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#also they both acted their ASSES off in this scene ben especially
cryptomiracle · 1 year
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Jeff the killer headcanons (romantic version)
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I might make a more "dark" version like I did with my ticci toby hcs, but idk 😭
Also, I just wanna go ahead and say that for this, y/n IS a proxy of slenderman.
(ps, this doesn't really apply to my main hcs for Jeff, I just wanted to write some cute lil headcanons yk)
Physical touch
He's not a big fan of it, but he doesn't deny you if you tried to kiss him/ hold his hand or hug him.
Although he doesn't like much psychical touch, he doesn't really mind kisses on the cheek, hands, lips, etc
He prefers you do all the kissing though.
He especially likes when you kiss his scars, and compliment him.
But overall, he likes to be alone with you, you and him, both in your own personal space, but together.
Anything other than that has to grow on him.
You can't just walk up and kiss him on the lips, you have to take baby steps.
He also doesn't want to seem like one of those "cringey couples" that make out in front people.
(BEN may have made fun of you two when he saw you kissing, and it's kinda stayed with jeff ever since)
If you tried to cuddle him, he'd kinda freeze up.
But eventually he'd melt into it, especially if he was the big spoon.
He likes when you do his hair.
He'd let you do anything to his hair, dye it, cut it, braid it, whatever you want.
He loves listening to you laugh as you give him some silly hairstyle.
It soothes him.
If he's had a really hard day, he'll just kinda flop onto you, and stay there for the rest of the day.
Comfort
He's horrible at comforting people
I headcanon that he spent a lot of years away from people in the woods, before moving back into the manor, and the only contact he had with people was with his victims.
So after a while, he sorta forgot how to act around relatively normal people.
He's not the type to ignore you if you're literally broke down crying, but he definitely has that "tough love" mentality.
From his point of view, the world has never been kind to him, so why should he be kind to it?
Someone is rude to you? Kick their ass
Something didn't go your way? Fuck it, it doesn't matter anyway.
Someone hurt you? Be worse to them.
Etc etc
When he's intoxicated, he's 10x worse.
"what are you crying for?"
"don't be a pussy y/n, go blow their fucking brains out."
His reaction honestly depends on what your personality is like.
If you're more "sensitive", I feel like he'd be more gentle with you.
But if you're not, he has absolutely no filter with you.
Protectiveness
He's not very protective, unless he's mad.
Any other day he doesn't really care.
Like if someone flirts with you, he gets annoyed, but he knows he has you practically wrapped around his finger, so he's not really worried about you leaving him.
It's not like he'd let you anyway.
But every now and then, just when he's bored, he likes to cause a scene.
Outings
Unlike EJ, or Jane the killer, he actually likes going out in public with you.
He believes he's beautiful, he doesn't regret what he did to himself at all.
He's proud to show you, and himself off.
He's broke most of the time (he spends his money on his knife collection)
But he loves spoiling you when he can.
If he's flat broke, he doesn't mind robbing a store just to get you something.
Cute things he does
Sometimes he'll just stare at you, not in a creepy way.
But in an admiring way.
He'll never say it out loud, but he genuinely admires you.
You're strong, you're talented, you're caring, and somehow you love someone like him.
He doesn't get why, or how you love him, but you do.
Other times he'll grab you by your waist, and pull you closer to him if you walk past anyone in the manor.
He feels he has to protect you, even though he knows you can handle yourself, he still feels like he has to.
He knows that practically no one there is trustworthy, especially hoodie (he's the king of blackmail).
So he keeps a close eye on you.
The relationship overall
All in all, I'd say Jeff would be an 'okay' boyfriend.
He deals with a lot of stuff mentally, I hc that he deals derealization, so sometimes it can seem like hes "detached"
He often has breakdowns where he just "shuts down" for a few days, he doesn't come out of his room, he doesn't have the energy to do certain things that are an "easy task" for most people.
but if you can support, and love him through that period, or even just be there for him, he'll cherish you forever.
Anyway, I'm back to doing requests ig 😼
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thebossestunicycle · 1 year
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Final Flash Update: an actual review
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The DCEU has always been very hit or miss for me, but it has a special place in my heart. When Man of Steel came out, my dad was OBSESSED with it (still is), and it became the first superhero movie I ever watched. Despite the mediocre scores internet-wide (and how the terraforming scared the shit out of me as a kid), I cannot help but love that film to death. It really sparked my interest with superheroes and just ‘nerdier’ stuff in general.
While the DCEU opened me up to the whole world of superheroes, it also became part of what made me so weary of comic book movies. While there were good movies like Wonder Woman (2017) and (hot take) Black Adam, and great ones like the Snydercut, there were also huge disappointments that left me feeling pissed off when the theater lights turned back on. It’s not like all of these movies are downright horrible in every way (exception being 2016’s Suicide Squad), but each seemed to have its own form of kryptonite. The Justice League (2017)’s being its lack of character development; Wonder Woman 1984’s forgettable plot; and of course, Batman v. Superman’s Martha scene.
With the DCEU’s track record, the over saturation of superhero media, and with Ezra Miller being… Ezra Miller, my hopes for this movie were extremely low. But I actually left the theater feeling pretty.. decent?
Here are my main takeaways. Spoilers ahead:
Plot + Characters
As of now, I haven’t noticed any critical plot holes, which is pretty great, especially considering it’s a multiverse movie and all. Everything that blew up in Barry’s face was tied up nicely. But I am sorta curious to see how moving the tomato can caused Ben Affleck to become George Clooney.
The time mechanics were also pretty neat, like how a new future creates a new past.
I kinda like Barry a lot. He’s wicked awkward but it’s funny to watch.
Younger Barry too! He was such an airhead in the beginning that I was shocked to find out he was the guy that our Barry kept seeing when he time travelled.
I found Keaton’s Batman entertaining too. But the whole time Keaton didn’t really seem like he was trying to act. He just looked happy to be Batman again, which I can’t blame him for. On that note, I wish Bale’s Batman made a cameo somehow.
I was underwhelmed with the Zod plot. I was ready to watch him totally kick Flash’s ass. I didn’t mind Kara, but again she was a bit underwhelming too.
I got excited when Zod mentioned discovering Clark in his pod somewhere in space. I was like “Oh shit, did they take him in and train him to fight for them?” Seeing an evil Superman would’ve been crazy, but nah, they just killed him instead. Lame-os.
Effects / CGI
Oh man, I did not enjoy some of the choices made here.
First of all, the deep fake cameos. And also, deepfaking people like Adam West and all, who are dead, is a little odd. However Nicholas Cage showing up was very funny.
Then there was the CGI in the Speedverse (?? correct me if that’s the wrong name). It was video-game level. I felt like I was watching a skyrim-inspired acid trip.
Even outside of speedverse, the quality was really spotty.
Action
Oh my god, it’s so refreshing when there’s even the tiniest ounce of creativity in fight scenes (Looking at you, MCU).
Diving deeper into Barry’s powers was cool and seeing him fight with (and then against) himself was neat!
Then there was also pretty standard Batman stuff that I’m a sucker for
NEEDED a better Kara v. Zod fight. I wanted lasers. I wanted them to go to space. ANYTHING
Overall Emotional Reaction
Both Barrys hit hard a few times. The desperation to fix everything. Having to let go of their mom and accept their fate(s?). The scene when he said goodbye to her for the last time was pretty sad.
The themes were simple: accept your past; pain makes us who we are; etc etc. But there’s nothing really wrong with that.
The jokes landed! I laughed with, not at, most things
…Okay, I did laugh out loud at some things, like the deepfakes and when the Barrys phased for the first time.
But yeah, it was really enjoyable to watch. The runtime wasn’t an issue at all. Dull moments were rare (though I didn’t give a single shit about Barry’s dating life at all)
Final Score:
Characters: 7/10
Plot: 7/10
CGI: 4/10
Action: 7/10
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6.3 / 10
If I had to rank: above Black Adam, below Wonder Woman
but seriously can they just recast flash already. I wish ezra miller all the best on rehabbing themselves, and they really do a great job with the character, but it’s like they’re trying to get a jail sentence with everything they’ve done
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jonahh · 2 years
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i loveeee jonah and i can’t rly think of a good question for u?? maybe like how did u feel abt the amy jonah breakup proposal scene in s6? i know it was sorta unpopular in the fandom as forced but i thought it was very sympathetic and understandable on both sides tbh
narratively speaking superstore actually hit the jackpot by getting canceled when it did, because if that had been the last we see of amy i don't think they could have salvaged it—or it would have been very difficult to, at least. i definitely had my doubts on a larger scale about superstore without america, and i still don't know that amy moving to california was the smartest plot move, but they weren't expecting to lose a lead and you work with what you have i guess
that being said! given that this was the in-universe route they chose, i do think that they pulled it off in a way that felt true to the characters. it's definitely brutal to watch, but it makes sense. of course amy is hesitant to make such a big, official step. even though it's jonah, and he's been around for a long time, and their relationship is great, she's been through this before and it completely derailed her from what she originally wanted in life. and so in her mind, there's always room for things to go wrong—whether that's in an immediate and catastrophic way or a slower, boiling-frog stagnation way. because of her circumstances, it's important to her that she have an easy escape route if that were to happen.
there's also the issue of the timing. i think that, if the circumstances were different and this didn't come up at the time of the move, it would feel less claustrophobic for her. but it's sort of an insane and tumultuous period, and adding yet another life-altering decision to the mix was definitely. not great.
jonah's view is completely different here. he pretty much sees them as already-married at this point, so it doesn't feel as daunting for him. this is where i do start to feel a little conflicted, so bear with me. on the one hand i do think he should have known better than to think this wouldn't be an added stressor for amy. like, obviously he's aware of her past, and the baggage/trauma she has regarding marriage. he's not adam, of course he's not adam, but who's to say he wouldn't fall into the same rut? he has a string of abandoned jobs behind him, and frankly not a whole lot of prospects. adam has a string of abandoned hobbies. amy's always been the one to take on the role of "adult" and frankly, as much as she (and i) love jonah, the relationship doesn't...look all that different. yes, true love, etc but she has kids and so she has to look at it from a practical as well as a romantic perspective.
the thing is, while he went about it in a way that was a little thoughtless and insane, jonah's also not in the wrong for wanting something more. i mean, the dude is moving across the country for her. they HAVE been together for several years, and they've known each other for several years before that. they are, functionally, a family, so it makes sense that he would want to make that official. and as solid as the relationship is, he just needs to know that she won't pull the rug out from under him suddenly—marriage seems like the most natural way to prove the stability of the relationship and soothe his neuroses. plus, in his mind, there's absolutely no chance he's going to be the one to leave. she's the reason he's stuck around for so many years, after all. but she has no way of fully understanding that without literally being in his head.
seeing him stand up for himself and set that boundary is cathartic. watching amy have to deal with the ultimatum is heartbreaking. marriage means two different things to these characters, and that's what makes the breakup so potent.
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Undiagnosed Autism-spectrum disorder in The Michells Vs The Machines
I'm sure that more well educated people have put two and two together in this film but I really, really want to put my own spin on it from my experience. For me, as an aspie, film is one of my biggest interests. I love studying and more than anything I love watching and rewatching films. My latest favorite movie was one that I just watched last night for my family movie night, The Michells Vs The Machines. I also went 17 years of my life asking myself the same question that both Rick and his daughter ask each other, what is wrong with him/her?
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Well, I'll tell you, in my firmly undiagnosed autistic opinion for far too long, that this family is full of people with undiagnosed autism spectrum disorder. When I was watching it with my parents my mom made the comment that "the dad was a jerk" and maybe "he just didn't love his daughter enough to let her be her own person." I thought that was so not seeing the bigger picture even though it was only fifteen minutes into the film. I have felt like Katie so much with my own dad. My dad is a computer nerd and a physics major for those of you that don't talk to me very often. That means in laminas terms that he's extremely smart. Way smarter than I will ever be in my entire life. Both of my parents are insanely smart in their own rights. My mom is a CPA accountant. But that isn't what I wanted to talk about here. I want to discuss the effect of undiagnosed autism and what it can do to a whole family when they all have it and just don't know that they do. This will probably go on for quite some time so you may stop here or read below the cut because this also has the probablity of getting super, duper personal.
We'll start with Katie! To me, Katie is one of the most relatable characters that I have ever come across. She's a film nerd, which alone has made her supremely relatable as somebody who is thinking about going into a degree in film studies. I am more of a critic of film than somebody who wants to make her own film but nonetheless, there were SO many little moments that I related to. The first thing that I personally noticed and related to was the stimming technique that Katie has. She chews on her hoodie strings. As somebody who has chewed on the drawstrings of hoodies far too often long before I was officially put into the Aspergers box. Aspies are also known to stick with one "special interest" for the rest of their lives if it's one that is wide enough and varied enough to make it applicable. For Katie, that's film. For me that's animation. I appreciated that little detail of most of her dialogue being references to other films because as a lover of films and movies in general I could go for days on just fumes and movie references that nobody else understands. The little things from her hair being perpetually messy (same that's a whole ass mood like I just learned over quarantine how to tye my own hair back), only having one earring in her ear at all times, the way that she dresses and draws on her own hands, this was just me when I was first in high school. I was one of the few people that wore shorts underneath all my skirts/dresses. Everyone who knew about looked at me like I had grown a third eyeball.
Aaron, the younger brother, also just oozes spectrum lil buddy out of his every pore from his being. I do think that they should have picked somebody capable of doing a bit of a younger sounding voice (I know what they were going for, but like Ben Schwartz has become a huge deal in both voice acting and live action before switching mediums.) His special interest is actually quite a common one, he loves dinosaurs. I've met a bunch of people on the spectrum that are fascinated by dinos and what they meant for the world as well as the universe as a whole. To me, there was one scene specifically that was the scene where Katie was lightly teasing him when they were going to the half assed dinosaur extravaganza. For me, this was SO relatable because both of my parents will mess with me about my interests most of the time it's when we go to Disneyland, they'll tell me that we actually aren't going to land of magic but to Timbuckto (hopefully one day they'll say some place else just to switch things up.) I related so hard to Aaron's protesting and whining in this scene since that is always my reaction to doing something that I want to do but get told that I can't do that thing.
Linda is more of your traditional mom but I think that she's on the spectrum as well. Just a more... normalized version as opposed to her family. She's able to be a teacher, she's able to interact somewhat normally around her neighbors. If anything, she reminded me of my own mom. This independent, takes nobody's trash (especially not her husband's), strong minded, and amazing mother who is completely in control of everything. She knows the special interests of her children and is constantly thinking of what will make them happy. Whether it be taking a detour for something dinosaur related, reminding her daughter that her dad loves her no matter what, and even something as simple as watching something that her daughter made and put her heart and soul into. I can't tell you how many times my mom has watched something with me. She watched my first anime Soul Eater with me when I was 12 and ever since then has been trying to get me to watch other shows with her. She's a lot like Linda, your loving, but firm mother who just wants her family to work things out.
Whew boy. This one is going to be probably where I cry. Comparing my dad to Rick is... something that I did consistently when I was watching the film. He's the strong but silent type usually, unless your me and he's just this constant annoyance when I'm trying to do something. He could be seen as just a "Jerk" but I think that is the undiagnosed aspie talking. Rick and Katie just struggle so hard to see eye to eye because their special interests can't intersect to save their lives. This, this hurt me because so often I struggle to relate to my dad. Especially when he talks to me about computers or physics. Now I took physics but without having been in quarantine and having him as my live in tutor I would have failed, not gotten an A. This has resulted me in saying things that I don't mean in the heat of the moment when we do argue. It doesn't happen nearly as much as it used to back when I was in middle school but when it happened it was because of one thing. I lied. I used to lie a lot because I felt so unworthy of being his daughter because on my best days I am not technically smart. You want to know how many nations of the world there were in 1991 when the original Animaniacs was airing? You want to hear my Dot Warner impression? Did you ever wonder how to recognize a specific voice when your watching anime? Have you ever had to watch a panel of your favorite anime voice actor just to laugh at something? No, well I did. But ever since I have started taking a quarter off from community college I have realized something. I am not technically smart. I struggle at learning the rules for math. My dad can do this with his eyes closed but me, I struggle and look like a complete moron. It took years for my dad and I to see eye to eye. Sometimes I still wonder if I was the product of some laboratory experiment of what would happen if two intelligent people came together, fell in love, and expecting that the daughter was smart I was the reject. Watching this movie with my dad I saw so much of my relationship with him on the screen. Struggling to relate to one another, fighting and getting into arguments about petty things, and not being able to be in the same room as one another without heated words because I didn't get him.
The scene that I related to the most when it was in terms of how much Katie just doesn't understand her dad was after he was nabbed by the machines. When Aaron asked her why she said those things to their dad and her simple answer was "I don't know." This. This right here was when I saw me. So many times I've gotten into heated arguments with my dad when he has simply annoyed me at the wrong time and I've just blown up in his face. Then I regret my actions and not know how to apologize for losing my temper with him because "I don't know" just doesn't seem like a nearly acceptable answer. I felt this in my soul because it happened especially often before I was diagnosed.
When I was diagnosed, things started to get better with my dad and I. We haven't had a fight in nearly four years now. He watches cartoons with me now to try and relate to me, it's mostly Pinky and The Brain but it's more than I could have ever asked for. I love my dad so much, more than anything in the entire world. This movie is so, so good at telling a story about how a family of undiagnosed aspie's and people on the spectrum struggle to relate to one another because their special interests are different.
Special interests and family's are especially difficult and I applaud this movie so loud because of the way that it was able to treat the subject matter with integrity and honesty. I'm sorry if this analysis got a little bit long in the toof but thank you for sticking with me! I really hope that if you watched the film you loved my analysis.
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Irresistible Danger - Part 61
Synopsis:  After being caught outside the compound on your own, Negan decides to punish you in the best way possible ;)
Words: 2,591
Warnings: nsfw, smut, swearing
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Masterlist of all my fics can be found HERE
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Taking Care of Business
You were in shock and at a loss for words, while Amber’s impatient expression as she stared you down meant that she obviously expected you to say something. When it became apparent that you weren’t going to kickstart this lovely conversation, she gave an exasperated sigh and rolled her eyes before breaking the silence with a haughty voice that instantly grated on your nerves.
“Well, are you going to let me in, or what?”
Your subconscious gave a resounding scream of ‘fuck off!’ and hissed at Amber, while your brain warned to proceed with caution. The last thing you wanted right now was a fight, but it wasn’t clear which path led to a worse confrontation: letting her in or telling her to leave. Deciding to attempt civility, you clamped down the words ‘I’d really rather not’ that were on the tip of your tongue, and instead gave a small nod and stood back from the doorway to let her in. The sickly sweet smell of flowers hit when she passed by, and you had the incredibly random thought of where the fuck does she get perfume in an apocalypse? 
Ignoring the unimportant question, you watched as she glanced around your room, eyes flickering over the small bed, the wooden chair piled with clothes, and then the stack of old rickety crates holding your belongings. Her face scrunched up in utter disdain of the meager surroundings, solidifying what Ben had once said about her coming from a privileged background before the apocalypse. Her room upstairs probably had all kinds of fancy furniture and clothes. You wanted to feel annoyed, even a bit ashamed, but then remembered whose bed you were now spending the night in and immediately lost all sense of self-consciousness. At the end of the day, it didn’t matter what material possessions she might own, because you had Negan and she didn’t. No matter how this conversation went, that fact wasn’t going to change, and nothing she said was going to ruin your newfound happiness. You were still nervous and feeling a bit cagey being in the same room as the woman who was far from your biggest fan, but the security of knowing where you and Negan stood with one another helped you to keep calm and project an air of indifference. 
However, you still didn’t want to play this too arrogantly, and decided not to close the door the entire way, pushing it so that there was still a centimeter of space keeping it unlatched. The crack was small enough for her to not have noticed, and gave you that extra padding of reassurance. You didn’t trust her one bit, and wanted an easier exit, if necessary, or a way to hopefully be heard if you yelled for help. Not that you were too worried about a physical confrontation; you looked up and down her petite, small frame and thought, you can take her if you have to. The subconscious gave an aggressive yell of agreement and stared Amber down with laser-like focus. 
Not wanting to make any assumptions, you decided to stand there silently and wait her out. It didn’t take long, as she abruptly turned to you with a sneer and said, “I bet you’re feeling mighty proud of yourself right about now.”
Well then, guess we’re going with no pretense or attempt at subtlety. Raising your brows in surprise, you honestly replied, “I’m not sure I know what you mean.” You were certain this had to do with Negan, but weren’t sure if it was in regards to the last few weeks, if she had heard about the scene in the cafeteria, or, perhaps, it was something else entirely.
She narrowed her eyes at you and practically hissed, “Don’t play stupid with me. I know that you’re the one who convinced him to throw us all out.” 
You couldn’t hide the look of utter surprise at her words. Had Negan said something to the wives today? But when?! You had seen him off on the run to the outpost this morning, and there had only been perhaps a 20 minute space of time from when his men had sat down for dinner and he himself had entered the cafeteria. Had he spent that small chunk of time talking to his wives?
Apparently so, as Amber confirmed a few seconds later. 
“I can’t believe he would just march in there and tell us, tell me, that we’re not needed anymore.” She scoffed, as if the idea was laughable. “And I bet it was your idea that we lose our rooms too, right? You couldn’t even let us stay where we were, let us be on the same floor as him. No, you somehow convinced him to kick us out, and tell us we’re to ‘reintegrate into the community’. What the fuck!” 
She had used her fingers in air quotes around the reintegrate part, which would’ve been a bit humorous if not for her screeched curse at the end. Your emotions were all jumbled, since part of you wanted to fist pump with joy that Negan had decided to officially move out his wives and make them a part of the community, while another part of you knew that to let your happiness show would only cause Amber to escalate. And while you didn’t feel too bad for her, especially considering the way she’d treated other women like Maria and Trixie, you could still relate on a human level to the shitty feeling of being unwanted. It was that little crumb of empathy that you tried to lead with, despite the subconscious begging you to just bypass all that and use a fist instead. 
“I honestly wasn't aware that he did that,” you said, hoping she could hear the sincerity in your voice. “I understand that it’s gotta be frustrating to-”
“Don’t try to feed me bullshit by saying you understand!” she interrupted, eyes blazing with anger. “You think that just because you waltzed in there with your little food trays and spread your legs for him whenever he wants that it makes you better than us. You could’ve played by the rules and become a wife like the rest of us, but nooo. You must think you’re really fucking special, to screw us all over and wreck the entire system! News flash bitch, you’ll never be enough to satisfy him, and he’ll get bored with you soon enough. Then we’ll see how much you ‘understand’ when the tables turn and he asks us to come back while you’re the one tossed to the side! Because that’s what will happen in time, and it’ll make him look weak and indecisive to the entire community. I hope you’re prepared for that, for his potential downfall to be all. Your. Fault!”   
Well so much for going the empathetic route, you thought as a spark of anger burned in your gut. She stood there, breathing heavily from her outburst and wearing a cruel smirk as she waited to see what effect her words would have on you. Said effect was that both your subconscious and brain were now wielding swords, ready to go to battle and take her out. 
Any desire to try and make peace flew out the window, as you saw through her act and straight to exactly what she was trying to accomplish by confronting you. How dare she take her own hurt and insecurities and try to throw them back on you. And what made you extra mad was how calculated they were to cause injury. She had spit the words with pure venom, designed to seep into your veins and poison all confidence that what you had with Negan was real. 
If she had said this to you even two days ago, it might’ve actually worked, might’ve combined with that padlocked box of questions and been the tipping point to send you over the edge into fully believing every word. There had also been the ball of self-doubt, which until the other night had been constantly following you around and whispering that Negan would never give up a group of women who were always at his beck and call for someone as independent and outspoken as you. That he couldn’t possibly change his rules so completely for you. That he couldn’t possibly love you. 
But this wasn’t two days ago, and you knew better now. 
Spine stiffening, you stared Amber down and said in a cool yet stern voice, “It’s obvious that nothing I say will make you happy, unless it’s that I leave Negan alone and let you have him.” You saw her eyes spark in anticipation at the words, as if she expected you to do just that. “But that’s not going to happen.” 
Her fists clenched at her sides, and she opened her mouth, probably to spout more vitriol. But you weren’t having it. In fact, she wasn’t even worth the effort of fighting, and refusing to spend another second entertaining her bullshit would be a more satisfying win than arguing back and forth. 
“I think it’s time for you to leave.” 
“Why you-”
“Leave, Amber. Before this escalates and ends in a public and unattractive way. Unless you want others to see you escorted out of the Sanctuary.”
You were possibly talking out your ass with that last bit, since you didn’t have the authority to ban anyone from the compound. However, she didn’t need to know that, and you could tell that the threat worked when her mouth clamped shut, eyes blazing with hatred as she marched towards you. For a moment, you had the fear that she was going to start a physical altercation. Instead, she angrily stomped past, a hair’s breadth away from knocking into you as the pungent smell of fake flowers trailed after her. 
“This isn’t over, bitch.” 
The words were said as she grabbed the knob and threw back the door dramatically. It flew open and slammed into the wall, swinging mere inches from your face. It would’ve been an impressive exit, except that she had barely set foot out into the hall when every muscle in her body went taut as a bowstring, and her face drained of all color as she looked at something up and to the left. 
Taking a step forward to glance out the doorway, your eyes widened in shock at the sight of Negan standing right outside. You weren’t sure how long he had been there, but seeing as how the door had been unlatched and opened a crack the entire time, he had to have at least heard the end of your conversation. 
Her mouth opened but no words came out, and you knew that she was frantically trying to come up with a way to twist the situation. If given enough time, she’d make herself look squeaky clean and try to manipulate things so that it would appear as if the confrontation was somehow your fault. Rather than give her time to come up with a bullshit excuse, Negan spoke first, his tone low and deadly serious. 
“Don’t say a fucking word. Nothing’s changed from what I told you earlier, and I don’t want any more fucking feedback about it. You and I are fucking done, and if you can’t handle that, then you’ll be escorted the fuck out first thing tomorrow morning, just like she fucking said.”
You felt a spark of satisfaction at his agreement with your threat to make her leave, at the way he stood in solidarity with you. Amber deflated slightly at his words, but she still glanced back at you over her shoulder, eyes shooting daggers. Unable to help one moment of pure pettiness, you looked her square in the eye and got the last word.
 “I’d say this is fucking over.” 
She knew she’d been beaten, you could see it written all over her face. But Amber was prideful, and she’d not crumple in front of an audience. Instead, she held her head high and walked quickly past Negan without a second glance. The two of you watched her march down the hall and disappear into the stairwell, and you had a feeling that, despite her brave face, she was going to find somewhere private to hide and lick her emotional wounds. 
Negan turned to you, the anger slipping from his expression as he scanned up and down your body, as if to make sure that there was no physical injury. Thankfully, all wounds had been emotionally inflicted and they were nothing more than shallow cuts, rather than the deep stabs Amber had been hoping for. 
“How long have you been standing there?”
His lips curled up into a pleased smirk, as he replied, “Long enough to know that you had the situation fucking handled, and didn’t need my help.”
You huffed out a tiny laugh at that, pleased to know that while he had been listening, he hadn’t just charged in and taken over. He’d been willing to stay back and let you deal with the conflict on your own...had trusted your ability to take care of it. 
You started to exit the room and close the door, but halted when he said, “Why don’t you pack a bag first.”
“What?” you blinked rapidly at him in confusion.
He shrugged casually, as if to try and offset the seriousness of his words. “Since you’re spending nights with me, it only makes fucking sense to move some of your stuff up to my room. Maybe then you won’t keep stealing my fuckin’ toothbrushes and clothes. Maybe if you ask nicely enough, I’ll even clear out a drawer or two.”
It took a few seconds to process that Negan had just done the apocalypse version of asking you to start moving in with him. Your subconscious and brain had linked arms and were twirling in a circle while tossing confetti into the air, but you tried to act as cool and casual as Negan had about it, nodding and turning back into your room. It wasn’t until you were sure he couldn’t see your face that you allowed a huge grin and silent scream of excitement.
Grabbing the brown sack, you threw in half your t-shirts (aka the ones that were currently clean) and the navy blue gym shorts. A slight blush tinted your cheeks as you tried to quickly and discreetly throw in a few pairs of underwear and socks, though you knew he was standing in the doorway and watching your every move. You also grabbed the toothbrush and toothpaste, but left the shower items. Negan had plenty of those to share, and you weren't willingly giving up the luxury of his fluffy towels and fancy soaps. You topped off the bag with some extra hair ties, a comb, and the copy of Harry Potter. It wasn’t everything, but it put enough of a dent in your belongings that you wouldn’t need to stop back here every evening after dinner, and could instead go straight to his rooms. 
Walking towards him, you went to sling the bag strap up over your arm, but he held out his hand, palm up in offering. You gave a joking eye roll, but passed over the bag so that he could sling it up over his own broad shoulder. Instinctively reaching for his hand, you laced your fingers with his and gave a squeeze of thanks, as the two of you started off down the hall and upstairs to his room.
~  ~  ~  ~  ~  ~  ~  ~  ~
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frederickthegreat · 4 years
Text
my thoughts on TUA season 2
(spoilers, obviously)
- opened with Klaus and Ben, my kings. Klaus’s hair looks so weird straightened while short 
- AWESOME opening soundtrack 
- seeing all their powers so controlled makes me wonder how they leveled up to that skill in the alternate timeline. like the only time we saw Klaus use the powers of other ghosts in the correct timeline was when two of them caught him falling out of the sky. however Diego did end up controlling bullets and Allison used her voice to technically kill one of the Swedes
- the homeless man screaming Allison’s name alongside Luther... funny shit
- big teddy bear Hazel
- Elliot was fucking awesome i think he was a great addition as a side character. rip tho :(
- honestly i don’t understand why Diego would WANT to save JFK. like it’s not that big of a deal. does he not understand what messing with the timeline can do??
- Lila... impeccable
- Sissy and Vanya... impeccable <3
- yeah and fuck u Carl
- ugh, Klaus’s beard. disgusting <3
- Ben and Klaus definitely act like they should be, given that they’ve been stuck with each other for over a decade. i’ve seen some people calling Klaus an asshole for not telling his siblings about Ben, which is completely understandable (cause he was an asshole), but I’m guessing it was because he was afraid? that sharing Ben with his siblings would mean that he would lose him to them, or his siblings would find him selfish, or they would ask something of him that he couldn’t give. if that makes sense
- that ghost bitch comment was funny tho 
- to the guy who called Klaus pretty boy at the bar: sir you don’t know what you’re getting into
- Raymond!! he’s such a sweetheart, i really liked him in the show. i’m really happy that Allison has found a bit of normalcy (as normal as the 1960s Civil Rights movement could be). it shows how passionate she is about what she believes in: even though she knows the movement is far from over, even back in 2019, she’s not gonna abandon it
- Allison staring at the moon every night: either thinking about Luther or how the moon blows them all up. maybe both
- of course Luther would be working for Jack Ruby
- awesome cinematography during the mental asylum escape 
- yeah it makes sense that the Handler would still be alive. she was a cool villain. although it would’ve been awesome to see how evil a fish could be
- Diego’s plan was pretty stupid. that’s my boy
- honestly they revealed how Klaus started a cult really well by having one of his followers find him at jail. Klaus, ever the musical aficionado, of course writes his scripture based off of pop songs
- Raymond and Klaus meeting!! that was cool to see how their paths connected
- Lila painting Elliot’s toenails green. ugh i love that crazy bitch
- i LOVE how they incorporated the umbrella man!! tbh i’ve always believed he was the one behind the assassination. Lee Harvey Oswald was framed 
- honestly a bit understandable that Luther was planning on killing Vanya? cause he had no idea who she is now, but them reuniting was actually really sweet. he’s grown up so much
- the Swedes and their cats.
- the Umbrella company building with the nuclear family mannequins... creepy, awesome shit
- baby pogo baby pogo baby pogo baby pogo
- shanked diego shanked diego shanked diego shanked diego
- did anyone else get vibes from Klaus’s episode opening that he was an escort to the old woman? like how he was being shown off at her arm or something and getting out of jail from a call from the governor. idk maybe the lady was just very taken with him, as anyone would be
- Elliot, our helpful king
- Allison and Klaus’s reunion was so sweet!! i’m so glad they got to interact so much more in this season 
- Ben getting Raymond out through a haunting... hilarious
- sweet intimate moment between Lila and Diego
- Ray meeting Luther was hilarious, but i do feel for the poor guy. i mean i’m not in love with my adoptive sister but still
- the sit-in was really well done and beautiful while terrible. the ‘riot’ that ensued was very appropriate for today’s setting 
- D-Dave
- honestly i was scared that Klaus was gonna be overly attracted to him or whatever, which would be weird cause he’s years younger than Klaus, but honestly, at the core he just wanted to save Dave’s life. even if it means never meeting him in a different timeline. he truly loved Dave. and that ptsd flashback was done so well
- i knew Lila wasn’t trustworthy but i didn’t REALLY expect that! 
- Vanya and Luther talking with each other, Luther admitting the apocalypse wasn’t all her fault. beautiful
- the Majestic 12 reminds me of the conspiracy theory that only a few families control basically everything in the world. the Majestic 12 may be based off of that, idk
- idk about everyone else but Klaus’s scorpion and the frog story made total sense to me! frogs ARE bitches
- the diner scene.... ugh. it really shows that the two of them did fall in love and they did stupid in love things, like talking about their family, about why Dave wanted to join, favorite colors, favorite foods, etc. however that’s seen later on when Dave visits the compound
- yes it’s very disheartening when Klaus is attacked, but honestly i think it had to happen, just like the riot had to happen. the 60s weren’t a fun time for lgbt people and poc. it was only going to be a matter of time before the show HAD to acknowledge the consequences of Klaus’s ‘flamboyancy’ in 1963 Texas. it doesn’t make it right or easy to see, but it’s realistic. 
- it also makes sense that Klaus fell off the wagon after experiencing something like that. yes we all would’ve liked him to stay sober, but sobriety and recovery aren’t linear. 
- Allison is so happy with Ray can we please drop this pseudo-incest plotline let’s MOVE ON 
- Texas Grace ! who is not actually Grace rip (i think? i was a bit confused lol)
- the scene with Harlan running off was really upsetting but we got to see those weird light particles that we saw in the first season
- Pogo Pogo Pogo Pogo
- Klaus being a dick to Ben again, as brothers do. i do feel bad for Ben though it must be sooo frustrating. that scene with him and Allison was really sweet and funny tho
- i just have to say that Luther and Diego are so fucking funny this season it’s awesome. like there are a LOT of good lines overall by everyone but they’re hilarious. “At least he didn’t shank my ass” “no bro, he shanked your heart”“Dads part of a sinister CABAL that’s plotting on killing the president.” “a caBAL?”“You two still a thing? *leans in* do we need to talk?” “No, she’s married.” “Woah dude... that’s rough.” and countless others
- the sibling reunion!! 
- Klaus really does get left out of everything tbh
- Ben :(
- sisters and Klaus!! that was so awesome to see. and Klaus’s hairpins, Vanya saying she’s gonna tell Sissy she loves her, their dance sequence, Klaus calling Allison out on that incest. beautiful
- the fucking Swedish cover of Hello was PERFECT i mean i was sad for the Swedes but it was hilarious. there were a couple beautiful shots of the boat on fire though
- god it must’ve been so traumatizing for Allison to be thrust into such a hostile place with no voice and no way to contact her family
-  idk about you guys but long live Team Zero
- calling Ben that he was becoming their father was a bit uncalled for 
- the fact that Klaus didn’t help Dave’s chances, and in fact escalated Dave’s own timeline.. his trembling hands... robert sheehan is an amazing actor
- the Black president bit lmaoo loved it
- the way Reginald spoke to Diego.. i’m gonna throw hands with an old man
- Klaus LITERALLY looked like he was having a seizure and they all just... played it off?? 
- poor, poor Carl. nah fuck him lol
- that bloody opening scene was awesome! and thank god Five got to say fuck. the fact that it was about a candy bar makes too much sense
- Robert Sheehan acting as Ben: amazing showstopping spectacular he’s so talented
- the whole multiple Fives and Luther bit was honestly really funny, and i immensely respect smaller Five over bigger Five. 
- yes Klaus, you survived a family of seven. you got this
- not sad about Carl dying one bit!
- Ben... that was such a beautiful scene. not just the content of the scene, but the cinematography. Ben fading away... Vanya hugging him... ugh. the main takeaway i had from that scene is that at the core of it all, Ben and Klaus love each other immensely. they have a weird, dysfunctional, fucked up relationship, where Klaus is an asshole and Ben definitely shouldn’t of possessed him without his consent, but they’re still brothers, and Ben forgives him. 
- oof Ben’s funeral was hard. also was it just me or did Klaus’s kid actor sound weird? like it sounded like Robert was dubbing his lines 
- all the siblings back together again!!!! Klaus going with Vanya to save Harlan!! Vanya telling him Ben forgives him and that it wasn’t Klaus’s fault Ben got stuck with him!! everyone in the car!!! be still my beating heart
- yeah didn’t see Lila having powers coming tbh. i really feel bad for her she’s had such a rough and traumatic life, especially with the Handler as her only parental figure
- the Swede brother and Five putting down their weapons: “enough.” the Swede wanted revenge for his brothers - an eye for an eye, but there was a mutual understanding between the two of them: they would do anything for their family. if the Swede hurts one of the Hargreeves, Five would never stop coming after him. i thought it was very beautiful 
- mmm Reggie’s foreshadowing coming into play. proud of u Five
- the ending was so beautiful. everyone got closure in some type of way. except now Klaus is alone with nothing but his dog tags :(
- EMO BEN HAHAHA WTFFF?? is Lila in the sparrow academy? why was Ben’s portrait over the mantle piece? did Five disappear?? is the sparrow academy just older versions of the siblings who stuck around?? so many questions
FINAL THOUGHTS
- Ellen Page’s acting consistently blows me away. she is amazing 
- beautiful cinematography, funny writing, pretty good acting. i didn’t like the soundtrack as much as i did the first season’s, but some of it wasn’t bad.
- i’m glad ben got peace, but i’m also glad justin min isn’t gone for good. his social media presence is too vital for us
- i swear to god if they keep treating klaus as a joke and don’t let him get any actual development like everyone else had (he barely got closure with Dave, he reconciled with Ben through a second party) next season, i’m gonna riot. PLEASE i want to learn more about his powers now that Ben is gone. what happened to seeing tons of ghosts when he’s sober??
- Luther and Diego were probably my favorite duo of the season, I’m so happy that they’ve reconciled and are bonding more. 
- just seeing Vanya grow and be happy was amazing 
all in all, really wonderful season. i probably liked it better than the first one. now it’s time to consume fanfiction and maybe finish my own (check out “god doesn’t want him and neither does the devil” on ao3!)
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365days365movies · 4 years
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February 18, 2021: The Danish Girl (Review)
Before I go into ANYTHING else...let’s talk about the actual Danish Girl, Lili Elbe, or Lili Ilse Elvenes.
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Oh, uh, full warning, this is gonna be LONG, so skip to the bottom if you’re just here for the Review! OK, history time!
Now, what the film The Danish Girl notes about the beginning of the transition is pretty spot-on, from what I can tell. After marrying portrait painter Gerda Gottlieb in 1904, the two lived in Italy and France before moving to Paris in 1912. Yeah, that’s over 14 years before they’re shown doing so in the movie. Inaccuracy #1. In 1908 (here comes number 2), Elbe (Einar at the time) painted this portrait of trees along a fjord in Denmark.
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Yeah, NOT in 1926, as the film says. But, yeah, that’s a nitpick, I recognize that. Anyway, the revelation came when model Anna Larssen (not “Ulla”, which is Inaccuracy #3) was late, and Gerda asked Elbe to fill in. When Larssen eventually showed up, she suggested the name “Lili”. Basically, this scene from the movie was pretty goddamn accurate.
Except for the dates, anyway. Because while the movie mostly takes place around 1926 and afterwards, this probably happened closer to 1920, in Paris. So, yeah, Lili spent a LOT more time as Lili in real life. Additionally, Lili was pretty goddamn public about the whole thing, inviting guests and hosting parties as herself, rather than as Einar. At the same time, Gerda was getting pretty goddamn famous for her paintings of Lili, like this one.
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Which, yeah, are really good! Also, they were considered lesbian erotica by many! YEAH! And here’s a fun fact: Gerda may not have been straight-up straight. Yeah, the film and the book (we’ll get there) kind of ignored the fact that their marriage was annulled by the Danish government, not by the two of them. Inaccuracy #4. Now, obviously, their relationship ended, and Lili ended up getting together with a man (we’ll get there, too), but there are a LOT of unanswered questions about Gerda’s sexuality, and views of sexuality (which is barely hinted at in the “male gaze” speech in the beginning).
After the annulment, the two just...drifted apart. Their relationship dissolved, and the details on that are fuzzy. By 1930, Lili was headed on a completely different path. She wasn’t a painter like Einar (and it turns out that she thought of them as two entirely separate people, like two souls living in the same body, which the movie got mostly right), and she was mostly unsatisfied with her career, life, and other things. And that is where Drs. Erwin Gohrbandt and Magnus Hirschfeld come in, NOT Kurt Warnerkros...yet. He’d come in for the other five (YES FIVE) surgeries, but wouldn’t be involved with the first. Inaccuracy #5, and also #6, while we’re at it! See, the film would make you think that Lili was the first complete gender reassignment surgery, but she was actually the second. The first would be Dora Richter, in a procedure that was performed by Dr. Hirschfeld from 1922 - 1931. YEAH. BIG-ASS INACCURACY THERE. Here’s Dora, by the way:
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Anyway, Lili had her first procedure, to remove the testicles, performed in 1930. In the same year, the divorce between Lili and Gerda was finalized, and Lili legally changed her name. Two more procedures were performed, the first to implant an ovary, and the second to remove the penis and scrotum. Inaccuracy #7, by the way. And, hey, let’s go for number 8! Let’s talk about Henrik, a dude who didn’t exist. He and Hans were both very loosely based on an art dealer named Claude Lejeune.
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Claude was an art dealer (there’s the Hans part), and was indeed in love with Lili. They got together around early 1931, and he’d actually been in love with her for a good, long time. He proposed to marry Lili, and she accepted, also hoping that the two would be able to have children together. But to do that, it was believed that Lili would need a uterus. And, obviously, having children would be MILES more complicated than that in basically EVERY way, but this was early in medical science’s understanding of some of that biology.
In any case, however, Lili would need both a uterus and a vagina to feel whole. And so, the fourth surgery was scheduled. And she had that surgery in 1931, a couple of weeks after Dora Richter successfully had the same surgery performed. But, sadly, Lili wouldn’t be so lucky.
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Lili’s body rejected the uterus, and while transplant rejections of any kind wouldn’t necessarily be fatal now, they definitely were back then. They attempted to remove it, but that subsequent 5th surgery caused infection, which caused a fatal heart attack three months later. Lili Elbe died on September 13, 1931, at the age of FORTY-EIGHT. Yeah, Inaccuracy #9.
By the way, you may be wondering: what about Dora Richter, the first successful person to get these surgeries? Well, she disappeared...in Germany...as the Nazis were coming into power...yeah. Fuckin’ YIKES.
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And so, that’s the true story of Lili Elbe. And there are far more differences than that, I’m sure, but those 9 inaccuracies aren’t insignificant, that’s for sure. Although, it probably doesn’t help that the movie was based on a fictionalized book.
Oh, uh...did I not mention that? Yeah, this movie is based on The Danish Girl, by David Ebershoff, which means that this film is essentially a cinematic game of telephone. Which, uh...not great. Granted, Ebershoof made some other...interesting changes, which the film didn’t inherit. In the book, for example, Gerda is named Greta, and is American? Um...why? I dunno, it’s kind of weird. Oh, and that’s not including one more issue with the movie. But, you’ve waited long enough, huh? Recap of the film is here and here if you wanna check that out! Let’s get to the Review already!
Review
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Cast and Acting: 8/10
I am...conflicted. So let me start here by saying that the acting in the film in and of itself is fantastic, all-around. Not a weak actor in here, that’s for sure. Let’s start with the side-roles, for once. Ben Whishaw, Matthias Schoenaerts, and Amber Heard are all good. Heard’s accent is a little shaky, but they’re still all solid performances. OK, how about Alicia Vikander? She’s great! And she won the Oscar for...Best Supporting Actress. Um...wait...Supporting? But not Best Actress? Uh...OK. That’s a little weird, let’s be honest here. But, Alicia Vikander did deserve that win over...oooooooh, Rooney Mara in Carol? Maybe not...damn.
And OK...let’s get into the elephant in the room, huh?
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Eddie Redmayne is fantastic as Einar Wegener/Lili Eber, and I genuinely think he had a great shot to win Best Actor...but, yeah, Leonardo DiCaprio definitely deserved it, I think that goes without saying. Hell, that year had a SOLID line-up for best actor. And Redmayne had even won it the year before for The THeory of Everything, another biography where he played Stephen Hawking. But ALL of that said...HNNNNNNNNNG, there should have been a transgender actor cast in this role, ideally. Now, I’m fully aware how difficult that would be, as Hollywood isn’t extraordinarily diverse in terms of including trans actors in massive mainstream projects. It’s better now, but it’s nowhere near ideal. But if anybody knows an actor who would’ve fit this role and performed it well, I’m DEFINITELY interested. So, despite that controversy, Redmayne was pretty goddamn great in this role. But, uh...that doesn’t mean everything is perfect...
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Plot and Writing: 5/10
OK, that seems low, I know. But it’s pretty goddamn damning that this movie was based off of a heavily fictionalized book instead of the actual life story of Lili Eber and Gerda Gottlieb. And because of that, there are not only some missed opportunities, but some straight-up damning inaccuracies. That’s a set of pretty poor decisions, I tell you what. Not sure why Lucinda Coxon came to that decision when adapting this screenplay, but it wasn’t exactly nominated for Best Screenplay. And the writing certainly isn’t bad, but it is...overly saccharine sometimes, especially for a film based (loosely) on a true story. I dunno...just not the best set of choices here, sorry to say.
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Directing and Cinematography: 8/10
Tom Hooper shouldn’t direct musicals. However, since this wasn’t a musical, directing and cinematography here is pretty damn good! Real talk, this is a gorgeous looking movie, and the way shots are framed are fantastic. Perfect? Weeeeeeeell...given the fact that painting is a main focus of the film, for both Gerda and Einar, there should’ve been more painter-quality shots in here, I think. And while the cinematography by Danny Cohen is pretty fantastic, I can’t say that it’s perfect. Still, in terms of lighting and general skill, it’s still quite a good looking movie.
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Production and Art Design: 10/10
But the deficiencies in the direction are EASILY compensated for by the production design! Like, hot DAMN, this is a good looking movie, like I said! That goes from the construction of the sets, to the gorgeous outfits all over the place, especially Lili’s outfits. Some iconic pieces of wardrobe there, that’s for sure! But if I have ONE complaint...this movie never once felt like the 1920s. Yup, good old anachronistic complaints from me again! Yeah, I’ll change the record one of these days, I promise. But even with that, it’s hard to ignore just how good this movie looks, to be honest. It’s just...gorgeous.
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Music and Editing: 8/10
As I type this, I’m listening to a track of the film on YouTube, and it is a beautifully delicate tune. I’m not sure that I’d be able to associate it with the film if presented to me on its own, but it’s definitely a nice track to listen to by itself. Playlist worthy? For somebody, almost certainly, but not for me. One of these days, a film like that’s gonna pop up, I swear. But for now, Alexandre Desplat and his score are gonna stay off my iPhone. This really is a nice score, though, I promise. Editing by Melanie Ann Oliver is pretty good as well, and I’ve no complaints about it, to be honest. Overall, this side of things was quite nice, if not the most notable thing I’ve ever seen or heard.
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I might have been a little harsh, but it’s still got an 78%.
This is a good movie, but...I dunno, the inaccuracies do bug me. Hell, there are WAY more than what I’d mentioned, and I mentioned a lot. Not to mention the other glaring issue: no trans people at any stage of the production? Really? No script consultants, no writers, no NTOHING? That’s...egregiously bad. Like, holy shit, guys. And, yes, this includes Redmayne, because even though he performed admirably in the role...I dunno. I’m no expert on ANY of this, as a cissexual dude with cissexual experience, but it feels a little...reductive, is all. Like I said, if any other actors have been suggested for this role, I’d love to know. The whole thing feels...I don’t know, just not great. 
And by the way, that’s without even TOUCHING the question as to whether or not this film is authentic to the trans experience. Again, I have ABSOLUTELY NO IDEA, but I’ve also heard that this film isn’t universally acclaimed in the trans community, so to speak. And I’m definitely interested in the reasons for that. All I know is this: from the perspective of a complete outsider, I was intrigued by this films view of the transgender experience, specifically as seen in the earliest days of those realizations happening and being publicly known and reported on. And that’s all I can really comment on, in truth.
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WHOOF. That was a goddamn topic, huh? And now, I’m going to continue on the the month of romance with...wait, the 19th is my 5-year anniversary with my GF, pictured here:
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Ravishing. Anyway, I think I’ll let her pick from my choices for this next one. Hold on a sec...OK, then. Sing it with me now! AND DO I DREEEEEAM AGAAAAIN, FOR NOW I FIIIIIIIIIIIIIND...
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February 19, 2021: The Phantom of the Opera (2004)
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feralnumberfive · 3 years
Text
The Rewatch Academy: Episode 6 of Season 1
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“The Day That Wasn’t”
I am in no way a good analyst so my little analysis and speculations probably sound a bit goofy or pretty wild and probably mean nothing at all. Everything I put into this post about each episode is purely what I noticed or thought, whether it’s funny or serious. I will be making jokes, so please just leave it at that (in no way am I trying to make fun of an actor and or character!) I am also in no way saying I noticed this stuff first. This is just what I noticed while rewatching these episodes
☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂
| 1x01 | 1x02 | 1x03 | 1x04 | 1x05 |
☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂ ☂
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☂ Klaus is lucky that he never got the briefcase shot up
☂ *Hears Klaus flush the toilet and talk* Luther: Oh good, you’re up
☂ Also Luther gave Klaus about two seconds to get up before hounding him again on getting downstairs
☂ Sounds like Tom’s accent slipped a little bit when he said “three days”
☂ Yeah they needed to have a family meeting right away and yet they took the time to go get coffee or at least order it and have it delivered
☂ “Old bastard” and “Our little psycho” 
☂ I still don’t get at this point how they wouldn’t believe Five. Look at him, he himself is evidence of his time traveling! He was gone for 45 years, but to them it was only 17. Either way they try to grasp at that, Five would look older if he made it back without messing up. He knew about their father’s death without anyone telling him. I really think all the mistrust comes from the way he looks and the way he acts (they obviously believe he’s just crazy right now)
☂ “What did Five even see?”
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☂ Also throw back to 1x02 and I didn’t realized this until now but Five doesn’t have his tie
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☂ I know it’s for the title card gag but no one questions the random umbrella falling and popping open
☂ I aspire to be as sarcastic as Hazel
☂ So where exactly is The Commission HQ at? Is it a random location in the real world? If so then wouldn’t normal people happen to stumble upon it? What about their location in space in the comics? Is this in space?? All we know is that it’s in/based off of the year 1955
☂ “I’d like to discuss the logistics of my family’s safety at your earliest convenience.” He cuts right to what’s most important to him. No “How will you stop the apocalypse?” or “What’s my job?” and even “How will my body replacement work?”
☂ Five sounds almost like he’s snapped back into a work mindset. He's suddenly polite and calm with The Handler. Maybe being back in a work environment has made his brain automatically switch into being more professional. However he might also be acting this way to try to throw her off of him being antsy with a plan
☂ Here's some Commission posters shown throughout 1x06
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☂ One of us, one of us, one of us-
☂ So basically The Commission makes up history? How do they know what to do and when to make something happen? How do they know it’s right? And what’s The Commission supposed to do when the world ends? Haven't they already fixed stuff in the past or are there just continuous time loops so they need to make sure things happen over and over again? If multiple historical events happen with multiple ways they are made, then which one gets to be in the original timeline??
☂ Dot: No hard feelings! 😁
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Ma’am does it look like he’s going to accept that
☂ Wait why are Hazel and Cha-Cha considered the best Temporal Assassins if Five was/is the best?
☂ Well Five has the job of taking down the Hindenburg again but this time from behind a desk. So it’s possible to accomplish “corrections” without actually having assassins do the work. So I guess there’s just so many timelines that they need to fix every single one of them over and over? That sounds like a pain in the ass
☂ TUA portraits!
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☂ Y’know I have to agree with Allison on this one. Vanya was left out, however she’s offering to talk with her about the important family matter and Vanya is just denying it. I get she’s upset, but her sister is offering to include her. After Vanya leaves Allison immediately wants to go after her to talk with her. On the other hand Allison should have told her it was an emergency meeting and that they didn’t have the time to ask Vanya to join them
☂ Klaus seems genuinely concerned/upset for Vanya
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☂ “We need to figure out what causes the apocalypse. Now, there are loads of possibilities. Nuclear war, asteroids.” Wow spot on, Luther! I can’t believe they actually included foreshadowing for both apocalypses (even though technically it was a chunk of the moon, not an asteroid.) I wonder how much foreshadowing for S3 was put into S2.......
☂ I know it’s big joke about Luther and the moon, but the poor guy just really believes that he was on the moon for an important reason. I mean if I were in his shoes I would believe him too since he had to send a lot of daily updates and samples
☂ “Klaus shockingly has a point. What gives us a win this time?” Shhhh careful Diego, he’s right behind you
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☂ Luther is initially the only one onboard with Five on trying to stop the apocalypse. All the others want to go off and do their own thing before the world ends. He tries to get The Umbrella Academy back together to work as a team, but his leadership skills are now severely lacking. Do people *cough cough* mainly people who hate him *cough cough* overlook Luther wanting to also get his family together to stop the apocalypse with his family? Definitely. 
☂ “We need the full force of the Academy to stand a chance.” Well golly gee, Allison, what did did Luther just try to do? Was that not him trying to round up all of The Umbrella Academy to stop the apocalypse? 
☂ Even though Vanya is ranting, how does she not hear all the creaking metal and shaking cars?
☂ *it’s sunny around them but just the block they’re walking on is rainy until she calms down* “ThAt’S a CoInCiDeNcE.” 
☂ The hall floor and Diego’s floor are so dusty
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☂ It’s sweet that Diego wants Klaus to get clean in a safe way instead of going cold turkey 
☂ Dot, what does “utter silence” mean to you?
☂ “Look at you, deadly little thing.” You’re not wrong, but I don’t think he appreciates being called “thing”
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☂ Such a smug smile
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☂ So how does Five know all of this about Karl and his son? Does it talk about Otto never washing his hands in the file? That seems like an oddly specific detail but I guess in a case file it gives as many details as possible for the worker to figure out who needs to get assassinated
☂ There are a few cog references all relating to The Commission, so I wonder if this is a nod to “Teenagers” or if they’re just using this terminology
☂ Odd tattoos (sorry for the super blurry pic)
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☂ “Can I ask you a cuckoo bananas question?” Hazel is such a fun guy
☂ “Wouldn’t it be nice to kill who you want for a change?” You mean like straight up unhinged murder? 
☂ The first time I watched this Hazel and Cha-Cha scene I for sure thought that Hazel was a dead man
☂ This scene just absolutely breaks my heart 💔
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☂ *skips 25:24-27:42*
☂ Diego is just so accepting to everything Klaus is saying
☂ I’m sorry, are we suddenly on the set of The Phantom of the Opera?
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☂ Diego, I think you’re forgetting a very important person in your life who you let down too who is also dead......(poor Ben can’t believe what his brother just said so he leaves)
☂ “Ordinary is not a word I’d use to describe you.” You’re right, it’s “Extra Ordinary” ha! Sorry Vanya, I had to use that joke
☂ Well at least we know Five ate a sandwich 
☂ How exciting! The same division that made a simple candy taste like a candy from the past, but technically it’s not the past since The Commission HQ is based in 1955, is building a human body! That sounds so promising 
☂ Sooooo whatever happened to Five’s new body? Is it just sitting in a lab somewhere?? Or is The Handler just lying about it to try to get Five to stay at The Commission?
☂ With the amount of time Five was staring at the suit, it obviously hurt him to know that while he has a new body within reach, he’s not going to get it because he’s about to leave
☂ “Course it’s a bit easier to see from 30,000 feet.” What is she talking about Reconnaissance aircraft? There was no mention of aircraft though so why would she bring that up? My closest guess is that she’s referring to strategic bombing in general, or even the bombings of Hiroshima and Nagasaki
☂ It sounds like Five suddenly has a New York accent when he says “operator” when talking to The Handler about Gloria
☂ Fuck you, Veggie Tales Hargreeves
☂ *skips 36:47-39:48*
☂ Well there’s your hit, Klaus
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☂ I love the camera moving with Klaus as he falls and the transition into Vietnam
☂ “Lock and load, Charlie’s away!” Wikipedia’s definition of a “Charlie” is  an American military slang referring to the Viiet Cong and North Vietnamese soldiers
☂ Klaus desperately calling out for a medic hurts my heart
☂ Well Luther if you had left then your body wouldn’t be the way it is now
☂ *fucking skips 45:41-50:00* 
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☂ Ooooh I just really love the entirety of the “Kill Of The Night” scene! If you listen to the lyrics it’s about someone luring someone into a trap to get revenge because they messed with the wrong person (it’s also about love but we’re going to ignore that part). I personally believe it’s aimed at The Commission from Five because the entire time it plays he’s messing things up for them and in some way it’s like a little bit of revenge from him
☂ Why is Gloria confused on who Hazel and Cha-Cha are? Hasn’t she heard their names a ton of times especially since they’re some of the best assassins?
☂ How did Five know which tubes to put the messages in? 
☂ You can see at this part how Five immediately gets anxious and antsy. He has a wild look in his eyes. From this point onwards he’s constantly moving, shaking with energy, anticipation, and probably a little bit of anger
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☂ “You’re a great disappointment to me.” That’s definitely not the first time he’s heard that
☂ “I don’t belong anywhere thanks to you. You made me a killer!” The first part of that stings. Obviously he feels like he doesn’t belong anywhere, but again I think has to do with the whole “good” and “bad” thing that’s going on. He feels like he doesn’t belong at home because he’s “bad” and has done a lot of dark stuff to get home (it doesn’t help that Luther voiced his acknowledgment of this  to Five and now he has that in his mind that Luther knows and somewhat views him as “bad”). Five 100% feels shame in what he has done, and definitely has an issue of coming back to his family with blood on his hands form what he has done. He doesn’t belong in The Commission anymore because he doesn’t want to stay there to do their dirty work to kill or give out kill orders. He’s done with that or at least wants to be done with that life.
The last statement though is Five taking his anger and guilt about being becoming an assassin out on The Handler. She brought him into The Commission, which in turn he became the best assassin across The Space-Time Continuum. It’s not something he’s proud of, and he never enjoyed killing (as much as I want it to be the DNA alteration I just don’t think it exists in the show or at least not yet). However The Handler replies with “You were always a killer. I just pointed you in a direction.” which you can immediately tell has struck a chord with Five. For the briefest second he looks taken aback and his eyes ever so slightly open wider in shock, whether he took that as the truth or just a terrible accusation isn’t exactly clear. Either way he doesn’t like being accused or hearing the truth out loud of always being able to be murderous, a killer. 
I believe it’s a mixture of The Handler just trying to get into his head and a combination of the truth. Reginald trained The Umbrella Academy to use brute force, but that doesn’t mean Five had killed anyone but he was definitely violent when it came to stopping bad guys (not to mention in the pilot script he was called a “Ruthless little war machine” after violently attacking and decapitating a bunch of mannequins)
☂ Diego: I’m going to go kill Hazel and Cha-Cha!........Riiiiight after I get done walking with my mom in the park
☂ He’s so happy to see Klaus again 
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☂ ✨Gremlin✨
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☂ Who exactly does Five owe a debt to? Maybe his family after accidentally leaving them and now he wants to save them? Or is it a singular person?  
☂ Ouch! Now that’s what I call a problem later!
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☂ 
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☂ Five using “Ya’ll” is weird to hear
☂ Five is talking to his siblings like he knows what’s been happening but in reality he’s rarely been at home so how would he know
☂ I love that Five doesn't even answer Diego at the end and instead just stares at his siblings 
☂☂☂☂☂☂☂
Feel free to comment or reblog with things you have noticed too!
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ororowrites · 4 years
Text
Scripted - Yahya x Black OC
Sweet Thang- Chapter 3
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One-shot: By the Open Fire
Chapters: 1 2 
Warnings: Language
Word Count: 2,003
Two months later
Candace finished her last night at Dynasty and vowed to never return. She had collected enough money to support the remaining tuition payments, graduation fees and the application fee for Yale’s School of Drama. March had snuck upon her and her application was due in a month for the 2012-2013 school term. The process was daunting because this was the only M.F.A program she planned to apply to and she prayed this wasn’t a mistake. Yale was her dream school and though she was the type to have a plan B, C and Z, she was gambling on her resume and audition tapes.
Yahya had already made one visit to Los Angeles, since he met Candace at Dynasty. He was collecting unemployment and attending acting classes to get more experience to add to his resume. They had talked about his plan moving forward and Yahya was enjoying acting so much, he planned to apply to Yale as well. Candace had convinced him to live a little and follow his heart and talent. Even if his application was denied, he would have the experience and could apply to another program. During their acting class, Candace was surprised by Yahya’s natural talent in theatre. He deeply connected with the scripts and scenarios and she was in awe of how he could change his entire persona to fit the character. Candace wouldn’t admit it, but her attraction to Yahya was growing. Not only was he physically attractive, but his sensitivity and thoughtfulness made him appealing. He was also attracted to Candace and took his time getting to know her, while also respecting her space after her breakup. 
Another acting coach was in town and Yahya made the trip to LA to attend a session with Candace. It had been two weeks since his last visit and he was eager to get into another class and spend time with his friend. They decided to meet at Candace’s apartment and ride to their class together. 
“Do you think this man will make us cry on cue or what,” Candace joked, flipping on her turn signal to take the exit off the expressway. 
“It’s called the Degree of Emotion, I’m sure we’re crying in this class,” Yahya chuckled, scrolling through his email for job postings. Right now, he was living off of unemployment and his savings, he would need a job sooner rather than later. 
“I can’t cry on cue. It takes a bit of coaching to get me there. Hopefully this class can give me some pointers,” Candace revealed. 
Dr. Ben Mayer, renowned acting coach to many in the industry and professor at Julliard, was standing in the middle of the stage when the students arrived. As they walked into the class, he recited an excerpt from the Odyssey. His heavy voice carried throughout the theatre, capturing everyone’s attention before they reached their seats. Yahya grabbed Candace’s hand, helping her down the dark theatre stairs and to the front row. 
“Welcome to the Degree of Emotion. I’m Dr. Ben Mayer, your instructor for today. Please use the first two rows. Don’t be shy, I don’t bite,” the instructor ordered, pointing to the empty seats in front of the stage. “Today, I’ll be working with you on how to convey emotion with your voice, body language and expressions. Many that come into this field think showing emotion is only about crying or showing sadness onscreen or onstage. Emotion is more than that though. Anyone can be trained to cry on cue but what about that makes you feel like the character you’re portraying. Are you stepping into your character’s shoes or simply putting on a hat? Stepping into the shoes is more powerful and more fulfilling than putting on a hat. You walk in shoes and feel them out. So, I’m going to teach you how to do that.” 
For the second half of the class, the group split up into groups of two and practiced different scripts. Dr. Mayer watched each group and offered criticism and advice. Candace was in Yahya’s group and they were supposed to be performing a piece about a couple who hit a rough patch. She felt good about this particular script because of her recent breakup but to her surprise, her performance fell flat for Dr. Mayer. He told her she was wearing a hat instead of stepping into Charlotte’s shoes and she had a lot to work on when it came to emotional acting. 
That criticism stuck with Candace and ate at her for the remainder of the class. The second half of the course was in three weeks, where they would perform their scenes in front of their peers. 
“Don’t be so hard on yourself,” Yahya proposed as they walked to a near-by coffee shop. 
“I can handle criticism. It’s being told I don’t convey emotion that bugs me. No instructor has ever said that and here I am trying to get into Yale not conveying enough fuckin’ emotion,” Candace spat between her teeth. Being a perfectionist ended up being her downfall in many things. She believed in being perfect at her crafts, which is how she ended up in extra acting classes outside of her regular theatre courses. “Are my emotions not believable, Yah?” 
“That’s coming from one instructor. We all have different ways of approaching this acting thing. But if you want to work on it, I’m here for a couple of more days. We can practice. No biggie.”
“I don’t know why I’m this bothered about this shit. But I’m going to give his ass emotion next time,” she promised, tossing her curls behind her ear. 
-------
Trinity was out studying with some friends, leaving the apartment free for acting practice and a late brunch. Yahya was on fruit duty, while Candace made waffles and turkey bacon. 
“What do you think is holding you back,” Yahya questioned, glancing over at his acting partner who was concentrating on whisking the lumps out of her pancake mix. 
“Fear of failure. I think too much when it comes to certain scenes and end up closing myself off,” she replied after a few long seconds of silence. “That’s my only explanation. After all that stuff with Maxwell, it got worse, I guess.” 
“I did this class in San Fran and the instructor had us doing meditation before we got to the acting. Maybe you can try that when you have those hard scenes. It helped me because I get too into my own head at times, too,” he offered, wiping his hands on a towel. “For now.... I need you to relax.” 
Once Candace felt Yahya’s strong hands on her shoulders, she could have melted into a puddle in the middle of the kitchen floor. He massaged the tense muscles and rested his chin on top of her head. She hummed in relief, leaning back into his big body. 
“Instead of thinking about how you can hide Dr. Mayer’s body, think about how you can prove him wrong. Put all that anger into Charlotte because she needs you in order to come alive.” 
“Okay,” Candace sighed. 
“Let’s try meditation first,” he suggested, leading Candace to the living room. “Try to get you nice and relaxed before we start.” 
They meditated for ten minutes before returning to the kitchen to clear up counter space. 
“Ready?” Yahya nodded towards his scene partner and earned a nervous nod in response. 
Charlotte and Tyreik - TAKE ONE
“You’ve changed, Ty. Changed in ways you may not realize but I see it. Hell, I feel it too. When we supposedly make love and you aren’t present...you fill me up but you feel empty,” Candace spoke, shifting her weight from hip to hip. Playing Charlotte made her nervous for some reason. Maybe it was her own fear of opening up to another man after having her heart stomped to pieces by Maxwell. Like Charlotte, she no longer wanted to be a doormat to anyone, especially the opposite sex. 
“You sure you even know how to feel anymore,” Yahya replied, pretending to cut invisible vegetables on the cutting board. 
“Excuse me?” 
“You can’t stand here and tell me you feel a thing, Char. I’ve been trying to talk to you about our relationship for months. But you’re always busy or too tired. So yeah....I’ve changed.” 
The conversation was similar to one she had with Maxwell, except the roles were reversed. Like Yahya suggested, she dug deeper to find that spark that would turn on the switch. 
“Because you talk at me. Yelling isn’t talking and it won’t get my attention,” she shot back, narrowing her eyes. “And the only reason you’re even talking is because you feel guilty.” 
Yahya slammed his hands against the the cold, marble countertop, causing Candace to flinch. “Are we still stuck on that shit? I apologized, you accepted, it’s done. Stop bringing up old shit to hide your own insecurities.” 
“We.... then why are we pretending this is what we both want? If we’re this unhappy, why are we doing this,” she mumbled, her eyes falling down to her feet. 
“I don’t know. Maybe because we’re both afraid to let go of what’s familiar to us. I’m your first love and you’re my first long time relationship. Hard to let go of something you worked hard to keep going all these years.”
Dig deep, Candace. Thinking back to how she felt about Maxwell and his unborn child, Candace’s eyes began to water. “I want this to work, Ty. I really do,” she sniffed. Yahya’s eyes met hers and he tried to stay in character but he couldn’t hide how proud he was the moment he saw his advice working for Candace.  
“I do too. But you have to let go of shit if you claim you forgive me,” Yahya moved in closer, letting Candace know they were close to the kissing scene. 
“I’ll try,” she offered, her big, brown orbs searching his looking for a hint of Yahya. He rarely broke character, but there was an extra gleam in his eyes. This was the first time they had done anything outside of hugging. Yahya was respecting Candace’s space and allowing her to heal after her recent breakup.
 Her heart beat violently against her chest when Yahya’s cologne flooded her senses. His lips became Candace’s main focus as he closed the space between them and placed his mouth on hers. The kiss was brazen, making Candace’s knees weak. Yahya placed his hands on the counter, caging in Candace’s small frame. His 6′3 frame towered over her, forcing him to duck his head down to deepen the kiss when her tongue slid past his. Since that night at the club, he had been waiting to kiss Candace’s lips. Just as he thought, they were as soft as pillows and the urge to take things to the next level invaded his thoughts.
Heat rose to Candace’s cheeks before spreading down to her belly, meeting the butterflies that were already dancing. Their scripts were long forgotten and they were well past the point of blaming their actions on their characters. Candace’s fingers toyed with the hem of Yahya’s shirt. They were both breathless when they pulled a part and Candace didn’t give Yahya time to catch his thoughts before her lips were back on his, fighting for dominance. Yahya’s shirt ended up on the kitchen floor, exposing his sculpted but slender mid-section. It was dangerous, yet neither one of them stopped it. The sexual tension had been strong from the moment they met and given the current circumstances, it was boiling over. From the slight touches and long gazes, hormones were bound to get them in this predicament. Yahya’s lips left hers and traveled to her neck, where they stayed, creating love bites.
“Do you want me to stop,” he questioned, his baritone causing a vibration between their bodies. The thumping between her ears and thumping between her legs had Candace’s mind swimming in circles. 
Sorry for the wait and short chapter. We will get A LOT more Yahya and Candace in the next one though!
taglist: @blackburnbook @emjayewrites @just-peachee @chaneajoyyy​
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borhap-au · 4 years
Text
Ben!Roger smut - a fight.
Roger generally claimed you as his girl, but the relationship could be called an open one. You knew that he’s been flirting with other girls, his groupies, when he was on tour and it was making you furious. You wanted to finally “close” just the two of you in the relationship, without other parties being involved, and with Roger being committed to you. What you didn’t know was that Roger’s childhood trauma caused him to be scared of commitment. His abusive father never taught him a proper behavior towards women, therefore he always went about by what he saw his friends doing, and they really did take the “sex, drugs and rock n’ roll” motto to extremes. He has also never met anyone who he wanted to be faithful to, and for that reason it was easy for him to cheat on his partners. That was, of course, until he met you. And man, you scared the hell out of him. He never felt such strong feelings towards anyone, never before has he experienced the butterflies in his stomach. You were everything he ever wanted, and because of that, he was scared to lose you. So, naturally, he tried to prevent you from walking away… by pushing you away. In the childish way guys tend to operate, he wanted to show you he doesn’t need you, because he doesn’t depend on you, and yet somehow he felt empty and unhappy whenever you weren’t around. He wanted to appear as the dominant figure in the relationship, the one who cares less, therefore can’t be hurt. He wasn’t hiding the fact he talked to other girls, he wanted you to be jealous, because then he felt you still cared for him. It was weird and he himself couldn’t explain it. His behavior sometimes brought to mind that of a small boy. He was mean to the girl he liked because he didn’t know how to cope with his feelings otherwise.
You were trying to bear with him for the whole time, but you finally had enough. However, you didn’t plan to break up with him, you were too big of a sucker for him to just do that and let him go. You planned something else, that was, for him to taste his own medicine.
You attended one of his concert in London, and naturally they let you come backstage without any questions, because even the crew knew you very well. You brought a friend – a guy you were never into, but Roger didn’t like when he was around you, because he was good-looking. What Roger didn’t know though was that your friend was never into you either, and you knew that for a fact. It was actually very simple – your friend was gay. However, he came out only to a few people and you weren’t the one to mistreat his trust by telling your boyfriend his secret. And now you were actually very happy that Roger didn’t know.
You were giggling, dancing with him, and touching him throughout the entire concert. Either your hand landed on his chest, or you rested your head on his shoulder, but something always had to be going on, whenever Roger looked at you two. And indeed, he did that a lot. Roger noticed you in a break between his second and third song, or more so, he heard you. You were laughing so loud he immediately knew it was you, but he stopped smiling the moment he saw who was standing next to you.
When it comes to your friend, he naturally noticed your friendly behavior, but it didn’t bother him. He liked being close with his friends, and because you often told him how you felt about Roger, he immediately realized what you were doing. It was actually quite funny to him, and he was happy to help, because he knew how many times Roger has hurt you.
Roger walked off stage completely pissed. He didn’t want to make a scene in front of everyone, because he was ashamed of his vulnerability, but everybody noticed how he walked past you without saying a word. After the concert there was an after party, and everyone attended, but Roger soon vanished. He was too annoyed to pretend he’s having fun. You followed your boyfriend back to his room.
“What are you even doing here? Go, have fun with your boy,” he muttered, not even looking in your direction. You closed the door behind you as you walked into the room, not willing to give up so easily.
“My boy? I don’t have a boy, Roger, unless you like to call yourself that,” you smiled a little ironically, as you didn’t appreciate the accusation he was throwing at you, especially since he wasn’t a saint. You really doubted he knew what ‘committed relationship’ even meant.
“I saw you back there, so no need to play games now,” you smiled under your breath, because your little game actually worked. Not that you thought Roger wouldn’t fall for it. It was his style to act before he thought things through. He was fast to judge.
“Wow, that must suck… Seeing your partner getting friendly with other people. How can someone do something so hurtful to a person they claim they care for? I have no idea,” your sarcastic tone immediately made Roger realize you were actually talking about him and his behavior towards you. He rolled his eyes, because he felt like a victim this time and he wasn’t planning to let you take the main focus off that matter by bringing up his past.
“As I noticed, you don’t seem like you mind that kind of behavior at all. You actually seemed to enjoy doing the same. So before you judge me, look at yourself,” oh, those were exactly the words you wanted to tell him. You were really done dealing with his childish and egoistic behavior, but at the same time you knew Roger wasn’t himself when he was mad. He’s done and said things he deeply regretted later, he even admitted it to you a few times. You wanted to believe deep inside he knew how much of all of this was his own fault.
“Oh, I look at myself. And not only that, I have men looking at me too. And enjoying what they see. So maybe better realize your mistakes before it’s too late,” you were actually quite proud of how eloquently you stated your mind, without calling Roger ‘less than a man’ or something similar to that just out of anger. Apparently you were much better at arguing than him, even though it felt like getting angry was his favorite hobby.
“Oh, that’s what it is about? They look at you more than I do? You feel like I’m neglecting you? Poor you, really, what a shame,” oh, you were getting more and more angry at your ignorant boyfriend. He was just never the one to admit his mistakes, but man, you knew you were perfect for each other. Of course, after Roger grows up.
“They just know better how to take care of a woman. Maybe you could actually learn something from them. Want their numbers? They could give you some tips,” oh, yes, you went there. Up ‘till this point Roger was walking around the room, but then he looked at you and you knew it finally hit home with him. He raised his brow in disbelief, not quite wanting to acknowledge you actually just said that to him.
“I don’t know how to take care of a woman? I?” he was surprisingly calm for someone in that situation, but it was only temporary. Just seconds later he came in your direction and pinned your body against the wall. Oh, you were so trying to hide a smirk. Not only did you achieve your goal, but also you were about to have crazy sex with Roger. He was an unbelievably good lover when he was driven by anger. Before you were able to respond, he added: “I will show you what a real man feels like.”
Your mind was screaming “yes, yes, yes!” as he started kissing your lips with anger, passion, and hunger typical for lovers who were apart for a very long time. You immediately responded to his kisses, as your impatient hands wandered under his shirt. He was very close to you, leaning his body on yours. Roger moved his fingers through your hair and brought you even closer. You felt his tongue in your mouth and only then you realized how much you needed to feel him like this. His hands wandered lower, to your ass, as started squeezing your rear. He was definitely an ass-man, apart from the fact he was also an ass-hole from time to time.
You got bored of trying to reach higher and fighting with his shirt, so you took it off him fast. He didn’t wait much longer to get rid of your shirt either, and was quite happy not to find another obstacle on the way – your bra. He took you on his arms and rests you against the wall to have better access to your breasts and started sucking your nipple, while you tilted your head back and moved your hands through his hair. After your nipples were both hard, wet, and ready for more, he came back to kissing your lips. Your hands wandered on his chest, privileged that you were the only one allowed to touch him like that.
After some time, you reached your hands to his trousers and unzipped them, and he didn’t want to wait any longer, so he took them off along with his underwear. He basically let them just drop to the floor, without bothering to take them off completely. Then he put your skirt up and after having some troubles with trying to take your underwear off with one hand and holding you with the other, and your underwear mischievously rolling instead of actually cooperating with him (and you trying to fight laughter), he gave up and just decided to put the part of your underwear that was covering your pussy aside.
He jerked himself a few times, then moved the tip of his cock on your labia, also stroking your clit, as you were getting wetter, and he was getting harder. When you both reached the state when neither of you could stop yourself from touching the other, he slid himself into you, and started thrusting his hips hard. Your brain wanted to explode with the sensation, as passion and anger mingled inside of both of your bodies. He massaged your breast and pet your nipple, occasionally pinching it. He also kissed and sucked your neck, so you felt like he was taking care of every sphere and you were just there to enjoy the show. He was thrusting faster and rougher, pinning you against the wall.
He really used all of the tricks that he could use on you in that moment, just to prove you a point, but because you tricked him into doing it, you were the double winner in that situation. After some time, his hand slid lower from your breast, and not long time after landed on your clit. He made small circles with his thumb on your clit, to make the sensation stronger, and you moaned so loud you felt like the entire hotel will file complaints. His movements were an reflection of how mad he was, but with time, he started to be more gentle, and his lips kissed softly your neck, without making any hickeys anymore.
You felt orgasm building up and he felt that too, but he told you “not yet” without any explanation, and you breathed heavily looking at him, trying to stop yourself from coming, and understanding what goal he had in prolonging it. Of course the purpose was only to be a little shit and not give you what you wanted just yet. He took you on his hands and went to the bathroom with you, then got in the shower with you. He then let you come, but not without letting you know it wasn’t the last one for tonight. He came outside of you, as he wasn’t wearing a condom.
He turn on a barely warm water, so you both could cool yourselves down, and when he was getting ready for the action again, he made you stand against the wall in a shower, with water running down your body, finally getting rid of your skirt and underwear. Then he started to lick your pussy, gently suck on your clit, move his finger between your labia and do everything that could be done to make you soft, wet, and ready for the action again, while you were still recovering from your last orgasm, barely being able to stand.
When he slid two fingers in you, you knew he was really ready to use every single one of this tricks that night. He moved his fingers fast, while his thumb was stroking your clit, building up your orgasm in a pace you weren’t able to do it yourself. After your second orgasm, he was ready for the action again, and made you stand with your hands on the wall, your back to him, and legs spread. Then he took you from behind, sliding into your pussy and thrusting hard, and at this point you wanted to call him all those names he liked to be called, establishing him as the dominant figure, but your mind wasn’t even able to create a sentence, as pleasure after pleasure was filling up your body. He had to hold you by your hips, so you stood exactly where he wanted you too, but you soon rested your head and elbows on the wall, grateful for how cold the wall was compared to your body temperature.
It wasn’t the last orgasm for the night, but you persuaded him to take it to the bedroom this time, so you could just lay down on the bed while he was taking care of you. After everything that happened that night, neither of you had any troubles falling asleep. In the morning you had a very tough conversation about establishing boundaries in your relationship. You both agreed to be committed and since you started to be, most of your problems disappeared, because a lot of them started with jealously. You fought a lot less, and with time, you started to become relationship goals. Roger finally opened up to you about his past, and you helped him to overcome his problems. Your relationship got rid of all of its toxicity, so you could move forward together and build each other up instead of tear each other down with every little thing. I guess sometimes one just has to fuck away the pain.
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iv. Relationships w/ MC | Obey Me | Actor AU
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Request: Hello! I saw that your ask box is open, so I have come bearing a request. I found ur blog thru your OM actor au and I adore it to bits. Your interpretation of the characters was delightful and the gag/bloopers had me laughing so hard! May you please expand on the au by sharing your relationship headcanons of how the cast interacts or feels about MC (platonic/romantic)? I hope this finds you well 💖💖💖
Word Count: 3225 words
Page Count: 9.2 pages
A.N. Hope you guys enjoy this!
Tags: @weebartistinc​
[ M A S T E R L I S T ]
Lucifer / Benjamin
        The relationship between Benjamin [ Lucifer ] and MC would more like master and apprentice. Think of RDJ and Tom Holland. Ben is more lax than his show counterpart for sure. Where Lucifer would be prideful, Ben is humble, where Lucifer is smug, Ben can be self conscious. I'd like to think the MC of the "real world" thinks much more logically, doesn't throw themselves into things head first and is more calculating. Maybe something more like Satan? 
        Between the two of them, they are lax and playful, throwing inside jokes and playfully fighting. Ben [ Lucifer ] is like the "cool dad" that loves to mess around with his kids, which makes sense because he does have his own, they are fairly young and I can see MC babysitting in case it was needed. There's a deep trust between the two that can't really be described. Ben really wants MC to prosper in their career and will guide them- but he doesn't want to baby them either, he wants them to test the waters on their own. If they ever get overwhelmed he's there for them though.
        His dumbass is forgetful to check his sugar as well, so you can catch MC helping to remind him to check it/eat/drink if needed. He didn't have the most welcoming background- he didn't have the support system a child needs, so he strives to be that and forgets to care for himself often.
        "I want to give my kids everything I never had and more, just like how I want it for you too, MC."
Mammon / Avery 
        Avery [ Mammon ] is very business oriented and formal. MC and him would get along well, like their Obey Me counterparts, but just more lax and less chaotic. I see them as the type to go on coffee dates to catch up and get away from it all, seeing as how famous he is, he often likes to find smaller and less well known places to dwell. Enjoys the small and peaceful moments with MC and they can relate with being the most famous of the cast- so they often get treated the same.
        I can see them having a deep platonic and familial connection while also being distant. Avery has trouble opening up due to being frequently used for his money, and though he and MC are on the same playing field, he has his moments where he needs to back away and recuperate. And though he is distant, if MC or himself were to ever need anything, they're at each other's beck and call. Think of the relationship as: MC is the younger sibling that was born like... 10 years after Avery and he is the older brother, they are distant at times, but still love each other deeply and fiercely.
        "MC, what do you think of this new script- who is that on your page? They're liking too many pictures at once... a bit desperate- don't you think?"
Leviathan / Jackson
        This one... is a little complicated. Really- he's a fuck boy and he doesn't care. I can see him as very... objectifying- and not just sexually either. He can see how to use someone to their fullest advantage, but only for his sake, just for to further himself or satisfy any needs he has. MC is a playful flirt, but once Jackson [ Leviathan ] starts to pull the moves, I can see MC pulling back quickly and isolating away from him. Until there is a serious moment where Jackson can prove that he can provide something meaningful to the relationship- it's going to remain cold and formal. MC isn't playing games.
        This can be one of the few relationships that, if managed properly by MC and Jackson [ Leviathan ], can make their relationship to a more friends with benefits type or something romantic. Jackson [ Leviathan ] needs to learn how to stop seeing people as tools and more like... people. MC, in turn, would need to learn boundaries for themselves. They'd probably be so used to accepting people that keeping Jackson at a distance would be weird and almost foreign to them. If they both want things to work out for a proper, and healthy, relationship- it's going to be a lot of work.
        "MC, come here, I need you for something. Hm? No, no- nothing like that. I thought maybe... we could just hang out? Normally?"
Satan / Ross
        Honestly? MC could do better than Jackson [ Leviathan ] and Ross is it, babes. He is definitely the most understanding of MC and takes their own emotions into consideration. Wow kinda like Satan. He still does those live streams and gets smacked on a couple of grams, so MC is there either smoking as well or just getting hot boxed, their tiger dyed cats running everywhere. The live stream then turns into a kitten purring ASMR, then eventually, everyone is asleep on a live stream together. Ross [ Satan ], is a sweetheart as well, remembers the little things about MC and will make them special gifts or gestures for them. Is the type of boyfriend to leave random kisses on them just because.
        Ross [ Satan ], also likes to talk, so he does like to pick MC's mind and see how they think- which in turn touches their heart because WOW. A guy they like isn't using them or being a general ass? He doesn't play around, so if you want a relationship prepare to be in something for the long haul, family affairs are now your business as well. He is super close with his younger brother Dmitri [ Luke ], so you need his approval as well. Ross also can help with building confidence and a stronger self image, but a major downside is that he is lazy, like, he is really fucking lazy. He's tired though, with his job, the animal shelters, watching his brother, and avoiding... them- he wants to just be a homebody. MC does a lot of home dates, but they end up very fulfilling because it's Ross, he knows how make make even the smallest moments feel like everything.
        "Look at ya, MC! Damn, you always have me fallin' for ya all over again."
        "I'm in sweatpants and a tanktop, babe, nothin' special."
        "And you make 'em look fine as hell. Now come 'ere, let's watch a movie, look-! An MC sized space is here, right between my arms, neat right?"
Asmodeus / Micheal
        He's like the best friend who acts like the wine mom. He's the wine mom. He's mom. Always come to him for help, from either something as small as a rant to larger issues like contracts and relationship advice. This a more platonic/familial relationship that MC would develop. They can delve into more personal and private conversations, confident Micheal has the best intentions and advice, and in turn MC helps him out with what their generation is up to these days.
        Pinching MC's cheeks? Yeah, it's a ritual at this point. Likes to joke that MC is actually his illegitimate child. He also invites them to his vlogs, taking MC out at 2 am to Wendy's and talk about the most random stuff. Maybe hint at new things that are upcoming on the show. He writes TSL, not Alex [ Simeon ], so MC will help him with plot and point out any plot holes as well. 
        "MC, hon, take a nap. You're tired and haven't slept well. I got you food too- no, not Wendy's, actual food. Eat that and go sleep, alright?"
Beelzebub / James
        This can be another contender for a romantic relationship! James [ Beelzebub ] is one of the few actors who is pretty similar to their character, so if you love Beelzebub, you love James, sorry I don't make the rules. It's law. He is still new to the acting scene, so unless MC was an actor as a child as well, they'd bounce tips off one another- things they learn from whoever takes them under their wings. In MC's case, Benjamin [ Lucifer ] is their mentor, and in James' case, Alex [ Simeon ] is his mentor.
        He's very thoughtful, understanding, and compassionate. But, he is a bit of an airhead at times, or he often gets lost in his own head. This is due to him trying to think things through, he gets anxious and wants to perform well in every aspect of his life, so he tends to overthink and try to fix his problems in his head. MC will help him with opening up and stilling his mind into calmer waters. He feels the weight of his family, seeing as he now makes the most, he feels like he should be taking care of all of them- even when they tell him to just enjoy his life as it is. MC would realize he's a family man, so this would be another relationship where commitment is expected, James would rather not just have something casual due to how hectic things in his life get. He also is often with Dmitri [ Luke ], watching him and making sure he's okay, because if his younger siblings were in the same situation, he'd want someone to look out for them too. Dmitri is in love with both MC and James, often messing around or just relaxing with them of Ross [ Satan ] isn't around, so their often known as the "Realm Trio" due to their characters each being a different race.
        "I'm fine, really! I was just... thinking, that's all. I'm happy, really I am, and I want everyone else to be as well. That's it."
Belphegor / Conner 
        MC definitely becomes more chaotic with Conner, he's a sweetheart, but damn can he not sit the fuck down. He can be a bit draining for MC if they aren't in the best of moods, and even then, he just holds this light that makes them happy or feel peaceful. Another romantic/platonic relationship that can happen. This is a relationship where no matter how old they get, what is going on in life, how overwhelmed they feel, MC and Conner [ Belphegor ] will always manage to laugh.
        He is clumsy, especially with the tail, so MC will worry over him on and off set. He is very humble, and grateful for every opportunity he gets, so he faces each day with a smile and the classic southern hospitality- where you say thank you after everything, help anyone even if they aren't struggling, all with a southern drawl that makes MC melt. This is the healthiest relationship to exist, due to how easy Conner can communicate with MC and how MC can pick up on things he might not, there isn't any big issues because they both can just talk it out. Even if it doesn't end up romantic- it's still one of the most fulfilling relationships MC and Conner will have due to just being... them.
        "It's so easy, being with you, and I love that. Loving you is never painful, never tough on me, it's always so... light. So perfect, like you."
Barbatos / Thomas
        Oh my god. He is an absolute ass. He is like the uncle you never wanted, always sarcastic, roasting someone, but in the end he means no harm. MC and him definitely have a darker sense of humor together, getting either morbid or just downright weird, and no one else can decipher that the fuck they're saying because there's too many inside jokes and little intricacies. In the end, he is a ride or die, may not be the best to work with- but MC is now family and Thomas [ Barbatos ] will now kill for them. Congratulations on the achievement!
        Will not allow MC to go to openings or any large events alone, and even if they have another cast member with them, he still keeps an eye on them. He gets anxious, and almost paranoid, his younger sister went missing years ago and never got closure. He see's MC not as his missing sister, but as someone who is in need of that older brother figure, and wants to take that role because it feels so natural. He still ends up as that cool asshole uncle, but he likes that too, as long as MC is with him. There are times where MC will need to help him through some issues, just by being a shoulder to lean on, and in turn they get closer. Thomas didn't expect to get close with many people on the cast, other than his old friends, and taking MC into his family was a surprised for all.
        "Come here, ya annoying ass little kid, give me a hug! What! Come here or I'll chase you around his big ass house, MC!"
Diavolo / Roman 
        MC can be the romantic partner for Roman if you'd like, but I just remembered that I made him have triplets, so unless MC is his partner and willing to have kids, Roman would end up as another Uncle/Father figure. If you go the romantic route, Roman is so deeply in love with MC he will sometimes feel empty of he doesn't tell them he loves them everyday. He is attentive, watchful, and optimistic, always bringing fun into the relationship and making MC feel fulfilled and overflowing with love. But, now with the triplets? Love bomb x10, he loves MC with all his soul, he does, but now he realizes the kids come first and appreciates that they do the same. Prefers to be more private though, won't post whatever he does with the kids or anything like that, he doesn't want spotlights on his children when they never asked for it.
        A more platonic/familial relationship though? Best. Man. Ever. Always taking MC out to eat and keeping up with their needs, doesn't baby them, just keeps a watchful and caring eye. Does this with all the younger cast as well. MC will feel loved, safe, and in harmony. He is a wine dad though, so MC will often bring him drinks so he can unwind, even make cocktails time to time just for practice and will make sure to give any tips he can. MC gets a little too tipsy at a party? Well, since he knows where the party is, shoot him a call and he'll pick his 6'5 ass up outta bed to bring MC either to their home or his. 
        "I've got you, always have, always will. I won't ever let you down, because you deserve the world and all the happiness in it, I just hope I can even be a little piece of it. A reason to make you happy."
Luke / Dmitri
        MC is close with Dmitri no matter what, he's always on set, and MC can't seem to let him leave their sight. Kinda like a parent at the park. Won't exactly just stare at their kid, but will always know where they are, and make sure their within a safe distance. Hollywood is full of some sick fucks and MC will be damned if they'd let anything happen to Dmitri. He gets overwhelmed sometimes, will cry and shake, due to holding in stress from the public. MC will teach him how to cook, rather than bake, because food always brings people together and he wants his family to be together in any way he can do it. 
        Spending time with him means spending time with Ross [ Satan ], so MC ends up close with Ross anyway, and will often be filling up Dmitri's Instagram and other social medias. He is the younger brother MC never had and is ready to be another older sibling for him. If the show goes on for multiple seasons, then it will be set in stone, MC and Luke will be a found family along with the rest of the cast.
        "Thank you for everything, MC. I love you, really, and I want you to be as happy as you can be! You're the best and more!"
Simeon / Alex
        Alex [ Simeon ] is another potential love interest/ close friend. This is the only other relationship that can compete with Ross [ Satan ] and Roman [ Diavolo ]. He is known for his temper, but usually plays it up for comedy, and will never actually "blow up" on anyone that isn't deserving of it. He is a sweetheart, but has a tendency to be materialistic, due to his rich upbringing. He knows material things aren't the answer, but it's a habit/mentality he's working on fixing. He prefers to be more affectionate in private, because he wants to enjoy intimacy with MC without the eyes of the public on them, not because he would want to hide their relationship. 
        He is intelligent as fuck, so MC will be filled with the knowledge of the gods, always learning something new and living a student life that isn't more of a student- but someone that has a love for learning. You know Leonardo in Ikevamp? Yeah- that bitch. That's Alex. Even as a friend MC and Alex would always confuse people due to how close they are, which can be annoying if they are with another cast member, but in the end they know the truth.
        "Ah fuck, MC, I'm trying to cook here, ya dork! Don't yank me around the kitchen! Hey! Loving me isn't an excuse to squeeze the life outta me! MC! Don't run now!"
Solomon / Derek
        So, I honestly had Derek [ Solomon ] as the original love interest, going with the childhood friend trope. MC and Derek would be the ultimate set of goals, and living a fantasy life that most people dream of, the thing you'd see if those overly fluffy fan-fictions. Derek is the more caring and nurturing of the two, while MC is more outgoing and aggressive, and manage to find a happy medium between them. Derek has a calming aura around him and yet is the most socially awkward one in the cast- he will put Leviathan's character to shame with some of the things happened in the past. MC is the biggest tease and will have him flushing like a virgin school boy- and it isn't even sexual, he just flusters easily.
        With Lovely and Blue, MC and Derek are known as the babysitters and pet sitters, and are often looking out for the casts pets and children whenever they need it. The couple everyone wants to end up like. You will never see them in scandals, drama, or anything of the sort- even if they become household names, Derek and MC prefer to keep the details of their lives lowkey. I can't see major issues in this relationship, romantic or platonic, because after knowing each other so long, they can communicate in their own ways.
        "Blue, stay stiiiiiiiiill. Fine, leave. MC, come here, I need a pillow and Blue won't love me. Thank you- oh! Now you come, Blue? Jealous much?"
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kimhargreeves · 4 years
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Hate-Diego Hargreeves☔
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A/N: TUA SEASON 2 WILL BE UP IN LESS THAN AN HOUR!! I WROTE THIS IN LESS THAN 20 MINUTES. I'M SUPER EXCITED. I REALIZED I HADN'T WRITTEM ABOUT OUR AMAZING KNIFE THROWNG MAN SO HERE'S A SHORT DIEGO ONE SHOT😙
☔☔☔☔☔☔☔
Being the eight member of The Umbrella Academy kids was rough,tiring and time consuming. Especially since Dad never paid any attention to us, he only did when he needed us on some type of mission. I watched my brother Ben die in front of me, Klaus is my twin brother which means I follow him around most time to make sure he's still alive and Diego..oh Diego...I hate him and he hates me.
Today our father passed away and I was talking to Vanya and Allison, it was an awkward exchange since we barely even saw each other now and each of us had some sort of anger towards her since she revealed some family secrets in her book. I was dressed in black from head to toe and smiled at my two sisters finally speaking.
"Why is she here? She doesn't belong here and neither do you." I raised an eyebrow starint at Diego angrily since he glanced at Vanya and then to me, looking at me up and down with disgust.
"She can be here if she wants to. That's shouldn't concern you, idiot...I hate him" I mutter to myself and glared back at him when he shouted, "I hate you too." Ans watched him walk up the stairs.
I did see him rummaging through Dad's belongings which is odd. I put that thought aside and we all made it outside with Grace and Pogo oh and Five! He came through a portal talking about time travel.
It was weird seeinf him. "Any last words?" I stood next to my brother Five and Klaus who was shivering while holding a cigarette.
"He was a monster, the world's better off without him." Diego first spoke which captured all of our attention. He glared down at the ground while heavy rain poured over him, he didn't even bother to grab an umbrella.
I stepped closer and reached his side and placed my umbrella over him not minding if I was the one getting wet.
"Diego stop this." Allison pleaded but he kept on and this made Luther angry. Few seconds in and both siblings were fighting with Klaus chanting on him to continue. I looked back at my brother annoyed and watched Five leave the scene.
"Luther! Diego! Stop acting like kids and get your heads out of your asses!" I shouted angrily. My inner Klaus was coming out as I put it, despite us being twins we are complete opposites.
Both refused to listen and began to throw punches, Diego easily dodged them.They made it closer to Ben's statue and in one hit, Luther punched and broke it. "There does Ben's statue." Allison disappointed told them.
I stepped between the brothers and glared at them both. "We haven't seen each other for years and this is the first thing you do?!"
"This doesn't concern you, (Y/N)." Diego bitterly said and stared straight at me and Luther ran over holding his injured wound since Diego threw his knives at him.
"Well I think it does number 2. We all hated him but this doesn't give you the right to just punch Space boy over here." I say tilting my head and with my right arm I lifted my umbrella up and covered us both.
Diego had nothing but anger in his eyes. He stepped closer to me and smacked the umbrella aside and kept his glare down on me. He checked my left forearm and noticed there was a cut on my dress, he had accidently injured me when he tried to hit Luther.
His dark eyes moved back to look at mt eyes and he smirked, "I hate you you know that?" He asked with a sarcastic chuckle and left also glaring at my brother Klaus who continued to smoke and looked at us both.
"Awkward.." Klaus muttered which made me roll my eyes at him. I winced a bit in pain and Klaus came over and wrapped my wound up with a pink scarf he had.
☔☔☔☔☔☔☔
"I just don't get why he hates me so much. Diego is such an asshole." I snarl holding onto my donut and angrily taking a bite from it.
"I wasn't talking about Diego. I'm talking about the apocalypse." Five bitterly told me and rolled his eyes.
I huffed out annoyed since he didn't even care about what I was saying. "The least you can do is give me advice old man." I mumble and hear Klaus snoring beside me.
Five sighed and looked at me and stood up, "Grow up and talk things through like an adult." Was all he said and walked out of Griddy's. I guess he is right. I'm tired of us siblings being so apart.
☔☔☔☔☔☔☔
"Is Diego around here?" I ask a man since Allison figured out where Diego normally lives. "He left out with that Patch lady. He must be on his way back." Oh yeah..detective Patch. She and Diego had a thing going on, I always felt weird when I would see them together. Diego is an attractive man though I can tell why she would fall for him.
"If you want you can wait over there..Hargreeves your girlfriends here!" My eyes widened and I felt myself getting flustered. I turned around and saw Diego with the same expression and I looked at him and the man back and forth.
"N-No..we aren't..I-I mean-" I was a stuttering mess. I never felt this way around this jerk. "I can take it from here." Diego faked a smile and grabbed my arm and pulled into what I assume is his room in this dump.
"If you were the last woman on Earth you'd be the last I'd choose to be my girlfriend." I scoff at that and pushed him away.
"You'd be lucky to get me. I'm not an easy woman to win." I smirk at my own words but Diego had none of it. He just looked at me with hard eyes and shrugged his shoulders, "Why are you here?" He asked crossing his arms but held one of his knives firm.
I forgot what I had to say! I bite my lip and nervously played with the sleeves of my coat. I felt my cheeks warm up when I stared into Diego's chocolate brown eyes. "I-I..." nothing. I said nothing. I ran out of the room without turning back and leaving a confused Diego behind.
☔☔☔☔☔☔☔☔
Today is the apocalypse. We all gathered at last as a team and had an unconcious Vanya on the floor, her suit completely white now since she always had a superpower none of us knew. Diego was on the floor and glared at where Cha Cha left. He decided to let her leave even though she killed his ex partner.
During these couple of days he started treating my brother Klaus a lot nicer since he saved his life but it was Ben. Klaus and I have the same powers which meant I could see out ghostly brother always worrying and looking out for us.
Diego still kept his tough attitude towards me but toned it down. We were now acting all awkward between us and I helped him through his pain with Patch. I walked closer and knelt down on the floor and called his name.
Diego looked and me and I smiled, "You did the right thing. I'm proud of you and Patch is too i'm sure of it." He looked at me confused and gave me a gentle smile.
"I'm sure she did..thanks for not doubting me and sorry for all the times I acted like an asshole to you." I giggle at that. "You're only saying that cause we're about to die." I joke and he rolled his eyes and with his good arm he placed it on my cheek which surprised me.
I jumped a bit at the sudden contact and he smiled. "You always looked cute when you act innocent or when you say those lame jokes." Okay now I was sure my entire face was red. Diego slowly leaned toward my lips when Five called us to stand in a circle.
Damn it! "I don't know if this will work, but it's worth a try." Five said and we all gathered and held hands. The moon above us kept crumbling down and buildings close to us began to disappear. I began to shake in my spot and felt Diego holding my hand tight and smiled at me.
"I hate you (Y/N)." He said seriously but I could see his eyes telling otherwise. I forced a smile to not show my fear. "I hate you too." We all continued holding hands until we disappeared..and re-appeared in 60's Dallas.
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Is It Really THAT Bad?
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How many fucking times must I talk about this movie?
I feel like this movie doesn’t need an introduction. Everyone knows this film. Its reputation precedes it. It didn’t bomb and it’s not generally considered one of the worst films ever made (at least on the level of films like Robot Monster or The Cat in the Hat), but this movie is easily one of the most divisive films ever made. This film has generated enough arguments that, if we harnessed the energy of all the flame wars it has caused, we could probably power the entire world until the heat death of the universe.
With the impending release of Zach Snyder’s bloated redo of Justice League, I’ve decided to go back and ask myself of this film here… is it really that bad?
THE GOOD
Here comes the most uncontroversial opinion: the action scenes in this movie rock (or at least two of them do). The standouts are the titular showdown, which almost makes sitting through the rest of the movie worth it, and the epic warehouse fight Batman gets into, which is like something straight out of the Arkham games. It’s so good. And aside from that, a lot of the cinematography in the film is good. The film knows how to look good, though unfortunately it does end up being a lot of style with little substance.
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On the subject of Batman, I think Ben Affleck is a great and inspired choice. I certainly think he’s worthy of standing alongside Batmans like Clooney and Keaton, easily embodying both the Dark Knight and Billionaire Playboy aspects fairly well, though the writing does not always handle him quite as well as it should (we’ll get to that soon enough). Henry Cavill, while still a rather dour Superman, is as good as ever as Superman, and Gal Gadot as Wonder Woman was a great choice here, especially since she didn’t have control so that she could insert anti-Arab racism, like some DCEU movies.
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Perhaps one of the movies most impressive feats is how, in an uncharacteristic moment of brevity, it manages to condense the backstory of Batman into the prologue, getting it out of the way and not making us sit through yet another Batman origin film. This is literally the only thing the movie has over the MCU; where that franchise just has the character Spider-Man inexplicably in existence without even a hint of his origins, they just get Batman’s tragic backstory out of the way so we can see him beating the crap out of people. If more superhero movies want to take this route and just condense the backstory into an opening montage like this, I’d be down for it.
THE BAD
I really could just say “most of the movie” but that’s such a cop out. Let’s actually look at the problems. Let’s work our way up through the things from least problematic to most, shall we?
The best place to start is what Zach Snyder did to Jimmy Olsen.
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Jimmy Olsen is made into a CIA spook who is brutally killed early on, and yes, that was Jimmy Olsen. Snyder put him in to shock audiences with his senseless murder, and also because he felt the character had no place in his series. Does making Watchmen just turn people into joyless husks who like to horribly bastardize iconic characters? Jimmy Olsen is ultimately a small microcosm of the film, but he is the sum total of everything wring with the early DCEU. He is bleak, soulless, and shows a critical lack of understanding about the comics and why people enjoy them.
Now let’s move on to the more exciting problem to discuss: the villains. I don’t even think it’s worth wasting much time discussing what’s wrong with KGBeast. While it is kind of interesting they’d think to use the guy at all, the fact he never dons the costume and dies by the end of the film is unfathomably lame for a character named KGBeast.
Now, onto the main antagonist, and the most infamous part of the movie: Lex Luthor.
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Lex Luthor is horribly, horribly miscast. Jesse Eisenberg is a great actor for sure, and he’s effective in movies like Now You See Me, The Social Network, and the Zombieland films. But here he is being asked to play one of the most diabolical cunning geniuses in comic book history, and rather than play him as such, he plays him like a cartoonish twit. This Lex is utterly unrecognizable as Superman’s greatest foe. Does anyone think Lex Luthor would send a jar of piss to someone as a joke before he blows them up? That’s more something the Joker would do on an off day. Lex is not cunning, not intimidating, and not diabolical in the slightest, and yet there are moments where Eisenberg’s acting chops shine through and Lex, for a moment, is almost engaging. Luthor really suffers the way Doctor Doom tends to in film adaptations: the filmmaker clearly doesn’t get why people like the villain, and decide to do some weird, unique take that will only cause to alienate fans.
But perhaps the worst of them all is Doomsday. Doomsday has exactly one claim to fame, and that’s killing Superman, so as soon as he shows up if you have even a passing awareness of the character you know how the movie is going to end, which robs the film of tension for its last battle. The fact he also appears with little buildup and doesn’t have any characterization doesn’t help; Doomsday is just the Big Gray CGI Blob that superhero movies try and pass off as a final boss for the heroes to fight. This has worked precisely once, in Iron Man. The Incredible Hulk and Venom did not make it work, and this film is nowhere close to being in the same ballpark as Venom.
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By and far the biggest problem, though, is the movie’s incredible length and its very existence in the franchise at this point in time. This is an epic superhero crossover in which two of the biggest comic book characters of all time fight and then team up… And it is the second movie in a franchise. While they do a good job of establishing Batman rather quickly, Wonder Woman comes out of nowhere. And then at the end, Superman ‘dies.’ We have had one single movie prior to this to make a connection to the guy, and yet here he is getting a temporary comic book death with no buildup whatsoever that we know is going to be reversed sooner than later because the movie telegraphs this to us.
Imagine if, instead of building up the character over the course of a decade and putting him in all sorts of different stories, the MCU went right from Iron Man to Endgame. You go from a simpler, character-driven piece to a massive crossover where a hero dies right away, and it doesn’t give anyone time to care. Tony Stark had multiple films worth of characterization under his belt before they threw him in a crossover, let alone killed him, but Snyder expects you to give a damn about a Superman who just started his career in the previous movie of a franchise.
And the ass-numbing length of the movie is no justification. Even before the director’s cut came out this film was a slog, and the director’s cut really does nothing to earn its existence. All it does is add more runtime to an already tedious and bloated film, leading to the same exact ending and fixing none of the overarching narrative problems of the thing. The problem with any director’s cut is that ultimately the movie is still going to be Dawn of Justice, it’s still going to lead to extremely rushed character decisions, and it’s still going to be a mess. You’d have to redo half of the film to make this into a worthwhile and coherent narrative that’s actually worthy of being an entry in a superhero franchise.
And to top it all off, the movie spends far too much time foreshadowing for its own good. People criticized The Mummy for shoehorning in way too many shared universe elements right off the bat, and if that movie was bad for it, so is this one. The cameos from all the members of the Justice League, while striking, could be excised from the plot with little to no impact, and the Knightmare sequence is just excessive and weird.
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Is It Really THAT Bad?
The answer to this question has never been harder.
On the one hand, this film does have some merit. There is some good casting choices, good cinematography, good action… But then, on the other hand, the film is overly long, pretentious, has poor writing and dialogue, mishandles everyone aside from Superman, and is just incredibly unpleasant.
This film is in many ways the exact problem Christopher Nolan created with his Dark Knight trilogy. Nolan, by grounding the fanciful characters of comic books into a realistic setting, created a climate in which someone could suck any sort of joy or meaning out of comics. The success of his films meant that people would see dark, gritty realism as preferable to joyous, colorful escapism, and the negative effects of his films, however good you find them, are still felt today even as filmmakers are finally shaking off the grit. Dawn of Justice is the zenith of Nolan’s style of superhero film. There is nothing fun, joyful, or engaging to be found here; it is simply the characters you know and love forced into dark, miserable scenarios that ends in death and misery. Where’s the fun? Where’s the color? Where’s the wonder, the excitement, where is any of it? This film paints a bleak and miserable and hopeless picture of a world of superheroes. It really makes me think of this rather famous comic panel:
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I absolutely hate this movie, but not because I think it’s bad. I hate it because it has enough good ideas where it should be the best thing ever, but it really isn’t. It’s a miserable slog of a film that does nothing to justify or earn its massive runtime whatsoever. It really does belong somewhere between 5 and 6 on IMDB, because I can almost see why people like it, but it just isn’t even remotely close to being how good its fan say it is. This is not a good superhero movie, and this is not how we should want superhero movies to be. There is a market for serious superhero fare of course, and there’s no reason that these films can’t engage with mature themes or anything, don’t get me wrong. But this is absolutely not the way to do it.
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deabbawallace · 4 years
Text
The Umbrella Academy Season 2 overall thoughts (scroll if you don’t want spoilers !)
I’ve watched season 2 twice and here’s what I’ve noticed. feel free to agree/ disagree, let’s have a discussion! :)
- Luther’s character development was amazing this season. although he was mainly depressed and stress eating, he did grow as a character SO much by immediately apologizing to Vanya. he could have easily got away with not telling her the full extent of what happened/ what he did due to her memory loss (and Five also not directly telling her she was the cause, or “bomb”). he’s still struggling with who he is and how he lost his motivation and leadership-ness towards the end of season one. not seeing any of his siblings, especially Allison made Luther feel alone again, like when he was sent to the moon. Luther has SO much more of a idea between when he can lead and when it’s okay for him to follow (example: him telling Klaus to look for Allison while he watches over Five who was obviously upset due to the situation). he was very smart with the whole old/young Five situation, even if he got his ass beat in the process. overall Luther is a great character and deserves so much more of a love interest than his sister.
- Diego. as far as we know Diego and Vanya actually got parts of Klaus’ powers this season. originally in the comics Klaus can levitate and has telekinesis. Diego’s was able to manipulate the bullets in the finale with telekinesis that wasn’t brought up earlier. it made sense and for the character since he already know how to manipulate knives and other things to his favor. another Diego power that wasn’t described that i was quite disappointed about is the fact that he can hold his breath underwater for long periods of time. although Diego’s love interest this season is Lila, i have a feeling he is more infatuated with her than in love. it’s known that Diego loved Patch, and was torn and wished to remember and honor her memory, so there a chance he fell for Lila or his idea of her, mixed with some of the personality traits of Patch. Diego went from basically resenting Vanya and always going toe to toe with Luther to forgiving her and actually working as a pair with Luther, while Luther let Diego have his leader or “Number One” moments this season.
- Allison. wow. we had a minor complaint of her not dating her brother and boy did they take that and run with it. she went from an adored black actress with a white husband and mixed daughter to a time where black and whites couldn’t even enjoy a cup of coffee in the same diner. now i’m not sure if this was intentional but i noticed upon allison’s arrival, 3 white boys are taunting her saying “hey girl”. although i’m not sure, i was wondering if this line/scene is a reference to the Emmett Till case (he died in 1955 so less than a decade then where this harassment takes place). it could be possible since Emmett did get murdered for saying “hey baby” to a white women and i think it’s a good yet subtle part on the show runners half if this was their intention. Allison’s want of showing she loves Vanya showed tremendously throughout this season, she’s basically glowing around Vanya, especially in the scene where she was hanging out with Klaus and Vanya.
- Klaus. Klaus went through so much this season (as it seems like he always does) Klaus’ adventure of seeing Dave and telling him not to enlist is a case of “right intention, wrong time”. he came off too strongly and scared off Dave. eventually Dave wanted to know why Klaus knew so much about him so he visted Klaus at his weird cult house. i will say he obviously did have some influence over Dave since he got dave to enlist in the marines instead of the army. Klaus having a cult makes sense for his character. the lack of “daddy’s love” and attention he got in season one was filled by his cult, even if he was a fraud and only superficial worshipping. he started to push Ben away this season, and ultimately you could argue it helped tainting/ damaging his relationship with Ben a tad bit, but at the same time Klaus secretly wanted Ben to get a break from him and go to heaven, even if that meant loosing his brother from being with him 24/7. i wish he had more of reaction when Vanya tells him about Ben. it could just be usual Klaus, hiding his feelings to not feel like a burden to anyone. with Robert’s acting abilities, as much as i don’t want to see klaus in pain, a meltdown scene of Klaus missing Ben would be startling at how well it can be done.
- Five. Five was an old man before he came back to the Academy in season one and it’s discussed that he messed up the calculations that put them in his kid body. it could be a possibility that when he was going back in time with his siblings he saw his siblings were turning into kids, panicked, and thought of a different equation in his head to make them adults. we have to remember as viewers that since he’s gotten back to the season one timeline he knows what it feels like to be not taken seriously due to his physical age and how he looks. so he wanted his siblings to be adults again? maybe it could also be because he couldn’t emotionally handle seeing the versions of his siblings from over 60+ years ago (in his mind) in front of him again. it could just be a simple miscalculation since math clearly isn’t Five’s strong suit since he’s 0/3, or could have a deeper meaning. you can argue both ways. i will say he developed more into trusting his siblings, even asking for their help on multiple occasions. you can tell he got more comfortable with the family he’s been missing and wishing to go back to for decades.
- Ben. Benerio. i just wanted to start off that it makes sense he wasn’t alive this season. although disappointed, when they were going back in time, none of the kids (Ben included) were born in the 60’s, so it can be argued that even if he was revived, he has no place in this timeline. you can argue none of the kids have a place there, but Five was focused on getting those around him (the alive academy) out of this timeline. Ben not being alive makes the most sense since he has passed before Five travelled. you can tell dallas made a huge tear between Ben and Klaus. i think that dallas was good for Be , even if he wasn’t alive, he got to grow as a person, even if that meant Klaus sort of forgot him and went on his own journey. i cried hysterically in the last two episodes about Ben because he’s such a genuinely caring character. i would compare his qualities to younger Vanya because when Luther locks Vanya up, Diego and Klaus say “Vanya? the one who cried when we stepped on ants as a kid?” also applies to Ben. it made me so happy when he stayed back and goes “i missed you guys” while they exposing each other for what they have done in this timeline to possibly mess it up
- Vanya went through a lot this season. i’m glad they changed the season one ending of Fove shooting her in the end and starting of the dallas storyline her being paralyzed and having amnesia. this season shows that vanya isn’t scared of her siblings anymore. for example, she got startled when Allison tried to rumor her again and accidentally hurt her, followed by apologizing profusely. this season she is unapologetically herself, saying she isn’t a disease and even leans her head on Diego in the last episode even though in last season they definitely were on rocky terms. Vanya frantically wanting to leave with Sissu and Harlan to give them a better and more accepting life in 2019 just proves how much she cares for others. the ending scene where Ben, the literal monster with tentacles basically falling out of him, telling Vanya isn’t a monster is so beautifully done. it’s also interesting how she is in way more control of her powers, even after Reginald made it seem basically impossible for her to control her emotions/ powers.
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goldenncherrybombb · 4 years
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Hey dude, I was wondering, whenever you have time, and whenever you feel like it, could you maybe write a fluffy platonic bestfriend!harry with a reader who's like 17-18 and an actress who's in a movie and he writes a song for the movie so that's how they know each other, and they're doing the press tour of the movie together and an interviewer is being rude and Harry defends her?
Oh my gosh, I love this idea SO MUCH! I’m literally a sucker for best friend Harry, it’s my favorite thing to write.
Also sorry for taking a bit to reply, I’m still trying to figure out how to use tumblr, lol. And I changed her age to ab freshly 20 :p
any who, hope you like it!
-m
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“And cut!” The director yells, and the bell goes off. Everyone is on the go as soon as he gives the cue. Y/n’s makeup team coming over to fix her hair and makeup.
“Do you guys think I’m doing good?” She questions, a little nervous about how well she is performing. She is a new actress after all, this is her first big Hollywood movie! After many failed auditions, and small parts on Netflix series she finally got herself a big role.
“You are doing amazing girl. No need to be nervous.” Her hair stylist, Anna, reassures her. Her makeup artist, jay, nodding his head in agreement.
“They love you, y/n. You were cast for a reason, girly. Now show em what you got.”
“Thank you guys.” She smiles at them and her cheeks redden at her friends compliments. The bell goes off and they all get ready to film the next scene.
The rest of the day goes well and on her way out she bumps into someone, too busy looking down at her scripts just to make sure she remembers everything. Her scripts and keys fall out of her arms and land on the ground, next to whoever she bumped into journal.
“Oh my gosh, I’m so sorry, that was totally my fault.” She quickly falls to bend her knees and pick up her things. The stranger bends next to her.
“‘S ok, I wasn’t paying attention either.” His voice sounds familiar. So fucking familiar. But she can’t put a finger on it. She looks up when she gathers her things. Her eyes meeting the strangers for the first time. “Oh I know you. Your the lead character, y/n l/n.” She smiles at, finding it strange that he recognizes her. Harry Styles. Harry styles recognizes her. And she decides that’s the coolest thing ever. “‘M actually writin’ a song for your movie.” They both stand to their full height and he hands her her keys.
“I heard about that! That must be super cool. I’ve always been super interested in music. Just wish I didn’t sound like a dying cat.” They both laugh lightly at that, and he shakes his head at her.
“Doubt that.”
“I wish your doubts were correct. But unfortunately they aren’t.” He just chuckles before he suddenly remembers something.
“I forgot to introduce myself. ‘M Harry.” He holds his hand out, and she takes it in hers and shakes his hand.
“It’s very nice to meet you, Harry. I’ve actually heard some of your stuff before. ‘M quite a fan of Fine Line.” He shyly smiles and their hands go back to their side.
“I don’t mean this in a weird way, but would you want to go grab some coffee?” She smiles and nods her head.
“Would love too.” He nods and gives her a smile before they turn to walk out. As they walk to his car, she assumes, she remembers something her coworkers briefly mentioned. “Aren’t you gonna have a small part in the movie?” She questions, looking over at him.
“Yeah actually, ‘m quite excited.”
“It’s gonna be fun. I saw Dunkirk so I know you will kill whatever scene you have. Aren’t you in a few with me and Andrea?” She questions.
“Five scenes total.” He informs her. “Then I have a few more with Timothee and Jeniffer.”
“That’ll be fun. We party a lot in those scenes.” She shimmies her shoulders when she says party to add some effect, and it does what she intends to and makes him laugh.
They reach Harry’s car and he takes them to a small cafe. They chat over tea and coffee, y/n also having a double chocolate chip muffin because she couldn’t resist. They talk about growing up, all things music, y/n’s career, Harry career. They both tell stories of the craziest moments they have so far in their journey of success. Both have a good time.
They get to know each other and at the end of the night they exchange numbers. He takes her back to set and drops her off by her car. He tells her goodnight and she does the same, smiling when she sat down in her car.
She hope she just made a new friend. They had so many things in common. From the way they dress, the music they like, their favorite food, etc. She thinks it’s safe to say the connected well at the small cafe and she hopes this is the start of them becoming close friends.
And they do end up becoming close friends over the six months they work together. Harry ended up coming to set more often than not, bringing lunch to y/n or eating the food they serve. They go back to her trailer and eat their food, catching up with each other, and sometimes having a food fight. Harry updates her on the songs he is writing, or the Gucci ads he has been modeling for. She tells him about the scene they filmed, or some small roles she has been offered. They also catch up, asking eachother about how their families are doing, making plans for later that night or if one of them had an event they wanted the other to accompany them too.
They both know each other’s families well. They spend the night at each other houses often. Harry takes her to the studios on her days off, showing her the process of recording. She instantly connects with Jeff as well since they both have a similar since if humor that includes teasing Harry on the regular.
But now the filming was done, and so was the editing. They were two weeks away from the release! Y/n was excited but also extremely nervous. But now they were all doing a press tour. And lucky for y/n, Harry got to tag along because of his small role and because he wrote most of the sound track for the movie.
They were about to go on another interview, this one just her and Harry. Their costars doing their own interviews scattered around the building. She was happy her and harry were partnered to do all the interviews today, it meant more time to goof off with him when they aren’t supposed to.
“Well first off I just want to say thank you guys for sitting down with me today.” The interviewers starts, his name y/n found out, is Ben.
“Thank you for having us.” They both say simultaneously.
“So let’s talk about the movie. I know y/n, you are a main character. Can you tell me what it’s like? Being new to the scene and working around men like Harry or Timothee? It’s got to be hard to contain yourself around the pair.” Y/n doesn’t know whether to scoff or smile through it and act like that wasn’t extremely sexist. But when she sees Harry visibly tense and his face harden she knows to just let it slide. She doesn’t want to start something that her manager will want to kill her for. So she bites her tounge.
“I don’t find it intimidating at all. Both of them are very talented, but I don’t find it intimidating. Especially not when they are you friends.” She puts an emphasis on friend.
“Harry, this is your second roll in a movie, and you wrote majority of the soundtrack, how was that? Do you think you will do more movies after this?” Y/n wants to roll her eyes. Of course he gets a normal question but she gets one asking if she could keep her legs closed around her best friend and costar.
“I enjoyed it. It got hectic and stressful at times. But I really enjoyed it and I enjoy acting and obviously writing and singing so I was glad I could do both.” The interviewer nods and this is how the next few questions go. Y/n getting questions like “which costar would you rather date?” “Did you have a crush on anyone while filming?” Really inappropriate and unprofessional questions. But Harry got questions about the writing process, what his favorite scene to film was, and so on. But it was obvious both of them were fed up with the interviewer asking her the types of questions he was. So after the third question Harry chimed in before y/n could come up with an answer that would answer it but not really answer it.
“‘M sorry, but are you gonna actually ask her about the movie? Or how her acting career has been going? Or just anything other than if she found someone hot or who she would mess around with? It’s quite unprofessional and it’s clearly making her uncomfortable.” The interviewer stills, his cheeks flushing. Even the camera crew stills and in the background I can hear jay clapping and saying “yes Harry” faintly. A small smile forms on her face and she looks over at her best friend, noticing how his gaze is strong as he looks at the interviewer with a penetrating gaze. Harry sounded very professional and calm when he told the interviewer off, but his eyes give away exactly how he feels.
“Right, my apologies y/n. But I think that’s actually a wrap.” He looks over at the director and nods.
He doesn’t even shake their hands before he leaves. He just scurries away with bright red cheeks as everyone’s eyes follow him.
“Thank you for that, H.” She smiles up at him before her arms go around his neck and his go around her waist.
“No need t’thank me. No lady should be asked those questions. It’s no ones business who yeh fancy, or whatever the fuck else he was trying to dig out of yeh. ‘S not the ass hats bloody business.” She chuckles and shakes her head, patting his back lightly.
“It’s ok, Harry. You already told him off, no need to get upset over it again.” She pulls back when she’s done talking and Harry huffs.
“Guess yer right.” She smiles at him and pats his head before they walk off set. As they leave the building she loops her arm around his waist and he does the same around her. Her head rests on his shoulder and his lays on hers as they leisurely walk outside.
“Wanna go get some ice cream?” She questions, already knowing his answer but wanting to see his reaction. His head pops up and he looks at her with wide eyes.
“Course I want t’get ice cream! Only mad men turn down ice cream.” She laughs and shakes her head before he stops in his tracks.
“Race you to the car, loser pays.” She squints her eyes at him and holds her hand out.
“Deal.” He goes to shake her hand but she pulls away and starts running towards Harry’s car.
“That’s not fair!” He chuckles, running a little bit behind her.
And in the end, Harry ends up paying for the ice cream with a pout on his face.
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we-rate-tmnt · 4 years
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I request: Leonardo. Please and thank you 🙏.
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Idk if everyone loves Leo or if my header and avatar just remind everyone about this amazing blue boy. (This one’s super silly btw. I’m just sillier as time goes on. Character development I guess?) 
The iconic leador Leonardo (1987)
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Bro idk why but I loved this Leo. I have a tiny memory, especially with this version but I clearly remember that I thought he was the funniest and the coolest. I mean, he had swords, what was I supposed to do as a 7-year-old. NOT like him??? Anyway, while Raph was the best at insult comedy, I think Leo had the best puns and punchlines. I really like how nonchalant this Leo is compared to his iterations, going along with really silly ideas and having fun along the way. But because of this, his leadership is a little forced at times, he seems like such a chill and fun dude that when he gets serious, I have to squint and ask ‘are you Leo? Or were you just putting on act a moment ago?’ Or my perception is entirely warped over time. Either way, good turtle boy, could have used some work tho. 5.7/10
Here comes grumpy lad wooo this is all read very monotone btw Fearless Leader (2003)
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What. What the fuck happened. I was actually so confused when Leo turned really angry and serious and almost manic. I thought that episode when he popped into Casey’s window and was like ‘Hey bitch lets go beat the shit out of some lowlifes’ I was WOAH THERE BUDDY BACK UP BACK UP BACK TF UP. It was so sudden to me and when it was finally explained, it made some sense??? Like yeah, character development is great an’ all but this ain’t it chief. I can’t imagine what it was like having to wait for these episodes to release one at a time. Bc I watched every episode back to back on Youtube and I was genuinely bamboozled. But when you have an experience like that where guilt is weighing down on you from a situation you couldn’t control, it would’ve been HELLA HELPFUL to have at least a flashback, like a line saying ‘I was so useless!’ at BARE MINIMUM. Like right after Shredder is booted off to Planet Zula, Donnie would notice that Leo didn’t seem all that happy and would ask why and Leo would get upset and yell at Donnie saying that ‘You wouldn’t understand’, ‘You don’t know how I felt, how I feel because of that’, etc. Like you don’t even have to say he felt guilty or helpless, just give us something to grab onto. We’re merely six-year-olds who thought they could climb the YMCA rock wall in easy mode but instead the script riders harnessed us up on the hard one and wouldn’t let us come down until we rang the little bell at the top. I think that is the only problem I had with his Leo. The sudden change of calm and decisive to angry and irrational was so jarring that it felt unnatural without that crucial context. If you want a surprise reveal, at least hint at the reveal (like just about every Disney movie with their ‘twist’ villains) not wait until the very last moment. I think this might be my least favorite Leo and I think the season where he stood out the most and seemed the strongest was Fast Forward (Which was GOOD FIGHT ME), especially in scenes with Dark Leo, his clone. He sees so much of himself in Dark Leo but he also sees something he had once grasped (AKA the poorly written character arc, I CANNOT stress how bad I thought it was). Although, I honestly think he’s a really good character and he’s a pretty neat guy. However, this score is entirely held up by Fast Forward and his connection with Usagi, sword bros to the end of time. 3/10 (2 for FF and 1 for Usagi)
And now a Leo that makes me genuinely feel UWU Leo (2012)
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I cannot stress how much I like this guy! Like his design is so appealing, his dedication, his obsession with Space Heroes, like I FUCKING LOVE IT. And everyone knows, that shit with Karai, at first when they didn’t realize they were related, I can let slide but kajsdflksadf what even like why did the writers feel the need to add in more ‘love interest’ implications like yuck yuck yuck. The only two interactions with Leo and Karai that I really like are when Leo defeats her using the healing hands technique and when Leo has a goth/emo/punk/idk I’m new here phase and they team up and EXPLOSIONS. He was introduced to us as being incredibly naive and his idea of leadership is from some old cartoon that’s basically star trek but ethically questionable. After his fights in season 1, to the finale with the technodrome, you can see his growth. He’s able to formulate plans and make life or death decisions. BUT WAIT THERE’S MORE. When Leo got hurt, I felt like the oof sound effect mixed with some tears I normally shed at some Shojo manga bs. While the episodes following were super weird, it was a nice way to help Leo recover, not only physically but spiritually (Although I don’t remember the spirit arc at all except the epic Raph vs Fishface fight, so we’re skipping that). When Master Splinter really died, you could tell there was a huge impact on Leo, but he had to remain stoic and lead the family now. A lot of heartbreaking moments in this series came from Leo and I’m glad they took at least some thought into developing him. Tiny head Leo will haunt my nightmares, but the giggly fanboy will warm my heart constantly. 6/10
I only have one word for this Leo (Heroes in a Half Shell: Blast to the Past)
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This is a super crazy bad idea accent on the super crazy bad part have I mentioned it’s also a really terrible idea/10
Okay, spoiler alert, didn’t really think this Leo was that grand Leo (2014/2016)
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Painfully average. He didn’t stand out that much, Raph was part of the focus and had that touching scene at the end, Donnie was ICONIC and Mikey (with his weird-ass eyes) was super lively and funny! Leo? Uh, I don’t remember a single line he said. Because he never really grabbed my attention, I don’t have too much to say on this version. The Raph and Leo fight felt forced and the whole ‘keep this stuff that could turn us human a secret’ was pretty pointless and was added just to cause drama, I don’t even remember what that Splinter and Leo conversation was about. Design-wise, really neat! You can see some more traditional Japanese clothing/style mixed with modern (I’d feel a lot better about this assumption if some could tell exactly what the heck he’s wearing, but I get traditional Japan warrior vibes from it) in his look which was super neat! Other than that, if you like him, please tell me why because I don’t get. He was just kinda eh. 5/10
AHHH MY BOY YASSS WHOOO!! Neon Leon (2018)
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Okay, I loved Ben Schwarts already from Parks and Rec but like him being Sonic AND Leo, like DUDE. He’s super funny by himself but teamed up with this shows writing and animation, it makes it hilarious. I literally love this Leo so much, maybe because we’re alike but honestly, he’s amazing. I love his design with the red and yellow crescents accenting his skin and livening up his color pallet. He has a very healthy and natural dynamic with his brothers, he’s the first to know what’s wrong and tries his best to make up for his actions. This is really prominent in the most recent episodes, along with the episode portal jacked. In both, Leo is separated from his brothers. Portal Jacked is in a more literal sense, while Air Turtle handles in more of an emotional sense. While both are brief, Leo sees his error and tries his best to make it up to them. I love his dynamic so much and it’s so nice to see something like this compared to the unnecessary drama and tension between the brothers in the previous series. It’s refreshing and this is something a younger audience needs to see; instead of fighting, it’s better to work together and improve yourself along the way. Improvement is a big theme for Leo here. He’s a goofball, makes jokes at every opportunity and isn’t quite skilled at fighting or using his weapon. But he grows over time, he learns to manage his power and he’s working on mastering it. He’s trying to put aside his narcissism more and focuses on his family. I think the approach they took with him rising to leader rather than slapping it on his forehead was the goddamn best decision they could make. He’s making plans, finding loopholes, helping out and getting out of his comfort zone. I cannot stress how well this show has handled Leo, along with the other characters. I can’t wait to see more episodes about his growth and I am awarding him with one of the greatest honors I could give... 10/10
Storytime: I drew a super cute 2012 Leo, you should look at him. Shameless self-promo, but you should follow me on my main blog bc I’m nice and I draw pretty pictures. Also. I have a little 2012 Leo Happy Meal toy??? I think??? guarding my window and he’s been there for YEARS. I need to bring him in and refresh his paint job.
Wow! I didn’t expect this many requests for Leo, so the blog will be momentarily spammed with the requests, but it shouldn’t be too much! Up next should be the last turtle (Mikey) and then we can get to some REALLY great requests I’m eager to answer. As usual, please comment and reblog! I’d love to hear your opinion!
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