don't think it's all that normal for a fandom to be concerned ahead of time about which writers will be writing which scenes and which episodes, but with HotD there seem to be huge differences in how each writer interprets the characters. Having worked on OFCIR collaboratively with @aifsaath, we work really hard to make sure the chapters are relatively consistent. I gave our first few chapters to my critique partner for original fiction, a guy who knows my writing inside and out, someone I've worked with for about 6 years now, @theravenpiper, and he could not actually tell which scenes were written by me, and which were written by Aife, which I took as a big complement to our collaborative process, and to our ability to edit to a uniform standard. Now I'm not saying we do it better than the HotD writers, but I do think that there is something missing from their collaborative process that makes the entire thing seem disjointed.

I do not think it is entirely that the whole of team green is not allowed to be angry at team black, although that is part of it, some of it is part of an overall bigger problem where major events are not allowed to resonate across the story, and I chalk some of it up to simple bad writing. Rhaenyra is apparently over Luke's death enough by E3 that she can seek out Alicent for some kind of vague "let's stop this madness" ploy, but still conveniently needs "a son for a son" in E8. Although Rhaenyra is negotiating from a position of power in E8, there was no reason for her to feel so desperate as of E3, when Rook's Rest hasn't even happened yet, that she would set aside her grief and anger and go seek peace. Peace was offered in E10 of season 1 and Rhaenyra turned it down after Luke died, so what has changed besides Rhaenyra's own husband beheading a toddler? Other events happen too and have little or no consequence. Rhaenyra and Mysaria kiss in E6 and it's entirely forgotten by E8, with zero follow up. Criston Cole is brought to his knees by the sight of Aegon lying injured by his dragon, but never even visits his bedside. Gwayne never interacts with anyone aside from Alicent and Criston. Rhaenyra sends her younger children to the Vale and never mentions them again (she is shown looking wistfully at a box of toys), nor does Jace. Laena in a vision berates Daemon for not looking after their girls, but does he ask after them when Broome shows up directly from Dragonstone? I could go on. Events just happening and then never really mattering again is a consistent problem throughout the season, which makes it hard to tell when it is happening deliberately and when it is happening because the writers can't get on the same page.

There are two things I do think are deliberate, however, one of them being the scrubbing of Viserys' image. While audiences loved Paddy's performance, a lot of viewers did pick up on how Viserys played favorites and neglected his sons, and I think when the show decided to switch up Alicent's motivation from "she wants to protect her children and knows they will face the sword if Rhaenyra comes to power" to "she misheard Viserys' last words," they knew that the natural question is, "why should she care about Viserys' last words?" A lot of the immediate feedback about that episode involved how Alicent was stupid for not knowing Otto planned to have Aegon take the throne, and a lot of people didn't think that Alicent (or Aegon for that matter) really believed that Viserys changed his mind, but apparently that was the writers' intention, that Alicent truly believed it and managed to convince Aegon (there's a lot I could say about how they could have included this deathbed misunderstanding into the plot without having it replace all of Alicent's other motivations, but they did not do that). So in order to drive home the point that the whole entire war is being fought due to this misunderstanding, they have to make sure the audience is clear that all of these characters considered Viserys a good king. Even if he was Alicent's rapist. Even if he was a deadbeat dad. Even if he was a terrible husband. We are meant to believe he chose Rhaenyra not because he was playing mindgames or out of guilt over Aemma's death, no we must believe he chose Rhaenyra because he was good and wise and to convince us he was good and wise we have to have the green characters reminding us constantly that things were so much better when Viserys was around, that Aegon is inferior to Viserys, that Viserys' wishes are all that matter. Nevermind that it goes directly against the book, never mind that it's not even a particularly powerful or interesting change, it's what enables Rhaenyra and Alicent's relationship to continue. Because here's the thing-- if Alicent put Aegon on the throne because she felt it was the only way to keep her family safe, and because she feels that law and tradition ARE on her side, and because absolutism isn't good (!!!) then there's no chance for her and Rhaenyra to ever reconcile. These are irreconcilable differences, not misunderstandings. And so the show has to glaze Viserys otherwise the basic reasoning falls apart.

And the second is the events like Luke's death, Blood and Cheese and Rook's Rest come in, events in which the greens or the blacks harm and traumatize each other directly. It is not that the greens are not allowed to hate the blacks, it is that Alicent is not allowed to hate Rhaenyra, and by extension, the people who Alicent cares about are not allowed to hate her (I would argue that Aemond is allowed to hate Luke on screen, he literally murders him, and I don't think the scene with the brothel madame is an expression of true remorse, it's more "I'm kinda sorta sorry there were consequences for my actions."). Alicent cares about Helaena the innocent, and therefore Helaena cannot be allowed to hate Rhaenyra (note Phia Saban's many interviews about how apolotical and neutral Helaena is). Aegon, on the other hand, can be affected by B&C because he is allowed to hate Rhaenyra. In fact, his hate for Rhaenyra puts him at odds with his mother, which is what the show wants. Aegon is gravely injured at Rook's Rest, but good thing Rhaenyra's forces did not cause the injuries, Alicent herself drove him to battle with cruel words, and Aemond burned him, which puts him at odds with Alicent too (and Helaena is allowed to express ire at Aemond by extension). If you look at S2 as an exercise in driving a wedge between Alicent and her family and downplaying what happens to them in order to justify their decision to have Alicent seek out Rhaenyra and surrender Aegon's life, it makes a lot more sense.

The thing is, it still doesn't work. Their efforts are much too transparent and require characters to act in ways that are simply not within the realms of how normal human beings would react to these situations, much less the characters established in S1. There is a twitter user, and I'm so sorry that I can't remember their name at the moment, but I've seen them express the sentiment several times that Alicent's character this season made them aware, in a way that a viewer should never be aware, that these are scripted lines coming out of her mouth. That is, a lot of the characters in S2 do not feel like actual people. Aegon is such a fan favorite this season because he feels real. Alicent garnered legions of fans last season because her struggle felt real, even if we didn't agree with it. She felt like a character who inhabited a quasi-medieval world, bound by restraints we are not bound by, but nevertheless a human with human reactions who had to make difficult choices and persevere through them. And any human would be angry beyond comprehension at Blood and Cheese, would lose all faith in Rhaenyra, would know that there can be no peace if she is ruling with a man that ruthless at her side. If she thinks her sons are devils (and mind, so far as king Aegon's most egregious action is executing a handful of ratcatchers after one of their number murdered his son, whereas Rhaenyra burned about 65 peasants alive in a quasi religious ecstasy-- will Alicent ever find out about that, I wonder?), they are at least the devils she knows. Better they all die than end up in Daemon's hands, surely? And so OP, you're right, they are not allowed to hate each other when naturally you, and many others, feel like they should. That is because they are writer creations who would never do such things as what happen in the books in the first place, acting out plot points of entirely different characters (their book counterparts).

[charliemwrites]

Introducing: Rook “Duke” Alistair

(Just a little character intro before she makes a proper appearance in the SpecGru fic)

It’s 2am.

It’s 2am and Kate’s phone is buzzing. A rapid, violent bzzt-bzzt-bzzzzzzt pattern that shakes the few other items on the nightstand. Incessant. Important.

She plucks it off the charger already wide awake, propped on one elbow to block some of the screen light from reaching the other side of the bed.

“Laswell,” she answers, hushed.

The voice on the other end is not. “Gooood mornin’, boss.”

“It’s 2am, Duke.”

“It’s 2:17 to be precise.”

Kate doesn’t bother to check the clock. “You're calling for a good reason, I assume.”

“Of course!” In the background, there’s a computerized ding. Then the clacking of a keyboard. Duke continues, still bright as birdsong, “I have a lead on that terrorist cell. Not - hold on - Nelson, put my slushee back in there I’ll get it in a damn minute! Anyway, not the one with the ugly flag. The one with the dumb name.”

Nelson, Kate thinks vaguely, is going to get mysteriously transferred if he doesn’t stop messing with a certain tech’s frozen treats. This is the third time this week.

“The Gun Fathers?” she offers.

“Haha, yeah them!” More clicking. A thump and a yelp in the background. “They’re planning on taking some exchange students hostage in Russia.”

Kate’s slips out of bed, phone held in place with her shoulder. Sighs a little wistfully at her wife’s sleeping form, but duty calls. She’ll make this up to her - dinner at that nice tapas place, maybe. Duke can get them a reservation.

“What students?”

“Working on the individual files now, but it looks like a fun mix. Some Australians, some Brits, a bunch of US citizens… ooh, someone from France, that’s rough.”

Hell, that’s a lot of governments to coordinate with.

“Where?” Kate asks, tugging her socks on.

“Looks like they’re going to grab them from a hotel in the Caucuses. Caucuses? Cauc-ussies? Cucksies?”

She pauses to drop a gentle kiss to her wife’s cheek, then pads out of their bedroom. The house is dark, cool. She navigates without light, stepping into her shoes.

“How many?”

The cats stretch as she passes through the living room, snatching her shoulder holster out of the hall closet.

“16 students total, not sure how many terrorists. Aw, is Chauncey awake? Give him a smooch for me! These dummies usually go for a ratio of three innocents to one dummy though. Ugh it’s not a round number.”

More clacking. The sound of a plastic rapper through the earpiece. Duke’s broken out the candies then.

“What else have you got for me?”

“It looks like we’ve got about 35 hours until they move in. But! We confiscated their new supply of guns during that border raid soooooo—” she clicks her tongue, the typing sounds get much louder and faster for a moment. “They should be… pretty… low… on… ammo…”

A pause Duke seems to focus on something. Kate takes the opportunity to finish’s dressing, keys in her hand. She pats Chauncey and Augustus as she passes them.

“I’ll be there in fifteen,” she says.

A hum. “Eleven, actually. I have the traffic system pulled up.”

Of course she does. Laswell would tell her to stop doing that if she thought it would do any good.

“I’m sending a bunch of files your way,” Duke adds. “Drive safe and give Chauncey that damn smooch!”

The phone beeps as the call disconnects. When Kate looks at her phone screen, she’s got a small library of information waiting for her. Names, locations, pictures and security feeds - and a note promising more on the way.

Next

Masterlist

[togamest]

Can we have this https://www.tumblr.com/togamest/753100660074020864/its-getting-crowded-here-hold-my-hand-x?source=share but without the anxiety part with windbreaker boys? They just worry that they might lose the reader in the crowd 👀

-> it’s getting crowded. here, hold my hand. | gn!reader, no warnings just fluff. inspiration: (x)

author’s notes: this is by far one of my favorite tropes! it's a little short since i don't really have the brain power to sit down and write something for each of them in-depth, but if you'd like me to do that, then please feel free to submit a character for it and i'd be happy to dive more into one of them! thanks for submitting <3

SAKURA would be one of the best in a crowd, which seems strange due to the fact that he likes being a loner. But in a way, a crowd is an easy way to hide; and he seems to enjoy sifting through and blending in amongst the bodies. He does keep a hand on your back, keeping you in front of him as best he can, and if he loses you he’s perceptive enough where he can find you relatively quickly. Not to mention, he’ll shove his way through a crowd for hours to find you if he needs to.

NIREI would be a mess. He’s all nerves, and you’ll have to lead him through if you want to get to the railing or anywhere near the stage. His grip on you would be insanely harsh, because as soon as he lets go, he can’t bear the thought of losing you and not knowing what to do about it. He’s all thumbs when it comes to navigation, so he relies on you. So if you’re stressed out as well from the crowd, it’s probably best to hang on the sidelines instead with him.

SUOU would be able to carve through a crowd like a fish in water. He’s facing sideways, gently moving people around with a soft smile and a “thank you” mouthed at them. He’s taking the lead, your hand in his, and he never lets go even when you want to go get a drink or some food. Besides, he’s paying for it all despite your annoyance, so he should go with you everywhere, right? If you do get lost, he’s able to spot you easily given where he knows you’re going next.

SUGISHITA has angry dog privilege, and he’s so tall that he’s able to stand above everyone anyway. In an effort to make sure he doesn’t lose you, he’ll have you sit on his shoulders, and his large hands on your thighs will keep you there as he shuffles around. Everyone gives him a good amount of space anyway, given how big and intimidating he is, and it works out to both of your advantages. He’s also, surprisingly, the one to ask around and see if anyone has seen you. Given how he looks, most people are ready to help him out.

HIRAGI would probably not be caught dead in a crowd given how bad his anxiety can get, but he actually ends up buying a backpack with an attachable leash to make sure you don’t get lost. It’s quite a funny sight, and you don’t mind; the attachment helps you to not get as worried about losing him, and he has a way to snatch you back to him if you stray too far. If he does lose grip on the leash, he’s the one sending you very descriptive markers that you can use to find him again.

UMEMIYA has his hands on your shoulders the entire time, so he’s stuck to you like glue. He also has “parting the crowd” privilege, but not in the sense that he’s scary; it’s just his presence, which is so commanding even with his pretty smile that people automatically move out of his way without realizing why. When you do stray too far from him when he’s not paying attention, he’s blowing up your phone so you can follow the virtual crumbs to find him again. He’s giving very vague ideas of where he is, though, so it does take some solving before you stumble over him eventually.

divider credit: @/cafekitsune networks: @interstellar-inn @themovingcastlez

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