#all the things I know about love

[th3dailyoverload]

Do I, Don't I: All I Know About Love

If I'm telling the truth "all the things I know about love" is absolutely a fluke. I have had experiences with love but I still know nothing about it, whatever book of love that Peter Gabriel was singing of would be really helpful now. But for now here's what I've learned:

Navigating the world of love is no easy feat, especially as a young adult who is just trying to figure out who we are and what we want, and where we fit in everything.

It seems like everywhere we turn, there are conflicting messages telling us to love freely but also be cautious, to follow our hearts but also use our head— all that's taught me is love is contradictory. So, do we dive headfirst into the deep end of love, or do we stick to the shallow end and dip our toes in cautiously?

First and foremost, it's important to remember that love is not one-size-fits-all. What works for one person may not work for another, and that's okay— remember that you are the only you there has ever been and that exists. Don't feel pressured to conform to societal norms or expectations when it comes to love. Trust your instincts and do what feels right for you.

That being said, it's crucial to take the time to get to know yourself before jumping into a relationship. It's easy to get caught up in the excitement of a new romance, but it's essential to make sure you are in a good place mentally, emotionally, and spiritually before committing to someone else. Self-love and self-care should always come first. From my experience I would become too much of the other person in the relationship and for me, a person who dates for longevity, I found myself stuck being my partner for all the years we date. And by the time we broke up I realised I'd lost my spark and my individuality in the heat of the relationship.

Communication is key in any relationship. Don't be afraid to express your feelings and needs to your partner openly and honestly. If something is bothering you, speak up. It's better to address issues head-on rather than let them fester and potentially harm the relationship. This is one of those things I still struggle with to this day, but I'm working on it.

On the flip side, it's also important to listen to your partner and be willing to compromise. A conversation is defined as communication between individuals and it is implied that for this conversation to happen, individuals must listen to come another— remember that you could be hearing someone but not listening. Love is a two-way street, and both parties need to be willing to put in the effort to make the relationship work. Remember, it's not always about being right, but about finding a solution that works for both of you.

Lastly, don't be afraid to take risks when it comes to love. It's natural to feel scared or vulnerable when opening up to someone, but sometimes, the greatest rewards come from taking chances. Trust your gut and follow your heart, even if it means stepping out of your comfort zone. Even if it means getting hurt a little.

Platonic love is deeply underrated and that's something to always have in mind. If I didn't have that one girl friend with all the same interests, that I enjoy doing miscellaneous chores with and the one I am comfortable sitting with in complete silence, I don't know how far I would be now. For every positive/healthy thing I know about love, I owe it her and my cousin who helps my crippling insomnia subside.

In the end, there is no right or wrong way to approach love. It's a journey filled with ups and downs, twists and turns. Embrace the uncertainty and enjoy the ride. Love is a beautiful thing, and it's worth all the trials and tribulations that come with it.

So, do I, don't I? The choice is yours. Just remember to love boldly, fiercely, and unapologetically. You deserve it!

[poorly-drawn-mdzs]

The math just adds up!

[guardian-of-soho]

Still stuck on how Aziraphale ate that meat like he was starving. Like he’d been starved for millennia, and he hadn’t even known it, because he’d never once been fed. But we know they don’t have to eat (nor sleep, etc.), so what he’d been starved for is pleasure. Being present in his body, feeling the joys and longings it could feel. Understanding what taste buds were made for. He hadn’t known; he’d never learned to miss it.

Now imagine what a kiss has done to him.

[adriles]

when we’re done with our overwhelming grief we’ll eat i guess

[inkskinned]

i think one of the reasons glass onion is so fun is that it just... loves the audience back.

so many popular movies and shows these days thrive on a sort of bitter engagement with their fans - where the fans are dismissed as being stupid, annoying, and needlessly angry. we are constantly positioned as being less intelligent as the writers.

so much of "spoiler-free" movie-making relies on writers getting away with one twist in their work, regardless of if that twist was earned. the work doesn't actually have any rewatch value or interesting writing - because they think "good writing" is about "pulling one over" on the audience. they don't focus on making interesting characters or storylines or good endings - they focus on fooling you. glass onion, meanwhile, has faith that the audience has figured the ending out, and that we'll watch anyway, because we love the characters.

so many adaptions of older works... kind of seem to hate the original work. they're done without passion. they're done almost as if checking off a box. so many of them openly mock the audience for enjoying the original, almost directly telling us that we are fools for ever having loved something.

but glass onion. loves the audience. it knows that many of the people watching are mystery-lovers. it is an homage that feels love towards the original works it references. it knows we also love those works; and instead of trying to disparage those works, it allows us to celebrate them.

one of my favorite things about it - and maybe why i found it so satisfying - is that this movie isn't trying to tell you it's the smartest, bestest, most-clever detective story. instead, it asks itself what is satisfying and exciting for the audience? and actually gives us that payoff. it's bright, colorful, and fucking fun.

just... more of this please. i'm very bored of nihilism and grittiness and "shock value" writing. put the love back in. let us love unironically. have your work say i love you too. thank you for sharing this story.

[triona-tribblescore]

TW// Abuse implication

Thinking about possible Vox and Angel's interactions and how they'd go down. Theres such a unique mix of hatred to each other and common ground with their different experiences with Valentino, has me thinking.

Also just want to clarify I love Vox's character a LOT but ofc obv don't sympathise with him or think he is any way shape or form a decent individual, cant with stupid toxic dumbass x

AND IF YOU SEE ANY MISTAKES OR TYPOS NO YOU DONT- (i was so tired when drawing it forgive me TwT)

[loumands]

I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently

[egophiliac]

like mother, like son, but less wholesome this time?

(I couldn't decide whether or not to put them together, so have them in all the different ways!)

[skepsiss]

Eddie would show Steve real music this, Eddie shows Steve the wonders of Lord of the Rings that----I get it. But have you considered....... Steve gets Eddie into those ridiculous, smutty romance novels? The ones that even if they're bad, they're good. Have you considered Steve getting Eddie into the Indy 500? NASCAR? What about cooking shows? Cheesy soap operas where Steve literally knows every insane storyline by memory? WHAT ABOUT EDDIE GETTING INTO STEVE'S INTERESTS???

[fifthnailinstevesbat]

steve “cant get out of bed till middle of the day, barely leaves his house or is never home, isolating himself from everyone, never takes time for himself anymore, depressed and is slowly losing more and more of himself every single day” harrington post 1986’

robin “i know you loved her, and it must’ve killed that she wouldn’t take you back, but nancy is happy steve and she still loves you. she’s not the only one out there for you, and you’ve gotta get over it. we miss you” buckley post 1986’, trying to help her best friend

steve “…this isn’t about nancy” harrington.

robin “wha-?… oh. oh steve.” buckley.

he still wears the vest.

[vagueconfusion]

Feeling real ridiculous for not having realized that Baron's "stark father" was the Nightmare King until now

[poorly-drawn-mdzs]

The girls are here!!!

[nelkcats]

The Crime Lord does not stop flirting with me!

When Danny ran away from home and ended up in Gotham he wasn't quite sure what to do, adrenaline was coursing through his veins and all he wanted was a place to be safe.

That's when Crime Alley lit up like a Christmas tree and Danny knew it could be his new home, something about Crime Alley was drawing him in. It wasn't long before he decided to get a job to lay low. Of course, the latter was a bust because Red Hood noticed him almost instantly.

Contrary to his expectations, the Crime Lord took an interest in him but said nothing. He simply asked him to repair his motorcycle like a normal customer in his new job. Danny did and well, he couldn't help but repair some damaged systems and add some modifications. He hoped he wasn't stepping out of line, he just couldn't help himself, it was second nature to repair damaged things.

He thought Red Hood would be angry about it but the man seemed delighted (or as delighted as he could look with the mask), he looked at Danny and asked him what else he could do. Nervously, he told him that he was somewhat good with technology and before he knew it he had been hired by a gang (more or less, they were just asking for some custom orders).

So, technically he established as the mechanic and supplier to the Hood gang, and more specifically to the Crime Lord himself. He gave Hood some upgrades and became his supplier of (mostly harmless) weapons and upgrades. This attracted the attention of most of the gangs that were against the Crime Lord and Batman himself.

Jason, noticing how nervous the guy was assured him that he would protect him and no one was going to hurt him as long as he was around, it was obvious he wasn't from Gotham. For some reason, his new employee blushed every time he said those words.

Danny didn't know if Red Hood understood what he was doing (That was totally a flirt for protection spirits!), every day it was getting harder and harder not to respond to him. His ghost side kept screaming that he got a good match!

Which was technically true, considering that Red Hood had promised him protection and let him stay in his haunt (it became obvious that Crime Alley was his haunt after a few days in Gotham but strangely it accepted him)

Jason continued to promise Danny that he would be safe (poor boy always looked nervous) and Danny wondered how many days he could take the blatant flirting.

[madalenadrops]

Both. Both is good.

♥️ 🧡 💛 💙

[bellandeano]

so like. how many gentle touches do you think they've actually felt in their lives haha

[hairmetal666]

He hates Steve Harrington, everything about him. His stupid, upbeat pop music. His tall fucking hair. His annoyingly bright clothes. His bullshit German luxury car.

Eddie hates that Steve's a good guy. Hates that he carried Eddie's broken and dying body out of hell. Hates that the kids love him how they do. Hates that he and Robin Buckley are the kind of best friends who might as well be siblings. Hates the way that Jonathan is back and Nancy is happy, and Steve has no resentment about any of it. Hates that he'll never, for as long as he lives, forget about six kids and a Winnebago.

And he hates, more than anything of all, the way he's always finding himself in Steve's bed. The way he falls apart when Steve is deep inside, the way he begs for more, pleads for Steve to wreck him. The way Steve treats him so good that it makes him sob.

Eddie hates himself for not being able to stop. For wanting Steve so much that sometimes he feels it as a visceral ache in the back of his molars. He hates himself for how little fight his dumb traitor heart puts into not being astronomically down bad in love with the guy immediately.

And none of this is supposed to flow from his brain to his tongue to out of his mouth, but Steve fucks him so good and slow--gives him the most mind-blowing orgasm of his life--that it all just slips out of the safe confines of his mind.

"I fucking hate you," he says. Or pants, more like, he's all flushed and sweaty and covered in come, not yet settled back to himself.

"W-what?" Steve stutters. He's standing at the edge of the bed, damp towel clenched in his fist.

True, full consciousness strikes then and he doesn't know what else to say. Steve's big eyes are wide and sad, and Eddie's brain is screaming at him to fix it, and isn't that just another thing that he hates?

"Steve. Like. Fucking look at yourself, man." He waves his hand up Harrington's perfect body. "You're the most beautiful fucking thing in the universe. And you--you embody like every fucking thing I'm supposed to hate with your money and your athletic ability, and your whole goddamn clean-cut All-American boy next door bullshit. And I--I keep ending up here when everything in me says to run away, that this--you--are too good to be fucking true."

And Steve, he's pinching the bridge of his nose, looking more than anything like he's trying not to burst into tears and this--this cannot be borne.

"I love you so fucking much." His voice cracks and he reaches out to circle his fingers around Steve's wrist, the one holding the towel. "I love you so much and I don't deserve even a second of it. Not a minute. Because you're Steve Harrington, you're--"

Steve presses his hand (he hates the the wide palms and long fingers, how they're perfect, how they hold him and comfort him and wring out pleasure again and again like it's nothing, like Steve's hands were made for making Eddie come) over Eddie's mouth. "Shut-up, Munson," he says.

"I fucking hate you too." There's ease in the way he says it, a lightness in his eyes. "I hate that you don't use conditioner. I hate that your van makes that turkey gobble sound every time you turn a corner, and you refuse to let me look at it. I hate how loud you play your music, how it makes my fucking skin shake. I hate when you forget to take the damn chains off your jeans when you put them in the wash."

Steve climbs into bed, straddling him, towel long forgotten. "You know what else I fucking hate, Eddie?" He leans down, ghosting his lips against the tip of Eddie's nose, skimming his mouth. "I hate that I've never loved anyone like I love you. I hate that I almost fucking lost you. I hate that we can't spend every minute in this goddamn bed, so I can memorize every inch of your skin, every sound you make, every single way I tear you apart, and all of the things that put you back together. I love you, Ed. Every fucking terrible part."