#again. Please Ask Me About Them
silly goobers who have me thinking thoughts
((please 4 the love of god ask me about them))
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so on the subject of the "Crowley is secretly Revaan/Laverne/Levin/please Twst give us his name" theory, I think my feelings are best summed up as "I don't really buy it, but it's funny". like, in all seriousness, I'm not opposed to it; I have enjoyed the writing in Twst so far and I'm willing to trust that whatever happens will, you know, make sense and not be terrible. but I'm just not really convinced by the current evidence! maybe that'll change once we learn more, we'll see!
with that said, may I propose a few alternate theories about the possible Crowley/Revaan connection:
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I LOVE Teen Stan and Ford, it’s sad they don’t get drawn enough, so thank you so much!
Does Ford ever help Stan when he gets overstimulated? Or maybe when he has a rage response and suddenly starts crying and calls himself stupid?
Here's the other post with Ford
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jolyne..... but LITTLE
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the rapture
it's a holy thing, in theory, a glorious celebration, where those who believe rise to meet the lord in the air. it's a day of joy, in theory, and maybe even of vindication for those who have always believed.
but no one thinks about how it's like to see the dead rise again—bodies clawing their way out of bolted wood and six feet of packed earth, bodies decomposed and maggot-feasted, nails stained with rot and dirt. no one thinks about the violent lurch of their bodies being jolted into the air by the stomach, gravity flinging their heads back down to earth as they struggle in vain to find footing on molecules and gas. no one thinks about those who don't make it.
no one thinks about the screams.
crowley hadn't thought about any of these things. he certainly hadn't thought about the angels that would be called back to heaven along with the believers.
here they stand dead in the middle of absolute ruin, the promise of heaven the only thing left to look forward to on the wasteland of this earth. the sky has opened up like the eye of god, watching over her people for the very first time, and crowley's black wings against the beams of light only remind him that he doesn't belong up there with the rest of them. crowley wraps his arms tight around aziraphale, squeezes his torso like he can maybe keep aziraphale with him through sheer will or, laughably, demonic intervention. like love could ever be enough. like love could stay.
around them, the cacophony of wails and mockingly exaltant trumpets scorch the earth in their intensity, clashing and agonising even—especially—for them, and words make no sound. but they hold on to each other, even as they shrink into themselves against the noise of the undying. i don't want to leave you either, aziraphale doesn't say, but his hands dig into the cotton of crowley's sleeve, and crowley hears the words through his fingertips.
he feels a stronger upward resistance against his embrace now, and he clings tighter, steadfast, even as aziraphale's grip falters. but he knows he can't hold on forever. he knows that nothing ever lasts.
trembling with something unspeakable, he lifts his arms from aziraphale's torso and covers the angel's ears with his hands. he feels more than hearing aziraphale's resulting sob, and he spreads out his wings to wrap them around their bodies. a shield, a comfort, a goodbye.
it's okay, the gesture says in silence. i'll see you in another lifetime.
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Astronomer Au
(for @muzzlemouths beloved)
AHEM- before i type anything please know my brain is silly stupid and may forget a few things so if you've got any questions- *furiously points to my ask box*
anyways anyways!
About Y/n:
y/n is an astronomer living in an observatory they inherited from their grandfather in the outskirts of a small town. y/n wanted to become an astronaut but sadly due to the stroke they suffered they feel they can no longer become one
>:'(
y/n had suffered from a stroke and became partially paralyzed in their left side (hemiplegia) they can still move these limbs but with great difficulty.
with y/n spending more and more time alone their grandfather had gotten concerned and gifted them a companion animatronic (he got them custom sun and moon themed because he loves his grandchild very much) so they wouldn't get lonely (also sun and moon help y/n with shopping and other chores yknow)
y/n spends most of their time indoors studying and researching, this has led to poor selfcare as y/n will often sleep at their desk instead of their bed (sun and moon do not like this one bit)
About Sun and Moon:
In the beginning y/n didn't like sun or moon AT ALL, they felt it was unnecessary because "I don't need someone messing up my very important organisation! they'll just get in the way!" *cut to papers and pens scattered across the floor*
Sun and Moon are companion bots, though they also count as care bots. They don't really care about space or the world at first and only did what they we're built to do until they hear y/n rambling and muttering to themselves and get curious and ask what's up. *CUT TO SUN AND MOON GOING STARRY EYED LISTENING TO Y/N TALK ABOUT SPACE*
They've slowly made a bond and often share days and nights talking about all the possibilities of other planets, aliens, whats inside a black hole and what-not.
Sun and Moon charge through solar power and cable. sometimes they lie about their cable being faulty so y/n can come outside with them. "cmon y/n! we need to charge and our cable is brokenn you dont want us to lose power do youu :(" "YOU GO TO TOWN ON YOUR OWN WHY DO I NEED TO COME WITH YOU OUTSIDE???" and then y/n goes with them anyways lolol
Location/floor plan: (because im insane for world building) (also very simplified lolol)
extra notes:
-y/n does not die and is not dying in this au!
-y/n was living in the observatory before they had their stroke so it's not built with the easiest ways to get up and down the levels (y/n mostly stays upstairs and only leaves for bathroom breaks)
-Music that inspired this au
Interstellar Main Theme
Comet Observatory 1
Now We Ride
Daydreamer
Dance on the moon
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being aspec in the world of Pokémon would be so fucking rad. Like why the fuck would I need romance when I can just go on a journey with my team of six super powered best friends as we take on the world via the power of our bonds
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"fanon lottienatters please stay away from me" oh!! shots fired!! 2,000 dead, 10,000 injured!! BUT curious about your specific definition for fanon lottienat and what you dislike about it <33
ohhhhh okay... alrrrrrr
this is like. one of my biggest issues. im not like a shipper, never rlly have been until yj but i dont like engage in discourse bc thats stupid.
But basically? Fanon lottienat just kinda strips anything thats interesting about the ship away. and makes it like. punk x preppy. loser x popular. ive even heard black cat and golden retriever which makes me want to rip my eyes out.
And its not even accurate to their characterization? at all? like youre flanderizing them but like..... not even their main traits. like ive seen people say "precrash lottie would be like charlotte from status update (curse that movie btw. the things i do for u courtney eaton) which is just. like not at all.
first off lottie is not popular. yeah, shes rich, but shes clearly somewhat of a loner (WHICH PARALLELS NAT?? WHICH MAKES IT MORE INTERESTING???) even courtney has said this in interviews. she feels ostracized, and a lot of it can be traced back to the flashback scenes we see, esp those about her relationship w her parents and her supposed mental illness. the 90s, especially the 90s in a high pressure rich family, was NOT a good place to have schizophrenia (and yeah theres the "she wasnt actually mentally ill" argument but that changes nothing because atp in the story her whole family and probably herself believed she was.
Then we have the nat characterization. The fanon "grumpy" to fanon lotties "sunshine". guys canonically nat smiles more than lottie. girlie was always grinning while lottie was experiencing the horrors all of s1. ofc they both went THROUGH it but that specific stereotype pissed me off sm i had to address it.
also, nat gets shown a lot as masc?? which is a fine headcanon but like for her style like the whole punk thing? she acc dresses relatively femininely.those are little irks abt nat but they bother me idc. too tired to write more on this rn but feel free to ask!
so basically taking this stuff into account - fanon lottienat uses a gross mischaracterization of both characters, especially lottie (also that suspiciously align w stereotypes HMMMMM) to literally make the ship more boring. You are making it a stupid and lame trope. You literally have these two insanely complex characters who mirror each other. Theyre not opposites attract, they are the same character in different skins. They're both loners, one because of her punk/rebel nature and nasty rumors, the other because of her mental illness and lack of closeness to people. Theyre both loners because of their social status and their fucked up home life. Theyre both providers - nat the hunter, bringer of physical and real food like the deer. Lottie the prophet, bringer of hope and, through the teams eyes, the birds, the bear, etc. Lottie who begs to be a martyr but is denied nat who runs from it but shoulders it anyways. They're both bleeding hearts they both give soul to the team and are some of the most genuine characters but they present it so differently.
The fact that the majority of content grossly mischaracterizes them and is the widely accepted fanon just.. sucks tbh. and the fact that people get so up in arms about them, and literally attack fans of other characters (lottielee fans... travis fans....) for no reason?? all these other characters do is contribute to what makes lottienat such a compelling and fucked up and interesting ship. i love them so much but lwk most of yall are insane and dont even appreciate them for what they really are.
thoughts questions comments concerns hmu
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This is one of my favorite panels in the entire series
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Announcing Gweathney week 2024!
Gweathney week will span from July 7th-July 14th! I'll accept anything (art, writing, etc.), and late submissions are completely allowed! The only thing that i'll say is no nsfw/anything problematic. Tag whatever you make for this with #gweathneyweek2024, but you can also mention me! Have fun!
REBLOGS > LIKES (so more people can see this!)
(with rizz)
PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE DO IT I WILL STARE AT YOUR GUYS WORK FOR HOURS AND LOVE IT DEARLY IT WOULD MEAN SO MUCH TO ME WAUGHHHHHHHHHHHHHHHHHHHH/pos
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You know, when I kept getting asked "so you didn't ever have severe pains before now?" in the hospital and I kept replying "I have a high pain tolerance" I meant it. However, there is only so much pain my tiny 4'9" body can hold... (aka I am sweating and in agony bc I'm getting told to use LESS severe pain meds so I don't rely on them too much and it is AWFUL)
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Every day I get closer to making an unhinged behemoth of a post listing all of the things about Kaeya and his possible connections to mythology & stuff that I notice but NOBODY ELSE SEEMS TO BRING UP IN THEIR THEORIES
(edit: OMG I reached the tag limit I'm so sorry)
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I'm so happy people are rediscovering one of my first dewther drawings, I miss the boys sm, maybe I should get back to drawing them? My designs for them changed A LOT
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Just want to say: a, I admire very much that you've figured out a healthy way to work on your fics that allows you to have fun with it. And also b, am very excited to hear that you are getting there with pez! It has fully given me brain rot ever since I read it last year, there is just such a lack of content for the highly specific trope of using time travel as a device to explore extremely unhealthy levels of self loathing.
I just adore everything you're doing in it. Neither midoriya is anywhere approaching okay for any portion of the fic and I love rereading and mining into all the subtle characterization pointing to that. It's a bit like nhtycth in that some really goofy funny stuff is often hiding some really fucking worrying things, but the fact that characters DO do that stuff—that todoroki uses his teaspoon's worth of extremely stunted social skills to bludgeon his friend's door open and help him, that a rpf shipping war is an actual source of drama despite how goofy the sentiment seems on the surface, that about half of what jon says is deeply worrying and the other half is extremely funny and there's a lot of overlap between the two—really lifts the tension and brightens the universe. It's sort of similar to what you did with gerry, in that endless misery isn't nearly as painful as the ups and downs of a life that, when you step back and zoom out, has something deeply and horribly wrong with it.
(jon sort of reminds me of spider-man in that he uses human to deal with trauma and stress, except I don't think he at any point realizes how fucking funny he is. He's just there, in a home depot, gnashing his teeth because he's got so many bodies to dispose of and this cashier sure is taking her time.)
I really, really, really have had trouble finding fics that take everything midoriya has dealt with to task. It's a hell of a thing to live 14 years as a disabled minority, have it heavily shape your existence, and then one day you wake up and you realize you're...not that, or at least, nobody will ever acknowledge you as that again. You've lost all claim to it. Those experiences that shaped who you are? Dust in the wind. 14 years of pain and life might as well be buried in the ground for all the good they do you. Nobody's going to cut you any slack or quarter, you've gotta simply work harder, be better. And now when you do that you get the results you wanted, so that's fine, then. That's good. There was something wrong with the you before, and there's something right with the you now, and if the transition is a little rough, well that doesn't matter, you're the same as everyone else now, so it's your own job to fill in whatever gaps you need to.
I really can't get over how mentally fucked it must be for midoriya to run into quirkless people, run across quirkless issues, and be silently caught between, incapable of speaking his mind and too scared to do so anyway around those he can trust.
Also I should mention, I'm just very excited for bakugou to get back from the gym. He's been there like a year I hope he's getting a good workout in.
Me realizing that it’s been a year since pez dispenser debris:
I feel like there’s just this very specific type of grief that Izuku has to grapple with in the span of pez dispenser debris that I’m just obsessed with. He’s sort of silently mourning who he could have been, when 1) he has to present like there’s nothing lost to maintain his secret and 2) the entire world is constantly inundating him with the message that there was nothing lost.
Like. I don’t want to get too deep into it because it risks spoiling things and I do have major plans to continue it (I’ve loved this story for so many years before I ever even hit publish), but the emotion that Izuku’s feeling right now is so much more complex than “I hate who I used to be and want him to stop existing” or “I just want to keep my secrets.” And I think the way he interacts with Mirio is the biggest evidence of that.
Izuku’s placed himself at the very center of the Quirklessness debate with his support of Mirio. He fights for Quirkless heroes, very publicly, to the point where he’s not even graduated yet but considered to be one of the most prominent voices on the matter. If you took a poll of Quirkless people as to which hero would be most supportive of them pursing their own career in heroics, Izuku would be right at the top of the list. When it comes to Quirklessness itself, he’s nothing but supportive.
But he didn’t tell Mirio the truth of his own Quirklessness.
Out of everyone, Mirio’s the one everyone expects to know, despite him being a relatively newer relationship compared to someone like Iida or Uraraka or Todoroki. And I tried to imply that he’s sort of the one who knows the most about Izuku out of everyone save All Might.
Like, we’ll get into how much exactly Mirio knows soon, so I won’t divulge what, if anything, Izuku has told him. But we know that Mirio knows, weirdly enough, that Izuku is deeply fucking haunted. He knows that boy has many violent ghosts in his bones. He finds it hilarious and will tell their realtor about it. Izuku told him about the discontent spirits who died in a violent passion and live on inside of him before he told him about his Quirklessness.
And I just feel like one of those things is a little bit easier to discuss than the other.
Izuku has decided to keep his own Quirklessness quiet in a way that surpasses secrecy about One for All. If it was just about OfA, he could tell people he didn’t get his quirk until the entrance exam, and it wouldn’t even be a lie. He’s purposefully obscuring his own past as Quirkless even as he takes a forefront of the Quirkless hero debate with his open support of Mirio.
And the fact that he’s at the forefront of this debate in and of itself requires a difficult dichotomy. He is the world’s most vocal proponent for the first Quirkless hero. He is a known figure in the Quirkless community now.
He isn’t considered one of them anymore. He’s an outsider coming in.
It must be such a strange, odd sort of grief to come to the people you were home amongst for most of your life and be greeted as a stranger. To return home, and to be welcomed in for the first time, and to not even be able to tell people that you’ve lived here all your life and don’t need a tour.
It’s a sort of death of self, I think. And I think Izuku never expected to have to grapple with his own ghost.
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I’d like to ask a question about Kokichi’s character in Chapter 4, specifically with him seeing the “Truth of the outside world.” Yes, it was a big shift in his character to suddenly want killing, but I’m not entirely convinced that it was because of him losing his mind from seeing the outside world. I think at least some of it was a facade to make others think of him as a bad guy/the mastermind; to make his Chapter 5 character more believable so his plan would work. What do you think?
Well, I'm not here to convince you one way or another.
My theories and personal interpretations are just that--personal interpretations and theories. The narrative is web of interpretations and I only hold a single thread of it.
To me, personally, I think Kokichi's behavioral shift is far too drastic, going from "I'm going to beat this killing game" to "I'm going to become a blackened and kill someone", to plotting with Gonta to mercy kill the whole class. I think this jump has only one true source--the madness of seeing the end of the world you and your fellow classmates have been killing each other over.
I know it's a difficult feeling to imagine--but that's probably why you think differently than me. I cannot fathom what it's like to see the end of the world--and how I personally would react to that, aside from pure devastation. I don't think any human being can truly comprehend what "the end of the world" would look or feel like--which is why the concept often appears in horror plots and the sort. I don't think our brains can truly comprehend becoming an endangered species, the world we knew to be suddenly inhabitable, to be on the brink of death and demise and know that everything you once loved has already left you behind.
So I ask you this as my answer: Do you really think that any human being on this earth could handle the end of the world?
My answer to my own question is: No. I don't think any human could mentally handle seeing what Kokichi saw--and that's why I don't think his "I am the Mastermind" plot is the cause of his personality shift during chapter 4.
It just doesn't make sense to me.
I'm sorry if this comes off as curt or rude--but the amount of asks I've gotten specifically about Chapter 4, and about my Mercy Kill Theory, with the sentiment of "Oh your theory must be incorrect, somehow", is far too grating on me. Never the mind asks that go and try to find loop holes to prove the theory wrong, but I digress--that is neither here nor there.
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