#action-game-development

[infamouslydorky]

I know people compare Emmrich Volkarin to Vincent Price, which is fair, but i still think about Peter Cushing, personally.

Doesn't help that Emmrich was written as an individual fascinated by flowers, and I can't help but think about how Cushing worked with botanists to develop a flower he named after his late wife Helen

[thepersonalwords]

In every end is the seed of a new beginning...water it well

Liz Hester, IgnitingYOU: How 52 Weeks of Inspiration and Action Can Lead You to Your Dreams

[thewakingcloak]

Trying Some Stuff

So I said I would Try Some Stuff last time, and the most valuable thing I've been trying is talking with friends about all this stuff. Who knew?

In review: I need some kind of sustainable, healthy way to communicate online about the stuff I'm making. That is how I want to connect with people, via my games.

But in talking with my friends, I realized it had to be more than just "sustainable," it has to actually drive the engine forward. It has to be fun. Whatever this ends up being, I have to look forward to working on it, and working on it has to push forward the game development, which will fuel the devlog, which will fuel the game development.

So if you caught that, I'm just going with calling this future strategy thing a "devlog". Not "marketing," not "engaging on social media," not "feeding the algorithm beast." I don't know what form a devlog will take. I mean it could just be this, what I’m doing right now (and this will certainly continue). One friend suggested doing devlog videos. A long time ago I did gamedev streams, and that was fun, and I also cut together little highlight reels, and that was fun. So that may be A Thing. It may not, too, because I don't know if I can actually consistently do something like that. Editing videos is a lot of work. Streaming is, too, especially with our baby's feeding/sleeping schedule. But I'm enjoying thinking about it.

And that's really good, because every time I've thought about online presence recently, I've just wanted to shrivel up and die. Maintaining social media, to me, is misery, is bowing before an algorithm, sacrificing my wellbeing to a human-made god that doesn't care. "If you're Really Lucky, I might show your sacrifice to the other sacrifices, and if you're Astronomically Lucky, a few might like it. Now let me drink your blood and fill your veins with toxic liquid instead via my evil ritual. Also, you have to post all your stuff in gifs, the worst image format known to humankind, but not that way, this way. No not like that, like this."

I'm over that.

If a social media platform doesn't fit what I want to do, I'm going to cut it.

(wow that gif is old… nice to see Tav though, right?)

I'm starting with Twitter (I'm not going to call it X). Twitter is not fun for me and never has been. So I'm actually, 100% for real, deprecating my Twitter account. Do you know how much pleasure I get from this idea? Do you have any idea how much lighter I feel, having decided to get rid of it? Twitter has given me a few dear friends (whom I now talk to via routes other than Twitter anyway), but also nearly ten years of grief, and this platform is not getting better. Oh, the algorithm actively suppresses my posts now? Fine. Let it die. I'm not carrying that burden anymore.

(just constantly bashing my head against social media)

And I don't want a Twitter-like. If that format works for y'all, great, please keep doing what you like to do, but I'm not going to spend my time trying to recreate the evil rituals somewhere else (I've never enjoyed evil rituals). (To be clear, I'm not calling you evil if you engage on social media. I am calling social media algorithms evil.) My time on any remaining microblogging sites, if I even continue those, will now be devoted to simply directing people to the devlog, the thing I actually like and want to do. Does that mean just like a static post on each of them that has a few (shudder) gifs and some links? Maybe! Maybe!!

I'm not going to make any sweeping declarations of The Plan, partly because there isn't a firm one yet, and partly because I've done that before to little success or consistency. However, I know I want to do stuff that makes me want to make stuff, and I'm excited for that. I think it's gonna be fun. I think it may also be sort of a return to form, at least in ways that I can now that I've got my family. So stay tuned…

Oh! Don't forget to wishlist ProtoDungeon: Episode I and ProtoDungeon: Episode III on Steam! (II is in progress!)

[akkivee]

god kuukou is so tiny next to the yamadas lmaooo

[retrocgads]

UK 1998

[blackblooms]

https://blackblooms.itch.io/the-legally-distinct-early-demo

Releasing the third demo for The Legally distinct. It features the first 4 levels and a hidden boss. I call these demos, but these are basically early access builds. ill keep releasing new updated versions as i finish more content, and there should be no issue continuing from where you left off after an update. Go and give it a shot now, its the best time to provide feedback.

[rat-rosemary]

Actually I think it's really cute how Daquavis and Dream have developed a language in-between them.

They don't speak the same idiom, like the dteam does, but they have a way of speaking that they only do to each other

Also I think it's cute now the dteam also do sexual jokes, but they're spoken, meanwhile Dream's and Daquavis' are acted out

[renegadesector]

Reavers of New Rome is coming in just one week!

Wishlist on Steam!

Launches December 24th, 2024

A century ago, your ancestors were Senators of New Rome. However, when the Emperor took over, they were exiled.

Now, 100 years later, under the tyrannical reign of Emperor CRaC, New Rome is in poor shape. The powerful prey upon the weak. The depraved rulers of use the once-great city as their playground while the poor suffer and buildings crumble into ruin.

All the while, the exiles have been lying in wait...

Though your great-great-gand-parents left New Rome as Senators, you now return upon its shores as a Barbarian at the Gates.

Reavers of New Rome is a 3D Action-Adventure Game. Take on the role of The Reaver as you invade the crumbling glory of New Rome. Explore the city, battle the Emperor's Legions, and defeat Emperor CRaC's Praetors, and eventually challenge the Emperor himself.

[telugxrl13]

DYLAN ESCAPED YESS

[superblyeffective]

Pipsqueak!

by Pond Games

Pipsqueak! is a search-action platformer starring Tofu, a small mouse exploring a strange and hostile world. Uncover the truth of this expansive world and your place within it through exploration, discovery, combat, and platforming challenges. Bring hope to this dying world and its tiny inhabitants in this grand adventure of mouse-sized proportions!

Key Features

Fluid and satisfying traversal and combat allowing expressive gameplay

Rewarding exploration through a gorgeous world with painterly pixel art

Explore and fight your way through 5 different biomes with environmental mechanics unique to each area

Unlock different abilities that allow you to discover new places

Seek out 20 combat enhancing earrings to give Tofu the edge in battle

Source: Steam Page, Kickstarter Page

[marionmorse]

MARIONMORSE, DROP ANOTHER HELMETPARTY SCENARIO AND MY LIFE IS YOUUURSS 🙏🙏🙏🙏

do u think... Do you think sometimes when the team has a movie night, when they watch those 60's action war movies like "Von Ryan's Express" and "Battle of the Bulge" or spaghetti westerns like "The Good, the Bad, and the Ugly" and "Death Rides on a Horse," Soldier pauses during or right after fight scenes or duels or whatever to obsessively overanalyze them. Like, he'll try and turn them into strategies to use on the job, takes, uhm, 'notes', (tactical doodles,) sets up nerdy models using a whiteboard map and improvised figurines, uses these examples when he does those psyche-up pre-battle speeches or during strategy meetings.

'Cause I bet he does, I bet he does that, and it completely kills the momentum of the movie to the point where the rest of the team gets disinterested and slowly leaves him behind to do their own thing.

I genuinely bet Engie wouldn't though, nah, I bet he's enough of a patient kind of gentle kind of man willing to stick through these pauses 'cause he's just that into the movie. And maybe he's just a teeny bit into Soldier's dissections of actiony chaos. Maybe gleans a bit of an understanding of Soldier's thinking that way. Admires the guy's passion about his 'research,' how thoughtfully he gathers details in an effort to help the team. Starts mixing in tapes for these sorts of movies more regularly to their movie night pool maybe subconsciously, maybe on purpose. The rest of the team doing their own movie night. losers.

[vgprintads]

'World's Scariest Police Chases'

[PS1] [USA] [MAGAZINE] [2001]

"[World's Wildest Police Videos] began with a special entitled World's Scariest Police Chases, which was broadcast on February 2, 1997. It was narrated by actor Peter Coyote, and featured commentary by Captain C. W. Jensen of the Portland Police Bureau. Five more editions of World's Scariest Police Chases aired, with the second on April 27, 1997, third on November 4, 1997, fourth on February 17, 1998, fifth on April 28, 1998, and the sixth on April 29, 1999.

A further two specials called World's Scariest Police Shootouts aired around this time as well. It was hosted by John Bunnell, a retired police officer and former Sheriff of Multnomah County, Oregon. The two specials focused on police shootouts rather than chases themselves, although some of the clips featured a car chase along with a shootout. The first edition of World's Scariest Police Shootouts aired on May 15, 1997, and the second edition entitled World's Scariest Police Shootouts 2 aired on April 23, 1998. Both episodes were narrated and hosted by Bunnell.

(...)Eventually, the show was broadcast weekly. Bunnell's commentary was often characterized by puns, multiple clichés, and over-dramatic descriptions of the struggle between good and evil, the police and criminals, victims and abusers, etc. Although Bunnell hosted and commented on most of the show, most police video segments were dubbed with the actual law enforcement officials acting in the situation presented. Tire screeching noises, horn beeps, automobile collision sounds and sirens are often overdubbed in these segments; this is especially noticeable in footage where vehicles are driving over dry grass or sand.

(...)There were VHS releases of the first three World's Scariest Police Chases specials with additional footage in late 1997 and a video game was released near the tail end of the series' original run in June 2001." ~Wikipedia

Source: Official U.S. PlayStation Magazine, July 2001 (#46) || RetroMags; bogusfrank

[quotelr]

Sometimes we look around and realize we need new friends. That’s the sign that they are just around the bend :)

Liz Hester, IgnitingYOU: How 52 Weeks of Inspiration and Action Can Lead You to Your Dreams

[thewakingcloak]

ProtoDungeon: Episode I goes live on Steam TOMORRAHHHH

[playstationvii]

#GTA:MagicKingdomDisney

Game Development Overview:

Title: GTA: The Magic Kingdom Platform: PlayStation 7 Developer: Rockstar Games in collaboration with DearDearestBrands Genre: Open-world Action/Adventure

Storyline:

In GTA: The Magic Kingdom, players explore a dark, reimagined version of Disney's iconic Magic Kingdom. The world is divided into themed lands, each with its own rules and factions. At its core, the story follows a criminal protagonist who is embroiled in a high-stakes battle for power and survival within the kingdom's chaotic, secretive underworld.

The protagonist (you) is a mysterious figure drawn into the Magic Kingdom's politics, where a sinister force is using the enchantment of Disney’s original lands for darker purposes. The hunt for Bambi, who is rumored to possess extraordinary powers tied to the kingdom’s survival, becomes a central pursuit, while the player navigates treacherous alliances, heists, and confrontations.

Main Character:

Name: Maximus Dark (or choose your own name) Backstory: A former magic thief, Maximus was exiled from the underworld for crossing a powerful figure. Now, forced to work in the Magic Kingdom's black market, he must hunt down Bambi and unlock secrets from deep within the kingdom's enchanted areas. Maximus has a personal vendetta against the kingdom’s rulers, who wronged him in his past. Throughout the game, the player will uncover the protagonist’s lost memories and long-forgotten connection to the forest kingdom that Bambi hails from.

Motivation: Maximus's primary goal is to reclaim his lost power, discover the truth behind Bambi’s existence, and stop a powerful corporation that seeks to rewrite the very essence of the Magic Kingdom. As the story unfolds, Maximus will face moral dilemmas, where every choice shapes the fate of the kingdom and his own soul.

Supporting Characters:

Bambi - The elusive and powerful figure whose very presence is tied to the survival of the kingdom. Bambi is the key to restoring balance but is hunted by those who wish to harness their power for dark purposes. They are often seen as a mystical being, guiding the protagonist toward their true destiny.

Claire Jorif Valentine – An enigmatic leader of a rebel faction, Claire operates in the shadows, challenging the corrupt rulers of the kingdom. She provides Maximus with missions, allies, and sometimes betrays him to further her hidden agenda. A powerful figure in the underworld, she seems to know more about Bambi than she lets on.

The Enchanted Guardians – These figures protect each themed land within the Magic Kingdom. They could either be allies or enemies depending on how the player approaches them. The Guardians are immortal beings who represent the natural forces of the kingdom—ranging from corrupted versions of iconic Disney characters like Captain Hook, Maleficent, or the Queen of Hearts.

Tiger Lily – A key ally who once helped Bambi and holds secrets to unlocking the magical energies in the kingdom. She is on a quest to stop the dark forces from taking over the kingdom. As a supporting character, she aids in quests related to nature and magic and can unlock special abilities for the player.

Walt - A mysterious figure who seems to control the Magic Kingdom’s darkest secrets. He appears to have been a creator of both the magic and the corruption that now threatens the lands. Maximus will need to confront him as the story builds toward the final confrontation.

Gameplay:

Open-World Exploration: The game world is split into different magical lands, such as Adventureland, Fantasyland, Tomorrowland, and others. Each land offers unique challenges, missions, and enemies. Players can freely explore these areas and engage in side missions while unraveling the main story.

Combat: Players can engage in both ranged and hand-to-hand combat, using magical powers, enchanted weapons, and advanced technology. The combat system is dynamic, blending traditional open-world combat with the ability to wield magic and technology.

Heist Missions: As Maximus tries to gain control of the Magic Kingdom, he must undertake heists to infiltrate high-security areas and steal vital items—such as keys to unlock magical areas or magical artifacts that help in the hunt for Bambi.

Choices & Morality: The game emphasizes player choices, with the narrative changing based on decisions. Will Maximus become a hero, villain, or something in-between? The relationship with Bambi and other characters is crucial, as decisions affect both alliances and the kingdom’s fate.

Stealth and Deception: Players can also use stealth to infiltrate the kingdom’s high-security areas or employ deception to manipulate enemies. Using disguises, magic, and technology, Maximus can change the course of battles or avoid them altogether.

Motivation of Player:

The player is constantly driven by the need for power, knowledge, and redemption. They must build their empire, uncover the dark secrets of the kingdom, and forge relationships with various characters—each with their own agendas. However, the hunt for Bambi represents more than just a physical chase; it's a quest for deeper understanding, as Bambi’s powers could either save or doom the Magic Kingdom.

Key Objectives:

Locate Bambi: The primary objective is to find Bambi before the forces of darkness do. Along the way, players uncover the mysteries of the forest kingdom and its connection to the greater magical world.

Restore the Kingdom: Players must gather allies, defeat corrupt leaders, and unlock ancient powers to restore balance to the kingdom. Each land requires the completion of key quests, often involving battles, negotiations, and solving puzzles.

Uncover Maximus’s Past: As Maximus’s memories return, the player will unlock hidden abilities and unique storylines. The past is filled with betrayal and secrets that will help guide the future of the kingdom.

End the Corruption: Maximus must dismantle the oppressive corporation that seeks to control the kingdom's magical energy. This requires sabotaging their operations, stealing key documents, and confronting their leaders in epic battles.

The Final Confrontation: In the game's climax, the player must decide whether to join Bambi in their fight for freedom or betray them to seize ultimate power. The fate of the Magic Kingdom—and possibly the world—rests in the player’s hands.

This game blends classic open-world gameplay with dark fantasy elements and a rich narrative, providing players with the chance to explore a re-imagined Disney universe full of intrigue, magic, and moral complexity. The pursuit of Bambi adds layers of mystery and suspense, making this a truly unique entry in the GTA franchise.

To project the potential success of GTA: The Magic Kingdom in 2025, we need to consider various factors including market trends, audience engagement, and the unique elements of the game. Here's a breakdown:

Market Growth for Open-World and Action-Adventure Games:

Current Trends: The gaming industry, especially for open-world games and action-adventure genres, has shown steady growth. Titles like Grand Theft Auto V, The Witcher 3, and Cyberpunk 2077 continue to drive demand for expansive worlds with immersive stories.

Projections: The global gaming market is expected to grow at a compound annual growth rate (CAGR) of around 9.5% from 2024 to 2028. As GTA: The Magic Kingdom combines elements of beloved franchises (GTA and Disney), it could tap into both established fanbases, providing a unique mix of nostalgia and innovation.

Audience Engagement and Sentiment:

Nostalgia Factor: The reimagining of Disney’s Magic Kingdom with dark and mature themes will likely engage both nostalgic fans of Disney and mature audiences looking for an alternative take on Disney. This could boost both initial sales and long-term engagement.

Fanbase Growth: By 2025, your fanbase could grow significantly as the game's story unfolds. Assuming solid marketing campaigns and collaborations with influencers or streamers, you might see a steady increase in followers and engagement leading up to and after the game’s release.

Projections: Positive sentiment is expected if the game's unique blending of fantasy, technology, and dystopian elements resonates with audiences. Projections for engagement could range from a 15-20% increase in social media mentions in the first year after release.

Technological Advances and Game Development:

PlayStation 7 and Future Hardware: Given the expected launch of PlayStation 7 around 2025, GTA: The Magic Kingdom could be designed to take full advantage of next-gen console power. This will allow for an even more immersive experience with advanced graphics, smoother gameplay, and expansive worlds.

Projections: With the integration of next-gen technologies (such as AI-driven NPCs and advanced virtual reality options), GTA: The Magic Kingdom could have a 30-40% higher player retention rate due to these enhanced features.

Sales Projections:

Market Demand: Based on trends for similar games (open-world, fantasy, and action-adventure), initial sales could range between 5-10 million copies within the first year.

Projections for 2025: The game could potentially reach 15-20 million copies sold by 2025, depending on post-launch expansions, updates, and downloadable content (DLC). A strong, loyal fanbase built from the early adoption of the game could help push this figure higher.

Expansion and Future Growth:

DLCs & Expansions: By 2025, the game could see its first major expansion, adding new zones, characters, and stories to keep players engaged.

Projections: Expansions or sequels could drive continued engagement. This could result in an additional 10-20% increase in sales in the second year post-launch, especially if the game incorporates user feedback and evolves based on community input.

Marketing and Brand Partnerships:

Brand Alignment: With ties to Disney, GTA: The Magic Kingdom could attract partnerships, cross-promotions, and collaborations with major brands.

Projections: These collaborations could increase visibility, leading to higher-than-expected sales and engagement. With a proper marketing push and potentially viral content, the game's overall reach could expand significantly, especially if there are partnerships with influencers or Disney-themed events.

Summary of Projections for 2025:

Sales: 15-20 million copies sold globally

Player Engagement: 30-40% higher retention with the introduction of new technology

Audience Growth: Significant increase in fanbase with positive sentiment and engagement, likely 20-25% growth year-over-year

Brand Partnerships and DLCs: Increased revenue from post-launch content and collaborations

Overall, with the unique blend of popular genres and the anticipated growth of gaming markets, GTA: The Magic Kingdom could be positioned for strong performance by 2025, with significant growth in both sales and player engagement.