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#almost a decade of confusion
flying-ham · 11 months
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okay speaking as a ~child of divorce~ why the hell does wally call will “dad” after only knowing him for like max 3 years
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Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.
Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU
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necrotic-nephilim · 1 month
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@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.
so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.
a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.
and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.
so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.
beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.
because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.
and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.
and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.
and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.
people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.
it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.
#necrotic festerings#batfamily#batfamily meta#dc comics#fandom meta#fan studies#fanon vs canon#i deleted paragraphs of this to try to make it shorter. it failed btw.#anyway i got into comics when i was like 12 with the dark knight returns#and if i hadn't been into this medium for a decade i don't think i would be able to get into it as an adult so i get it#bc i'm trying to get into marvel comics and fuck ME am i confused as fuck.#do marvel comics have like. an equivalent to crisis events?#is the ultimates like their version of the new-52? i do NOT know#it's so hard and daunting so trust me i get it#if you never wanna pick up a comic god i respect you you're so right this is fucking miserable#i want to live and let live in fandom but *god* i'm struggling here#i used to bend to the will of fanon fun fact#i wrote my share of tim and jason fics playing into fanon tropes. god i hate them *now* but they did fucking numbers.#and i used to care more about getting attention in fandom than being accurate#i've matured now. it's why i write on anonymous so much to remind myself this should be for me.#anyway i could do a character study on every batfam member as fanon vs canon#ESPECIALLY tim and jason. i know so much about them trust me.#jason todd fans annoyed me so much i once sat and read almost every fucking jason comic. i didn't even like him.#but i tell you what i know that man and he will never leave my top five characters on league of comics.#this is so long. is anyone going to read all of this.#if you do you're a fucking trooper i'm saluting you.#this isn't even all of my thoughts i had to condense myself.#bc i also have thoughts about how this means some characters no longer get to exist outside of the batfam#because they only exist as a member of the unit#ergo we have very little current content of helena bertinelli or onyx adams or duke thomas
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metalandmagi · 1 year
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Four years?! FOUR YEARS!? You're telling me that it only took four years for Thorfinn and Canute to go from looking like this...
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to THIS!?
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Damn, why didn't puberty hit me like it hit them!?
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interpolationz · 12 days
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gay marriage was still illegal the summer gravity falls takes place
and it wouldn't be fully legalized for another three summers
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ima-ghost-art · 2 years
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What if Steve and Eddie got trapped in the upside down during the final battle of 87?
El cant find them and can no longer open a gate for everyone to try find them, so everyone has to believe they're dead. The party feels lost without them.
Of course, Dustin Robin Max Lucas and Erica are all devastated, all refusing to believe that the two were dead, sure that there must be a way to get them back. But, weeks turn to months and months turn to years and there is still no sign of Steve and Eddie being found.
After a while the group is forced to just start moving on with their lives, each moving away but all staying in contact.
Slowly they start forming their own familys, Lucas and Max (now living in California near Jonathan and Argyle) welcome thier first daughter 'Stephanie Erica Sinclair' April 29th 1992, she was a happy accident and was named after her parents favourite siblings.
The same year, Argyle and Eden have a little girl named Evie, the two splitting custody after Eden moved out of Utah to California near Argyle.
Next was Nancy and Jonathan two years later, the pair having a set of twins 'James Edmund and Katie Barbara' August 10th 1994. Jon takes full custody when they turn 3, living with Argyle back in Cali, letting Nancy follow her dream of becoming a journalist in Chicago, while he worked his dream job at a photography studio stationed on the coast. The two both knew they weren't going to last, however they dont stop loving eachother. (Nancy still helps out with the twins when shes in the area as well as weekly phone calls, making sure they know she loves them even if shes not often around)
In 96, 'Issac Lucas Sinclair' who was the same age as a little girl called 'Morgan' later adopted by El who Dr Owen's believes nay have powers similar to hers and Henry's.
Robin and Vickie, who now live in Michigan, adopt a son in 2000 a trans boy named Tyler, a year older than Stephanie.
At this point it's 2007, having been 20 years since the final battle, 20 years since the party lost Steve and Eddie, 20 whole years. The only people who still lived in Hawkins was Dustin and Suzie Henderson, the two of them both choosing not to have kids, living together in one of the newer houses built along the edge of Hawkins where they had easy access to their jobs working in a lab just outside of Indianapolis. The two secretly working on a way to potentially find their missing friends.
Dustin becomes the fun uncle to his friends kids, Hosting a new version of Hellfire for them with Will being his co DM!
Wayne Munson also continued to live in Hawkins after he helped during the final battle, after losing his nephew he moved in with Claudia living with her.
The wheelers and Sinclair's still both live there too, Holly Wheeler after graduating, now being a teacher at Hawkins high.
The Hopper-Byers move out towards Illinois, Mike and Will both living together in an apartment together in Indianapolis, and El lives with Max and Lucas with their children together in California.
(lest not also forget Garath and Jeff, who also helped in the final battle, the two along with the other members of Corroded Coffin started making it big during the early 90s, and successfully did 2 world tours, they always dedicate each performance to Eddie, as he was the man who started the band and would have loved to see where they ended up now!!)
The party end up coming back to Hawkins in July, to celebrate the 20th anniversary of the end of the Upside Down.
...That is until Stephanie Sinclair goes missing while cycling back to the Hendersons after an evening at the arcade with the other party members kids. Everyone else was staying at the wheelers or the old Byers home, but hers were staying with her Uncle Dustin like they always did. Issac and Morgan hadnt joined them so she was biking on her own.
They found her abandoned bike along the edge of Mirkwood the next day... Stephanie Sinclair had completely disappeared
It didnt take long for missing animal reports to start cropping up either, same with another missing person, one of Holly's students...
When Stephanie is finally saved a week later she wasnt found alone. Her and the missing student, were accompanied by two familiar young adults.
Steve and Eddie, both looking like they had barely aged at all since getting trapped in the upside down.
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genderqueerpond · 3 months
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finally watching two's era in order completionist style and uh
uh--
they've stolen him away. they've literally stolen him away. they are the fae to him and they've pulled him into another world and told him he can never go home
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dragonpropaganda · 2 years
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Not what i was thinking i was gonna post on halloween, but this software is so fucked up it’s scary. Gotta say, the way rain world levels work is utterly fascinating to me. Like, technically and visually. It’s important to note rain world is a 2.5d game here. Let’s get an image example: GW_A24 (which stands for garbage wastes single screen room 24 in room file shorthand)
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Note the 3-dimensionality of the space, as well as survivor’s shadow on the curved stone pillar behind it. This is rendered as 2.5d in the gamespace. Now let’s look at the room render in the files:
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A... flat .png image? Yes. Rain world renders this 2.5d world from a red depthmap. The overbearing redness may stick out, far from the browns and toxic greens of the room in-game. This is because the game applies palettes
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In the bottom left corner, see the palette menu, note the fade palette? yes, rooms get not one but two palettes to play with, which gives much more colour depth and variance in a region.
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toning down the toxic fade palette, we get nothing but the sun-bleached grey palette 9, and turning it up...
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Yeowch! The toxic hues in full force. Obviously this palette, palette 11 couldn’t be used like this, but with palette 9 as a moderator, it manages to show the intense pollution of the garbage wastes.
Now, as for the origin of the png image, it is created in the rain world level editor. To someone who has not used the level editor, this may seem simple. To someone who has, the mere mention may bring a tear to their eye.
the editor is split into quite a few editors, but here is the most relevant one for this, the tile editor.
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One look at this and you might think “hey, those assets look like they were drawn in MS paint, where are my 2.5d objects? And where are the objects lying on the floor?” To answer this, i must elaborate. The tile editor shows previews of the tiles. the actual models, or to resort to technical vocabulary, voxelstructs, would be too impractical to render within the tile editor. The models are, too, stored as pngs, descending from the closest layer to the furthest, with the editor symbol positioned last. As an example, have the “big brick” tile that features prominently. The amount of times a layer repeates is controlled in the tile’s line in the init (ie: [#nm:"BigBrick", #sz:point(2,2), #specs:[1,1,1,1], #specs2:0, #tp:"voxelStruct", #repeatL:[1, 1, 1, 7], #bfTiles:0, #rnd:1, #ptPos:0, #tags:[]])
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The RGB layers are used to generate the 3d model for the render, and the black outlines are what are shown in the tile editor.
Non-grid aligned objects, or “props” are placed in the prop editor, and they do use the 3d layers. This is because it is necessary for the prop editor’s function. While the tile editor is limited to the three major layers, the (2.5d) world is made up of 30 pixel layers (well, gameplay objects exist between layers 5 and 6, and water starts either between layer 0 and layer 1 or above layer 0) , and props can be placed as starting from any of these layers.
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These are all assembled to make a 2.5d level... in red, green and blue. Not yet in the red read by the game. And also notice: there aren’t any plants! plants are generated by effects, which you can see haven’t been fully applied yet. The dark space surrounding most rooms is one, called “BlackGoo”
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I don’t really have the strength of will to elaborate on effects, so onto lighting we go: the sunlight in a room is generated from an often crude monochrome image, which is projected onto the layers of the room after effects are generated, many of the intricacies of the lighting exist through light angle and distance.
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In the last stage of rendering, the harsh red lightmap generated by this projection is used to determine whether a pixel is sunlit or in shadow. Light distance and angle are also saved for the game, so that it generates the shadows of gameplay objects in accordance.
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All of this isn’t quite how it works but rather... an approximation. The editor still has many strange things, but this is what i’ve worked out from my own experience with it, as well as the experiences both of the modding community and others who worked on downpour. So yeah, basically rain world rooms go between 2.5d and 2d multiple times and it’s fucked up and the level editor is probably possessed by some kind of evil spirit. This piece of software is the hardest i’ve ever had to deal with, and apparently it’s even weirder internally, like half the code is in swedish. I haven’t even gotten into describing how the blues work, and i won’t, because i have no idea how the blues work, just that everything that isn’t controlled by the palette is rendered as blue.
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hotmess-exe · 8 months
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ok jfc absolutely no one was exaggerating how atrocious Nicki's diss track is jeeeesussssss
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jewishbarbies · 4 months
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anyone ever briefly scroll an ex long term mutual’s blog just to see what they’ve been up to and if they’re doing okay because you still think fondly of them just to find yourself genuinely wondering how you were ever friends in the first place
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meatriarch · 9 months
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im still on my fuckshit but when i think of cc maria ( by extension also nosy maria but specifically noting the isolation aspect of cc );
can you imagine one day skimming the paper. its been a few weeks since all the commotion knowing your friends' had attempted to come find you but then were chased off. never actually heard or saw any of them, but you know they were around.
but you've been moved from the cells to a mattress upstairs. you're given more freedom, more wiggle room, you're allowed to do things - little hobby-type activities - you're given better foods, you're looked after by the older woman at the other house. the man who took you, who terrifies you still to some degree, slowly doesn't feel like such a stranger anymore, you're right to still be cautious around him but as the days, the weeks, pass by, there's simply a different air about him, and in the shack. lighter, in a sense.
you find yourself growing used to the new daily - the new routine. of waking to the sound of him getting ready for the day, of being left alone in there for hours sometimes, others trailing after him like a duckling, around the older womans' property, helping with an array of tasks. and you worry about upsetting her at first, unsure if doing so will earn a knife to the throat. you listen, you do as you're told, you find some kind of way to co-exist - all the while still, in the back of your mind, there's still a ray of hope,
that maybe, maybe, since the rest of them got away - that they're merely licking their wounds, that they'll get word out and even with all the silence since they had been on the property, there's that shred of hope that maybe? someone will waltz in, guns blazing so to speak, and you'll get out of this hell finally.
that is, until that day - that you're skimming through the paper, and you recognize yourself in a little column - and you realize you're staring at your own fucking obituary.
and in that moment everything seems solidified.
you're never getting away.
there's no point in it.
there's no one out there who are still trying to find you, get you back, bring you home, back to your mothers' arms, back to being an older sister, back to the circle of friends you loved so dearly.
you're dead.
not just to the world, but to those you loved - those who claimed to have loved you, too.
what else do you have at that point? where else do you go, even if you still tried to leave? who wouldn't look at you sideways for the blood that's already stained your hands? for the flesh caught between teeth?
who else is there, except the one murmuring encouragement and praise in your ear?
the only constant you've had in all these weeks? whose words rang true - clearly - that no one cared? that they abandoned you? left you there, didn't even care to make sure you were alive or not? only thought of themselves and got the fuck outta there without confirming if you were even still alive.
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#[ ♡ ] ── * maria f. / 𝘭𝘰𝘳𝘦.#[ 𝘳𝘦𝘯𝘦𝘦. ] ── * queue.#[ 𝘷𝘦𝘳𝘴𝘦. ] ── * cold case.#[ 𝘷𝘦𝘳𝘴𝘦. ] ── * no one saved you.#for cc maria its just. theres literally no one else. the only constant has been johnny. hes the one who was there with her when the#broadcasts sounded off her searches being called off. the only one who ensured she ate - was clothed - was looked after when she fell ill.#who she could talk to. who in spite of all her escape attempts & all her attempts at trying to kill him kept her around - taught her how to#do things properly - protected her from others that'd be brought down below shack. honestly. her isolation in cc - only having any sort of#connection being with johnny for *months* before he trusted her enough to let her join him for longer periods - like its. complicated.#SO fucking complicated. youre seen as dead to literally everyone else in existence - *except for him*. he who sees you. who hears you.#who talks to you. looks after you. its hard not to find yourself becoming attached/devoted. to the only person who knows you still exist#like i mentioned for nosy its. theres lee there too now so its. a little different. it doesnt hit right away - the almost blind devotion.#but it still happens - over time - with the both of them. the last two people who for a time at least know you were even still living.#and its by the time ch2 rolls in for either cc/nosy its just. its so confusing to her. why they all bother returning then?#for cc its just. you all buried me in an empty box twenty years ago...you all moved on then. you accepted that. so why are you here now.#why are you re-opening wounds that shouldve been long buried - with that empty casket. why suddenly care now?#in nosy she suppresses it w. her bitterness but cc i feel it comes out more like... grief & hurt. all over again. because if you came back#20 yrs after the fact? then why DIDNT you return back then? why *now* and not then? at any point in the last two decades?
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pegasusknightsonly · 1 year
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omg there really is no mention of them being married at all #DivorceWins
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confinedinthisflesh · 2 years
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happy birthday to me 🥲
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coralsgrimes · 2 years
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Word on Twitter is that it’s Julianne’s team that’s taking care of deleting the replies to her comment. Imagine giving unnecessary work to your team just because you wanted to be “cheeky”? Like everyone and their mother knows that you’re spending the holidays together!
I honestly don’t get what Ben sees in that woman. She’s not a remarkable beauty, as much as she tries to be with all those fillers and filters. She’s not an intellectual, probably didn’t even read the book she was promoting for her bestie a couple of weeks ago. She’s not super successful, she’s just good at rubbing shoulders with actual successful people and get invited to things.
At this point, I hope that Ben is comfortable with the idea that he’ll end up making most of his money by attending cons, because staying in the USA to be with that woman is not doing anything for his career.
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From what I understand (we been through this last year, remember?) they may report them comments and that's it. And them comments been disappearing too fast and too frequently soooooooooooo
as for the rest, it was like 1am and I was in me bed eating the remnants of me kutia which I added way too much raisins into and I was tired and close to succumbing into food coma. Was also getting very homesick and emotional. So I looked up them replies peeps left and ye all told me about. Then refreshed the post and they were gone. Mind ye it was closer to 2am then already.
And ye know what it got me thinking? How fucking sad yer life is gotta be for ye to lose HOURS deleting all that shite? ANOTHER YEAR IN A ROW???? And what for? Only for everyone to notice and point out the obvious? he trying to put out the fire with his flat ass and gasoline like x.x SEE YE ALL NEXT YEAR for another round...
Made me feel so much better, like superior or something even lol cuz like really it's just?? nonsensical? what he's doing I mean stupid useless embarrassing x.x and is me saying this, in me bed, crying, picking out very sticky raisins
soooooooooo said it millions of times before, but they are worth each other and Benny has no dick and he could never made it to the cast of Glass Onion so he dating a rl Birdie knock-off x.x
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akajustmerry · 2 months
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everytime someone, usually white, talks about the IOF using major US cultural events as "distractions" to commit more genocidal operations in Palestine, I want to SCREAM. The assumption that the IOF is hanging on the us's every fart to make their moves is US centrism, narcissism at global proportions. the IOF don't need "distractions" they've been murdering, torturing and displacing Palestinians and other Arabs for almost a century with impunity because they KNOW they can get away with it. Because the IOF knows practically no one who can actually stop them gives a fuck about Palestinians and Arabs. The IOF don't need a presidential assassination scandal, a met gala, or any large event to cover for their atrocities because they've been doing them in broad daylight everyday, all day for decades, AND BRAGGING about it. Claiming the IOF is doing anything because some event is providing a "distraction" is a vapid projection of a personal inability to deal with the cognitive dissonance and guilt of bearing witness and experiencing these events simultaneously. Not to mention, it plays into anti-jewish conspiracies of Jewish world domination by insulating connections between major events that are often unconnected. It's okay that you feel scared and confused and overwhelmed, but stop pretending the IOF even cares about Palestinians and Arabs enough to wait for the world to be distracted to kill us. They don't need to. They never have and it's hugely ignorant of at least a century of history, anti-Arab racism, and Zionism to say otherwise.
EDIT: I was wrong making this post. @el-shab-hussein took the time to correct me in their reblog here. But I will also copy and paste their correction here:
They committed some of the most atrocious massacres since the start of the acceleration during and directly after the debates between Trample and Bitchen, with several hundreds confirmed dead by day. It's crazy how much Palestinians have discussed the phenomenon of Israel using major U.S. events as a distraction before the acceleration and we've posted about it on tumblr and I've seen other Palestinians make threads about it on Twitter to compile various instances where U.S. events and other major world events used as distractions (wow! Look an example to back my point: 1, 2, 3, 4, 5). "They don't need distractions" yes they do, that is the very basis of the massive Israeli lobby and hasbara industry. Don't patronize us just because you can't understand how central the U.S. and its apathy is in our genocide. Recognizing the role of American cultural imperialism and its far-reaching consequences is not perpetuating it - what an incredibly lazy way to try to shut us up - it's recognizing who's the lynchpin in the equation here.
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gutsby · 13 days
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Make It Stick
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Pairing: Old!Joel x Reader
Summary: Joel never thought he’d need a vasectomy. Then, one night, he accidentally finishes inside you.
Warnings: 18+. Unprotected-peepaw-p-in-v (I’m sorry). Accidental creampie. Age gap. Cumplay. Breeding kink. Ovulation has led me places I wouldn’t go with a gun.
Note: Convergence is a painting by Jackson Pollock. We studied it in high school and I thought it looked like jizz idk
Word count: 4.7k
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He should’ve gotten snipped when he had the chance.
Should’ve taken the plunge, faced his fears of needles and fluorescent-washed doctor’s offices like any man his age could have done and gotten the damn vasectomy. Now he was here, nearly two decades older and still none the wiser in this cold, dead world with a pretty young thing like you between his sheets. In lieu of elective surgery, Joel Miller had only to grit his teeth, bite hard, and repeat over and over again in his head, desperate:
‘Don’t cum, don’t cum, don’t cum, don’t cum, DON’T—’
Words like those normally worked. With women that weren’t you, they tended to serve him exceedingly well.
But you were just so tight. And wet. And welcoming. And try as Joel might to pretend like he got laid on a regular basis, the truth was that he didn’t. Wouldn’t. Couldn’t seem to think straight when it came to this fixation he’d developed for you, so, instead, he let his dick do all the decision-making whenever he found himself around you. Ten times out of ten that ended in:
“J-J-Joel—oh fuck, oh fuck, oh fuck—I’m gonna CUM.”
And that made it worth every last life-endangering drop.
Feeling how your flushed, lithe body came apart beneath his touch. How you needed him. How your eyes grew to half the size of your face and you gaped up at the man, lips parted, like you couldn’t even comprehend how the friction of seven inches could make you feel so good.
If he had it his way, he would’ve loved nothing more than to show you that feeling every night, and twice the next morning if his hip wasn’t giving him too much trouble.
But, at present, the man had bigger fish to fry. Like not becoming a new father at fifty-nine if he could help it.
With the last two fluttering pulses of your heat, and almost going cross-eyed from the pleasure as he felt it, Joel yanked his big, slippery cock out of your body and made a fist around his member as he always knew to do. Tugged and pulled and grunted above you—‘Sweet girl, you’re so fuckin’ good to me’—and watched your tits and your belly for the milky white ropes to ensue.
Strangely, though, your skin stayed the same.
No cum-spray Convergence appeared before him, no opaque and cloudy fluids dribbling down your ribs, nothing. Your stomach was as bare as the rest of you, save for a few beads of sweat, and that was all there was.
Joel shook his dick harder, confused. Beneath him, you were still coming down from your high smiling ear-to-ear and staring blissfully at the ceiling. Your chest rose and fell, rose and fell in quick succession, and while you endeavored to recollect your mind, Joel was losing his.
Where the FUCK was his cum?
In no naked horizontal tango to date had Joel simply…cum without noticing. Shit like that just didn’t happen to men, least of all to ones his age, so when he’d wrung his poor cock like a sodden towel and still saw nothing come out, he felt his stomach turn and plummet inside him.
He dropped to his hands and knees in less than a moment and lowered his head between your legs.
“No, Joel!” you squealed, giggling. Kicking your feet, “Another round and I’m gonna combust, you old perv!”
But Joel wasn’t looking to get his dick wet again. He was inspecting you. Or trying to, anyway. Quickly realizing he couldn’t see a thing in the darkness, he let out a breath through his nose and lifted you off the bed. Your naked frame thrown over his shoulder, bare hip beside his head and your strangled, muffled cry of, ‘What the hell, Joel?!’ hardly seemed to register with the man carrying you off.
You were toted to the bathroom. Joel was about to ease you down on your feet. Then, appearing to change his mind at the last second, he set you onto the sink instead. Your skin bristled with indignation, anger. A little arousal.
“Last time we did it on a sink we broke the faucet,” you reminded him, feigning more dismay than you really felt inside. If anything, you liked it when your fossil-age fuckbuddy switched things up. You were just exhausted.
Heedless of your words, Joel kneeled on the floor and pried your legs apart before him. When you swatted at his silver-flecked head, he brushed your hand away.
“Hold still,” he grunted.
“How come?”
���‘Cause I said.”
How quickly he commanded that tone of a father.
“Wanna sleep,” you groaned, about to roll your eyes.
But you couldn’t deny you liked being doted on by him.
Joel’s touch was gentle. Probing. Spidering down the most sensitive parts of your bare lower half, between your thighs, and slowly coaxing you closer to the edge of the sink. Your breath hitched when you saw his head tilt.
He appeared to be deep in thought—a rare sight for anyone who’d seen Joel Miller in the postcoital state. Most every time he’d blown his load before, the man was dead asleep within ten minutes. His joints could barely hold himself upright after a half hour of plowing the back forty, much less carry you, too, so you were puzzled now.
He thumbed at the seam of your cunt, and you whined:
“Jo-el—”
“Can ya…push, baby?” His eyes flitted up quickly.
“Push?”
“Yeah, just…” With a look you couldn’t quite read, he placed the palm of his other hand on your belly. Then, pressing, “Like this. Like you’re squeezin’ somethin’ out.”
You cocked a brow in muted confusion but did as he asked. You watched his gaze, and it stayed on you.
Or, rather, on that soft and pliant spot between your legs the old man seemed to favor so much. On any other occasion, in a position like this, he surely would’ve been wearing a smile. Tonight, his lips curled into a grimace.
And twisted even further when you ‘pushed’ like you did.
At first you felt nothing. A gentle clench of your walls supplied little more than a sense of having been stretched—no novel concept to you, who’d spent the last three-and-a-half months or so getting fucked by the finest AARP affiliate alive most every night. It wasn’t until you clamped down again that you got the feeling there was something else. Something thick and warm and slow as molasses trickling out from between your folds.
You let out a low, tender, ‘Mmph’ without meaning to; it felt kind of nice. Beneath you, Joel’s face turned grave.
He watched as his spend oozed out of your freshly-fucked hole and thought of vasectomies again.
You were young—too young to know better. Too sweet and naïve to see any peril in spreading your legs for a man like him, in a world like this. And Joel swore he’d be careful. But no post-apocalyptic birth control method was perfect, or even close to it, and it was clear he’d relied too heavily on reflexes to keep him from cumming inside you. Joel was old—too old to be doing this shit.
Too grown and well-versed in sex to be making mistakes as stupid as that. His brow pinched in, and he drew his next breath as if the air around him was growing scarce.
“Joel, what’s—”
“When’s the last time you— you— uh…bled?”
Hardly more in control of his face than the rate his heart went thudding in his chest, Joel winced at the end. This time, you were the one to knit your eyebrows together. You could tell by that tight, discomfited tone he wasn’t talking papercuts, but were still unsure of his purpose.
“Like two, two and a half weeks ago. Why?”
Well, fuck.
Joel buried his face in his hands. You scooted closer to the sink’s edge, thinking little of his cum leaking out.
“Why?” you tried again. Softer this time.
An old, weathered head lifted to greet you. It was bleak.
“You see this?” Joel paused. Swiping his finger through the viscous white substance that had trickled out on the counter, in a puddle now, “Y’know what it means, right?”
You let his look, and the question, remain suspended in air for a second. Then another. Then you shrugged.
“Yeah. But…you’re old,” came your answer at length.
You’re old.
Joel and you both knew as much, but the former wasn’t quite following your train of thought. Still wanting to try and mitigate damages while he could, though, Joel reached for the roll of toilet paper that was fastened to the wall and tore himself a strip. He bunched it up and, reaching for one of your knees to spread you further for him, took to daubing the tissue across your entrance.
“What’s me bein’ old got to do with anything?” A little sharp, then, seeing you flinch when he drew too close to your clit, “‘m sorry, baby, just— gotta get this out of you.”
You made a face but let him continue anyway. Your eyes followed each movement of his hand, and reflexively, the muscles in your thighs tightened. Why bother with this when the man has so many better uses for his hands?
For a second, your eyes fluttered half-shut.
“Maria says old folks are, uh…infertile. Got something to do with a middle pause,” you said, breaths labored.
Joel stopped just long enough to shoot you a look.
“Menopause,” he corrected, all too matter-of-fact, before returning to his work, “is a woman thing.”
What the hell were they teaching in Jackson’s sex ed classes, anyway? Then Joel remembered how his brother sincerely believed that women peed out of their vaginas until he was twenty-three, and the thought of you not knowing the ins and outs of male virility wasn’t the most far-fetched idea in the universe. Besides, sexual health wasn’t exactly the community’s highest priority when the world around it was in a perpetual state of decay and hordes of fungus-faced fuckers ran rampant in the wild.
He curved a tender, careful finger against the ring of muscles framing your sex, trying to absorb more cum, and your grip on the edge of the countertop tightened.
“S-So, you—” You swallowed, throat constricting a little too, “You’re sayin’…men can make babies…whenever?”
You sounded so innocent as you said it. Joel wanted nothing more than to club himself over the head for being the cause of this predicament—of being such an instrumental part of the perceived corruption, as it was.
Meanwhile, your head was swimming in filthier thoughts.
Deeper, Joel, keep…pushing in…dee-e-per. You would have scarcely had more luck giving a fuck what Joel was talking about now than if he’d just said the room was on fire. By his voice, you knew you should’ve been paying attention, but the dexterity of his fingers was too much. He was caressing the first couple inches of your inner walls, attempting to scrape what bits of his release he could get unstuck from the flesh, but it seemed he was succeeding mostly in just turning you on. Rendering you deaf to the drone of his words as you pictured him pushing something else inside your tight, throbbing—
“—whole lotta problems for us if you’re, uh…ovulating,” Joel finished, expression taut and oblivious. You hadn’t heard the first part of that sentence and didn’t care to.
“Ovulating,” you repeated slowly. Indifferent.
Joel carried on without a hitch.
“Kids just ain’t fit for this world. I know you know that.”
You nodded along, not hearing a word.
“And if you’re— if y’ever did consider, maybe…”
Your lungs took an extra sharp inhale when Joel’s fingers coaxed out a warm, sticky glob of his load, and he petted your folds with his thumb. Then let out a breath himself.
“…y’oughta start a family with someone your own age—”
That part snagged your attention. Too swiftly, it came:
“My own age?”
Sighing, in spite of those welts of pleasure so heightened by his touch that the space between your legs began to throb and ache. Hardly possessed of more sense to form words that weren’t just echoes of his own, you tried communication from a simpler source—your foot.
You nudged his shoulder, and Joel looked up.
“What?”
“What?”
Parroting was, evidently, a hard habit to kill. Your toes curled into the bare skin of Joel’s shoulder, and when he re-inserted his finger, you ground your heel even deeper.
“When’s that ev…ever stopped us from doing it before, hm?” you said, tone strained but laced with some humor too, “Thought you liked sayin’ you’d make me a mama.”
Joel’s face flooded pink at the recollection—as a matter of fact, there had been several such memories. Instead of answering immediately, he just averted his gaze again. He anchored one hand to your thigh, and with the other teased out another string of your shared arousal before wiping his finger on the tissue, clinically, and repeating. All he had to offer in reply after was: ‘That’s different.’
And it was, to some extent. Joel wasn’t blind to the sea of uneasy looks that trailed behind you both whenever you walked the streets of Jackson together. How wide the eyes would get when instead of observing some filial display of affection play out before them, as expected, you’d loop your arms around his waist and take his lip between your teeth as you kissed—‘Can we please go home now, baby?’—that Joel was certain he’d been cemented as the resident pervert among everyone in town. Just how much worse that reputation was liable to get if there ever happened to be a round and swollen belly between that embrace someday was unthinkable. Dirty talk was one thing; parenthood another entirely.
This is for the best, became the low, grating refrain in his skull. Why he dug so hard, pushed so far inside the wet, velvety interior of your body without a thought for his own desires in that moment; he had to cull every trace of himself out of there, before he had half a chance to think.
“Baby, hey, hey, no—” Joel cut in a second later, abrupt.
No, no, no. You weren’t thinking either. Wrapping your hand around his wrist, pushing his fingers deeper inside.
Smiling a little, too.
“What are you— no, honey, don’t— you can’t,” Joel’s words splintered in every direction, watching you plunge his own index and middle fingers into the slick and the warmth he’d just been trying to get his cum out of. He looked up and saw your lids were heavy, about to close.
“What are you doin’? This ain’t…no, baby, it ain’t…safe.”
Back to sounding like a dad in no time at all.
“What’s wrong with leaving it in a bit longer? Feels nice.”
You had no idea what you were talking about. Joel pulled back on his hand and, in less than a second, had it freed.
“I just told you,” he huffed, “You’re too young—”
“I’m plenty old, Joel,” you returned, eyes snapping open, “You’ve shown me that more times than I can count.”
Joel was silent, stunned. He rose to his feet as your eyes seared holes into his, and for a second, he was uncertain whether to take a step back or reach out for you again.
“Baby…”
To his surprise, something like hurt surfaced behind your eyes. You set your lips in a tighter line, and your grip on the counter grew firmer just the same. He would’ve taken that move as his cue to lean in gently, slot his body between your thighs, and venture an apology of some sort, when the next thing you did stopped him cold.
Without a word, you slipped your free hand between your legs—eyeing Joel closely, almost scornfully, as you did.
You took your middle and ring fingers and sank them into your cunt. Not intending to let a drop of his spend leak out, you wedged them in as far as they’d go. Joel watched. Gawked. Once sufficiently pleased with the look of shock taking over his handsome, aged features, you withdrew the fingers. You brought them up to your mouth, wrapped your lips around the tips, and sucked.
It was a rare thing to get a taste of you and Joel together like this, so you savored it. You moved your mouth further down to drink it all in, peering up with wide, indulgent eyes and a look that was meant to punish.
Feels nice.
Tastes alright, too.
You’d licked the last bit of this glaze off your hand when your stomach clenched. You knew it would happen. Full as you were, you feared your body still hungered for more. As such, it hardly came as a surprise when next your muscles tensed, and you shifted closer to Joel.
“Maybe I don’t want babies with someone my own age.”
Either one of your knees were nudging his hips. Drawing him in. Joel appeared to waver for a second, unsure, but the look on his face made it clear this was mostly a matter of a delayed reaction. He couldn’t get his legs to move because the rest of him was still in awe. Staring at your lips, where the residue of his spend was glistening, then to your eyes, which were no less inviting, then up to the crown of your head and over it, to fix his stare on the mirror behind it. You watched him watch his own reflection with a look that was both hard and unkind, breathing slow. When he didn’t stir from that position after a minute, you touched a hand to his lower stomach.
And, brushing the heel of your palm against what felt like a hundred grey hairs in the old man’s happy trail—your favorite ones—you smoothed a caress along his belly, back and forth, before moving it left. Your hand came to rest on a mound of muscle and fat sitting right above his hip. Love handles, Joel had remarked one morning with vague distaste. Love handles, you’d repeated, beaming. You held on tightly now, appreciatively, and used your well-loved wall of flesh to pull him closer. As with any beckoning of yours, Joel didn’t have so much as half a mind to resist. He did, however, refuse to meet your gaze while you tilted your hips and spread your legs wider, before winding your ankles around the backs of his legs.
“Don’t you think I’d look pretty?” You pouted up at him. Your folds made a light, warm suction rubbing along the front of Joel’s cock—of course he’d grown hard again, and you could hold him, point him down to that wet embrace awaiting him patiently at the edge of the sink.
Joel cursed under his breath.
“‘Course I do…” he said, voice hoarse, “Y’always look—”
“I mean…with your baby inside me, Joel. Right here.”
As if to put a finer point on your words, you nestled the head of his cock inside the first inch of your body. Joel had to seize the laminate underneath you and grit his teeth to keep from letting out a groan too loud. That tip may as well have been a first-rate conductor of heat, and your warmth the thing that might send him spilling again
“You don’t—” Joel choked out, nearly incensed, “—don’t know what the hell you’re sayin’, baby. What that means.”
In truth, there wasn’t a world Joel Miller could imagine where a girl like you could give more than a passing thought to getting knocked up by him—a man his age. What good would it do? You had your whole life laid out before you like a four-course dinner spread; there was no sense whatsoever in letting the meal go to waste on him.
He communicated as much by moving to pull out.
You met the effort with a push of your own, sinking down another inch or two on his shaft and smiling when you saw his eyes roll back in his head at the dizzying friction.
“I know more than enough, old man—” Grin stretching ear-to-ear as you dug your heels in his ass and tugged him deeper, “—who do you think taught me all this?”
Of course, it had been Joel.
Always, always him—the only one, in fact.
Your walls drew him in like a hug. For once, Joel conjured up the strength to take a look between your lower half and his, and when he did, the next moan was inevitable. It trickled through his lips. Your body looked sublime swallowing a third of his cock, and it was almost as though a maggot had crawled into his brain, chanting:
‘Make her full. Make her yours. Tell any man who’d even think of looking her way she belongs to someone else.’
He couldn’t.
Joel would never be so selfish. Just think of her youth.
But when his gaze drifted back to yours, every thought and any word besides seemed gently to melt away. Beneath him, your eyes were two pools of desire.
“You like this…don’t you, Joel?” Your voice was tiny.
“I do.”
In fact, he loved it.
“Then why can’t we?” Why shouldn’t we?
Minuscule now, the words that reached him barely exceeded a whisper. It was as though the moment itself had drained all fear from your face—and out of Joel, all common sense from his brain—leaving you both to stare at the other with shared, stupid, anoetic looks of bliss. The man who had you beat by thirty-odd years seemed nearly of the same mind, with almost identical ignorance.
Idiocy.
“Just once?” Joel croaked.
Somewhere underneath, unseen, you smiled.
“Just one?” you murmured back.
He sank in another inch. When your walls contracted around him, Joel’s hands found your hips by force of habit and pushed your back against the glass behind it. The mirror was cool, and inside you, Joel was throbbing.
“Once,” he repeated, not thinking too deeply.
“One,” you said, with a world of more purpose.
Joel relinquished the last three inches, and with it, all of his resolve. The handsome, scarred, and plainly greying features all twisted as one, and the expression that you knew too well to mean that the man was feeling good took on the slightest hint of guilt. He gripped you tighter.
“One?” Joel panted. Confused.
He pulled out halfway just to find his home again. Your pearly slick mixed together with his spend, and both coated over Joel’s shaft in a pretty, generous sheen.
“One more of you, I mean.” You sounded too sweet. There was no way in hell you’d actually meant it.
Joel’s cheeks flushed again, but he didn’t stop, either.
“Baby…” he trailed off instead. He pushed in, pulled out, felt your tender little hole make an ‘o’ around his shaft, and then he kissed the edge of your left cheek—maybe to rein in the need in his words before he spoke again: “One’a me takes and I’m givin’ ya fifteen more, y’hear?”
The smile he received told him as much as he needed to hear. He probably wouldn’t have believed it even if you’d said the words yourself. Joel’s thrusts sped up, and as the pleasure distended in the pit of his stomach with the friction and the feel, his words flowed a little more freely.
In disbelief, “Wanna be a mama that bad for me, huh?”
Your grin grew bigger. You nodded your head.
“Make your old man a daddy, is that it?”
Exactly. Senseless as it was, your look said it all.
To have slipped between the grooves and ridges of Joel’s brain and caught wind of even a fraction of the things he wanted to do to you then, a smarter girl would have run. Would have shoved him back out as swiftly as she’d let him in and told him no, that’s gross, and gone home. And, had the grey matter floating inside your own skull not been so completely dominated by primal need and wanting, that’s likely what you would have done, too. Instead, with a head full of lewd, youthful stupidity, you seized the black-grey curls dangling at the nape of his neck and drew him closer. You spread your legs wider.
“That is what you’ve wanted this whole time, right?”
Under his scruff, a muscle tensed as Joel bit down.
That’s all he’s ever wanted.
Let the neighbors talk.
Let them say what they wanted to say—it was probably all true to the point they were trying to make, anyway. That Joel was a pervert, of course. That you were naïve, also true. That you would look too good not to stare in a white cotton frock with a bump underneath, absolutely. These were the ideas permeating your brain and his while Joel took a firmer hold of your sides and brought his nose to rest against yours. With every stab of his hips, he pressed kisses to your soft, parted lips, speaking low:
“That what you want, too, darlin’?” More serious now.
The head of his cock nicked a sensitive ridge inside you, eliciting a whimper, but you nodded. You nodded again, feeling the brush of his stubble at your mouth and your chin, and nodded again when he bottomed out, stuffing you tight. It felt a little more momentous than any other time in the past, now that you were picturing a fullness that wasn’t just him. Him and you: a concrete being to soothe the sting of his absence long after Joel withdrew.
Something to stick.
“Please say it, baby.”
Someone to call yours.
“I want it,” you said, sounding desperate.
A coil was just starting to form in the place you felt him. Drifting up, pulling tight, making your eyes go glossy and wide while they stuck to Joel’s and begged him for more.
“Want what?” He sped up, and his thrusts got sloppy.
“Want you,” you breathed, “Inside me, Joel, please.”
As if predicting your next thoughts, the man lowered his hand to your belly. You hadn’t even noticed the smallest bulge had taken shape beneath the skin. Joel slowed, momentarily, then rubbed the base of his palm against the mound where your body was obliged to make room for his cock inside you. He drew soft, tender circles there and, with the motion, sent stars flying before your eyes.
“Good girl,” he murmured, “Right here?”
“Ri— right there. Right there.”
Joel adored that sound. The soft, elated look, the gentle knoll of flesh in a bump below his hand, the whimpers rolling off your tongue repeatedly, quicker and quicker the more the pleasure inside you continued to build. Joel’s release was coming soon, too. For the hundredth time that night, he silently wished he were a little younger; so he could fill you up once, twice, twenty more times until your insides were stuffed and painted white. As if reading his mind, as he had for you, you wrapped your arms around his neck and pulled him in for a kiss.
“Hope our baby has your eyes,” you murmured to him.
It shouldn’t have had such a strong effect—but of course, it did. Joel pictured the small, sweet infant with irises that shone a bit like his, and his stomach caved in.
Tonight, tomorrow, or ten months down the line, he was getting you pregnant. He’d clear his whole schedule for it
“That right?” And now he couldn’t stop the smile as he spoke, leaning even further in, “What about their nose?”
He kissed the tip of yours.
“Hope they get this.”
He kissed either one of your cheeks.
“These too.”
You had to fight back a laugh while his scruff tickled skin. Two deep strokes away from the brink of release and he still somehow always stayed in tune with your needs.
The threat of your peak was perilously near. Joel’s spend and your slick, tender glaze made a chorus of sounds at each thrust, and the deeper he went, the bigger it swelled. Your smiles couldn’t stay for much longer when the feeling inside you both was being amplified like that. Sensing this, Joel took hold of your face and slipped his touch to cup your chin. He made you tilt your head up to him, as if to ask again, ‘Are you sure?’ and when you nodded, his lips twitched again. A fleeting hint of a grin, like he couldn’t be more eager to finish now if he tried.
Holding your face, cock swollen and throbbing and desperate between your walls, he felt a familiar twitch.
There it is.
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