#also this was very difficult to translate so its not word for word but I tried my best to do it justice

[raven-at-the-writing-desk]

On the language debate, I personally headcanon that the main language spoken at NRC is a common one. (?) (Like how English is the business language, or like how generally Native Americans had a common language that they spoke when trading with other tribes.) And Crowley or the Mirror used magic so that You was temporary fluent in that language.

After the ceremony, Yuu has to learn the common language and picks it up really fast (as one would in such a situation). Therefore, Yuu can still speak it when away from NRC.

(I also headcanon English as an ancient language akin to Latin, because I heard that Arabic was canonically an ancient language.)

[Referencing this post!]

I’d buy that everyone at NRC speaks the common language to some level of proficiency; it’s like how international students typically need to speak the language of whichever country they hope to study in and need to prove their fluency in an exam beforehand. As I said in the original post, the light novel does mention a translation spell over the school, so maybe that’s part of the “magic” that helps Yuu to understand what the others are saying.

Now, it’s theoretically possible for Yuu to learn the common language of Twisted Wonderland in a year, but I don’t think immersion alone would cut it (especially since the main story is only up to like 2/4 to 3/4 of a year so far) . They’d probably have to put in significant effort outside of everyday conversations to pick up its rules (because remember that language isn’t just vocabulary but also grammar, syntax, and social conventions). Yuu would also need consistent feedback from people since that’s how one usually “fixes” their incorrect language use. It’s similar to how adults would correct a child learning their first language; ie a kid says “wadur” instead of “water”.)

One site I looked at suggested that, depending on the language categorization (I, II, III, of IV), it can take 24-92 weeks’ worth of time to become an “advanced” speaker. Realistically, just getting to the basic conversational level could be hundreds or thousands (700-2500+) of hours on its own—and Yuu has to do this on their own time between homework, going to classes, and managing all the issues that Crowley doesn’t 💀 To me, that doesn’t sound like a lot of free time. Counterpoint to my own point though, we also have to consider that Yuu is... well, technically Yuu can be any age you want, but most Yuus are implied or portrayed to be 16-18. The critical window for language acquisition is theorized to be anywhere from the first three years of life up to as late as 17-18 years. After this critical window, the ability for language development tapers off. So, thinking about that, Yuu's brain could still be very pliable and able to absorb new language (though they'd have to work quite intensely to pack in as much as they can before this ability starts to decline).

Something that I feel would be difficult for Yuu is that the characters often use slang (Cater, Floyd, Idia, etc.) and/or uncommon words (like Vil’s “pulchritude”). The former may not follow the standardized rules of a language or may be idioms (other non-literal meanings for common words), which could make it hard for a non-native speaker to understand. The latter would not be used that often, so Yuu would be forced to guesstimate what the word means. I’d imagine this would make fluency challenging, because as immersed as Yuu is in Twisted Wonderland, less frequently used words are harder to grasp.

Maybe Crowley cast a translation spell ON Yuu so that they can still converse with people in the common tongue whenever they leave NRC? Or, since the events basically occur in an AU, more than a year has passed so it has allowed Yuu more time to absorb the language. Language in TWST and how it works… It’s really interesting to think about!

[dravidious]

You're more amazing than catchphrases

90% of all Yugioh card effects are either "move a card from one zone to another" or "negate an effect" so I made a bunch of combat keywords so that monsters can actually be interesting on the field.

[mashkaroom]

Translation thoughts on the greatest poem of our time, “His wife has filled his house with chintz. To keep it real I fuck him on the floor”

It’s actually quite tricky to translate. Because it’s so short, each word and grammatical construction is carrying a lot of weight. It also, as people have noted, plays with registers. “Chintz” is a word with its own set of associations. Chintz is a type of fabric with its origins in India. The disparaging connotation is from chintz’s eventual commonality. Chintz was actually banned from England and France because the local textile mills couldn’t compete.

Keep it real” is tremendously difficult to translate -- it’s a bit difficult to even define. It means to be authentic and genuine, but it also has connotations of staying true to one’s roots. Like many English slang words, it comes first from AAVE. From this article on the phrase:

“[K]eeping it real meant performing an individual’s experience of being Black in the United States. As such, it became a form of resistance. Insisting on a different reality, one that wasn’t recognized by the dominant culture, empowered Black people to ‘forge a parallel system of meaning,’ according to cultural critic Mich Nyawalo...The phrase’s roots in racialized resistance, however, were erased when it was adopted by the mostly-White film world of the 1970s and ’80s....Keeping it real in this context indicated a performance done so well that audiences could forget it was a performance.This version of keeping it real wasn’t about testifying to personal experience; it was about inventing it.”

One has to imagine that jjbang8 did not have the origins of these phrases in mind when composing the poem, but even if by coincidence, the etymological and cultural journeys of these two central lexemes perfectly reflect the themes of the poem. The two words have themselves traveled away from the authenticity they once represented, and, in a new context, have taken on new meanings -- the hero of our poem, the unnamed “him”, is, presumably, in quite a similar situation.

Setting aside the question of register, of the phonology, prosody, and meter of the original, of the information that is transmitted through bits of grammar that don’t necessarily exist in other languages -- a gifted translator might be able to account for all of these -- how do you translate the journey of the words themselves?

In my translations, I decided to go for the most evocative words, even if they don’t evoke the exact same things as in the original. The strength of these two lines is that they imply that there’s more than just what you see, whether that’s the details of the story -- what’s happening in the marriage? how do the narrator and the husband know each other? -- or the cultural background of the very words themselves. I wanted to try and replicate this effect.

Yiddish first:

זייַן ווייַב האָט אָנגעפֿילט זייַן הויז מיט הבלים

צו בלייַבן וויטיש, איך שטוף אים אופֿן דיל. zayn vayb hot ongefilt zayn hoyz mit havolim.

tsu blaybn vitish, ikh shtup im afn dil

This translation is pretty direct. There is a word for chintz in Yiddish -- tsits -- but, as far as I can tell, it refers only to the fabric; it doesn’t have the same derogatory connotation as in English. I chose, instead, havolim, a loshn-koydesh word that means “vanity, nothingness, nonsense, trifles”. In Hebrew, it can also mean breath or vapor. I chose this over the other competitors because it, too, is a word with a journey and with a secondary meaning. Rather than imagining the bright prints of chintz, we might imagine a more olfactory implication -- his wife has filled his house with perfumes or cleaning fluids. It can carry the implication that something is being masked as well as the associations with vanity and gaudiness.

Vitish -- Okay, this is a good one. Keep in mind, of course, that I’ve never heard or seen it used before today, so my understanding of its nuances is very limited, but I’ll explain to you exactly how I am sourcing its meaning. The Comprehensive Yiddish-English Dictionary (CYED) gives this as “gone astray (esp. woman); slang correct, honest”. I used the Yiddish Book Center’s optical character recognition software, which allows you to search for strings in their corpus, to confirm that both usages are, in fact, attested. It’s a pretty rare word in text, though, as the CYED implies, it might have been more common in spoken speech. It appears in a glossary in “Bay unds yuden” (Among Us Jews) as a thieves cant word, where it’s definted as נאַריש, שרעקעוודיק, אונבעהאלפ. אויך נישט גנביש. אין דער דייַטשער גאַונער-שפראַך --  witsch -- נאַריש, or “foolish, terrible, clumsy/pathetic. not of the thieves world. in the German thieves cant witsch means foolish”. A vitishe nekeyve (vitishe woman) is either a slacker or a prostitute. I can’t prove this for sure, but my sense is that it might come from the same root as vitz, joke (it’s used a couple of times in the corpus to mention laughing at a vitish remark -- which makes it seem kind of similar to witty). I assume the German thieve’s cant that’s being referred to is Rotwelsch, which has its own fascinating history and, in fact, incorporates a lot of Yiddish. In fact, for this reason, some of the first Yiddish linguists were actually criminologists! What an excellent set of associations, no? It has the slangy sense of straightforward of honest; it has a sense of sexual non-normativity (we might use it to read into the relationship between the narrator and the husband) -- and a feminized one at that; it was used by an underground subculture, and, again, the meaning there was quite different -- like the “real” in “keeping it real” it was used to indicate whether or not someone was “in” on the life (tho “real” is used to mean that the person is in, while “vitish” is used to mean they’re not). It’s variety of meanings are more ambiguous than “keep it real”, which can pretty much only be read positively, and it also brings in a tinge of criminality. Though it doesn’t have the same exact connotations as “keep it real”, I think it’s about as ideal of a fit as we’ll get because it’s equally evocative of more below the surface. I also chose “tsu blaybn vitish”, which is “to stay vitish”, as opposed to something like “to make it vitish” to keep the slight ambiguity of time that “keep it real” has -- keeping it real does< I think, imply that there is a pre-existing “real” to which one can adhere, so I wanted to imply the same.

The rest is straight-forward. “Shtup” is one of a few words the Comprehensive English-Yiddish Dictionary (CEYD) gives for “fuck”, and I think it has a nice sound.

Ok, now Russian

женой твой дом наполнен финтифлюшками

чтоб не блудить с пути, ебемся на полу

zhenoy tvoy dom napolnin fintiflyushkami.

shtob ne bludit’ s puti’, yebyomsya na polu

In order to preserve, more or less, the iambic meter, I made a few more changes here -- since Russian, unlike Yiddish, is not a Germanic language, it’s harder to keep the same structure + word order while also maintaining the rhythm. I would translate this back to English as:

“Your house is filled with trifles by your wife. To not stray off the path, we’re fucking on the floor”

So a few notes before we get into the choice of words for “chintz” and “keep it real”. To preserve the iamb, I changed “his” to “your”. This changes the lines from a narration of events to some outside party to a conversation between the two men at the center. Russian also has both formal and informal you (formal you is also the plural form, as is the case in a number of other languages). I went with informal you because I wanted to preserve the fact that his wife has filled his house not their house, as someone pointed out in the original chain (though I don’t think that differentiation is nearly as striking in the 2nd person) and because it’s unlikely you’d be on formal you with someone you’re fucking (unless it’s, like, a kink thing). I honestly didn’t even consider making it formal, but that would actually raise a lot of interesting implications about the relationship between the speaker and the husband, as well as with what that means about the “realness” of the situation. Is, in fact, the narrator only creating a mirage of a more real, more meaningful encounter, while the actual truth -- that there is a woman the husband has made promises to that he’s betraying -- is obscured? that this intimacy is just a facade? Is there perhaps some sort of power differential that the narrator wishes to point out? Or perhaps is the way that the narrator is keeping it real by pointing out the distance between the two of them? there is no pretense of intimacy, the narrator is calling this what it is -- an encounter without deeper significance?

Much to think about, but I actually think the two men do have history --  i think the narrator remembers the house back when it was actually only “his house” and was as yet unfilled with chintz. We also don’t know what they were calling each other prior to this moment. This could be the first time they switched to the informal you. 

Ok moving on, I originally translated it as “твой дом наполнен финтифлюшками жены”. Honestly, this sounds more elegant than what I have now, but I ultimately though removing the wife from either a subject or agent position (grammatically, I mean) was too big a betrayal of the original. The original judges the wife. She took an active role in filling the house. If she were made passive, that read is certainly a possible one -- perhaps even the dominant one -- but it could also read more like “we are doing this in a space filled with reminders of his wife and the life they share” -- the action of filling is no longer what’s being focused on. Why do I say the current translation is inelegant? I feel you stumble over it a little, because it’s almost a garden path sentence. This is also an assset though. “Zhenoy tvoy dom napolnen” is a fully grammatical sentence on its own, and it means “Your house is filled by your wife” -- as in English, the primary read is that the wife is what the house is full of. If the sentence makes you stumble, perhaps that’s even good -- we focus, for good reason, on the relationship between the two men, but in a translation, the wife is able to draw more attention to herself.

Ok, chintz: I chose the word “финтифлюшки” (fintiflyushki), meaning trifle/bobble/tchotchke, because it, allegedly, comes from the german phrase finten und flausen, meaning illusions and vanity/nonsense. Once again, I like that the word has a journey, specifically a cross-linguistic one.

Keep it real: this one, frankly, fails to capture the impact of the original, in my opinion, but allow me to explain the reasoning. “Stray off the path” implies, again, that there is some sort of path that both the narrator and the husband were on before the wife and the chintz -- and one they intend to continue taking, one that this act is a maintenance of. It brings in a little irony, since the husband very much is straying from the path of his marriage. “Bludit’“ can also mean to be unfaithful in a marriage (as, in fact, can “stray”). The proto-slavic word it comes from can mean to delude or debauch -- they want to do the latter but not the former.

As for register -- “shtob” is a bit informal. I would write the full version (shto by) in an email, for example. The word for fuck, yebyomsa, is from one of the “mat” words, the extra special top tier of russian swears, definitely not to be said in polite company (and, if you are a man of a certain generation or background, not in front of women; it’s not that the use of mat automatically invokes a male-only environment, but if we’re already thinking that deeply about it. But while we’re on the topic, i will say that in my circles in the US, women use mat much more actively than men (at least in front of me, who was, up until recently, a woman and also a child).)

Ok i think that’s all the comments i have!

[calmcoldevening]

Pov: You knew slashers, when you was a child (Slashers x fem!reader)

I'm back! Well, it os a lazy post from my drafts, until I end my new idea <3

TW: no

Characters: Thomas Hewitt, Brahms Heelshire, brothers Sinclair

P.S.: English is not my native language, so lot of these words was translated by simple translator, sorry for misspells and e.t.c.

Enjoy this!

Thomas Hewitt

The transition to a new school has always been a great stress for a child, especially in the middle of the school year.

You and your parents often moved from city to city. Maybe it was their work, or maybe they just wanted to show you as many different places as possible so that your childhood would remain really memorable — you didn't know. But the constant moving was followed by a change of schools and kindergartens. On the one hand, you liked it — new acquaintances, interests and a lot of positive emotions, after all, you were a cheerful and active child — but it also brought its inconveniences — you didn't have "best" friends, you had no more than a couple of months to communicate with each of them, and multiple the change of the team has made you a real chameleon in society.

You were ten years old when you and your parents moved to Texas. The age when most classes have already been divided into peculiar interest groups, which are quite difficult for a new person to join. That's why your mom decided to bake cookies that you could distribute to new classmates. Who doesn't like homemade cakes? You actively participated in the cooking process. A little more practice, and you could learn these cookies on your own. As soon as the treat was ready — several pieces were successfully taken away by your father — your mother beautifully put it in a colored box, now tied with a ribbon. The inscription "Welcome" was painted on the lid in gold paint.

It was very hot in this area of Texas. Therefore, on your first day of school, you decided to limit yourself to a beautiful white T-shirt with some simple pattern and black shorts. The first impression is the most important, right? Your mom took you to school by car. At the reception desk, your mom introduced you and found out the number of the right office. After kissing you goodbye on the cheek, she left you to your own luck. Although you were already used to it, a nervous feeling of anticipation bubbled somewhere in your chest; your palms were sweating.

After a good seven minutes, you were standing in front of the right class, 212, clutching a box of cookies to your chest. Adjusting the strap of the gray backpack, you exhaled anyway.

Your homeroom teacher, Mrs. Sullivan, introduced you in the office. A lovely woman with curly locks hanging down on both sides of her face and freckled cheeks. Her soft figure, dressed in a white blouse and a black pencil skirt, caused a surge of strength and confidence in you. The woman lightly put her arm around your shoulders, so motherly, and asked you to tell about yourself.

"My name is Y/N Y/L," your voice trembled slightly while your gaze ran over the children sitting in the classroom, "I'm ten. I like animals and beading... Mm, my parents and I move around a lot, so I don't think I'll stay here for more than two months. I hope we'll become friends."

You ended your performance with a sincere warm smile. Mrs. Sullivan asked you to take an empty seat. Your choice fell on the farthest place by the window; a guy was sitting behind it, hunched over and staring at the street. Was he weird? No, rather unusual. He had long black hair, so unusual for a boy; his gaze was lowered somewhere on the dusty road near the school, so you couldn't see his eyes. Sitting down next to him, you quickly took out a notebook and pencil from your backpack.

"Hello?"

The boy seemed startled by your voice. He looked at you uncertainly, and you saw a face wrapped in bandages. Sad cornflower blue eyes peeked out from under the white cloth.

"I'm Y/N," you whisper, holding out your hand to the boy, "And what's your name?"

There was no response. Disappointed, you lowered your hand, now paying attention to the teacher's explanation. The woman was writing down her words on the blackboard, and you quickly began copying them into your notebook, clutching a pencil until it crackled.

There was something about this boy that attracted you. It doesn't matter if it was his shyness or isolation — you decided that you definitely want to make friends with him.

At recess, you approached a group of girls. They were dressed up like girls from fashion magazines that you often saw in kiosks by the road.

"Hi," — you said with a light smile.

"Well, hello," said one of the girls, popping a bubble of gum.

"I want to ask. M, that boy," you pointed to the long—haired boy, "What's his name? I asked, and he ignored me."

"Haha, he won't answer you. That's our little Tommy," another girl hissed sarcastically, giggling, "Thomas Hewitt is weird. Very strange. I heard that his father is his brother!"

"And he's also a terrible freak!"

You awkwardly put your hand in your hair. Thomas didn't look as disgusting as the girls described him. It's all rumors. And what to take from these children, they probably didn't even try to talk to Hewitt!

You didn't talk to this company anymore. After waiting for lunch, when all the children went out to the garden at the school, you again approached the boy. He didn't budge. It seems he hasn't even written anything since you sat down next to him.

"Hey, hello?" you waved your palm in front of the guy's face, "Thomas, right?"

This time the boy paid attention to you. There was no emotion visible under the thick layer of bandages, but you were sure that he arched an eyebrow questioningly. He's wondering how you know his name?

"You were sitting alone, so I came over. Your name is Thomas, right?" you repeated the question, finally the boy nodded, "That's wonderful! I'm Y/N, let's get acquainted."

Smiling happily, you hand the guy an open box of cookies. Golden crust with chocolate chips. You had no desire to share such a delicious thing with such terrible and tactless people. And Tommy. Tommy was different. He was timid and calm, unable to cause harm.

"Help yourself," you babble, sitting down next to Hewitt, "I made them myself! Not without my mommy's help, of course..."

You blush slightly and see Thomas's eyes narrow. He smiled! He seems to be starting to like your company.

"Can I call you Tommy?"

• Thomas has become noticeably happier since you met him. The boy began to spend more time outside the house, in your company (Luda was very surprised by this, because usually after school Tommy always came home and sat in his room).

• For your birthday, Thomas himself sewed a soft toy for you, a fox, as he found out later, this is one of your favorite animals. The toy was sewn from different, but matching pieces of fabric, a little sloppy, but quite skillfully. It made you smile. You threw your arms around Hewitt for joy.

• Once you praise him, Tommy immediately blushes a lot. It's good that it's not visible under the layer of bandages. From the moment you became friends, Thomas's self-esteem has risen a little.

• When you first offered to help Thomas change the bandages, he strongly refused. The boy just couldn't let you see his face. But when he finally gave up, Hewitt was pleasantly surprised that you didn't scream and run away. You didn't call Tommy a freak or a monster, but only sympathetically stroked his scarred cheeks.

• Over time, you began to understand Thomas without words, absolutely. You found the right answers in his movements, grunting, awkward head turning or excessive gesticulation. Even Luda was a little amazed at your nonverbal communication, but the woman was glad that her son finally found a real friend.

• Tommy often showed you his drawings. It was like the scribble of a five-year-old child, but you were always happy to accept the leaves and hang them over your bed. Basically, Thomas drew his family: angry Charlie in the corner of the paper, Monty sitting next to him in a chair, a little further away, Luda was cooking, and in the center of the drawing you and Thomas holding hands and smiling.

• It was the first time you begged your parents to stay in this city longer. Fortunately, they agreed after seeing your enthusiasm for the "strange boy".

Brahms Heelshire

• Your parents and the Healers kept in touch for a while, you can say your families were very close. You first met Brahms on his fifth birthday. He was a very well-mannered but private boy, so Mrs. Heelshire was only too happy to introduce you.

• At first, your communication did not work out. Brahms was a rude child in places, took away your toys and teased you.

• His true attitude towards you showed up when you didn't come to his house, although you were visiting the Heelshire family every Monday and Wednesday. He was seriously worried. All morning Brahms sat in his room by the window and looked at the road going through the forest, waiting for your little body in your favorite blue dress to appear from behind the trees. But you were never there. It turned out that you were just sick. That day Brahms went to your house and did not leave your bed, squeezing your hot palm.

• Your parents worked most of the time, so they were not against your games with Heelshire Jr. You stayed in their house more and more often, sometimes even overnight, and you and Brahms made noise all night, forcing his mother to swear. But still, the woman was glad that at least Brahms was behaving quite comfortably and boldly with someone.

• You were only a couple of months younger than Brahms, but you thought it was a good reason to tease you.

• The boy allowed you to enter his room without knocking, consider it a worthwhile privilege, because Heelshire does not let everyone into his personal space.

• When you were sad, Brahms brought you bouquets of flowers hastily made with his own hands. That's why his palms were green most of the time.

• Brahms makes wonderful sandwiches. He often makes them when the two of you are having a "picnic" in the garden. Although in fact he agrees to it only to admire you.

• Heelshire loves sweets very much. Very. His mom doesn't allow the boy a lot of sweets and cakes, so you secretly bring them to him from home. The boy is insanely happy.

• Brahms loves kissing. This habit, or rather the need, appeared in him because you praised the boy in this way. Has he finally cleaned the room? A kiss. Did he break his mom's precious vase during the catch-up today? A kiss! So now he can demand them for any reason. He especially likes it when you kiss him before going to bed, and Brahms falls asleep hugging you.

• You're his best friend. That's why Brahms trusts you with all his secrets. You are the only one to whom he has told about the strange and frightening thoughts that sometimes sound in his head.

"Good night," Mrs. Heelshire said, turning off the light and closing the door behind her.

You smile and blow her a kiss, covering your mouth with your palm. When the woman's footsteps recede, you exhale with relief, plopping down on the pillow with force. Squinting your eyes, you wrinkle your nose, trying to blow away the stuck strands of hair from your face. Brahms giggles and gently tucks your hair behind your ear.

The room is cool. The window is slightly ajar, letting in a light autumn wind. The curtains are swaying from side to side, taking chaotic frightening shadows.

You get under the covers up to your nose. Brahms follows your example, pressing his whole body against you, and you stroke his head.

"If I ever do something very, very bad, will you stay with me?" Heelshire whispers, looking up at you.

You look into his sad emerald eyes and laugh. He likes to put pressure on your pity, because he knows that at such moments you see him as a tiny abandoned kitten.

"I don't think you'd do anything so bad, Brahms."

"But if I do. What if everyone turns away from me. Even mom and dad. Will you stay with me?"

You pressed your lips together, frowning. Brahms had never asked such strange questions before. And how can a child who is only eight years old think about something like that after a while. Looking down at the ceiling, you turned your head, looking into Brahms' eyes.

"Yes. I'll stay."

"Honestly?" Heelshire asks incredulously.

"Honestly."

"Promise?"

"Yes, I promise you, silly boy!" you abruptly cover his face with a blanket, holding the edges on both sides of his head.

The boy was kicking, trying to get out from under your weight, while you tried not to laugh. Taking pity on his futile attempts, you took off the blankets, admiring Brahms' flushed face. Heelshire was breathing heavily, and his cheeks and nose were burning like Chinese lanterns that your parents launched on your birthday.

"I won. Again," you grin.

Brahms is silent. You sigh and lie down again, turning your back to Heelshire. Your eyes are shining with joy, and your lips continue to curve in a smug grin. You know that Brahms will not dare to do something to you in return. He always let you get away with such antics. Absolutely always.

When you are ready to fall asleep, through the chatter in your head you hear a plaintive whisper. Having opened your leaden eyelids, you groan with displeasure.

"Kiss me," Brahms whines, and you get up on your elbows, chuckling softly.

"Okay," you kiss Heelshire on the lips, "Good night, Brahms."

• "Now I've won," Brahms croaks, pressing you against the wall and spreading his hands on both sides of your head. Just like a child. Except now he's not the victim here, but you. Although was he ever a victim in your games? Rather, he always played the role of a presenter, you just didn't notice it, as if you were looking through your fingers. And who would have thought that that innocent little boy would ever stand in front of you, towering over your body by a good two heads, and grinning with eyes shining in anticipation through the black slits of the mask.

Sinclairs

Christmas is the most mysterious and magical holiday of the year; the day when the whole family gathers at one big table to properly celebrate this moment together; the day when you receive a lot of gifts from all kinds of relatives, which you sometimes did not realize; the day when all wishes come true.

You clumsily shuffled along the road, shaking your back every now and then to adjust the heavy backpack. Things inside rattled a lot, and you tried to straighten your back faster to avoid crumpled packages.

Christmas was your favorite holiday. And although your parents have been working constantly lately, you were glad that you could spend this family holiday with your friends.

You met not so long ago, only about four months ago, when you first moved here. Ambrose turned out to be a very nice and cozy city with friendly and caring people. Mrs. Sinclair, Trudy, and your mom became friends right away— their interests converged on art. That's when I met her sons, the woman suggested that you make friends with them because of their similar age. And it turned out to be a very good idea. The boys quickly became addicted to you.

Once again adjusting the canvas straps of the backpack, you quickly climb the steps requested by the snow and knock on the sand-colored door several times. On the other side, there is a fussy shuffling and dissatisfied grumbling.

"Hello," you say, smiling, when the door swings open in front of you, revealing a view of the timid Vincent.

The guy nods to you and opens the door wider, motioning you to enter. You kiss Sinclair on the cheek of the mask. Brushing off your feet at the threshold, you quickly take off your shoes and leave your backpack at the shoe shelf. Music from an old radio is coming from the kitchen, some station unknown to you is playing old songs from the seventies. As soon as you entered the room, Vincent stood at the stove again, frying something in a frying pan. Whenever Trudy was busy making figures and arranging a museum that she someday wanted to open, it was Vincent who did the cooking and other household duties. Bo was stubborn and didn't want to do "women's" work, and Lester was still too young for such a large-scale activity. The latter was now sitting at the table and skillfully sliced an apple with a hunting knife into neat pieces.

"Morning, Lester," passing by the boy, you leave a small kiss on his forehead.

"Hi, Y/N!" Sinclair winces contentedly, flapping his big copper eyes.

You sit down next to the boy and imperceptibly take a piece of apple from under his nose, throwing it into his mouth contentedly. There were already several plates and cutlery on the table. Vincent loved order, so he prepared everything in advance.

"Where's Bo?" you ask, rocking slightly in your chair, for which you get a menacing look from Vincent.

"Mom asked him to help at the museum," Lester replied, "He should be back soon."

You notice how Vincent turns off the stove and turns his whole body in your direction. The guy takes a notebook lying on the table and quickly scribbles something.

"Have you had breakfast?"

"Yes," you say shortly, when Vincent closes the notebook and puts it back, "Honestly."

Sinclair puts the hot omelette on plates and pushes you a bowl of oatmeal cookies. You happily take one piece. Vincent sits down across from Lester and lifts the mask just enough to see his mouth. You frown, noticing the edge of his deep scar.

"Hey everyone," it was heard from the threshold, when the front door slammed shut with force, "Oh, honey, and you're here," Bo walks past you, lightly touching your shoulder in greeting, and sits down next to Vincent.

During brunch, you watch Lester and Bo actively negotiate. When their plates are empty, you decide to step in.

"Since everyone is here," you babble happily, clapping your hands to attract the attention of the guys, "I want to give you gifts a little earlier than planned, do you mind?"

"Of course not," Bo abruptly pushed away from the table, "I'm all for it, babe."

Bo winked at you playfully, to which you rolled your eyes. Vincent signed something, and you looked at Lester. Your sign language was not yet good enough to understand most of the phrases, you barely remembered the words of politeness. That's why you've always relied on little Lester at times like this.

"He said: "Why are you doing this so early?"", Lester explained, innocently blinking his eyes.

"What's the difference," Bo frowned, "Sooner or later — the main thing is that she gave."

You didn't comment on the elder Sinclair's words, but just got up from the table and went to your backpack resting in the hallway. When you came back, the brothers were already sitting in a kind of semicircle on the floor. Bo sprawled impressively closer to the sofa and grinned in anticipation; Lester, in his usual manner, sat cross-legged; while Vincent tucked his knees to his chest.

You sat down between the twins and put the backpack next to you, unzipping it. You said "Close your eyes" and, as soon as the boys fulfilled your request, you began to take out colorful boxes. All packages had the same color, different sizes. Alternately, you put the gifts in front of them and allowed them to watch. Lester giggled when he saw that his box was the biggest.

"Merry Christmas," you drawled, spreading your arms out to the sides.

The very first gift was opened by Lester. The boy happily tore open the package, scattering the paper around him, and screamed when he saw the cherished surprise. A big stuffed fawn. He had a soft beige body and neat brown horns sticking out in different directions. The muzzle was cheerful, with a big nose and shiny button eyes.

"I knitted it especially for you," you babble, smiling, when Lester looks up at you with an enthusiastic look.

"Thank you!" the boy throws himself on your neck with lightning speed, squeezing your body until the bones crunch; you stroke his back.

Bo was a little surprised when he saw a set of tools under the wrapper. He loved tinkering and was well versed in mechanics; the fact that you remembered about this hobby touched the guy a little; his lips curved in a slight smile.

"Well, thanks, babe," Bo grins, patting your hair.

You're pouting a little. All the time spent in the morning combing this tangled nest has gone to waste. You are dissatisfied with blowing off a few strands that caught your eye.

The last person to open his gift was Vincent. The boy very tenderly unwrapped the package, not trying to tear it, as if stretching and savoring this moment. You watched the deft but careful movements of his fingers with burning impatience. Finally, Sinclair took off all the paper, removing it from the side, and looked down at what he saw. A large set with colored pencils. Exactly the one that the boy looked at with undisguised envy in the window of an art store about a month ago. Did you remember that? With slightly trembling hands, Vincent takes the box and turns it in his hands. There were several more drawing pads under it.

Vincent looks at you, and you see the trembling gaze of his azure eyes in the slits of the mask. Such unbelievers, but at the same time grateful. You crawl up to the boy and hug him tightly, nuzzling his neck. Vincent lets out a ragged sigh.

"Merry Christmas to you, boys," you congratulate them once again, seeing the boys' satisfied smiles.

"So why did you decide to give it to us so early?" Lester asked, clutching the toy to his chest.

"Oh, that," you awkwardly fix your hair, "Well, my parents decided to leave. To another state. We'll leave tonight. So I thought I could have some fun with you now."

There was an oppressive silence in the room. You were afraid to look up, but you could feel the disappointment on the boys' faces. Your heart was painfully squeezed in your chest, from which you gritted your teeth with a creak.

"Will you come back?" Bo broke the silence.

"I don't know. Dad was offered a job in another state. Mom just said I wouldn't be able to see you."

You looked at each of the boys in turn. Vincent's head drooped, Bo's brows furrowed, and Lester's lips tightened into a crooked thread. The elder Sinclair sighed heavily.

"We'll be waiting. All together," he looked at you from under his brows, "Just try not to come back to us."

• Vincent loves sweets; but, often, Bo takes most of the goodies. That's why you put an envelope with several edible bracelets in one of the donated notebooks. Bo will probably consider them girly and will not take them away from his brother.

• You have been knitting a fawn for Lester for about five days; the boy is very happy with your gift. Your relationship is like a brother and a scary sister. He is always ready to rely on you; Sinclair is glad that he has such a caring person, unlike the same brothers (in particular Bo).

• Trudy adores you. You could say that in these few months she began to perceive you as her own daughter. You even know where the spare keys to the back door of the house are.

• Bo always tries to impress you as a self-sufficient high school student. He saw his father's old magazines with tackles, seduction and other materials not for children, so he decided to train on you. He didn't notice how he fell in love.

• Vincent is a good cook.

• Most of Vinnie's drawings in the new notebooks are you. He will paint your portraits for many years after your leaving.

[manicrouge]

An Ode to Serelia

[𝟷𝟾+, 𝙼𝙳𝙽𝙸] || Part Two

[𝙰𝚕𝚝𝚎𝚛𝚗𝚊𝚝𝚎 𝚄𝚗𝚒𝚟𝚎𝚛𝚜𝚎: 𝙶𝚞𝚊𝚛𝚍!𝚂𝚒𝚖𝚘𝚗 𝚁𝚒𝚕𝚎𝚢 𝚡 𝚂𝚒𝚛𝚎𝚗!𝚁𝚎𝚊𝚍𝚎𝚛]

[𝙳𝚊𝚝𝚎 𝙿𝚘𝚜𝚝𝚎𝚍]: 01/01/24

[𝙰𝚋𝚘𝚞𝚝]: Displeased is the siren who weeps, a sister stolen leading to her finding the man who helps her to her feet.

[𝙲𝚠]: blood, graphic violence, torture, gore, body horror, violence, character death, murder, loss of a parent, angst, mention of suicidal thoughts, smut, loss of virginity, creampie, inexperienced!reader, possessive!Simon

[𝚆𝚘𝚛𝚍 𝙲𝚘𝚞𝚗𝚝]: 23,720

𝙿𝚕𝚊𝚢𝚕𝚒𝚜𝚝 If you're intrigued in the music I listened to writing, there's a link to the spotify playlist, enjoy !!

[𝙰/𝙽]: HIIII !! This is the story I mentioned the other day on my blog, it's here, it's written (hopefully to a decent standard) and it was a lot of fun to write and I hope you have fun reading it !! Also I did change up the appearences of sirens a little for the sake of being #unique and #different. Greek mythologies version would have been interesting, though I'm unsure how exactly a bird with the head of a woman would translate into a cod fanfiction so please forgive my creative liberties.

Also, there may be the possibility for a part two cause I have an idea if you would like that pls let me know!!

Comments are always appreciated, please let me know what you think... unless you think it's the worst thing you've ever read, then tell me, but in a nicer way pls, i.e. 'bless you, you tried' or 'hmmm, I've read better, good try though!'

(I'm very sensitive).

HAVE FUN!!

P.s. Rhymezone and me were besties while i was writing this. Also I figured out how to make the text tiny... I'm learning guys!!! And sorry for it being so long, tumblr was literally lagging near the end of writing this whoops.

Also!!! Share any request you have for me in my 'Ask me anything'!! I'd be happy to write more alt aus with different characters :))

Please don't post my work anywhere else without my permission !!

｡･:*:･ﾟ★,｡･:*:･ﾟ☆｡･:*:･ﾟ★,｡･:*:･ﾟ☆

Illuminated in the night, entranced by the tide, the sailors always come to you, such a mistake they make, too little too late, for they can never ever run. Foolish mortal men, sinking into the watery depths of a sirens den, for a woman in the sea is never just a friend.

｡･:*:･ﾟ★,｡･:*:･ﾟ☆｡･:*:･ﾟ★,｡･:*:･ﾟ☆

· · ─────── ·𖥸· ─────── · ·

In the dead of night, you awake to a glow. It's seemingly stretching out its arms, calling out to you.

The orange light bends and warps with the movement of the sea, the rolling waves and glaring light for the moon creating a mixture of light which creates a celestial shimmer on the scales on your tail, reflecting off of your black eyes as you turn your head up in its direction.

The muscle in your chest is pounding, muffled words running through your ears as you keep your eyes trained on the light pushing its way from the shore all to make its way to you.

A full moon is never a good thing, although, submerged in the depths of the sea, you find it difficult to make out the shape of the glowing orb in the sky.

Her light confirms your worst fear, though, your eyes struggle to make anything out.

Even at night, the coral surrounding your bed is sleeping, nature reserving its strength for another troublesome day of battling against the grubby hands of the legged folk who rule both land and sea with an iron fist.

'Don't go meddling with the folks of the land, my dear, for trouble is the only thing ye shall find.'

It's the lesson of your mother which courses through your mind, like a shock of adrenaline through the body, a dopamine which has your hands trembling while sitting in quiet contemplation.

Land folk are dangerous, maniacs who believe they can possess the land and all that walks upon it.

To own the world, you would have to be mother nature herself, even then, her presence is discounted for because one of the land folk has in abundance what she lacks: golden coins.

You're familiar with these things, these little circular items they carry on their being, sometimes in small leather pouches, recalling a few of them being in the pockets of silly sailors who though they had the right to the place you and your sisters called home.

During their time spent, they toyed with the land as though she herself can not feel, taking and taking, so much so, you feared your initial silence to their actions would have resulted in you being damned for an eternity.

They massacred most of the fish, took your food as though it was theirs to take, discounting the creatures in the surrounding water. Greedy were the city folk, both of these golden things and your food, so, you followed the rule your mother had introduced.

Holding you on her lap, she looked at you and your delicate little frame, placing her hand against the wound on your tail.

Blood drifted in the the water, swirling with the current of the water and you sniffled in your mothers lap.

How terrible the wound was, throbbing as she plucked seaweed from out of the ground, using it to cover the cut.

The wound had been the fault of the land folk; they mistook you for a fish you supposed, though your little mind really didn't care to stop and acknowledge the truth of what happened.

The hook they had caught your tail with sat beside your mother and as she picked it up, she held it before you, watching as your eyes grew wide, nearly bulging from out of your little head as you began to squirm on her lap. What a monstrous little thing that contraption was, causing such hurt when it was the size of seashell. Keeping it in your view, she shushed you, opening her mouth, showing you her pointed teeth as she cupped your face with her other hand.

'My poor Urchin,' she lamented, 'it can do no harm now; it's not in the hands of the city folk, it's in mine,' she soothed, yet, despite her words you found that your throat was clogged as you recalled the morphed faces of the men who had caught sight of you when you had been caught.

'Is it because we hurt the bad people that they're doing this to the ocean?' you quietly asked, choking out your words as the gills either side of your neck opened.

It felt as though the hook had been stuck in your throat, ripping the insides as you struggled to the words out while sitting on your mothers lap. 'Are we bad people, mama?'

'No dear, we protect the sea and do the job the Lord made for us, it is the folks on her back who are the bad people, we're submerged in her soul, you see, keeping her from harms way and the cruel games of the true beasts,' she firmly stated, 'we hide from the enemy, covered in the current of what gives life to take the lives of those who are much too greedy for this world,' she lectures, 'so you mustn't pity the land folk; if they stray too far from their home and into yours, it is your duty to keep them away.'

'Even if we hurt them?'

'A lesson taught, is a warning sent, my dear,' she sweetly said, 'for a thieves broken neck is easy to repent.'

You acted that day as your mother had intended all those years ago: cruel, brutal, and unforgiving.

By the time you had finished, the water surrounding you was branded with their blood.

You gasped and choked, spitting out chunks of sailor from out of your teeth, plucking chunks of their cotton shirt out of your mouth the remains of a fish bone; it was far too stuck for you to use your nails, no matter how sharp they are.

You cleaned your teeth, watching as the bodies with their organs descended to the bed of the ocean with their gold coins in your hands while their pockets were filled with stones.

It was payment for their crimes and in death, they paid you to keep their bodies down, away from their families, for, you thought of the children on the coast.

They very well may be human, but they are undeserving of seeing one of their own in such a way.

You felt little when as you watched them sink, and upon reflection, all you ever feel is remorse for your silence.

Had you acted sooner, well, you suppose it would have saved you a trip to the deeper part of the ocean when hunting for food.

In the midst of your exhaustion you find your thoughts again, realising in your moment of contemplation, the little light grew closer to the edge of the coast.

Placing your hands against rocks, you push yourself from out of your reserved mellow cove, cocking your head to the side as you reach your hand outwards toward an orange fleck of light which greets you with open arm.

Exiting the cave, a flurry of bubbles pour pass your lips as their chants grow louder, as though they too are underwater.

Your pointed ears twitch as you push forwards through the water.

Your eyes are heavy as you push through the water, growing closer and closer to the source of the light, the sudden shift in the brightness causing them to sting.

You keep your eyes on the mysterious glow, rubbing your face with your hand, the long nail on your pointer finger catching the edge of your lip. Hissing, you watch as a faint trail of rouge seeps from your mouth, pressing the tips of your finger into the wound. Still, your eyes are unmoving, much too interested in the glowing beyond on the water.

Then, you hear voices.

It's the voice of humans, their low grumbles, cheers and chants causing the water surrounding you to vibrate from their ferocious tongues.

'I found one papa!'

Shifting, you turn your head towards the surface.

Whatever they have found is not for their hands, you sure of that much, and your stomach grows weary.

Oh, what catastrophe are they going to muster tonight? What are they going to use for sacrifice?

Your throat begins to knot, its as though someone is pressing their hands around the gills on you neck as your mind races.

One by the ocean is one of your own. Who else would have landed up on the shore? But it can't be, no it mustn't be; they're smarter than that.

No one else is awake at this hour, you have the consciousness of only yourself and the land folk.

Why would an Urchin be so far out that the spliced fingers of man could get to her?

No, they're in their caves, keeping their ears out for the horn of a ship, or perhaps the merry song of a sailor.

As you break the surface of the water, the waves of the ocean brush against your head, rain pouring from out of the sky, The breeze against your skin rendering you breathless.

You're guilty of feeling a crude interest take hold of you as you peer towards the sure, before ultimately deciding to succumb to temptation, following through your curiosity in the hopes to find what has caused such a disturbance.

It's difficult to see, your eyes are trained for the sea, you have little experience on land and the light above is much harsher than the gentle streams beneath the surface.

As you push forward, keeping most of your body underwater, your ears are greeted with more howling.

Their's excitement seeping from off of their tongues, they're bemused with their discovery.

Perhaps it's one of their rituals; you've found, through the time you have been watching them, they're terribly fond of the sacrifice of their own. Their disregard for the very thing they grew from is disheartening, a reflection of their characters.

Their form of sacrifice is truly despicable, against the order of nature, but they do not care for their own. One could be starving at a table full of food, the very table they set, yet, forbidden from touching a single thing all because of another's self importance.

Yet, it is you and your kind who are the monsters.

It's at times like this you long for your mother.

But, with the rain battering the backs of the humans as they form a circle around their special find, you find both her absence and the shyness of the moon leaves crude goosebumps covering your body as you shift in the water.

'MONSTERS,' a silk tone calls as you grow closer and closer, yet, you are forced to stop; the tide is upset, the moon displeased at such a display of savagery.

The thing in your chest stops, your webbed hands forming fists as you crane your neck forward.

'Monsters you are! Let me go,' the voice cracks as more cheering ensues.

'Cover her mouth,' demands one, 'keep her from singing her murderous song; her voice is as sweet as honeysuckle and it is her barbed tongue which has taken our brothers from us, and we will not let it take us! This is for the men we have lost to the creatures of the sea!'

You watch as the waves grow stronger, the rain landing with a slosh against the sea.

It's difficult to keep yourself in one place, both the fire in your chest and the shoving formation of the water urging you to go forward. You know her tone, though it is shredded and brutal as she speaks, unlike the sweet songs you savour.

Serelia.

'No!' she screams, ripping her vocal cords as you see a webbed hand appear from the circle of bodies, blood dripping from down a wound you spy on her shoulder.

Gripping the sand on the shore, the waves from the water brushing against the tips of her fingers and you feel the crashing body of water forcing you forward.

'Please, we would do no harm if you did none to—'

Opening your mouth, you will a tune to escape you, to pull them away from her to give her time to return to her home. Only, your much too choked up as water floods your mouth, the foul weather proving to work in mans favour.

Pushing yourself further up, you open your mouth, letting out a ghastly wrench as a sudden flood of coldness fills your veins, pulling at your tongue, keeping it pressed against the bottom of your mouth. Your lips quiver from the temperature as you attempt to pry a tune from out of your clogged up mouth.

'I- Illuminated—' you swallow another mouthful of water.

Her hand disappears.

You watch as a hand grabs her wrist, hearing her squeal and scream.

The circle of bodies disperses as you see the ends of her tail held in the forearms of a man.

There's a fire in your eyes, a fire enough to leave the sea bloody as your scaled skin and blackened eyes catch a patch of red staining the sand.

The sea betrays you as it sweeps up, carrying away grains of the red sand as the land folk hold their torches up in celebration as blood drips down onto the sand, the ruined blue scales of your sister turning purple in the light of the moon with the mixture of blood which pours from her wounds.

You watch in horror, hands slapping against the water as you look towards the moon nestled in the sky, peering down at you.

In the light of Luna, you recall her face.

Her innocent little face, doe eyes, cheery grin, how her nose would crinkle at the slightest accusation whenever she had done something particularly troublesome. The colour of her tail, how she looked when she sat upon the rocks singing her merry songs for the passersby to listen to.

A gift for the men she was, a gift spoiled by their grubby, wretched hands.

A sister as such spoke with a silk tongue, cohesive, one of your most prized possessions. A chest of jewels from horrid humans simply never compared to the life of one of your own, nothing.

Not even their dastardly golden coins.

Your head grows light as you keep your eyes trained on the humans marching forward, the light from the sticks they carry in their hands growing weary in the distance as the wind grows stronger. It's all too much, the sight of one of your own, the knot in your throat keeps you from gulping down necessary gulps of air. You feel nauseous, an icy chill freezing the blood in your veins.

Sinking back to the depths, your hand is forced and you're kept away from the dreary sight as the current drags you back under.

In the warped complexion of the surface, you see the moon still staring at you and you bark out in fury, 'you backstabber,' you roar, 'I saw my mother in you and you have betrayed our own for keeping you safe,' you continue onwards in your fury, your face contorting as you point up towards the surface.

'She has done nothing, as innocent as an Urchin can be, and you take her? Why not me?'

The current grows displeased.

'We give our lives, all our lives... my mothers,' you heave, placing a hand against your chest, 'I know not the secrets of the land, I don't possess the means to go upon the surface, how- how do we get her back? Why? Why would you take her and not me?' you choke out.

She shifts in colour, you spy her eyes growing red as you look upwards at her. 'She does not deserve to be a part of their game, neither did my mother,' you cry, 'take me, I'm offering myself up, leave her—'

There's a pull in the current, the rolling waves above the surface plunging downwards with a spiralling head.

You meet the eye of the storm, bubbles escaping your mouth as you bring your hands to cover your face. It hooks you, pulling you into as a ton of water comes crashing down into the small pocket of air you have become trapped in.

The last thing you catch before you're senses are flooded with darkness is the red glint in Luna's eye before you descend into the abyss.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

It's with the crude calls of village folk that he leaves his post.

There have been some form of disturbance for the past couple of nights, and after the first ending him standing on the shore of the town, his eyes being battered with the wind and sea, he found he has little interest in part-taking in the games of the fools. Fortunately, as he raises from his post, peering from out the window, he hears a shift behind him.

His eyes are unmoved by the chaos beyond the warning, his lids only lifting when he catches a child rushing ahead of the crowd of people.

His words are lost in the hollers of the crowd, though, he bounces with such excitement, the type that can only be likened to when a child gets money for chocolate, or even a new toy.

Only, he's acting as though he has won the biggest and best chocolate bar, his little head bobbing as he bounds down the cobble streets, his hand wrapping firmly around an elder mans wrist, tugging him along eagerly.

From behind him, he hears the scrape of a chair and a weary sigh. 'Another call for me? Swear, they cause mischief in the dark they do,' he comments with a hearty chuckle.

Turning away from the window, the red glow from the fire on the end of their torches lights emits an orange light in the room, though, the man before him is covered as stray arms of light stretch beyond his bulky frame, merely able to catch even the side of the man with a mohawk's face.

'Has Price told y' what they're up to? It's been every fuckin' night for weeks straight,' he asks, tugging down the edge of his mask, tilting his neck either side, a crude snap emitting as he does so.

The man standing in front of him offers him a toothy grin, crossing his arms over his chest with a short nod. Muscles bulge against the white cotton clinging to his frame and he readies himself by undoing the buttons on the cuffs of his shirt, pushing the sleeves to the crease of his forearms.

'Apparently, they're lookin' for merfolk or somethin', y'know what Captains like, doesn't 'ave the time for stupid shit like this,' he explains, 'read too many fuckin' fairytales if y' ask me. Couple ships disappear off of the coast and they believe a fuckin' fish did it?' He breaks out into a spell of roaring laughter. 'They call 'em sirens.'

'Sirens?'

'Aye,' nods the slightly shorter man, rubbing the stubble on his face with his hand. 'Sirens,' he adds, 'lore men to their deaths with their songs they do, supposedly, prettier than any lass on the land... sounds like a story written by a man, eh? Beautiful bonnie's with a good throat on em', paradise if y' ask me,' he proceeds to laugh even harder at his own joke, kneeling over as he does so.

It takes a brief moment for him to realise the masked man standing before him is unmoved by his comments.

Awkwardly, he comes to a sudden stop as he peers up at the man, slowly adjusting his posture, using his hands against his knees to steady himself as he notes the red lights behind him have disappeared.

'Suppose I should go and fetch them back,' he quietly grumbles, 'keep an ear out though, won't ya, Ghostie? Needa make sure they don't try n' sacrifice me to the sirens!'

'Affirmative,' he says briefly, turning his attention away from him, listening to his footsteps against the floorboards as he tucks his gloved hands into his pockets. 'Johnny,' he calls out.

The footsteps stop.

'Doesn't count if I find out y' went into the water to find them yourself,' he warns, looking over as the man nods his head, 'I'll drag you back in and sacrifice y' myself.'

'Gonna take more to get rid of me than that, Lt,' he answers, pushing the door open, 'throw a pint of ale in the sea, an' maybe, just maybe you'd get what y' want,' he laughs, walking out of the door with his hand pressing on the handle of the sword sitting at his waist.

The taller man stands and watches as he disappears into the dead of night, shaking his head in his direction.

'Fuckin' hell,' he grumbles to himself before turning his attention back to the chair he'd perched himself upon, grabbing the dagger he had set down onto the table, grabbing the cloth sitting beside it before kicking his feet back up onto the table, watching as Johnny disappears past the window, heading towards the crowd of chaos.

Turning his attention back to the dagger, he eyes himself in the refection, noting the redness of his eyes before rubbing the cloth over its smudge surface. 'Lost their fuckin' mind, can never excuse shit in a reasonable,' he grumbles to himself, 'better chance of Price quitin' smoking than there is the chance of fuckin' sirens,' he continues on, lifting his head when the candle perched on his desk flickers.

'Bloody lunatics.'

As he sat in the silence of the station, he finds his mind wandering. It's unusual for his mind to ever really escape him, although, with the sight of that little boy jumping up and down in such a manner he finds it difficult to shake a niggling feeling which is poking and prodding at his temple.

His excitement was evident, that much was obvious the longer he focuses on the memory.

If such is the case, if there is truly something behind the little boys excitement, he's there, sitting on his ass, doing absolutely nothing while the man is left to deal with everything to come from whatever has been found. There's something different about the tone of the people, he sees it well.

Terror trickles in, one head at a time, passing by the window in a manic flurry.

At first, he doesn't notice, far too interested in the blade he'd pulled from the sheathe resting on his belt to see the chaos unfolding beyond the window of the station. Their words a muffled, and they seem distant as he eyes the popped blood vessels in the white of his eyes. Moving the metal closer to his masked face, he narrows his eyes, rubbing the cloth over the blade again.

The door bursts open, and while unnerved, outwardly he remains still, snapping his head around.

The man who had left no more than fifteen minutes ago is back, his face wind swept and pale as he heaves out heavy breaths, keeping his arm firmly against the door.

His white shirt is soaked through to the skin, the pinkness of his flesh peeking out from under the fabric, his calf high boots marked with wet sand, crunching as he steps a single foot into the Station, not daring to take one more.

It's easy to read his face, though he finds his brow creasing as he realises that the very look on his face is fear.

Immediately he stands up from his seat, the flame of the candle beside him flickering as he does so. Tossing the cloth onto the table, he sheathes his knife, grabbing his coat from off of the back of his chair, throwing it over his shoulders.

'What?' he asks, 'a fight break out or somethin'? Look like you've seen a ghost,' he breaths.

Johnny doesn't offer him a response for a moment, only looking up towards him with wide eyes, unable to pick his jaw up from off of the ground.

'Fucks sake, Johnny, what—'

'Siren,' he says quietly.

It's difficult to catch what he says with the rain hitting the window and street beyond the office. His lips curve into a crooked smile beneath his mask as he shakes his head.

Sirens? Is he fucking stupid?

The expression on his face doesn't change, even when he hears the small laugh escaping the confines of his mask.

'A lass was on the shore n' she has a fuckin' tail!' he exclaims, pushing himself up after catching his breath, 'tail blue as the sea, eyes black as the void... they bloody exist.'

'And where is she now? She go back into the water to swim off with her friends, hm?' he asks, 'ride away on the back of a horse with a horn on its forehead and wings too?' he scoffs, shrugging his jacket off, only for a hand to reach out, grabbing his forearm.

'Still on the beach.'

'The beach?'

'Aye.' he says, 'ran as fast as I could, woke Price 'n Kyle up, 'told them they had to get to the beach quick. If they keep hold of her, they're gonna kill her- she's a bloody mess, cryin' and screamin'.'

He pinches himself to make sure he's still awake while staring at the soaked man. In no way can he find a single thought in his mind at this moment to make anything make sense.

In fact, he feels a prickling heat flooding his flesh the longer he stands and processes what has just been relayed to him.

They're real, they're real and they have found one.

Despite the implications, it's difficult for him to miss the worry in his tone, and while what they deem to be a monster has just appeared off the coast of Lakekeep, he's still worrying about its safety.

'We have to go, they're gonna kill 'er, Ghost.'

Fixing his coat, he looks down at the dagger resting at his hip, giving a short nod as the man lets go of his arm.

'Price and Gaz followin' along?' he asks.

'Aye, didn't believe me at first,' confesses the man with a short laugh, 'still can't believe it meself and I've seen it with my own eyes,' he says, stepping back out into the rain.

Ghost follows after him, slamming the door of the Station shut as the head down the cobbled path, their boots splashing in the puddles forming in the tight streets as the rain hits the ground harder.

Their chants carry through the village, washing over the usual silence like a tidal wave, flooding his senses with cries and pleads.

As they edge closer, he can hardly believe it as a woman's voice bellows out, 'MONSTERS!'

It's brittle and broken the way she cries, and oddly, he feels that the voice tugs at his heartstrings.

'Mustn't listen to her speak, Lt,' he says, 'what they said is true, apparently the boy found her on the shore and when he approached her, he heard her hummin' a tune- said it had him in a trance,' Johnny says, looking to him.

'Monsters you are! Let me go!'

Stepping down off of the stone steps, the pair of the pursued the scene, hearing stray voices fall from out of the crowd, demanding that her mouth be covered in order for them to fulfil some form of revenge. Watching on, he catches the appearance of a bloody webbed hand poking out from the crowd, landing against the shore with a wet slap.

It's as though she's reaching out for something.

Following the line of her forearm, he watches as the sea climbs up the shore, touching the tips of her fingers as she continues to scream and cry.

Moving his attention from off of the beach, he looks to the water, eyeing the crashing waves as the wind sweeps the fabric of his long black coat to the side. The water is restless, and with the rain pouring from the black sky, it's difficult to make much out that isn't just raging water.

Although, in the glow of the torches which whip and wind in the wind, the light covers a fair distance beyond land, and he spots something in the water. In the darkness, it's difficult to make out more than a silhouette of what appears to be a human head. Only, after another crashing wave, he catches sight of pointed ears either side of the head.

Something is watching them, yet no one sees it.

'No!'

The scream from the centre of the crowd rips him out from his trance as he turns his head, following after Johnny.

'Please, we would do no harm if you did none to us. Please, let me go!' she screams with all her might, her voice piercing to the ears of everyone in the surrounding area.

The crowd dips as they shift, covering their ears with a harsh wince.

Finally, she's unveiled to him.

A gash in her head is pouring blood down her bare breasts as she fights and writhes against the hold of the hold of the men who keep her captive. Her ginger hair is matted and covered with the blood and sand, as is the rest of her body.

The slits on the side of her neck, similar to the ones on a fishes body open and close as she lets out muffled cries.

His eyes trail further down her battered body, the sight of a blue tail stained with blood greeting his gaze. In the light, it appears almost purple as the blood mixes with the shimmer of her scales.

Screwing her eyes shut, she fights with all the fury in her being, and as he watches her, he feels the same heat he felt at the station creeping back onto him, and despite the harshness of the weather, the warmth beaming from his skin is enough to keep him from shivering.

'Alright, move out of the fuckin' way!'

It's the voice of his Captain bursting through the chaos of the surrounding area.

Turning to look over his shoulders, he catches sight of Price and Gaz walking down the beach, and with ease, Price holds his hands up, his words catching the attention of the the booming crowd.

Silence falls upon them, the sirens cries mixing with the crashing sound of the ocean. The man moves past both himself and Johnny, Gaz standing between the pair of them as he parts the crowd with an astonishing ease.

The gasp that passes his lips when making it to the centre is enough to make even his blood run cold.

There's a moment of silence, the sound of the torches whipping against the wind as he keeps his eyes trained on the back of his Captains head.

Clearly, the cogs are turning, expecting what Johnny had told him to be that of a stupid joke, only, it isn't.

It's real and it's squirming around on the ground, staring Price right in the eyes.

'She's a murderer!' a voice shouts from the crowd, 'her and her people, she said it herself,' the continue on, fury carrying their tone past the cries of the woman on the ground.

Price continues to look at her, and as he looks over his shoulder, catching his eye, he turns back to the woman on the ground.

'Take her in,' he says with a firm nod, 'we'll put her in a cell in the Station for now, figure out what to do with her later,' he continues, looking at the two men who held her arms, 'carry her back to the Station,' he rules, resting his hands on his hips as he observes all the other faces in the crowd, 'as for the rest of y', funs over for tonight, get back home,' he demands.

'We'll take it from here. '

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

You awake with a brittle moan.

Your mouth is full of send, a dull ache radiating from your chin as your forehead creases when you look ahead of yourself. You teeth bite down on the sand in your mouth, a disgusting crunch causing you to wince.

Memories are stubborn, not wanting to come back to you, only allowing you to recall the sight of blood on the beach and the crashing waves around you.

With a grunt, you attempt to push yourself up off of the ground, a grunt escaping you as your breasts push against the sand. Tearing your eyes from off of the beach in front of you, you shiver as you feel the water wash up, brushing against your limbs.

Looking to your hands, a startled gasp escapes you as you hold one out in front of your face. No longer are they webbed, no, instead, your fingers are separated. Curling your hand around the dark sand before you, you clench it in your fists, watching as it poured past it. Your hips ache as you shift, placing your cheek back against the sand.

Your head is spinning, you can't think of a single thing aside from the fact that your mouth is dry, horrifically dry.

You muster up what little spit you can, expelling grains of sand as the spit clings the your bottom lip, dribbling down the side of your mouth.

The water moves further up, and as you go to move your tail, you're startled by the sound of footsteps on the beach beside you, only, you're too tired to even check who it is.

I've failed as a sister, so if I must go out like this, then I will.

'Ma'am! Oh fuck, ma'am, are you okay?'

The tone is light, different to what you expected to hear counting you have washed up onto the very same coast you had seen Serelia on the night before... if it was even the same day as her disappearance, that is.

The sand crunches beside you as a shadow looms over you, keeping you from the brutal beams of the sun, a hand pressing against your shoulder.

Picking your head up, you muster out a pained whimper as you look at the man in front of you. Concern is etched on his brow as he stares down at you, shrugging off a piece of clothing, resting it against your shoulders.

Your eyes are narrow as you keep your eyes trained on him, unable to look anywhere else as he carefully places his hand against your cheek.

'Can you tell me your name?' he gently asks.

You swallow hard, your chapped and cracked lips pressing together.

Your eyes grow heavy.

You hear another curse under his breath as exhaustion rattles your body. Your head falls heavy and his hold on you slips away, gently placing your head back against the ground. You hope he leaves you be, allows the sea to swallow you whole so you can be with your own once again.

Two firm hands press against your shoulders, gently guiding so you're lying on your back.

His shadow keeps the sun from you once again as he scoops you up into his arms, keeping a firm grip around your shoulders and tail. his hand slips slightly as he uses his jacket to cover your breasts, and you shift when you feel his hand move lower, being extra cautious to cover up your tail.

His breathing is rough as he rushes up the beach with you in his arms, every step causing you to shift or hiss.

'Sorry, love,' he softly apologises, pulling you closer. You note how his pace slows upon him noticing the pain he's causing you by running, 'do you know where we are?' he asks, looking down at you.

Cracking your eyes open, the back of your neck burns as you attempt to look back at him. Poking your tongue past your lips, sand scrapes against the back of your throat as you open your mouth, all for a hoarse croak to escape your lips.

'Have to get you somethin' to drink,' he says firmly, 'you're okay now, love, I promise,' he reassures, pulling you closer to him.

You muster up a short 'hm', resting your head against his chest, listening to the little muscle in it thumping as he heads up the stairs, taking your further away from the beach.

The pair of you remain in silence and you hear the passing giggles and whispers of passersby as he keeps you against him.

You're unsure of what they're saying, though you're sure they're most likely laughing at your tail.

It's surprising hearing such a humorous reaction from them, figuring they would respond in a similar manner to how they did when you had heard Serelia screaming on the shore.

Mustering up a grunt, you flinch as your body is lightly pressed into a door. It squeals as it opens, and the very first thing you hear is a booming voice. It causes the dull ache in your head to worsen as you flinch.

'Am tellin' ye, it's straight out of a fuckin' fairytale it is,' booms the voice, 'can y'—'

There's silence.

Your eyes crack open as you observe the room you're in.

It's different to home, there's a rich smell, similar to the smoke from the lights on the beach.

'Found her on the beach,' confesses the man holding you, 'Johnny, go get some water, please,' he asks, 'she's got a mouthful of sand, she can hardly speak.'

There's a short answer, you can't quite hear it, as he moves you further into the room, setting you down.

Your damp hair hits the plush fabric of a pillow and something is pulled over your body. It's light, harmless.

'Where was she?' asks an unfamiliar voice. It's low, his accent is thick and as you turn your head to the side, you note the man has a thick brown beard, his hair quite short. Stepping towards you, he rests his large hand on your forehead. 'She's burning up.'

'She was near the same spot as last night where that... siren was,' he says.

It's as though life is breathed into you as you quickly sit up, ignoring the dizziness wrecking your mind. The man quickly pulls his hand from off of your forehead, moving it to your shoulder. 'Calm down, love,' he gently instructs, looking to the man standing beside you, 'you reckon she was attacked by it?'

'Could have been; she seems shaken,' he confirms.

Confusion hits you as you lift your tail, only to find that is has vanished.

As you lift your legs, a distraught gasp escapes you as you catch sight of legs.

Two legs- the same as the three men in the room have.

Quickly, you slap your hands to the side of your ears, your chest heaving as you realise your ears have shrunk, resembling that of the legged folk. Everything seems to come tumbling down in front of you, your head pounding as your eyes begin to sting.

'Hey, hey, you're fine,' hushes the man who found you on the beach. The door opens again and a cup of water is handed to him. Taking a seat beside on the bed beside you, he brings to the cup to your mouth. 'Have a drink,' he instructs.

You want to tell him no, to demand to know what they have done to her, yet, you know you can't do anything until you have something to drink.

So, you press your dry lips against the rim of the cup, allowing him to pour it into your mouth. The feeling is euphoric, unlike any sensation you've ever dreamt of, and you eagerly swallow down mouthful after mouthful of water, taking the cup in your own hands.

You're aware of the eyes on you, but you don't care, drinking from the cup until it is empty. With heaving breaths, your wipe your mouth with the back of your hand, keeping tight hold of the cup.

A hand settles against your knee, and as you look back up, the man who was sitting in the corner is now standing behind the two closest to the bed. You note the man who brought you water has an odd haircut, while the much taller man's face is completely covered aside from his eyes.

It's strange, the fabric of a thick hood pulled over is head, his eyes peering through the holes of a skull.

Is that real?

'Sorry, sweetheart, I didn't mean to upset you,' says the brown-haired man, squeezing your bare shoulder.

You look at him with your lips pressed together, bringing the cup closer to you as you swallow hard.

Despite his caring words, you find yourself unable to open your mouth- unable to trust him. He's going to hurt you if he finds out what you are, then what? You're forever bound to their land?

'What's the last thing you can remember before you washed up on shore?' he asks.

You look at him with beady eyes, and the man with his hand on your knee pats you gently, 'you're safe here, we're not gonna hurt you,' he reassures. 'You seemed panicked when we mentioned the mermaid, does it have something to do with her- or more of them?'

Your mind is racing trying to piece together a narrative.

Confirmation that she was the thing that put you in such danger will surely be a death sentence- if she isn't already dead. Living with that on your consciousness is a horrid thought to even think of, so, you distance yourself away from creating an accusation, though you find yourself in trouble as you realise how you reacted to the mention of her.

Essentially, you've acted on impulse and no matter the response, you're unsure if it's going to suffice.

'I- I...' you begin, your throat burning as you bring your hand up to clasp it, 'I was on a ship,' you answer, 'I remember it in water- b- but then there was a storm,' you explain, your voice choppy and broken as you rub your hand up and down your throat finding that even your gills have disappeared. 'The siren,' you begin, clearing your throat, 'she tried to help me.'

'Help you?' mutters the one with a strange haircut. 'How'd she do that, lass?'

'I- I was stuck,' you say, 'I couldn't get out an' she tried to, uh, pull me out,' you explain, 'but she got hurt- it might not even be the same one but... there was one, a good one,' you explain, gulping hard as the masked man standing beside the man with his hand on your shoulder shifts on his feet, his eyes burning into your flesh, the sunken eyes behind the skill mask leaving goosebumps on your flesh.

He's harsher than last nights current.

Keeping your eyes trained on the man, you observe him as he peers down at you, his built frame making you feel small. Most definitely, you do not want to get on his bad side; he could probably crush you with one hand.

'Couldn't have been the same mermaid,' he answers, his tone causing your chest to almost rattle, 'took an entire night for you to even wash up here, you wouldn't have survived if it was her,' he notes, the others around you shaking their heads in a collective agreement.

Your heartbeat is pounding in your ears, you feel blood coursing through your veins as you look up at him with teary eyes.

Your bottom lip protrudes as water begins to pour from your eyes. It's unlike anything you've ever felt, and, despite your burning eyes, you find the sensation oddly relieving.

You throat grows tight as you sharply inhale, allowing the cup to rest against the covers as you press the tips of your fingers into your cheeks.

A hiccup escapes your lips as your mouth trembles, all the misery of being lost and having lost escaping you in a cathartic sob that causes your entire body to shake.

'I- I don't know where I am, I- I'm scared,' you confess as more water clings to your eyelashes in little droplets, clinging on, only for their grip to fall loose as you blink, releasing more fresh streams onto your flesh.

Releasing a hand off of your shoulder, the man stationed beside you looks to the man who has his hand on you knee, 'you think you can go and get her some clothes? Poor things on show for the entire village to see,' he says. The man purses his lips for a moment, 'she's gotta have something that she doesn't want.'

'Has so many fuckin' dresses she won't even notice one has gone missing,' he says, standing up from off of the bed, 'I'll go and try and find something, as long as I don't take her cyan one I don't think she'll be too bothered,' he shrugs, 'keep an eye on her for me, won't you?' he asks, looking at the three.

The man with the peculiar haircut places his hand against his shoulder, patting it, 'she's in the best hands of the entire village,' he reassures, 'go an' find the lass some clothes, Gaz, we'll kep 'er safe,' he promises.

Gaz. What an odd name.

The rest of their conversation is lost on you as you're far too caught up in the tightness in your chest and the sounds of the screams you heard on the beach the night before to even think about anything else.

Only, when the door shuts, you startle at the sound of the slam, snapping your head up.

'MacTavish, I need you on patrol today,' says the brown-haired man. The disappointment on his face is notable as his eyebrows curl, 'everyone's on edge with the entire mermaid incident, the last thing I need I people trying to cause more trouble or almost drownin' going to find one of their own,' he says, 'speaking 'f which, need to go and check on her myself, make sure the head wound isn't goin' green,' he huffs, turning to the masked man standing behind him. 'Keep an eye out on her,' he states, turning his attention back to you.

Inwardly, you breathe a sigh of relief, allowing yourself to bathe in your emotion as you come to terms with the fact that she's alive.

Your eyes meet with his, your heart burning at the sight of pity burning in his gaze.

If things were any different, you very well would have wiped the soft smile off of his face, but you look at your options and his uniform, likening it to one your mother had described to you in the past.

'They like to think they have control, dress up in clothes just to make the isolation of their species more capable,' she explained while sitting in upon one a rock. You accompanied her, looking at her. She had such knowledge of the world beyond the water that you were simply awestruck with every story she told you. 'Fabric makes people listen, they're scared of the people with the golden buttons and sharp metal swords.'

'If you need anything, ask him and he'll get it for you,' he asks, looking over his shoulder at the man.

His tone grows harsher upon the mention of him doing his duty, your eyes falling to the man.

'Won't you, Ghost?

The masked man grabs the chair he was sitting on when you first entered the room, moving it as the brown-haired man and MacTavish move in the direction of the door. The chair settles at the side of your bed, as the pair move towards the door.

'Affirmative,' he grunts, taking a seat beside you while the two leave the Station, leaving you alone with the masked man called Ghost.

You look at him briefly, swallowing hard.

It's difficult to sit in silence, your stammering breath a reminder of all you've lost.

Beady eyes look at the masked man as you attempt to choke up the courage to say something to him. Despite sitting, his frame is much bigger than anyone else's you have ever seen, and as he leans forward, resting his forearms on his thighs, you flinch.

'Where's the mermaid?' you ask.

You watch his eyes scan the area surrounding you.

The fabric of his black mask moves as he sucks in a breath, 'can't say,' he confesses, 'confidential; unsure if anyone is listening out to try an' find her. If word gets out where she is, she'd be dead by tonight- if not sooner,' he explains.

'Why do they want her dead? Has she done something to you?'

You want to scream.

The man beside you is short with his responses, speaking of her as though he understands the whole picture, when in reality, their confinement of her is a crime punishable by death.

'She said somethin' she should've have,' he answers simply.

His words drag against his throat as he speaks to you.

'Oh,' you muster, resting your back against the wall behind you.

'Where were you goin'?' he asks.

You raise an eyebrow in his direction, tilting your head as you attempt to process what exactly he means by his statement.

'You said you were on a boat and you were rescued by one of the sirens,' he reminds you, your face flushing with colour as you realise you have already forgotten the tale you were twisting.

'I was with my sister,' you say, 'the memory is quite fuzzy,' you confess, knowing your knowledge of the surrounding land is limited to a map of the sea, not what is beyond it. 'It was for one of her trips, she was travelling to see her husband and then the storm hit.'

'The sea isn't too fond of forgiveness,' he remarks.

'Neither is the land,' you say, falling back into the security of the covers over you, allowing your back to slip from off of the wall, lying down.

Pushing himself up, he looks down at you, mustering a small hug as you sleeping exhale.

All the emotion and crying has your eyes drooping, disregarding your conversation. The man doesn't judge you for that, however, as you watch him looking over you with gentle eyes behind the mask.

'Get some sleep,' he says.

You expect him to say more to that, yet, instead, he pulls his chair from beside you, moving to it back to the corner he was sitting in before.

You keep your eyes on his broad back, watching as he sits down, kicking his feet up on to the desk, keeping his eyes out of the window.

Your eyes stay there as you drift off to sleep.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

When the door eventually bursts open, he's quick to send his eyes in the direction of Gaz as he walks through it with a bundle of garments. His mouth is open as he goes to speak, only to quickly shut his mouth when he is eyes falls to you, sleeping in the cot.

Holding the handle of the door, he pushes it shut so the lock clicks as quietly as possible, even going as far as to wince while doing so.

'I managed to find some clothes for her,' he says, 'not sure if I'm going to be a single man when she gets home, but I'll cross that bridge when I come to it.'

Setting the clothes down on the desk, Ghost stands up, picking the green cotton frock up from off of the table holding it out.

'I've never seen her in it,' Kyle says, 'don't even think she remembers having the thing, so she can't be upset about it if she completely forgot it existed, right?'

'Affirmative,' Ghost responds, 'wouldn't be too sure about it, though. She has an eye for the strangest things,' he warns, to which he laughs.

'You're right with that,' he says, 'I saw the Captain while I was out, he was comin' back from checking on the siren, told me to ask you if you're alright taking the girl in until she can remember what day it is; we can't leave her alone.'

He feels his chest tighten as he looks to you, seeing you peaceful sleep as you turn under the covers, your bare arm over your covered torso. 'You're the only one without someone... not too sure how—'

'I'll do it,' he says keeping his eyes trained on you.

Kyle looks at him with wide eyes.

'Well, she has no money does she? Not like an inn keeper is gonna give up a room for her, and I don't want to pay out of pocket to house her when she can just stay at my place.'

The man in front of him grins brightly.

'She'll hardly be any trouble, I'm sure of it,' he reassures, leaning against the desk, 'did she say anything else to you after I left?'

'She was with her sister on a ship heading somewhere to meet her sisters husband and that's then a storm hit and the ship was swallowed by the sea,' he says, 'she didn't say much, too out of it to really make much sense of the world around her.'

'Poor thing,' Gaz sighs, looking at Ghost, 'be nice to her, hey?'

'Wasn't planning on bein' cruel to her.'

'Good, good,' Kyle nods, 'Price told me to tell you that y' can have the rest of the day off if you get her out of the station, by the way. Take her home, get her something proper to eat and see if she wants to talk about it- he's sending something out to other villages to see if they have anyone who fits her description.'

'Doubt there'll be any news back for a while,' he says, approaching you, 'they don't care much for their own.'

His hand rests upon your shoulder and you grunt.

'I'll leave you to it,' Gaz calls from behind Ghost, 'gonna go and try and catch up with Johnny on patrols, doubt my lady would be too pleased with seein' another girl naked,' he chuckles, heading towards the door.

Waiting until the door is closed, Ghost proceeds to crouch down in front of you, rough hand nudging you again.

Your eyes crack open, a startled gasp escaping as you're greeted with the sight of his bone mask right in front of your face.

He feels you tense in his hands.

'Didn't mean to scare you,' he says, 'got you some clothes to keep people from starin' at you love, and then you're coming back to my place,' he explains.

His voice is softer than the tone he held with you prior and you swallow hard.

'Your place,' you croak, your face burning red from the sudden scare from your sleep.

'Yeah; until you're back on your feet and until that head of yours start workin' you're gonna have to stay here,' he explains, 'Price has sent messages out to local villages, see if any family members pick it up.'

Your face falters.

You're going to be here a while.

'Gaz got you some clothes,' he says, motioning over to the table.

Pushing yourself up, you manage to move your legs so your feet are planted against the floor. Ghost averts his eyes away from you, turning away. Sinking your teeth into your bottom lip, you look at the ground at your feet.

Surely it's not that difficult.

Pushing your self up off of the bed, you take a short breath, your legs wobbling as you land back onto the bed.

Despite being gifted the ability of legs, you find it quite pointless that you cannot use them. The water is much easier to navigate than the land is, that much you're sure of.

Looking up at the man in front of you, you let out a small breath.

'Can you help me?' you ask.

He doesn't bother saying anything to you, simply walking over to the table with the dress on it, it's an ugly green colour and you catch yourself grimacing at the fabric. Though, as soon as his eyes are on you, the sneer on your face fades away.

He's rough in the way he pulls the dress over your head, though you manage to get your arms through the sleeves with ease. It's an odd feeling, feeling the fabric against your skin, the elastic cuffs of the sleeves clinging to your arms.

Helping you to your feet, you stagger forward, your face growing red as you grab his arms for some form of support. Yet, he doesn't move, he doesn't even flinch, busying himself with pulling the skirt down, it stopping mid-thigh.

Your legs tremble as you wince, you grip growing tighter on him as you fight to stay on your feet.

'Guess I haven't quite found my footing after the accident,' you awkwardly laugh, wishing to be relieved of this torture.

Your face is beat red as you continue to curse the moon for putting you in such a position, cursing the your words during that night.

Leading you back down onto the bed, you're quick to let go of his arms as he looks at you. He knows you're not going to be able to walk to his house, and he fights off the urge to huff.

There's something so simple yet so difficult about the task... he's a fucking lieutenant in the village guard and he's been put on babysitting duties.

Be nice to her, hey?

Kyle's voice is like a dagger through his skull, and even though you can't see his face under the mask, he musters up a tight-lipped smile, swallowing all his pride for himself and his position.

'I'll carry you.'

Neither of you are happy about this, though a tight-lipped smile of your own appears on your face.

'Great... thanks.'

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

His home is humble, quaint, tucked away in a quiet pocket of town.

Pushing open the door, he tilts his head towards the entrance of the house. With uneasy feet, you wobble as you take a step up into his house, his hand grabbing your forearm when you nearly loose balance.

During the course of your travels, you had fought against him, insisting after catching people staring at you for him to put you down and let you walk freely.

At first, he doesn't listen, keeping his eyes trained on the path in front of him, though, fortunately, he relented after you started to squirm in his arms.

It was difficult at first, but you got the hang of it... as long as his arm was around your waist.

It finds its way back around your waist for a short moment as he helps you up the steps.

'Careful,' he utters.

'Thanks,' you respond, holding the sides of the doorframes as you walk into the living room.

It's a quaint and simple little space, although, your cove is much better than this place. Yet, you suppose you cannot be picky while undercover, his hospitality rendering you speechless.

The mystery of the red moon and her tide is still very much fresh and new, you know you must not do something to compromise your safety or your chances of finding Serelia.

Even if it is resulting in you finding shelter in a man with a skull masks home.

Pulling his hood from off of his head head, he shrugged his cloak from off of his shoulders, hanging it up on a wooden stand placed beside the door.

You stand and watch, your arms pressed to your side, still trying to understand how exactly humans manage to stand so straight on their legs.

He turns to look at you, you see his eyes shift under his mask, 'it's not much, and you're going to have to be okay with sleeping on the couch.'

'Much more than what I have right now,' you respond with a soft smile on your face.

'Thank you, Ghost,' you say

'Of course,' he says with a short nod, 'you can help yourself to whatever you want, all I ask from you is to keep out of my room.'

'I can do that,' you reassure, nodding your head.

He doubts you'll even be able to climb the stairs as he can only liken the way you're walking to that of a baby deer learning how to walk for the first time.

He can't complain however; it's entertaining to watch you, and he does so as you make your way over to your new bed, holding your arms out either side to balance yourself before toppling onto the couch with a large exhale.

Sometimes his limited compassion still manages to get him into terrible situations, and as he looks at you, he can't help but worry about what he has gotten himself in for.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

After spending some necessary time in his home, you eventually find your feet... both literally and figuratively.

It's difficult for you to stay confined to the four walls of his house, granted, you don't really do much and find joy during your first day there reading through an old shabby collection of books on his shelf.

There's nothing interesting, and you're unsure as to whether or not he himself has read any of them as when you open one, you sneeze from the amount of dust covering it.

It's a fun past time you find, especially during the few attempts of being more steady on your feet. The moon must have heard your complaints as, during the second day, you're nearly unstoppable, aside from the burning in your calves each time you take a step forward.

By the third day, you're almost sprinting out of the house into the village.

It's difficult to adjust to first.

The land is unknown to you, yet, you don't threat.

Instead, you search the village high and low, walking into every store, listening to every conversation of the locals in the village. You feel your skin crawl whenever you hear their laughter, though, it's as though talk of the siren has disappeared completely.

From spending time reading in the library to simply perusing the streets, you're wounded by the lack of information.

Why isn't anyone talking about her? Surely they know where she is; humans hate us and they'll want us gone for the issues we've caused.

The question follows you for a while, only stopping when you see the door open during your fifth night of staying inside Ghost's home.

He appears tired and as his hand moves to his cloak, he quickly stops himself from pulling it down when he sees you in front of him.

It's an odd thing, you've observed him over the past few days, and not once has he shown his face.

Still, you don't care for his habits as you open your mouth over dinner after swallowing a mouthful of food. Your hands is grabbing for the water next to your plate as you state, 'how come no one in town is mentioning the siren anymore?'

He looks at you, chewing under his mask which he holds up after each bite. 'Price has made it a rule,' he states, 'Lords out of town right now on business, until he comes back, we have to hold her per his request,' he explains, 'we've gotta keep her safe and if anyone is heard discussin' her, he's treating it as though it's treason.'

You offer a short nod, going back to eating your food.

'Why?' he eventually asks.

'I just thought, with something as big as this discovery, it would be the talk of the town for years,' you say, 'I thought it was strange, that's all.'

The look he gives you makes you think that he doesn't quite believe what you're saying to him, though, he doesn't press on the matter, going back to eating his dinner.

It's strange to spend time with a human, especially living with them.

He doesn't speak much, only really talking to you at dinner time or greeting you after returning from his shifts around the village to make sure everything is in check.

'You can take the mask off, you know,' you say, observing his discomfort, 'your identity doesn't make a difference to me, besides... this is your home,' you say softy.

Truthfully, the mask is just as much as an annoyance to him as it is to you.

Surprisingly, he listens to your words, pulling the mask tied around the back of his head off of his face allowing you to see his mouth.

Really, he does even know why he committed so long to wearing the stupid thing, growing especially frustrated as dinner grew to be more of a chore than something of enjoyment.

Old habits die hard, he supposes, and the habit of wearing around you died that night thanks to your comment.

While eating, he attempts to ignore your eyes on him, though he is far too aware that you're staring at him, not missing the way your cheeks have a light tinge of red to them.

Grinning to himself, he shakes his head at a crude thought that suddenly pops into his mind, narrowing his eyes as he lifts his head to look at you.

You drop your head immediately, focusing much more on your food than on him, though your embarrassment is difficult to miss.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

Simon seems warmer to you after you've been at his house for a little longer. The longer time passes by, the more trips you're taking to the ocean.

It started with one in the early morning, although, you find yourself walking there at the beginning of every day all to talk to the waves, hoping you'll see the familiar face of one of your sisters in the water. Yet, you don't.

Part of you is happy with this fact, not wanting them to see you in such a state wearing the ugly green frock, the only thing you own aside from a pair of sandals which Ghost brought with him upon returning from a shift.

On occasion, you bump into one of the men you saw when you first stop at the station. You learn that MacTavish's name is actually Johnny, and Gaz, the man who found you on the beach, is named Kyle.

They stop to talk to you for a while, sometimes walking with you to the beach where they speak with you.

Nothing interesting really comes from the conversations until, a month into your stay in the village, Johnny blabbers a little too much.

'He enjoys your company, bonnie,' he confesses after complimenting your new pink dress Simon bought you, 'was telling me that he's enjoying giving you little gifts and having you with him for dinner. I'm tellin' you, he like you more than you think.'

'How can he like me when I don't do anything but steal his food and sleep on his couch?'

'Couldn't tell ya, lass, strange man is our Simon.'

You hold your breath.

'Simon?' you ask slowly, a smile creeping on your face.

He slaps a hand over his mouth, his face growing red.

'His names Simon?' you ask, craning your neck forward to look at the blushing mans face.

'Forget I said anything,' he demands, rubbing his face with his hand. 'Please,' he almost begs. 'What I mean to say, lass, is that he does like you, and if you haven't thought of doing something for him, maybe consider it.'

His words follow you into the nighttime as you're helping Simon cook.

It's been something you've been doing for a while, intrigue taking you down the strangest path.

'My mum used to make this soup,' he explains, 'the recipe for it is somewhere, I don't know where it's gone though. It was great for nights like there.'

You hear a bell chime in your ears, thinking back to Johnny's words. Simon doesn't miss the smile on your face.

'What? What did I say?'

'Nothing, Sim-'

You freeze.

The pair of you stare at each other.

'Ghost, I mean Ghost!' you exclaim, holding your hands up, realising that you have most definitely gotten poor Johnny in a hell of a lot of trouble.

'Johnny told you didn't he?'

'He slipped up while he was talking to me today, he didn't mean it and I'm sorry if-'

'Say my name,' he cuts you off quickly and your eyebrows furrow.

'Simon?'

He grins to himself, turning his head away acting as though you have just done him the greatest act of service. 'I like how it sounds when you say it,' he says, going back to chopping up the vegetables, 'much better than Ghost.'

Redness spreads to your cheeks as you admire the look of joy on his face, finding that you want to do that more in order to see that look on his face.

So, as you're eating dinner that night, and even when you're lying on the sofa, you scheme like a criminal.

You toss and turn before you eventually get up and begin your search. Holding a lit candle, your eyes scan through his shelves looking high and low.

You spend what must be hours flicking through books, moving things, looking under the sofa, attempting to squint your eyes to look through floorboard before you find it tucked between the countertop and stove in the kitchen.

Only then can you rest easy, your eyes closing as you think about the mission you have got to complete tomorrow.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

Walking through the bustling village main street, you listen to the bright tunes of the surrounding marketplaces, small stalls on either corner of the street, pushing everyone on the main road closer together.

You brush shoulders with a few people, keeping your arms out in front of you as you walk with a basket in front of you, the gold coins Simon has given you per your request rattling in your other hand.

It's rare you're outside as you spend most of your times in the library or back at Simon's home. Though nothing is going to stop you from making Simon the soup he mentioned last night.

Your heart flutters at the thought of how much he has done for you, and as a form of a thank you, you're going through the crumpled up recipe you stole from out of his kitchen, going to different stalls to get the things you need for the recipe.

The trip renders you exhausted, and by the time you're back at his house, you're fighting against sleep as you chop up the vegetable, putting them into the pot. You're unsure if you're doing it right, although, the longer you leave it to simmer, the more it takes the shape of something edible... you suppose.

You keep it on the stove until you hear the door open, and whether or not it tastes good, you're fine enough with the delightful smell that is exuding from the pot on the stove, looking in the direction of the door as it opens and Simon steps into the room.

'You're back,' you cheer, dropping the wooden spoon in the pot, approaching him.

The door shuts and he pulls his takes his hat from off of his head, pulling off his mask.

A crooked smile greets your eyes.

'What's all this?' he asks, his arms resting on your shoulders. It's common now, him touching you, and you sink into his hold on you with a sigh.

'Well, I thought you'd appreciate me making dinner for you,' you say sweetly, grabbing his hands, pulling him through into the kitchen, motioning to the table set. 'Also, you mentioned the old recipe your mum used to make for you, so, I thought I'd try my hand at it, see if I'm a good cook or not.'

He lets out a small ‘hm' as he grabs two bowls from out of the cupboards, placing them down on the countertop beside the stove. His hand hand is touching the small of your back as he grabs hold of the wooden spoon you left in the pot, tugging down the black mask covering his nose and mouth.

You watch, holding your breath as you await his reaction.

'Is it terrible?' you quietly as, looking on his face for any form of reaction, yet, he's unmoved. 'We can get something else to eat if it's really terrible,' you offer, pushing down the cuticles on your nails as you keep your eyes on him.

Setting the spoon back into the pot, he exhales. 'Needs a tad bit more salt, sweetheart,' he gently says, 'but considering this is your first time making it, I think you've done a pretty good job, hey?'

You can't stop yourself from smiling at his gentle words, feeling the warmth of his large hand pressing against your back as he reaches beside the stove, grabbing a salt shaker. 'A little more practice and I think I'm going to have my own personal chef,' he comments, adding some more salt into the soup.

Grabbing the spoon, you stir the mixture, scooping up another spoonful, holding it out to him with your hand underneath it, 'how's it now?'

His eyes are on you as he places his mouth against the spoon.

'Much better,' he says with a smile, 'go sit down, I'll do this.'

'Are you sure?' you ask, feeling him move his hand from off of your back. He gives you a short nod.

'Don't want you to burn yourself, go sit down.'

Over dinner, you share brief words, but it is in the silence and the company of him that you find you're most at peace.

There's nothing from either of you, and you take time to eat the soup you have been working on all day. It's okay, a little on the watery side, and you do think that Simon is still definitely a much better cook that you.

He thinks the soup tastes a tad funny, but he doesn't say it to you.

Such thoughts leave the pair of you to sit together, silently thinking about each other, yet not having the heart to disrupt the peaceful silence.

After dinner, you attempt to help him clean up, only, he refuses your help, requesting you stay in the living room.

'Simon you always do stuff for me,' you whine with a huff, 'let me help you- washing a dish isn't gonna kill me, y'know?

'I have a surprise for you and you're not going to get it if you keep going against what I've asked of you,' he warns, 'be a good girl for me, yeah? Go sit down, I'll be right through and you can have your gift.'

Suddenly, it's like your legs don't work anymore.

Knees almost buckling at his words, you gulp hard, managing out a short breath as you nod your head, not saying another word to him as you approach the living room, taking a seat on the plush sofa, sinking into one of the many black cushions.

Pressing your face into your cupped hands, you fight off the urge to scream at the very fact he only has to speak to you and you melt like butter in a pan.

Death would be easier than this.

Eventually, he reappears holding a box in his hands. Setting it down on your lap, you smile at the sight of a white ribbon tied into a bow. It's a charming sight, and you fight off the urge to rest your head on his shoulder as he sits next to you.

'You didn't have to,' you whisper.

'Well, you don't have many dresses, sweetheart,' he comments, 'my mum would have my head if she found out you only had two dresses,' he said with a short chuckle, his eyes narrowing as he sighs, 'I saw it the other day, been trying think of a good time to give it to you.'

Carefully, you untie the ribbon, pulling the top of the box off, setting it aside.

Peering up at you is a white cotton frock. Small flowers stitched into the open neck of the dress.

Pulling it out, you hold it out in front of you, letting out a squeal as you see the fabric touching all the way to the ground.

You jump into his lap, pressing a firm kiss onto his cheek.

'I love it!' you exclaim, holding the dress to your chest, before quickly pushing yourself off of him, shrugging off the sleeves of the green frock you've had since arriving in the village. 'I don't even wanna wait to try it,' you say brightly.

He watches amused as the fabric falls from off of your body, pooling around your feet. You're unapologetic of your appearance, tits on full show without a single care in the world.

Pulling the white dress over your head, you wiggle your hips as it hugs your waist, covering your legs.

He watches you, his hands on his thighs as you clumsily spin around in a circle, your skirt raising as you do so. 'What do you think?' you ask, 'does it look nice?'

He exhales deeply.

'Was made for you, sweetheart,' he replies with a bright grin on his face, 'gimme another spin.'

Your cheeks flush red, though you comply, your heart swelling at the request.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

In the midst of the night is where you roam free, walking through the streets of the village, treading down to the shore all to sit by the water. You watch as the waves roll in with a joyous glint in your eye, knowing home is right at your fingertips.

But oddly, you find home is also on land in the form of your sister and the tall man with a strange mask.

The very thought of him makes you feel nauseous, the thought of him washing all your sentence just as the waves do the shore.

Dinner tonight was almost too much for you to handle, to have someone so close to you, to feel his hand on your back and to hear the humans terms of affection leave his mouth with the intent of the meeting your ears... everything.

You blame the dress you're wearing too.

You feel like you're betraying the words of your dear mother.

She has warned you time and time again of the dangers of the human folk, and here you are, wearing their legs, missing your tail and your vibrant scales, yet, prepared to throw it all away all to hear him utter your name and call you sweetheart just one more time.

All that for a human who doesn't even know the truth of who you are.

'I thought you were here,' you hear a voice call from behind you, almost submerged in the crashing waves.

Turning your head, you see Simon approaching you, his boots leaving prints in the sand.

Stopping beside you, you turn your head as he sits beside you. 'Why 'ave you come all the way out here at this time?'

'Needed some fresh air,' you mumble, resting your chin against your knees, hugging your legs.

'You'll find her again,' he says.

Your blood runs cold.

'Sure that siren saved her just as she saved you, yeah? You'll be with her again some day soon, and who knows, maybe she's become one of them herself.'

'She'd like that,' you whisper, looking at the tide.

I'd like that too.

'Until you know where she is or receive a letter from home, you're stuck with me,' he says, 'sorry.'

You laugh.

'You've been the thing to keep me sane through all this, Si',' you reassure, 'without you I would've lost my mind. I need you, and what you've done for me means more than anything any else has ever done for me.'

'Thank you,' he speaks with his chest, you can hear the smile on his face as he speaks. 'I've enjoyed the company, it's nice to have someone to come home to, makes a change from the constant silence, gets me down sometimes.'

You will die before he is ever alone again, you're convinced.

Letting go of your legs, you pull away from the shore, moving towards him.

The light of the moon bouncing off of the water illuminates his features deliciously and you can't help but think of how he would look beneath the water where the pair of you could live out your days together.

Placing his hand on your knee, you rest your head against his firm shoulder, letting out a small breath as you look out onto the sea.

'Do you want to go back home to your village?' he asks.

'I don't have attachments to places, only people,' you respond, 'doesn't matter where I am as long as I have the people I care about with me- and if they wish to go somewhere else, then I'll will let them to do so.'

'So, when your sister finds you, you're gonna go back home?' he quietly asks, looking at the calm water.

'I don't know,' you say, 'so used to having you with me, and she's found her love now, she doesn't need me anymore. If she even is still alive that is.'

Leaning into the narrative is bruising, and in his silence you sit and think about whether or not you would return to the sea once you finally know that Serelia is safe.

These are the people who have hurt her, the man beside you is keeping her from you, yet, there you are in his arms, seeking comfort in the idea of living out the rest of your life at his side.

Really, you should want to put the entirety of the village under water.

'I want you to stay,' he quietly confesses, 'too used to y' now,' don't think I could go back to normal if you left.'

The feeling of nausea hits you again.

'I wouldn't know what to do with myself,' you say, feeling his grip on your knee tighten.

He holds his breath and you turn to look at him. Half lidded eyes stare back at you, and you find your hand reaching out to slip beneath the mask of the skull on his face, hooking your fingers beneath the fabric of the mask.

'Can I?'

He looks at you, though says nothing.

As you pull your hand away from his face, he pulls the hood down off of his head, undoing the tie around the skull mask on his face, allowing it to fall onto his lap.

Pulling the mask down, allowing it to pool around his neck, he looks you in the eyes. You stare back, settling your hand against his cheek. As you listen to the calmness of the water and under the watching eyes of the moon, you have little issue in leaning in closer.

His hand finds the back of your head as your lips ghost each others and you can feel hit hot breath fanning against your mouth.

'Am I gonna regret this?' you asks.

'You might,' he replies, 'but I won't judge you for it if y' do.'

Your breaths mingle as your lips finally meet, a soft and hesitant connection which sends shivers down your spine. Its delicate, the feeling of his mouth against yours as he holds you as though you're seconds away from turning to ash, leaving him forever.

And while your lips were against his, the thought of doing such doesn't cross your mind.

Not even once.

Upon returning to his house, you walk past the couch you have been lying on, his hand on the small of your back pulling you past, guiding you up the stairs to his bedroom.

Nothing like what you have read happens, instead, he helps you out of your dress, leaving you in your panties. You ask for nothing from him as you climb into his bed as he undresses.

It's intimate, the feeling of his hot flesh against yours setting a light afire in your stomach as you curl into his side, just as you curled into your cove hidden within the depths of the sea.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

Days progress and your search for Serelia quells as you keep an open ear on the talks of the city folk.

You could have ended all of this a lot sooner with a song, louring all of them into the water to give you an ample opportunity, but you haven't.

Some other time you would have, though, you've heard your voice while humming a song as you clean your flesh in the mornings, and it's devoid of the deepness to travel as far as it did while sitting upon the rocks on the sea.

She is still alive and well wherever she is, and you're quite sure she has been moved around quite a bit as a safety precaution, and with Price's willingness to keep her from the wrath of the village folk, you know that at least some of the men in the village are good.

The more days roll on, the softer the touches from Simon grow, and as you're sitting in the village library again, holding a book in your lap, your fingers trace over the words written, leaving your words caught in your throat.

Reading has been the one thing to keep you from the curse of whatever has happened to you, and you find the stories written by humans to be quite amusing.

Perilous speculation at it's finest! Your favourite.

Though, you find it's difficult to breathe as you progress further and further through the books in the library until you were greeted with one covered in dust.

The lady didn't see you pull it off of the shelf when you did, and as the sky grows orange before eventually fading to darkness, you're unaware of the change in workers as you press your thighs together, hot breath fanning against the pages of the book.

Only, it's not the story that has you blushing.

Rather, your own thoughts as you replace the characters in your head, seeing the same set of eyes that have been greeting you for the past week while waking up.

It's wrong and it's dirty, but you can't help but think of him.

Perhaps this is simply how humans show affection, and it's not like you haven't been close to doing it; your bare breasts have been pushed against his chest when the pair of you wake in the dawn, and neither of you have moved an inch during the closeness, relishing in the closeness.

'I've got work, love.'

'I don't care, too comfy for you to leave me.'

Your mouth grows dry as you contemplate whether or not he has thought of you in a similar manner, if the thoughts carry onwards to his mind from your own, or if he sees you in a different manner.

A voice calls out your name, the flame of the candle on the table beside you causing you to jump, and as you look up, you're quick to slam the book shut, clearing your throat as you tightly smile at the man standing in front of you.

'Scared me,' he says to you, 'I thought you were home.'

'I got bored,' you shakily say, gripping the book in your hand tightly, holding it as you push your chair in, 'I got caught up reading.'

Even though you try to keep the book out of his view, you find he doesn't care about the stupid collection of pages, his eyes dragging down your body as though they're scanning for any source of possible harm.

'I'm fine, Si',' you whisper.

He nods shortly, 'c'mon, it's late and you need to eat,' he says, stepping to the side, allowing you past.

Keeping hold of the book, you walk along side the man and out of the library.

'You didn't have to drag me out, y'know?' you ask, walking alongside him.

His eyes fall on you, you know it without even looking at him, your eyes scanning over the words in the book, 'could've left me in the library to live with the books, let the pots of colours ink stain my skin and cover me up. Wouldn't have bothered you every again.'

The book is ripped from your hands, slamming shut as the man standing beside you takes it off of you.

'Strange woman,' he remarks, keeping the book in his right hand as you proceed to walk through the town.

Your frustration is obvious but he clearly doesn't care, you see the way his face settles beneath the mask.

'Strange man,' you remark, 'walking around the village with a skull mask on, especially in the dark.'

He only grunts in response to your words, pulling your book in front of him, looking at the title with a raised brow. 'Saccharine?'

He looks at you with a look telling that he knows what's beyond the pages, the possibility of such making your cheeks flare red as he flicks through the pages.

'What's it about?'

'Uhm,' you look at him with weary eyes, 'it's an... adventure.'

He nods his head.

'An adventure,' he says, eyes scrolling down the page he lands on, reading aloud, ''use that pretty mouth of yours for me, sweetheart, tell me what y' want,' he grunts, watching her squirm below him.''

Your face is bright red.

'Something fuckin' adventure that is, huh?' he barks out a laugh, as you elbow him in the side, snatching the book out of his hands. 'You dirty thing reading that out in public,' he mocks, your throat growing dry as you look at him.

'Shut up,' you grumble, slamming the book shut.

His laughter doesn't cease as you head towards his home, 'maybe I should have left you in the library by yourself.'

You wish for the ground to swallow you whole, longing for the cold ocean to reach right into the village and pluck you right from his side, placing you right back into the ocean.

Grabbing his key from out of his pocket, he heads up the steps to his house. You don't miss the glance he gives you.

'Who says I can't sort it out here?' you ask.

The keys fall from out of his hand.

Reaching down, you snag them before he can even muster the strength to breathe after the comment you've just made.

'You'd have an audience,' he says, grabbing your waist as you put his key into the door, turning it.

'I don't care,' you whisper, placing your hand against his cheek, 'especially if it's you.'

You don't quite process what happens until his lips are pressed against yours, the pair of you clumsily stumbling into his house, a giggle escaping you as he keeps you pressed against him.

The next couple of minutes are lost to clumsy steps, giggles and kisses as the pair of you waste no time rushing towards his bedroom.

Somewhere along the line, your dress is discarded, as is his shirt, all for it to be put on you as you sit in his lap clumsily doing up the buttons as the cuffs fall past your hands.

It's an alien feeling, the feeling on someone's lips against yours despite all the chaste kisses you have shared during sleepy mornings, and as he grabs you with greedy hands, you feel yourself melting into his hold, pressing your chest against his as you stifle out a short sound in delight.

You're unsure what exactly the sound was as it's muffled by your lips pressing against one another's, your hands clutching at his shoulders as his hand holds the small of your waist.

You feel the little muscle in your chest flutter as he tilts your head slightly with his other hand, deepening the kiss.

Keeping your eyes close, you feel as though you are one with the tide of the ocean, your limbs become that of liquid, flowing with whatever he wills as you fall apart in his arms.

Your firm grasp against his shoulders melts away as you loosely wrap your arms around his neck, your chest growing tighter as it grows harder to find gasps to take a breath from the kiss.

Placing another kiss against your plush lips, he pulls away, placing his hand against your cheek, rubbing the pad of his thumb against your cheekbone, letting out a gentle sigh as he looks at you.

Such gentleness is unheard of, no man should be so kind, yet, here he is, holding you as though you're the most fragile seashell on the seashore, intending to hold you close to keep you as a memory.

There's an odd heat flooding your stomach when he pulls away, a pulsing in the area you're somewhat familiar with. It's a dull ache, a bruising urge and you began to squirm in his lap in an attempt to chase the feeling away.

The feeling of his pants against you brings a satisfying wave over your body, willing to continue squirming in his lap in the hopes to find some form of quick fix. A breathy whimper escapes you as you continue to grind hopelessly in his lap, chasing after the release you so crave.

Only, your his are grabbed by his hands, as he holds you in place, grunting.

'Hurts,' you grumble, your hands falling to grab his wrists in an attempt to pull them away. Yet, his hold on you persists, keeping you firmly in place.

'Please,' it escapes your lips before you even understand what it is that you're begging for, though there's something that you can only describe as longing to extinguish the fiery blaze in the pit of your stomach.

You continue to fight against his hold on your hips, you lips pressing together in an unhappy manner.

There's a glint you spy as desire in his eyes, though, much to your displeasure, he keeps himself from acting on whatever that particular desire is, leaving you teary eyed in his lap.

'Sweetheart,' Simon breathes, shaking his head, 'hey, hey, it's alright, what are you getting teary eyed f'r? Haven't hurt you, have I?' he asks as your try to blink back the tears forming in your eyes. You're frustrated, unable to tell him what exactly you want because, truthfully, you've only read about such in the books in the library during the times he was busy with work.

All of it is new, and you wish for the blessing of experience you wash over you as you look at him with a lingering frustration.

'No,' you say, 'it's not that, it's that I...' you're unsure what to say, so, you let go of his wrist, lifting your hips as you look him in the eyes, placing a hand against your core.

He looks at you with a crooked smile when he finally catches onto what exactly it is, and all you can muster, in pathetic whisper is, 'need you.'

Sinking your teeth into your bottom lip, you're relieved when one of his hands is pulled from off of your hip as he gently moves his hand against you, cupping your cunt, pressing his thumb up in a particular spot.

You let out a whimper at the strange, yet welcome sensation, noting how his hand is far better than your own.

There should be something shameful about this, only you push into his hold, hoping he returns your enthusiasm.

It's in his arms you feel the most safe you have ever felt, even the tide of the ocean cannot compare to him in this moment as he pulls you loser, looking upon you with moons for eyes, conveying the idea that, maybe, he does think you're the prettiest thing he has ever set his eyes on.

Your back is pressed against the bed, the absence of his touch like a dagger through your heart. He looms over you, arms either side of your head. The lack of light, the flickering flame of the candle and the beams of light from moon shooting through the window render you speechless as you look at him.

'My pretty girl,' he utters underneath his breath, his hand brushing under the cotton shirt, moving further up your skin. Goosebumps form on your flesh as he does so, cheeks red the longer he keeps his eyes on you. 'Made with wind an' sea, you are,' he says, brushing his hand down your stomach, resting it against your pubic bone as he looks you. 'Tell me what you want, sweetheart.'

Opening your legs for him, you muster up a small whimper, looking him in the eyes, 'want you to touch me,' you quietly say, 'please, Si', need you to make me feel better,' you beg, feeling as though you're seconds away from collapsing.

A breath escapes you as he pushes your panties to the side, trailing his fingers up and down your folds with a groan.

There's a distinctive wet noise as he does so, spreading your cunt open with two fingers. Looking down between the valley between your breasts, you swallow hard at the sight of him touching you, jolting when his fingers brush against your clit.

It's unlike anything you've ever experienced.

Continuing in a fluid motion, your back arches as pretty moans escape your mouth, writhing beneath him. The heat in your stomach only grows as he does so.

'That's it, sweetheart,' he utters, sliding his fingers downwards, pressing one digit against your hole. 'Gonna be good for me an' take my fingers?' he asks, to which you eagerly nod your head.

'Y- Yes, please,' you respond, your back arching against the bed as he pushes a finger into you.

An odd stinging sensation causes a tear to slip past your eye as you fist the sheets below you, letting out a small sob. He pauses, you catch the orange light from the candle in his eyes as his mouth falls.

Then, you begin to feel him pull away.

'No,' you quickly exclaim, 'no, no, don't pull away, it's just...' you sink your teeth into your bottom lip, 'I've never done this before.'

He looks at you with wild eyes as he expression softens. Leaning forward, he places his lips against your and you cup his face with both of your hands, your mouth falling open as he begins to thrust his finger in and out of you.

Pressing his forehead against yours, he sighs, 'I didn't know, love,' he confesses under his breath, 'I shouldn't have made assumptions—'

'It's not your fault, Si', you didn't know,' you reassures, 'but I don't want you to stop,' you say, toes curling as his finger presses against a spot which almost has you seeing colour.

The air in the room is hot, only growing when you see a crooked smirk on his face as a crude squelch sounds.

You feel another finger against you.

'Gonna make sure your pretty cunt is taken care of,' he says, 'won't want anyone else after you've had me,' he utters, pushing another finger into you.

It burns for a moment, the stretch aching, yet working to contribute to the cord tightening in your stomach.

You're unsure as to what to expect as a delicious heat envelopes yous body, clumsy hands letting go of his face, moving to his shoulders. More tears slip down your cheeks, a loud moan escaping you as both his finger brush against a spot which has you falling apart in his hold.

You expect him to relent, though, he positions his fingers to proceed to hit that spot. By now you're a babbling mess under him, all the while he's grinning at the pretty mess you're becoming, soaking his fingers as you edge closer and closer to the edge.

You're not going to last much longer, he knows such as you clench around his fingers, his cock hardening at the very thought of having that pretty pussy around him.

There's a panic in your eyes as you edge closer to the edge, so he presses a chaste kiss against your lips, 'you're okay, princess,' you gently says, let go, cum for me, cum around my fingers, let me see how pretty you look,' he says, cautious not to make a demand as he continues to work his fingers into you, stretching you out.

Your chest heaves as you screw your eyes shut, your muscles tensing as you find yourself bracing for the coil in your stomach to snap.

It's odd to be scared of something that is making you feel so good, and you relax realising you're in his arms.

Your thighs begin to tremble as you let out small moans, drool trailing down your chin as you press your head back into his pillow, the heat in your stomach dispersing, crashing down into a pleasurable wave which has you almost sobbing.

Your hole clenches around Simon's finger, your entire body turning stiff as you stifle out a crude gasp, your orgasm washing over you. You watches as you completely fall apart, your juices flooding his fingers as you cum. 'That's it, you're okay,' he breathes, 'I got you, you're okay,' he reassures, his fingers fucking you through your orgasm.

Your raging breath steadily quells as he pulls his fingers out of you, sitting back on his thighs. Your hair is sticking your back as sweat soaks into the shirt you're working.

Whimpering, you watch as he presses the two digits he used to fuck you between his mouth, cleaning the mess you made of his hands with his tongue, letting out a short moan as he pulls his fingers out of his mouth, 'as sweet as honey,' he remarks, taking a moment to admire your glistening cunt.

Instinctively, you close your legs, all for him to tut, placing his hands on your knees, pulling them open again.

'Prettiest cunt I've ever seen sweetheart,' he say, 'don't try and keep it from me, yeah? You're not gonna be cumming around anyone else's cock aside from mine; gonna ruing you, shape that pretty hole for my cock and my cock only,' he gruffly speaks.

You hear the shift of fabric.

Pulling his underwear off, he tosses it somewhere into the room, sifting upwards, a crude wet slap filling the room as he slaps his cock against your clit.

You let out a small yelp as the sensation, your cunt still marked with sensitivity from your orgasm. Though, as you feel the blunt head of his leaking cock between your folds, you find the heat returns with a vengeance, leaving your mouth dry as he presses himself against your hole.

'It's gonna hurt for a second,' he warns, grabbing your hip with his hand, 'just keep breathing for me, let that pretty pussy stretch around me- I'll give y' all the time you need, just tell me,' he utters.

His tone is much darker than any you've ever heard, and as he begins to push himself into you, your mouth closes as you sink your teeth into your bottom lip so hard that you're quite sure you're going to draw blood.

A filthy moan escapes your lovers lips as he pushes into, the heat around his cock making it hard to keep a clear mind as the longing to fuck you until you're sobbing possesses him.

It won't take much, he knows that, counting on the fact that he's not even half way in and tears are already pouring down your cheeks.

Gripping your hips, he eases himself in to the hilt, moaning as you clench around his cock.

'Good fuckin' girl,' he curses, his nails digging into your skin as you wince. Never have you felt so full, feeling his cock pulsing in your core as you squirm beneath him.

Without even moving, you're sure he's pressing against that spot that brought you to your release just moments prior, you stomach twisting.

I'm not going to last.

Your legs merely wrap around his waist as he looks to you, and with a trembling mouth, you nod your head, 'y- you can move,' you say with a small nod, hissing as he pulls out, only to thrust back in.

Your skin is hot as sweat drips down your silky flesh, pushing downwards to meet his thrusts as he picks up the pace. The sound of you skin slapping together is vulgar, though neither of you care as you burble out weak 'ahs' under your breath as he drives his cock into you. Simon isn't quiet either, vocal grunts through gritted teeth as his bruising grip on you maintains a steady pace.

'Fuuuckkk,' he moans, grabbing the bottom of his shirt, ripping it open. You offer him as startled look as he drags his blunt nails up your stomach, grabbing your tits, rolling your nipple between his fingers. 'Prettiest fuckin' girl to ever walk the land,' he claims, 'made for me and my cock, and it's all mine, isn't it?'

'A- All yours,' you confirm, unable to keep a sane mind about you as he's fucking you dumb.

All your mind is sticking to is the thickness off his cock as it's hitting all the right spots. You're sure you're drooling from the sensation, your eyes falling back into your head as you babble out nonsense.

'No one else's,' you manage to get out before you're completely at his disposal, the feel of your next orgasm creeping up on you.

'You gonna cum for me again, princess?' Simon asks, greedily sucking in air as he looks at you, feeling your cunt clenching around him. He himself is edging closer to the edge, the tightness of you around his thick cock simply being too much to bear.

'Yes, 'm so close... so fucking close, please, please let me cum,' you dumbly beg, not able to keep the words from flowing past your lips.

'Go on, sweetheart, cum around my cock, make it yours,' he demands, his thrust growing much more sporadic as he chases after his own release.

A moan escapes your lips as you arch you back off of the bed, your entire body spasming as you allow yourself to fall into the pleasure of your orgasm as the cord in your stomach snaps, forcing a gasp out of you.

Squeezing your eyes shut, you let out a brittle sob, tightening around his cock as you cum. The sound of your skin connecting is wet as Simon fucks you through your orgasm, his curses and grunts filling your ears.

'Fuck, fuck, fuck, that's right sweetheart,' he moans, 'gonna make you mine, fill you up with my cum, no one else is having you, you're mine,' he grunts out, pressing into your, your cunt against his pubic bone as his hands tremble.

He lets out a moan as he fills you up.

It's a filthy feeling, but you love it terribly, your hole twitching as you feel his pulsing cock empty his load inside of you.

A short breath escapes him, and you moan feeling him push deeper inside of you, thrusting and out of you to ensure you're not missing a drop of it.

Remaining inside of you, he moves to lay beside you, keeping bodies pressed against you, the smell of sex and sweat in the clammy air of the room, but he doesn't even think of pulling out, let alone pulling away. Instead he settles with his cock inside out you, pressing another kiss against you.

Your eyes feel heavy, your entire body sluggish as you press your face into the crook of his neck.

'Good girl,' he utters against your skin.

You lay together for a short while before he eventually pulls his softening cock from out of you, you whimpering from oversensitivity as he does so. Your inner thighs are wet, and as your hole clenches around nothing, you're face grows red as you feel his cum dripping out of you.

He leaves you alone for a short while and you lay, your body blanketed in the moonlight. Beyond the window in his room, you spy the ocean in the distances, seeing the rolling waves, your throat tightening are your eyes move around the room, spying his side of the bed, then lifting back to the water.

You can't possibly stay here forever? Can you?

You have people, you have your sister still to find, getting no closer to having Simon confess to you where she is being kept.

When you uncover it eventually, what are you going to do? Free her and stay here? Will the even want you back when you return with the marks of a human all over you?

Your eyes water when he comes back into the room with a cup of water and a damp cloth in his hands, approaching you.

He sees the furrow of your brow and the discontent on your face, taking a seat beside you, pressing his hand against your face.

'I haven't hurt you have—'

'No, no,' you quietly state, sniffling, 'just...' you look at him, holding his wrist. 'I like you,' you whisper, his eyes growing wide at your confession, 'I- I know it's soon but—'

'I like you too, sweetheart,' he reassures, setting the cup of water down on the nightstand.

You rejoice in the outcome of your diversion, noting it works well as he looks at you with all the adoration the human heart can muster. 'Let's get you cleaned up, yeah? Can't leave you like this,' he utters, to which you nod in appreciation.

The night is sleepless for the most part as you're in his arms. It's difficult to confess to yourself, but you're aware of the lies you have told and of the possible consequences to come from it.

Even if he isn't fearful of what you are, there's still the fact that the betrayal will be too great as, essentially, everything you have together is built on a lie, and you're only encouraging it through playing the role of human.

A part of you wishes to wake him from his current sleeping state and tell him, yet, you cower in the thought of conflict destroying the night the pair of you have shared.

So, you tell yourself that you'll tell him tomorrow instead before falling into the heat of his body, closing your eyes.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

In the morning you wake with a dull ache between your thighs, looking to the side of your bed.

Simon isn't there and you sit up quickly, eyes scanning around the room, a panicked breath squeezing out of your lung as you search for him.

Has he left for work already?

You feel an odd sense of betrayal well in your breast as you shuffle from under the sheets, stopping in your tracks when you hear the creak of the staircase leading into his room. His head appears first and you quickly fall back onto the bed, eying him.

'I thought you left for work,' you confess as he climbs the final step. He shakes his head, looking out of the window to the early morning sun. It covers his frame in a delicious light and you take a moment to admire him. How his white shirt settles against his chest, the mask on his face right back where it usually it.

It's a shame though; you want to see his blond hair in the light of the sun.

'I'm not that cruel, sweetheart,' he reassures, 'want you to come with me today; I'm sitting in the Station by myself while the other three do whatever, want some company with me,' he says, we'll stop by the library and bakery before we go there, I'll get you that pastry you like,' he offers, fixing the buckle of his belt, 'what do you think?'

Propping your head up with your hand, you look as hm with rosy cheeks and a bright grin on your face. 'Make me a cup of tea when we're in the station too?' you ask.

'If I must,' he says, laughing, moving towards one of the drawers in his bedroom, pulling it open.

Grabbing a dress and panties, walking up to you. Shifting in the bed, you push the sheets back, standing up, taking the panties from his hands.

Stepping into them, you look up to see him holding your dress, the skirt bunched up. 'Hold your arms up,' he instructs, to which you giggle at, but comply, holding your arms up.

Placing the fabric of the dress over your head, you slip your arms inside of the sleeves, as he kneels down in front of you, pushing his mask up slightly so he can press kisses onto your stomach as he lowers the skirt of the dress further and further down.

More laughter spills past you as you watch him with do so. The skirt reaches your ankles and he stands up, grasping your waist. 'Happy I got this dress for you,' he comments.

You quirk an eyebrow.

'I thought you said it was plain.'

'Nothing's plain when you're wearing it, sweetheart,' he responds, pressing a kiss onto your lips. You roll your eyes at his sappiness despite melting into his hold.

'You're an idiot,' you say.

'And you're slow,' he retorts, letting go of your waist, 'finish up getting ready and meet me downstairs, don't take too long; don't wanna be stuck in a queue at the bakery.'

'You're the reason—'

'Don't wanna hear it, princess,' he calls as he walks down the the stairs, leaving you alone in his bedroom, crossing your arms over yourself as you watch him disappear.

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

He cannot take his eyes off of you as you sit in the station, stray crumbs of the pastry around your mouth as you babble on about one of the books you found in the library.

It never occurred to him until now that it's very much possible to be a love drunk fool, and he feels himself grinning under his mask as you speak with such passion, it's making him lightheaded. He has little understanding of what you're talking about, but that doesn't matter.

He sits and listens to you, only stopping you when he reaches out his hand, brushing away the clumsy flakes of pastry from around your mouth. You stare at him, eyes panning down to your skirt as you blush at the sight of golden flecks on the white fabric.

Brushing your hands over your covered thighs, you brush them away, looking back at him. Opening your mouth, you go to speak, all for your moment to come crashing down as Kyle barges into the Station.

Taking one look at the pair of you, he lets out a comically loud wretch, 'save it for the bedroom, please,' he breathes, closing the door behind him.

'What are you doin' back?' Simon asks, checking your face for any more crumbs, letting a small grunt when he's satisfied there are none, pulling his hand away from you. 'Thought you were going to be out all day.'

'I've been looking for Rhys,' he says, 'he's supposed to be keeping an eye on her and I haven't seen her, when I went to the cabin the door was locked, all the curtains were drawn too,' he explains, rubbing his head.

Your ears perk up with the mention of a cabin, glancing at Simon before back at Gaz.

She's in a cabin somewhere nearby and she's still alive.

Your heart settles with the thought.

'He couldn't have gone far,' Simon says, 'might've slept in or something- if something was wrong, he wouldn't disappear on us.'

'You're right,' Kyle says, closing the door behind him, 'he's a good kid, shouldn't be thinking badly of him in the first place, just difficult not to worry when he's usually there at the crack of dawn, you know?'

'Are people still demanding a trial?' you ask.

'Yeah,' Kyle responds, approaching the fireplace to the right of the bed you're sitting on, pulling the lid off of the kettle. Fortunately, Simon replenished it after making you both a mug of tea. 'We're trying to push it back; she's a nice girl from what I can tell, doesn't speak much though- to me at least,' he explains.

'Why don't you just let her go?'

'Letters from the Lords telling us we can't act until he's back home,' he says, 'unfortunately, we work for him. If it was up to me, she'd be back in the water; I think everything people are saying about her is nothing more than fairytales.'

You smile at his words; he's right, in terms of her, they are all fairytales.

If he's looking for the sirens from fairytales, he's already eyeing her as he talks to you.

'Do you want another cup of tea?' Kyle asks, looking at the pair of you. Simon shakes his head but you nod, though, before you can reach for your mug, it's taken from out of your reach as Simon holds it out for Kyle.

You give him a short look which he returns after handing your cup to to Kyle who busies himself with minding his business.

'You my servant now?' you ask.

'Can be if you want me to be,' he answers.

You roll your eyes, leaning your back against the wall, dusting the remnants of your breakfast off of your hands.

'You're sweet talk is making me sick,' Kyle calls, approaching you, carefully handing you your mug of tea, 'need some lessons in it, Simon,' he adds.

'Fuck off,' barks the man.

'I've got nothing to do so you're not getting rid of me for a while,' he says, 'I'm gonna stay here for a while before heading back up to the cabin, haven't had a moment to relax this morning,' he scoffs, 'could do with a moment of rest.'

Sitting forward, you move your legs off of the bed, allowing Kyle to take a seat beside you, sipping from your mug, 'there's always something to be doing,' he begins to complain, 'never a fuckin' quiet moment in this—'

The door to the station bursts open, slamming against the wall opposite.

'She's dead!'

The cup in your hand drops as you jolt from the sudden noise, the hot liquid merely missing your thighs as you shift out of the way, hearing the tea cup shattering as it meet with the stone floor.

You curse under your breath, looking at the mess you have made as you go to drop to the ground to clean it up, all for Kyle to shake it head while Simon stands up to address the man at the door.

'It's fine love,' reassures the man sweetly, 'you'll end up cuttin' your fingers, I'll clean it up,' he says, looking down at the shattered tea cup on the ground.

Frankly, you appreciate his kindness as you raise to your feet, looking around Simon's bulky frame to the man who scared you.

He's shaking as he speaks looking at Simon, his eyes blown wide, reflective of the surface of the moon as he tugs at his fingers while attempting to express the horrors of which he has witnessed.

'I left for the night, an' when I returned she was dead,' he says, 'bloody and beaten, whoever it was took all her scales, left them around the room like it's some sort of fuckin' confetti.'

Scales.

You're sure you hear Kyle yell, but you're unsure what he actually says.

There's anger in the young man's eyes, genuine emotion as he details every single gruesome detail of the scene.

Serelia.

The siren.

'W- Where?' you manage to get out, not caring if Simon is about to say something in response. 'Where is she?' you roughly demand.

The young man standing in front of you looks at you with wide eyes as you move in front of Simon.

Your lover doesn't say anything.

'Tell me!' you demand, grabbing his shirt.

'T- The cabin just beyond the Lords house,' he stutters.

Without much thought, you're rushing out of the station without any hesitation, rushing through the streets as your heart rages in your chest.

Your mind is racing with his confession, shoving past and barging shoulders with everyone as you push through the busy town square, staggering up the steps towards the direction of the Lords house.

You're aware of the man behind you; Simon never really did let you out of his sights, after all.

Everything seems so much smaller in your eyes as you stumble further and further up, tears flowing freely down your cheeks.

Perhaps it's some form of sick joke- she's okay, she's just playing dead; she's a smart girl, even having tricked you a few times.

She's okay- she's got to be okay.

You're in a fit of hysterics as you pull the door open to the small, reserved cabin.

There are footsteps behind you, a distant call for your name, only, when you pull the door open, you seek the sister you had lost that night on the shore. Still bleeding as she was when she had been taken despite her pleads for freedom, only, she isn't moving.

She lays on the wooden ground of the room, her hand open in your direction, as stray tear slipping down her face as her open, bruised eyes stare into nothingness.

You stand at the door, your bottom lip trembling as you scream out, 'SERELIA.'

Rushing up to her side, you collapse onto your knees, trembling hands hovering over her swollen body, blood seeping into your white frock as you simply sit and stare in horror.

Placing your hand against her cheek, you flinch at the icy feeling of her skin, trailing the tips of your fingers over her soft flesh. Stray scales sit on the ground from around you, plucked like petals from a daisy.

Her body is destroyed, pretty face so swollen, you hardly know who you're looking at.

Nausea hits you, though you fight against the urge to vomit up your breakfast, lunging forward, slipping your hand beneath the bleeding body of your sister, resting your forehead against her shoulder as you pull her close, her body falling over your lap as you sob, brushing your hair through her dirty ginger locks as your body shakes against her still one.

This all feels like a bad dream that you wish to wake from, only, you cannot.

'I- I'm sorry, my urchin,' you manage to get out between spouts of hyperventilation and nausea, your nails digging into her flesh as your arm settles in her blood.

'My beauty, they have destroyed you,' you mumble under your breath, unmoved by the stench in room as your chest swells.

Pulling your head off of the corpses shoulder, you press your hand firmly against her rotten cheek, observing the countless amount of cuts.

You feel the room spinning as you observe the true brutality of mankind, how they are so careless towards the rest of natures creations and you feel like a fool.

A fury burns within you, your tongue ceasing as two hands are placed on your shoulders, attempting to move you away from Serelia. Looking up over your shoulders, you spy the bewildered eyes of your lover.

'Let go of me, Simon,' you demand, turning your head back to the woman on the ground.

His hands stay firmly on your shoulders.

You wish for him to relent, but that's not in his nature. No, he wishes to keep you from all danger, and with the mess you have made of yourself and the crime scene, somewhere deep inside, you understand that you cannot have the very thing you desire.

You're pulled to your feet, crying as you kick and scream in his arms, the bloody skirt of your dress sticking to your legs as you fight against him.

'Let me go!' you cry, turning in his hold, bringing your hands to his chest, weakly hitting him as though it is he who caused the bloody slaughter. 'Let me go,' you hiccup as you're pulled out the door, away from the sight that is sure to haunt you for the rest of your life.

Pushing your hands against his chest, you shove him with all you might, though he does not move.

Placing you against a tree, he gently guides you to the ground as your legs give, kneeling on the ground before you as you chase after your breath, your legs laid out in front of you, your hands resting flat against your thighs.

Looking up towards the sky, you spy the moon staring down upon you despite the morning sky, proceeding to cry as you recall the lights on the shore the night Serelia was taken.

Your throat burns with the desire to scream and scream until you have torn the very vocal cords nature gifted to you, seeing no use in them as you come to realise that you will never call her name and get a response ever again.

'You were never on our side,' you sniffle harshly, hot tears flowing free as Simon simply stares at you. 'I see their torches in the light of your stars. You make us the villains, fool us into doing your dirty work, and then leave us stranded when you want no more to do with us,' you seethe, turning your head to the side as you continue to sob.

Simon's hand presses against your flushed face, pushing your head up from off of your shoulder, 'love, you need to calm down,' he utters gently. 'You're gonna make yourself sick if you keep on like this,' he warns.

He means well, you love him enough to acknowledge that in the midst of your fury.

Yet, your punishment leaves you weak and weary, missing the water you grew up in, missing life prior to that night.

'I already am sick,' you retort in a broken tone, 'infected with the parasite that makes me you, that separates me from her,' you cry, 'no longer a siren, only human.'

You don't care what happens, and, if you do, your emotions keep you from logic.

'W- What?' the man beside you chokes out.

You don't miss the way his hold on your face tightens, yet, you do not flinch, permitting his harsh hold as you look him in the eyes, swallowing harshly.

'I'm not a human,' you whisper, 'I don't know what I am anymore... I never had a sister, I was never in a wreckage, I was looking for her, my Urchin,' you admit, turning your head in the direction of the cabin. 'And now she's gone.'

Your sobs fill the void of silence, only, nothing fills the void of warmth against your face as he pulls his hand away from your face. Looking at him, your bottom lip wobbles.

Every lesson your mother has ever taught you is urging you to hate him, telling you that it is his fault that there she's lying there alone in a puddle of her own blood, unrecognisable.

However, no matter how much you wish to lunge forward and claw his eyes from out of his head, you find heart and mind conflict easily.

'Please say something,' you beg, caving to the gaping hole in your chest, longing for the return of his touch for, what is left after him? An outcast? Nowhere to return, even the ocean doesn't want you, and your bleak reality begins to settle in as his eyes do not change. 'Please, please talk to me, I- I've already lost her—'

He's unsure how to tread, you see the weariness in his eyes. 'What part of you is real?' he asks, 'or are you just a liar?'

'My love for you is real,' you blurt out, 'I cherish you, all of you for caring for me and for taking care of me when I needed it the most,' you continue, 'but I couldn't tell you, Si'- I- I've been trying to think of a way to tell you the truth and I was gonna do it today- I swear to you.'

'Why?' he lowly asks, 'are you afraid of me?'

'Are you afraid of me?' you question, looking him in the eyes as a stray tear falls past your eye.

He pauses.

'Your people murdered one of my own, Si',' you choke out, a flurry of emotion blowing over you as your face and skin prickle with an insatiable heat. 'We act accordingly, you treat us violently, we react with violence, but she...' your words trail, 'she did nothing to anyone, Simon. Had a voice as sweet as honey, charming, loving to the creatures of the sea, and look at what happened.'

'What's stoppin' you from hurting me?'

His voice and tone are raw as you look at him.

Truthfully, in the midst of your misery, you're unable to see the reason which keeps your fury at bay, though, when you look into his eyes, you understand for a moment long enough to form a response.

'You tried to keep her safe,' you whisper, 'keeping her from everyone, keeping her out of the way. They got to her, you didn't.'

And I can't let myself get to you for something you haven't done.

He exhales, looking towards you with bleary eyes.

Always, the desire to push him away is going to nestle within after the events of today, but nothing stops you from lunging into his arms, wrapping your arms around his neck with as you sob.

His large hand presses against your head as he pulls you close, his hold on you almost crushing as you cry into the nape of his neck. If he is hushing you, you can't hear him.

You're in his arms and he's got you.

His hold feels the same as the one you have became accustomed with during your time on land, nothing has changed.

Feeling him tug at his mask, you settle when you feel his lips press against your forehead, and with a small voice he utters, 'I love you,' he says, 'human, siren, sea monster, sea urchin, I don't fuckin' care,' he states firmly, placing another kiss on your forehead.

'I love you too,' you tightly say, feeling the urge to smile at his words, but you don't, simply remaining in his arms.

'I'm sorry, love,' he utters. 'She didn't deserve any of this, neither did you.'

With your face buried into his neck, you nod your head.

'I know.'

You lay in his arms for what seems like an eternity, holding his bloody shirt as he rubs your back.

There's nothing that can be said, you know that.

Both of you do.

A man of few words can hardly be expected to become a flowing fountain of knowledge in the span of an hour.

Anyone else would curse him for not trying to make you feel better, maybe even say he doesn't care about you. But his rough touch turns gentle with you. His boisterous manner is reserved to calmness.

Oddly enough, it's in the most violent man that you find your faith in humanity is kept from drifting off of the cliff, toppling over into the ocean.

Eventually, you feel him shift beside you and you're moved as though your a doll in a child's arms. Looking down at you, he brushes his hand against your face, wiping away the tears that have flooded your face. You place your hands over his much larger ones, looking him in the eyes as you sniffle.

'We can't leave her there like this,' he utters, 'they'll wanna burn her body, 'not gonna let that happen.'

You mouth grows dry.

'We'll bury her up here, there's a clearing near the cliff, overlooking the water so she's not too far from home.'

No words leave your mouth so you simply nod your head in agreement as the pair of you raise from the floor.

Her helps you up and keeps you steady, not daring to let go of you, seemingly fearful that, if you fell, you would shatter and leave him forever.

He does all the work, leaving you to sit and watch as he carefully raps the girl in a sheet, lifting her into his arms with ease.

You standby and watch idly, holding a shovel in one hand and a lantern in the other, unable to look the dismal sight in the eye.

As, you step outside of the cabin, keeping your head bowed as you follow after him, heading towards the burial sight he mentioned.

It's hidden, private, and you stand near the edge of the cliff, looking down into the darkened abyss of water below you as you hear the occasional grunt from behind you as Simon busies himself with digging the gave.

At this moment you're resentful, wishing for some form of blow to the head to send you over the cliff, rejoicing in the short fall before you're able to escape from the consequences of your failure.

Only, you cannot will yourself to go over the cliff on your own accord, knowing if you did, Simon would most likely blame himself- if not follow right after you.

Living in the idea is enough to keep the action at bay, the resounding guilt and regret you imagine you would feel after taking the leap filling you with dread.

So, you turn yourself around and sit next to the woman wrapped in white while Simon makes a grave for her to finally rest her weary head.

It's difficult to say goodbye.

It was difficult when you said goodbye to your mother, a bitter pill to swallow when old age claimed the crazed woman on the seas, though, the guilt stabbing into your heart like a dagger proves to make this send off much worse.

Never did you dream of doing something so horrible, yet, here you are, unable to escape reality.

It's the dead of night by the time the grave is ready, the lantern in your hand flickers as Simon holds the body of Serelia in his arms, lowering her into the grave he constructed using a shovel.

The sheet she's wrapped in is stain red, marked with her blood, and while your chest grows heavy at the sight you find solace hiding in the shadows away from the moonlight.

Kneeling to the ground beside him, you tear the edge of your skirt, placing it onto her body with a shaky sigh.

He looks at you.

'When someone passes, we pull one of own scales and lay it with them to rest so they always have a piece of us with them,' you explain, 'I can't do that for her, but I'm not going to leave her with nothing,' you state.

Grabbing the edge of his shirt, you watch with a sunken smile as he rips a piece of his shirt of, laying it beside the piece of your dress you laid upon her.

'It's an apology,' mumbles the man, 'couldn't be there to keep her from harms way in this life, but she'll have me in the next. She'll have the both of us, yeah?'

'Forever and always.'

＊*•̩̩͙✩•̩̩͙*˚ ☾ ˚*•̩̩͙✩•̩̩͙*˚＊

You return to his home covered in blood.

He helps you wash, rubbing a sponge around your back as you lean forward, chin resting against your knees with void eyes. You say nothing to him, only listening to his gentle requests.

While doing so, he feels a heat growing his stomach. It had been set alight from the very second he heard you screaming and crying, and the longer he focuses, the more he finds his blood boils. Someone in the village knew where she was and they killed her- perhaps even multiple people.

A poor young girl was murdered, and in the process they murdered your spirit.

And now he is scared as he looks at you.

There's nothing to tie you to the land anymore, he understands that as he wraps you in a towel, carrying you up the steps to his bedroom in a woeful silence.

There's nothing to tie you to him and he wishes to paint the town red for the crime committed against you, swearing to himself that he will find the perpetrator.

The next time he's cleaning blood from under his fingernails will be the time he has avenged you.

Until then, however, he's committed to being beside you until you no longer want him there as he looks onto you after helping you get ready for bed, lying on his back beside you.

Nothing is left in you, your soul devoid of anything as your mind wanders to her body wrapped in that white sheet, and as you look to the dress discarded on the floor, you find you're not too far off her fate.

Laying your head upon his head, you listen to his heartbeat to make sure he's alive, fearful that he will leave you before you get the opportunity to leave him first.

'I love you,' you croak.

'I love you too, sweetheart.'

After a while he his breathing calms, soothing and melting as a wave on the beach did.

Your mind has been made up since he placed his shirt beside yours, and as you watched him cover her with dirt, you stood with crossed arms and contemplated for a while. The crashing of the waves over the cliff edge called for you as you stood there.

You cannot stay here.

For the good of yourself and the good of him.

Too much is at risk now, and too much has been lost.

Too many thoughts fill your head, bad thoughts. Bringing him to the water all to sing a song to pull him into it.

You'll watch as he fights for air, trying to break the surface of the water once more, but you will not care, simply watching him fight and fight until all life leaves him and his soul has left you.

Foolish mortal men.

You hear your mothers voice ringing in your ears as you look at his sleeping eyes, then to the blood beneath your nails.

Sinking into the watery depths of a sirens den.

Crawling from beside him, you offer him one final look at you lean over the sleeping man, pressing a kiss onto his temple, watching as his hand curls around the pillow on your side of the bed.

Misery strikes you as you look at the empty spot, something within you urging to you to crawl back into bed beside him, only, you're reminded of the celebrations litter through the town, the festering buzzing of the flies in the cabin, and the swollen face of Serelia.

How is one to move past such when they lack the very emotion of remorse?

And how are you supposed to keep your emotions at bay when you feel an unquenchable urge to bring the village into the water?

Both are impossible to solve, and somethings are better off left broken, for, if you act on your anger, you betray the man you love with all your being.

But, if you act on love, you betray the women in the sea who are most likely worried sick with your disappearance. So, you take hold of the first dress he bought you, pulling it over your head, eyes teary as you look at him sleeping.

You're making the right choice in leaving, you say that to yourself when you place another chaste kiss against his cheek, allowing the thought to follow you as you push the door of his house open, stepping onto the pavement.

It follows you down the twists and turns of the street, leading you from place you have both loved and lost back to the ocean where you have only ever know strength and family.

The land is cruel, harsher than the sea.

Even during a violent storm you find you prefer the sea for the land houses people capable of despicable things, maintaining the ability of hurting you, not only on the outside, but also on the inside. You long for normality, for a sense of belonging again, and while you know you will always have a place in his bed and arms, you have a duty to fill elsewhere, an anger to keep at bay, people to keep safe.

You have to go, and you hope he understands.

A man of few words yet the only man who could ever hold your heart and not shatter it, and as you're walking on the sand, stumbling towards the water, you allow yourself to cry an ugly and loud cry as you fist at the fabric of the dress he gifted you, pulling the skirt to your mouth, pressing your lips against the fabric. Your legs carry as you remain with the skirt bundled in your arms, inhaling the scent of the place you have grown to know as home.

But it's never going to be home again.

The water greets your feet as you allow your arms to drop to your side, walking into the sea.

The waves crash down, soaking the bottom of the pink fabric and you continue to sob as you edge further and further into the water, cupping your face in your hands as you stiffly wade through the waves.

Wiping under your eyes with your fingers, you raise your head in the direction of the sky, seeing the moon sitting above the sea. You keep your eyes trained on the red moon, unmoved by the winking stars in the night sky as you turn your back to her.

Observing the land one last time, you fall backwards into the water, whispering an ode to Serelia under your breath as the ocean swallows you whole.

𝙼𝚊𝚜𝚝𝚎𝚛𝚕𝚒𝚜𝚝

TAGS: (If you would like to be added to the tag list let me know!) @forever-twenty-two-years-old

[hotvintagepoll]

FINAL POLL OF ROUND 3

Propaganda

Glynis Johns (Mary Poppins, The Court Jester)—LISTEN, I'd let that woman's voice with all its gravely hoarseness (positive) wash over me all goddamn day, but if that's not enough she managed to play the straight woman to Danny Kaye's jester, all with her cleavage so plunging it might as well have been catapulted into the ocean right after Basil Rathbone

Meena Kumari (Sharada, Dil Apna Aur Preet Parai, Sahib Bibi Aur Ghulam)— Meena Kumari was Indian actress and poet, regarded as the "Tragedy Queen of Bollywood" due to her legendary performances in emotionally charged roles. Using words from her biographer: "She had many dimensions — she read poetry, had many literary friends, [and] aspired to the higher life." Meena had an incredibly difficult life, and translated this pain into her volatile acting performances. She is an artist beloved and revered by her fans.

This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Glynis Johns:

She walks the line between sexy and cute. Her best role for me is in "The Court Jester as Maid Jean. She's fantastic as the soft but tough captain of the outlaw band and she looks stunning in every gown she wears throughout the film. And of course we can't forget her iconic turn as the suffragette mother, Mrs. Banks, in Mary Poppins! Also shoutout to her distinctive and beautiful voice, kind of smoky and husky. Extremely hot and set her apart from many of her peers."

"She was amazing in Mary Poppins (the Suffragette song is severely underrated) and apparently she was Welsh? National pride! And she advocated for arts funding in Wales, which is very cool. Also, she died recently (RIP) making her one of the last survivors of the Golden Age of Hollywood, according to Wikipedia. Also also, she just has a cheeky energy I like? And her eyes are beautiful!"

"She had this wonderful wit and charm to her no matter the role and the most distinctive, striking voice!"

"I mean, incredibly beautiful and talented, can do drama can do comedy. And she was a mermaid."

"Like Bette Davis she has eyes to die for. Unlike Bette Davis you felt comforted by them, even when she was batting her eyelashes at you. Would glady go to Downing Street with her and throw things at the Prime minister"

"Listen, listen. I was raised on Mary Poppins and "Votes for women! (step in time)" single-handedly taught me how to be a feminist. Also The Court Jester is one of my favourite movies of all time and she is UNBELIEVABLY gorgeous, charismatic, funny, and clever in it. She knocks several men out. Absolute icon."

"I love Glynis Johns. Most of the reason is The Court Jester where she's a sensible and capable foil to whatever what going on with Danny Kaye at the time. She was also the first star I based an OC on. An OC that I still have to this day! Anyway here have some YouTube links love u bye"

Mermaid clip:

Court Jester (sharing a bed trope):

Court Jester (seducing the king):

"VOTES FOR WOMEN! Well, votes for this woman. Please."

Meena Kumari:

Gifset 1

Gifset 2

Gifset 3

Gifset 4

[starks-hero]

The Beauty of Chance

Pairing: Thorin Oakenshield x Dúnedain!Reader

Summary: Whilst finding respite in Beorn's home, certain relevations are had. Or; you and Thorin do a little more than just talk things through.

Word Count: 3.4k

Warnings: feather-light smut, the reader smokes a pipe

a/n: Reader is Dúnedain because I'm physically incapable of writing a middle earth fic where the reader isn't Dúnedain. Once again I used Irish as a replacement for the Dúnedain's native tongue because trying to translate Númenórean Sindarin is a nightmare :)

Beorn's home offered a sense of comfort and safety of the likes you hadn't felt since leaving the Shire. The high walls eased your nerves and you found your hand no longer instinctively reached for your sword. It served as a quaint port amidst the storm, a chance to catch your breath. And it had come long overdue.

After a breakfast sweetened with berries and honey and made up of foods far finer than anything you'd seen since passing Bree, you decided on spending the morning exploring Beorn's home in all its subtle splendor.

Everything seemed to dwarf you in size, from the furniture to the settlement itself. It was an odd feeling, one that stirred up a strange sense of nostalgia; wandering into your father's forge as a child and toying with tools far too large for small hands. You supposed it also offered a glance into the life of your companions.

You reached to undo the lock to the back door, vowing to never poke fun at Bilbo's height again when the plank of wood fell snugly back into the lock despite your best efforts.

You passed through the stables instead, petting the manes of the mares that resided there as you did.

The gardens, just like the rest of the skin changer's dwellings, were evidently tended to with no shortage of care. A small warren of rabbits dozed comfortably in the ryegrass and blooming flowers brushed your knees. You simply stood among it all for a moment, feeling the soil beneath your feet and the sweetened air in your lungs.

The outskirts of the garden were bordered by two oak trees, mature and proud. Their canopy provided a small shadowed patch and you quickly found respite against its bark and beneath its leaves.

With the company out of sight, you breathed a pained sigh.

Your muscles ached and your body felt stiff. It was somewhat difficult to convince it to relax after so long spent prepared to fight at a moment's notice. Shifting against the tree bark, you undid your shirt enough to reveal the unpleasantly long gash that ran across your shoulder and coiled down your arm. The fine work of an orc blade. The bleeding had all but stopped now, but the wound's edges were jagged and an angry red. And the horrid stinging that accompanied such injuries was yet to go away.

You undid the bandages and bound the wound in fresh cloth. It was by no means your finest work but others in the company had sustained far worse wounds during the scuffle on the cliffside and Oín only had two hands and a very limited amount of supplies. You wouldn't seek out care when your friends needed it more.

Besides, the blade had caught your weaker arm. You could still hold your sword, still carry out your purpose.

You'd manage.

Relacing your shirt and silently vowing to put your stubbornness aside and seek help should a fever set in, you sat back against the bark, shifting until you found comfort.

It felt nice to finally rest. To close your eyes and not fear for your company's safety. You reveled in the quiet. For all of two minutes.

The sound of brambles snagging on leather and stones shifting beneath heavy boots had you up and alert and despite all logic, your hand still grasped at your empty sword belt.

You calmed when Thorin rounded the tree. He seemed startled at the sight of you.

“Forgive me, I did not mean to intrude,” the dwarf said, words genuine. He stepped back, as if ready to turn on his heel should you ask him to.

“Searching for some peace and quiet?” You asked instead. Such moments were few and far between. “It would seem we both had the same idea.”

The king's head fell forward in a nod and when still he made no move to leave you motioned to your side.

“Sit.”

His hesitation was brief. He settled beside you, then all was quiet again. A sudden breeze, warm and tinged with the scent of autumn, rushed through the leaves. Thorin took a deep breath before releasing it in an uneven sigh.

It was an odd sight, seeing him at ease. You'd go as far as to call it unnatural. His relaxed shoulders and gentle expression seemed foreign and uncanny. But you couldn't deny the youthfulness that seemed to soften his features now. It was not unlike the glimpses you'd caught of him during your shared night watches when both of you were too stubborn to let the other stay up alone.

A quaint stillness began to settle and when Thorin still said nothing, you decided neither would you. You were happy to sit in silence at his side.

From your pocket, you produced your pipe, old and worn around the rims but still trusty enough to serve its purpose. You ran your fingers along the polished wood, all the way down to its blackened base. Generously stuffing it full, you held a match to the green leaves until they kindled and began to smolder.

Bilbo, bless his heart, had offered you what was left of his pipe-weed. ‘The finest you'll find anywhere south of Bree,’ he'd promised as he handed it over without a second thought after discovering yours has been lost to the greedy hands of goblins.

The first exhale of smoke left lips that were turned up in a smile. The generosity of halflings would never cease to amaze you.

The taste of tobacco sat heavily on your tongue as you blew out wisps of grey smoke and watched as they were carried off on the afternoon breeze.

“I owe you thanks,” Thorin said suddenly, shifting beside you. “The courage you showed on the cliffside, your willingness to help this company, it's not something I take for granted. You have done a great deal for us and we- I am grateful.”

“You don't have to thank me, Thorin.” You exhaled another flurry of smoke.

“But I do. When I called on my own kin for help they turned away. But you, a soldier of Man, a ranger, you answered. You didn't have to, by all means of sanity you shouldn't have. But you did.”

You chewed anxiously on the tip of your pipe. “I know what it's like to be without a home,” you said simply. “And it is not a faith I would wish upon anyone.”

Thorin only nodded in response. His gaze shifted to the tree roots beneath his feet.

You hadn't spoken much of your past, although by the way you carried both yourself and your sword, Thorin knew that your life until this point had not been one without hardship. The race of men were as dependant on each other as a fawn to it's mother; venturing out on ones own was strange for your kind. Gandalf had not indulged him with your story, only what he needed to in order to convince him to accept you as one of the company.

But Thorin knew what a renegade looked like. He'd lived as one long enough to know what the dreariness in your eyes and your indifference to battle and death meant. Part of him wanted to tell you that, to form that middle ground and hope it offered some comfort.

“Regardless, I am glad to have you with us,” he said instead.

At your feet, a lone beetle made its way through the undergrowth. You watched in bemusement, shifting your boot to clear its path. You turned to Thorin and found his own eyes trained on the bug as it continued on its journey. In an odd moment of catharsis, you saw the dwarf beside you not as a king, but a friend and fellow soldier. You offered him your pipe.

When the dwarf noticed your extended hand he smiled almost fondly. The sight made the aches in your muscles ease. He took the pipe in gentle hands, pressing the mouthpiece to his bottom lip and filling his lungs with the finest pipeweed the Shire had to offer.

He pushed the grey cloud past his lips in one deep breath, the smoke taking the shape of a perfect ring before disappearing above the tree.

You raised an unamused brow. “I would not have offered had I known you'd take the opportunity to show off.”

“Lying is not becoming of you, master ranger,” the dwarf responded smoothly, his eyes closed and lips turned up in a satisfied smirk. His hair splayed out around his head like a darkened crown, white strands catching in the sun like silver.

For no reason other than to make watching him an easier task, you shifted against the tree so that you faced the king. The resulting pain that lashed up your arm in doing so had you hissing through your teeth. Thorin's eyes were on you in a moment.

“I'm alright,” you dismissed quickly.

The dwarf looked entirely unconvinced. He reached for the collar of your shirt and when you made no attempt to stop him, pulled the fabric down.

“Mahal,” he said the word like a curse, low and rough. “How long have you kept this hidden?” Struggling to fall somewhere between a convincing lie and an honest under exaggeration, you decided against answering altogether. With a grunt, Thorin pushed forward and onto his knees. He took the hem of his undershirt in one hand and tore off a strip with less than a second thought.

Just as you hadn't answered him earlier, you said nothing as Thorin began to tend to you.

The bandages, already tinged pink, fell away easily in his grasp. A single line of blood seeped from the open gash and trickled down the swell of your bicep. Thorin swiftly decided the best he could do was simply rebind the wound. Despite their broadness, his fingers worked nimbly, carefully gracing over your arm and masterfully retying the bandages.

“You're a fool,” he said eventually, finishing the bindings with an unnecessary tug. “I believed your selflessness to be honorable, now I'm more inclined to think it idiotic.”

You huffed a laugh and winced.

Thorin took up the torn strip of blue linen from his shirt and carefully looped it around your arm, tying it taunt against your shoulder.

“Where did you learn that?” you asked. With the added support, the aching throb in your arm had all but ceased.

“I learned many things during my time in the Blue Mountains and in the villages of Man. How to properly dress a wound was one. It would appear that was a skill you did not pick up during your time on the road.” He answered with a smirk.

“Healers usually work in silence,” you reminded him.

He smiled at your words despite himself. He looked younger when he smiled. His eyes brightened and shone silver. You found yourself wishing it was a sight you could see more often.

There was something about the way he tended to you that set a deep ache in your chest.

He finished his work with one more tight knot and a satisfied hum. “It will do for now. I'll have Oín treat it once he has a moment to spare.” His hand ran down the length of your arm before falling away at the bend of your elbow.

“I'll manage,” you said. The words were almost second nature now.

“You always do.” Thorin's voice was soft. He regarded you in a manner so gentle the ache in your chest flared, a pounding against your ribs. But when his eyes caught your own, the look vanished and he stood. “I've intruded long enough, I'll take my leave.”

“Why not stay?” You were embarrassed by how quickly the words jumped from your throat.

“Because if I do I fear I'll do something rash.”

“Thorin–” you rose to your knees, reaching out and grasping his forearms. The action surprised you both.

You failed to find any words to confront him with, anything that would translate the fierce fire he set in you. How he regarded you not just as an equal but as someone to be respected, admired. How he tore the very clothes on his back to stop your bleeding. How the action was almost instinctive. Even the simplest things. Like how he hadn't complained once about how the earth dug into his knees as he tended to you. How he still hadn't pulled away from you now...

Gravity seemed to give way beneath you and you pushed yourself up on your knees further till your lips brushed his. Thorin was still for a fleeting, terrifying moment; before he returned your affection with a fierce passion.

The earth bit into your knees and you rocked forward. Thorin's hands grasped your waist and anchored you against him. The feel of his palms against your side was grounding. You swore the world had faded into the great void at the end of time and this moment was all that was left.

When you parted, a shaking breath passed Thorin's lips. “You are far braver than I.” His voice was quiet, hoarse.

“Brave?” you grinned. “I thought you'd settled on idiotic.”

The dwarf laughed, full and hearty, and gods what you wouldn't do to hear it every day for the rest of your life.

“I think, perhaps, both can be true,” he said, and his lips were on yours again.

His advance was softer this time, fixed on feeling you against him, marveling at your touch. He kissed your neck, just above the beating of your pulse. His lips turned up in a smile.

You watched him in absolute awe; a descendant of Durin touching you as if you were carved from gold, a king willingly on his knees for an outcast.

The ache in your chest seized your heart.

Your hand rushed up his arm, fingers running past the swell of his shoulders and gently catching in his hair. Thorin gasped sharply, the bridge of his nose pressing tautly against the curve of your jaw. In a single grounding moment, you recalled the significance of hair in dwarven culture as well as the boundary you'd just overstepped.

You rightened yourself against the tree, forcing Thorin to pull away in turn.

“Forgive me, I didn't mean–” you swallowed. “Thorin if you want this to end you need only say so. I won't take offense.”

The silence that followed was uncomfortably thick. You sat unmoving as the dwarf regarded you with something you couldn't quite place. It left you feeling uncertain whether he was going to reach for you again or stand and leave.

“Why do you do that?” he asked instead. “Doubt yourself. Ask for forgiveness as if you have done something wrong. Do you truly find the thought of me wanting to touch you, to be touched by you, so difficult to accept?” He caught your chin with gentle fingers and raised your head. “I can think of nothing I want more.”

His touch ghosted your neck and you shuddered. Words could not tell him how much he meant to you, but you hoped your lips against his own and your heart beating frantically against his chest would.

Thorins knees began to ache, straining and giving way. You pressed a steady hand to his back and guided him forward until his legs slot over your own and your height balanced out. He surged closer, you could feel the tree bark biting into your back. You ignored it with ease.

The kings hand ran along the underside of your arm and the feel of it drew from you a soft breath. Your hand brushed over his braid, gently thumbing at the strands. You combed your fingers through the knotted locks behind his ear; the knowledge of what the act meant to Thorin, the intimacy of it all, made your head light.

Then, your fingers tapped almost unnoticeably against the base of his neck, right above his pulse where the dwarf's blood rushed so fast he was almost certain you could hear it. Your mouth parted in an unasked question and Thorin grunted a low ‘yes’.

Your lips traced his neck, kissing down his collarbone and ensuring to leave each of your marks below the collar of his shirt. Thorin steadied himself against you, breathing a sigh against your temple.

“Tá tú go hálainn, a grá,” the words were so raw, came from somewhere so primal within you, you hadn't noticed they'd left you in your mother tongue. “Tá m'chroí agat.”

Thorin managed a shuddering breath, a weak sound that caught in his throat. “I assume you will not be telling me the meaning of your words.” His hands shook as they moved against your back.

“Consider it reparations for each time you have spoken to me in Khuzdul with no intention of telling me what it is you'd said,” you smirked against his throat, recalling each time he'd addressed you in his native tongue. How the words always seemed natural and unmistakably genuine. He didn't feel the need to tell you the meaning behind those words now. He felt you already knew.

Thorin chuckled, boyish and light, and it set fire to your heart.

The sun had sunk behind the mountains and turned the air cold. But with Thorin laying by your side and a bed of grass at your back you swore you had enough warmth to last you the night.

The dwarf's arm rested beneath your head, hand tracing patterns you didn't recognize against your bandaged shoulder. Even now, his lips still brushed your head.

His other hand rested against your stomach and you bid your time tracing his palm, slowly and with purpose.

Thorin shifted beside you. You could hear the careful workings of his mind as he forged his next words on his tongue. “Should we succeed in taking back Erebor, where will you go?” He asked. His words were heavy.

“I don't know,” you answered honestly. “South? Towards Rohan and then wherever the road leads.”

It took the dwarf a moment to respond. Your words hollowed out his chest and set an ill feeling in his stomach. The thought of you alone stirred up a deep sadness Thorin had not felt in an age. You, with your spark for storytelling and devotion to others and your incomprehensible ability to simply make a difference. To bring light to whatever situation you found yourself in, to join a company that was all the better to have you. To stumble into the life of a downtrodden king and singlehandedly remind him he deserved his throne.

“If we take back the Mountain, I want you to know that you are welcome to stay, should that be something you wish.”

You took a deep breath, holding it till you were certain Thorin's words had not caused your heart to cease beating. As the true weight of the offer set in, you released Thorin's hand.

“I would not think I'd be wanted. I have no right-”

“You have every right,” Thorin said, his words instant and forceful, convincingly so. “As much right as any dwarf that refused to help us in our hour of need.”

You huffed a sigh that fell somewhere between disbelief and amusement.

“Someone like me staying in the sacred halls of Durin's folk. A lowly ranger...”

“You are so much more than that.” He said the words slowly, as if they were the most honest thing he'd ever spoken. “You are a descendant of the Men of the West, a member of this company.” He paused. “You are Amralimê. My love.”

You shifted to look at him. A dwarf who by all means of faith and sense you should never have crossed paths with. But by the beauty of chance, he'd entered your life and reminded you, in all his subtle ways, that it was worth living. That you were worthy.

You dared to retake his hand in yours. “You'd have me?”

Thorin simply smiled.

“Above all else.”

Thank you for reading! <3

authors notes:

Irish translation: tá tú go hálainn, a grá - you are beautiful my love. Tá m'chroí agat - you have my heart. Phonetic pronunciation for those interested - taw two guh haul-in, ah graw. Taw muh-kree a-gut.

[thesmpisonfire]

Okay so, I wanna talk about my sonboy Richas, my guy Felps, their relationship, and everything about yesterday as well

So, lets go :D

First thing, Felps actually really don't like taking care of Richas when he's without his armor

Felps has the terrible memory of being the one (together with Cellbit) to watch Richas first death. The three were at a cave and Felps and Cellbit were taken down first and had to watch Richas getting swarmed and die far from their grasp

The death was reverted, but still, when Felps logged in next time, Richas had JUST died to the bull again, so he already had 1 life. It was the very same day, just a couple hours after. Felps always reinforced about the armor, to the point he didn't let Richas take it off even when safe at Foolishs place when he could see Leo didn't wear it

Felps fucking loves that kid, he's just the quieter dad. He won't scream that much, when he panics, he shuts down and focus on the problem. He's the best dad to talk about feelings and often is the one who talks Richas out of his spiraling self deprecating thoughts, while other dads don't have the same touch

Felps has the patience to talk with Richas and hear Richas points. He always is the one talking him into a shower even if it takes a whole trip beforehand so Richas can have fun before it. He sings a lil song to get him through a shower. Ever since he came back from the lab, he trusts Richas a lot with his own strength, he knows Richas can defend himself even better than Felps can defend himself

It means a lot that Felps is the only dad Richas will listen to more easily, even if sometimes it takes a lot of talk and bargain to do so. Richas is a difficult kid, he channels all his sadness and pain into being silly and overly courageous, which means he will be a disobedient kid, he will put himself in danger, he won't listen to his dads if he can make a joke about it and it has been getting worse lately

Richas is Not doing okay, he's constantly scared of losing the ones he love, he feels easily replaceable which makes him panic and act out in 'jealousy'. He has said before he fears his siblings don't really like him and it's why he always wants to have family around, he knows he's a problem and has even apologized to Bad about it once. He thinks he can't express his love through words when he has written so many beautiful things, he paints bc its how he thinks he can better translate his care

Yesterday, after Bad took him and Felps to the graveyard and out of it, Richas went back with Felps and put some flowers around their graves. A small talk started when Felps wondered if the dead eggs were looking down at them, but also couldn't really believe it because they'd be too far up there to actually see anything. Richas then said how people used to tell him Bobby was up in between the stars, but they stopped telling him that 'story'. Then, this talk happened

"Do you think they'd [Dead eggs Richas never met] like me?"

"Ofc they would! Everyone loves you! They'd love you, Richas"

"If I had died today, would I meet them?"

Felps goes quiet for a couple seconds here, then goes back to talking

"Maybe, maybe not. We can never be sure, Richas. What if you died and it's just nothing after, huh? It's a big bet. You can't keep thinking like that and then go throw yourself in front of a zombie horse to find out if they're at the other side"

"Yeah, I wouldn't be able to annoy all the dads, it wouldn't be worth it... I'd miss you all so much" (He used the word saudade)

"Awwn... But you would be dead, Richas. We would be the ones missing you, we would be the ones staying behind"

And to me this is a very telling moment. Because Richas didn't realize people would miss him as well, he just thought about how he'd miss being with the others. He also says how he'd be in hell, missing his family but also laughing at tragedy. When Felps asks why hell, Richas goes "You really think I'd end up in heaven? With the way I am?"

Felps spends the rest of the stream hyping Richas up, telling him how much he's loved and how much everyone cares for him. Felps manages to get through Richas after a while, and they have a nice moment together. Richas already arrived to the square without armor, after having recently argued with Forever about it, and Felps didn't mind bc that area was all lightened up so less mobs were spawning, plus the aforementioned trusts he has on Richas

No one expected the horse because it came from outside the square, right out the border, and literally fell on top of them. Felps was quick to go after it, and Richas was caught out of surprise and got height damage as well, eating through 2 totems (and also having to switch out the other ones from his hand due to the rule)

Felps was smart about the horse, he always hit up high so there wouldn't be any risk of a misclick, he hit crit after crit pushing the horse away so he could better kill it without risking Richas, and he did it! I understand BBHs scare but everything was already solved and Richas was halfway being revived already

If anything, the trip to the cemetery scared Felps more than it did Richas. Richas is well used to the threat of death, he plays with it by jumping into mines and purposefully walking without armor around Forever. But Felps isn't. He wants his kid safe, he wants him alive. Felps was willing to never come back if it meant Richas could have an extra life, he would die over and over for that kid

After everything, he talked with Richas, and the kid didn't rlly need to be convinced to wear his armor now that he knew how the square can be tricky. Felps didn't need to yell, or compare Richas to anyone, or play lil games. Just a talk, and Felps' trust that Richa would now do his part, and he did!

Each mob they encountered next, Richas and Felps stayed side by side. Felps let Richas kill them first bc he knows Richas likes it, but always helping and telling him how he was doing it well. When they were rowing around later in the boat, music playing, Felps went on about how it was all that mattered

Richas was alive, Felps was alive, they got a scare but they were okay now. And it was all worth it for these calm, happy moments. These were the ones that should be remembered, the ones that made it all worth it

[cynautica]

I've come to the very reasonable and sane conclusion that the architect language can *potentially* be translated.

I'm not that smart though, I may just run with the bullshitting it method for my fan content if I don't hit a breakthrough.

SBZ doesn't really give us much material on the tablet alphabet beside Al-an's caller ID, his scan presents a small tidbit that suggests at least one additional alphabet/glyph set. The glyphs shown in the scan are notably more dainty and would not necessarily translate well to a carved surface. It would make sense for a species as advanced as the precursors to have more than one alphabet.

(More below cut)

What I found most interesting is that the tablets suggest the letters are mathematical logographs that correspond to (potentially) auditory frequencies. Which tells us yeah, these are graphemes. I was also surprised to realize that there appear to be around 24-25 unique letters present in the tablets which is good and bad news to us English speakers.

Its good because it suggests these letters are just mappings on to the english language and if scrambled correctly would just give us english words.

On the other hand it's bad, because it implies that the tablets function as a rosetta stone. unu Why is that bad? Because I am not smart enough to translate it.

There are notable letters that occur more frequently than others which may be analogous to vowels. In particular, letter 5, the one that resembles に or ni, appears 4-5 separate times. Letter 2, the one that resembles 川/kawa (I've been calling it h or highway), appears 3-4 times towards the "end" of these strings (not included, but are present on Al-an's call/decline).

Because the calls with Al-an show shifting letters with seemingly no rhyme or reason, I'm leaning towards this language being untranslatable by design. Even the PDA can't seem to distinguish the logographs.

The biggest problem I had was that the resolution on the tablet language was so low that many letters looked identical, while identical letters looked wildly different in a different lighting. What was a unique letter and what wasn't was difficult to discern.

If anyone has any tips or suggestions for a fake architect language hmu ig

I'm a big fan of conlangs but most of my experience comes from creating, not translating

[multific]

Destiny

Mycroft Holmes x Reader

Summary: What happens when you fall in love with the IceMan himself? It can never end well, right?

Destiny.

A simple word yet it held so much power.

What does it mean to be destined for something or even, someone?

When you first heard about this word, your grandmother told you how she and your grandfather met.

A true love story.

A story so beautiful it was always in the back of your head as you grew older and older.

You hoped you would have a similar experience in your love life. Finding, the person and falling in love, it all sounded amazing.

You knew you wouldn't be able to force such a thing, you were aware of that. And yet, you were impatient. 

So impatient that in fact, you fall into many traps.

In many ways, you thrived in your life.

Expect your love life.

Your desire for a love like no other made you fall in love with men who were undeserving. 

Until you met Mycroft Holmes.

To say that he was the entire British Government would be an understatement.

You applied for a simple job, to be his assistant.

You spent so much time with him, that you thought you were going insane.

You blamed Stockholm syndrome for your feelings.

The moment you realized your feelings were real was during a very difficult week.

Almost every criminal in London had an agenda to mess with him. This caused you to do so much overtime, that you didn't even leave the office.

It was during the fourth day when Mycroft showed up with a bouquet. 

"I thought you would be home," he said, clearly he wasn't prepared to have you right there, at your desk. "Usually you arrive at 6:46 because you stop by at the nearby bakery for breakfast and coffee." 

So, he did pay attention to you. After he spent all that time to make sure you are aware that he simply doesn't care for people like you.

"I stayed to finish the file on this. I-"

"Did you eat?"

"No, Sir." he made a face at that and took his phone out of his pocket.

"Delivery will be here in 10 minutes. Eat, drink your coffee and then come speak with me. I'll be in my office."

He ordered exactly just what you wanted with the most perfect coffee you ever had.

He paid attention to you.

And you realized your feelings for him were real.

You knew hiding it from him would be impossible. Mycroft was incredibly smart. He would notice.

But little did you know, he felt the same.

He thought you would notice his feelings and confront him about it. 

He wasn't ready for a rejection.

Yet, your rejection never came.

Not when he asked you out to dinner. Not when he brought you another bouquet.

Not when he kissed you.

Instead, he let you guide him.

Love wasn't new to him. He loved his siblings, and his parents but this kind of love is very different. 

He didn't have experience with this kind of love, and it scared him a little.

But he also didn't reject it.

He embraced it.

And soon, a beautiful diamond ring found its rightful place on your finger.

It might have not been the way you wanted your one and true love.

But it was your destiny.

And you were okay with it.

Taglist: 

@castellandiangelo @imagines-by-a-typical-fangirl @manduse @jacalineiscomingforyou @mandoloriancookie @il0vebeingdelulu @deliciousfestsalad @groovyqueer @lilliumrorum @asgards-princess-of-mischief

~Masterlist~

ˇAO3ˇ

/YOU DO NOT HAVE PERMISSION TO TRANSLATE OR REUPLOAD ANY OF MY WORKS TO THIS OR OTHER PLATFORMS/

[jokeroutsubs]

📝ENG Translation: NEW VOICES: RAIVEN in conversation with Bojan Cvjetićanin

Article published in April 2024 issue of VOGUE Adria magazine, English translation by @kurooscoffee, @moonlvster and a member of Joker Out Subs, Proofread by IG GBoleyn123.

Whatever it is, in its essence youth is almost always intense, authentic, revolutionary and brings new things even when it is not aware of it, and if there is a great example of this statement, then it is certainly this year's representatives at the Eurovision song contest from the countries of our region. It has not happened for a long time that at the same time Slovenia, Serbia and Croatia are represented by members of the younger generation who also bring a completely new sound. While Teya Dora extremely successfully brings ethno-influences into pop, Raiven gives her operatic background a pop form, and Baby Lasagna brings a rock sound with a specific local twist. However, in addition to being refreshing in the musical sense, they also know the little secret that "a song can bear everything" and that in it, it is possible to say more than in hundreds of words, so with their songs they open not only a new chapter in the music scene of the region, but also some important questions: migrations, feelings of rejection and not belonging, regeneration and triumph in difficult times. This year's Eurovision representatives talked about this sacred thing (and much more) with their colleagues Ana Đurić Konstrakta, Vesna Pisarović and Bojan Cvjetićanin, who participated in some of the previous Eurovisions and shared questions, doubts, experiences, problems, plans and excitement about the upcoming contest.

Sara Briški Cirman, Raiven, talked to last year's Slovenian Eurovision representative Bojan Cvjetićanin from Joker Out about authenticity, which always wins, stage fright and the new Slovenian music scene.

BOJAN : We haven't spoken for a long time, practically since the last interview we did via webcam, I called you from London last time if you remember.

RAIVEN: Yes, I remember. This is going to be very special now because I can't even imagine how the conversation is going to go, because you're going to be asking me questions mostly, and I think it's usually the other way round, so...

BOJAN: Look, I have a lot of questions prepared for you and I'm really looking forward to talking to you. I think it's best if we start with the fact that your life is probably mostly painted with the Eurovision colours at the moment. Please tell me, how has your Eurovision participation shaken up your inner state of mind? What is going on in your head?

RAIVEN: Yes, this Eurovision is absolutely much more mentally exhausting than one would think. Above all, I think it's not only stressful for the artist, but also for the people around the person who is going to Eurovision. There are many emotions, from excitement to fear and horror. Everything is present, but it is the most exciting period in my life so far.

BOJAN: You're an independent music artist, you're not signed to any record label, right? Do you, already at this moment, before Eurovision itself, see the disadvantages or advantages of being an independent artist?

RAIVEN: Yeah, there are definitely advantages in terms of having more creative freedom, but Eurovision is such a big project that I think it would be nice to have a bigger team of people behind you to help you out, but I still have a lot of people I can rely on and work well with. Through the Eurovision process, I've also got a sharper radar of who I'm cool working with and who I'm not.

BOJAN: Do you feel any fear? Do you feel equally competent to the other performers? Some of them probably have a background in the music industry, some of them absolutely come from these so-called powerhouse countries of Eurovision. How do you feel?

RAIVEN: I have a chance in terms of having some kind of starting position, but at the same time I feel a little less pressure because I feel that if you come from a bigger country, you have higher expectations about the result.

BOJAN: Okay. What is your realistic goal? What would you want in a year? I mean, in one year, Eurovision will be ten months behind you. What would be the ideal result for you in one year?

RAIVEN: I would probably be happiest if I managed to have concerts abroad. I also think my music is suitable for a foreign market. Yes, I would definitely be interested in that. I think you have more than obviously shown that it can be done, but there are a lot of factors. To go abroad would be ideal for me of course, at least to the Balkans. That seems somewhat realistic to me.

BOJAN: The Eurovision stage will absolutely be the biggest stage you have ever stood upon. Will Sara be scared?

RAIVEN: Yes, of course I'll be scared. But above all, I feel a very strong responsibility to myself not to disappoint myself, to be relaxed and confident enough in the moment, and ready enough to really enjoy it. I mean, everybody tells me that I have to go there first and foremost to enjoy it, but I honestly don't go there with that mindset. I'm sure I'll be happy if I enjoy it too, but I think I'm going there to work first and foremost. Then, when all the things and all the preparations have gone at least roughly as I had imagined, I can enjoy it.

BOJAN: It's been a while since the song has been out. Tell me, how are your ears reacting to the song today?

RAIVEN: I'm very proud of this song. I don't think I've ever released a song that I could stand behind so much. It's also absolutely clear to me how I could have approached it more tactfully and made a different song that might have been more suitable for that stage on a first sight. But it's a song that I'm still not tired of now that I've sung it a million times and that I've been rehearsing for a really, really long time. I know that at this point in my musical development, this song has been through the most; it's the best I can give of myself and I've put all the knowledge and all the experience I've gained so far into this song, so I'm very proud of it.

BOJAN: Nice. I like to hear it too and it always stays in my head when I hear it, so it's a good ear worm, even if maybe it's not uniform.

RAIVEN: But I have to say that I often think back to when you came to me and when we were still working on the song a little bit, because the song didn't have that most important hook in the first place, "Jaz sem, ti si, Veronika" ("I am, you are, Veronika"), and I often think back to what it would have been like if the song didn't have that part. I feel like it really elevated the song to a whole other level and gave it a part that maybe I wouldn't have dared to give it because I would have thought it was too hooky for me. I don't even know what I was thinking before, when that part wasn't there, so thank you.

BOJAN: My pleasure. I agree that a good part is in the right place. It definitely has a role to play. You know, I believe that the universe tends to take us where it can take us, if we're already working in that direction, to believe in our own success and in good energies. It was bound to happen, and it did. You performed at the Croatian Dora and sang Veronika for the first time in a stripped down version, in a different shape, acoustically, and as far as I could tell from the comments, it was very well received. Are there any more of your opera inserts to look forward to at Eurovision? Or is that a secret?

RAIVEN: I don't know exactly what people perceive as opera. If these high notes that I shout at the end of Veronika are operatic, then yes. I think it's a dangerous path for me, this pop genre of opera, because I think it can quickly take on a corny undertone, so I'm very careful when it comes to including opera into pop. But I'm sure it will be very audible on the Eurovision stage that my technical singing fundamentals are based on classical training.

BOJAN: Interesting, interesting and beautiful. The performance will, I assume, also have a strong dance or choreographic theme. I believe, given that we approached Eurovision pretty much on the principle of "Let's try to make a concert experience," which also meant that the choreography was really minimal and we didn't bother with it too much. But maybe you're even more worried about the choreography part than the actual performance?

RAIVEN: Not really, because I feel like with the choreography, if I can even call it that, because it's not really that, we've approached it as coming from me and coming from some natural movement of mine. I felt liberated to accept that I'm not a dancer and I don't need to look pretty or sexy or like some conventional beauty on stage and I've embraced this awkward moment that I'm having and I feel very comfortable in all these movements that we've put in, so now I don't (worry) anymore. But I have one question for you. What advice do you have for me as a female musician who is not so much conventionally or commercially oriented, but is still going to be standing on the Eurovision stage, who maybe even has a certain requirement from a female singer to be a Beyonce type singer?

BOJAN: My honest opinion is that Eurovision is the festival where unconventional acts have absolutely thrived the most so far, i.e. those who have managed to break through the boundaries of what we think of as ordinary. It seems to me that if in those three minutes it is clear to everyone that what you are presenting on stage is sincere, that is to say, that this mystery or complexity is part of you and that this is evident both in your performance and in your aura, then that is the only recipe for success, as far as I am concerned. That is to say, if it looks real, it is real. I think you know very well what you represent and what you are doing, so you just have to carry it through to the end and carry it through flawlessly.

RAIVEN: Hm, if you were going to Eurovision now, would you do anything differently? Or would you as a band have done something different?

BOJAN: I would definitely dress differently. I wouldn't change anything else, honestly. We were a bit too colourful maybe. But it was all part of the moment, we were having a blast, we were wearing the Garden of Eden colours, and it all happened as it should have happened. I wouldn't change anything else. We had a great team, we had great energy. Luckily I wasn't nervous on stage when I had to be myself, that's it. Obviously, a huge part of Eurovision is what happens behind the stage. The Eurovision community is very involved and they really love what goes on. Tell me, have you made any friends, at least through social networks or otherwise, with any of your fellow soldiers this year?

RAIVEN: Yes, I have. I met Baby Lasagna at Dora and we had a little chit-chat and I told him I was a big fan of his song and he said he was a big fan of mine. And then in another interview he said really nice things about me, so I've already gotten to know him and I'm also mutually following quite a lot of the artists on Instagram. There are a couple of them who are really inspiring me now that I've got to know their music.

BOJAN: Yeah, Baby Lasagna, is he still first at the bookies?

RAIVEN: I think so, I think that's pretty impressive, and especially that story of his is pretty cool.

BOJAN: Would you rather win the Eurovision and then not have much happen to you, as it goes for most Eurovision winners, or would you rather live up to the success of Rosa Linn, who was, I think, 20th, and then took the whole world by storm with her song?

RAIVEN: I would have loved to have had the success that you have had. I think you guys are a total inspiration to me.

BOJAN: Thank you very much. I also sincerely wish that it opens up for you in that direction, because our life has totally turned upside down in a very positive way. That dream that probably every kid has, once they start a band, to be able to play, let alone to be able to play in Europe; we've now managed to live and experience those things in one year. Without Eurovision, I'm sure it wouldn't have happened as quickly or as powerfully, so that's very nice and I believe you will do it too.

RAIVEN: But I think that you have given a lot of drive and pride to people on the Slovenian scene in general. What do you think about the young music scene in Slovenia?

BOJAN: We emerged on the music scene here, let's say, in 2014. That's when we started with our first band. I think we had already signed up for a gig in 2014 or 2015, with Apokalipsa. This was at a time when Kino Šiška was already running Špil Liga¹ and had newly produced a band called Koala Voice, which at that time gave a strong sense of something fresh on the Slovenian music scene. Koala Voice and Persons from porlock were probably the first two bands that managed to get a younger audience on their side and then the gigs started, the festivals booked the young artist, considering that the scene in Slovenia has been pretty much of the same colours and stagnant for the last 15 years. Then in 2016/2017 we formed, MRFY formed and I would say that then they and we, together with Koala Voice, became the carriers of the new wave of music in Slovenia. Then bands like Lumberjack and KOKOSY quickly joined, and now we have MASAYAH, so suddenly a lot of young artists started to appear, including Jet Black Diamonds, who managed to attract people to their concerts by themselves, which was not the case in Slovenia, let's say 10 or 15 years ago. I would say that the music scene in Slovenia is going through a total renaissance, so it's absolutely more than clear that the music scene has changed a lot in a positive way.

¹Competition for student bands organized by Kino Šiška, which Joker Out won in 2017

RAIVEN : How would you say pop artists are perceived in Slovenia and what is Slovenian pop like? Because most of these new artists that you mentioned are mainly from the band category.BOJAN: Slovenia is very different from the Balkans here because Balkan pop is more kafana/club pop, which is not the case with our pop. We have, or always have had, a lot of artists who have a media presence and appear every year, for example at the traditional Portorož² festival, or at these events that we have, but they never have their own concerts. In the Balkans, I don't think this is the case, because the performers are really very regularly playing at locations, whatever those may be.

² Kafana pop is a genre of music typical to the Balkans, and mostly consists of commercial folk/turbofolk songs. Kafana is a distinct type of local bistro, common in some former Yugoslav countries, which primarily serves alcoholic beverages and coffee, and often also light snacks.

³ The Portorož festival that Bojan mention is annual pop/ballad competition called "Melodije morja in sonca" (Melodies of the sea and the sun).

RAIVEN: What do you think is the reason for that?

BOJAN: For me, the reason is that there is no audience for the pop music that exists here. It seems to me that it's not music that you can transfer into some kind of a location and that somebody will actually go and listen to it; it's music for radio, for TV shows and so on. Folk music is performed, folk bands are by far the most present on the live music scene here, but pop artists are not, because it is very difficult to get that kind of music on the stage. I think most pop artists in this country don't even have a band or a concept, so they're practically just media personalities as far as I'm concerned. There is absolutely a very interesting difference between Slovenia and the rest of the Balkans. Club culture doesn't exist here, pop artists are more or less doomed to radio.

RAIVEN: How do you see the difference between how male or female performers are perceived in Slovenia, do you think there is any difference between how they are perceived? What are the demands on male and female lead vocalists?

BOJAN: Jeez, I don't know, In Slovenia we have a very specific problem when it comes to female lead vocalists, because it is very rare that a female lead vocalist dares to smash the stage. One true female lead vocalist was Nina from Tabu, after her Tina from Tabu, and now there is MASAYAH. In the Balkans they really don't lack in that regard, in the Balkans female performers are very sharp, with lots of character, very strong; you have the feeling that they don't care about the system; you can't come along and act clever, because you'll get a slap. But here it's all taken with laughter and joy, everything is nice and right, which is the difference between Slovenia and the Balkans. It seem that the audience here eats it up if a woman knows how to totally smash it when she comes on stage. Manca from Koala Voice is a pure example of that; she came on stage and she owned the stage so that we were all impressed, it's the same with Helena Blagne, she's a diva and the stage is hers, I think female leading vocalists with character are very well received. You absolutely have that, but you're in a different genre, you're not in a position to come and start jumping on stage, but you still take your stance. Of course, there are still singers, male and female, and bands that are great, but I can't mention all of them right now. I would also like to mention Nina Pušlar, who is absolutely by far the most active pop singer in Slovenia. She knows what she is doing. It would be bad to leave her out, To get back to your song, I have one more question, how did you come up with the title Veronika?

RAIVEN: The song was originally written about Jeanne d'Arc, but after I started thinking about entering EMA and Eurovision with this song, it seemed to me that I should choose a female character who is important for Slovenia and for the Slovenian space as an inspiration for the song. Veronika Deseniška (Veronika of Desenice) was the first woman accused of witchcraft in Slovenia, and I feel that I am very understanding towards people who are rejected or not understood by society, so there is a personal connection that I have with Veronika.

-~-~-~

Do not repost this article and if you quote, please link back!

credits:

PHOTO: MARKO SUVIĆ

Creative director: FILIP KOLUDROVIĆ

Fashion: ANA NIKAČEVIĆ

Makeup: NINA BURAZOR

Hair: ŽIGA ABRAM @ MARE DRESURA

Assistant stylist: KRISTINA VRDOLJAK

Note from JokerOutSubs: Photos for this post were provided by TWT dejanacm, text was provided by an anonymous fan. Thank you!

[hedgehog-moss]

i absolutely loved your recent explanation of french to english and english to french translations! sometimes, i read a book translated into english and you can just tell with the way sentences are traslated that they were written in another language first e.g. 'praising the portentous architecture of the sky with trite formulas' from elena ferrante's book (trans from italian).

not diminishing native english writers but that sentence stood out to me as like "oh okay, i dont know if a native english writer would have written that but, from my understanding of italian, that's been directly translated", it was very interesting if you understand what i'm trying to say. thank you.

You my friend are a sourceist ! :) As we call people who enjoy “feeling” another language right underneath the surface of a translation.

There’s a whole rivalry between translators who favour “sourcières” vs. “ciblistes” translations (as we say in French). Literally it’s sourceist vs. targetist, but English prefers verbs so I think you’d call it foreignising vs. domesticating translations. Basically it’s whether you prioritise the source language (preserving as much of its specificities as possible, even if it means “foreignising” your own language a little, writing in a way that will feel a bit unnatural to your reader) or prioritise the target language (“domesticating” the original text to make it more familiar to your reader, like when American publishing houses re-publish British books and change “Mum” to “Mom”). It’s often simplified as, are you more loyal to the author you’re translating, or to the reader you’re translating for. Most translators will say you need to find the right balance between the two extremes (but most translators are secretly targetists) (that’s my impression anyway.)

Both methods can lead to awful translations when you go too far in one direction—I remember making a post a couple of years ago about a translated book I was reading that was set in Kazakhstan, in which a character (who was supposed to be speaking Kazakh in the context of the story) said “We can’t invite every Tom, Dick and Harry.” That’s domestication gone too far—it was so jarring and nonsensical in a setting where all the characters had names like Kazangap and Sabitzhan!

But foreignising can also go too far—it’s difficult to do it well because you need to make sure the foreign phrases, concepts or connotations you preserve don’t clash with your own language’s concepts or connotations (or writing style preferences). It happens infuriatingly often in French books translated from US English that the translator keeps the word “college” to mean “university”. I don’t know why this stupid mistake is so common, they’ve got to be doing it on purpose, do they think it makes the book feel more American? But it just confuses the reader because collège in France is middle school. The word already exists!!! and it brings to mind 11-14 year-old kids so it’s really jarring and takes you out of the story when you need to remember every time that the “collège” students here are older teenagers. There are times when calquing foreign words or phrases in your translation is a bold, interesting choice—but not when it removes something (meaning, clarity, connotations) from your language.

It does work when it adds something—novelty or poetry or a connotation that tells you something about another culture without clashing with your own. Like in your example, if you calque an interesting turn of phrase that feels natural in one language and less so in another (but more poetic, intriguing, etc), then your language gains something. I like when translators do this with terms of endearment, like preserving “my little lizard” or w/e instead of replacing it with kitten or your cultural equivalent—if I’m reading a book set in another culture, I’m delighted to learn what silly things people in that culture call their kids or SOs. But it doesn’t work if it removes something from your language—for example if a character in a French novel calls a boy a term of endearment that’s masculine in French but feminine in Spanish, better change it to something else so you don’t confuse the Spanish reader / make them wonder if the boy is being teased or what—you’re asking them to remove meaning / connotations from their language to replace them with something else and the clash just takes you out of the story.

So it’s always a balancing act between your love and respect for the original language / culture / author’s writing style, and your duty to the reader, who needs something familiar enough to be intelligible and pleasant to read. (But at a certain point domesticating your translation too much suggests a lack of respect for your reader’s ability to handle unfamiliar concepts and their curiosity about other cultures.)

I remember reading an article by a translator of, I think, Uyghur, who wanted to keep the phrase “like a third-day moon” to describe a finely curved eyebrow. That's a foreignising translation if your culture isn’t familiar with the lunar calendar and the typical reader is clueless about what the moon looks like on the third day of the lunar month—but if they can guess from context that it’s a delicate eyebrow, it’s not the jarring sort of foreignising that takes you out of the story because you can’t figure out the connotation or it makes no sense in your language; it’s the kind that makes you go “oh, interesting phrasing” and might teach you something (but in a subtle way!) about the kind of culture that would use it. It’s one of the joys of reading translated literature, to discover details of another culture almost without noticing, without having them explained to you in so many words. You’re just absorbing them by osmosis by being immersed in a story in which the translator managed to preserve the right kind & the right amount of surprising little turns of phrase.

[infamous-if]

I don't know if you're serious with MC being a loser or not. Anons point out how MC is a wet rag then you either agree that MC is a loser or "defend" MC with (what you might think as) silly replies. Take for instance the post you just made.

What is it then? Because damn, why would anyone want to play as a character like MC. I don't want everyone to bow down to MC and worship the ground they walk on, but its difficult to not see MC as this world class fuck-up when even you, the author, are so flippant about them.

With how you respond to asks, I can't remember playing a game with an MC as pathetic as this one.

??????? Why would I be serious about MC being a loser if I have applauded MC’s perseverance multiple times. Have even defended MC’s with essays on how hard MC works and grinds just to make their dream come true with their best friends.

And how is MC a “world class fuckup”? 😭 What has MC done that would classify them as a fuck up? Not be famous right out the gate? They have a fanbase, a manager quit his job to manage them, and they’re on the biggest music show on TV right now. That’s far from being a fuck up, and they’re doing it at 26 years old which is super young.

I don’t think people realize how demoralizing the music industry could be, which is why some of MC’s thought process can skew a bit negative because the industry does value new and shiny things to commodify, but that’s not MC’s fault.

I’m confused on how this makes MC pathetic and a “fuck up” when they’re miles ahead of many people who try to achieve their dream.

The miscommunication lies in how seriously you take me calling MC a loser. I call everyone a loser. I’ve called Seven a loser. I call myself and my friends losers. If I’m not answering a question about the story and I’m being lighthearted with anons, you do not have to take my word as law! It’s just me making jokes, I promise.

I took the previous anon as MC seeing their band breaking up with seven leaving, their odds at BOTB not being very great, them being accused of cheating, and no one really being in their corner (right now) before as MC saying “we suck right now but I will keep going” and thinking “aw my little loser” that’s all. But it’s my fault, definitely, because that ask can be taken very different ways so I should be mindful of that next time.

Tone definitely doesn’t translate through text but I don’t actually think MC is a failure fuck up that you’re trying to imply. And I still don’t see how MC, in any way, is a fuck up.

Also, I am not a serious person by nature and I respond to humorous asks with equally humorous behavior but that’s on me. I tend to forget that people make take it differently.

[itspronouncedtessa]

The "English or continental" debate is problematic and ultimately detrimental to the community.

Every time I see one of these "are you one or the other" posts, polls, tweets (Xcreets?), blogs, vlogs, whatevers, I get so annoyed. Undies fully twisted.

So indulge me and let's get into this.

First things first:

This is not an attack on pickers or throwers specifically. Any knitting style is valid. If the end result is even, non-twisted stitches that you enjoyed putting together, you're doing it right.

That said, I have 3 major gripes with the concept of "English vs continental" knitting:

1. The terminology. The terms "English" and "continental" were coined during WWII, as continental is actually German and the English were (rightly, at the time) uncomfortable doing anything the German way, or admitting that that way could be more efficient.

As we're about 80 years removed from the war, it might be time to accept that neither is objectively better and that German isn't a dirty word. We can, and should, use English and German, or throwing and picking respectively.

2. It's exclusionary to new knitters. The whole picking vs throwing discussion has made it so that new knitters don't know there are other options. If you're new to knitting, you get the impression that these are the only two options and if you can't do either, you can't knit.

Not to mention that the overwhelming majority of patterns and instructional videos are written or made exclusively for English or German methods. Which means if you want or need to use a different style, you need the additional step and skill of translating the pattern to fit your method. This requires a certain level of understanding of the underlying techniques that new knitters don't have. (Which is why I prefer charts, but that's a whole different rant.)

3. It's exclusionary to experienced knitters who don't pick or throw. The term continental for specifically German knitting dismisses all the other non-German European styles.

An incomplete list:

Eastern, or Russian, where you purl clockwise instead of counterclockwise, mounting the stitch backwards and knitting through the back loop on the right side. Creates the same stitch, but can be so much smoother to execute. Also very useful if you're doing rows of YO, ssk, as it eliminates the need to reorient the stitches before knitting them together.

Norwegian, where you purl without the need to bring the yarn fully forward. This is hard to describe in words, so I highly recommend googling for a video on Norwegian purls. It's a game changer for rib or seed stitch.

Portuguese, where you tension the yarn at the front of the work, looping it over your neck or through a pin. My personal preferred main method. Super helpful for those of us who lack finger strength to comfortably tension at the back. Makes purling a breeze.

Irish or lever knitting. Done with straight needles and (mostly) one-handed. Extremely helpful for people with disabilities. Also one of the fastest methods. You should check out videos on this, the speed is magical.

Flicking (not exactly regional), which is right handed but instead of throwing, you move the right needle to grab the yarn. Also difficult to explain, so check out some videos on this, too. Its a very quick method with minimal wrist movement. If you have the finger strength for tensioning it's worth practicing this, as it's so quick.

All of these are valid techniques, most of them are from continental Europe, none of them are included in the question "English or continental?".

And all of the above doesn't even get into the non-western, non-English, non-European styles there must be around the world, that I can't find through Google, because the English speaking world only uses the above mentioned methods.

Also, knitters that use other methods than picking or throwing are wildly underrepresented in the community, giving the knitting scene a culturally very white, western European image. Knitting could be a far more inclusive hobby if we'd embrace all styles.

In short, we need to change the question to "tell me about your technique" and learn from each other. Combining multiple methods (I use 3 or 4 interchangeably, depending on the pattern) can increase efficiency and enjoyment. And if you're struggling in any way, there might be a technique out there that better suits your needs. Asking about English vs continental isn't going to provide that information.

So tell me about your technique, especially if you use or know of any knitting methods that aren't western or European, I would LOVE to hear about that. Let's share and celebrate all the ways we knit.

[valnevo]

grudges, chapter seven | jake sully x male aligned reader

again, this is more of a preface to the following chapters that will be based on the second movie. i can't explain how excited i am to get into these next few parts, really.

content warning: domestic jake <3, no tuk (yet?)

y/n had been spending much of his free time with literature that had come from earth. there were thousands of different types of books all over the base, and he was nothing short of determined to read them all. convincing people to help him was the tricky part. he knew how to speak english perfectly well, but reading it was something so foreign to him. he had different humans help him through words, then phrases, all the way up to books. and after about a year of intense studying, he was able to sit down and read through chapters without issue.

he was so adamant on reading because of kiri. if he was going to take part in raising her, he would do what he could to fill her in on her human culture. as an avatar, she would be raised in pandora, and y/n didn't want her losing touch with the humans or her mother. reading human books seemed like a logical first step to learning more about their world.

he preferred to be near someone as he look over the literature. he often stumbled across words he didn't quite understand, or the characters would do something that just didn't make sense. he had found that the most difficult when he attempted to read "the iliad". they described it as some whimsical book that had started from the storyteller, homer, as a simple story told by word. that appealed to y/n as any other story he had head from the omatikaya was formed in the same matter. but they also explained that it was originally in greek, and the translation would be a little confusing because of that. he didn't understand why they willingly had separate languages, he imagined it would have been such a dividing factor in their world.

currently, he was sat in a corner on the base, with a book called "the awakening" in his lap. as he scanned over the book, he grabbed a pen he had been given and circled a word. he glanced up to jake, who was sitting across from him and napping peacefully with kiri. they had been asleep for some time, though, so he was sure he wouldn't care much when he woke up.

"jake", he murmured, reaching out and laying his hand on his knee to try and wake him.

jake barely stirred, shifting his position and cradling kiri closer to his chest. the child had become a huge part of their lives very quickly. they hadn't intended on taking her in completely when they brought her back to the omatikaya a few weeks after she had been born, but she ended up spending much of her time with the two. though it wasn't like they minded at all, both were happy to have her company.

"jake. what's a parasol?", y/n persisted, continuing to shake him slightly.

when he finally woke, his eyes were squinting and he groaned audibly. it was the middle of the day, he really should have been awake anyways.

"huh?"

"the lady has a parasol. i don't know what that is", he mumbled, showing him the page and tapping at the word.

it was embarrassing not to know something, y/n found. it was similar to when he helped the children on their first hunts; they were clueless and asked so many questions that he'd become visibly frustrated, but they were only children and they knew no better. and it must have been the way that jake felt when he first stumbled upon their clan. he felt awful every time he thought back on how he had treated him at first.

"its an umbrella", jake eventually explained as he finally awoke completely and his eyes had adjusted to the light.

"why didn't they just say umbrella?"

"it's like... a feminine umbrella. it's frilly and such. and it blocks out the sun more than it does the rain".

jake was incredibly patient. he taught him the most obscure of words, or helped him look them up. he watched carefully as y/n scribbled down "star umbrella for girls" next to the "parasol", the writing messy and much larger than the rest of the words. he was sure the scientists on base weren't happy about him defacing the books, but there wasn't much that they could say to a 10 foot alien.

"okay. i'm sorry for waking you".

kiri was still sleeping peacefully on jake's chest. many of the other, older omatikaya had told the two how lucky they were that she was such an easy kid. she rarely fussed, normally spending her time napping or simply staying in their company. they had quickly found that she loved the nature around them, so they stayed outdoors with her for most hours of the day.

but she was never really considered their child. she spent plenty of time with other families, usually sticking with the two other kids who had been in similar situations. the parents of these siblings had been killed during the war, nearly a year ago, and had been floating around from tent to tent with people more than willing to care for them. but they hadn't quite found their place yet. and as for y/n and jake, they hadn't become a completely put together family yet, either. they weren't mated, and therefore the other omatikaya didn't see the three as the family they really were.

"no, its okay. i'd hate to sleep all day", jake spoke, clearly holding back a yawn as he leaned forward and rested his forehead on the other's shoulder.

y/n wrapped his arm around his waist and smiled softly. they were all clearly exhausted, but they were more preoccupied on everything else they were responsible for.

"let's get out, then. we'll sleep tonight", y/n decided, and jake couldn't help but agree.

nodding, he started to stand up and shift the way that he was holding kiri. she was awake now, looking around curiously. immediately, y/n gushed over her, grinning widely as he watched her reactions.

"don't get distracted", jake scolded with a teasing tone, though he loved to watch the two interact.

happily, he handed y/n the child and shook out his sore arms. he was normally pretty achy with all the different activities he seemed to be constantly involved in-hunting trips y/n dragged him into, helping the humans with physical labor they weren't cut out for, general training-but caring for a baby had proved to be the most difficult.

"ready?", y/n questioned as he cradled kiri with one arm and slung his other over jake's shoulders.

soon, both were leaving the stuffy lab behind as they ventured towards their tree. they stepped along the path they normally took, the plants there beginning to deform under their constant walking until there was a visible pattern for them to follow. for a year, they walked back and forth from the lab and their home trees, slowly blending the cultures and customs of the two races that had once fought.

"plans for the day?", y/n questioned towards jake, who was always needed by at least one person in their tribe.

"nothing at all", he spoke with a sense of pride in his voice. he had gotten so much done already.

"really?"

jake nodded, though he was distracted as he ran his fingertips along multiple different plants, admiring the way that they each reacted differently.

"i mean, minus caring for kiri", jake elaborated.

"i thought i'd drop her off with my mother?", y/n suggested, absolutely loving the idea of spending the next few hours with jake himself.

jake's ears perked up at the thought, smiling over at his y/n. he nodded afterwards, clearly content with the suggestion.

"sounds perfect".

the three headed towards the healers' tent as they always did. both males ducked into the area, immediately catching vrrnu's attention. she was practically beaming when she saw the two, embracing both of them and wasting no time to hold kiri.

"how's my perfect granddaughter?", she whispered as she began to pace around the tent while bouncing the child.

y/n's mother was just about the only one who recognized kiri as their daughter. it was a conversation they avoided having, but she rarely held back her honest opinions.

"she's been great, mother. so great, in fact, that we were wondering if you could watch her?", y/n proposed, an innocent grin on his face as he tilted his head to the side.

vrrnu looked at the two suspiciously, though both knew she would never pass up the opportunity to watch kiri. his mother had come in such a wonderful full circle moment. she was now caring for anyone who needed it, whether it was from serious health issues or mild injuries. it must have been so freeing to go from the one who needed full time medical assistance to the one who administered it.

"not for long. we're just going for a quick walk. we'll be back before eclipse", jake promised, trying to match y/n's demeanor.

"of course. anytime. you know that!", vrrnu grinned as she took kiri from their arms, the now wide awake baby immediately giggling.

y/n thanked his mother repeatedly, and both males said goodbye to the child. jake then took the other's hand and whisked him away from the tents and the home trees, both conversing and laughing with each other as they walked together. they had slowed down once they were a considerable distance away from anyone else, y/n arm wrapped around jake's waist to keep him close as they spoke. he never minded how touchy y/n was, practically melting every time he played with his hair or held him.

"where are we headed?", jake asked, realizing that he had been blindly following the other's lead the entire time.

y/n had only shrugged, continuing to push ahead through the trees and tugging jake with him.

"i thought we'd head to the tree of voices? it's been a while", he proposed and looked to the other who had began to slow down a bit.

jake tilted his head curiously. y/n had only taken him to the tree of souls a few times, most of which had been to spend time with eywa while trying to get jake acquainted with their deity. but y/n had been floating the idea of mating quite often. it was something the na'vi was worried about, knowing it was a lifelong commitment that he would need to put much thought into. but he had known jake for over a year now, and he was completely certain that he loved him and saw him, and he had a feeling that the other felt the same way.

"what for?", jake questioned.

he had definitely reciprocated the feelings. much of it came from wanting to be bonded to y/n in that way, knowing both of them had put their absolute trust into each other. but he wanted to be seen as y/n's, too. he hated that kiri, whom both y/n and jake absolutely adored, wasn't seen as their daughter because of it. he was never able to contain his jealousy when one of the elders attempted to set y/n up with someone else in the tribe, but there was nothing he could do as they weren't official in their eyes. he didn't want to continue seeing the more intimate things they did together as wrong under eywa.

when y/n didn't answer him, he stopped completely and pulled him back. y/n happily turned around, reaching both of his hands up to hold his jake's face. after pressing a gentle kiss to his nose, he pulled away.

"just trust me", he asked of him, which was a surefire way of getting jake to do as he pleased.

reluctantly, he continued to follow and took note of their surroundings. pandora had been so much quieter since the war. so many na'vi and animals had been killed, and there was such a fear that radiated from the battlegrounds that no living thing dared to be near it.

y/n's demeanor shifted when he caught sight of one of the smaller sky people shuttles caught in a tree. he took a deep breath and glued his eyes to everything ahead of him, refusing to look towards the scene. jake noticed this quickly and sympathized deeply. he hadn't been affected quite the same way that the other had, but starting a war his first few months as an avatar definitely didn't set up well.

"it's okay. just keep walking", jake spoke, attempting to soothe the other.

y/n nodded, but his jaw was still clenched and he was digging his nails into his palm. jake grabbed his hand once he noticed.

it wasn't too much longer until they were arriving at their destination. they both ducked past some more overgrown shrubbery and walked beneath the glowing tree of voices. they had accompanied each other a few times to the sacred place, but the astonished expression on jake never faltered. y/n smiled, his ears pressing back as he looked at jake's reaction.

"you're pretty", he spoke to the avatar.

there were a lot of words to describe his appearance. y/n was constantly thinking to himself about how insanely lucky he had gotten, and noticing the features that made up jake. he tended to stick with pretty, finding it was the most fitting.

jake's face flushed and his eyes averted to the ground. y/n had fallen in love with the awkward smile of his, his ears always pressing back when he got flustered.

"why are we here?", jake asked, brushing past the compliment and looking to the other.

y/n shrugged, leading him further in as he contemplated his answer. he wanted to procrastinate it a bit and savor the little bit of alone time the two got with each other. both had been so busy, and he knew the moment they left they would have other obligations to tend to.

"stay here with me. for a little while", he asked of jake, suddenly turning towards him and taking both of his hands.

they were still figuring out their places in each others' lives and in their tribe. jake had proven to be a fierce leader and y/n had risen to his position naturally. while y/n attempted to connect with the human ways and their culture, jake did everything he could to distance himself from it. neither could have been any more certain of each other, both knew they wouldn't have been able to be where they were then without the other. it seemed to click for y/n when he took jake's hands so authentically, slotting their fingers together as if it hadn't been a struggle for them to do so at first. as if y/n hadn't used his human features as a way to ostracize him when they first met. suddenly, y/n's impulses got the best of him.

"you're mine", he stated bluntly.

jake laughed softly at the statement, his heading tilting to the side as he processed what he was saying.

"yeah?"

y/n nodded as he abandoned his hands and grabbed his waist instead. he preferred the contact they shared once he was pulled into his chest completely.

"yeah. you always have been. always will"

y/n's little ramble was full of sincerity, just as the jake's look of absolute admiration was.

"i'm okay with that", jake agreed with a cocky smile.

"i mean, even if the others can't see that right now. i wouldn't have done any of this for or with anyone else, jake. i've always known what you are to me and i'm not willing to let that go. if you-", he started, only to be interrupted by jake pulling him forward and pressing their lips together.

y/n would never be upset to kiss the other, but he wore an offended expression when he pulled away.

"i was talking".

"i was shutting you up", jake grinned as he allowed his arms to rest on the other's shoulders.

"you can't just shut me up. that's how it always goes in those books i'm reading. there's some dramatic, confessional speech about love and history and it's passionate and- you get it. you've read them. let me give my speech", y/n complained, looking jake in his eyes.

"what are you confessing? there's nothing discreet about us", jake asked, genuinely curious as to what y/n could be so worked up over.

y/n struggled to find a human parallel to mating. it wasn't like anything he had read or heard about. it was too physical, too permanent to be compared to marriage. there was no good way to go about explaining it to jake, and he struggled with the topic whenever it came up. he knew what he wanted from jake, but he wasn't sure the other had taken enough time getting settled in as a na'vi to understand the depth of the concept.

"mating?", jake eventually asked, finally realizing the last step that could really be taken between the two.

"yeah", y/n breathed out, suddenly wrapping his arms around his torso more securely and embracing him.

jake happily melted into his touch, his eyes fluttering shut at the contact he was able to share.

"i want everyone to know you're mine. eywa, my mother, the other omatikaya. i want kiri to know we're her parents. i need you to be mine", y/n spoke with all that dramatics his heart felt.

the two pulled away after a few moments, though both still had their hands resting on the other in some way.

"i've been waiting for you to say that", was all that jake said to confirm his reciprocated feelings.

y/n scoffed, laughing shortly after.

"you could have said it"

"i liked hearing it from you. i'm glad i waited".

jake followed suit when y/n closed his eyes. they focused on their breaths, the way their heart beats seemed to sync under the serenity of the tree of voices, and the beauty of it all. but jake grew impatient, reaching for y/n's queue but not daring to do anything without the na'vi's guidance. he opened his eyes when he felt the movement, nodding to give jake his approval.

"you know what you're doing", he encouraged the avatar, his gaze softening as he realized how nervous jake seemed to be.

pandora must have been so overwhelming for him. he had taken to it so much quicker than anyone assumed or expected. but still, these little things he had no experience with must have been something that weighed on him. y/n must have been completely in his own head as he admired jake, suddenly overpowered by a feeling of euphoria. it calmed and excited him at the same time, bringing a smile to his lips as he looked towards their queues bond together.

"damn", he murmured as he caught jake's eyes, who seemed to be in a similar reverie that he had been in first.

he only hummed in response, letting his head fall forward onto his shoulder lazily. y/n laughed softly at the effect that bonding seemed to have on the other, suddenly becoming so permissive.

"are you okay?", y/n eventually checked in as he found the two of them sinking to the ground.

y/n sat back, allowing jake to continue leaning into him. within a minute, he was practically pressed into his chest.

"i'm fine. perfect. just so tired", he was clearly losing to the obvious drowsiness building inside of him.

it wasn't too difficult to understand. such a strong connection made was bound to have different reactions. while y/n couldn't have been more awake, jake's walls fell. he gave into y/n as well as the exhaustion he had been holding in.

"get some rest. i'll be right here", y/n suggested.

he had his arms wound around the smaller's frame to keep him close. he slowly swayed side to side, trying to lull his jake into a sleep.

"thank you", the other spoke graciously. it was all the encouragement he needed before his heart rate slowed and his mind emptied.

y/n stayed there for hours. his legs had fallen asleep, though he preferred that to the pain that had initially built, and his back was aching from how long he had been sitting up. he knew jake wouldn't be able to sleep after eclipse then, but they'd find other ways to spend their time.

jake was still groggy even after his journey back to the home tree. he had parted ways with y/n, who had promised to lead a hunting trip earlier that day, and trudged along the path himself. he'd get to see y/n later that night, so he wasn't going to let their time apart get him down.

he wound up back in the healer's tent, where he seemed to be constantly now. he smiled sleepily towards vrrnu, who was holding his child and wearing a shocked expression.

"you mated!", y/n's mother exclaimed, catching the attention of both jake and all that were anywhere near the tent.

jake's face flushed and his tail twitched in embarrassment. how was she able to tell? did others know as well? he wanted the announcement to have been on his own terms, but he was sure getting it out sooner was better anyways.

"how'd you know?", he asked, his voice tinged with both worry and excitement.

ignoring the question, vrrnu embraced him. jake was startled by the action, but he didn't hesitate to return the hug and reach out for his child. when she pulled away, jake was cradling kiri and smiling widely.

"where's y/n? we have to celebrate. call the omatikaya!", she began to ramble, clearly so excited to have been a part of this.

"oh, no. not now at least. we just want to keep things calm around here. we'll tell everyone we can tomorrow. he's on his hunting trip right now and-"

"of course. we'll celebrate when he's back then, yeah? the whole family".

y/n had spent a lot of time contemplating what exactly his family entailed. clearly, he had his mother, his jake, and his kiri. they were perfectly content in their way of life. but he had grown quite attached to the other two children as well. lo'ak and neteyam were their names, and both jake and y/n felt so alive when they spent the day caring for them. but with everything on their plates, he struggled to decide whether he truly had the capacity to invite them into their family or not.

the swish of the arrow leaving his bow and driving into the bark of a tree had become less freeing than it had once been. his regular hunting trips were usually associated with spirituality and hunger, all tying together with those that followed and the weapons they carried. but the use of said weapons for war and violence had shifted the way he felt on his hunting trips. it required so much more focus and tenacity than it once had. and just like he had been recently, he missed his target. the sturmbeest scurried off, earning disappointed looked from the younger, amateur hunters he had brought with.

"why don't we call it a day?", one of the boys suggested as he trotted his direhorse alongside y/n's.

he nodded, but his jaw clenched in frustration as he stared daggers into the tree he hit. he was so off his game and he had no idea how to return to the state of mind he had once been so keen with. once he retrieved the arrow, he led the pack back towards their home. his shoulders were slumped more than usual as he expected the usual looks of pity he received when returning from unsuccessful trips. normally he was assured that they had gathered or fished plenty of food, but the atmosphere was different this time.

"y/n!", one of his acquaintances called out.

they had only spoken a few times, and y/n was convinced he had only began to talk to him because of his rank. he tended to lean towards pessimism, apparently.

"congratulations!", the other beamed, reaching a hand out to help him off the direhorse.

"for?"

"you! you and jake, of course. that's huge news. congratulations", he repeated, his tone seemingly genuine.

y/n tsked his tongue as if he was upset, but the pride he felt was hid horribly.

"he said he wouldn't tell"

"well, everyone knows. and everyone is so happy for you", he continued to assure as he trailed after him.

the looks he received were a confirmation that everyone did in fact know. he hadn't known how much their tribe truly cared before then.

"well, thank you. your support means a lot. where is he now?", y/n asked, smiling towards the friend of his.

"back at your pod, i'm sure".

y/n was in no way surprised to hear the laughter coming from his pod. the three children had gotten along so well and never had trouble entertaining each other. he walked in to see neteyam, the oldest at just over two years old, happily curled up and sound asleep. the other two, however, sat in jake's lap and tugged on his hair while screeching with excitement.

"you told everyone", y/n scolded as he scooped lo'ak up to stop him from continuing to torment jake.

"i did not", jake corrected, rubbing his scalp and looking up the other, "your mother told everyone".

y/n only laughed, the story completely plausible. his mother could not keep anything to herself.

"it's the truth! she just knew, it was insane. and now everyone knows, i'm sure", jake whined, though his fake pout gave away the fact that he was more than happy to let everyone know y/n was his.

"they absolutely do. i had to fight off everyone wishing me luck or congratulating me", he hummed in response.

y/n was pacing now, trying to calm the overactive baby that was wriggling in his arms. lo'ak was definitely the trouble maker of the trio, which inevitably made him the most interesting to care for. he then slumped beside his mate, resting his head on his shoulder.

"long day?", jake inquired, only then realizing how little rest y/n had been allowed compared to him.

"the longest. though it's not a bad thing. it was probably the most wonderful day i've ever had", he reassured, looking up to see jake and smiling widely at him.

"as it should have been".

there was a long silence between them. lo'ak would huff every now and then, as he absolutely detested bed time, and jake would only shift to press a kiss to y/n's head.

"i think we should do it", jake stated out of the blue.

it was like he could read his mind. all of the concerns and guilt over the children swirled in his mind, constantly switching between finding them somewhere to stay or finding time in their lives to include them in their family.

"should we?"

"absolutely. you love them. i do too. they need something, someone stable to look after them", jake explained, as if this decision was an easy one.

"but do we have the time? they'll need everything from us. we can't be half in their lives", y/n wasn't necessary protesting, only weighing their options.

"we'll make time. they'll take after us and join in on our daily lives and when they're older, we'll do the same for their interests and such. we can make it work".

jake was right. they were each so special, so bonded, and it would be cruel not to include them. y/n had always assumed this would be the correct choice, but it felt so much different now that they were making it official.

"we'll make it work", y/n echoed.

they ended their day in a way that would soon become very familiar to them. they stayed close together, which would eventually become a tactic to attempt to keep kiri or lo'ak from causing any trouble, and mumbled quietly until they drifted off. neteyam was always the third to fall asleep, right after he was certain that his siblings had done the same. y/n would let them use his arms as pillows and would always insist on having one of his hands making contact with jake somehow. and jake always made sure that they were all asleep, all content before he allowed himself any rest. and they would complete this routine every night for a long while.

[weenwrites]

love 𝓵𝓸𝓿𝓮 LOVE your writing! You’re one of, like, three authors I can actually identify. (I don’t pay attention to who writes what nor do I remember, but you write so well that from rereads and new reads I recognize you).

When you feel up to it, can you do TFP Smokey, OP, and Ratchet with an s/o (cargo plane alt, big bot, like Stratosphere) crashing like Smokey did and the surprise reunion? Aaaand maybe other misc reactions of such a big bot?

✎ A/N: Aa thank you so much for your kind words!! :D Also I could've sworn I did a reuniting with S/O on earth thing with Optimus and Ratchet before, so I leaned more towards reactions about having a massive S/O instead.

[ Please do not repost, plagiarize, or use my writing for AI! Translating my work with proper credit is acceptable, but please ask first! ]

Smokescreen

When the two of you first met, he was in complete and total awe at your sheer gargantuan size. In fact, the way he gawked at you the whole time he was passing by, may have caught your attention and saved him from bumping straight into a glass panel that two bots were moving, and if that wasn't the case, then ah well.

Anyway, back before the war grew so hectic, he was proud to have a partner as cool as you, and every time the random person he was talking with would comment about you, he'd casually just slip in a "yeah, that's my partner" with the most love-struck look on his face.

There's no place in the world where he wouldn't recognize you right off the bat. Aside from your size being your most defining trait, he'd recognize your color scheme, alt-mode, and voice anywhere, no matter what was going on. And the moment you crash-landed right in front of him, he was so confident that he knew you well enough to tell you apart from any phony.

Of course the rest of the team were immediately going at him, telling him that it's not that easy to tell their real friends apart from the spies, but when he's proven right that it is indeed you, he never lets them live it down and now all they want is for him to shut up about it.

As badly as he wants to share a habsuite with you, the chances are that you are waaay too big to fit in any rooms. The largest room that could possibly fit you is the training room, but even then you dwarf it easily (and also they need to use that...). Once you get your own room, however, he spends much more time with you in there than he does in his own habsuite.

He brags about you quite a lot to the rest of the team and says things like "did you know that my s/o—" or "oh hey! y/n used to enjoy doing that before the war—" and at this point they're all fed up with how lovesick he is. They would shove him off on patrol with you to take care of the problem. Even Arcee's started teasing you, about all these things that Smokescreen's said, and honestly it'll get so embarrassing that you'll probably ask him to stop at some point.

He's very eager to fight along side you, and keeps encouraging you to go out with him into battle. He'll paint vivid pictures of your shared glory—just imagine, the moment you step onto the field you'll completely level the cons to ashes! They won't ever know what hit them!

Optimus

If you met sometime before the war, when he was still an archivist, then he'd frequently go out to visit you since you were probably too big to be walking around the Iacon Hall of Records. Flying with you was one of his favorite past times after any long and difficult shifts. Unfortunately the two of you don't get to enjoy that once peaceful feeling of flying together when the war started. Flying lost its relaxing touch and soon became more stressful and frightening, as the fear of being shot out of the sky became more prevalent in both your lives.

Soon enough, the fear of losing one another had became something so horrifically possible, and the next second it became real, and the rest became history that passed in several long, agonizing years.

As opposed to expressing joy and relief to seeing you again—well, he partly was—he was initially skeptical that it was truly you. The team had been tricked by a decepticon spy before, who's to say it won't happen again? Yet the moment you confirm your identity, he allows his cold, distant front to drop, and he sincerely welcomes you back.

Though he didn't express any enthusiasm outright upon seeing you again, he makes his feelings clearer once the two of you are away from prying eyes. And as you catch up, it's not hard to miss how the war has made him jaded and weary, yet you don't have to look too far to see glimpses of how he was before.

He tries to situate a nice comfortable living space for you—preferably somewhere that's within the base, but since you're too big to fit in any of the current rooms they have, the best they'd have is probably someplace outside. And if this is sometime after the base was destroyed, then unfortunately the best he could do for you was get the biggest hangar they have on base to house you in your alt-mode.

But then there comes the problems with energon rations... Your massive size and your altmode automatically constitutes an equally large portion of energon is required for you to function, and with the team's unfortunate shortage and size, it's difficult to obtain enough energon to keep everyone functioning... Yet perhaps now with your assistance, it may be easier to obtain enough energon to supply the entire team.

Ratchet

Even before the war, he was no stranger to loss. There have been patients who he couldn't save and the war only increased that amount ten-fold, yet the feeling never ceased in it's capacity to tear him apart from the inside. A lot of horrible things have happened to him, but the moment he lost you took the cake for the "worst thing that's ever happened". And in that moment, it was as if things were as painful and horrible as possible, it couldn't get any worse and it would never get better again.

And yet that moment eventually passed, as all things do. Though the tears shed have long since dried, and the loud, echoing sobs have grown quiet, that absence always stuck with him. He doesn't think of it as much as he used to, he's far too occupied with his own work to mourn, but it's still there.

Beholding you was like beholding a ghost, and he couldn't really believe that you were standing right there in front of him. He's nigh speechless, but somehow he manages to get himself together to say your name at the very least. He's quick to run a general check-up, and your massive size doesn't slow his work in the slightest.

As much as he'd prefer to have you live within the base, the place is already pretty crowded as is, and with someone your size packed in with the rest of the bunch, he wouldn't be surprised if the number of accidents around the base would skyrocket tenfold. Of course he doesn't mean any offense to you, it's just that there's no space for you. Their current base is so ridiculously minuscule in comparison to the buildings back on cybertron that it feels like they're living in a cardboard box that the U.S. government kicked over to them. While it's certainly far from ideal, he still has to make do, so he'll try to help think of something to improve your living conditions.

Sure, the thought that someone could get hurt on a mission is something that weighs on his mind every single time, but for some reason whenever you're deployed, that anxiety of his worsens ten-fold. It may be because you're partners, but from a medical standpoint, if you were to get hurt, you could leave a massive crater in the team's resources. Not only could you easily wipe out what little energon they have, but the team doesn't have the proper resources to patch up any major injuries, and the last thing he wants right now is to be forced to say goodbye to you permanently.