#all I got is the world building

[burningthegallows]

Fic: Arrow to a Wax Wing

Fandom: Love Like the Galaxy

Word count: 7700

Cheng Shaoshang/Ling Buyi

Summary: Huo Zisheng doesn’t travel to Anyang expecting to find her there. He doesn’t mean to follow her into the garden. He certainly hadn’t meant to throw himself off of a cliff and destroy both of their lives.

Notes:

This piece is largely unfinished and a bit odd because of it. It was inspired by the prompt “fucking to forgiveness,” and because I wanted to write some angry fooling around. It’s pretty much just 3500 words of exposition and then arguing. There’s some sex sprinkled in at the end.

Title taken from the bends by doomtree because I couldn’t stop repeating the line “Cause I got a few miles to go before I concede.”

Dubious consent warning: Cheng Shaoshang repeatedly silences Zisheng while making out. The language used is deliberately violent (she shoves him backwards, slaps her hand over his mouth; he wrenches her around by the arm) to call attention to their mental states, not because they intend to harm. Both of them would consent, as long as the other did first, but neither does.

—

So much love for everyone in this fandom. Come hang out in the comments and scream about these assholes with me.

[uncanny-tranny]

The absolute biggest thing I've learned as a trans guy: there is nothing more masculine and manly than not caring about looking or acting masculine or manly. Growing your masculinity or manhood takes time and care - you have no obligation to let the world water your garden when you can do that just fine (and you can, even if it doesn't feel like you can!)

[opens-up-4-nobody]

Once I was scrolling thru naruto fics and saw the tag "buisnessman!Kakashi" and all I could think about was Kakashi being a child businessman, owning all the konoha adults at doing business while wearing an oversized suit and tie. That idea is so fucking funny to me.

[bleaksqueak]

Did you know that Procreate doesn't have a lot of the standard filter/effects tools that Photoshop and Clip Studio have? For the most part I'm A-OK fine living without those, but the one that boggles my mind is that Procreate doesn't have a stroke feature. I bring this up because I use stroke a lot for subtle things, and I use it a lot for graphic things (like comic binding boxes, lettering, etc.)... and, for the current illustration, I used it for almost the entire background. So do you want to know the stupid way to simulate the stroke effect in Procreate? SURE YOU DO. You have to duplicate the item, or lines, you want to have a stroke effect on... You then move it below your object/lines, gausian blur the duplicate beneath to 2 - 3%, then keep duplicating that blurred copy and merging it with itself until the extra selection of pixels created by the blur are, once more, solid. It's a lot of duplicating and merging. PROCREATE, PLEASE, THIS IS YOUR ONLY TRUE FLAW. Please add a stroke tool my family is starving.

[bonebrokebuddy]

“I don’t understand why you’re so adamant on asking me this, Hal. I just mentioned to Barry that I talked with the head Easter Bunny once and now everyone keeps asking me if I think the Easter Bunny is real! Why do people keep asking me? I’ve met them. I don’t understand why I have to ‘believe’ in the Easter Bunny for them to be real! They exist!”

Hal put his hands up and stepped back, clearly not expecting the frustrated and somewhat hostile response of Billy who slumped back into his seat, which was slightly less satisfying in his bulkier body, and began running his hands through his hair.

The repetition of being interrogated over a simple comment was not only bewildering but had gotten increasingly more annoying to answer as somehow the members of The Justice League, the literal most powerful group of people on earth, didn’t seem to understand a piece of basic knowledge.

Billy was not only very tired of being asked the same thing but even more-so he wanted the laughing at his ordinary response to stop.

He paused and looked Hal dead in the eyes then began to speak in the most dead tone Hal had ever heard from the usually cheerful man.

“Hal, I know the Easter Bunnies are real because I had to spend two, very long weeks personally overseeing the creation of their union that made sure they no longer routinely experience unsafe working conditions and helped establish 8 hour working days so they no longer get overworked or are required to do 80 hour weeks prepping for Easter and get punished for doing less or don’t get paid”,

Billy’s previously slow, blank tone grew more rushed and frustrated as he went on,

“I mean, I didn’t even do much other than sit there and look intimidating by throwing around lightning sometimes and make sure the Easter chicks didn’t do any funny business or tamper with the legal process!

It was in all the papers in Fawcett! I had my picture taken with them and everything. But Hal. I can guarantee you that the Easter Bunny exists. Please. Please stop fucking asking me.” Finally done, Billy slumped onto the table with a loud clunk.

Hal stood there shocked for a moment. “Marvel, did you just imply there’s multiple easter bunnies and they established a form of government?!”

Billy, with seemingly tremendous emotional effort, lifted his head from the table by a few inches and looked Hal in the eyes with a pleading tone, “If I just say no, will you please stop asking me?”

“Absolutely not, now I have even more questions”

Billy let his head fall back onto the table with an even louder clunk and groaned.

[jewishdragon]

Fullmetal Alchemist (manga) and FMA brotherhood (anime), is like. it's amazing.

most of the conspiracy/reveal is halfway through the show, the villains just go "oh fuck these two kids and the military personnel they hang with are about to figure everything out so lets just tell them"

AND THEY DO. THEY TELL THEM. they tell them and do everything they can to shut the heroes up and split them up

and the rest of the anime if them having to sneak around more and get back together because the conspiracy is that the entire country was created for a Creature that was pulled from the void to try and eat god and they have to STOP THAT

and it slaps

[lazysunjade]

J A N U A R Y | 01

"happy birthday, Puppy."

[phoenixcatch7]

Ngl I really love fanfics ability to have the most random and inexplicable stuff happen and just go 'right? Yes, moving on' and not ever have to explain or address it ever again.

Everywhere else? Lazy writing, plot hole, etc. Fanfic? Yea boi that's why we're here!!

[silverwhittlingknife]

How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?

Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake.  He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life.  This would make Tim unhappy but would IMO make for good plotlines.

Jack and Tim’s relationship is Complicated (TM)...

Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis

“I could tell the truth.  But I don’t.” - Robin 66

...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.

And I think that’s great.

Below the cut:

Shorter version - key points about Jack

Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)

Final thoughts

Shorter version - key points about Jack:

He’s a bad parent.  He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.

But he’s never a bad parent in an actionable way.  He’s not like David Cain or Arthur Brown, who are abusive monsters.  Jack’s not a monster!  He just...kinda sucks.

He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset.  He periodically resolves to be a better dad, and IMO he’s always sincere.

And Tim loves him, a lot.  Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!). 

...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in.  Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.

The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)

Very long version:

(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)

Okay!  So first: Jack’s a character who IMO is pretty up for interpretation.  You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in!  I have enjoyed Bad Dad stories and also stories that redeem Jack.

My personal take on canon is that Jack and Tim’s relationship is in a gray area.  Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away.  He's just...not great.  Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.

I have a gentler take and a harsher one which I switch between as the spirit moves me. xD

My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)

Here’s the core conflict: Jack and Tim are very different people with different values.  Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.

This is a great setup for an ongoing comic.  It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:

Tim the drama nerd whose dad thinks he’s playing football and not in the school play; 

Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance; 

Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...); 

Tim the computer geek with the sports-obsessed dad (this one’s just canon);

etc. etc.  

The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism.  Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.

And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.

I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever.  Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot.  And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...

...but also he ends up lying more and more.

(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)

Other Reasons Why I Like The "Secret Extracurricular" Interpretation

(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)

Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do.  When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.

And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV.  If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really.  So what do you do?  Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around?  Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?  

Again: a bit similar to the extracurricular analogy.  Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out.  How would you react?  Well, maybe kind of in some of the ways Bruce reacts.  You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him.  You’re upset with his dad.  But also... what should you do, exactly?

Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.

My Harsher Take

Jack never hits his son.  But his temper is a big deal.

In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it.  When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.  

This is bad behavior!  It is Not Good!  

And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.

Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.

More Disorganized Thoughts on Jack Drake

Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either.  Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust.  When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified.  When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem.  Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious.  And so on.

This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person.  So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.

The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.

Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations.  When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies).  When Tim disappears or runs away, Jack’s genuinely worried about him.  So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!).  It’s the day-to-day, regular life stuff where they don’t connect.

Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.

For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy).  Tim’s grief over his parents’ deaths is intense and long-lasting.

I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.

If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).

[ancientschampionau]

RealAgeAU Drabble - Parentalbond Horror

*grinning* I am baaaaaaaack!! @spotaus get over here :D

So. I had the difficult choice on which drabble i wanted to write so For now I settled on this one because I haven't had the chance to write a drabble with Horror's pov since a while and that is a crime.

First Drabble here Prev Drabble here Next Drabble here

As always we go in unbeta'ed and unedited.

*-----------------*

Horror checks the windows again before turning back to the couch and seeing Nightmare just staring at him.

Horror tils his skull "sleep will be easier if you actually lay down...." And he looks pointedly at the couch.

Nightmare gains that stubborn glint in his sockets again as he huffs "I am fine. Not tired at all." he looks at the pile of bags in the corner of the room wishfully.

Horror has to keep his chuckling inside as he answers "Shame then that it is bedtime for young skeletons." And adult skeletons. Horror glances at the other three. All KO on the other couch, all still dressed in their normal clothes and none of them actually finished their meals.

Horror will have to pack up the leftovers. Make sure nothing goes to waste. But he will let them sleep for now and just make them eat a big breakfast. But all three had been running themselves ragged lately. Especially after the last encounter they had had with the Stars.

It meant they have been making more jumps and teleports and not going out as much to collect things to make it easier for them.

Horror walks over to them and puts one of the blankets in this apartment over them, he doesn't bother to try and pull them away from one another. The four of them always had the habit of sleeping in a pile and that habit only got worse once they started searching for Nightmare and reclaimed him.

Horror checks Ngihtmare's plate and smiles "You finished it all today." No wonder he is grumpier and more active than usual.

Nightmare pulls a face and crosses his arms. Horror walks over and nudges him at his shoudler "Sleep time." and he waits.

Nightmare grumbles more as he pushes the blankets and pillows around. Horror just crosses his arms as he waits. Nightmare huffs but lays his skull down on the pillow and glares at him.

Horror knows he is grinning but he is proud to say he doesn't actually snort or laugh at the grumpy face Nightmare is pulling. instead he moves closer slowly, the first week of watching Nightmare flinch at every movement and sound had been horrible, and puts the blanket over him as well.

Nightmare doesnt complain about it. Most likely becuase he just saw Horror do the same for the other three.

Horror nods and sits by him "Time to sleep." it is his turn to keep watch and he plans on taking ti seriously.

Nightmare huffs but just turns his face further into the pillow. Tiny body starting to relax with the simple comforts.

Horror tries to not be obvious as he keeps an eye on Nightmare.

Horror knows of course what is going on and he is trying to not give in. At least one of them should not give into the adopting.

Horror can admit he had been surprised that Dust was the first one to actually soul adopt Nightmare. Especially after only a week. It had been so fast and the transition between the before and after state had been so smoothly that Horror had honestly thought that Dust had done it on purpose and planned.

It would have made sense. Dust had been the one to find the book first and been the one to actually manage to get Nightmare back to them.

Only for it to become obvious that Dust had no idea what he had just done.

Soul adoption is a rather normal thing for monsters to do. Though in most universes they rarely happened as monsters don't tend to abandon children.

But well, Horror's AU had been one with starvation and a lot of fighting. People lost their lives in multiple ways. That meant quite a few orphans.

Soul adoption happened when an adult monster willingly took the role as caretaker for a younger monster who doesn't have a caretaker. There are a few more factors obviously but Horror doesn't know all of them of the top of his skull, especially not now with that hole in it.

What it comes down to? Nightmare is an orphan and has no one he could go to that could take care of them, and all of them know this. Dust found out first and surprisingly his soul was open enough to the idea to accept Nightmare as... well... his.

There are more hurdles in this situation of course. The fact that they Nightmare they knew was an adult, which is what Horror thinks is tripping up Cross. But Dust had been very quick with accepting that Nightmare is now a child and so immediantly treated him as one.

Killer took a bit longer but quickly fell into step as well. Calling Nightmare tiny boss and going from his right-hand-man to his babysitter, Killer's words not Horror's.

Horror is however a bit surprised that Killer also soul adopted Nightmare. In theory it shouldn't have happened as Nightmare at this time already had Dust as his caretaker and so technically didn't need one anymore.

Seems like Killer's soul didn't agree with that.

Horror can't say a lot about it though, seeing as he can feel it happening with himself as well. And he has no doubt that Cross is very close to giving into his own instincts and feelings concerning this as well.

The whole thing with their last interaction with the Stars is a very big give away. Even if Cross felt very embarresed by his own reaction.

At least Nightmare is no truly convinced that they won't harm him and will help him. Horror is happy they managed to get there and with it having only been a month since they took him with them. Horror can say they did a good job.

Nightmare has falled asleep.

Horror move slowly and silently and puts two fingers to the the side of his small belly and feels.

Horror may not have a lot of magic himself but his AU was left him with a very useful skill. Wiht how little food there was available and how little magic there was there came issues. One of the issues was that after a while the magic monsters had wasn't strong enough anymore to digest the food that the mosnters did manage to eat. meaning that even if the monster ate food they would not get any energy or new magic from it.

Meaing that even if they ate they would continue to starve.

Wiht how difficult it had been for Nightmare at first to eat or even remember to eat Horror had worried something simular may have happened. That being in the goop form had caused his own magic to grow too weak to be able to function fully.

But all Horror feels is the soft and quiet purr of NIghtmare's magic working hard to use the offered food to rebuild the babybones' small reserves.

Horror sighs a sigh or relieve and just watches Nightmare for a moment. Nightmare, having noticed the pressure on him, makes an unhappy sound and his socket flutters open to give him a sour look.

Horror chuckles as he whispers "I apologise." Horror is unsure how clear his answer is as Horror himself is purring like a loud law mower at this point.

Nightmare blinks at him, still looking like the tiniest little grumpy skeleton this multiverse has ever known, before closing his sockets again and turning on his side. surprisingly not away from the touch and light hold.

Horror watches the other. It is strange. They are all different yet Nightmare still has them all completely under his control. Yet it is in a completely different way and Ngihtmare now doesn't even seem to realise it.

Horror leans on the couch and watches their tiny charge just sleep. Horror had managed to keep the need to complete an adoption at bay by reminding himself that Nightmare already had a caretaker- well two and a half now, Horror is sure that all Cross still needs to complete the soul adoption is a tiny nudge. Horror thinks that Cross is jsut thinking too much about it and doubting his own instincts and feelings.

But that still leaves Horror, and what he wants to do. He figured that it would be better to at least keep one of them unbiased in this nature, just in case that Nightmare suddenly turns into an adult again. But the longer this went on the less likely it seemed to Horror.

Not to forget. Horror doesn't even think Nightmare wants to be an adult again. Not now that he is a child but doens't have to vigilent every moment of every day.

Does he technically already have caretakers? Yes. Does Horror still want to count himself as one? Yes.

So. He just picks for himself.

Horror moves slowly and quietly as he picks Nightmare up. Nightmare grumbles in his sleep at being moved but calms when his magic recognises Horror.

Horror gets comfortable on the couch and lays Nightmare on his sternum. He can still feel the tiny soul beat and pulse fast even through two shirts.

Horror pulls the blanket back over Nightmare and waits.

It doesn't take long as Horror can feel the slight pull on his magic and energy. Hardly noticable and Horror doubts that if he wasn't so paranoid about his own levels he would have noticed.

It is something tiny monsters do. To help stabalise and sharp their own magic they try to take tiny bits of their parents, or caretakers in this case, to help guide them. It all happens naturally.

Horror just holds the tiny babybones closer and feesl Ngihtmare's soul slowly start to match Horror's own soulbeat and he feels all the calmer.

Now it is pretty much done. Horror will have to probably deal with this decision one day but for now he is happy. Their tiny babybones is comfortable and everyone is resting. Tomorrow they will have to worry about getting supplies and where they can go and eventually where they will sleep that night.

But right now? Right now he doesn't have to worry about that. and all he ahs to worry about is that their babybones is comfortable and healing.

*-----------------*

First Drabble here Prev Drabble here Next Drabble here

[druidshollow]

dunes rise to villainous power

[eywaseclipse]

To all the people who gatekeep and prevent others from creating and learning such as ourselves. I hope your pillow always stays warm, and you get diarrhea ☺️🦋🥰😌

Avatar editors on TikTok genuinely think they are godly. It’s odd. We all started out the same way believe it or not. Which is why I’m always letting my followers know how I made my art or edits. Why I offer to make them their own ocs, and edits. Gatekeeping is SO not cute.

[darkangel1791]

MALEC

is

Matthew Daddario as Alec Lightwood

Harry Shum Jr as Magnus Bane

Crazy Chemistry

and

All of their fans, 50% of which only watched Shadowhunters for them

[beansterpie]

rewatching LoK, i'm being reminded how much I dislike the.... the brothers, mako and bolin, yanno? they're such underwhelming characters on basically every level. it'd almost be impressive if they weren't in every episode and didn't annoy me so much ugh

[elvhendis]

Micah Bayar from the Seven Realms Series, but I aged him up because I'm choosing to ignore that everyone is only 16 lol. I only just started the second book so this may or may not age well?

Edit: I think I got his eye colour wrong? 😭 I could've sworn it was blue-greyish

[forgivenfolly]

my problem is i don't find dnd as a system's concept of good and evil remotely compelling but i DO find the general durge backstory fun