#air born

[lunaxzfan]

çok ani...neden yaptım bir fikrim yok ama anılarla güzelleşti gibi.

[ebabad]

התופת - דן בראון \ ביקורת קריאה

כן, אפשר להגיד עלי לפעמים שאני late bloomer – הספר הרביעי בסדרת המתח של פרופ’ רוברט לנגדון (אחרי צופן דה וינצ’י, מלאכים ושדים ו��סמל האבוד). הפעם נמצא לנגדון באיטליה המקסימה ושוב מעביר דן בראון את יופיין של הערים וגורם לקורא הממוצע לחשוב ולהכין רשימה של אתרים המומלצים לתיור וסיור. הקומדיה האלוהית (La Divina Commedia) היא פואמה בעלת שלושה חלקים, שכתב דנטה אליגיירי בתחילת המאה ה- 14.על פי הפואמה –…

[hinamie]

Yuuji: Bye, im going to the fire nation!

Sukuna: Not dressed like you aren't.

Proceeds to give Yuuji a boob window in his clothes

ngl anon i took this bit way too seriously n got carried away thinking abt what yuuji's fire nation alternate fit would look like ,, then after figuring it out I thought well now I /have/ to draw air as well ....

jjk atla!au with @philosophiums

[essektheylyss]

Fearne had, in true Fearne fashion, wrapped herself like a personal pashmina around Dorian, which left Orym to curl into his chest.

They had slept this way dozens of times before. Fearne’s blackened fingers wrapped tightly around his forearm as she snored loudly into Dorian’s ear. Orym’s head rested on Dorian’s bicep, his arms folded together between them, and his bare feet were gingerly resting upon Dorian’s thighs just above the knees, as Dorian had coiled enough to let Fearne’s fuzzy leg stretch over his hip. They were exhausted, and this was familiar, and he should’ve been fast asleep.

But Orym’s mind buzzed.

Fearne had always been a strong source of heat, but now she was a furnace, and even without covers it was too warm. But Fearne was not the reason why Orym’s skin burned where it met Dorian’s.

He was a fucking grown man. He was fully capable of admitting that.

Admitting it didn’t change it.

Neither did it change his awareness that Dorian had been too still for the past hour, his breath too precise and measured to be natural as it fell upon Orym’s hair. Orym was not going to presume that the cause of this was the same thing afflicting him; there were plenty of other reasons Dorian would be lying awake tonight.

“My family will find your brother,” he murmured finally, and Dorian’s breath wavered for just an instant before he regained his composure and returned to his measured, singer’s breathing. It was so slight that no one else could’ve noticed it, but Orym noticed. “You said there’s a body— the Tempest can bring him back, or Fearne, honestly—“

“I know,” Dorian answered, and this too was so faint that no one but Orym could’ve heard. “I know,” he said again, as though this one was only to appease himself.

“Do you think… do you think any of Opal is still in there?”

“I don’t know. I could barely tell what was in there—“ he cut himself off. “I couldn’t even help my brother. I think Fy’ra Rai might’ve… she must’ve seen something. I hope so,” he added, inhaling, trying to capture an airy tone that he didn’t fully manage. “The Spider Queen doesn’t deserve her. She doesn’t deserve anything.”

Orym had nothing to say to this. He hadn’t cared what the gods did or didn’t deserve in weeks, but now he could see the vein of fury that sharpened Dorian’s edges. It didn’t frighten him the way it had frightened him months ago, when things had been simpler, when there was not a war to be fought. It simply saddened him. “I’m so sorry about Opal,” he said, after the silence had lingered. “But I’m,” he breathed out a single dark laugh at himself, his selfishness, “I’m real glad it wasn’t you.”

Dorian’s laugh matched his own. “I suppose that is a silver lining.”

“I’m so glad you’re here,” Orym admitted. It was easier to keep his voice from cracking at a whisper. “I’ve thought about seeing you again so many times— I wish the circumstances were better—“

“I’m here,” Dorian said, for the second time today. “The circumstances tried very hard to make even that impossible, but— I’m here.”

Orym pulled his arm gently out of Fearne’s grasp and raised his hand to Dorian’s cheek. It was too dark to see the tinge of lavender against his skin, but Orym could feel the warmth bloom beneath his fingers. He still couldn’t bring himself to attribute his friend’s insomnia to anything so self-serving as his own, but perhaps it was one factor.

He pulled his hand back. Was there a flash of disappointment in Dorian’s eyes? He couldn’t tell in the dark. But he brushed his fingers together, drawing upon the wellspring of life within the ground beneath this hastily-erected encampment. The Hellcatch looked like a barren wasteland to most, but that life was still present even here.

Perhaps not now, but after a rainy season, the valley would bloom with wildflowers. The seeds waited in the earth for their time to sprout. Life went on, even in the darkest of places.

He produced a small stalk of life from his hands, and held out the tiny bundle of forget-me-nots to Dorian.

He should’ve said that they were for Cyrus, to remember him by. He wanted to say that they were for Dorian himself, that a day hadn’t gone by that he hadn’t thought of him. He didn’t speak at all as Dorian’s hand wrapped around Orym’s, pinching the stem beneath his fingers but not letting go.

“Orym,” Dorian breathed, looking from the flowers to his face. Then a strange expression came over his face, a wrinkle of consternation as he stared into the middle distance. “Fearne, are you braiding my hair?”

Orym lifted his head an inch to peer past Dorian’s ear. He had noticed that the snoring had stopped, but he’d been too caught up in the conversation to process it. Fearne’s wide eyes stared back with perfect innocence, her hands indeed weaving Dorian’s hair into a loose braid.

“Just pretend I’m not here,” she whispered quickly. “I’m totally not here.”

When Orym dropped his head back to Dorian’s arm, he was met with a crooked smile. It was not meant to be disarming, but it disarmed him anyway.

“Just like old times, eh?” he said, but his hand was still around Orym’s.

Carefully, Orym moved to tuck the flower behind Dorian’s ear, bringing both of their hands with him, and then laced their fingers together instead. “No,” he said, and tucked his head so that his brow rested against Dorian’s chin, and pressed their entwined hands to his lips. “But I think that’s okay.”

[pandadrake]

idk some guy and another younger guy from the comics.

I temporarily lost my ability to ink so I decided to try something small and easy. Then ended up scribbling a bunch of other things.

Gabriel's outfit is pretty much a mash of his comic outfit and a jacket taken directly from ATSV concept art of 2099 fashion by Jesus Alonso Inglesias. I don't like coloring, but if I did I would make it really bright and obnoxious.

My impression is that Miguel's civvie fit is really drab and baggy by 2099 standards and is meant to hide his body shape. Either way it's a pretty funny contrast to his other fit which is skin-tight, bright red & blue and has all his muscles drawn in.

Miguel in the comics has organic webs which give him the power of being nasty-ass and leaving gross sticky stuff on everything he touches. I guess this is the inspiration for the top image (it's time stamped)

[scuttle-buttle]

at the end of the day Crosby is babygirl and Rosie is Daddy

[lesbianhidemi]

what do you MEAN the other day???? that bombing ep was released like 20 years ago 😭😭😭😭😭

[p4nishers]

what is it with queer shows and fucking bird metaphors man i am so tired

[janadoesstuffwrong]

Thinking abt the air nomads:

What if, after the war, once the dust has settled a little, Aang goes back to travelling, hoping that maybe he can find at least some trace of surviving airbenders. As an added bonus, he gets to do more of the exploring and wandering that he had to put on hold.

Toph goes with him ofc. She only just got a taste of real freedom and it was overshadowed by ever-present impending doom. While she's on speaking terms with her parents, she isnt quite ready to be back under their roof on a permanent basis. The rest of the gaang have their individual homes and responsibilities that they get back to, though they join for the odd field trip or adventure when they can.

So anyway, they're touring all over the world and over the years they notice just how displaced so many people have become. EK citizens who barely escaped the blaze but lost everything; FN military now decommissioned with no idea how to carry on; people looking for a new start in the hard-won peace. Maybe it starts with Toph heading back to Earth Rumble, where a group of young runaways scrounge for cheap fights to make a little money.

At each turn they find more and more people with no homes to return to and no family to protect them; runaways escaping the roles the war forced them into. Gradually, Aang and Toph start to see that they aren't so different from themselves. They just want a new start.

So they decide to give them one. They clean up the temples and set up villages in the surrounding areas (helps to be master earthbenders), where people can arrive and stay as long as they need. Travellers and refugees pass through in droves, sometimes choosing to stay and rebuild their lives there, sometimes continuing in their wandering with a guarantee that they'll always have a place to return to should they have the need.

Over time, the lemurs grow in number and even some flying bison calfs (hybrids with a relative species maybe?), can be seen in the skies. Whenever the founders visit, it isn't the same but Aang feels a little more at home.

The first time someone asks Aang to teach him his philosophies, and expresses his desire to become a monk, how can he refuse? Maybe it's a former soldier, somebody who's done terrible things, looking for a path to redemption. So Aang teaches him, and then he teaches others. And though they may not be airbenders, they are as earnest and faithful as any nun or monk Aang knew before. The temples become filled with new faces: Firebenders, Earthbenders, Waterbenders and non-benders all wearing Air nomad orange and yellow.

Aang always feared that it would be his responsibility to have airbender children, and the idea of forcing that on someone he loved terrified him. Maybe that's why he waited so long before acting on his feelings for his best friend, his travelling companion, his fellow-village builder and temple-restorer. How could they have a truly happy relationship with this pressure hanging over them? He wishes he could be content with the new way of things that he and his friends have created. But he knows that he can't be the last airbender forever...

Nobody knows why some children can bend the elements and others can't. Is it blood? Is it blessing? Is it the land in which you're born? Or is it the simple allocation of fates decided by the values and norms you're raised believing in? Is it enough to be surrounded by the culture and beliefs of the Air Nomads? Nobody knows...

All they know is that nobody sees it coming when the six-year-old daughter of two non-bender villagers from the Earth Kingdom and Northern Water Tribe sends herself flying twelve feet into the air with a sneeze.

[palin-tropos]

we cannot all die, for we are innumerable — we are humankind! therefore, we will win

Narmandakh aka "Manya", call sign "Albatross"

(or, POV you are a lorry driver and you are being expropriated in the middle of the pale by a gang of anarchocommunist pirates and their leader is inviting you to join their world historic negentropic mission)

art by @excalibutt (thank you <3 <3 <3)

[rastronomicals]

10:05 AM EDT April 15, 2023:

Camel - "Air Born" From the album Moonmadness (March 26, 1976)

Last song scrobbled from iTunes at Last.fm

File under: Canterbury Rock

[faintlyopalescent]

[imasexypotato]

I HC that Gale is an excellent pilot and a horrendous driver.

He can fly a plane with his eyes closed.

But not a car. He tried to drive once, but he accidentally rammed the vehicle into the side of an airplane.

From that day on, his superiors forbade him from driving on base.

And that's why John always picks him up and drives him around.

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[volivolition]

part of that "raising a kid au" i was working on, this is almost definitely not how skill checks work and i don't even know if i'll include this, but for now i think it's. so funny kjkgj

[haveihitanerve]

Dick, Cass, Tim, Damian: *leave Gotham and breathe deeply* ahhhhh. Fresh air. My dear friend it has been too long that I’ve breathed your heavenly scent. Is this what other people feel like when breathing? It doesn’t hurt to inhale?

Jason, Duke, Babs, Steph: *enters Gotham and inhales deeply* ahhh. Nothing like the putrid smell of Gotham to really get the blood pumping. Can’t get that burn down your throat anywhere else. Better than whiskey, better than cocaine that is. This is the good air.

Dick, Cass, Damian, Tim:… you guys are weird.