It's 4 a.m., and I woke up still absolutely fuming about yesterday because where was Daniel's team? After everything that happened, where was his management team? Why did THEY allow this to spiral like this?
Daniel's take on all of this was fairly positive until he had a shitty quali and then once again got hounded by the same journalists asking the same questions and then it seems like he just simply accepted it.
I think vcarb, Red Bull, and Daniel's own management team severely mismanaged things.
The cash app guy deleting his video doesn't mean too much to me as I was also very surprised that he posted it in the first place because while he posted it from a "fan/friend" point of view answering in his own capacity, he indirectly answered as his company. He told us, through his own personal ig that the company didn't know.
I do not know what the sponsors have to say about this, visa, cashapp but Hugo, their weekend was greatly overshadowed by mismanagement. If this was to be his last, every single one of those sponsors could have capitalized.
After everything that happened with Mcalren, all I wanted was for him to leave on his own terms. Whether he decided to stay and drive for vcarb again, whether he decided to go to Audi or whether he got the Red Bull seat. I wanted him to be on his terms, but the constant talk surrounding his contract took away any chance of that happening regardless of how and what was decided and so I thought, if this was it, they'd let him announce it properly.
Horner, despite making all that noise about how Mclaren treated him, actually did something worse because Daniel trusted him. Daniel put his career back in Horners hand despite everything and trusted him. I do not think there's anything salvageable of their relationship after Spa and now this mess.
I find the timing of all of this oddly specific. We had so many people cryptic posting just two weeks ago, that photographer saying the general idea is that Daniel would take over the red bull seat and then we went to baku expecting a shit storm and it never came. We were just in the eye of the storm. When the "rumor" dropped this week, I thought what a coincidence that it happened just before media day, and so all the questions shifted from performance or what crash to Daniel and he stood alone in the lions den.
It seems like Red Bull hasn't decided (while it's likely looking like it is what it is) and they chose to remain hot and cold about it like they always have been and it absolutely spiraled.
The media surrounding all of this was absolutely atrocious. They allowed people with less impact on the sport to leave with more dignity. They tore him apart, they questioned every single thing until he stood there, tears in his eyes accepting it. This man is a veteran of the sport. A man whose legacy will have a direct link on the grid next year in Jack Doohan. A man who made an incredible mark on our current world champion. A man who had people looking at red bull last year going "they're always ruthless but this is their son."
And at the end of it all, when they backed him against a wall after a long, frustrating weekend, they're all writing messages for him. They wanted to have their cake and eat it too.
Regardless of what's to come, I hope Daniel is incredibly proud of his perseverance. I hope he knows that despite all the noise, he did what he intended to do, he fell back in love with the sport. He proved to himself he still had it. I hope he knows how many fell in love with the sport because of him and how many people learnt so much about his sport. I hope he truly knows the impact he had on this sport and how despite it refusing to love him back like he deserved, he had shone a light on it so bright that it went global.
Daniel Ricciardo will always be THAT guy, and I hope he knows it.
Whatever happens next, I'm glad I found him, and I'm glad I got to experience him being back on the grid.
I'm seeing "Wedding Peach was unsuccessful" trotted out on Twitter again and it's honestly kind of funny to me. You can dislike the series, but you're rewriting history if you suggest it was a massive commercial flop/astronomical failure — it simply wasn't.
The Wedding Peach TV series maintained viewership throughout its run which is why it aired an entire year's worth of episodes (the full length it was intended to run) and didn't get cancelled like Nurse Angel Ririka SOS, for example.
I'm not going to pretend it did Sailor Moon numbers, dear god, it absolutely didn't get close hence why it wrapped as it did. I would suggest looking back now, that it was the definition of a mid-performing title for the time period. It sold toys decently but not outrageously, it got viewers but not an outstanding number, and it garnered a small but dedicated fanbase of male otaku. All of which is par for the course when it comes to a mid title in 1995.
Wedding Peach DX was produced because the TV series LD sales were decent enough to warrant it. Children were not buying LD box sets at this time, adult fans were and it was this interest that justified the creation of the four DX episodes as direct-to-video releases. If a series doesn't sell well they don't make more episodes, let alone higher quality deluxe episodes specifically for the home video market (and thus for older audiences with spending power).
It is very important to point out that Wedding Peach DX had NO INVOLVEMENT from the original creative team. Tomita Sukehiro and Yazawa Nao did not contribute to its creation, Tadano Kazuko didn't provide designs. Yuyama Kunihiko was the driving force behind the production of the DX episodes and he served as both director and writer for all four episodes (bringing on Wedding Peach animator and soon-to-be frequent Pokémon collaborator, Ichiishi Sayuri to serve as character designer).
What inspired these to be fanservice dreck to the level they ended up being is honestly beyond me. I mean the otaku market definitely wanted more episodes featuring the characters (and more songs featuring the seiyuu, if you want to see how keen otaku were for FURIL please see this post) but part of what they liked about the characters at the time was their (barfbarfbarf) perceived purity and innocence. The DX including panty shots and swimsuits kind of threw them for a loop. Even now, if you look at discussions about the DX among otaku there's a bit of a divide in opinion.
The DX episode sales were (as far as I can tell based on magazines from the time) also mid, but enough to cover four episodes. Three and four don't seem to have sold as well as one and two, but again the stats from the time aren't comprehensive. I think the fact that there weren't any after episode four says it all, honestly. OVA episodes are expensive to produce and it was extremely common for them to stop immediately if the sales weren't there. DX didn't justify its existence beyond those four episodes and Yuyama moved onto a far more successful project in Pokémon.
On that topic, I think it's important to note that Wedding Peach was OLM's first television series (albeit a coproduction with KSS). If it and the studio's adaptation of Mojacko hadn't made some level of profit it would have been quite difficult for them to adapt Pokémon. Neither Mojacko nor Wedding Peach set records with their viewership or sales numbers, but they both did "OK". It was in Pokémon however, that that OLM truly found a successful property with the series still running today. Sometimes you've got to have a few runs at producing things before you find success. Wedding Peach was one of these early runs, a project where a lot of people cut their teeth but one that didn't justify its own continuation beyond a certain point. Just a very standard media mix from the mid-90s, in other words.
Wedding Peach is a problematic title with indifference through to outright objection to representing love outside of heterosexual romance. Looking back now it feels like an absolute dinosaur on so many levels. Between the anime's fatphobic episode and Momoko dropping some gender essentialism, I'm not surprised people want to relegate it to the dustbin of history.
However, I think it is very telling that Tomita Sukehiro, when presented with the opportunity to tell a similar story in the modern day, chose to represent not just queer love, but platonic and familial love in Wedding Apple. While he can't undo the regressive and cringy elements of the original series, as a creator he has progressed and I'd like to think we can all continue to improve our outlooks and output as we grow.
Disliking Wedding Peach in the modern day is completely understandable. I'm not going to pretend anyone should watch it in 2024 without knowing that it is a camp, cheaply made relic of a time when heterosexuality was considered magic. However, just because it pandered to all the worst things trending at the time doesn't mean it didn't sell enough products or hold enough viewers to justify its production. It did, it just wasn't a strong enough property to go beyond that and that's representative of mediocrity rather than mind blowing commercial failure imho.
Seeing your latest post. Do you think there is a connection with JJK 0 ending theme? It's title is "Sakayume". It's by King Gnu too.
Believe it or not, someone else in 2022 was intrigued by the JJK 0 ending theme being called Sakayume. Quoting this poster directly:
"逆夢 sakayume Is a dream that contradicts reality. It’s unrealistic meaning that it can’t or won’t happen in real life."
This song is then compared to the anime's ED 2, Cö shu Nie's give it back.
"I feel this song is about 逆夢 sakayume in a sense. The song speaks about “giving back the dream” It’s called “Give it back” and it’s like “give me back the dream” “what happened to rest of the dream and why did I have to wake to reality” basically it’s longing. It’s longing to go back to the dream and not a reality that contradicts that dream. So when I hear this ED I also think of the movie’s theme song for them which is Sakayume!"
Keep this in the back your mind. It only gets worse from here.
Yuji and Megumi's Character Songs
Recently, I got this in my replies from @mizzi14-blog.
(Here's a link to all the character songs with corresponding videos for listening.)
A translation for Megumi's character song Uchujin's Hakujitsumu (Daydream). From the last stanza:
This is not a song to just forget about the painful past
This is a song that confronts the sadness
The moon in the night sky waxes and wanes
There are no stars in sight.
But even in the darkness, tomorrow shines brightly
And this is a song I share with you.
In summary, this song is about someone trying to confront their trauma but getting swept up in a daydream with their beloved.
A translation for Yuji's character song Kuchiroro's Itsuka dokoka de (Sometime, Somewhere). From the last stanza:
Nobody knows…
Ah. The heart of my real self is so cowardly.
I try to scream until I lose my voice.
I don’t need anything…
I bear a fate I still cannot accept.
If I can share my feelings somewhere
then I might speak about how my dream continues…
In summary, this song is about someone who feels lonely and isolated dreaming of their ideal world through the pain.
Y'all this diabolical. What the hell.
But wait there's more!
Sukuna mocked Yuji and Megumi's doomed love when he made the Enchain Binding Vow with Yuji using some ridiculous wordplay way back in JJK 11.
Enchain doubles as Megumi Activities. But let's break that down some more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)
So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.
This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)
In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)
Keikatsu specifically comes from this passage:
“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.
Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!
Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.
In Conclusion?
GEGE GREGORY AKUTAMI IS THIS JUST DOOMED YAOI ALL THE WAY DOWN?????? GEGE!!!! ANSWER ME!!!!
REDACTED CHARACTERS AS CARS (based on the cars faces mostly, some on vibes)
To clarify this is NOT what I think they would drive, it is the car that I think they are!! (my apologies if this has already been done in the same way before, im sure ive seen another one of these but this is my take on it!) (all pictures DO NOT belong to me!)
David - 2024 Honda Odyssey (it looks so serious and ready for duty)
Asher - Neon green Giulia Quadrifolgio (the green is based on a fic i read, also i think this one is him bc it looks like its trying not to laugh)
Milo - BMW M4 Coupe Individual Fire Orange, very specifically (it gives short and feisty vibes)
Sam - No I will not apologize
Vincent - 1990 Oldsmobile Cutlass Supreme Coupe (yes the one from the useless facts video, vincent is that car idc)
Porter - Something like this or something more low-key bc hes a smooth dude idk
Alexis - White Sedan (trust me. look this car up and tell me it doesnt look like. alexis vibes)
Gavin - This godless beast /lh
Caelum - This thing. Also he would drive this one so this is an exception to my earlier statement
Vega - Armoured car (idk what brand it might be under there)
Damien - whatever this is (he would NOT drive this but it gives the fiery and intense vibes that he does)
Huxley - 2024 Jeep Wrangler (low hanging fruit, I know)
Lasko - 1972 Ferrari (it looks so shy)
Kody - Chrysler Grand Caravan (VERY different from the Dodge Grand Caravan, rest in peace) (god i hate the chrysler grand caravan)
ILL MAKE MORE OF THESE IF YALL FOUND IT FUNNY! kudos to anyone else who made this kind of post before me, it wasnt inspired by anyone (literally the last car giving kody vibes is what inspired this whole thing jdkfghskjdh) but i know it had to have been done before and i think it was a moot of mine but i cant remember sowwy :(
Hey Gina! Veterans say a TON of proof was lost due to deleted blogs/erased from the internet and I’ve already found out it’s true either through your blog or on my own but do you mind sharing the recollection of what some other things were (without the prime sources of course cos they’re lost)? Thank you xx
Hi love. I'm not quite sure what you mean by "some other things" because I don't know what you already found. But, off the top of my head, tons of proof about:
"The Big Gay War" (Sony/Syco's battle to keep HL closeted vs HL's fighting back)
Babygate (we were able to save some masterposts, but lots of in-the-moment commentary/conversations and random posts were lost)
Gabi's entire blog was forcefully deleted, and we lost really detailed, easy-to-follow timelines and evidence of not only babygate, but also about HL as a couple. a lot is on the wayback machine, but it's nowhere near as complete or easy to navigate.
The Treatise (timeline/evidence of them as a couple--one of the easiest ways to introduce people to why "Larry" isn't an insane theory)
FreddieIsMyQueen's YouTube channel and all of her videos (we have them saved, but FIMQ was absolutely the larry gateway for a huge amount of people back in the day. If you watched 1D or Harry videos, FIMQ would be suggested and you were down the rabbit hole. Also, she just made some really fun, really touching videos and the fandom would get so excited every time she posted).
I can't think of specific "things" that were lost so much as tons of links to great posts that broke down theories or posts with great observations about closeting, queer signaling and queer coding, PR relationships etc. Just stuff that made it a lot easier to help people navigate the concept.
The amount of misinformation surrounding nutrition is absolutely absurd. If you ask the average person who thinks they know a lot about nutrition, they'll likely have less than 0 understanding of how it works. If you ever have a question about nutrition or exercise, I genuinely cannot recommend Renaissance Periodization enough. The only way information gets put out is if a consideration of ALL the scientific literature is considered, and I have literally never seen them put out any bad info. I've seen Dr. Mike recommend people not buy his powerlifting training templates because he thought juggernaut.ai was better. I have never seen a more honest source of information coming out of the industry. Even people who are similarly respected end up plugging bullshit supplements or, at the very least, will NOT tell you if a competitor is a better source of information. If you ever, for any reason, find yourself thinking you know something about nutrition and that understanding guides how you eat or train, PLEASE look up an RP video on the topic. (they are also an extremely good source of info for bodybuilding and strength building (and yes, bodybuilders are very strong, and anyone who tells you they're show muscles and not practical muscles are 99/100 times weaker than even amateur bodybuilders))
want to give my two cents on the AI usage in the maestro trailer--
i think seventeen doing a whole concept that is anti-AI is very cool, especially as creatives themselves i think it's good that they're speaking up against it and i hope it gets more ppl talking about the issue. i also understand on a surface level the artistic choice (whether it was made by the members, the mv director, or whoever else), to directly use AI in contrast to real, human-made visuals and music in order to criticize it. i also appreciate that they clearly stated the intention of the use of AI at the beginning of the video
however, although i understand it to an extent, i do not agree with the choice to use AI to critique AI. one of the main ethical concerns with generative AI is that it is trained on other artists' work without their knowledge, consent, or compensation. and even when AI generated images are being used to critique AI, it still does not negate this particular ethical concern
the use of AI to critique also does not negate the fact that this is work that could have been done by an actual artist. i have seen some people argue that it's okay in this context because it's a critique specifically about AI, and it is content that never would have been done by a real artist anyway because it doesn't make sense for the story they're trying to tell. but i disagree. i think you can still tell the exact same story without using AI
and in fact, i would argue that it would make the anti-AI message stronger if they HAD paid an artist to draw/animate the scenes that are supposed to represent AI generated images. wouldn't it just be proof that humans can create images that are just as bad and nonsensical and soulless as AI, but that AI can't replicate the creativity and beauty and basic fucking anatomy that's in human-made art?
it feels very obvious this was not just a way to cut corners and costs like a lot of scummy people are using AI for. ultimately it was a very intentional creative decision, i just personally think it was a very poor one. and even if some ethical considerations were taken into account before this decision, i certainly don't think all of them were. at the very least i feel like the decision undermines the message they want to convey
i would also like to recognize that i myself am not an artist, and i have seen some artists that are totally on board with the use of AI in this specific context, so clearly this is not a topic that is cut and dry. but generative AI is still new, and i think it's important to keep having these conversations
Since even the threat of annoying bugs will not stop me from playing Veilguard the moment it’s out, I realized this is going to be the first game I’ve played without hundreds of guides available on what choice leads where and I’m kind of excited that this is going to force me to just deal with consequences (as much as saving and reloading allows) but also my brain that 🤌 craves 🤌control 2 protect from social rejection is PANICKING
my favourite part of wall-e is that auto isnt like type of antagonist ai that wants humanity dead,and hes instead the antagonistic ai opposite where he wants humans to keep living on the axiom because he thinks hes the most capable at taking care of them,and even after seeing proof of life starting to grow back on earth he still wont break away from the idea that the passengers will survive better with him,rather than trust that earth can be helped anytime soon,,,,its so peak and i think about it a lot,,hes was built to assist his passengers for the duration of a cruise but was forced by circumstance and bnl to take his job a bit too seriously,,,,like theres the part where he might feel selfish and wants to prevent himself from becoming obsolete if the axiom does land on earth with him still confined to it,,but also theres a reason the dystopic life of the passengers includes the robots taking care of everything for them,,because auto does want to do everything for them,he feels like he has to and has been for 700 years,,even if his methods are a bit soul crushing by human standards,,,, anyway i love auto from wall-e because he has emotional turmoil not yet discovered by humans
it is kind of funny writing commentary in fics about the differences between Cal and Cere's fighting styles when Cal's fighting style is....technically dependent on how good of a gamer you are and I am a Bad gamer XD 'Cal over-relies on a few key practiced moves, while Cere is more fluid, natural' yeah because there was actual fight choreography involved in Cere's fight in Fallen Order, and not just me button-mashing and doing the same thing over and over in the hopes it actually works this time XD
like I think it works thematically and idk this paragraph might end up getting cut, but it is just kind of funny to be like, trying to reflect on canon and how to describe it and then having to be like 'well…that might be on me...'