#a set amount of chapters and events that focused on specific characters

[yandere-daydreams]

no because i think it might've been my first real experience of profit ruining art,,, the game really did have such good characters and such a great premise and honestly really skilled writing and it was just. doomed to go on forever in a way it simply wasn't equipped to. i feel like it could've been so appreciated and so beloved if the developers/writers had been allowed to plot it out and make a game that was actually supposed to end at some point instead of one that just had to keep existing for as long as it was profitable with five thousand events no one would ever have time to play and fifty-million levels you'd have to grind for days just to pass with, like, a single star. what little glimmers of plot there were (belphie's initial arc + lucifer's amnesia week especially) were so good but it never amounted to anything. simeon my beloved i am thinking of you endlessly. if only you belonged to a game that didn't hate me.

you guys ever think about shall we date's obey me and like. just get a little sad.

[aihoshiino]

chapter 135 thoughts

Akasaka seems to have heard me bitching about other characters not getting involved last week because pretty much this entire chapter is focused on outsider perspectives on the RubyKana conflict, which I actually really appreciate. Not knowing how everyone else was responding to this felt really weird and while I ultimately am glad in hindsight Akasaka used the last chapter to focus exclusively on Ruby and her feelings about Ai, it did still feel really weird in the moment. And there's still no Miyako… girl where did you go…!!!

It's also really nice to get a bit of Aqua and Gotanda time, too — I feel like it's been forever since we've had any time focusing on that relationship and it's one of my quiet favourites in the series so revisiting it now was a nice surprise. We're still pretty locked out of Aqua's head but I feel like his dialogue here speaks for itself without us needing to peek in there. And whether or not he means to, I think Aqua says something really, really revealing here about how he's been dealing — or abjectly failing to deal — with Ai's death.

A running thread through OnK that Ruby is finally starting to come around from is the way the twins have both struggled with their idolization and objectification of Ai and ultimately failed to treat her like a human being. Here, Aqua doubles down on that dehumanization, rejecting the idea of Ai ever having complicated emotions about any of the things that happened to her. He flattens her into a caricature of herself, carefree and avoidant and specifically says that he personally never saw Ai crying. Not even once.

Except… of course he did. Because Ai cried as she told the twins that she loved them as she was dying. The anime even takes this a step further by having Ai break down into sobs during this moment and having her tears literally fall onto Aqua's face as he gazes into her eyes. In denying the existence of these tears, Aqua is also to some degree, erasing those words of pure love that Ai poured out with her last breaths. It feels like a confirmation of something I've been suspecting for a while: that in his fucked up attempts to 'grant her wish' Aqua is even willing to desecrate and erase the real Ai.

In a lot of ways, Aqua is deeply stunted in comparison to Ruby. Honestly I kind of get the feeling that Aqua… doesn't want to humanize Ai? Not out of cruelty but out of seemingly necessarily self defense; if Aqua lets himself love his mom as a human person, if he lets himself love her properly and with empathy then he will necessarily have to finally mourn and grieve for her as a human being and I think that would be the start of breaking him.

What's exciting about this talk as well is that it sets up Aqua and Ruby to be in opposition on something extremely central to the movie arc: Ai herself. This sets up the potential for them to come into conflict and maybe even for Ruby to really lay into him about the exploitative way 15YL is making use of Ai's image.

Final note before I move on: whether this was intended or not, I can't help but see a lot of parallels between Aqua's insistence that Ai would never cry over her treatment in B-Komachi and Nino's rant at the end of 45510 in which she reacts with revulsion at the idea of Ai wanting to connect with them. Aqua/Nino parallels aren't what I was expecting for Christmas but the implications are pretty (discord eyes emoji)

Gotanda's response is interesting, too. He claims that he wrote the script by 'listing the events that actually happened' when we know for a fact that there is a huge amount of dramatization and fictionalization at play just out of the necessity of recreating the events in the life of a person no longer here to give testimony. But he also betrays something here: his own lack of real care towards Ai herself. He dismisses the idea that it's worth trying to understand her feelings after her passing and admits that he isn't really making the movie out of empathy but out of a sense of wanting to capture something he failed to before. This movie is his revenge.

And like… fuck, man. It's just so miserable. There has always been this really ghoulish undercurrent to the entire idea of the Movie Arc, of digging up Ai's corpse again, slicing up her private and most personal self and her painful history that caused her so much shame and dressing it up into something pretty and consumable for the public to salivate over. Even in death, Ai can't rest in peace. Even in death, nobody can just leave her be. She has to be bought and sold and swapped and traded until all the value has been wrung out of her. Nobody making this movie really cares about understanding the real Ai at this point, apart from Ruby; not even the director who wants to be able to film her.

That said. man. the scene that followed was pretty sweet. The idea that Gotanda pulled Aqua into his project not just to give Kana a bit of a wake up call but because he was actually looking out for her and genuinely wanted her to have some friends is a really lovely idea and his sense of relief in seeing her having found a place in B-Komachi was also really good. In a lot of ways, the second generation of B-Komachi may be echoing the mistakes of their predecessors but they're also learning to correct them.

kana's face when she takes a bite out of ruby's parfait is like the hardest i've laughed all week btw god bless mengo yokoyari

The Gillian Cut of Gotanda talking so warmly about RubyKana's friendship to the two girls still being cold with each other is framed as a joke but I do think it's supposed to be read as a reassuring moment for the audience. While Aqua puts forth that his rose-tinted idea of fights making friendships stronger only happens in fiction… Oshi no Ko is fiction. Literally the very first words of the story are that verbatim and it constantly uses in-universe fiction as metatexual commentary on its own nature as a story. More than a joke, this feels like a sort of reassuring pat on the back for the reader that the girls will emerge from this rough spot stronger than before.

Aqua's sense of trust for both Kana and Ruby is really sweet, too. They're two of the people he cares about the most in the world — often to the point of him not being able to trust them, out of fear of the supposed repercussions — but here, he not only steps back to let them handle things themselves but reassures Gotanda that he can do the same. Aqua has been pretty cruel to both these girls in a lot of ways over the series so it was nice to see him express some warmth.

And that's the final chapter of this year…! Jesus I can't believe I only got back into the series back in April lol I really feel like I've been following the weekly chapters for longer. Admittedly, I'm starting to get really fatigued with the Movie Arc with how long it's been going but I'm hoping that we'll start to see some more progress on it when we return in 2024 and that Kamiki will do. Something maybe. can you even imagine.

[dudewhynotthis]

Gimme the goods on Bloody Beskar and Blue Grain!

That one was meant to be a super elaborate fix it fic focused mainly on Jango Fett's character and an oc I made specifically for this. I abandoned it bc life happened(TM). Unfortunatly I dont remember how it was meant to end.

I put the first chapter in, for your consideration.

She cowered at the edge of the blue field, with the looming, dark mountain in her back.

When her fighter crashed down on the surface of Concord Dawn, she did not expect the urgent drag

of the force towards the huge farmhouse beyond the field.

While neither she sensed any immediate danger on her path, she did sense decades old dread, terror,

and pain.

She slowly crept towards the house, occasionally stopping to stretch her senses through the force,

feeling for danger and people, maybe occupants of the house.

She didn’t feel anything.

She looked at the plants around her, wondering what kind of grain it was. To her, it looked ready to

harvest.

When she reached the edge of the field, just in front of the house, she had to stop.

The suggestion of terror, dread, and pain she had felt earlier, was now strong and distinct enough,

that her joints ached, and her head pounded.

She scuttled closer to the house, when she was suddenly overcome with a vision, tinged in a bile

green hue.

Many angry men, one tensed and fearful, a furious woman, a scared girl behind her. The one person

that undeniably stood out from them, was the boy.

He was younger than eight.

Even though the vision was so intense, that her body physically hurt as if someone lit a fire in her

joints and smashed a war hammer into her head, she stepped into the vision, close to the boy.

The closer she got to him the clearer he appeared.

She looked at him intently.

His bile green, his fear suddenly turned to yellow. This yellow turned to orange. The beginning of

anger.

And then she suddenly knew where she was. Just because of the boy.

And she knew that the orange boy would turn into a blood red man. Filled with hatred and pain.

The boy was Jango Fett.

She stepped out of the vision, and it vanished.

The force seemed to want her to follow the worst events in Jango’s life.

She pushed all her feelings and thoughts aside, entered the house and made quick work of securing it. She needed rest.

Even when the sun had set, and she had eaten and washed, her joints still brutally ached and

throbbed.

If her experience on Korda VI where anything to go by, they would ache until she left the planet.

She slowly went upstairs.

Thankfully, the former occupants of the house had a bathtub installed. Or their predecessors. Not like

she’d ever know.

Boba was still missing. Not that he would know whether his dad’s parents had a bathtub or not. He

never met them, let alone been to the house. No one must have been in this house since the Fetts

died and she valued the sturdiness of Mandalorian architecture.

And Jango was dead, too.

He died back on Geonosis. Killed by Master Windu in front of his child. She wondered what kind of

father he was to him. Not that she would ever find out, even when he wasn’t dead.

After all, her people had slaughtered his companions. At least that was the word Dooku had used in

his report of Galidraan.

She had stumbled across this report when she had fallen down a womp rat

hole one night, when searching for an article in the Jedi archives.

She wiped down the bathtub’s sides with her sleeves. There were, after more than forty years, no

towels.

She then climbed in and curled up.

She knew she wouldn’t be able to sleep well. She already couldn’t during the war. But after Utapau it

was near impossible.

In hindsight, the amount of sleep she got dwindled day by day during the war. There was always a

certain… anticipation.

Whether it was in anticipation of new terrors of the war or of something that was yet to come.

She always had felt when important events were coming her way. Usually, they were crystal clear in

the force. Tangible, but always varying in strength. And never overwhelming.

But the closer the war came to it’s end she had a similar feeling. This one, however felt ever so far

away, and yet it was breathing down her neck. It was utterly blurred, smudged. And it overwhelmed

her, made her short of breath the closer she came to it. And somehow it was in the future, yet in the

past.

She had so many questions, and no one to answer them.

Fatigue seeped out of her bones, into her muscles, her joints, her skin.

Into her dry and heavy eyes. It gently halted her running thoughts.

It kissed her forehead.

And then, she slowly drifted into sleep, enveloped into an already familiar dream: loving, yet hating

eyes, dark as the damp earth, that nurtures growth and decay.

Brown skin, kissed by war and pain, love, and many suns.

And the luscious black curls, that bounced playfully in all directions.

The dream ended like it always did: blood on silvery metal, blue grains strewn on white sand,

darkened by water and blood.

A searing sun and a glaring T-shaped visor of a Mandalorian helmet.

She woke up before the scoring sun of Concord Dawn had fully risen. The dust was still tinged golden

red by the early sun light.

She quickly left the safety of the sturdy house of the Fetts, and marched east into the sun. parallel to

the mountain range she crashed into yesterday.

She marched, walked, jogged, and stumbled until she reached some kind of ruin. She had just moved

in the general direction of what felt right. She had no plan whatsoever.

And why should she have one? She only had responsibility over herself. There were no more clones,

no more Ahsoka to protect. No Masters, no council to report to. She was utterly alone and

unprotected and free from purpose.

So, she had begun to look for one. By chasing after that weird smudge in the force. And it led her to

this ruin.

Now, she noticed, that she was in a dense dark green forest. She had been so deeply entangled in her

thoughts that she had not a hint of an idea of how she had gotten here.

She could see Cody’s raised eyebrow and hear Master Muwat’s exasperated: “Be mindful of your

surroundings, Padawan.”

Master Kenobi had taken her in, after Master Muwat had fallen victim to Maul halfway through the

war.

She shook her head trying to get the ghosts of those that had passed out of her head.

Step-by-step, she carefully and silently stalked up the stairs. Arms raised to dish out the first hit,

should it be necessary.

Inside the ruins, which where still impressive, even though time and weather and war had eaten

away at them, twilight and dampness reigned.

The air in the entrance hall she stood in smelled of eons of Mold and moss and ancient-ness.

Massive columns lined the way to the other end of the hall, where a round depression in the lied and

a few ranks of seats curled around in an almost-circle. She assumed the depression once held fires

and the ranks mighty people who were discussing the fates of many.

From where she stood, in the middle of the column-lined way she could vaguely make out hallways

cut into the stone that held the high ranks.

She would check them out once she had inspected the entirety of the hall.

Turning her head to look at the column to her right she noticed that it was carefully decorated with

images of Mandalorians and inscribed with Mandalorian runes.

While she could understand Mando’a and spoke it herself, she had never had the chance to learn to

write and read the runes. She stepped closer and gently traced her fingers over the writing.

She stepped back and took a deep breath, stretching her senses into the force.

Suddenly she heard a voice whisper her name.

“Idna”, it beckoned. And she followed. Idna followed the same way, she had followed when her Kyber

crystal had called her.

She stepped into the middle of the depression among the ranks.

With a mighty, echoing crack, it broke away from under her.

She fell and the abyss swallowed her whole.

[bootstrapparadoxed]

Defekt by Nino Cipri

Genres: sci-fi adventure novella Rating: 7/10 Spoiler-free review: This was a surprisingly deep read! Compared with the first book in the series, “Finna”, which was a fast-paced action-packed adventure, “Defekt” focuses much more on the characters and themes. The protagonist goes through a lot of character development in a short amount of time and it is very rewarding to see him discover things about himself and change. Every character in the supporting cast has a distinct personality and their interactions were dynamic and flavorful. The prose felt more sophisticated than “Finna”, which to me read almost like a movie script – this time the descriptions, especially internal monologues and thoughts of the protagonist, were really good. My only issue with the book is pacing – it takes a long time for the events to ramp up, which means there’s a lot of setup that felt overstretched, while the ending has a lot of elements all stuffed into a very short chapter. It almost feels like there was enough material for a novel but the author wanted to keep it short. Otherwise, a very enjoyable adventure!

Spoilers under the cut

I read this title because it is in one of my favorite microgenres of “cursed IKEA” books. In that regard, this definitely didn’t disappoint – the wormholes; the living, sentient furniture; changing layout and cloned employees – the atmosphere is impeccable. I loved the little fragments of the employee manual in between the chapters, detailing how to deal with various fucked up events that might happen in the shop. I also loved that, in the end, the protagonist and most of the supporting cast end up on the side of the defekta and advocate for them to be protected instead of destroyed.

The whole idea with the employees being clones specifically designed to be the best at their job is well-executed. From the get go you can tell that Derek is not your usual person, considering his utter dedication to the shop. As an autistic person, I related to his struggles with socialization, particularly with him practicing phrases and facial expressions in the mirror. He’s not quite autistic-coded (maybe he’s more socially anxious?) but he was still very relatable to me. It was very rewarding watching him ditch his loyalty to the company that has mistreated him for so long and develop a deeper sense of identity. His interactions with his alternative selves were also great for his character development, especially him relating to Darkness. The clone on clone attraction is delightfully weird. I wish them all the best.

I don’t know what to think about Dirk though. On one hand, I guess the book needed some sort of villain, on the other, I feel like he was by far the flattest of the character cast and was used purely as a source of antagonism. I don’t like when bad actions are explained purely by a lack of empathy because it pathologizes the many real people who lack empathy, for example people with anti-social personality disorder. Lacking empathy does not make you a bad person. In fact, there’s probably no such thing as good or bad people, just good or bad actions. So yeah, I would appreciate if it was more fleshed out that Dirk for example leans into cruelty to demonstrate that he is the best at his job or because he genuinely does not recognize defekta as sentient beings, not because he just loves to be cruel. I know people like that exist, it’s just for me this does not make for an interesting character.

Overall, I loved the anti-capitalist message of this book, the queer themes, the atmosphere/setting, and the characters. I still think it had enough of an idea to be a full novel though. I wonder if the author will ever come back to this series, considering “Finna” was supposed to be a standalone, because I would happily read anything else set in the same place.

[umbran6]

The Argument Against Caleo

Spoilers up to Blood of Olympus and beyond. Beware! (Or not, the book series has been out for a few years, get over it). I wrote this after seeing a user wondering why people didn’t like Caleo, or in some cases, hated it. Here, I want to explain the answer as much as possible while doling out my own points. 

One of the main grievances I have as a fan of Leo Valdez would be the ship Caleo, or Leo x Calypso. It’s a complicated ship, to say the least, with multiple issues that make me question why people like the ship. And I admit it, they initially had some chemistry, but there’s multiple issues that Uncle Rick produced through making such a relationship that makes it extremely open to criticism, criticism which I will explain through this post.

One of my main points against them is that the ship was created on a very limited time scale. Although we aren’t given an exact date to date of when Leo and Calypso met to when they fell in love, we can safely estimate it to be a week at best. Such a limited amount of time from going through the multiple stages of a relationship already stresses the limits of the suspension of disbelief.

A counterexample would be Percabeth, or Percy x Annabeth. Throughout the series, we aren’t introduced to them being romantically involved until the Titan’s Curse, which was two years after they met. Specifically, this is brought up by Aphrodite, the goddess of love herself. Admittedly, Percy and Annabeth were twelve years old when they first met, when romance was definitely out of the picture, especially with a quest to get the Master Bolt.

However, from there we get to see multiple examples of their character depth, ranging from their respective fatal flaws to their ambitions, hopes and dreams, and their friendship. We get to see the slow build up of their chemistry, which was a really good writing move on Uncle Rick’s part. These characters took their sweet time to get to where they wanted to go, and despite the false romantic lead of Rachel, they still got together.

On the other hand, we don’t see enough of this between Leo and Calypso — we only see one book where they interacted with each other in The House of Hades, and that was only for a handful of chapters. While they are definitely older so they can jump straight to romance (some may say too old, but I’ll get to that) its still a pretty huge gap to jump through without making it stick. This makes it hard to root for a ship when it is built on a rather faulty foundation from the ‘they just met’ to ‘they get together’, especially when they don’t have a lot of events to show their chemistry.

Which brings me to Ogygia, which has raised a few red flags for me when looking at it from a retrospective point of view. Now, we know what the main issue of the island is that the hero who landed on said island can’t leave until Calypso falls in love with them. And we’ve seen this with Percy during the Battle of the Labyrinth, where he lands in the island and Calypso falls in love with him while tending to his wounds from, you know, being erupted from freaking Mt. St. Helens. Needless to say, this falling in love with each other montage happened quickly to the point of suspicion, which sets up the complication that Calypso and Leo might have fallen in love due to magical intervention.

And hear me out, because although this  might be a pretty big pill to swallow, we have evidence for this through Percy. It only takes one chapter for Calypso and Percy to meet, and the next he’s willing to consider leaving Camp Half-Blood and Annabeth behind to live on the island when Hephaestus gives him the choice to leave Ogygia or stay. We don’t even get an explanation on why Percy considered giving it all up just so he can be with her. All we know is, girl meets boy, now they want to live on an isolated island forever. It’s especially absurd considering Percy’s hamartia (fatal flaw) is freaking loyalty to those he loves.  Needless to say, It’s a huge YIKES, especially when we apply it to Leo and Calypso. 

It also raises the possibility that the romantic relationship between them is doomed to failure. And if you guys want to fight me on this, let’s look at Jason and Piper, a couple whose relationship started with a similar foundation. Piper had romantic memories implanted into her brain by Hera through the use of the Mist, while Jason was reduced to a Tabula Rasa (a blank slate for those who lack culture) by said goddess. They broke up before the Trials of Apollo because it was clear that when the dust settled, Piper had been aware that their romance was a lie and that their intentions to stay together was a mix of delusion and pressure from freaking Aphrodite. Leo and Calypso get together under what is arguably a very similar set of conditions if Ogygia’s magic had any influence on their relationship, and that this magic could wear off if given enough time. 

Third, and here’s a pretty big one for me, would be Calypso’s character, mainly because there are a lot of unfortunate implications attached to it. In The Blood of Olympus, she was turned into the divine equivalent of Princess Peach, with Leo being her Mario (except he saves her with a badass metal dragon). Its extremely unnecessary to make a character, especially as one such as Calypso, get  turned into the typical reward of a B-Class action movie. It’s insulting and puts her up as a trophy, a narrative that is definitely not ok by any means necessary.

In another direction, Calypso is also really, really worrying when things don’t go get her way. First, let’s look at The Odyssey, the first myth she pops up. Calypso had imprisoned Odysseus for ten years on her island until Hermes said to let him go, and although it gives them plenty of time to fall in love, it also raises the implications of stockholm syndrome. Then we’ve got the fact that Calypso cursed Annabeth out of spite, implicitly saying that she wished the daughter of Athena would suffer the same isolation that she did, which came to reality when Percy and Annabeth met the Arai in Tartarus. And Annabeth wasn’t even aware that she was still in Ogygia, much less intentionally intervened in the matter. When Percy left Ogygia, rather than be angry at Percy, Calypso cursed Annabeth out of all people to suffer the same loneliness and misery she went through. That’s some Hera at her worst levels of spite. 

Through such evidence we can see that Calypso is extremely wrathful towards those who break her heart even though they don’t want to. It certainly implies that Calypso isn’t in a good state of mind, and could easily repeat said actions if provoked. We could almost compare it to Medea and the original Jason, but at least in that case, Medea has every right to be pissed off at Jason and take her revenge. Calypso’s curse and how she handles things certainly implies a level of immaturity that would end in disaster if they broke up.

One issue that, I’ll admit is more from my personal point of view is that the ship took a lot of Leo’s character and threw it in the garbage in Blood of Olympus. Though we see him do a lot of stuff behind the scenes, the fact that its all for the goal of reaching Calypso just reduced him to someone who is more focused on love than, you know, fighting the evil goddess that was responsible for killing his mom and getting sweet sweet revenge. While the revenge plot can be cliched sometimes, it can be played well, while romance and the typical ‘always save the girl’ trope is just overdone. If Leo had been allowed to, you know, be more focused on other things rather than Calypso, we could have seen a lot more variety in his character.

For example as one of the possible character arcs he could’ve gone through, Leo has always been alone among the couples, often being isolated. Heck, Nemesis herself stated that he would always be the seventh wheel, and that he would never find a place among his brethren. Though some fellow tumblr users have taken this in multiple ways, either saying that he should learn to be happy by himself or that he is socially isolated in the Argo II because of these romantic relationships (I prefer a mix of both). Uncle Rick just giving him a girlfriend seems like taking the easy way out of solving such an issue and abandoning what could’ve been a rather interesting character arc. The relationship isn’t a bad thing if we remove some of the unfortunate implications, but it is a bad way to end what is a complex and realistic problem for a character and in some cases maybe possible in real life.

One more minor but still yikes worthy point is that there’s a huge age gap between them. We’re not talking about the ‘Hazel is 15 and Frank is 17 and in one year that’ll be a problem because then Hazel will be jailbait’ age gap. And even then, we can argue that Hazel is older since she is chronologically ninety-one years old. No, Calypso is older by millennia in terms of mindset and body due to the perks of being a goddess, while Leo is sixteen.

God-to-Mortal relationships are already complicated, even with emotionally and socially well-functioning adults. The fact that Leo is underage, inexperienced with romance (despite his flirting, Calypso was his first kiss), and has been through a freaking ton of trauma in his youth, does not make this okay. At best, they’re both mutually interested in each other but may have different expectations when it comes to a relationship. At worst, Calypso is taking advantage of a boy just so she can get out of Ogygia and possibly dumping him later on like the wrapping of a candy bar. Even though Calypso lost her immortality during The Trials of Apollo, that doesn’t even compensate for the immense age gap alongside Leo’s guilt at the possibility that he might’ve been responsible for her losing said immortality.

Oh, and about Leo... I’m a fan of him, but I can admit that he is in a bad spot both mentally and emotionally throughout the series. He’s lost his mom due to a mix of his own powers and Gaea’s trickery, and never had the chance to fully process that event and come to terms with it. The foster home system alongside his own trauma has forced him to hide his emotions through a façade of happiness and jokes when it’s quite clear to me he needs a therapist, stat. He's also run away from several foster homes, implying this means he was and still is being affected by the event. His mask is still on during The Blood of Olympus considering he hid a lot of things from Piper and Jason.

Speaking about them, not helping this matter is the fact that he’s rather isolated in terms of friendships since Jason and Piper, his supposed best friends are more interested in locking lip rather than, you know, actually hanging out with each other.  He doesn’t have good friendships with the rest of the Seven, and the closest ones he does have is with Hazel and Frank. And even then they start off in the wrong spot since Frank is very insecure about possibly losing Hazel to him during Mark of Athena while Hazel in the meantime, is also dealing with the fact that he is the descendant of her possible boyfriend Sammy Valdez. 

This could indirectly have made him desperate for affection since he has nobody else to confide in during the rest of the series, which is a bad mental state to be in when one lands on Ogygia, the island that we’ve seen could possibly force two people to fall in love with each other. A romantic relationship is not something that he needs or something that will help him in the future. He needs more than that, and having him in one that could end in disaster is the last thing he needs. 

And that does not make him a bad person, much less a bad character. While some who are similarly emotionally and socially isolated may turn to violence or creepy behavior on those they want affection from, Leo does not do that to the other characters. It just means that he as a character needs more time to recover and develop before we go giving him romantic relationships, much less one with Calypso.

That’s not to say that they don’t have some things in common. Both are starved for love and affection, with Calypso being constantly rejected by heroes while Leo was rejected by foster homes and his own family. It’s a trait that they have in common, but it shouldn’t be the only thing that they have in common, especially since it is laced with a trauma that is clear they haven’t had help processing. They need to develop more as characters and as friends before they should be paired together.

So… yeah. The Caleo relationship is, in my eyes, doomed to failure, or at least heavily flawed after taking the above points into account. Uncle Rick, as if seemingly aware of these criticisms, has put the relationship in a rocky place by The Tower of Nero, giving them the possibility of overcoming the above criticisms and their own flaws, or giving fanfic writers an out and pairing Leo with another character or have him single, but happy. Either way, in my opinion Caleo is a bad ship when it comes to how it was created, alongside the flaws and unfortunate implications it has.

While I can see some of the chemistry the ship has, you can’t just use a couple of moments where they get along as evidence that they belong together, especially with the above reasons. That’s like using a band-aid to cover a bullet hole without removing the bullet, stopping the bleeding, and preventing infection. If both characters and their relationship had been given more time to develop, I would understand how they would get together. 

[wordsnstuff]

Guide to Drafting

Patreon || Ko-Fi || Masterlist || Work In Progress

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Planning v. Discovery

The first thing you must decide when you embark on the journey of drafting a story is how you’re going to get it done. Typically, there are two groups you can fit into, though most writers are somewhere in between. There are writers who plan meticulously before they begin writing to create a very clean first draft, or there are discovery writers (otherwise known as “pantsers”) who find more success in choosing a premise and then using a zero draft to explore the idea before gluing down any details. You are most likely someone who falls between those two methods. Some initial planning to feel familiar with your idea before you do some of the planning through the writing itself. Having some semblance of a method will help you narrow down your own process, which is immensely important if you want to get any substantial project near completion.

Consistency

Drafting is a difficult process because it’s either the revisitation of ideas you’ve already had, or the generations of ideas in quick succession. If you want to have a draft in a reasonable amount of time, you must develop a consistency in your writing. I won’t say that it must be a strict routine because time management can be a luxury, but you must make the consistent effort to write, and keep it in the forefront of your mind. Even if you don’t write every day, it should be something you try to make time for every day.

Know What You’re Trying to Accomplish

To get a draft done, you need to set expectations for yourself and they must be realistic. That doesn’t mean they have to be easy, or an amount of work you’ve been able to accomplish in the past. Considering how much time you dedicate to writing and your skillset, it should be a goal within reality. In addition, you must accept that you cannot create a masterpiece in one draft. For each version of your story that you write, you must have a focused goal, such as maintaining consistent characterization, making the plot concise and engaging, or making the prose more fluid and efficient. If you have a specific and attainable goal that you can accomplish in a reasonable amount of time with a fair amount of precision, each draft will be better than the last.  

Designate Work to Phases

As mentioned in the last section, it maximizes your time and effort to have specific and attainable goals for each draft. This doesn’t mean that you rewrite the draft each time (though that is very common amongst writers), but that you designate tasks to draft versions. I find it very helpful in clearing my mind and soothing my perfectionist anxiety to make a “schedule”, outlining what I’ll accomplish in each version following the zero draft. For example, my draft schedules usually end up something like this:

Zero Draft: Main plot line, basic characterization, key world building

First Draft: Finalize Timeline, research for world building, structure

Second Draft: (Rewrite) Plot Development Fine Tuning

Subplot development

Foreshadowing

Build up to climaxes

Tone & Pace

Third Draft: (Intermittent Rewrites) Character Development Fine Tuning

Backstory

Subtextual Development

Making sure motivations are clear

Relationships between characters

Reinforcing character arcs

Checking dialogue

Fourth Draft: (Give to Beta Readers) World Building & Prose

Descriptions & Flow

Finalize settings

Checking grammar & punctuation

Reader Immersion

Fifth Draft: Incorporate Beta Reader Feedback

Write for Yourself First

In what some call the “zero-draft”, there are no rules. This draft is purely for your eyes. It’s you telling yourself the story for the first time. So, you don’t have to write in chronological order, or know the right word you’re looking for, or take a break every time you run into a problem. The purpose of the zero draft is to get a rough idea of as much of the story as you can and avoid getting snagged on minor details. This part is important. A lot of writers like to outline meticulously before they begin drafting and if that works for you, that’s great, but the majority of writers who attempt that get stuck in the planning phase, or burnt out on their story before a word of it exists. The easiest way to avoid those two situations is to do a zero draft, which can be as long or short as you want if it provides a skeleton for you to add meat to later.

Common Struggles

~ How do you estimate the number of words/chapters?... That depends on the genre, mostly. However, that’s usually something you decide in the second draft and beyond, and it can vary because of factors you haven’t got locked down until the plot and character arcs are firm or final. This is also something you’ll probably do a lot of tinkering with, and receive feedback on, especially from beta-readers, who can advise you on where natural breaks could occur from their perspective.

~ Why, after planning everything out, do I always struggle to write the draft?... 99% of the time, it’s because you’ve either burned yourself out, or accumulated too much pressure. When you put that much effort and time into a story, you can either slip into a headspace where you feel little excitement about it because you’ve already done all of the problem solving and had all of the revelations. It’s usually beneficial at this stage to take a step back (even if you’re not burnt out) and give your story some space, so that once you come back to it, you’re enthusiastic enough to fully realize your vision. If instead you’re struggling to write because you feel a lot of pressure to do justice for a story you’ve put so much love into already, take a step back, remember that the first draft is just for you, and work on letting go of the idea that the zero draft is meant to serve any purpose beside simply existing. 

~ How do I come up with the necessary scenes to move the story forward between major plot points?... Most writing problems can be solved by asking yourself the right questions. When you’re trying to figure out what your reader needs to see next in order to effectively set up the next major event, ask yourself “What would happen between event A and event B that would add context or make event B more impactful?”. Treat it like a real situation and try to map out all of the tiny, notable moments that would take place between the major plot points, and then assess those moments on the basis of how impactful they would be to the coming scenes, and whether they can add context, set the tone, or aide in the rising action.

~ How do I balance sticking to the draft and following my own creative instinct in the moment?... This is a judgement call. Sometimes you’ll realize that maybe you should have just stuck to the outline, but remember that you can always go back, rewrite, test things out, etc. Always save every version of every scene, just in case, and go wild. Don’t be afraid to take detours just to explore. The writing process is anything but linear. 

~ How do I maintain momentum in my writing progress when I constantly have distractions or other responsibilities that take priority?... Work at it. There’s no magic trick or piece of advice I could say that gets rid of your personal responsibilities. Write when you can, don’t make excuses on top of the reasons you have no control over, and remember that you create your own deadlines and expectations. Be kind to yourself, do what you can, and don’t spend potential writing time punishing yourself because there isn’t as much as you’d like. 

~ How should I designate space (words/pages) to specific scenes/description/conversations, etc?... Trust your instinct and remember you can always cut/add later. In the earlier drafts, I’d advise you try to create as much material as possible to work with, and in the later drafts, be ruthless when determining what is necessary and adds value, and what doesn’t.

~ How do I finish a draft if I regularly lose motivation or interest in my projects?... Accept the fact that motivation is fickle, and that no writer in history has ever maintained “inspiration” for any project from the beginning to the end. There are going to be days where you’re like “ugh this is not what I want to do right now”, probably more than there are days where you’re stoked to work on your project, but that’s reality. If your goal is to finish a draft, you must recognize that writing is work, and nobody wants to work all the time. Try to supplement the lack of motivation by setting a positive and enjoyable routine so that, even when you’re not particularly motivated, you still know that your writing time will be peaceful and comfortable. 

–

Masterlist | WIP Blog

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[16woodsequ]

I have three questions about writing fanfiction and you’re the best fanfic writer I’ve seen so I’m going to ask them to you if that‘s alright

1. How do you write a lot in chapters, because I never manage to write more than 1k words about the chapter topic

2. How do you stay motivated for writing a long fic?

3. Do you have any tips about how to deal with a large ensemble of characters?

First of all, I'd like to say how happy and honoured I am for this ask! It made me so happy you thought of me. I'll do my best to answer helpfully.

My response ended up being pretty long, to I'll leave it under the cut.

1.

In general, my chapters are between 3k to 6k. I find 4k-5k is a good range for me. Before I talk about writing more in chapters, I think it is important to say that short chapters are not wrong. Short chapters can be wonderful to read!

If you want to work on writing more, I have a few suggestions. First though, the way my writing style works is I go into a story generally knowing the basic plot points, and I write all the chapters first, before I post them. So keep this in mind, since my techniques might need to be adapted for your style.

When starting a chapter, I have what I call the 'bone and meat' method. To write around 5k words, I find each chapter has enough room to explore 3-5 "events". These are the bones of a chapter.

As an example. I will use chapter five of "Alternatively", because I'm guessing you read that one. (If not you can send another ask with some you've read and I can use those).

The bones of this chapter are:

Prelude/set up to Steve learning about Bucky.

Pierce taking Steve to see Bucky

Steve having a breakdown in the elevator

Steve and Tony talking about it

These are the four main things that needed to happen in this chapter. I don't always start a chapter knowing what will happen at the end, but usually by 500 words in, I've figured out what out of my plot points will be happening in the next 5k of words.

When deciding what will be the bones of a chapter, I find I have two systems. Either I give the reader a satisfying cathartic ending, or I leave them in anticipation.

Chapter five is a good example of a mini-arc within a chapter that ends with a satisfying emotional catharsis. If you think of it along a story plotting graph, the prelude is the exposition, Pierce taking Steve to Bucky is the conflict/rising action, Steve's breakdown is the emotional climax of the chapter, and Tony and Steve's conversation is the falling action/resolution.

The ending event of the chapter feels natural, because while the story isn't finished, the emotions and events of the chapter have been tied together and dealt with for the time being.

An anticipatory ending for a chapter would be more like a cliffhanger, and would probably end near the climax of whatever plot points are happening. (Such as chapter 3 of Alternatively, the emotional climax of the chapter hits right at the end.)

So basically, your overall story has rising action and a climax, but if each chapter is roughly outfitted around that too, then it may be easier to write long chapters.

Once you have the bones of a chapter, all you need to do is add in the meat to fill out whatever word count you are aiming for. If you have written the bones of a chapter, but still aren't at a word count you like, then it is simply a case of adding more depth to what is already happening—showing the emotions of the characters, getting into their head, bringing up past events and relating them to what is currently happening, foreshadowing, describing the scene/senses, etc.

Please know that when I'm writing my chapters, I'm not obsessively planning out the steps of a chapter and thinking of all these things constantly. These are just patterns I've noticed after the fact, so they are not hard and fast rules.

2.

As for how I stay motivated for long stories, the thing that works best for me is writing all the chapters before I post the story. I know this system doesn't work for every author (and believe me, sometimes I really want to post), but I find doing so relieves pressure on me, and I don't feel guilty if I don't write a story for weeks or months because I am working on something else.

That being said, for my large Alternate Timeline series, I didn't have time to write all the chapters ahead of time. By the time I was writing The Alternate Handler, I had about a 10 chapter lead.

Things that helped me stay motivated is finding parts of the story that I really wanted to write. I usually write chronologically, so having moments that I knew where coming and I was excited for helped motivate me to continue.

Also, recognising that I sometimes made things harder for myself. Sometimes I'd be stuck on how to finish a scene, or expressing something, and my writing would slow, until I would realise that sometimes things don't need to be written in exact detail. If you don't know how to get a character to walk out of a room, sometimes you can just end the scene there. Unless something is plot relevant, you can write around it, if it is an issue.

Sometimes, if I'm stuck on a story or a chapter, it helps to take a step back and figure out what the actual blockage is. Often it won't be what I think it is. Sometimes it isn't because I don't know how to write it, or I don't know what to write—sometimes I can't write a scene because I haven't seen the movie in a while, and all I need to do is find the battle on youtube and rewatch it. Sometimes it is because I don't know how an engine works, and I need to either look up the information, or make a note of it and move on to another scene.

And sometimes you just gotta clunk out a scene word after word, because once you do, it will be done, and you can always make it better later. You can't edit what isn't written.

3.

Writing Marvel gives me plenty of opportunity to deal with large casts. Generally what happens is I end up focusing on the relationship between a few main characters, while the other characters have less focus.

In my Alternative Timeline series, the relationships between Steve, Bucky, and Tony are the focus.

Of course, this doesn't mean I want to forget about the other members. You'll notice especially in Bucky and Tony's stories that they have secondary relationships with other people like Natasha, Bruce, Clint, Pepper, Peter, and Nebula. These secondary characters get scenes with the main characters too, kind of on a rotational basis.

So first tip is to trim down how many characters you are focusing on, and how many characters are interacting with each other in each scene.

In fics I will often have Thor be away on Asgard, or Clint and Natasha doing missions, etc, so they don't get underfoot.

That being said, there are times like during group meetings, when you can't avoid having everyone in the same room.

In those times, it is important not to forget who is in the room. I will literally count on my fingers, or write down lists of who is supposed to be at the table, so I can remember.

A good example of this on a small scale is Steve's birthday party in chapter 14 of The Alternate Handler. That one has almost every Avenger but Thor sitting in a circle, playing a game. I had specific moments in mind, so I needed to remember who was sitting by who. I wrote down the names in order so I wouldn't forget, and could properly situate people in my head.

An example on a bigger scale is chapter 26 of The Alternate End. In this chapter, the Avengers have a meeting with practically every other character who was there at the final battle.

Yet again, I pare down the cast a little. T'Challa and Shuri aren't there because they are in Wakanda.

To help keep control of the larger group, I start with a vague idea of where everyone is sitting, and then don't go into deeper detail than I have to.

In the scene, we know the Guardians, Peter, and Thor and Loki are all sitting kind of near each other, but I don't specify who is sitting next to who unless I need to.

I also have Tony looking around the table for a few hundred words, seeing each group, and slowly but surely introducing them to the reader. Tony hasn't seen the whole group for a while, so he has a reason to catch the reader up to speed on what has been happening. While he thinks about the life developments of the people around him, the reader starts to get an idea of who is in the room, and their general mood.

A final tip I often use is staggered entrances. If you have a large group, and something Plot Worthy needs to happen when Character A and B talk, then don't have the meeting ready to start right away.

Have some people already sitting, so that your POV character can process them, then have some more people come in, and then some more. (I do this in chapter 19 of The Alternate End, before the time travel jump.)

With a big group, you need time to show what needs to be shown, so give yourself the space to breathe and give the characters the right amount of attention.

I hope these tips and notes were helpful. Feel free to come back with more questions, or details about your own writing style if what I said doesn't work nicely for you!

And remember, these are just tips, not the golden rule.

Have a great day!

[danteinthedevildom]

A Royal Pajama Party “Analysis” - Part 1 (of 7)

I mentioned (a while ago, oops) that I had a lot of thoughts on Diavolo’s character as revealed in the A Royal Pajama Party Devilgram. I ended up with so many screenshots, I couldn’t contain them all to a single post - so I’ve had to split it up into seven parts (ironically). 

For this first part, I’m focusing on the free chapter. Spoilers under the cut, of course! 

To start off with, I’m going to focus on this one, single screenshot. Despite how short it is, there’s a lot that’s revealed in just six words. 

My main point of focus? Diavolo is so genuinely excited to spend time with you - actual time, not time he’s tried to slot in with some pretend event to trick you into hanging out with him - that he’s been actively waiting for you to turn up. 

This is something I’ve noted before, but we know from previous Devilgrams that Diavolo doesn’t often get to spend time with other beings simply because nobody really wants to. He openly admits that he has to trick his friends into it by planning parties - as seen in the Concealed in Colour Devilgram - and that he struggles to get out of that habit now that he’s found someone (you) willing to visit the castle just to see him. No other alterior motives required. 

And here he is, finally setting something up without trying to trick you into it! He doesn’t feel as unsure about your friendship with him anymore; he’s aware - and accepted - that you are there for him, to see him, and that he really can just ask for your time and have you willingly show up. So he’s created this little, private sleepover just to hang out with you. That shows a heck of a lot of improvement in his confidence with you and the strength of your friendship (or relationship, depending).

It also just shows the sheer excitement he has towards it. He’s anticipating the moment you arrive with such ferver that he’s been actively waiting for you. I’ll go over this a little more beneath another screenshot, but this really does highlight A) just how much it means to him that you’re coming over for a hangout and nothing more, and B) how rarely this happens for him that it’s an event worth waiting for. 

This is, mostly, just exceedingly cute, in my eyes. 

Firstly, the onesies are canonically a gift from Diavolo due to his enthusiasm for the concept of sleepovers and his enjoyment at having everyone wear one (which he believes makes it feel like a festivity). He’s so into the idea of everyone doing something together that, even if they aren’t specifically there with him, he’s had these outfits made for the beings he considers friends to unify them in fun and merriment. 

These are things he’s never been able to do before. With his isolated and sheltered childhood, the experience of sleepovers with friends - something more than normal for most (if not all) of us - would have been something he completely missed out on due to the impossibility. He couldn’t get anyone close enough to him to even make friends, let alone have them spend the night with him playing games and having fun. 

So, this act of making onesies and sending them out? This is probably his own way of replicating that experience. He’s aware that a lot of the demons - and possibly the angels - won’t be too enthused with the events he has planned, and might begrudge even showing up. Doing this instead - letting them have their own sleepovers but with his gift - is like giving them that freedom and distance from him while still being involved. 

It also shows the sort of relationship he wants to have with them. Yes, he canonically needs to send everyone an outfit since that’s how outfits in these events work - but the devs could have just as easily come up with some other reason for them all having onesies. Considering the main event, it could’ve literally just been “these are outfits forced on them as part of the curse, and are retained afterwards as a reminder of the experience”. 

To state, then, that Diavolo had these made for everyone - and combined with another screenshot I’ll show later, where Diavolo announces that he believes onesies to be part of the sleepover experience - shows that he wants the other main characters to be the kind of friends comfortable and happy enough in his company to willingly spend extended time with him. 

(It also shows, I think, that they’re the friends he always hoped for as a child. You often find that people who were isolated as children or forced to grow up too quickly try to recreate moments they never got to experience in their childhood once they’re adults. I fully believe Diavolo is doing this. He’s always doing this; it’s why he can be so immature at times. He wasn’t allowed to be a normal kid, so he’s being a big kid now to make up for lost time. It’s why it’s so important to him that he does this sort of thing with others.)

Secondly, I love the wording of the second screenshot: “I’ve had yours specially tailored”. 

This is a way around not showing MC with a onesie, and allowing all of us to create our own, sure. However, it’s also Diavolo openly admitting that he’s put extra work (and no doubt time and money) into having MC’s outfit created. After all, it’s not likely due to us being human; Solomon’s a human too, and he got his onesie without issue (Simeon explains that Purgatory Hall get theirs at the same time in his SSR Devilgram, Purgatory’s Pajama Party).

The implication? Diavolo didn’t just want to give us a onesie; he wanted to give us the perfect onesie. 

Do you recall that I said I’d come back to Diavolo’s waiting later? This is why. (Please excuse the shoddy editing to remove my own MC’s name-)

This exchange says so much about Diavolo’s relationship with you. Not only is he anticipating your arrival, he’s anticipating it with such unrestrained glee that he - the Prince of the Devildom; most powerful demon in his entire kingdom - ignored typical royal protocol and sat down in front of the castle entrance, impatiently waiting for your arrival, so he could be the first person you saw as you entered. 

The way he words it, you can imagine him bubbling with excitement, eyes constantly flickering over to the clock, shifting in his seat until the need to pace drew him to his feet, counting down the minutes until your scheduled arrival. Then, maybe fifteen minutes early - or thirty, or an hour - he can’t contain himself anymore. The sheer excitement - the knowledge that you’ll be there soon, there of your own free will, there to spend time with him - finally gets the better of him, and he sneaks away to stand before the grand front doors, eagerly awaiting the moment they open to reveal your much-loved form. 

I’d definitely say it was a substantial amount of time, too. Fifteen minutes at the least, and maybe an hour at the most; Barbatos seems genuinely shocked, and the fact he says “all this time” implies Diavolo’s been guarding the door for a while. Longer than any reasonable demon - let alone a royal one - should have been. 

This childish excitement really does show just how much of that lost youth Diavolo is getting back through MC. You let him experience things he never got to; things that were utterly normal for everyone else. He gets to replace those memories of loneliness and isolation with these moments of exhilaration and unrepentant joy - all because you treat him like someone normal. Someone worthy of care.   

Additionally, the extent to his feelings towards you? Fully encompassed in that screenshot: “For [MC], no amount of time is too long.”

He cares about you and enjoys your company to such a degree, he’ll wait however long it takes just to see you. Every moment spent counting the minutes and seconds is worth it if, at the end, he gets to spend time with you. You - the one being he’s fully confident enjoys his presence as much as he enjoys yours - mean so much to him, you’re fully capable of making the Prince of the Devildom wait for hours, and he’ll be perfectly content to just sit there until you arrive.

What other being in all the Three Realms can claim the same thing? That they made the Prince wait for their arrival, and rather than be met with annoyance and disregard, they walked in to a veritable man-puppy so overwhelmingly enthused to see them he had to be scolded by his butler for breaking protocol?

The best part, of course, is Barbatos’ response. He sounds so resigned, so disbelieving; like a mother sighing over their child’s ridiculous behaviour. 

This isn’t the first time Diavolo’s done something like this. This isn’t the first time Barbatos has had to reprimand Diavolo for acting in an un-princely manner over you. It’s something we’ve seen before, of course - in the aforementioned Concealed in Colour Devilgram, Barbatos teases Diavolo for constantly inviting MC over just to see you - but in this instance? When it’s not just Diavolo making up some scheme to lure you to the castle? It implies something else.

Firstly, it implies Diavolo’s behaviour regarding you is completely different to his behaviour regarding anyone else. That sort of childish, gleeful, almost puppyish excitement? The enthusiasm that makes him lose his poise and authority, and drives him to do such expressive things as wait to greet you at the front door? That’s very likely reserved only for you. It’s only you that he so wholly loses his shit over, to be absolutely blunt about it. It’s only you he feels so strongly for as to make such a bold declaration over. 

Secondly, though? It implies this sort of... length, I think, is the best way to word it; the lengths Diavolo will go for you, even in really small, insignificant ways. “Whenever anything concerns [you] in the slightest”, Diavolo will forego all set boundries and standards. That feeling of resignation is Barbatos chastising Diavolo’s utter willingness to do... pretty much anything for you. 

He’s just so excited that you’re there, he overreacts. From the tone, the sprite, and the wording used, I could fully imagine that, when it comes to you, Diavolo isn’t above diving out windows just to keep good on a promise. He isn’t above going the extra mile for your sake, whether asked for or not. 

And though it’s done in a humorous way here - really just implying that Barbatos is a bit done with Diavolo’s sillier antics when it comes to you - it does make me wonder just how far that goes. It’s when anything concerns you “in the slightest”. Not just directly, but anything that has you in it even tangentially. 

How much has Diavolo done, or planned, or changed, solely because it might have a glancing side-effect that makes you smile? How many times has Barbatos had to mention your name in something to get Diavolo to take an active interest in it? How many times has, “I believe MC would benefit from this...” actually worked to get Diavolo to consider a proposed deal? 

More than that, however; if these are the lengths Diavolo goes to when you’re only slightly involved... what lengths would he go to if you’re more directly involved? What lengths would he go to if your involvement was something dangerous? Something that could have a rippling effect across the Three Realms?

You’re the only true friend Diavolo really has. He’s admitted before, more than once - both in the main game and in Devilgrams - that he’s aware both Lucifer and Barbatos don’t consider him as much of a friend as he considers them, and although we know of someone like Queen Rose, we don’t actually know the full extent of their friendship. Certainly not all too close, if the Dame event was anything to go by; it still felt stiff and formal, and Diavolo was still putting on airs. 

You’re the only friend he can really let loose with; can laugh and play and spend time with, without having to do so through a veneer of formality. 

He can be himself around you. Not the Prince, but Diavolo.

How far would Diavolo go to preserve the only friend he’s ever had?

+++

This post is the longest one of the lot, so if you made it this far - thank you! Hopefully it’s been an enjoyable and easy read. 

The next set of screenshots are a bit more clear and don’t require so much in-depth thinking, but still provide plenty food for thought regarding Diavolo and his relationship with MC. They also go into content that you have to use Story Keys to unlock, so if you’re unwilling to see spoilers, you’ll have to end your reading here.

That said, if you’ve already unlocked the Devilgram (or are curious about what happens next/how much we learn about Diavolo in the next chapter), you can hop right over to part 2!

[hafanforever]

As a collaboration project with @greatqueenanna​, we decided to discuss the books of the Frozen franchise and explain what makes some canon and what makes others not canon. Our reasoning for this is because there is a great deal of confusion among fans on what novels, comics, and guide books have reliable information about characters, motivations, and overall lore. We focused our attention on books because they are what specifically tend to have added information or significant prequel and post-movie content that adds both story and lore to the franchise.

In my post, I will be discussing which books have a strong case of not being canon; that is, they fall under the categories of Loose Canon and Non-Canon. greatqueenanna has her own post that begins the discussion towards what is canon (Hard Canon and Soft Canon). Please read it below to see the full collaboration effort, with the details on what books are considered canon and why.

- Canon Fodder Part 1 -

Which Elements Help Make a Book Canon?

As stated in Part 1 of this collaboration, when discussing the canonical strength of a specific book, two main components are examined to determine where it falls on the canon spectrum:

Collaboration with Filmmakers - Did the author(s) work with the main creative team of Frozen while writing the book?

Creation Time Period - If there is little to no evidence of the filmmakers’ involvement with the book, the time it was written or created during the films’ development is taken into account, since it means that the story and/or lore presented was taken directly from the creators to some extent.

Consistent Lore - Does the book’s story follows the lore presented by the main team?

Which Books Do NOT Have These Elements?

A Frozen Heart, Journey to the Lights, and the Anna & Elsa: Sisterhood is the Strongest Magic series are chaptered storybooks that offer a lot of lore to the franchise. A Frozen Heart alternates between the third-person perspective of Anna and Hans, giving readers a glimpse of their inner thoughts and pasts before they met, such as showing Hans’s life with his family in the Southern Isles. Likewise, Journey to the Lights and the Anna & Elsa series tell different stories of the sisters and their friends following the events of the first movie.

Pictured storybooks with unique stories vary in offering lore to the franchise, which may or not contradict that of the films. Their stories include Anna and Elsa’s childhood (Anna and Elsa’s Secret Playtime), the two traveling to another kingdom in which they encounter the Duke of Weselton (Across the Sea), Anna and Kristoff babysitting baby trolls while also sharing some information about Kristoff growing up in the Valley of the Living Rock (Anna Is Our Babysitter), and others set after the first movie as well as after Frozen Fever.

Despite their stories with the main characters and whatever lore they may or may not offer, it is unclear just how much or if these books’ authors consulted with the filmmakers while writing them, which makes their standing Loose Canon.

Like the aforementioned storybooks, the guidebooks A Frozen World and A Year with Elsa & Anna offer the franchise a significant amount of lore, including pieces of information that have already been confirmed by the filmmakers.

But also like said storybooks, they are considered Loose Canon due to them having a lack of involvement and/or acknowledgement from the creators. A Year with Anna & Elsa also recaps some the pictured storybooks mentioned above, making it somewhat dismissible. Additionally, both books were made years after Frozen came out, so they did not have the same access to the filmmakers’ notes and such as the novelizations and official guides did.

Comic books, whether they are in actual printed books or magazines, can also be sources of lore for the franchise. They include stories, both long and short, that take place after the events of both movies as well as those within the timeline by being in between. In other words, there are comics about Agnarr’s childhood before Runeard’s death, Anna and Elsa’s childhood before and during their separation, and Kristoff’s childhood before and during the time he lived with the trolls.

But the fact is, except for some retellings of the movies, these comics are virtually nothing more than glorified fan fiction in illustration, and they occasionally contain contradictions and inconsistencies to the films. Additionally, the creators were not involved with the making of them, making their standing in canon extremely weak.

However, it has been brought to my attention by @super-mam-te-moc​ that there are some comics that make an exception as being canon. As @greatqueenanna​ mentioned in “Canon Fodder Part 1”, from 2018 onward, author Joe Caramagna had collaborated with Black Horse Comics, apparently under the supervision of Jennifer Lee, and wrote four Frozen related comics series: Breaking Boundaries, The Hero Within, Reunion Road, and True Treasure.

Since these series of comics have the collaboration element, they are an exception to others and can be considered canon.

Conceal, Don’t Feel is part of A Twisted Tale, an anthology series of books based around alternate "what-if" spins on familiar animated Disney films. It is a retelling of the main Frozen story, but in an alternate universe in which Elsa and Anna do not know each other.

Because this main plot concept obviously contradicts the plot of the original film, and also because the creators appeared to have virtually no involvement with it at all, it is safe to say that this book is entirely Non-Canon.

[inkweaver22-blr]

Welcome to chapter nine! This one was meant to just be another filler with one of my own AU’s, but Tang just had to be introspective and have a moment of character growth. Hope you enjoy!

EDIT: This chapter has been edited to include some new info dropped on the same day I originally posted this! More info in the End Notes!

AO3 Link

<Previous | First | Next>

Scattered Cicadas - Chapter Nine: Rocks and Roles

Tang knows how to act. That doesn't mean he likes to play every part.

----------

Tang liked to think of himself as a decent actor, at least back in the original timeline. He had been part of the theater class in high school and telling stories required a bit of a dramatic flair if you wanted to keep your audience entertained. Convincing Pigsy he was a popular food critic hadn’t been too hard back then.

The many cycles he had been through had certainly helped polish his skill into a genuine talent. That one time where he and everyone else had been professional actors playing the roles of themselves from the original timeline as part of a show had especially allowed him to hone himself to a greater degree than before.

Being stuck jumping through time had practically made it a necessity.

It wasn’t that Tang enjoyed what was essentially lying to his family. It was more for their protection. He had almost broken the “No Interference” rule a few times when he hadn’t properly reacted to events that, while shocking or upsetting to his family, were simply part of his routine by now. He couldn’t allow the repetitive nature of the cycles to make him slip up and potentially cause more harm by being confronted by his lack of surprise or fear.

So he acted. He gasped at all the right moments or screamed in fear when in danger. Every laugh, every sigh of exasperation, every freak out over something related to Wukong was perfectly performed so as to not to raise suspicion. So long as the proper reaction occurred in response to the correct effect, everything went smoothly.

It wasn’t too hard or taxing as he never needed to fake his enjoyment of being around his family. Luckily for him, he also didn’t have to act exactly as he had been in the original timeline, or he may have gone insane from the monotony of it.

The cycles where his background was entirely rewritten were blessings in disguise, really. They were new. Fresh experiences for Tang to have and not have to work as hard to realistically react to.

He treated them like a method acting exercise. The new memories as part of Tang’s new backstory was the motivation for the ‘character’ he was playing. He didn’t have to fully adhere to them, but they certainly helped him play the role provided to him for the cycle.

He still disliked playing the villain however.

It happened a few times before already. The most notable had been when Zhu Bajie was in the role of Sun Wukong as MK’s mentor.

Tang shuddered at the memory of that timeline.

Saying that version of him had been unhinged was severely downplaying the many atrocities he had performed on both himself and others. Committing suicide to erase his name from the books of the dead, killing demons to absorb their lifeforce, and cutting open his own chest to manually insert the gem holding that lifeforce into himself for power were simply the tamer actions he had committed.

He supposed that heartbreak, jealousy, and internalized insecurities could drive even the most benign people to madness so long as they properly justified their actions to themselves.

It had been the first time in quite a while that Tang seriously considered intentionally breaking the interference rule and just running off to live in solitude for the entire cycle. Getting “redeemed” had been one of the most difficult things he had tried to pull off.

Tang dodged a swipe from the Monkey King’s staff as he was brought back into the present.

He was the villain once again this cycle. Luckily though, he was much less of a threat to his family this time around.

He was replacing Red Son as the demon child of Demon Bull King and Princess Iron Fan.

Tang, Son of the Earth.

He wasn’t the only one who was switched around. Pigsy, who went by Bajie, was a human who had become Wukong’s successor. MK was a boar demon who ran the noodle shop. Red Son was a scientist and engineer who frequented the restaurant.

It was almost an opposite reflection of the cycle he had just been musing about.

“You’ll have to do better than that, noodle boy,” Tang taunted as he swung his arms to pull chunks of stone from the ground, his hands and the Earth he controlled both glowing with a golden-yellow light.

He supposed that it made sense for him to have some sort of elemental power if he was this timeline’s Red Son. Earth fit as he had certainly mellowed out over the course of the cycles, becoming more focused and self assured. His original self would have most certainly been associated with air with how flighty he had been.

Tang made sure to keep his full concentration as he attacked Bajie. Earth may be the element of the sturdy, but it had the potential to be much more volatile than fire. It was easy to let loose and cause a catastrophic earthquake. It took precision to control smaller pieces of rock without causing too much collateral damage.

Bajie batted away the earthen projectiles with ease and rushed into an opening Tang had intentionally left. He had to do his best to not rely on the fighting skills he had from previous cycles and use only what his memories knew when playing a villain. Otherwise he’d easily beat the fledgling hero and that certainly would be treated as interfering.

Tang winced as the staff connected with his ribs and sent him flying. He coughed as he pulled himself up, holding his injured side as he glared at the now smirking Bajie.

“How’s that for better!”

“This isn’t over,” Tang cried out dramatically. He activated his powers, this time summoning a whirlwind of sand to teleport away.

Another scene as the villain successfully played out.

----------

Tang sat in his workshop, calculating the specific size of a rune circle he would need.

It seemed that similarly to how Red Son was a genius that incorporated magic into science, this version of Tang was one who incorporated science into magic. Not a big distinction, but important in how the process worked. It still took an impressive amount of knowledge on both subjects to work them together in the end.

Setting his pen down to take a break, Tang looked around as he stretched. He caught his reflection in a nearby piece of metal machinery he had been fiddling with and examined himself once again.

He didn’t look too different from his human self, his face remaining the same. His hair was now a dark brown with yellow highlights and his glasses were much smaller. The biggest difference were the bull horns sticking out of the side of his head.

He didn’t mind them too much, but having to give up any pull over shirt for button downs was a hassle.

Looking at his horns lead the demon scholar to think about his parents in this timeline.

Demon Bull King and Princess Iron Fan.

Tang frowned as he recalled the less than comforting welcome he had received after returning from his defeat. The disapproving dismissal from his father and scathing taunts from his mother had been demoralizing. It would have hurt more if he hadn't had the years of time jumping behind him.

If this was how Red Son was commonly treated, it was no wonder he worked hard in everything he did just to gain a scrap of approval and praise.

And yet he knew they loved each other. The moments he noticed didn’t happen often, but he could tell that his parents held some affection for him, and he obviously cared for them. He just didn’t understand why they acted so cruelly to one another.

Was it a demon thing? Were they afraid that by showing their love they were showing weakness?

That was certainly possible, but Tang disagreed with the sentiment. He had been through enough cycles to see that love made one stronger. It wasn’t the weakness their enemies thought it was.

Tang was already planning on becoming redeemed in this cycle. It hurt to think his parents would disown him, but what if that didn’t have to happen?

He thought about that one specific cycle and how he had become so twisted. All of it could have been avoided had his past self simply let go of his long held beliefs and went with Bajie.

Now he just had to make two powerful demons do just that.

Tang was an amazing actor.

He also had many years of watching the people around him and knew most of them almost better than they knew themselves.

His current parents were no exception.

He could see the potential for a loving and healthy family, buried just beneath the surface.

It would take some work, but he was sure he could unearth it and polish that potential until it shined.

With renewed energy, Tang pulled out a blank scroll and began planning.

He had a family to save.

----------

Welcome to what I’m calling the Noodle Swap AU! It is named that way because the only change is that the pairs that make up the two most popular noodle ships (SpicyNoodles and FreeNoodles) swap places!

Shout out to @winterpower98 for their amazing Actor AU and Dad Swap AU mentioned in this chapter! Go check them out!

Yes, yes, I know I’ve basically made Tang here Terra from Teen Titans. Most people would give him Air as an element, but 1) we already have an Air user in Princess Iron Fan and 2) Tang has changed quite a bit since the start of this Time Hopping experience, as he states himself in the chapter.

I do genuinely believe there’s a loving family hidden somewhere underneath all the cruelty the DBK crew throw at each other. It’s already been hinted that Red Son will get a redemption arc in the show, but I want one for his parents too.

That’s all for now! See you in the next chapter!

:IMPORTANT EDIT!!!!:

There's been a few paragraphs changed and added to include the new canon lore for Tang in the Dad Swap AU! Go check out @kitkat1003's absolutely ASTOUNDING work, When the Tide Pulls Away and the Earth Sharpens to Steel! It is INCREDIBLE and if it was finished, you'd absolutely know there would be an entire chapter dedicated to it here.

[yostresswritinggirl]

100 Followers Special

(And how to participate) you don't need to be a follower to vote ack

~yostresswritinggirl

Hello AGAIN, with your back to back followers special! Exiled here, very tired, as I just closed the requests box for our 50 followers special. I asked for some recommendations and no one helped me so this is what I came up with!

Granted, it's nothing that special, I literally just dumped my notes into this so—

Please make sure to follow the guidelines and read this thoroughly to properly participate!

1. You will be given a long list of fic prompts specific to a character that I've come up with for weeks on end, please don't steal, as I will remove them after this event is done!

2. Voting! You now have the power to influence my writing schedule haha- what you need to do: is to pick three prompts from the list and send it to me; either through reblog tag, a reply, or in my ask box (not anon so we can count fairly, will not publish these answers tho so worry not)! Not in messages tho! It should be in this format:

1. Character - prompt or prompt title

2. Character - prompt or prompt title

3. Character - prompt or prompt title

example:

1. Albedo - Citrinitas

2. Zhongli - Braid

3. Xingqui - Author!Reader

The top three most voted prompt and character will be the next fics I'll publish after I'm done with the current reqs. Speaking of: Voting ends when I finish the current reqs. You'll know it's done once the counter in my blog desc reaches 12/12.

3. In addition to the three prompts, you also get to add your own prompt to it! My prompts list does not include ALL the characters that's why I wanted to give you this option too! Add a fourth number and specify a character, a prompt/idea, and the format of the fic! Format it this way:

4. Character - Prompt/Idea (Format)

4. Kaeya - What's under that eyepatch? (Scenario)

After I pooled the answers, I'll randomly pick between the bonus answers and write them last! So give it your best shot!

4. Tags-list! I thought this would be necessary for this kind of a whim special, so if you wanna be tagged, just put Tag Me! at the end of your vote. Please make sure that you're actually able to be tagged because I just tried and some users are not in my orbit huhu, look here

5. If a pocket watch/series prompt gets chosen, I will only post the first chapter, not the whole damn fic pls. Have mercy,,,

I will post a counter of the top three in my blog description and will be updated as frequently as possible. Any questions, please direct to this post or my dms <3

Without further ado, here is your choice list!

Xingqui - "My liege, would you care to accompany me on my reading break? I've picked up a romance novel and it reminded me of us."

-> Author!Reader: You met Xingqui at Wanwen Bookhouse when delivering a batch of your newly-published book. But as a ghost writer, no one knew it was you that authored such books. Safe to say it was cute watching the noble bookworm fanboy about you in front of you. [FLUFF] [FIC]

-> Headcanons with a reader older than Xingqui who's a close family friend of the Feiyun Commerce Guild. Fascinated after meeting you in a party, the noble boy aspires to become the best man for you despite the difference, promising to be the best suitable partner for you in the future. [FLUFF] [HEADCANON SCENARIO]

Childe - "Hey there, comrade! What a coincidence that we had a break at the same time, care to accompany me for a walk? I promise I won’t lead you to a fight haha... hey, don’t look at me like that!”

-> Antinomy -  The 10th Harbinger (You) and the little shit they had to mentor (Childe), this fic enumerates the trials of the 11th before he became a Harbinger under your care. From strangers to mentor to friends to love- Childe made a grave mistake, now you’re once again strangers. [FLANGST] [ONESHOT]

Albedo - "Ah, it's you. I've heard of fleeting rumors that you've been pestering a certain someone just to see me. Next time, just come directly to me, I wouldn't mind the assertiveness."

-> Refer to these three as well: Albedo Fic Ideas [FLUFF/FLANGST/FLANGST] [ONESHOT/ONESHOT/SERIES]

-> “You’re Enough”: A year into being the new Chief Alchemist of Mond, Albedo finds himself holed up in his room in the dead of night, haunted as he continuously comes out empty on his research to bring his master back, feeling inadequate. So you reminded him of what he’s capable of. [FLUFF?] [ONESHOT INSPIRED BY You Are Enough - Sleeping At Last]

-> Under the Artificial Sky: Michaelangelo Scenario focused on Albedo’s sketching aspect. Grand Master Varka and Acting Grand Master Jean figured Albedo needed a break and a change of scenery, and sent him off under the guise of a commission in Liyue. What he didn’t expect was another artist from Fontaine accompanying him in this big project.(Albedo and Reader are tasked to paint the new Jade Chamber within 7 days) [FLUFF] [SERIES - 7 CHAPTERS]

-> Albedo SMUT: I had this idea while laying wide awake at 3 AM. The alchemist had been trying all remedies to shake off the stress and fatigue in his system and they all seemed to fail, no amount of sketching or discoveries can pull him away from it. So when you offered a solution he hasn’t heard, he’d jump at it immediately. “You know, some people say having intercourse with someone is a good stress-reliever.” “Intercourse? If it’s true, then please, I wish to have intercourse with you.” “Wha- wait Albedo, do you not know what that is? It’s only done between lovers!” “Convenient, I love you, anything else?” (Two virgin dumbasses do the thing to relieve stress) [SMUT] [ONESHOT]

Xiao - “I’ve taken care of every threat around this area, you can relax now, I made sure of that.”

-> What is it with you and Qingxin flowers? The Traveler had once heard of Xiao’s affinity for Qingxin flowers, and they’re flying companion boldly asked this lingering question to the adepti himself. His pupils dilate and sharpen before Paimon could finish her sentence. (An origin story about his favorite flower, and his favorite person) [SLIGHT FLANGST] [ONESHOT]

-> Just how harmful is adeptal energy to normal humans? You both found out in the worst way possible: silently, deadly. (Slight spoiler: you fucking die) [ANGST] [ONESHOT]

-> Nightmares Taste Horrible: He’s seen that look in your eyes and the ancient soul within it; you’ve lived long ago, and the only thing your soul carried now was the nightmares of a macabre timeline. Was it him or was it demons that brought you that fear? No matter, he’ll protect you even from yourself. (eating the nightmare of a dead soul reincarnated to you) [FLANGST?] [ONESHOT]

-> Go for the throat: The seal that marked you had made it all too late for him to remedy. Bleeding eyes, growing fangs, it’s just another demon to vanquish just like he’s done for centuries. What makes it different was it was sealed in you. (Inspired from Melanie Martinez’s song uhu) [ANGST] [ONESHOT]

Zhongli - “Mortals are capable creatures that evolve and adapt for means of survival, but they advance in ways that changes the world around them. This retirement, may be harder to me than it is to them.”

 -> “In human history, there’s a certain noble and powerful connotation to rulers who braid their hair.” Convince to braid his hair using some historical braid trivia; that long hair behind his back should not be ignored for any longer. [PURE FLUFF] [DRABBLE]

-> History has its eyes on you: A traveling theatre hailing from the land of entertainment finds its way to Liyue for their last caravan. A certain Geo Vision man seems to resonate with your newest script: fighting and protecting your land, building up its nation, before being forced to let go of it. He resonates maybe a little too much. (Musical!Reader with heavy references to Hamilton hehe) [FLUFF] [ONESHOT]

Venti - "Can you hear the symphonies of the wind as it sings to you? That's me, guiding you and protecting you! Whenever you hear it, know that you're safe and sound under my protection!"

-> the one the bard once loved: like actual bard, you are the archer or smth, loved by Venti and Barbatos. Yandere!Barbatos undertones, very unhealthy relationship. This hurts the kokoro. [PURE ANGST] [ONESHOT]

-> The Caravan: (related to the Zhongli and Musical!Reader up there) Your caravan stops at Mondstadt for a whole week before it reaches its final destination. This new fanfare pulled in a peculiar bard who now wants to tag along for the fun of it. "I have no more responsibilities in this free land!" Just what kind of responsibilities does a broke bard have in the first place? [FLUFF] [ONESHOT/HEADCANON]

Diluc - "You look weary, and you still managed to pull yourself here. Here, a fresh and cold glass, on the house. A relieved smile should be enough payment."

-> Abandoned by The Altar: A timeline oriented story focused on your once perfect childhood relationship as Diluc's bride to be, soon becoming estranged after the death of his father and his neglect. You only wish now that he looks at you the same way he did when you heard you were supposed to be together forever when you were young. [FLANFF] (The ending gets better pls; Inspired by Still Into You - Paramore) [ONESHOT]

-> There are No Laws Against Homelessness in Mondstadt: My favorite title out of all of this ahahhaa- who says adventurers can't be broke? You're the living embodiment of that. (Good boi Diluc with a broke ass reader) [FLUFF] (Warning: homelessness) [ONESHOT]

Scaramouche - "Let's go already, the sun is setting and we're nowhere near our destination. If you wanted to linger just to spend more time with me, I would have indulged you behind closed doors anyways."

-> Scaramouche Finally Does the Fandango: Have you ever wondered how Scaramouche is like working with other people? His first assignment was to accompany you in your main region and he sees you in your natural habitat, entranced. [I dunno how to tag this, NORMAL?] [ONESHOT/SHORT]

-> Skincare bitch, how I headcanon Scaramouche as someone actually conscious and always tending to their skin. Look at that smooth skin, cute cheeks, let me pinch, eyeliner glory— In which case, that hat has more purpose than being a frisbee. (May or may not include reader. (based from a reblog convo with chels-void) [GOOD VIBES] [HEADCANONS]

-> Once Supreme: Before Scaramouche, there was someone else higher than him. Before Balladeer there was just a young man fighting for his beliefs and her Majesty. Before Mondstadt, his smile wasn't just for deception. "Someday, someone would take advantage of that smile, Scaramouche. It's not appropriate in this work environment." The day you break a man. (Harbinger!Reader again, and lots of HCs for Scaramouche, same format as Antinomy) [I also do not know how to call this, eventual ANGST] [ONESHOT]

Kaeya - "What are you doing out here in the dead of night? Citizens like you should be cozied up in bed and leaving the patrols to us Knights. Come, I'll accompany you back home."

-> Honey Whiskey: A mysterious band of dancers from Sumeru visits Mondstadt and its taverns to offer a night of alluring dances. What was supposed to be a night of drinking for Kaeya and his troops ended up becoming a tipsy surprise mission when the main dancer steps down from the stage— and ignores him?! How scandalous! (Slightly suggestive themes/You're a bad guy) [COOL?] [ONESHOT] [slightly inspired by song with the same name]

General:

-> A Musical!Reader but with a scenario with every other character, most probably headcanons master post.

-> Genshin Food prompts: From that one post, I ended up making a whole storyline of oneshots related to their special dishes. Oneshots connected to a bigger picture. By impulse you've ended up leaving your normal life behind to pursue your cooking career, starting from Mondstadt, to learn all the cuisines to establish the first ever international restaurant. With the implications of magic and peculiar customers, your simple dream turns into a harder goal. [GOOD SHIT] [SERIES] [CANON-COMPLIANT]

-> God of Time!Reader that hails from Fontaine. Do you wish to know more about their origins and their purpose in this world? [CANON-COMPLIANT] [HEADCANONS] (General since it deals with all the characters/interactions)

▰▱▰▱▰▱▰▱▰▱▰▱▰▱

Tagslist-for-my-thirsty-homies:

[alizrak]

Star Wars: Thrawn Ascendancy (Book II: Greater Good) REVIEW

Star Wars: Thrawn Ascendancy (Book II: Greater Good) is the latest book by Timothy Zahn that takes us deep into a complex web of intrigue, family politics and manipulation happening in the background of the Chiss Ascendancy after the events of Star Wars: Thrawn Ascendancy (Book I: Chaos Rising).  

Publisher's summary:

Thrawn and his allies race to save the Chiss Ascendancy from an unseen enemy in the second book in the epic Star Wars: The Ascendancy Trilogy from bestselling author Timothy Zahn.

Thrawn's latest triumph still rests newly on his shoulders. Despite leading the Chiss to victory and bringing glory to the House of Mitth, the true threat to the Ascendancy has not yet been extinguished. Their foes do not send threats or ultimatums, or mass ships on the edge of the Chaos. Their weapons come cloaked in smiles and generosity—gifts offered freely, services granted unconditionally.

Across the Ascendancy, seemingly inconsequential events could herald the doom of the Chiss. As Thrawn and the Expansionary Defense Fleet rally to uncover the enemy plot, they discover a chilling truth. Rather than invade Chiss capitals or pillage resources, this mysterious enemy strikes at the very foundation of the Ascendancy by widening the rifts between the Nine Ruling Families and Forty Great Houses below. As rivalry and suspicion sow discord among allies, each warrior must decide what matters most: the security of their family, or the survival of the Ascendancy itself.

Spoiler Review after the cut

To start with, I must confess this might be my least favorite Thrawn book so far. Thrawn feels absent for most of the story, only being present for a few character interactions and battles. If someone said he's in 1/5 of it I would say that's actually quite generous. Additionally, all the Memories chapters that added so much to understanding Thrawn’s motives and personality in the last book, are instead focused on the enemies to give some context on the situation on their side of the plot.

There are a few gems of character development for Thrawn, and a reaffirmation of his personal convictions and morality, as well as a couple of mentions that Thrass is dead and the Outbound Flight incident with the Vagaari happened... but all of that it's overshadowed by the sheer amount of new characters and factions, and their plotlines taking up most of the story. We are talking about a dozen new characters with specific roles, which makes the book HEAVY on family intrigue, politics and mind games that have little to do directly with Thrawn until the last few chapters where he conveniently discovers the enemy's plot against the Ascendancy merely by coincidence. 

There is such a thing as too much worldbuilding if you don't make it matter to your main character... and the problem here is that you can't say Thrawn is the main character of this book. The one who comes out on top at the end? Yes, definitely, as is always expected, but the weight of the story is instead carried by Thalias, Lakinda, a Chiss farmer and Haplif, the enemy alien. 

Just like last time, Thalias brings the empathetic side to the table, worrying about the moral and ethical implications of Thrawn’s actions. Lakinda is a refreshing addition to the cast, struggling between duty to her family and duty to the CEDF. Lakphro the Chiss farmer is perhaps our first real look at the Chiss “commoner” that has to deal with being at the whims of the higher ranked members of his family, and while I found it interesting, his characterization reads too much like an Americanized space farmer. Haplif is the driving force behind the conflict, setting up a web of lies that plays on the politicians’ wants and desires to manipulate the Chiss families into an all out Civil War.

I am sure there will be people who will enjoy this level of intrigue, but in stark contrast with Chaos Rising, where we got to see how Chiss society affects/relates directly to Thrawn and the people around him, this was the opposite. I didn't feel as invested into the plot for that same reason... which made it more difficult to enjoy given the elaborate manipulation going on for half the book.

When you read Star Wars: Thrawn Ascendancy (Book II: Greater Good), temper your expectation of this being a “Thrawn book” and take it more like an introduction to the backstage machinations within the Ascendancy. The book will certainly add a new layer of information to anyone wanting to write about the Chiss society in the fandom and sets up a much more interesting situation for the next installment, as they tease the existence of a secret history of the Mitth and a new weapon at the very last page. Not ideal for my taste but certainly welcomed, especially as we know Thrawn Ascendancy: Lesser Evil will come out this year so the wait will be short. 

I would have to give it a 3/5. 

[borkthemork]

Got tagged by @calamity-unlocked for the procrastinating writer ask, and might as well! Always fun to get away from the pains of editing, RIP to Falling Down Dry’s eighth chapter.

1) How many works do you have on AO3?

26.

2) What’s your total AO3 word count?

220,000.

3) How many fandoms have you written for and what are they?

A lot. Just...a lot before I got into Ao3 so let’s keep it at that. But mainly I wrote for SU, Amphibia, and FMA.

4) What are your top five fics by kudos?

-Death of the Ego

I would say this happened because I wrote this at the right place at the right time. People had been theorizing that Steven would get corrupted ever since the trailer to SUF, and I originally made this as a one-shot...until people encouraged me to start exploring it.

Wouldn’t say it was my best work, but every time I wrote something it meant I improved slowly, and I would always appreciate that no matter the weather.

-Doesn’t Have to be Solo

Oh man, I loved this one! Just a series of connected events with Steven going on his road trip, and learning more about himself and who he was along the way. It also was the fic where I needed a lot of beta readers as time went on, so it made me learn a lot about grammar, prose, and overall the internal rules I developed while writing in general.

-Beyond the Music Box

This was the surprising one! This fic was originally a place where I could archive all the drabbles I written on Tumblr, and y’all really wanted it due to how chaotic my tag format is for this stuff.

It’s surprising for me because I didn’t expect a lot of love when it came to my casual writings since they take I don’t know an hour or so in creating, so thank you everyone who encouraged me to do this.

Just ignore the fact I’ve been lazy at updating the drabbles, shhhh.

-Building One Up

Marcanne, my beloved. Me and my friend kept talking about how Anne was a buff dork and this was at a time where no one really focused on that except mainly on Sasha when it came to strength (for obvious reasons).

I found this slander (I’m joking, by the way) and decided that I needed to write my feelings out on the topic.

And y’all agreed with me so dthdfthtfhtfht.

This also was the first time I had to hone in on a new form of characterization entirely, being that I infused the character’s thoughts and feelings into the way the prose flowed out itself. For Marcy, I went on a pretty analytical front with this piece, and it helped me get into the groove for people like Anne and Sasha and many others over the course of writing.

-Late Night Talks

I didn’t expect this one to blow up at all. I wrote this at one a.m. and y’all just grabbed this fic and ran, I am still confused.

5) Do you respond to comments, why or why not?

I respond to comments all the time because comments just give a lot of serotonin, you know? Someone took their time out of their day to remark on things I did in the work itself, and it’s just very validating to see. It also creates this environment that says, “Yes, I see you, and you can interact with me anytime you want.” so it’s all about that friendliness unless you’re rude to me back.

6) What’s the fic you’ve written with the angstiest ending?

Pizza for One. Had an angst kick when SUF occurred so I milked it whenever my motivation got the best of me.

7) Do you write crossovers? If so what is the craziest one you’ve written?

I don’t write crossovers unless you mean a crossover of characters to a new environment and set of rules. I would gladly write characters into the FMA world, oh my Lord!

But I guess the craziest stuff I’d written would just be comedy sketches? Best example would be Joe and Bessie having kids and Marcy having a conniption over it, so take that what you will.

8) Have you ever received hate on a fic?

I don’t believe so? I did get one person on my old SU fic asking me to continue while giving me unsolicited advice but they apologized not soon after.

9) Do you write smut? If so what kind?

I do write smut. I write it privately but I adore characterization and intimacy, and so I try to make rather domestic pieces that connect to the characters themselves. If it has a certain kink, I make sure to research it so I could understand why the character finds the act rather arousing, and I just want to pay respects to the act itself.

Even with our current day and age, there’s still a lot of conservative anti-sex rhetoric going around, and I always try to view the act of physical intimacy in the same lens as one who adores love in all its different facets and forms.

10) Have you ever had a fic stolen?

Nope.

11) Have you ever had a fic translated?

Nope to that either!

12) Have you ever co-written a fic before?

Sadly, no. I do art trades with people and those are lovely to do since we get to brainstorm and make art together, but I’ve never co-written work with someone. If anyone wants to do that, then sure, just hit me up.

13) What’s your all time favourite ship?

It changes every season, every morning tide, every peace loving hour on the Planet Earth.

It’s Marcanne, right now.

When it comes to ships I always go with the Friends-to-Lovers dynamic, but a lot of the ships I have come from seeing the amount of intrigue in how that type of ship would play out. That could be with Kannao and the amount of commentary over Japanese gender biases, or Royai with their very complicated but extensive adoration and loyalty to one another.

For Marcanne, it’s all about that playful banter that could definitely bubble out of the surface if you just (bangs table) allow them to communicate and be transparent fully. (cries)

14) What’s a WIP you want to finish but don’t think you ever will?

Sadly, that Anne fic with her confiding in Hop Pop after they get settled in her house. After what happened with the sneak peek, I realized that this fic would need a lot of build-up to be satisfying and I didn’t have the strength to do a 10k build-up to Anne crying.

Maybe I’ll finish it, we’ll see.

15) What are your writing strengths?

Writing strengths would be concise prose and characterization. I am a worry wart, I worry over the importance of each paragraph and how it all forms and transitions together, it’s just a part of how I work a great deal of the time. And man, characterization is the big one for me, if I don’t understand how the people work and could theoretically function in the story itself, I feel absolutely lost.

Which is also the reason why I’m struggling right now with FDD Chapter Eight, because Marcy’s reaction to Yunan keeps eluding my grasp!

16) What are your writing weaknesses?

I overthink a lot. Concise prose is great but I force myself to get all fancy and massive with details since I’ve got to unless I want a specific part to be so quick and unmeaningful, and this leads to pacing issues or just not enough intended time for people to breathe in the fic itself.

17) What are your thoughts on writing dialogue in other languages in a fic?

I need to get a beta to make sure I don’t sound like an asshole, haha. I do love other languages, they are beautiful and can add a lot towards an audience who does know the language itself, but it depends on the work I’m doing.

18) What was the first fandom you wrote for?

That would be uhhhhh, my memory is lacking but Minecraft. The whole videogame had a wish fulfillment atmosphere to it, and since I got rather obsessed by how anything could happen in the engine itself I went with it.

19) What’s your favorite fic you’ve written?

When it comes to me, my own perception of my art changes day to day. Back when I first posted the Lapidot fic I thought it was the best thing I’ve ever done even though now, with the knowledge I have from workshops and betas, that the style I drafted had a lot of grammar and prose mistakes that I wouldn’t make in the future. It is pretty subjective, but for now I think the best fic I could look at right now would be amestrian catcher (set something ablaze).

Thank you Calamity once again for this! And I’ll be tagging @resplendent-chungus, @aanau, and @golddragon387!

[obeyme-kaidii]

Obey Me Tips

General Obey Me Gameplay Advice

I really love Obey Me. Really really really love it. I love the characters and the stories, and I really love the fan content that’s been created for it. I’ve never been involved in a fandom before, but I have to say it’s pretty amazing finding like minded people to interact and share these things with. I’m not brave enough to write fanfic, but I can give game play advice and do math, so that’s why I write these guides.☺️

My advice here is either from personal experience or because I did the research and the math so I could figure out the answer. I’ll always have proof to back up my assertions, if you’d like to see for yourself if my theories hold water. (I’ve even started a free account on my iPad just so I can thoroughly test all my recommendations from the perspective of a non-paid player.)

Please keep in mind that my advice is geared towards players that view finishing the normal mode lessons/main story as their priority. You may prefer to collect outfits or bloom all your favorite cards, and that’s quite alright too.

So without any further ado, here are my general gameplay tips and advice.

An ideal team consists of 3 Demon cards and 3 Memory cards per type.

But a team with only 2 Demon cards and 2 Memory cards per type is also viable for the normal mode lessons at this stage in the game (up to lesson 40).

This is because of the 2.6x type boost for primary types and 1.9x type boost for secondary types per level. The boost only applies to the cards that match the types on that level - so on a level with Envy as its primary type, the Envy stat on your Envy cards will receive the 2.6x boost.

So while that 2.6x boost is pretty awesome, the 1.9x boost is nothing to scoff at either. And if you have 2 Demon and 2 Memory cards of each type, then you can guarantee that all of your cards will receive some sort of boost on all the new levels.

For the first season of levels (lessons 1 - 20), you can get by with just a single team of 3 Demon cards and 3 Memory cards because the type boost for those levels works differently and applies to all cards, not just the ones that match the types for the level.

(And don’t forget you can only use 1 Demon card per brother on a single team. So if you have two Greed cards, but they are both Mammon, you’ll only be able to use one Mammon at a time. Don’t waste your time powering up both of them.)

Powering your cards up evenly is the best way to advance in the game.

I don’t know how it got started, but at some point everyone became convinced that the best way to advance was to work on a single card at a time. And that’s simply not true. In fact, it’s pretty bad advice if I’m being honest.

Things get more expensive as your cards get stronger and you get less strength for the effort. When you level your cards evenly you’re able to get more strength combined for the amount of Grimm you spend.

(If you’d like to see the math on this, I have a whole 4 part series that breaks it down bit by bit packed with examples.)

This advice applies to stars too. Bring all your cards for your teams to 1 star, then 2 stars etc. Sometimes you’ll already have the mats on hand to unlock more stars on cards of certain types, and that’s totally cool and fine to do. But when you are short on mats and trying to figure out what to work towards next, remember to strengthen your weaker cards first.

Use Grimm to level up your cards.

You do receive a small portion of experience in battles that will help your cards gain levels. But because of the mechanics of the battles and how long they take, I really don’t recommend grinding them for experience to save a few Grimm.

Maybe if you had a ton of free time and nothing better to do, I guess? But it’s just not worth the trouble to me. I think it would be a better use of your time to use the “x3” or “x5” button and just get it over with, and then go read some smutty fanfics, where you get pounded by the demon(s) of your choice. 🙃

It is worth mentioning though that the addition of the “SKIP” feature for battles where you overpower your opponent by a large margin makes it much easier to earn experience through battles, but you’ll still occasionally be given a Surprise Guest to entertain. It’s up to you to decide if that delay is worth the experience.

Stars are overrated.

I already mentioned how for most of the game my cards only had 3 stars. And that’s because the amount of time and effort you have to spend to farm hard mode materials in pretty crazy. It’s just not worth the effort to get hung up on them. You’ll quickly find yourself struggling to advance if you get distracted by the stars.

You’re better off doing events to get new cards and waiting for Levi’s Otaku Bootcamp to roll around, and doing the hard mode battles then. And if you just absolutely have to have some hard mode mats - buy the extra levels from the current event so at least you can get extra event points (and thus more rewards).

Only spend your Demon Vouchers in sets of 10.

That guarantee of getting 1 SSR card is pretty gosh darn important especially for free players that don’t have DV to waste. I know it’s tempting to spend them as you earn them, but try to resist the temptation. My biggest regret is that I didn’t spend my DV more wisely when I first started.

Don’t waste your DV on Chapter A.

Besides the UR cards, all of the cards in Chapter A can be won in the event Nightmares. So unless you really really want one of the OG Demon UR cards (which I admit, they are all pretty awesome), don’t do it. And if there is a specific UR card you want, you should try to wait until the birthday event for that demon for a better chance at getting that specific UR card (assuming they continue the pattern of releasing birthday Nightmares for all the brothers).

Invest in Chapter M when you get the chance (be sure to use 10 DV at a time).

This is important to free players especially because it’s the best way to get Memory cards. Odds are you won’t be able to get enough points for the new events to win the SSR or UR Memory cards so you’ll have to get them somewhere.

(Replaying the old events in Lonely Devil is also another good option because the rewards were much cheaper and easier to acquire than they are now.)

Don’t neglect your Memory cards.

I really cannot emphasize this enough. I know they give less strength than the Demon cards, but they are still really important in terms of not only strength, but also their special skills that can boost your strength during a dance battle (or hinder your opponent).

Glow sticks are amazing.

I love glow sticks. I always try to use the type specific glow sticks first, and save my rainbow glow sticks for when the type specific ones aren’t enough. And if you’re a free player, the rainbow ones are arguably the best way to spend your Raven.

But please don’t waste your glow sticks. If you can’t beat a level after 1 shot, take a break and look at how you can strengthen your team before trying again. You’ll be surprised at how much easier it’ll be to advance if you just add 5 levels to a card on your team whenever you get stuck.

Rainbow glow sticks - grant you a 30% boost to the Strength of the card you equip it to

Single color glow sticks - grant you a 10% boost to the Strength of the card you equip it to

If you are 10,000 strength stronger than your opponent, you have a really good chance of winning with 2 stars.

If you go for 20,000 - 30,000 strength over your opponent, it’s pretty much a guarantee at getting 3 stars.

There are exceptions to this where special skills come into play (especially in boss battles), but this has been my experience when advancing through the normal levels.

If a level is giving you trouble, try to counter the opponent’s special skills.

This was especially important for the boss battle with Diavolo at the end of Lesson 40. His combination of skills was absolutely brutal.

My original recommended team was over 50,000S above Diavolo’s S and I barely filled the bar halfway. But when I switched to a team that focused on countering all of his skills, I was able to win with a considerably weaker team.

(Yep, you’re reading that right. Beel was only level 10.)

The cards with the Abilities that can counter these skills are found in the new event Nightmares. Both the UR cards and the SSR card will have whatever the featured Ability is. The SSR cards will simply neutralize the opponent’s skill when it’s activated, but the UR cards “reflect” the skill back to your opponent so that they are cursed instead.

Only buy DV from the 99 DP offers that are available when you level up.

Or during special sales like Solomon’s Summoning Sale. Or specific packages in Mammon’s Rip-off Sale.

Sometimes you’ll need to spend some DP because you have no DV left and really want a chance at a specific card, but try to avoid doing so as much as possible. Your DV and DP will go further and last longer if you save and spend it wisely. This is especially important for free players who have to balance card collecting with building stronger teams.

Whenever you have Grimm to spare, dump it into Chapter G.

This will be your primary way to earn Raven. And Raven is a great way to buy rainbow glow sticks, additional Demon Vouchers, and now even card pieces for certain SSR and UR cards.

They also have the outfits for all the brothers demon forms which are pretty neat. I do own them all, but that’s not exactly necessary and definitely not the best use of Raven. 😂

If you need friends for the daily AP, just add all the top players from the current event.

The top players are the ones most likely to be active, and know how to use the feature to add friends. (Let’s not talk about how long it took me to figure that out when I first started playing, ok? Lol) So they’ll be the ones most likely to accept your friend request and send you AP daily.

On my free account, I just started at rank 1 and sent requests to everyone down to about rank 200 or so until I had 50 friends. And then whenever I had some new spots open up, I’d do the same thing again. I’d also check my Friends Request section to see if I had any new requests from other active players.

Oh, and I periodically remove friends that haven’t played in over 2 weeks. No sense in keeping them on my friends list when there are plenty of new people and active players who could use the free AP and send me some as well.

That’s all I’ve got for now! I hope these tips help you out some if you ever find yourself stuck and uncertain as what to do next. ❤️

[annerly-san]

Progression - [Chapter 1: Differential]

Primary Character Pairing: Choso x Reader/Female OC Story Summary: Life is never stagnant. It progresses and changes as does the people who live through it. Like a complex differential equation, it twists and curves with its ups and downs with each person having their own unique curve. But for her, the rate at which she progressed in life was zero as she moved linearly despairingly with no end in sight. That was until she met a cursed spirit who set her life back in progression. Chapter Navigation: Next Chapter

The concept of family leaves a foul taste in the mouth.

Obligations to owe and expectations to fulfill are but a few of the countless other burdens that come in conjunction with what a family entails.

And within this world of magic and curses, family is but a burden.

She continued to uphold her well-rehearsed, demure smile despite being worn and absolutely exhausted. Her opponent in front of her casually stood there with a hand on the hip and his head tilted to the side— unfazed and unbothered by her persistent barrage of attacks earlier. The fluff of white hair pulled up and back by the blindfold stood as a testament to remind her that she wasn’t even an opponent to be considered seriously.

He didn’t need to pretend to be tired at all.

“How much longer do you think you can keep pretending to smile like that, Gojo-chan?”

The words were spoken in snide mockery as her opponent bore the same familial name.

“You jest, Gojo-sensei.” The retort was short and spoken without the intent to play along with any insinuations.

Satoru Gojo had not changed one bit since she had first met him.

“She doesn’t look like me at all, does she, Suguru?”

He towered over her at the time. She remembered seeing those strikingly clear, blue eyes— sharp and piercing as they bore into her with a scrutiny unwarranted for a child at the time.

Two hands had reached out and grabbed her at the sides as she was hoisted several feet in the air to be turned back and forth, handled and examined like she was just some doll.

“You should put her down, she’s clearly uncomfortable.” Suguru, as he was referred to, placed a hand on Satoru’s shoulder whilst giving a firm glance of disapproval. He shot her a sympathetic smile as she was put down by the pouting teenager.

“How can she be uncomfortable when she’s smiling like that?” He begrudgingly asked his companion before putting two hands up in the air as to showcase his resignation. “But still to think that this little distant cousin of mine is supposed to bring in a new line of techniques for the clan is making me feel already less special~,” Satoru whined in jest as Suguru gave him a playful whack on the back. The white-haired sorcerer had wandered off, leaving her with an upset feeling of unsettled unpleasantness broiling in the pit of her stomach.

Those feelings were temporarily put on the side when his companion crouched down to meet her at eye level.

“Don’t worry about any of that, ok? If you’re ever sick of this guy, you can always come to find me.” Suguru reached down to pet her head in a strangely reassuring way. Comfort and ease had taken over her and her smile had unknowingly slipped off as the soft timbre of his voice lulled her in a sense of warm solace that she had never felt before. “My name is Geto Suguru. It’s a pleasure to meet you.”

Her head felt warm from where he had placed it before, and she had watched him catch up to her cousin’s side with a lopsided smile on her face.

The rate of those thrown punches coming at her were slow; she made them as such. Her innate ability, “Differential”, functioned on the rate of change principles from calculus and mechanics. Mathematicians, engineers, and scientists have long seen and quantified the inner workings of the world through equations. “Differential” allowed her to perceive the differential equation which models the behavior or qualities of an object and apply a “derivative” to it in order to adjust its rate of change. Simple equations such as the rate at which light refracts from the cornea of the eye to see are constant; taking the derivative of it amounts it to zero and thereby allows for someone’s vision to stop working. In this case, her perception of the logarithmic speed (ln(x)) of those punches have been derived to the equation of 1/x and will increasingly become slower and slower as more time passes.

It was a mutated trait from the original Gojo family’s “Limitless” technique. While the original skill operated under the fundamental principle of a limit with techniques operating under the mathematical principles of convergence and divergence in summations and series, hers was more focused upon the rate of change at a “fixed point” existing on a specific plane. From its proofing from calculus her technique took the limit as it approaches zero between two points allowed for the rate of change to be solved for and adjusted.

And so for things that move through time and space, she can easily avoid and counter them.

She dodged the first three punches with ease before countering with a sweep kick to the knees; however, the activation of Infinity didn’t allow for the attack to land as intended.

An upwards kick was evaded as she jumped backwards several steps to place sufficient distance between herself and Satoru.

“Hmmm~. We’re at around twenty minutes now. How are you holding up? Still smiling as always, I see.” She watched intently as Satoru leaned back and stretched out an arm lazily. “Should we call it quits now? You’re lasting longer than our last spar by around five minutes. That’s impressive growth, but you haven’t reached your fullest potential yet.”

She wondered if things would have been less tense or awkward between herself and Satoru had they not hailed from the same lineage. Resigning now to rest would only prove as a setback and insult to what was expected of her in addition to her own self-worth. There would be no resignation. No matter needed to be put forth on her end.

“I-I can continue, Gojo-sensei.” Her smile did not fall from her face despite how tired she was.

She stood up straighter and calmed her breaths.

Her still outer demeanor did not match the thoughts that were racing within her mind.

His Infinity was an issue. She would not be able to do anything about that nor about his convergence and divergence techniques of red and blue simply due to the nature of it resulting in something either undefined or unusable when taking the derivative of an abstract such as infinity, sums, and series.

But perhaps this would work.

The distance between the two of them was approximately fifteen. She needed five to try out her new method.

A breath in.

A breath out.

She dashed in to close the distance.

~~~

“Wow, I can’t believe that you were actually able to do that, Gojo-chan!”

She awakened and opened her eyes to see up to the ceiling of the infirmary. Gojo-sensei was sitting at her bedside with a tilted head, quirky smile, and a book that he must have been reading in the meantime while she was asleep. “Was that a new application of your “Differential”? I can’t believe that you actually rendered my Six Eyes blind for a good minute there.”

Her head hurt as she tried to recall the events of the sparring session before she had blacked out.

Upon closing the gap between them, at the five meter mark, she had Gojo-sensei in range.

Activating Differential, she was able to see the six constants that were governing the rate of perception for Gojo-sensei’s Six Eyes. She drew a shaky breath as she applied “Derivative” six times for each ‘eye’ and watched with elation as her teacher’s face became overcome with a sense of shock and surprise.

She quickly threw a punch aimed at his face in the hopes that the deactivation of his Six Eyes would affect the automatic response of Infinity somewhat.

That hope was dashed as her fist was stuck hovering in front of his nose, unable to proceed further to tangible result.

Leaping back, she stumbled as an sickening nausea overcame her and imbalance struck at her legs. Her vision was blurring and a strange ringing sound overcame her ears as she heard what was vaguely her name.

For some reason, she was kneeling on the ground with both hands in front propping her up. She bent her head up to see a white blur of what may have been Gojo-sensei running towards her, but her head was heavy and her vision was strangely red. Letting her head drop back down, she blinked and saw what seemed to be drops of blood dripping to the ground.

It was the last thing she saw.

“-Anyways, I was SO shocked that you started crying blood or something. You almost looked like a curse, ahahaha!”

Her thoughts were drawn back to reality as she tuned back into listening to what Gojo-sensei was saying.

“Man, if I didn’t manually activate Infinity, you might actually have hit me and gave me a bloody nose!”

She smiled and let out a breathy laugh. “Is that so?”

Gojo-sensei leaned in closer to the bed railing and placed a hand on her head.

“Yes. You did good.”

There was a warm elation in her chest from being praised. It didn’t happen often, though it left a strange feeling in her from being praised by Gojo of all people. It filled the cavity in her chest, but those words didn’t seem to be the ones that she was waiting for. Whatever it was she was feeling, it disappeared as quickly as it came for her teacher said his next words.

“Ah, but it seems that taking the differential six times is your current limit. Man, I don’t know how I’m going to deal with you and your younger siblings when they enroll next. I heard a lot of stuff about them~.”

Ah.

Her younger siblings.

The mention brought a bitter taste to her mouth and the lurking of a foul emotion within her heart. But she smiled as though it wasn’t the case.

“Hm, yes, my younger siblings. My sister definitely has more talent with the technique than I do, and my brother is well on his way. They might be the ones that’ll give you the most trouble, Gojo-sensei.”

She watched her teacher laugh.

Behind that coy smile and blindfold, she wondered if he could see through her facade and see her true feelings beneath.

But even if he could, he didn’t make a comment on it.

“I told Hakari, and he’s worried about you, you know!” Gojo-sensei continued. “We both keep telling you that you’re being too hard on yourself! Shouko keeps complaining to me about caring for my students more, you know!” He pouted. “I care about my students.” He rubbed her head as to prove a point.

There was a simmering frustration that was building in her abdomen.

“I know that, sensei. I’ll be more aware about that. Is Hakari alright?”

Her fellow classmate in the college, Kinji Hakari, was a third-year student like her. Due to the incident last year, he was on suspension.

“Oh he’s alright. He keeps saying that he’s bored to death being suspended and all and that he’s worried about you killing yourself when he’s not there with you.”

Perhaps it was said with good intentions. But it seemed patronizing. Maybe it was because it was spoken by those who were born with naturally strong talents compared to her who had worked to the point of injury in order to be a contender as their equal. That emotion in her stomach grew and started to burn and corrode away at her insides.

She laughed softly. “Please tell him that I appreciate the concern. I’m waiting for him to get back as well.”

Gojo-sensei had stood up muttering something about being a messenger boy and was readying himself to leave. As though he forgot something, he suddenly exclaimed aloud.

“Aha! I almost forgot to tell you too.” He whirled back around to face her. “There’s a whole queue of missions for you. All grade 2 or lower. It shouldn’t be much trouble for you, but be careful since you know-“ he gestured to the infirmary bed that she laid in as to drive home the point. “You get the idea.”

He left the room.

And she let out a sigh before slumping back down in the bed and closing her eyes.

It felt as though there was a crushing weight against her chest.

Taking care of the assigned curses was a simple task.

Despite her teacher’s reluctance at sending her out to the initial mission when she had gotten so adversely injured during a simple sparring match, everything turned out alright.

It had been a good while since that had passed on the order of months, but with the shortage of jujitsu sorcerers and Hakari still on suspension, it was only natural for her to handle things like this.

She stared down at her hands, which have unconsciously and naturally formed firm fists sitting in her lap.

With being tasked with an onslaught of more and more missions, she quickly rose to the rank of semi-grade 1. She was grateful for the opportunity as she needed this as a chance to raise her rank and further her worth.

She wasn’t talented, after all.

From the moment she was born, she remembered the crushing weight of anxiety bearing down on her at each step and misstep she took. The looks of disappointment, the yelling and screaming, the endless lectures, and the unbearable weight of it all.

Maybe it would have been better to have been born a disappointment to begin with. So that no one would make her carry these expectations on her weary back.

Her grandmother was actually the one to first develop the “Differential” ability. But the woman was originally an outcast of the Gojo clan and took her technique personally as a means to spite the ones that had looked down on her before. It carried the unbelievably petty burden of one day being able to surpass the main line of Limitless techniques.

So when her father, uncles, and aunts failed to inherit any of the “Differential” traits, they were marked as failures and the family was laughed at for daring to think that they could surpass the main line of inherited techniques.

That was until she awakened.

Up until the age of five, she was treated as a worthless and filthy object. Her mother was someone able to see cursed spirits, but had no innate techniques to deal with them, and despite having spite for the main Gojo family, her grandmother viewed her mother-- and by extension, her-- as a taint on the family line of sorcerers. Her first-cousins, unable to see curses much less use techniques though borne to two sorcerer parents, were treated with delicate care and spoiled by her grandparents beyond belief. And she was treated and called as the vermin of the bunch. Her father did nothing to refute that claim while her mother took out the insults of inferiority and stain on her as the byproduct and embodiment of that she hated. A living burden that tied her down to a family clan that did nothing else but mock her.

But that changed.

Suddenly one day, while her mother was hysterically screaming and cursing the old hag within the confines of their home, a stray curse wandered in.

She remembered what it looked like.

At the time she was patting her sister’s back, trying to turn invisible in the midst of her mother’s rage as she did her utmost to not earn her ire. Her younger sister, a toddler barely learning how to walk, cried incessantly at the loud banging and clashing of pots and pans as they were flung about the house.

The clanging stopped briefly as the air chilled and silenced; a grotesque hand of oozing purple goop clutched at the hallway corner.

A cry broke out. Her sister.

Loud gurgling sounds rang out as her mother desperately avoided looking at the monster as to not warrant its attention as one that can perceive it.

But she didn’t know better.

The curse had several green eyes embedded in the goop of mess that constituted its body and it let out a warbling bellow as all those eyes narrowed in to meet hers in a chilling stare.

It took a step forth.

She held her breath as she continued to stare at it with an intense fear.

It began to approach her rapidly.

And she remembered begging in her mind for it to stop. She didn’t want it to approach her anymore.

It stopped.

Not much was remembered after that as adults came and well-qualified sorcerers took care of the curse that was just frozen in place.

She had passed out by then and woke up to a new world that was unbelievably scary and confusing. A new world of just so many expectations.

This sudden twisting change from being viewed as less than trash to invaluable gold crushed and suffocated her.

From cultivating this new skill, surpassing some “Gojo Satoru”, shoving it in her grandmother’s face, and so, so, much more. It was dizzying. Nauseating.

One misstep signaled Armageddon. One pause meant weakness. One tear was failure.

As she sat on the bus bench in the lonely countryside, her breaths felt labored like she had to push a stone brick weighing several tons off her chest a few millimeters so that she didn’t suffocate under its weight.

Her promotion isn’t too far away. She was a semi-grade 1 at the moment and was handling missions smoothly and effectively. It’s only a matter of time before it will all be over.

The road was dull and illuminated with the yellowed lights of the street lamp.

Her thoughts traversed back to the events of present day back at the school.

There was buzz on things happening back at the school, but she had not had the chance to listen in on the details of the news. The Sister Exchange event would have happened around now. She’s missed it now unfortunately, but she thought that she had heard something about the first years being roped in to fill in the third year’s vacancy and they did well enough. What was interesting that she had regrettably missed out on hearing more about was the first year student, Itadori Yuuji, who was apparently the vessel for Sukuna, the King of Curses.

She wondered if he was feeling as burdened as she was. He probably had heavy expectations too.

Footsteps were heard and a strange presence of cursed energy lurked nearby on the road.

Senses were heightened as she pulled away from her mind’s musing to hone in on the present at hand.

There was one curse. No. Three.

Her eyes followed the curved line of the road to where it bent behind some trees, and she saw three shadows walking along it without much caution or care.

A chill went down her spine. The combined auras was overwhelming. They were at least a grade higher than hers— at least Grade 1, but it would seem that all three could very well be Special Grade curses.

There shouldn’t be a cluster of special grade curses like this.

While there shouldn’t be, she did recall hearing about the strange events and appearances of strong, special grade curses with a sentience recently.

She hoped that this wouldn’t be the case.

The first one out of the shadows was a man. He looked extremely tired with prominent purple rings around his eyes and an odd rectangular stripe across his nose. He wore baggy pants and a loose, long sleeved shirt paired with a series of black sashes wrapping around his waist, shoulders, and neck. As he walked, his wild, messy, black hair tied into two prominent bunches on his head flounced around.

He took up physical space and appeared human if it were not for the immensely crushing amount of cursed energy that shrouded around him like a dense fog.

His other two companions slowly came into view. The other two were definitively curses. One was turquoise with a hunched back. It had a prominent mouth on its middle that dripped blood and a humanoid husk of a face where its head would have been.

The other held similar form but significantly more humanoid. In the center of the abdomen was a pair of red eyes and a smaller mouth. This curse was flesh colored with a more defined human form and a similar deformed humanoid head on the top.

“Nii-san, is she the one we were supposed to be looking for?” The turquoise one spoke seemingly to the most human of the group.

“That’s right.” His voice was low in timbre with a strange sense of calm and echo to it. “That amount of cursed energy and presence... It’s most definitely the relative of Satoru Gojo that we were supposed to find.”

Her breath was caught in her chest.

They were most definitely Special-grade curses. Beyond their appearances in taking physical form through some sort of manifestation, they were sentient and individually held a tremendous amount of cursed energy.

What was worse was that their target was her.

If it was simply one, then she may have handled alright against a special grade with some collateral damage, but against three her odds of victory were slim.

There wasn’t a chance to escape with the three of them having locked onto her like this, and even if she did manage to, she would most definitely return as a failure sorcerer who flaked when faced with what her purpose in life should be.

There wasn’t a choice.

She breathed out.

The wind blowing calmly around her as the three curses continued their approach lulled her into an odd sense of tranquility to brace her for what was to come.

The fight was here.

[emerald-amidst-gold]

18 19 20 27 28 from the protag questions <3

Ooooo! Lots of goodies! o3o You all spoil me~! X3

Thank you so much! Let's get into it! >:D

18. What is the biggest similarity between your protagonists?

Grey morality. PFFFFT!

I'm serious. I have a habit of creating characters that have questionable methods to situations, but yet can be empathized with or even sympathized with. Fane, Rylen, and Elise all do what they have to do, and it's up to the audience to formulate whether or not they agree or disagree with their personalities and actions.

I'll say this once because I've had people in the past kind of...bash me for it, but just because your character has a specific view does not necessarily mean you as the creator share that same view. That isn't me throwing swings out at self-inserts or characters that are reflections of their creators, this is just how I feel in response to my own characters. I try to disconnect from my characters because I want them to be their own. I build the foundation, give them a name, a history, or a family to influence them, but I don't steer their minds, their decisions. They flow the way they want to flow. Simple as that. Fane is the OC that is most reflective of me, but not with everything. He has his own methods, own reasons for thinking the way that he does and so do I.

I think it has a lot of my fixation on making characters teeter has to do with how I interact with the world in real life. I just...don't see black and white. I give everything the benefit of the doubt and I hold my ground concerning my views even if others might see them as 'wrong' or 'controversial'. I'm horribly analytical and I'm always like, 'But what if...'. That's just...me. XD

But yeah! Grey characters are my vice and I'm not sure if I'm doing it right most of the time, but I try! :3

19. What is the biggest difference between your protagonists?

Mainly how they approach situations and their feelings surrounding leadership.

Fane is rash, doesn't plan, doesn't think everything through before acting or he just outright chooses not to. He tends to make decisions on his own, but mainly only in battle. In more diplomatic settings, Fane is the master of deferral. XD He divvies out tasks that he feels aren't his area from either a lack of interest, a lack of confidence in himself, or just feeling that someone else would be the better option.

Rylen has his moments of brashness, but he's pretty subdued, go with the flow type of deal, but most who know him intimately know he's pretty high strung when it comes to matters where his voice has power. Man's a ball of stress and anxiety. PFFT!

Elise is the calmest out of the three. It was practically trained into her in the Circle. She's also just inherently docile, but after the Blight she does have moments of being feral and unhinged. That mostly happens if one of her companions are in danger or if her own life is threatened. She's not afraid to make her voice heard, either. Generally, Elise is soft spoken, but she will stand up for herself and other people, despite the grief it could cause her.

20. Who handles responsibility the best? And who handles it the worst?

If Fane puts his mind to it, he can handle responsibility pretty well. His want to involve himself deeply in matters doesn't happen until after Adamant and only gets stronger and stronger after Trespasser. Fane is a force when he wants to be and Solas tries to draw that out, to make him realize he can do whatever he puts his mind to. However, Elise would be the best in terms of responsibility. She had a lot in the Circle, even more during the Blight, and a substantial amount as Warden-Commander. Does she wish she could rest? Of course! But she doesn't complain because she knows she can make change. Rylen's okay with responsibility; he becomes Viscount after all. But, he is prone to slacking off at times, but really only after the Chantry explosion. The guy is TIRED. What can I say? XD

All in all, none of them bad at handling responsibility. They just have different ways that they go about it! :D

27. What would their fears on the graves in the fade during Here Lies The Abyss be?

Yes, yes, yes, YES! The question! The big question! The question that leads to Fane and Solas' first kiss! AHAHAHAH! >:D

Elise - Betrayal. This is more in terms of Elise towards herself and her own actions. She's afraid that everything she's ever done has been one great betrayal to everyone and everything she has ever cared about. She had no choice but to witness Jowan become Tranquil, Alistair, so hurt and angered by her decision at the Landsmeet, abandoned her to face the possibility of the death alone, her faith was sundered after the Broken Circle, making her fear her magic for the first time in her life and making her wonder when she would become the very monsters she had just finished killing. The list goes on. Elise made so many decisions in service to the world, but she silently wonders when it'll all come crashing down around her, when everyone will leave her because they'd been betrayed.

Rylen - Wasn't enough. Rylen wrestles constantly with the fact that he's never been strong enough. He wasn't strong enough for Carver; the ogre ripping him from their family and pounding into pulp. He wasn't strong enough for Bethany; unable to protect her from the templars, so he opted to take her to the Deep Roads, thinking it would be safer, but it wasn't. He wasn't strong enough for his mother; his eyes focused on the horizon rather than the ground that began it all.

And he hadn't been strong enough to end Corypheus for good. We all know what happened wasn't Hawke's fault, but Rylen the master of blaming himself for everything, so that's one event he dwells about every. day. every. night.

Last, but not least, FANE. *sounds the horns* You ready? You ready?! >:D

Fane - To be forgotten. That's right.

That's Fane's biggest, deepest fear; to be forgotten. I know there's only been a few chapters of my main fic that kind of reference this, but you know how Fane constantly says to himself, 'I wish I could be forgotten. It would be better if I would just disappear and be forgotten.'? Yeah, it's a front. He's trying to convince himself that that's what he wants, but in actuality, it's reversed. He's terrified, terrified of being forgotten by the world, by his sister, by the Inquisition...

...by Solas. That's the worst person who could forget Fane. And around the time of Adamant, Solas and Fane being the stubborn fools that they are, act as if they haven't known each other for fucking centuries even though the truth literally screamed at them after Haven. They were lost together in the mountains with that truth hanging between them, and still they ignored it because it hurt and they both felt they didn't deserve the hope that they could be together. Fane attempts to unearth some lost memories, some lingering feelings, but Solas wasn't ready and guided them away from that unopened bag, refusing to let Fane in on his agenda or allowing him to help in any way. It gets to a point where Fane starts to believe Solas doesn't actually recall their relationship, who he is and he spirals pretty bad in the Raw Fade when that tombstone is glaring at him.

When Solas sees it...he cracks. Quietly, in his mind, but he realizes how stupid he'd been, how stupid they had been. The truth was looking at him in two tones and he ignored it out of fear. It's what spurs Solas to take Fane into the Fade and show his dragon the place where he had endeavored to make sure the other would never be forgotten. Solas also makes it clear that he had never forgot Fane, ever.

"I could never forget you, my dragon. Your memory lingered within the halls of my mind even as I slumbered. I am but a fool, a fearful fool. I thought it kinder to let you live a new life, unburdened by my burdens. I do not wish for the past to repeat itself, to see two tones ebb away and breath leave your lungs once more.", Solas said, eyes downcast, pained grimace housing sorrow, grief, and despair in its curves. "...But, it is not kinder. It is more agonizing to try and forget than it is to remember. Though, I have never tried to erase you from my memory nor have I tried to abandon what I felt for you--what I feel for you.'

Fane frowned, tugging on the mage's forearms to bring him closer, urgently, but timidly; Solas didn't even protest, but his eyes remained downcast. "What do you feel, Solas?", he asked and received no answer. "What do you feel, Solas?! What can't you forget?!", he repeated, voice echoing off the halls of death and remembrance. He needed these words, he needed to know!

What did the sky feel?! What did it remember?! He just wanted one damned answer in this upside down world!

Solas' eyes shut slowly, chest rising with a deep inhale. "I..", he started, but paused again, face twitching with hesitance and reservation. "No, it's not--!"

Fane growled low. "Enough! If you won't tell me,", he barked, yanking Solas forward by his arms, barely registering the grunt of surprise that left his lips, and shot his hands up to hold a bewildered face. "...then show me!"

I tease~ >:3

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28. What is their favourite location within their own game and what would be their favourite in each others?

I answered this ooooonnnneee HERE! >:D (I would just copy and paste, but it LONG. ADHDKS)

And there we have it! Beautiful! Perfect! And FUN! X3