#also this song is a cover and some of the lyrics might not line up with the original but i went based on what genius said for the cover

[adhdtsukasa]

totally not what i intended to post today but also whatever, we ball. pinocchiop is my favorite vocap and i'm very autistic about both him and wxs, so, to honor the song campaign clues that we got today, allow me to present to you the reincarnation apple wxs cover line distribution i did some time ago — and why, in my humble opinion, it fits wxs much more than it fits niigo,

(the lyrics where the color changes each word are where the characters both sing at the same time but my notes app doesn't have the option to do a gradient)

i'm in no way expecting it to be an official line distribution because i did it based on my personal interpretation of the lyrics — and i feel like dedicating almost a whole big part of the song to each member might mess up with the game cut, but i also really would like to see them have solos of those parts — but they're here to help me explain my point better my point. so!

what i like about wandasho covers is that they are performers — and it should give them more creative liberty when it comes to their covers. that's why the reincarnation in this song could be simply treated as them getting into roles, reliving countless lives as actors. even though the accuracy of the lines sung is always nicely welcomed, the covers don't have to always be 100% fitting. and that's fine. especially in wxs' case, because that is a yet another story that they want to tell us.

people often say that the storyline fits niigo but i... don't see it at all? i mean, yeah, ena as the artist and kanade as the savior, that much is obvious (and i guess you could also say that mizuki as a revolutionary, but that is kind of a reach?). but what about the part describing the inventor that matches rui's backstory so well? what if you put main story tsukasa in the artist's place and draw the similiarities? what if you think about emu as the savior, comparing the savior's unconditional love to her wanting to save wonder stage and make everyone smile? the only match that doesn't fit quite well is nene and the revolutionary, but you can't have anything i guess. and then the adventurer part, which is a call back to the our happy ending set (i set out in search of an ideal — emu deciding to go with wxs in order to expand her knowledge and horizons) (and then you know, the end has come with the reincarnation apple)... and then lines like i'm not smart enough and i don't have a great cause could resonate with how people viewed emu and rui in the past.

"oh but isn't the start of the song a bit too dark and depressing for it to be a wxs cover?" kami no manimani starts in a similiar way and yet it still is a wxs cover.

and, putting lyrics aside, it just doesn't feel like a niigo song from the instrumental alone. i'm not a music expert so i don't have strong arguments for it, but for me it sounds absolutely like a wxs song. it even reminds me of sekahaji in a way.

does that mean you're in the wrong for wanting niigo to cover it? nope! i just simply want to explain why it fits. and i don't want people to complain that it doesn't make sense for it to end up as a wxs cover. because i will cry.

tldr: reincarnation as a metaphore for acting save me

[black-arcana]

NIGHTWISH Releases Music Video For 'Lanternlight' Song From 'Yesterwynde' Album

Symphonic metal veterans NIGHTWISH have released the official music video for "Lanternlight", the fourth single from their latest album, "Yesterwynde", which was made available today (Friday, September 20) via Nuclear Blast. It marks the band's tenth studio LP, following on from the release of "Human. :II: Nature." in 2020.

NIGHTWISH keyboardist Tuomas Holopainen, who once again composed most of the material, states: "'Lanternlight' was the first song written for the album and the natural finale of the 'Yesterwynde' journey. A love song, reaching for the timeless; a music to immortalize the memories of those dearest to us."

Holopainen previously said about the new NIGHTWISH LP: "'Yesterwynde' took more time to make than any previous NIGHTWISH album. The new album was intensively worked on for three and a half years. My ambition and piety really skyrocketed, and I just couldn't let go of the creative process — and didn't want to. Along the way, 'Yesterwynde' became both an exhilarating obsession and a comforting haven for me. All aspects of the making — compositions, lyrics, arrangements, cover art, videos, mixing and so on — were given more attention than ever before."

The result? There's a fascinating, but inexplicable feeling that NIGHTWISH has once again been able to find unprecedented nuances, spices and perspectives in their new works after a career of nine classic albums."

'Yesterwynde' is an experience that takes time to digest," Holopainen explains. "The gravid ingredients of the songs are easily recognizable, but beneath the surface lies a large number of intriguing details and features."

He continues: "It's interesting – but not surprising – that 'Yesterwynde' has attracted quite a variety of opinions. Some have stated that it is the most 'band' record to date. For some it appears to be the heaviest and most ominous NIGHTWISH release. It has also been called our most progressive album. And the list goes on."

And what does Tuomas think of it himself?"

To me, 'Yesterwynde' sounds, tastes and feels strongly like the true essence of NIGHTWISH — enriched with new moods and flavors."

The lyrics of "Yesterwynde" deal with large-sized universal themes: memories, mortality, humanism, time and much more. "The new album is the conclusion of the trilogy — textually, it follows in the footsteps of its predecessors 'Endless Forms Most Beautiful' and 'Human. :II: Nature.'," Holopainen says. "At the same time, 'Yesterwynde' is the band's most lyrically driven album: our music has never been so 'married' to the lyrics. So here's a tip: if something in the composition puzzles you, the words might clear it up."

"For me, one of the key lines is 'we are because of a million loves' — taken from the song 'Perfume Of The Timeless'," he continues, "Each of us is part of an unbroken chain that stretches back billions of years. If even one of your ancestors had died too young — mauled by a cave bear, for example — during this incredibly long period of time, you would never have been born. In other words: our existence is such an unfathomable privilege."

What does the term "yesterwynde" mean? Tuomas says: "It describes a feeling that cannot be found in any human language. That's why we had to invent a whole new word. The album is supposed to open that feeling to the listener."

Without taking anything away from the solid delivery of guitarist Emppu Vuorinen, drummer Kai Hahto, bassist Jukka Koskinen and multi-instrumentalist/singer Troy Donockley, it might be worth highlighting one fact: the performance of the eloquent storyteller Floor Jansen is once again unparalleled. It is simply breathtaking how the singer is able to make songs fly with her performance.

"Floor's second child was born just over a month ago, and we hadn't rehearsed together at all... So it was a little nerve-wracking to go to Floor's home studio for vocal recordings," Tuomas says. "Well, what happened? We had booked twelve working days and after six days everything was completed in style. Floor's preparedness for the sessions was something extreme."

After the recordings and mixing process, there was one more working phase. Mastering. Could you possibly guess that no shortcuts were taken at this point either?

"The album was mastered seven times until we reached the finish line — one hundred percent satisfied,", states Tuomas. "When the record was eventually finished, a three-year, extremely inspiring adventure had come to an end. I felt very, very happy."

NIGHTWISH's next steps are clear. And they are not the most common ones."NIGHTWISH will not go on a world tour this time," Tuomas says. "This was a decision made for personal reasons. But don't worry... Our contract with Nuclear Blast Records includes several albums, and there's plenty of motivation to create new music!"

"Human. :II: Nature." was released in April 2020. The follow-up to 2015's "Endless Forms Most Beautiful" was a double album containing nine tracks on the main CD and one long track, divided into eight chapters, on CD 2.

In August 2022, NIGHTWISH announced the addition of Jukka Koskinen (WINTERSUN) as an official member of the band. Koskinen, who made his live debut with NIGHTWISH in May 2021 at the band's two interactive experiences, had spent the previous year touring with NIGHTWISH as a session musician.

In November 2022, Jansen revealed that she was "cancer free" after undergoing surgery to have a tumor removed following a breast cancer diagnosis.

Photo credit: Tim Tronckoe (courtesy of Nuclear Blast)

[blackhholes]

teen wolf - wolf like me

There's a cure, comes with a kiss The bite that binds, the gift that gives

[cherrycolored-punk]

still frames - bestfriend! e.m. x fem! reader

author’s note: reminiscing about the friend I had in high school, the one who I’d create playlists with and who’d call to play his guitar for me every night. and you can’t tell me that Eddie isn’t the same type of dude. the sweet bits are based on the reminiscing. the rest is pure fiction with our favorite goof. anyways, enjoy!🧡

w/c: 5k

warnings: angst, pining, smut (oral - reader receiving, protected p in v), spanking, teasing, uhhhh let me know if I forgot anything

‼️ THIS IS AN 18+ BLOG, MINORS DNI ‼️

Raindrops race down your living room window in lines, and you watch them from your spot on the floor. It’s fall, and the lush greens of summer have begun to change color; their leaves now varying hues of orange and yellow. They create a coziness in your apartment, a warmth that feels like it envelops you and is amplified by the scent of your favorite candle; crisp apple, nectar, and warm clove spice fill your lungs with each breath you take.

Eddie lays beside you on his stomach, focusing on his phone and the playlist you created for him.

The playlists were a tradition since middle-school, a way to introduce each other to a new sound or a band the other might not have heard of. For some time, though, you’d been using it to send cryptic messages, and he hadn’t caught on. 

Your crush on Eddie came suddenly but was felt all at once. 

It was a spring morning nearly two years ago, and you’d laid dying in bed, except not really. You just had the flu, but you felt close to death and had texted him as much.

Eddie: what do you need?

You: hit me with your van, stab me in the face…please end my suffering.

He, of course, didn’t grant your wish, but he’d shown up at your apartment after work with a grocery bag full of supplies. Eddie was still wearing his navy coveralls covered in oil and smelled like grease. From what you could smell, anyway. You could barely breathe through your nose.

“I got you theraflu tea, and I don’t want to hear you complain about the taste. You just need to drink it,” he scolded before you could even complain. 

Your jaw snapped shut.

“Also got your favorite soup, four cans,” he held his fingers up, “orange juice, Vicks, popsicles in case your throat hurts, those saltines you like, and,” he turned, “I brought Scream for us to watch since I know it’s your favorite.”

It hit you like a ton of bricks, made your heart stutter, and nearly stop. 

It was the way he was smiling, the familiar excited gleam in his eye as he looked at you. It was the fact that he’d shown up after a twelve-hour shift with all your favorite sick foods in tow. 

Your eyes traced over his face like you were seeing him for the first time. The sharp edge of his jaw, the plump of his lips, the freckles that dotted the slope of his nose, and when did Eddie become so beautiful?

You’d tried blaming it on the fact that less oxygen was getting to your brain and a virus was wrecking your immune system, but now you didn’t have the same excuse. Now you couldn’t look at Eddie without noticing the pinks of his cheeks or the different smiles he had. Couldn’t be around him without yearning to hug him or hold him in a way that didn’t scream just friends.

The past year and a half had been overwhelming, the yearning making you feel hollow. Like if you didn’t say something, it would continue to eat you alive, but telling him ran the risk of ruining the friendship and that was a fate worse than being alone.

You glance over to the playlist he’s listening to, at the song playing, and clench your eyes shut.

Despite the music in your ears, you can hear the song reverberating off the walls of your skull. The one you heard that made you think of him. It plays in your head, having memorized every lyric and the way the singer’s voice influxes with certain words.

Bet you never knew it

Think you’d suit me just fine

And you know he’ll never get it, never know you’re hopelessly in love with him.

You close your eyes and focus on the song, one he chose specifically for you. 

Good Riddance plays soft, a break from the heavy metal he always added but not a song you hadn’t heard before. It brings a sense of nostalgia in the form of a lump in your throat, and you swallow hard, images of high school flashing through your mind like a retro view-master. It feels like yesterday and another lifetime all at once. The plays you were in, the various games you cheered at, going to Corroded Coffin’s shows, staying over at Eddie’s house, the first time he’d convinced you to join a campaign…the face of “I told you so” when you told him you had actually enjoyed it.

Eddie pulls the earbud from your ear, auburn hair tickling you where it meets your bare shoulder and interrupting your reminiscing. You turn to him, curious eyes meeting his steady gaze. 

“What is it?” you question with a quirk of your brow, unable to decipher the expression that colored his features. 

“Curious choice of songs here,” his voice carries a teasing lilt as he turns onto his side, facing you. 

You could feel his gaze on you, searching your features for the answer to a question he hadn’t asked yet. 

“How do you figure?” you turn, matching his pose, and rest your chin on your palm.

Eddie thought for a moment, his eyes turning up and to the left as he searched for the words. 

He looks handsome as ever, pale skin glowing from the light of your candle. Cinnamon eyes lit with a hint of mischief and something you couldn’t name. 

His eyes shift down and meet yours, a broad dimpled smile slotting into place. 

“Something tells me you have a crush on someone,” and your heart practically drops into your ass at his words.

“A crush?” You ask, half-laughing at his accusation in an attempt not to vomit.

“Oh, don’t play coy. Every song on here drones on about love,” he points to his phone, his eyebrows pushed into his bangs. 

“They’re just good songs, Edward,” you shove his head and lay flat on your back, but he follows your movements, hovering over you. Close enough that you can smell the spearmint of his gum and the cologne he wears; musk and smoked suede. It makes your mouth water, his proximity making your heart lurch in your ribcage. 

“I never said they weren’t good, Princess.” 

Your hand reaches out to push his face away at the nickname, but he catches your wrist in his grasp, a cocky smile spreading wide on his lips. 

“What happened to us not questioning the playlist, Munson? Isn’t that rule number one since day one?” You attempt to fight your wrist out of his grasp, but it remains firm. 

“Let go,” you grumble, and he shakes his head.

“Not until you tell me,” he counters.

“Tell you what?” you stop fighting, and your arm falls back near your head, his fingers still wrapped around it as though he were pinning you there. 

“Who is it?” he shrugs, but you don’t miss how his adam’s apple bobs as he asks. 

You wonder if Eddie can hear how your heart hammers, your senses overwhelmed by his sudden inquisition. 

“There isn’t anyone,” but your gaze turns from him, and he knows you’re lying. 

“Not good enough,” he shakes his head.

“Why does it matter?”

“Because I need to know,” you look back at him. The need you’d felt for the past year reflected in his gaze.

Time slows.

“Why?” your voice is softer, barely above a whisper. Breath held as you wait for his answer. 

He lets go of your wrist and settles back at your side, reaching for his phone as you watch him. The anticipation of his response pushing you closer to cardiac arrest. 

Eddie pulls out your other earbud and places one of his own in your ear. 

I Want You plays, and you recognize the familiar sound of Mitski’s voice. One that is full of yearning and a palpable sorrow. You look at him with a curious upturn of your brow, a silent question, and he turns the screen of his phone towards you. 

It’s a new playlist, one you hadn’t seen, and it bears a simple title: your name. 

A million thoughts race through your head, but you can’t find the words or the right question. 

“Mitski?” You decide to tease, your cheeks warm as the feelings rush through you. The realization that maybe, just maybe, he loved you too. 

“Shut up,” he grumbles, but it’s full of affection, and his face leans closer—his gaze darts between your eyes and the swell of your lips. 

Your mouth parts in anticipation, eyes fluttering shut as your head lifts to meet him halfway. 

A small gasp escapes your lips at the first contact, his lips softer than you’d ever imagined. Slotting perfectly together with yours. He tasted like the gum he chewed and the soda he’d had; sweeter than you thought he’d be.

Eddie’s hand cups your face, gently holding your jaw as his thumb rubs the apple of your cheek. Holding you almost reverently. 

The kiss deepens as he pulls you on top of him, his tongue tracing the curve of your bottom lip, asking for permission. Your tongue swipes against his in response, and you swallow the moan he feeds you - fingers tangling in the fabric of his black t-shirt as he holds you to him. 

His large hand wanders down your back and over the curve of your ass, gripping the dough of it. You can’t help the circle of your hips as you grind against his thigh. Chasing the friction you so desperately need. 

Your lungs begin to ache as the kiss deepens, desperate for oxygen but more so for his touch, and you roll over, pulling his weight on top of you. Enjoying the feel of his body pressed into yours, and his knee slotted between your legs. 

Eddie pulls away, taking a deep breath to fill his burning lungs, and you chase his fleeting lips - eyes still closed. He chuckles, rubbing your cheek affectionately - memorizing the softness of your skin and the warmth of your body underneath him.

You breathe in deeply, gaze finally meeting his, and the first thing you notice is the flush of his cheeks. Then the way his brown eyes are almost obsidian; darkened with need. His nose brushes yours as he leans in for another kiss, just as soft as the first but quick so he can look at you again. 

“Are you finally going to tell me who it is?” He questions, lips hovering over your jaw, and you can barely breathe. Anticipating his touch. 

You shrug your shoulder, not ready to admit to defeat. 

“Couldn’t tell you, just some guy,” you play with the collar of his shirt, acting aloof. 

“Just some guy,” he repeats with a shake of his head, pressing a kiss to the space between your jaw and your ear. 

Your breath comes out shaky, and you can only nod.

“Was hoping it was me, Princess,” he kisses down your neck causing goosebumps to sprout along your arms.

His lips press against the skin of your shoulder, pushing at the strap of your dress with his mouth to nudge it out of the way. 

The curve of his lips is a whisper above your skin, his head dipping down and tracing the tops of your breasts. You arch into his touch, desperate to feel his mouth over every inch of your body. 

He stops abruptly, his head lifting back to hover over yours with a mocking grin. Enjoying how he already affects you, the way you whine when you don’t get what you want. 

“As if you don’t know the answer,” you gruff, and he leans in, shaking his head. 

“I want to hear you say it,” he whispers, face inches from yours—a dare. 

The stubborn part of you wants to deny it, wants to keep the secret close in case this was all in jest, but there’s another part that yearns to hear him say it too. To hear him say it back. For it to be more than a private playlist with your name attached.

“It’s you,” and you almost want to disappear. To sink into the floor or to be swallowed whole. Despite the kiss, despite the way his body presses closer to yours when he finally hears you say the quiet part out loud. Saying it out loud made it real, the threat of losing him as a friend more imminent. 

But his mouth is back on yours, more fervent than before. His hand traces up your thigh and grips the soft flesh. Pressing himself against you. 

You kiss him back with just as much need, an eager hand pushing at the hem of his shirt until you feel his skin. The curve of your nails drags lightly down his abdomen, stopping just above his belt. Enjoying the way the coarse hairs that lead into his pants feels against your fingers. Your other hand curls in his hair, holding his face to yours. 

Eddie shudders at the sensation, a small gasp spilling from his lips as they leave yours. You look at him through hooded eyes, a slight grin slotting into place when you notice his flushed cheeks and hair slightly disheveled. 

Energy thrums through you, making your heart pound. God, you want to make him gasp like that again.

“Was that so hard?” He questions, his expression a little cocky despite his breathlessness, and if you weren’t so eager to kiss him again you might just push his face from yours. 

“Shut up,” you say affectionately and kiss him again. 

Soft, sweet. Relishing in the feel of his lips until it isn’t enough. Until the carnal hunger can’t be ignored. 

Your tongue swipes against his lower lip, and you suck it between your own. Swallowing his low moan. The palm of your hand trails lower, small fingers wrapping around his handcuff belt. Breath caught in your throat until it makes your lungs burn, and you pull away. 

Eddie watches you, your slow, languid movements causing him to hold his breath in anticipation. His long, callused fingers push up, up, up until you feel them beneath your panties, matching your pace, creating a line of fire wherever they meet your skin. 

His belt falls open with a rumble of metal, and he presses his forehead to yours; hand gripping your ass, fingers spreading you apart, and edging closer to your center. 

Your palm rubs against his coarse pubic hairs as you slide your hand further into his boxers, a small gasp escaping your lips when your fingers rub against the warm length of his arousal. Eddie is bigger than you had imagined, and you’d spent plenty of time picturing him while in bed. Legs spread and fingers working you over the edge. But this is better than a daydream. 

His cock jumps against your palm as you wrap your fingers along his shaft, exploring the soft skin and the thick vein that lines his length. Your thumb brushes against his tip, collecting the pre-cum that leaks from it. 

Dark eyes watch as you remove your hand and bring your thumb to your mouth, tongue swirling against your digit before sucking it clean. 

A groan escapes Eddie’s lips, his jaw slack. Eyes hooded with need. 

His next movements are fast, quicker than your mind can keep up with.

He flips you onto your stomach, mouth racing down your back eagerly; needy hands pushing the fabric of your dress up until your ass is exposed. 

“This okay,” he questions, fingers hooked on the lace of your panties, and you whine, ass wiggling eagerly beneath him in response. He slaps the fat of it, a cocky laugh falling from his lips, but he wastes no time.

Eddie tosses your panties over his head absently; gaze focused on the swell of your butt. He hooks an arm around your waist and drags you up on all fours until you’re bared to him. His hands are on your ass like an anchor as he dips his head closer. 

The scruff of his beard scrapes against your soft skin, his warm breath felt against your spine. Each kiss is slow and deliberate, felt in your core as his lips trail down the small of your back and over the valley of your ass. He grips your cheeks and spreads them, revealing the rim of your ass and your glistening cunt. 

“So fucking pretty,” and he practically whimpers at the sight, grabbing his cock to adjust the strain against his jeans. 

He traces his middle finger over your slit and to your bundle of nerves, creating a circle around the bud; a sensation that makes your hips jolt, a soft moan escaping your lips. 

You breathe in sharply when you feel the nudge of his nose against your sex, his tongue swiping along your folds. Savoring the way you taste. 

He teases you, tongue flicking against your clit before swiping towards your aching center and stretching you over his tongue. A guttural moan escapes your lips, your nails digging into the plush of your carpet at the sensation. 

Eddie buries his face deeper, pushing his tongue further into you with a groan that vibrates through you. 

“Oh my god,” you keen, reaching behind and knotting your hands into his hair. You grind against his face, eyes rolling as his tongue darts in and out of your sopping cunt. Fingers pressing into your clit. 

“Fuck,” he moans, voice gruff. 

His tongue laps at your arousal, middle finger prodding your entrance. You release his head, bracing against the carpet. He stretches you inch by inch before adding another, his digits curling inside you. Slowly, he begins to pump them into you, hitting a spot that makes your breath catch in your throat. You clench around him, the orgasm already building.

“Eddie,” you whine, spurring his movements to quicken. For his mouth to wrap around your clit and flick his tongue against it, eager for you to come undone.

You ride his fingers, desperate for the release and out of your mind with need. Body humming, warmed over from the intensity of your arousal.

“Gonna come for me, Princess?” 

You nod your head, pushing your pussy back against him. Desperate for his tongue on your sensitive bud. 

“S-so close,” you stammer. 

Every muscle in your body tenses, and you bury your face in the carpet as the feeling crashes over you. For a moment, you can’t breathe. The moan trapped in your throat and eyes clenched shut until, finally, your center unfurls. 

Your cunt flutters around Eddie’s fingers, and you moan his name as your legs begin to shake, but he doesn’t stop. He continues to pump his fingers into you, groaning at the noise it makes and the way your pussy grips him. His tongue flicks wildly against your clit, eliciting a loud groan to escape from your lips. Your legs shake more intensely as tears spring to your eyes. Bordering overstimulation. 

“Eddie, Eddie, Eddie,” you beg, and suddenly, he pulls his fingers from you. Fat tongue dragging against your wet heat and savoring every drop of your essence. 

He slaps your ass once. Twice. Leaving kisses where his hands were before and trailing them up your back, pushing the fabric of your dress up with him until he pushes it off entirely. 

He’s bent over you, torso pressed to your back. Hard arousal pressed to your sopping center. Warm breath felt against your neck as he whispers.

“Sound so fucking pretty, want to hear you again. Want to watch you.” 

He presses closer to you so you can feel just how badly he wants you, and you shudder. You match his movements, pushing your ass back against him, turning to watch the way his eyes close and his jaw clenches. 

“Do you have a condom?” You whisper, and his eyes open abruptly, searching yours.

“Y-yeah,” he stammers, nodding his head late as though his body was just catching up with his thoughts. 

But he doesn’t move, and it makes you feel shy. A little unsure of yourself. You squirm beneath him and flip over so that you’re face-to-face. 

“We don’t have to,” you rub an absent hand against his face, trying not to think about the fact that you were mostly naked and he was hovering inches from you, fully clothed. 

Eddie shakes his head and leans closer.

“I want to,” he says with more conviction and kisses your cheek, brushing his lips along your jaw. 

“You have no idea how bad I’ve wanted to,” he whispers against your neck. 

His tongue swipes along your neck and nips at your soft flesh. A free hand wanders down your side, creating goosebumps in their path. 

“Have you thought of me?” You ask, dragging a hand down his sternum to the top of his still-open jeans. Your voice is teasing, heavy with a flirtation he’d never heard before, and he nods. No longer cocky, hovering above you but entirely at your mercy. 

“What have you thought about?” You push your hand back into his boxers and begin to stroke him, jaw going slack as you watch his eyes flutter shut. 

Eddie groans, the fingers at your side digging into your skin.

“Y-you in my bed,” he stammers, mind occupied by the feeling of your hand wrapped around his dick. Your grip tightens around him, your grasp firm as you pump his cock faster.

“Is that it?” You whisper against his mouth, nipping at the pout of his bottom lip. He follows your mouth as you pull away, and he shakes his head.

“Thought about how good you’d look as I fuck you,” his words are a little breathless, but they cause your thighs to clench. 

The movement isn’t lost on him. It spurs him on, the familiar cocky grin slotting into place—a glint of mischief in his eye. 

“You’ve thought of it too, haven’t you?” His nose brushes yours, lips hovering over your mouth as he waits for your response.

The shudder that runs through your body gives you away, and you nod. Hand still pumping his cock.

Eddie kisses you more tenderly than you expected. His lips soft against your own, relishing the feel of you. 

“How often?” He questions, mouth still hovering over yours. Hand tracing down your thigh and up again.

You try to concentrate, hand still working him but your rhythm unsteady as you debate to tell him the truth. 

“Every day,” you stroke him again, “sometimes twice a day.”

His mouth crashes against yours, all teeth and tongue. Your hand reaches from his boxers and begins to push at his jeans. He helps you, one hand next to your head, holding his weight above you, and the other helping push his jeans until he kicks them off. Eddie sits up and tugs off his shirt, revealing the expanse of his torso—the dark lines against his alabaster skin. You trace your fingertips over them, lips pressing against his chest as he reaches behind you and unclasps your bra. Eddie tosses the fabric aside, eyes fixated on the curve of your tits. 

“Fucking hell,” his voice is low, appreciative, and he reaches out to trace his fingers along your newly exposed skin. Your back arches into his touch, watching his thumb roll against your nipple and pinch the sensitive flesh between his fingers. A moan falls from your lips, and your head rolls back, legs closing around him.

His head dips to your neck, and he kisses down your chest, over the slopes of your breasts. 

Eddie’s tongue flicks and sucks, pulling your nipple between his teeth. One hand gripping your hip and leading you back down until you’re lying beneath him.

He reaches for his jeans and grabs his wallet, pulling a condom out. 

You stop him before he can unwrap it, “Wait.”

“Are you okay?” He stops and watches you with worry.

“Can we,” you pause, “can we go to my room? To the bed?”  

“Afraid of a little carpet burn, Princess?” He teases, and you swat his bicep, pushing at his chest so you can move past him. 

“Shut up, Munson,” you push his face, but he grabs your hand, standing and pulling you along with him. 

You turn from him to walk to your room, and he slaps your ass, causing you to yelp as you run away from him, your giggles filling the apartment. Eddie chases you, hand reaching out to slap your butt cheeks every so often until you reach the room and suddenly turn to face him.

His chest crashes against yours, and your chuckle dies when you look at him again. The desire in his eyes, the blush that’d crept into his cheeks, and the state of his hair. You reach between your bodies and wrap your hand around his cock, pumping him as he leads you to the bed.

Your back plops against the soft mattress, and he drags your ass to the edge, legs spread wide for him. 

He unwraps the condom and rolls the rubber down his shaft, one thumb drawing circles against your clit. Gathering your slick. 

You pant as he works you up, whining when he stops, only to jolt when his wrapped length rubs against your slick folds. Your fingers wrap around his wrist as he inches into you, his eyebrows pushing together as your cunt wraps around his cock.

“Holy fuck,” he groans, gripping your hip with his free hand. 

Eddie is a stretch, but the feel of him pushing into you is delicious - every inch making your toes curl. 

“Oh,” you moan, and it’s all you can manage. Words turning to nonsense once he’s fully seated inside of you. 

He leans down and kisses you, lips hard against yours as his hips roll into you. His rhythm starts slow, pumping into you at a languid pace. Savoring the way you feel, the way your moans sound, and your naked chest feels pressed to his. 

His movements quicken, the snap of his hips growing louder as he juts into you. You pull away from his lips and dig your nails into his bicep. He presses his forehead to yours, eyes focused on where your bodies are connected. Watching the way your pussy sucks him in, clenches perfecting around his shaft, and the image of you draws him closer to the edge. 

Eddie pushes off the mattress, straightening your legs until they’re pressed against his torso, one foot resting on either side of his head. He has the perfect view of you; the bounce of your tits as he ruts into you, the way your mouth hangs open, and your eyes are entirely focused on him. 

He pounds his dick into you, one hand moving between your legs and drawing circles against your bud. 

“Eddie, ahh, oh fuck-” you grip his forearm as he continues to thrust every inch of his cock in and out of your sensitive cunt. 

“You like that, baby?” and you nod.

“Say it,” he groans, hips stuttering as he nears his pinnacle. 

“Feel so good, Eddie,” you moan, and the way you say his name makes him clench his jaw. Trying his best to maintain composure until you come.

“Going to come for me, sweetheart?” and it sounds like a demand. Your nails dig into his skin as you nod. 

Your eyes trace down his body, watching the movement of his hips and the way your ass reverberates with each movement. The image of him, the erotic sound of skin on skin, bringing you closer.

“Please,” you beg, back arching off the bed as you get closer. The rubber band at your center stretching thin and ready to snap.

Your legs fall from his shoulders and hook around his waist, pulling him closer. Deeper. Exactly where you need him. The tip of his cock nudges your spongy center, the orgasm building with each rock of his hips until it’s enough.

His name is on your lips like a prayer, vision white as the intensity of the orgasm pulses through you. 

“Baby,” he groans, the grip your pussy has on him causing his hips to stutter and the muscles in his abdomen to tighten as he reaches his peak. His hands grip your thighs, his dick twitching inside you as he spills into the condom.

You come down for your orgasm and watch him through hooded eyes—the flush of his pale skin, the sharp edge of his jaw.

So fucking pretty.

He releases his grip on your thighs and slowly inches out of you. 

You whine at the loss, already needy for more, and he gives you a cocky smirk. Eddie presses a quick kiss to your lips before disappearing down the hall, and you listen as the faucet squeaks, then off before he returns. 

He approaches you with a warm washcloth, and wipes your center before discarding it into your nearby hamper. 

You pull him forward, resting his weight against your body. For a moment, the two of you sit in silence. The only sound filling the room is your heavy breaths and the faint thrums of your hearts. 

“That was-,” and he can’t finish the sentence. Unable to find the right string of words.

Eddie pushes his weight off you, balancing on his hands and meeting your gaze. He leans closer, his nose tracing yours, and he kisses you softly—a hum vibrating against your lips when he releases your mouth.

“Decent,” you shrug and roll your eyes affectionately. Falling into your usual teasing.

“That was some of my best work, babe,” he gasps, feigning shock. Hand to his chest as he stands straight. 

Your heart skips at the nickname, but you try to hide it. Babe. 

“Guess you’ll have to show me again,” you shrug and push yourself further onto the bed. 

Eddie raises a devious brow and follows your movements, his body inching forward as yours inches back. 

“I can show you again,” he kisses you, “and again,” he kisses you once more, “as many times as it takes to convince you,” he promises.

[eff4freddie]

Privates

Joel Miller AU x Javier Pena x AFAB Reader/You

Word count: 9k

Joel takes a second job at the local strip club, hoping to cover Sarah's fees for her fancy new private school. He just has to make sure no one's gettin' too rowdy, and watch out for the girls. It would be really simple. If it weren't for you.

Warnings: porn with plot, this is a Joel Miller story but it's about a strip club so obviously Javi is there, reader is a stripper, no shame get your dollars ladies, MMF, Oral (f receiving), slow burn then smut, also a couple of other cameos, reader has limited physical descriptions other than in reference to her lady parts, this is really filthy even for me, pining while Joel really trying to hang on to some semblance of morals, Javi says maybe two words? Explicit. Minors DNI.

He thought his hearing was bad before he took the job, that years of construction work; drilling, hammering, screaming at Tommy for fucking up the A-frame, would be the thing that robbed him of one of his more essential senses. But it turned out it wasn’t that, it was the incessant bass, the thrum of the sub-woofer reverberating around his skull. The way he felt it jolt his spine, Mikey the DJ hell-bent on obliterating the patron’s ability to think straight with sound alone, as if the watered down booze wasn’t toxic enough to cloud their judgement.

But Sarah needed to go to the fancy school, the one with the uniforms and the shiny brochures, and he hadn’t figured it would be all that mentally taxing. He could do without the late nights at his age, but he got paid after-hours rates to basically walk around and look menacing, and only once or twice a night did he have to actually step in and boot a guy. Sarah had just joined the debate team. Like she needed any help with arguin’.

He'd only told a handful of friends, Tommy so that he knew if he was late to a job it wasn’t because he was on a bender but just because he was working late, a couple of the guys at poker night because he thought they might get a kick out of it. They had, immediately asking him to get them in without the cover charge. He’d refused, but in a good-natured way, and so far they’d steered clear of the place.

He wasn’t sure why he was shy about it, if that’s what it was. Giving the air of authority, trying to be respectful while the girls did their work. He mostly ignored the stage, felt his cheeks burn if he happened to look up to see a girl bent over, thong waving in a guy’s face. He scanned the floor, walked the halls outside the privates, kept his eye on the clock and the bar, waited for his break so he could take a load off and get away from the kick drum assaulting his temples.

The guys kept telling him he’d won the lottery, lucked out on a dream job. And he would agree, except for you.

He’d met you on his third shift, right when he was allowed to walk the floor without a supervisor. He was already learning how to read the floor, how to pick up on cues from the girls that a guy was trouble, was figuring out that just standing with a scowl on his face and his black shirt on in a darkened room was often times enough to keep a blowhard in line. He was getting used to the girls tipping him at the end of a shift, although it felt weird to take their money when he’d just seen how they made it. He was getting used to the dull ache in his knees, in the soles of his feet, reminding himself not to complain when he saw the six-inch plastic heels the girls traded in.

He was learning that each girl picked their music, that often times the songs they chose reflected their dance personas, the girls dancing to pop songs going for the cutesy vibe, the girls dancing to heavy guitar riffs and shouty lyrics dressed up in black and red lace, dangerous and menacing. He was getting used to the way the room shifted in response to whatever was going on stage, was noticing he needed to pay more attention when the younger-looking girls, the blondes in pigtails, took to the stage.

He felt the room go quiet, a kind of hush when your name was called. The shift was enough to make him pause, mid-stride, moving his gaze from a man trying to buy a drink for a girl he suspected was under 21, to the stage. The heavy bass hit him in the chest, the stage lights purple and red, when you emerged, thigh first, from behind the tatty little red curtain. You were all hips and cleavage, all gentle curves and smooth lines, skin glowing and buttery soft under the stage lights. You moved slowly, your hands ghosting over your breasts, as you made eye contact with every patron in the room, your red painted lips curling into a knowing smile as you regarded them, as you took purchase of them, as you measured them and found them all wanting. You were selecting your prey, he could see it in your eyes, and he was fully prepared for your gaze to skip over him, to see his outfit of black and his number around his neck and know that he was a non-starter, except that as soon as your eyes landed on him they stared there, and he could swear you added an extra little wiggle in your hips for him, an exaggerated dip as you held the pole to you and swivelled around it, as you winked at him, fucking winked right there in public like it wasn’t the most obscene thing you could have done in this environment, and he felt it then, that the two of you were in it together, that you had let him in on the grift, that if you were his Bonnie he would do everything he could to be your Clyde.

He turned as you got busy, gave you the privacy he felt you deserved as you shimmied your skirt down, and he found he had no idea where to look now, had forgotten his rotation, had been thrown completely from his rounds. He wanted a shot of hard whiskey, the proper shit that they kept for the high-rollers, he wanted to go out the back to the employee bathroom and dunk his head into the sink. He wanted to march up that stage and pull you off it, bundle you into his car and disappear with you into the night, his fingers nestled in your wet, wanting cunt as he drove, claiming it back from all the men you’d ever shown it to.

He balled up his fist, wondering what exactly had just fuckin’ happened to him, lifted a hand to rub at the back of his neck. Out of the corner of his eye he could see you revolving around the pole, your legs curling into the air in front of you so that, if he were to look, he would get a perfect view of Eden between your thighs.

He figured he should check the back room. It had probably been a while since anyone had.

--

You weren’t there every night. From askin’ around, none too subtly he suspected, he’d learned you were studying your master’s degree, taking classes in the daytime then coming by to work some shifts. You’d been there for a while, degrees are long and hard to get, and you mostly kept to yourself. Sometimes on slow nights you read your textbook in the dressing room until someone dropping cash came by. He felt his pulse quicken at this, at the earnestness of it, the innocence in it, and he resolved then that it would go no further. He would stop. He wouldn’t check the roster to see which nights you were working, wouldn’t watch the back door until he saw you appear, bundled up in a winter jacket and a heavy bag over your shoulder, in sneakers and jeans and somehow all the sexier for it, wouldn’t make shitty mistakes on the job site because he was distracted, waiting for your next shift to roll around, wouldn’t stalk the floor sullen and moody on the nights you weren’t in. He would do none of that, because he was too old for a schoolboy crush, because you were both working professionals, colleagues even, because it could never go anywhere without some sort of destruction, because Sarah was doing so damn well in her new school.

He watched out for you. That was his job, to watch out for all the girls. He watched out for you when you started to approach a guy who was already four drinks deep and threatening to get handsy, stepping in before you got to him to redirect him to a glass of water, then the door. He watched out for you when another girl got too drunk or too high and started causing a scene right beside where you were standing at the bar, pulling her away gently by the biceps before she could shatter a bottle and ricochet any glass into your general direction. He watched your back when you were in the privates, kept a respectable distance outside the open doorway, the little U-shaped couches meaning often times all he could see were the guy’s legs, sometimes the cream of your thighs as they dangled over his, the curve of your calf easing into the point of your heel. He watched out for you as you retreated to the dressing room for a break, kept an eye on the door to make sure no patrons tried to slip in while you were resting. He steered clear of the dressing room itself. That was your private space, you and all the girls. He had a little office back there, but he would just make sure to take everything he needed with him at the start of his shift, take his breaks in the back room amongst the toilet rolls and broken sound equipment.

He watched out for you when he wouldn’t let you tip him, figuring you needed it for school, gently pushing your hand away when you tried to pass him a twenty at the end of every shift.

--

Sunday nights were dead.  Most of the girls never worked it, preferring instead the busier nights, the bucks’ parties and the bigger crowds. There was only a small subset of girls who worked the Sundays, the ones who tended to have regulars come in to visit them, the ones who liked the chilled-out vibe a little more, who used the downtime to practice new tricks on the pole or discuss hair removal and boob jobs right there on the floor. Those were the nights when he felt everyone was a little more themselves, that the grift was a little lesser, when the patrons were generally more well behaved so the girls could let their guards down. No one felt like getting up to all that much bullshit on a Sunday.

But his feet didn’t know any of that, protesting all the same despite the more relaxed vibes, and he was hovering behind one of the booths on the floor resting his hip on it to ease the pressure off one foot for a moment, before shifting his weight to the other. This little method meant he could stay standing, more or less in the same position, for sometimes up to an hour. But on the quiet nights, with so many empty booths around, it was all the harder to resist just sinking down into the cushions and stopping the blood pooling in his shoes.

Candy Jane was on stage, shifting her hips without much conviction, a couple of regulars already with their girls. He could see you, propped up in a corner booth, your eyes on the stage but unmoving. He thought you looked tired, wondered if your feet were hurting as much as his were, and he thought long and hard about sliding in beside you, pulling you into his lap and nudging your head onto his shoulder.

You looked up, then, swivelling your eyes to him and he felt his stomach drop. He was about to start another round of the privates just for something to do but you were getting up on your feet, strolling over to him, the singles and twenties strapped to your thigh by your garter.

‘Joel,’ you said, grabbing his hand and pushing him into a booth behind him. ‘Come sit by me, I’m bored.’

He had seen you flirt with the patrons, a kind of hyper-sexualised bunny thing that promised them every sexual desire they could ask for without ever actually delivering, the art of the tease so acute in you that none of them seemed to even realise they’d been played. He marvelled at that, always kind of admired it, at the street smarts of the girls extracting money from the men who thought they had any power in the situation. He looked at you now, sitting an arm’s length away from him, and felt almost entirely under your spell.

‘Not s’posed to sit on the floor when I’m workin,’ he said, almost apologetic, and you shrugged your shoulders at him.

‘It’s dead, Joel-y,’ you said, and you weren’t flirting with him now, you were just yourself, and he liked you all the better this way, all the more for the earnestness of you, for this version of you none of the other men ever got to see.

‘Just don’t be offended if I have’ta get up and leave quick,’ he said, and you smiled at him.

‘I don’t think you could ever do anything offensive,’ you said, and you were kind of teasing him but also really meant it, and you watched him blush, shifting his body in his chair to face a little further from the stage. ‘Why don’t you watch?’ you asked, rolling your ankles and feeling the tendons stretch. You were hoping your regular would show up soon so you could finally earn something, the house fee already putting you in the red.

‘S’not right to watch, not here for my…jollies,’ he finished, and you grinned at him.

‘Your jollies?’ you teased. He huffed out a shy laugh, looking down at his lap.

‘Y’know what I mean,’ he went on. ‘M’workin’, we’re all workin’.

‘You aren’t curious to take a peek?’ you asked, leaning closer to him. If he was a better man, he would have been able to resist the urge to peak down the top of your dress, the silly little spandex straps barely holding you in, your tits heaving with your breath and with how heavily you were teasing him.

‘Course I am,’ he confessed, almost hissing it out over the bass thumping through his body.

‘A man of principles,’ you appraised, moving back to give him a little break, wondering if he was hard yet. You knew he watched you closely, knew that he lingered outside the doorway for you more than any other girl when you were in a private, knew that he was going out of his way not to look at you when you danced on stage, and the innocence of it, the thrill of it when you had everyone else’s attention except his, it fascinated and annoyed and scolded you, tickled you around the collarbone. You watched as he scratched at the salt and pepper patches dotting his jaw, at how he swallowed so hard his muscle ticked and strained under the force of it.

‘Why don’t you take my tips?’ you asked. Candy’s dance slot was nearly over, and you were waiting to see Destiny. She’d promised to show you one of her new pole tricks hanging inverted, and even after all this time you still hadn’t worked up the courage to do that.

‘You need to save ‘em up, get your degree,’ he answered, without thinking, finding it so hard to think through the want for you, for the proximity of you, now that he could smell your perfume and feel your body heat along his side.

‘You know about that?’ you asked, surprised.

Oh shit, he thought. Just like that he’d fucked it.

‘One of the other guards, he mentioned it. Said he saw you reading a textbook one time,’ he covered, as quickly as he could given the circumstances. You nodded at him, as if this satisfied you, but he wasn’t sure if he’d actually pulled it off. His throat was dry, and it was so hot in the club, was it always this hot in the damn club? First chance he got he was gonna call his HVAC guy.

‘What are you studying?’ he asked, but you were smiling then, eyes bright and over his shoulder.

‘Hey, Javi!’ you squealed, giggling and rising from the booth, pushing your chest out and wiggling towards the man Joel had come to recognise as your regular. The lucky bastard always wore aviators, his jeans so tight Joel was surprised he didn’t burst a button when he got a hard on, his moustache quirking up in greeting to you. Joel wondered if you would ever squeal and rush towards him like that, not caring for one second that it was just part of the grift. 

--

You’re not on shift, haven’t been on shift for a week, and his bones itch under his skin, his feet pacing up and down the carpet outside the privates, patrolling the floor like it insulted him. He hates that he checks the roster at the start of every shift and doesn’t see your name listed, hates that he’s worried about you; that you’re sick, that you’re hurt, that you’ve fucking left. He’s useless at his real job, nearly degloving his entire hand with a band saw he was so distracted wondering if he’d see you that night. This can’t go on, and he knows that, but he just needs to know what happened to you, just needs to know that you’re OK, and then he can get back to being dead inside.

Because that’s what you’ve done to him, he realises. You’ve made him feel alive. He can’t resent you for it, you didn’t know it was what you’d done, but it sets his teeth on edge and it unnerves him in a way that makes him consider quitting, finding another club, maybe not a titty-bar, maybe something he can actually put on his resume. He considers it while simultaneously knowing he won’t do it, would never do it, that he’s too far gone even while he can’t go any further.

He stops checking the roster. It hurts in a way he can’t quite get his head around, a pain he doesn’t have any room to accommodate sitting tight and hot in his chest. He keeps his eyes on the patrons and the clock. He takes his breaks in the back room. He feels tired down to the bone.

--

Two weeks after he’d last seen you, he starts his shift the way he always does, going into the back before too many girls arrive to put his bag in his locker and fill his pockets with whatever he’ll need for the rest of the night. He’s busy trying to put a protein bar in his pocket in such a way that it doesn’t look like he has a hard on when he hears footsteps behind him.

‘Joel-y’, you say, and he swings his head towards the sound so hard he thinks he hears something snap. You’re smiling at him, dressed in your jeans and a Fleetwood Mac tee, and he has to consciously remind his heart to keep beating. You’re holding one of your enormous heels in your hand.

‘Where have you been?’ he blurts out, not caring that he sounds needy. You blink at him, surprised.

‘You missed me?’ you ask, and you’re teasing him but he doesn’t care, because he’s glad all over that you’re back and he’ll take all the sass in the world from you if you just stay there.

‘You didn’t…’ Didn’t what, he thinks. Didn’t check in with me? Say goodbye? There’s no reason why you would have. Didn’t promise you weren’t grossed out by him, that he’d made you so uncomfortable you’d gone to work at another club? ‘You didn’t mention you were taking a break,’ he said, eventually.

‘Oh, I had mid-terms,’ you say, breezily. He’s stepping out of his little office now, trying to put space between you before he says something else blatantly insane and stupid, hoping to go back to just looking at you from dark corners while he furtively hopes you don’t see.

‘Wait,’ you say to him, grabbing him by the arm. You hold your shoe up, and he can see where the strap has come away from the base. He takes it from you, feels the brush of your fingertips as he does it, tries to ignore the little flip in his tummy.  

‘Leave it with me,’ he says, stepping towards the backroom where he knows there’s superglue. ‘You got another pair?’

‘Yeah, but those are my favourites,’ you say, looking up at him carefully, watching his face for something. You haven’t got your heavy stage make-up on yet, haven’t curled your hair into gentle waves, and you’re so beautiful like this, he thinks, when he can see the actual colour of your lips, your cheeks.

‘Twenty minutes,’ he says. You smile at him. He wonders if you’ll put your hand on his arm again. You turn away.

--

In the backroom he sits on an upturned milk crate, holding the strap to the base so the superglue will affix to it. If he had his tools he would try and nail it down, but there’s a chance he could shatter the base and these heels seem expensive for something that makes all you girls look so darn cheap.

Your shoes are so small in his hands, and he imagines just for a second its your foot he’s cradling in his lap. He has the presence of mind just enough to wonder what fucked up version of Cinderella he’s trying to live.

He checks the strap, pulls hard on it three times, before he’s satisfied enough to give it back to you.

--

He realises his error, but it’s too late to do anything about it now. He had mentioned to the guys at poker that Sundays were the quiet ones, that the music was just low enough to be able to think, that the girls mostly entertained themselves while their regulars paid them to chat, sometimes to dance. Where you could always get a seat at the tipping rail, could even swing a three song dance out of a twenty if the girl was bored enough.

He feels the drop in his stomach when he sees them, approaching the bar en masse. He can’t remember where you are, he’d lost sight of you between the booths on the floor and the privates, and he tries to remember what time your stage slot was, having checked the roster again despite swearing black and blue he wouldn’t. They haven’t seen him yet, and he wonders if he can just slip out the back and make a break for it, tell them he was sick so he wasn’t working, and they need to fucking call him first. He knows them, knows that they’re not bad guys, that they’re here to keep him company and maybe see some butt while they’re at it. But it stirs in him a deep panic, that they will see you, that they’ll get their eyes on you before he’s really even let himself have a chance to, before he can make you all his own.

A silly little delirious part of him, right at the back of his skull, whispers that it’ll make your wedding really awkward. He shoos it away like an errant mosquito.

Benny sees him, then, is waving him over.

‘Joel, we made it!’ he yells over the music, the guys turning to him to welcome him into the circle. Tommy is already at the bar ordering the beers, but he nods to his big brother. Joel worries for a second that you’ll like his brother better, before he remembers you don’t even like him at all.

He stalks over to him, his jaw aching from the strain, while he looks through the darkness to try and find you. He’ll just have to run interference for a while, keep them busy while you work the floor, try and bundle them back out into the cold before your stage slot.

‘Gentlemen,’ he says, laced with irony, and they’re slapping him on the back, welcoming him in. He reminds himself these guys are mostly Tommy’s friends. Wouldn’t be that sad if he never saw them again.

Frankie tries to hand him a beer but he pushes it away. ‘Workin’.’ He says, simply.

‘More f’me,’ Frankie grins from under his cap.

‘So where’s the best place to sit?’ Benny asks, surveying the room. There are a couple of girls walking the floor, Amber on the stage twisting her hips to the music while staring out over all of their heads.

‘You gotta tip if you sit on the rail,’ Joel says, simply, and Benny nods.

‘I got singles!’ Pope says, ever the responsible one, always the one planning. ‘Sorry, hermano, not enough for you.’ Joel grins at him. Pope can stay, he thinks. Pope will keep his mouth shut.

‘Look, you sit in that booth there,’ Joel says, pointing them to the centre of the room, ‘you can see the stage perfect. You wanna tip a girl though, you gotta get up onta the rail, make sure they know about it.’ He leans in a little, like he’s sharing a secret. ‘These girls work real hard. Make sure you treat ‘em right, ok? They’re good girls. Smart girls. You don’t come here just to look and not sling ‘em some hard earned.’

‘Yes sir,’ Pope says, making a salute that Joel considers might actually be real. He can’t be sure. Tommy was the one who spent a few years in the army with them, not him.

‘Vamos!’ Pope calls, rounding them up and shoving them down onto the cushions. Now Joel just needs to figure out where you are.

--

You keep fuckin’ evading him. One minute you’re in a private, the next you’re at the bar chatting to a patron, trying to get him to buy off the top shelf. Electra is on the stage, and Tommy is entranced by her, the bills practically falling out of his hands while she bends to pick them up with her teeth. It’s distracting Joel, trying to keep an eye on them while also trying to keep distance between you, and the boys are inviting girls over to them, beckoning to them from the stage to come sit by them, and he knows it’s not long before your dance slot is up, knows that as soon as they see you they’ll want you, that they’ll beckon you over, that you’ll fuckin’ go.

He can’t be everywhere, can’t keep doing his job while also trying to manage this situation, has to keep pacing the privates to keep the other patrons in line. He never thought there’d be a time that he wished that fuckin’ Javi guy would show up just to keep you out of sight for a while.

They keep calling to him, too, trying to get him to come over and sit down no matter how many times he explains to them he’s working, that the girls need him to keep an eye on things. Will’s trying to keep a straight face but he’s snickering up at him, and Joel wonders what’s so damn funny.

‘Bet you do keep an eye on things,’ he grins, a little shit-eating thing that makes Joel’s hand curl into a fist. He shakes it loose, the music making it so hard to think, jarring his nervous system. He’s about to say something, about to find a reason to throw the lot of them out, when your name gets called over the loudspeaker. You’re being called to the stage. You’re up next. On the stage.

He has approximately thirty seconds to do something. He is completely rooted to the spot. At the tipping rail his little brother is waiting, dollars in hand. He thinks he might pass out or puke, possibly both and not in that order. His head is swimming. ‘Not like this,’ he thinks. He just doesn’t want you to meet his friends like this.

‘Holy shit,’ he hears Pope say, and he turns to the stage. Your thigh is appearing around the curtain, the shoe he fixed for you running up and down its raggedy edge. You’re all swagger and tits tonight, your hair swept over one eye, and he’s transfixed for a second, completely unable to move, as you shimmy up to the centre of the stage, take the pole in your hand and swivel, kicking your legs out behind you so that you corkscrew down to your knees. Pope is moving to the tipping rail, Benny following close behind. Tommy is leaning forward on his elbows, pulled in by you almost on instinct, and you’ve clocked him now, crawling on your hands and knees towards him.

For a second, Joel sees you pause, studying Tommy’s face, before you search for him in the crowd. You’ve noticed the family connection, and he freezes, terrified of your reaction. Are you going to be angry? Feel betrayed? Hurt that he’s brought his friends here to ogle you, to watch your hips shimmy and your tits bounce? Has he broken some kind of professional code, could he get fuckin’ fired for this, will you never speak to him again? He tries to communicate to you with his eyes that he didn’t bring them here, that he doesn’t want this, that whatever the fuck’s going on with these guys he wants no part in it. He wants you to know he sees you, you in jeans and a tee shirt, that it’s that you he wants.

For a long moment you stare at each other, Joel’s pulse heavy and thick in his ears. You lean back, rear up so that all your weight is on your knees. You run your hand up your side and into your mouth where you bite down on your index finger. You keep your eyes fixed right on his. You wink.

--

So, this is what its like to have a heart attack, Joel thinks. It’s slower than he expected. It’s been hours, and the guys are still here, and by some stroke of divinity or possible the opposite, so is he.

The number of times he’s reminded the guys they have work in the morning. How he’s complained that the music is giving him a headache, and man that pounding base makes it hard to think, and wouldn’t it be fun if they all went to a sports bar, see if the replay of the Knicks game is on? But they can’t leave yet, won’t leave, because they want to see you on stage again, want one last look at your creamy thighs and your bucking hips before they go home and jerk off thinking of their tongues in your cunt. He’s going to have an aneurysm right here on the goddamn floor of this fuckin’ strip club. Sarah’s gonna find out where he’s been workin’ all this time.

The one thing his brother has done for him, the one thing Tommy has done right in his life, is to lay down a rule before they got there that they can’t get any private dances.

‘Didn’t come out here to see ya’ll with hard-ons’, he reminds them, and they snicker but begrudgingly agree, and Joel won’t lie that he feels a surge of pride in his fuckin’ idiot baby brother and his one good idea.

Joel knows the girls are on a roughly two-hour rotation, that by the end of the night all of them will have been on stage about three times. The only problem is that if a girl’s in a private she gets skipped until she’s ready, so sometimes some girls might even need to do more. It seems especially cruel to him that if a girl’s having a bad night, not reeling anything in, not making any money on her own that she gets paraded out even more to the baying crowds of disinterested patrons. He’s seen a few girls with tears in their eyes on the way to the dressing room, complaining of an off night. He’s been around long enough to know that these happen, that there’s no rhyme or reason to them really, just that sometimes that particular girl just isn’t flavour of the night. He’s never seen it with you, though. Never seen you fail to take a man by the hand and lead him down the dark corridor to the u-shaped couches if you deem him worthy. It burns him up with jealousy and also he’s proud of you for it. His good girl taking no prisoners.

He wonders if he can tell the DJ to take you off the rotation, if you’ll notice if you just don’t get called again, but he also knows it would be messing with your money, that Pope and Benny and Will are making good on their promise to tip well. That you’ve got bills and a college degree to earn, that the fact that he’s sick in the guts with a jealous want doesn’t matter, should never be part of the equation when it comes to you.

He does another round, still hoping to see you, still hoping to find you in a private somewhere, but you’ve made yourself scarce and he wonders if it’s because of him, because of his friends being here, worries that he’s embarrassed you. There’s only one other place you could be, tucked away in the dressing room hiding out, unless you’ve just got dressed and left completely, not even bothering with the attempt to tip him tonight.

He shouldn’t but also he needs to, knocks hard on the door and calls out that it’s him before he pushes it open. With all the lights on around the mirrors the place has a warm glow, and he scans quickly to make sure he’s alone before he pushes himself into the room. You’re not here, either, which means he doesn’t know where you are, and he feels a little flare of panic in his sternum. He rests his hand on it, trying to steady his catching breath. He should check the roster. Maybe you had an early finish.

He nearly steps on you when he rounds the corner into his little office. You’re lying flat on your back on the floor, headphones over your ears. For a terrible second he thinks you’ve passed out in here before he realises you’re tapping your feet, your head swaying back and forth to the music only you can hear. He leans down and pushes, gentle, at your shoulder. Your eyes snap open and you startle, pulling the headphones free.

‘Jesus,’ you say, and he steps back again, hangs around the door.

‘Sorry,’ he says, hands up in appeasement. ‘Didn’t mean to scare ya.’

‘No, no, I’m sorry,’ you say, scrambling to stand. Your heels are catching on the carpet and you waver, Joel coming forward to steady you. ‘Sometimes I come by here and stretch out my back a little, the heels are…hard work,’ you say, and he realises you’re blushing, that you think he’s mad. He shakes his head at you, brows saddled.

‘S’ok,’ he says, not letting go of your arm.

‘You’re just not normally in here,’ you say, and you look up at him then, fixing your eyes on his.

‘You can come here any time you like,’ he says. Wants to add that everything you ever wanted he will get for you, that anything you ever asked he would do.

‘-nks,’ you say, feeling shy all of a sudden, realising the size of his hands for the first time.

‘I didn’t know they were comin’,’ he says, trying to keep his voice steady, and you blink for a second, trying to understand. ‘I didn’t invite ‘em, they just showed up.’

‘So, he is your brother,’ you say, smiling now. Joel nods his head at you, his tongue stuck to the roof of his mouth.

‘He’s cute,’ you say. ‘Runs in the family.’

Joel grunts at this, can’t quite believe he’s heard it, tries really hard to think straight. You’re wearing practically nothing in his little office on a quiet Sunday night while his brother and four of his friends throw dollars at random half-naked women. It’s a lot to take in.

‘They’re not getting dances,’ you observe, and Joel shakes his head.

‘Their decision, outta respect or somethin’, I guess.’

‘Respect for you?’ you clarify.

‘Each other, I think.’

‘Oh, that’s silly,’ you say. He feels the heat up his neck, a bloom of something worrisome in his tummy. ‘That’s like going to Disneyland and not getting on any of the rides.’

‘I’m gonna have to beg you to rephrase that,’ Joel says, and you grin at him. He can see that flirty sex bunny emerging in you again, can see that you’re up to somethin’, his brain too addled with the smell of you in his office to figure what.

You’re so fuckin’ pretty when you smile, your little dimple on your right cheek popping up when you’re thinking of something sneaky. He wants to kiss it every morning in the warm light of dawn. Wants you wrapped up in his sheets, hair stretched over his pillow, his hands on your tummy and your breast while he eases his fingers between your thighs.

‘Breaks over then, I guess,’ you say, and you’re practically bouncing out of the room now, his brain working just enough to remind him to follow you. He’s three or four paces behind, alarmed at how fast you can go with those heels on, and he sees it now, that you’re making a beeline for them, that you’re a woman on a mission to finally tip him over the edge, to send him right to his grave.

He can only watch, helplessly, trying to figure which one you’ll reach for. Prays it’s not Tommy. Or Will. Or Benny. Or fuckin’ Frankie. For some reason he thinks Pope might be OK. He watches, his pulse hard and racing in his throat, as you approach, six paces from them, then four, then three. Tommy’s noticed you, is pushing back his chair.

And right before you get to them, right before you’re within grasping reach of his brother, you turn, pivot on your heel to the bar, where fuckin’ Javi is waiting for you, cigarette hanging out of his mouth and beer in hand, one knee cocked to the side. You melt into his arms, resting your head on his shoulder, and somehow Joel is relieved and also it’s so much fucking worse then he could ever imagine, burns him brighter than if you had chosen one of his friends, knows that it’s both a lifeline and a spool of barbed wire you’ve thrown him, knows that he’s latched onto it anyway, can feel the tug and tear of his skin.

--

He's hovering outside the privates. His friends have finally packed it in, it’s nearing 1 AM, and in all the commotion he’d forgotten that his feet are killing him, and they’re really crying for his attention now. But he ain’t leavin’ you alone with that Javi guy, doesn’t trust the way his shirts never fuckin’ fit.

He’s so tired, the adrenaline of the night leaking out of him just to leave him wavering and empty, and he feels like he’s on his last nerve, the stress of the evening, the strangeness of it, wearing him down to the stub. But your little shoe sat right in the palm of his hand, but you went to this office to relax when you thought he wouldn’t know about it, but you fuckin’ winked at him like the rest of the room wasn’t even goddamn there, and he ain’t leavin’ you now.

And if he leans on the wall a little, takes the weight off one foot and transfers it up into his shoulder, if he cocks his head to the side, he can just peek you, see Javi’s tight jeans and the plush of you bottom as you grind it on him, your arms up over your head to make your sweet little tits sway in his face.

He shouldn’t be hard at work. Shouldn’t be leaning like this, crowding himself into the corner to get a better look. He knows there are camera in the hallways, as much to keep an eye on the staff as to keep a watch on the patrons, and he knows that somewhere footage is being collected of him right now peeping in on you. He doesn’t fuckin’ care. He can see the way your stockings are banding too tight across your thighs, and he wants to sooth the skin with his tongue, pull the nylon off you and kiss his way around the angry red rings in your flesh. He can see your hips rocking to the music, your hair swaying down your back. Your hands moving to grasp behind you, pushing your chest up and out into Javi’s face.

And he sees it then, the way Javi’s hands are hovering, lifting off the couch and threatening to come down on your skin. The club has a strict no-touchin’ policy, it was drilled into him on his first day. That’s an infraction worthy enough to get him booted out of here, never allowed to set foot in this fine establishment of dirty tomfoolery ever again. Joel swallows, his eyes now fixed on Javi’s hands, waiting for the moment they brush against your soft, glittering skin, takes a step forward towards the doorway, doesn’t even notice that you’ve pivoted, your hands on Javi’s knees as you grind your bottom down, leaning back to rest your head on Javi’s shoulder. Locking eyes with Joel.

His cock is throbbing in time to the music. The bass thrums in his chest. You hook your knees over Javi’s, first the left then the right, and push them open just enough to give Joel a tease. You’re still in your thong but it’s enough for Joel to see the sheen of the fabric, that you’re wet down there in the valley between your thighs. He licks his lips, a hand coming to rest on his chest, as he gazes at you with the kind of want that sets your nervous system on fire.

You’re swivelling your hips on Javi, can feel that he’s hard underneath you, but you want it to be Joel, want more than his eyes on you now that you’ve got them, want his hands and his tongue and his cock. You whimper, and you hear Javi groan behind you, as if any of this is for him. Javi pulls his knees further apart, unknowingly opens you up for Joel, and there’s a moment where you feel more naked then when you’re topless in front of fifty strange men. Joel has stripped you bare, to the quick. You can see how fast he’s breathing by the way his hand rises and falls on his chest. You time your movements to it, jerk your hips as if he’s breathing his touch into you from across the room.

Except he’s mad, now, you can see the way his brows have furrowed, the way his jaw has set, and you’re too hot and too overwhelmed to realise until the last moment that Javi has his hands on you, is cupping your breasts from behind, trying to reach from behind to tweak your nipples, pulling you further down into his chest to rub more fully on his cock.

Joel’s with you in four strides and you reach for him, both arms lifting up to his as he wrenches you free, screams at Javi to back off, pulls you behind him and shields you with his body while he threatens to beat Javi to a pulp before throwing him out onto the street, then beating him to death where the cameras don’t point.

‘You don’t fuckin’ touch her,’ he’s yelling, and he can feel that his throat is raw, dry, but he can’t fuckin’ think over the crushing beat in his ears, realises after a couple of stilted moments that it’s not the music that’s deafening him but that it’s his heart, that he’s vibrating with fury and want, that Javi has backed up a bit on the couch and lifted his hands in the air but hasn’t scurried away, that he’s not scared or worried at all, that he got to put his hands on heaven and will do nothing to apologise for it, and something snaps in Joel, something feral and needy and primal, something that has been chewing at the bars of its cage for months.

He pulls you to him and you gasp, can feel Joel’s pulse through your back as he manoeuvres you to rest on his chest, lifts one foot up onto the couch while he strips your thong from you, spreads you open for Javi, your body weight leaning on his as he holds you with just one arm around you.

‘This is how you fuckin’ touch her,’ Joel seethes, pushing his hand down over your belly and onto your waiting cunt, cupping your slit and teasing the slick gathering there up and over your clit. You gasp, the leg you have planted on the floor shaking as he strums, gently but somehow so firm, and you can feel yourself opening up to him, your cunt wet and aching, trying to draw him in.

‘You seein’ this, see how wet she gets for me?’ he’s saying, and you glance down to see that Javi is indeed watching, shock on his face and locked in a kind of paralysis, his eyes flicking between your cunt and Joel’s furious face. ‘You couldn’t get this from her,’ Joel is saying, and you’re leaning back into him because your knees are definitely going to buckle, but he holds you firm and steady, and you lift your face up to the ceiling and gasp.

Joel isn’t thinking, just listening to you, just letting his fingers finally touch what he’s dreamt about for months. Your sopping cunt is probably dribbling onto his pants and he doesn’t care, wants it there, wants you deep down in the fibres of the fabric where he’ll never scrub you free. You gasp again when he pushes two fingers in, feels your walls expand to accommodate him, raises the heel of his palm to ease the stretch by rubbing quick little circles on your clit.

‘Slide right in,’ he says, his unhinged commentary gritting out over the music, loud enough for just you and Javi to hear. ‘S’what happens when you’ve got her achin’ for ya,’ he says matter-of-factly.

You’re rolling your hips now, unable to help yourself as you arch your back, wanting to twist in his arms and sink your teeth into his neck, lick and lave at his collarbone, keen into his skin until the sound of it attaches itself to his bones.

‘Look at that pretty cunt,’ Joel is still saying, almost frantic now, the heat on his skin making it impossible to think of anything else, anything so complex as consequences. He’s lost in the touch of it, in the way Javi is looking at him imploringly, the way he can see that this pompous fuckin’ arsehole is getting a schoolin’ on pleasuring a woman, in the way you’re gasping and whimpering just for him. ‘S’mine,’ he says, twisting his fingers up to the knuckle in you, hooking into the spongey spot he knows will make you see stars.

He wants Javi to beg him to stop. Wants him to get down on his knees and apologise, wants him to swear he’ll never come back. But he’s distracted, because you’re calling to him now, the sound of your sweet cries of his name echoing through the vacant halls of his brain.

‘Joel-y’, you’re whimpering, babbling. ‘Joel-y, please,’ and you’re not even sure what you’re asking for, just that he’s torturing you, setting you on fire right here in the privates, that the pleasure he’s wringing from you is too much, too overwhelming, that you want to collapse into him but you��re still trying to bear some of your weight, that your thighs are wobbling and your body is screaming at you to let go but you can’t, not in this position, no matter how good it is, because you can’t get purchase, you can’t grind, the heel of his hand is too blunt on your clit.

He can sense it, that he’s trapped you right where it’s too much and not enough, and a part of him wants to leave you there, wants to make you feel what he’s felt all those weeks he spent waitin’ for ya, checkin’ that fucking roster like a goddamn fuckin’ dog, causin’ all those little fuck ups at the job site thinkin’ about this little cunt wrapped so tight around his knuckles.

But he’s not cruel.

‘Lick it,’ he barks out, gesturing down your body to Javi while he pushes you forward, shifts your weight more fully to the couch. You instinctually hook your knee over Javi’s shoulder, the extra leverage finally giving you purchase enough to properly move. ‘Suck her little clit ‘til she fuckin’ soaks me,’ Joel says, and there’s no arguing with him, not that you would, not that Javi would by the look on his face.

He's looking uncertain, like this might be a trap, and you reach down and grab his hair in your hand. ‘Please, Javi,’ you say, and he’s on you then, without further hesitation, his lips catching your little bud and grasping it between his teeth. You scream, feel Joel jostle you until your head is twisted around to bury in his neck, and you can feel more than hear the little rasps of encouragement as he talks you through it.

‘Such a good girl f’me,’ he’s saying, and you’re barely registering it, but your cunt is listening, clamping down hard on his fingers as Javi grips you with his mouth. ‘Teachin’ us both a thing or two, ain’t ya, baby? Showin’ us just how to treat a sexy little cunt like yours.’

You’re going to die. You’re going to burst into flames. There’s just no question in your mind that this is how you go, but you just fucking hope that you’ll get to come before it happens. It’s like every single nerve ending is now in your pussy, like you are only breathing Joel and Javi, your body sandwiched between them as you grip Javi’s head to you and twist in joyous agony against Joel’s chest.

‘Wanna hear you, baby,’ Joel’s whispering again. ‘Wanna hear it when ya come f’me.’

You open your eyes, look down your body to Javi, where he’s watching you, his eyes travelling up your body to rest on your face. He’s palming his cock, you can see the way his arm is moving up and down slowly, and you can feel Joel throbbing behind you.

‘Don’t look at him,’ Joel admonishes, and you slam your eyes shut, turn again to bury your head in his neck. ‘He can’t help ya,’ Joel goes on. ‘S’just there to make you come, baby.’

God it’s fucking debauched, is what it is. It’s filthy and sweaty and you’re so wet, and you feel sexier than you ever have, feel the power in your body and in your desire, feel the way you have finally, finally brought something feral out in Joel. You’re going to come, because Joel has determined that you are going to, and you just know without him even telling you so that he won’t let you go until you have, until he is satisfied that he has wrung out every last whimper from you, until you are sated and he is confident his job is done.

Javi’s licking hard at your clit now, sometimes sucking on it, and you slam your hips down onto Joel’s hand when he does it, rock your knee to bring Javi closer to you, try to swallow him with your cunt and your hands in his hair.

You can’t get enough breath to warn them. It’s just going to happen, they’re just going to throw you over the edge and into the abyss and you can’t even tell them they’re about to do it. Joel sees it though, feels the way your cunt is gripping him.

‘Do it, baby,’ he’s gritting into your ear, catching every roll of your hips so you won’t fall. ‘Show him what it’s like when I wreck you.’

And you do, then. Harder than you ever have in your life, your lungs pillowing out in your chest to suck in all the air available to them, your wails lost to the music as streams of your slick press into Javi’s face, where you soak him and Joel behind you, shivering and convulsing as you topple over the peak, dimly aware of Joel’s words in your ear as you go, calling you his pretty girl, his beautiful, perfect girl. His girl, his girl, his.

--

There are too many broken workplace safety rules to count, so Joel doesn’t bother. He knows he’s lost his job, that the cameras will have picked up all of that, that as he drops his ID badge and set of keys on the desk in his little office that it was worth it, that you were worth it. He’ll get another job, find a bar open just as late as this one even if it’s further out of town, will travel and will keep Sarah in school and will keep the memory of your sweet little cunt fluttering around his fingers locked up tight in the back of his brain for when the nights are cold and lonely.

When he drives you home, bundles you up in his car and puts the heater on full blast to keep you warm, you tell him that you finished your degree weeks ago, that you were lying about the mid-terms, that you had actually been down in Florida helping your mother move your grandpa into care. It hadn’t seemed necessary to talk about them in that environment, you said, and he rests his hand on your knee because he understands, and also because he likes you.

He doesn’t ask for your number. Knows you probably wouldn’t give it to him, is too afraid that you’d regret everything that you did together, that you were humouring him with even letting him drop you home, that this isn’t even your house.

He only found it later, written in your neat writing, your number and your real name, when he was stripping his pants off himself and dumping them into the hamper, his come collected on the inside where he exploded as he rutted against you, as he listened to your desperate, whimpering cries for him.

He tacks the little piece of paper to the mirror, memorising the digits in case one day it falls. He isn’t gonna call it. He just wants it there, a reminder of you and what you’ve made him feel, how you’ve lifted him, freed something in him. He just wants it there. Proof that you were real.

[raven-at-the-writing-desk]

I don’t know if you’ve already covered this, but I had a question to ask about the VDC in Book 5. To clarify, I understand that RSA needed to win for thematic and character arc purposes, and that in-lore it was an audience vote not a professional one. The story beats line up. But the choice of cutesy and childlike RSA performance over the more refined and professional NRC performance still doesn’t quite click with me. Is there some kind of cultural difference that didn’t translate to explain why one performance was supposed to be understood as preferred over the other? Even if it was an audience vote, the standards should be higher just by virtue of this being a big name competition for teenagers held at a prestigious school.

Very quickly, I want to add a couple other points that help to explain why RSA won over NRC! Book 6 opens early on with Vil noting that NRC was not able to perform as well as they wanted to since they had just come out of a difficult battle against his OB form. (Because of this, he accepts responsibility for their loss.) Thus, the NRC performance may not have actually been as "refined", "professional", or as polished as we imagine it to be.

Additionally, it’s stated in book 5 that RSA’s song choice had universal appeal whereas NRC’s did not. We see this effect on the production crew when Neige and the Seven Dwarves do their practice run; their performance has a refreshing and soothing effect on what appears to be an older audience (as it plays to their nostalgia); we must consider this when evaluating RSA and NRC. For example, I know that I really disliked NRC's performance (sue me/j) because it sounded very oppressive and therefore unrelatable to me. The lyrics are literally about how NRC will dominate their opponents and win 😭 Sure, the music and lyrics for Neige's song aren't complex, but they're at the very least accessible and easy to follow along with. (That's not to say that I prefer RSA's performance though; I'm just explaining why someone might not find NRC's performance appealing.)

Lastly! We as players are looking at the two song + dance numbers from an omniscient perspective. We need to consider our own biases when judging, and accept that it may differ from the characters in-universe view things. Maybe you prefer NRC’s performance. That’s fair! But how much of that is informed by your personal music preferences? And how much of that comes from your attachment to the NRC characters, since you’ve followed their stories up until this point? As Rook points out in book 5, he’s aware of how hard NRC has worked to get here… but he’s also aware of Neige’s hardships too (er, in terms of his lifestyle; ie living with the dwarves and doing chores, etc.). Consider then, would you honestly not have a bias for RSA had Twisted Wonderland’s story centered on them instead of NRC?

It’s also worth noting that how things are seen in Twisted Wonderland may reflect its own unique culture rather than how we in the real world may perceive it. Maybe the people of Twisted Wonderland just prefer a cute, nostalgic performance. This may not necessarily correlate with west or east at all and that has always been a possibility! (While TWST does take inspirations from the real world, it’s not a 1:1 with the real world.)

dkhlbaiyfadvfoad Okay, NOW onto the actual question being pitched!

When you look at media from different countries, there are some stark differences in how the same information is presented. One example is like... any Gordon Ramsay show yes, I am using him as an example. Compare the American cut and the British cuts; there are much more loud sound effects, dramatic music, yelling, and cussing in the American cuts. The British cuts, by comparison, are notably quieter and contemplative, with hardly any cursing. Another example! Looking at variety shows from the east vs the west, they're quite different as well. Eastern variety shows tend to be "cute", usually using various cute sound effects or edits which make the guests appear more bashful (like drawing blush over their cheeks or something). We don't see this in western TV shows, which are louder and more boisterous. I've noticed a similar trend in the music industries of the east vs the west as well, where eastern stars tend to emphasize their youthfulness and playfulness and western stars try to be more "mature" and grown-up. These are just my personal observations and may not reflect reality, especially seeing as I am not involved in music-oriented spaces.

I asked friends and personal contacts in both eastern and western pop music fandom spaces for their own insights (which is also in no way representative of both fandoms, but at least this gives us other perspectives for consideration). To summarize, most of them replied that they did not think cultural differences account for this situation, since equating a preference for a "cute" aesthetic is not the same as RSA performing what is basically a nursery rhyme. There's no real-world equivalent for that (at least none that they can think of), and I agree with all of this. There’s really no point in trying to compare the two.

I remember lots of Japanese fans being upset at NRC’s loss too (when book 5’s ending was first put out), so the impression I got was they didn’t prefer the performance of RSA over NRC either. It was not just the international fandom that was disappointed. I don’t believe TWST ever intentionally set out to present “Everyone Yahoo!” as the “superior” song and dance number, or as the performance we’re supposed to like more than the other. It was very much framed as something pathetic and unlikely to win in most of the eyes of the NRC characters. They make fun of RSA’s clumsiness and claim it’ll be easy to win over them. The player most likely is supposed to think this way too—until Vil, the one with an eye for showbiz, realizes his loss. Why? Because it doesn’t matter what we think. What matters is how this clumsy performance will resonate with the common person.

What I think it ultimately comes down to is emotional appeal to the audience, which is more of a personal/individual level thing than a cultural thing. The competition is decided by audience vote. The average person honestly does not care about quality or standards. No one is giving them rules to evaluate by, no one is going to tell them off for not having strict standards. They will pick based on what they like best or whatever makes them feel good. And what will make anyone feel food, regardless of age, sex, race, education, socioeconomic status, etc.? Something cozy and familiar, thoughts of simpler times… Nostalgia.

Something else to think about is what a powerful motivator emotions can be. There are irl idol competition shows that are high stakes and decided by audience vote just like VDC/SDC… and people will still vote for their favorites even if they gave a technically bad performance. This is because fans are so emotionally invested in and attached to the performer. It doesn’t matter how “bad” they are, the performer/performance makes the audience member feel impassioned, and they will then act according to those intense feelings. Think about what you’re like when you’re in a terrible mood vs a good one. You act completely differently, right?

I hope that perspective helps! 🙏 I tried to be as thorough as I could be in this response, but please let me know if I misspoke or maybe missed a point.

P.S. I happen to be responding to this ask after TWST showed us the NRC Tribe’s dance performance in a MMD video. I wonder if this only made the “NRC should have own” crowd double down on that opinion since now we’re seeing just what their performance looks like 🤔 (though we don’t have a complete MMD video of Neige’s group to directly compare, just this which shows part of the dance and not in the same clumsy way that Neige and co. perform it).

[thefatedthoughtofyou]

Saw this meme and iiiiii did a thing... a steddie thing... obviously

( Eddie has a small dick in this if you don't like it don't read it. We support small dick supremacy in this house thank you for your time. 😊 )

😅😅😅

I'm picturing them at a bar. I wanna say maybe Steve is the bar tender, and he's been seeing Eddie around. He comes in. Talks a little, he's kinda quiet. Like he's stuck in his head, like he comes there to think. He's always scribbling things on napkins. Steve thinks they might be song lyrics, the way Eddie hums and taps his fingers as he writes.

But Steve obviously sees him looking at him sometimes. It's a gay bar, it happens, but Eddie doesn't leer at him, or chat him up in that way. It's always just friendly conversation.

Steve kind of loves it. Loves being able to just chat and not worry about getting stalked out to his car by a creep. And then one day some drunk dude is hitting on Eddie HARD. Leaning into him and grabbing at his arm and just when Steve is about to say something the guy actually says the words,

"how big is that dick?" Like... in real life. Out loud. And grabs for Eddie's thigh, and Steve watches Eddie catch his wrist, easy, watches him shove the guys hand back at him, saying,

"small. Leave me alone." Without even looking at him. And Steve fucking barks a laugh because that was... fucking hilarious. But also... kinda hot. Like, he's known he likes Eddie for awhile but seeing someone come on to him had sealed the deal, jealousy crawling over his skin, but then seeing Eddie shut it down, in the funniest fucking way Steve had ever seen, had just slammed it into place.

The guy scowls, says something rude, and stalks off. But Eddie is looking at Steve cuz he's still chuckling. Doing that cough thing like he's trying to cover it up but the laugh is still extremely prominent through the coughing. And Eddie watches him with raised eyebrows cuz like... damn okay. Cute bar tender thinks he's funny. And Steve is like,

"Sorry man. That was just, fuckin hilarious. Not the guy grabbing you, obviously, just, how you delt with it. Like that was... the best thing I've seen in awhile. Just... just sayin." He shakes his head to stop himself rambling more, he needs more friends to hangout with besides Robin, she's rubbing off on him. So he just reaches into the cooler and grabs Eddie his usual beer, slides it over the bartop to him, tells him it's on the house.

"Thanks." Is all Eddie says, but he looks happy, small smile still on his face.

And when the bar's closing, and Eddie is still there, just idly talking to Steve all night. Steve takes a chance. Says some cheesey line about letting Eddie walk him home. And Eddie flushes red to his ears but nods, takes the last sip of his beer and helps Steve flip the chairs onto the tables so he can do a quick sweep. Steve's locking the door when he hears Eddie clear his throat awkwardly, like he wants to say something. Steve looks at him, waits.

"I uh... look I know you thought I was being funny... earlier." Eddie scratches his head, nods into the bar. Steve nods, lets him continue.

"But I uh- I was also being serious?" He grimaces, eyes on the ground.

"So if that's like... a deal breaker? That's- that's totally okay. I just uh... I dont know. Thought I should maybe warn you before- before anything...happens?" His eyes widen and he takes a step back.

"Not that anything was gonna happen! Like I wasn't expecting... THAT. I just... oh my god I don't know. People can be assholes about small dicks so I just wanted to be up-front about it in case you thought I was kidding when I told that guy that. Cuz I was being serious and I'm gonna stop talking. Jesus christ." He breathes the last part, shaking his head at himself, his face twisted in what looks like pain. Steve thinks he's fucking adorable.

He steps closer, puts his hands on Eddie's hips and pushes him gently against the brickwall of the bar. Rests his head against Eddie's as he laughs a little, Steve's fingers pressing into his hips tickling a bit.

"I don't care. Honestly I uh..." he pauses, pulls back to look at Eddie, his eyes are wide, his cheeks are a deep pink now.

"I was kinda hopin you weren't kidding." Steve tilts his head, smirks at Eddie, just a little. A light smirk. Not the full thing, doesn't wanna overwhelme him. Yet. Eddie sucks in air, blinks at him.

"Oh. Yeah?" He asks, his voice breathy, pitched higher than usual. Steve nods, sinks his teeth into his lip, and brushes his nose against Eddie's.

"Yeah. Still wanna walk me home?" Steve asks, staying close. Eddie nods, his hands moving to Steve's shoulders.

"Yeah. Yes absolutely. I'd love that. I'd love too." He rambles, swallowing hard.

And Steve can't help himself anymore, ducks forward and presses a soft kiss to his lips. Eddie makes a little sound in his throat and Steve fucking adores it. Already in so deep for this guy. But it's been months. Eddie's not a new thing in his life. Just, this part of it is new.

Eddie blinks at him when he pulls back, steps away from Eddie but holds out his hand. Eddie smiles, reaches out and takes it, lets Steve drag him away from the wall and down the sidewalk. Their fingers laced together, hands swaying between them as they walk through the dark.

[snowyh2o]

Was listening back through the Hazbin Hotel songs again and I noticed a really cool detail in how each of the characters sing. As some of you might’ve noticed, during Hell’s Greatest Dad Lucifer is very audibly taking in many deep breaths before each lyric, while in contrast you can’t hear Alastor breathing at all. And I wondered if this was a trend with Alastor’s character (intentional) or if it was just due to different singing styles (unintentional). And I have come to the conclusion that the lack of audible breathing on Alastor’s part is very intentional.

Of all the songs and characters that sing, the majority of them do have audible breathing, which is particularly loud when they’re visibly out of breath, panicked, emotional, excited, etc. the big exceptions are Husk, Alastor, Carmilla, and Angel Dust.

With Husk we never hear him audibly breathing. This might be due to the nature of the songs he features in, where Loser Baby’s slower duet gives more room to breath silently than a fast paced one like Hell is Forever. But I think it’s a good hint of Husk’s control over his breathing/singing. He’s a gambler, he likely has one hell of a poker face and knows how to present himself as calm and in control regardless of what he’s feeling, and that’s showcased in how he sings.

It’s the same situation with Alastor. Regardless of how he was feeling during Stayed Gone or Hell’s Greatest Dad, we never hear him breathing. He’s presenting himself as calm and in control of the situation, even as the song devolves into a yelling match in Hell’s Greatest Dad. He keeps up his no audible breathing during his part in Ready for This, though it’s a little hard to tell if Rosie’s breathing is covering up any audible breathing he’s doing. The only time we hear Alastor audibly breathe is during his solo in Finale/The Show Must Go On. Where every single line is followed by a deep and harsh breath. It’s also the only time we see him drop his mask and visibly have a mental breakdown. I’m what little he sings with the group, you can’t hear him breathing anymore, but that might just be because he gets like, one line before the finale of the song.

Carmilla is an interesting one. During Respectless, you can’t hear her breath at all, but you can hear Velvette taking multiple audible breaths. If we equate no breathing to controlling themselves in the situation, then we can interpret that as Carmilla trying to keep her cool about Velvette showing off the angel head she brought to the meeting, and not let anything slip. In Whatever it Takes, Carmilla starts the song by taking many audible breaths before each line, implying she’s letting her guard and control down for Zestial. Out for Love has her breathing silently again. I’m not too sure what it could mean character wise aside from her being calm and in control of the training session.

Angel Dust is also super interesting. During the start of his solo song Poison, you can’t hear any audible breathing from him. And it makes sense, coupled with the visuals onscreen, Angel Dust is trying to make himself feel like he’s in control of his situation and what’s happening to him. It’s not until the very end of the song, where his voice starts breaking that we hear him audibly breathe, because he’s not in control of his situation and he couldn’t keep pretending that he was.

Tl;dr: within the songs of Hazbin Hotel, how a character breathes between lyrics, silently or loudly, is being used to further build their character and give the audience a sense of their emotional state. Also, the breathing makes it feel more like the characters are actually singing and it’s not just a cool polished sound track for the show.

[alltheweirdkidsinoneplace]

Eddie Munson + potential Iron Maiden references

because I'm hyperfixiating and desperate. Also apparently not everyone was raised on 80s metal, so this might be new to some people and gatekeeping is lame. None of this is confirmed obviously and I'm probably reaching but here we go

let's start with the most obvious one: This is Iron Maiden's mascot. His name is Eddie. He's been on every single album cover, most single covers, merch, posters... He looks a little different every time, but he's always undead.

This is the cover artwork for the 1982 album The Number of the Beast. It features A huge version of Eddie, controlling the strings of a red, devil-like creature, which in turn holds the strings of a tiny version of Eddie. The Devil (Vecna, there I said it) is not shown to be aware of Big Eddie controlling him. It's all very double agent, The Spy parallel. Also if you take just the frame of Big Eddie's hand and the devil, it looks A LOT like Eddie Munson's puppetmaster tattoo. With a little fantasy and even more reaching there's also some vaguely mindflayery shape in the background of the image.

(probably irrelevant but still fun fact: This album was released on March 22nd 1982 - EXACTLY four years before Eddie Munson became the main suspect in Chrissy's death)

This one speaks for itself. We've all seen the Eddie prequel book that's gonna come out later this year with literally the same title as this 1983 song.

Interestingly, Eddie has batwings here, aka KAS THEORY CONFIRMED?

This one, holy shit. This is the artwork for the 1986 (!) album Somewhere in Time, and if the year and title weren't enough, there is so much more.

1. Again starting with the most obvious: There is a graffito on the wall to the very right that literally says EDDIE LIVES.

2. Under the graffito we see a hand reaching up from the ground (grave?). The version of Eddie that we get here is a cyborg, and the hand on the ground looks very cyborg-esque as well. The band members are seen a little towards the left as normal humans, so it's not like everyone's just a cyborg in this world. Ergo the hand belongs to a second Eddie, which is very in line with the whole "there is another timeline with shadow selves"-theory.

3. The red clouds in the background are very vecna-y.

4. The little winged figure from the Flight of Icarus cover is seen left of the big tower in the middle.

5. The neon sign of the movie theatre to the very bottom left contains the words "Live After Death" (illegible here, but it's there!)

6. The lyrics on this album! In particular Wasted Years, featuring the lines "But now it seems I'm just a stranger to myself

And all the things I sometimes do, it isn't me but someone else"

- again, very much in line with shadow selves. And even more Stranger in a Strange Land:

"Was many years ago that I left home and came this way

I was a young man full of hopes and dreams

But now it seems to me that all is lost and nothing gained

Sometimes things ain't what they seem

No brave new world, no brave new world

No brave new world, no brave new world

Night and day I scan horizon, sea and sky

My spirit wanders endlessly

Until the day will dawn and friends from home discover why

Hear me calling, rescue me

Set me free, set me free

Lost in this place and leave no trace

Stranger in a strange land

Land of ice and snow

Trapped inside this prison

Lost and far from home

[...]

They found his body lying where it fell on that day

Preserved in time for all to see

No brave new world, no brave new world

Lost in this place, and leave no trace

What became of the man that started

All are gone and their souls departed

Left me here in this place so all alone"

Does that sound like someone left for dead in the Upside Down or is that just me?

7. idk a fuckload more in the cover probablay because it's wild.

Bonus Metallica fact: Master of Puppets was released on March 3rd 1986. Eeven if he bought the album the day it was released (he would) that would have given him under three weeks to rehearse it so much that he could give the most metal concert ever on March 27th.

Anyway that's just from the top of my head; I might add on to it if/when I think of more. PLEASE spam me with your theories I beg you.

Side note: Contrary to popular belief, if you got into metal because of Eddie: That's awesome! Welcome! Again, gatekeeping sucks; we've all had our minds blown by a Metallica song for the first time at some point, so let's be nice to the newcomers.

[silawastaken]

I love seeing people compare music to their favourite characters and go like 'oh yeah this verse might be this character... and then this one is the other one... and then this little bit here is them both honestly. Or something like that' because I HAVE gone through every taylor swift song on evermore and folklore and compared it to skk. Sorry to be autistic on the writing account, but this is a fanfic writing account and I'm writing my second novel length fic about them so what did you expect.

folklore/evermore are very canon skk, and verge into fanon and some songs are the reason for very specific head canons, or some of the ways I write the way they perceive each other. 1989... DON'T GET ME STARTED OMFG HAVE YOU EVER LISTENED TO BLANK SPACE? I THINK IT'S IMPOSSIBLE TO NOT HAVE AND OMG IT'S SO SKK CODED LIKE WTF. I HAVE VERY FIRM OPINIONS ABOUT WHICH LYRICS ARE THEIRS. Also the vault tracks literally exist what more do you want from me. 'i think about jumping off of very tall somethings just to see you come running and say the one thing I've been wanting' okay dazai pack it up you did that already, beast exists. 'i call my mom sister she said that it was for the best remind myself the more i gave you'd want me less' yeah yeah chuuya we know he left you get over it, it wasn't personal(think that line could go for either of them but the other line 'the way you faded till i left' feels more Dazai personally). Plus suburban legends. For personal reasons I struggle to listen to song without SPIRALING FUCK YOU THAT ONE PERSON SEHDHSSJNS but very skk as well 'we were born to be national treasures' is very soulmates of them. And out of the woods screams them in fanfic when they try to get better. Red, straight away all too well. They both remember it all too well. All too well skk cover with switching vocals anyone? The last time. The one with gary lightbody. Underrated song, is my favourite on that album, and SO THEM. 'this is the last time you tell me ive got it wrong, this is the last time i wont hurt you anymore' because they're fated to be together and are constantly drawn to each other and yet keep HURTING EACH OTHER RAGH. also 'we are never getting back together' is pretty funny and nice when applied to them. also state of grace. any taylor song with a mild drop of religious imagery is them cause yeah. but 'i never saw you coming, and I'll never be the same'... okay pack it up, we don't have time for your yearning. 'you were never a saint' (dazai abt chuuya) 'and i loved in shades of wrong' (bc hes toxic and doesnt know how to healthily like people) 'we learned to live with the pain, mosaic broken hearts' (bc they continue anyway and stick it out, living with the pain of being bad for each other because of how deeply they care). I almost do. Dazai after leaving. moving on to more religion, holy ground. 'for the first time i had something to lose' 'and i guess we fell apart in the usual way, and the storys got dust on every page' AAAAAA IT'S THEM. Can't really speak on debut- but I've listened to our song and picture to burn and if picture to burn isn't a vengeful chuuya idk what is. BOY OH BOY SPEAK NOW.

excuse me. one moment.

Mine- literally a skk au

Sparks fly- 'the way you move is like a rainstorm and im a house full of cards, you're the kind of reckless that should send me running' that entire verse screams dazai's fascination with corrupted chuuya, and the whole song is well yeah

back to december- dazai when they reunite just trust me on it just trust me on it. the repetition was intentional, that's how serious i am. 'i go back to december all the time' 'I got back to december to make it all right'

speak now- might just be me but it really makes me think of teen skk in fanfic harbouring urges to ruin the others relationship for 'some reason. I don't know, seeing him with her just... irks me'.

the story of us- first verse is chuuya, second verse is dazai, and the third is them both because they're LOSERS and they LOVE EACH OTHER and FUCK I'm CRYING NOW. 'id tell you i miss you but i don't know how' EMOTIONALLY CONSTIPATED BASTARD.

enchanted- self explanatory. for more context, i really think it's from dazai's pov in this case, could probably be both, but dazai fell first and harder so it's really like god he's been in love ever since he got kicked into that wall he wants him around forever. He held Chuuya's hand in the fight with rimbaud and then had all those close moments in the manga and went home to lie on his bed kicking his feet and giggling don't lie. (god im still crying this isn't helping)

better than revenge- they're both pretty vengeful idk it makes me think of iwsynttr for some reason

haunted- chuuya pov. 'i thought i had you figured out, something's gone terribly wrong' 'stood there and watched you walk away from everything we had' they're so sad, but the general idea of chuuya thinking he has figured out dazai and knowing how he thinks and then dazai just leaves suddenly and he's like 'Wow! I thought i knew you. How do i forget this'. 'wont finish what you started' bringing chuuya into the mafia then leaving it.

last kiss- 'you told me you love me so why did you go away' chuuya pov again oh god it hurts why am i doing this to myself? 'never imagined we'd end like this, your name, forever the name on my lips' yep yep ow.

LONG LIVE.- LISTEN. TO. THE. SONG. AND TELL ME IT'S NOT DAZAI AND CHUUYA. I COULD DO A WHOLE ANALYSIS ON JUST THIS SONG. 'promise me this, that you'll stand by me forever, but if god forbid fate should step in, and force us into a goodbye...please tell them my name, tell them how the crowds went wild, tell them how i hope they shine, long live the walls we crashed through, i had the time of my life with you' FUCK IT'S DAZAI AN HE'S IN LOVE WITH CHUUYA AND DOESNT KNOW ODAS GONNA DIE YET, JUST THINKS HE DOESNT GET TO KEEP ANYTHING HE WANTS. FUUUUUCK. THEY'RE IN LOVE AND DAZAI WANTS IT REMEMBERED PLEASE I'M SO SAD.

anyway, i can't pretend I'm normal about skk anymore i haven't even covered fearless, reputation, lover or midnights please somebody encourage me to actually write full things dedicated to each album and the most fitting songs from said albums please i'll do it and plus i need to actually gather proof for my autism diagnosis appointment so this would be a good way to to that probably. anyway yeah this'll never make it out my drafts lol

[sgtprophet]

How Into The Woods defines ”Nice”

I love how Into The Woods uses the word ”Nice”. Throughout the whole musical, we can see that it sees the word as something that may seem sweet, but deep down only makes it seem “good” to cover up how morally wrong it actually is.

I think one of the biggest telling to the word ”nice” is this line in Little Red’s ”I Know Things Now”:

”Nice is different than good”

She basically had a whole number on why you should always do right even if something else seems nice, hence the lyric.

Just some songs after this number, we can see the usage of this word coming up again in Cinderella’s ”A Very Nice Prince”. This is foreshadowing to her future husband cheatinh on her in act 2. Even the actor of Cinderella’s prince also plays the wolf, another character being described as ”nice.”

“Last Midnight” however, has a powerful lyric which completely describes the whole musical.

”You’re so nice. You’re not good, you’re not bad, you’re just nice. I’m not good, I’m not nice I’m just right.”

She is telling them that saving Jack might seem like the good thing to do, when in reality, the good thing to do (except for killing the giant that they to in the end) is to sacrifice Jack to safe everyone else.

The whole musical’s entire moral is basically how no one is truly good, we’re all just ”nice”. Even the fairytale characters who seemed to get their happy end and the consequenses being basically non-enxistent to them.

We try our best to do what seems good for our situation but end up not seeing the bigger picture and picking the wrong choice, because it is the ”nicest”.

[chrysalis-the-butterfly]

Can you do Alastor please 🥺

Yep!

Send me a character and I’ll list:

Favourite thing about them: The radio filter on his voice! I'm a sucker for characters with artificial voice filters like that. And his disdain for "frivolous television technology" is amusing.

I recently rewatched the first episode of Hazbin Hotel with my dad, and he liked Alastor's radio filter too. (Yes, my dad watched some of Hazbin Hotel. And he decided it was "a bit too out there" for him.)

Least favourite thing about them: His design, I think. Yes, the creepy smile that never leaves his face is a nice touch, but that bob? It does nothing for me.

Favourite line: It's a close tie between, "Do you like blood, violence, and depravity of a sexual nature? Of course you do! That's why you're in Hell!" and, "Well, my dear, I haven't been active in Hell for some time, and everyone remembers me from my radio show! The proper medium to express oneself! But you insisted on this ... noisy picture box advertisement. So I had a little fun with it."

brOTP: I like his friendships with Mimzy and Rosie. The fact that he and Mimzy knew each other when they were alive is really interesting. And I can see how he and Rosie would bond over their shared fondness for cannibalism.

Plus, I just think it's funny that Alastor has been building this platonic girl gang around him. He's asexual, but also a chick magnet.

OTP: I don't really have one for Alastor. He's definitely ace, and he might be aro too, and I have yet to see a character that's made me go, "Ooh, I'd love to see what would happen if they were in a romantic relationship with Alastor."

But if I had to pick an OTP ... maybe RadioRose? Two cannibalistic Overlords causing chaos together? That would be pretty neat.

Actually, what about RadioStatic? The fact that the normally cool and collected Vox can be made to completely malfunction because of Alastor has piqued my interest. Maybe they were dating years ago, and then something went wrong. Or maybe they had a business partnership, and Vox wanted it to become something more, and Alastor just wasn't feeling it. Yes, Vox has Valentino now, but maybe there's a part of him that still pines for Alastor - which would be ironic, considering that Alastor has little to no interest in him.

nOTP: Charlastor. I prefer them having a "twisted mentor and innocent mentee" relationship, rather than a romantic one. Given that Alastor has positioned himself as a father figure to Charlie (albeit just to annoy Lucifer), it would be weird to think of them dating.

Random headcanon: Alastor has zero artistic ability. He once tried to paint portraits of the Hazbin Hotel staff and residents as part of an art therapy exercise, but they all look cursed. Or like cats. Or like cursed cats.

Unpopular opinion: Sorry, Alastor stans, I can't get on the hype train with this guy. Not yet, anyway.

I like characters that have a mixture of the known and the mysterious - that is, you know enough about them from the canon material that there are traits you can identify and latch onto, but there are also some things left up to interpretation for you to muse over.

Right now, Alastor's just a bit too mysterious for me. Is he going to be an ally? Is he going to be an enemy? I can't decide whether I like him because I don't know enough about him.

By contrast, I already know lots about Angel Dust, and I like what I've seen so far. And there are still things I don't know about him, such as how he met Valentino, that I can speculate on, which I find fun. That's why Angel is my blorbo and Alastor isn't.

Song I associate with them: "Love ka?" (a.k.a. "Rabuka") by Hiiragi Kirai and Ado. Particularly this Yokune Ruko cover. I see it as a RadioStatic song, because the lyrics are about sharks (Vox likes sharks, doesn't he?) and about bugs (which would fit with Vox glitching out).

The ending lyrics translate as, "These putrid 'love you,' 'love you,' 'love yous' have already fallen to the ground and died out. If you don't like what you found within your reach, maybe you should stop looking." That sounds like something Alastor would say to Vox.

Favourite picture of them:

[leonenjoyer69]

*Inbox Invasion* Free ramble card!! Make it a long one, About literally anything, anything at all, can even switch topics constantly. This is literally just for fun.

LGOWKFLEKVK LET'S GOOO 🗣️🗣️

Okay so, starting off strong, let's go music. Will Wood and the Tapeworms, right? A few weeks ago I listened to both versions of every song twice to find which versions I liked better for when I eventually burned CDs (my car is old af, bbg ain't even got an aux, but also her ass ain't got an engine rn 💀) for the albums.

My verdict for Self-Ish? Literally all the songs are the exact same, except Self-, -Ish (which just sound a wee bit different), and Dr Sunshine is dead (which just has a longer outro in the original).

EVERYTHING IS A LOT THO? Some big differences in some songs. So here's my preferences:

6 up 5 oh- Remaster, the "oh how I know how I go.." Part just sounds better to me

(Bones)- Remaster, the radio/tv talk at the end isn't glitchy and stuff, like the OG

Front Street- Original, I like the snaps (tapping?) Behind the pre-chorus, along with the dialogue clip. But, also, I like how much clearer everything is in the remaster, so I'm kinda torn.

¡Akiado!- Original, I am,,,, not a fan of the extra end part in the remaster

White knuckle Jerk- Original. The background(?) Voices are quieter and sound kinda different. Idk I may be wrong about that tho.

Cover this song- Original. I hate hate HATE Batman will wood growling in my ear, please never make me listen to that version again, it was a genuine jump scare. (EDIT: THE REMASTER JUST PLAYED ON MY SPOTIFY AND??? HE'S NOT BATMAN ANYMORE??? IS MY SPOTIFY BROKEN?? PLZ IK I'M NOT CRAZY)

Thermodynamic Lawyer- Remaster. Not really a fan of the robot voice in the original.

Red Moon- original, his voice seems quieter or more drowned out in the remaster.

Lysergide Daydream- Original, don't remember why, so vibes ig lmao, there's not really a difference between the two

The First Step- Remaster, I think it just sounds a little clearer

Jimmy Mushrooms- either, they're literally the same lmao

Chemical Overreaction- original. WE CAN'T STOP HERE, THIS IS BAT COUNTRY 🗣️🗣️ need I say more?

Everything is a lot- Remaster, so then I don't have to listen to construction noises (or destroy to enjoy in general) 😋😋

So yeah, ig that's my dream Everything is A Lot album.

BUT NOW!! more music! But Chonny Jash this time!! Specifically the Ballad of Dr Jekyll and Bargaining/compromise.

First of all, I love the lyrical differences!! Ballad Jekyll leaning more towards blaming Hyde for everything and being way more self-pitying, while B/G Jekyll seems to have more of a subdued acceptance? Like, Ballad Jekyll is a lot more emotional and bitter, while B/C seems to take more of the responsibility. Also!! I like how in B/C Jekyll seems to be with someone else, while Ballad Jekyll seems to be alone. The contrast between the last lines ("but if it takes Mr Hyde with me, then I'm glad to hang" V.S. "so take my hand, hold it till the end") really does show that bitter self destructiveness vs that sad, duty-driven acceptance. AND LIKE UGHHH JUST THE LYRICS OF B/C IN GENERAL!! I LOVE IT SO MUCH!!

Also, the Mr Hyde Jive? I love Hyde being a silly fellow. Literally just being like "damn, I'm not the villain, smh, lemme go have some fun for you gayboy 🗣️🗣️ (might still ruin lives tho!! I am vice, teehee)"

Yk what? Fuck it, this whole ramble will be music. THE JEKYLL AND HYDE MUSICAL 🗣️🗣️🗣️ I love Anthony Warlow so much, all the Jekyll or Hyde-centric songs are so eoughhhh ughhhhh AHHHH. Favorite songs rn? Board of Governors, His Work and Nothing More, The World Has Gone Insane, This is the Moment, Transformation--I JUST UGHHH I love listening to his screams idk man. also Alive. I also love you, Gabriel John Utterson. His parts are so fun to sing.

BUT!! the absolute hold Board of Governors has on me is insane. Every time I hear the intro begin to play through my tv I look up. I'm literally pavlov dogged to that shit. It's basically a requirement for me to go "THE BOARD OF GOVERNORS OF ST JUDE'S HOSPITAL IS NOW IN SESSION!" every time it plays. I love sassy Jekyll and Stride, it's so funny, like yes!!! The girls are fighting!! The absolute sass of half that cast is crazy. I have every part memorized, I AM the entire cast and recreate it expertly 🗣️🗣️

Anyways, yeah, I love Utterson too, his voice is in my range perfectly, he's literally my bbg. All his parts in How Can I Continue On and His Work and Nothing More? Kdoelvkskfldk I love him I love him. JEKYLL THO? shaking him aggressively (lovingly) I want to chew on him and rip him apart. Warlow's voice for him is so EOUGJDJDKKD ‼️‼️‼️

OKAY THAT'S ALL FOR NOW, TYSM FOR THIS!! ILY, LOYAL SCIENTIST 🗣️🗣️🗣️

[whatiwillsay]

Hey Cam, could you provide more insight into spade-riddles and why we shouldn't trust them? I know you've touched on this before but I don't know where/when. Obviously I know they're harmful/a LSK shipper but I was looking through their first post on their riddle history (just for shits and gigs, no worries) and I was surprised by how many of them allude to insider info on Tay/future releases before the public had knowledge of them. What do you make of this? Or is she fudging the dates/lying?

sure babe here is a post detailing how spade-riddles fakes her insiders (there is hard conclusive proof in this post with receipts. one of her "insiders" came to me and detailed how they were a troll, gave me the "password" they used with her, and so i used the "password" to assume the role of insider and named the kaylor baby "isla" for my friend cara who likes that name, go search spade-riddles for the name isla lol now it's part of their network of theories)

here is a post detailing how she bullies, harasses, and outs people who disagree with her

but three babe like... let's talk

i am saying this so gently but surely you understand that if you say enough random noncommittal things in "riddle" form or like her most recent troll insider does, in weird fanfic prose, that it will appear like they had insider knowledge even if they didn't. taylor does so much, has so much art, has so many interviews and so many lyrics and public moments and outfits and personas that you could write any random bit of prose and get some kind of "hit" off it.

let's take an example of a spade riddle they considered to be a correct bit of info/tea shared or a "hit":

so on january 16th 2019 spade said "take a sip, you might just get lost in the clouds." and that was supposed to be a hint because there are clouds on the lover album cover and included in some of the imagery for the album (music videos, etc) but like... what taylor era doesn't mention clouds? clouds are mentioned on i know places and in the song carolina, and storms which of course always contain clouds are mentioned on MOST of her albums, and clouds are represented in a TON of her music videos (basically any of them with a sky!)

also "you just might get lost in the clouds" could mean ANYTHING. it could represent getting caught up in a media "storm" around taylor, it could mean "taylor is hiding what she's doing and you won't see it", it could have been an EXCELLENT clue for the lavender haze music video but that song didn't even exist when that riddle was written and obviously, the music video wasn't planned and storyboarded until years later so it can't be that.

and "take a sip" could have meant anything. taylor could have released drinking merch to go with false god, or a line of sippy cups lol, or could have used a turn of a phrase in an interview during the lover era like she could have said something about "drink the kool-aid" or "you can lead a horse to water but you can't make him drink" and that could have been a "hit" for the "take a sip line"

even if clouds hadn't been featured on the album cover there's an infinite number of ways "taking a sip" and "getting lost in the clouds" could have been represented by taylor during the lover era. every music video she drinks in she is "taking a sip" and that happens all over her different eras before and after the lover era.

if there's an infinite slew of things that can happen that prove a prediction correct then it's not really a prediction it's just a random series of words thrown on a page that don't prove any type of insider connection.

here is what ACTUAL insider info looks like:

this is a hard, concrete, falsifiable claim. it can be proven correct or incorrect (it was correct because my insiders are good and legit lol). there is no gray area where it can be interpreted after the fact to be correct even if it was random words. it's just a hard claim and down the line, people will be able to see if it was true or not!

for something to be a true claim of insider info it has to be falsifiable or what good is it?

a real claim supported by insider info should have read something like this, "i have seen the cover art for ts7 and some of the aesthetics for the era and clouds are featured! namely on the album cover and in the first music video."

if they had said that then fuck yeah that's a hard claim that can either be proven true or false. they didn't say that. they mentioned drinking and getting lost in the clouds. anyway, i'm rambling but i hope i've illustrated the difference between trolling and randomly throwing out words and phrases so you can try and get a "hit" in the future.

for fun let's write a spade riddle/pumpkin insider claim and then over the next year (or maybe on the next album) i can promise you SOMETHING in a song lyric, mv, piece of album art, live performance, interview taylor has, clothing/jewelry she wears, merch will appear to prove this was some bit of insider tea but i'm just pulling this out of my ass rn.

"In the still of the dawn, the eye of the storm has passed and the sun dances with the birds"

boom i can promise you something will happen over the next year or two that makes it look like that was some kind of insider prediction because it's vague enough that a TON of stuff could be a hit for it.

the last thing i'll say is if you want to learn more about how seers and psychics troll their audiences just like spade-riddles does you should go listen to the episode i did this past summer on Nostradamus who was a famous seer from hundreds of years ago.

[lajikookbolala]

Hi!

Have you talked about your opinion on jungkooks concept photos being similar to jimins? And their clothes being very similar, like jungkooks inkigayo performance outfit?

Hi to you too, Anon! Thanks for the question.

I've actually been thinking about the matching clothes and concept photos a LOT recently, and would absolutely love to share my opinions with you!

First of all, I would like to remind everyone that this is not the first time Jikook have done this. Throughout the years, there have been many instances of them wearing similar, or even the same clothes. Here are just some examples:

And there's many more where that came from. I suggest looking at this article if you're curious: https://www.koreaboo.com/lists/btss-jimin-jungkook-shared-clothes-15-times-cutest-thing/

But yes, I would say it's even more obvious now. Especially because we have seen so many instances of it even in just the last few weeks/months. First of all, we have something that I have talked about before, which is the matching necklaces from the Seven and Like Crazy MVs:

And the fact that Jungkook has worn that necklace (or at least a similar one) in both of his most recent lives.

There are other instances of them wearing these necklaces, too.

Kind of reminds me of this...

Speaking of the similarities between Seven and Like Crazy, just take a look at these lyrics:

Both songs talk about riding. And both say it in English. And that's about where I'm going to leave that one, Anon.

Next I want to talk about something which might be a bit of a reach, and that is the subtle references to Jikook in the Seven MV.

Doing laundry together... at night.

Rememer this scene?

Well, it just happened to remind me of this moment, when Jikook tell the rest of the members that they stayed up all night, and when they ask them why, they say they were doing their laundry.

Call it a reach, sure, I can agree with that. Maybe. But I somehow feel like the next one might not be.

2. The rainy day fight.

At the end of the MV, after an entire week of fighting, Jungkook and So Hee finally make up. In the rain. Remind you of anything?

Both Jimin and Jungkook talked about the rainy day incident soon before Seven was released. Then the MV comes out and it involves a rainy day fight?

Also I've seen some people talking about how the album covers perfectly line up, but I don't really have anything to say on that, so I'll leave this one up to y'all.

And then, finally, we get to talk about all the matching clothes and styles we've been seeing recently.

I think these photos speak for themselves. There is no way this is all a coincidence.

So, why do this, then?

Well, I think Jikook are both extremely smart, and they know we are too (and by "we" I meak jkkrs). Jkkrs are detectives, and we've proven that sooo many times. This might be their way of communicating about their relationship to us without saying it outright.

Jikook WANT to show the fans that they're together, but they only want to show the ones who are willing to look.

Anyways, sorry for the super long post. This might be the longest post I've made so far if I'm being honest 😆

Thank you so much for your ask, Anon, and to everyone else reading this, thank you too! I hope you all have an amazing day!

P.S. if I missed anything feel free to let me know!

[lurkinglurkerwholurks]

Even When the Words Went Wrong

First posted: May 27, 2019

Focuses on: Jason Todd and Bruce Wayne

Favorite bookmark: "In which, Bruce doesn't fuck it up."

Second favorite bookmark: "I got actual tears in my tears like this fic beat up my heart in a dark alley and then stole its wallet"

Tier: Pretty middle, but at least in the top half of all metrics

This is my “behind the scenes” series where I indulge myself horribly by annotating my fics. Link to the fic itself above. Thoughts below the cut.

Apparently this only took me a couple days to write, which is cool, and also makes sense. Alternate POV fics are, in many ways, so much easier because I already know what happened. I just have to express how a different person perceived it and felt about it.

Part one's title came from the David Cook song, and this one is a continuation of the same lyric, just slightly changed because my version is more poetic and appropriate.

Original: You've always been the sweetest song / Even when the world went wrong

Incorrect, Mr. Cook, do better.

Bruce Wayne had killed Jason in a thousand different ways. And Jason had killed Bruce in a thousand and one.

Some nights, it was all Jason could see when he closed his eyes.

I knew when I finished the first part that I would need to do more. I couldn't push the fic any further than it had gone from Bruce's POV, but I didn't want to end it where I did, so time to jump heads.

“You don’t have what it takes to give this city what it needs,” Jason spat, fully in the swing of his narrative. The Pit hummed like a swarm of locust in the back of his skull. “You’re weak. You’ve always been weak. You—“

I'd done POV swaps before, so I was already aware that one way that alternate POVs are not easier is finding a way to cover the same ground without just copy-pasting dialogue again. It gets so boring. Luckily here Bruce and Jason are both so distracted at different points that they can each zone in and out of the narration.

Batman’s composure was flaking off him in chunks. It was a sight to see. He was angrier than Jason had ever seen, jaw on the verge of cracking with the strain. Jason felt a sickly sort of pleasure that he was at least able to elicit that after all this time.

I personally find it funny that Jason thinks Bruce is mad, that that's the only emotion he can stick a label to, because he's never fully seen Bruce panicking like this before.

Somehow he had never considered that in the lost years Bruce might have changed, too. It wasn’t that Bruce was unrecognizable. He wasn’t. The Bruce of him was still there, grim and unyielding. The grey in his hair was new, clustered around the temples, not bright enough to be Alfred’s silver but close. There were lines, too, that had been there before, but only as the finest pencil strokes. Now they were cuts, deep and furrowed. They made Bruce look harder than ever, a man carved from stone, but stone that was beginning to crumble. He called Bruce old man, first as a joke and now as a taunt, but this was the first time it almost felt real.

I did Bruce a little dirty here, since by the timeline I use he's still in his 30s here. Oh well. The changes, both from the passage of time and the weight of grief, would be shocking to Jason regardless. Like. That's his dad. He knows what his dad's face is supposed to look like.

His finger stuttered against the trigger. He could pull it. Be done right here, right now. This close, there was no way to miss. It was why he had come to Gotham. It was all Jason could see when he closed his eyes. He didn’t want this.

That's the truth of Jason, the one I think all my fics about his anger and bitterness and resentment have to come to in the end. He wouldn't hate Bruce as much as he thinks he does if he didn't love him with the same intensity. He can lie to himself all he wants, but it's a truth he has to face in the end.

Bruce had him trapped, but Bruce wasn’t fighting. He was… he… was… Crying? Bruce had his face buried in Jason’s hair, and Jason could feel the tears on his scalp and the shuddering breaths rippling through Bruce’s chest. “B?” he whispered.

Is there anything more alarming than seeing your parent cry.

He was lost. He was falling. He was thirteen and wide-eyed, awed beneath his wariness. He was fourteen and reckless, eager to please and devoted to the end. He was fifteen and cocky, unsure of his path but sure of who would walk it with him. He was fifteen and dying, alone and crying for his dad.

I'm pretty sure I've accidentally written this same paragraph like five different times across different fics with different characters. Oops.

Bruce ignored his own tear-streaked face to rub a thumb across Jason’s cheekbone, a gesture of habit formed over a fraction of a lifetime, but the only fraction that had really mattered.

I love that paragraph specifically because I can feel it. Is there a name for that? Like written ASMR?

The end of this fic is so schmoopy in a way I don't normally like to be, but I do wonder how much that speaks to a culturally rooted aversion for male emotions that aren't anger, you know?

Also the end note is a Bible quotation but specifically the version I heard in my head is the Barlow Girls song. And some of you just got hit with 00s memories upside the back of the head, you're welcome.

And lastly, this one fic garnered multiple comments of very nice people saying DC needed to hire me I AM STILL WAITING DETECTIVE COMICS