#also we need to stop the killing of the better secondary characters bc they have the meaningful relationship with the main one

[hauntingblue]

Why is this flashback happening now... whi is it centered on mista.... do not kill him too please..... I do not care that much about him but Jesus christ....

[perhaps-relax]

id like to complain about Barry for a bit.

I came to the show late and didnt watch it as it was coming out, but have been moving thru it over the last month. I have a tendency to just stop watching shows when theres a lull or an arc i dont find interesting, and ive been fighting that urge for two seasons now bc my partner has been enjoying it. we have two episodes left and i cant wait to be done with it. so without having seen the finale, heres where im at:

firstly, its not that the bad behavior of all the main characters bothers me. i was aware from episode 1 that this was not a show about good people, or even about bad people trying to be better. and i kept watching, and really enjoyed seasons 1 and 2, bc i dont need perfect protagonists to remain invested. but. like. the premise was about a hitman getting into acting, right? ...Barry has not acted for the last 10 episodes. they just sort of abandoned that aspect of the character, which was really the only interesting thing about him. ive gone from liking him to hating him to appreciating the nuisance of his character, to literally not caring what he does anymore bc of how often the writers kept flipping the switch on him. hes no longer a reflection of how real people cope with the bad things theyve done. hes just a tool for shocking the audience.

Seasons 1 and 2 thrived on the revolving cast of antagonists, which was a fun way to demonstrate the endless cycle and escalation of violence that barry's trapped in. The absurdity of the martial arts master and his feral child was excellent and imo the high point of the show, and they were only in one or two episodes. but by season 3 and 4, the introduction and immediate execution of new characters gets incredibly stale, because we stop expecting them to matter in any way. the kid actor, the tall blond gal, albert, bong, any chechen or bolivian, they keep setting us up w characters and the impression that they will be important to the leads, and expecting us to be impacted by the subversion of this expectation. and im just...not. im bored of it.

also, I don't like timeskips, it strikes me as a bit of a cop-out that just...kills the momentum of any arc leading up to it. Like the writers put themselves in a position and decide they dont want to deal with writing their way out of it. then they can just waste a bunch of airtime on where-are-they-now exposition instead of actually resolving or elaborating on the existing conflicts or themes they were pursuing earlier. better call saul almost did it right, but even that was a boner-killer of a finale. And the way Barry skips into the future to do some kind of half-assed commentary about 'where society is going' reminds me too much of the toothless politics of parks & rec. the whole podcast Christianity homeschooling thing is pretty interesting, tho.

and finally let me jsut go ahead and say that it was incredibly unfair what they did to cristobal. the electroshock therapy scene was horrific, but the very next episode, hes fine. he never even talks about what that did to him. no, instead, we're supposed to focus on how traumatized hank is from the whole tiger incident or whatever. like, gene's son leo lost his job, and we never talk about why, or what that means for him. and then he gets shot, cool cool cool, really cool wow, so interesting. the black and brown characters are not necessarily unique in how disposable or otherwise unimportant they are, compared to secondary white characters like Katie or Annie or Kristen, but its still pretty gross how the writers seem a little more willing to subject them to violence and trauma.

[gopeachllama]

Why I think Feysand were OOC in ACOSF

I hope that no one misunderstands from the title but let me say this is a 100% PROfeysand post. so if you hated feysand even before acosf, then this post isn't for you.

So i've seen a lot of interesting theories about feysand's and in particular rhys' behaviour and choices throughout acosf. and while alot of them seemed possible and may have been the case canonically speaking, even as a feysand stan i just couldn't seem to wrap my head around some of the things they said and did in the book. they just both seem OOC, its the only pausible explanation for me.

To understand why feysand were OOC in the book we have to look at this through a narrative perspective. as in we have to ask why would the author write the character/s in this way?

a quick overview of what a character arc is

so there can be a lot of variations of a character arc in a story but the basics is as follows (how does the character go from point 'a' to point 'b'):

the 'big lie' - the views/beliefs/actions the character has at the start which will be challenged throughout the story (this is point 'a')

the 'incident' - a plot point in which starts development of the character. something that spurs the character into action, this most ofter happens when they are placed in an unfamiliar situation. this usuallyy is the intial challenge to their 'big lie'. at this point the story will move forward and theres no going back.

the midpoint - the character changes conciously or subconciously, they start to recognise their own flaws in the 'big lie'.

world collaspes - this is usually on the heels of a victory, the character reaches the lowest point in their journey. they finally confront 'the big lie' and forces to stop this deception they inflict on themselves. they can destroy it or it will destroy them.

the climax - the reason for the story. the reason why the character had to take this journey in order to get to this moment. the moment that the character will decide once and for all whether they will go forward to point 'b' or regress back to point 'a'

the resolution - the character reaches point 'b'. their view/beliefs/actions have changed, they no longer believe in the 'big lie'.

So obvisouly the main character in acosf is Nesta. What sjm does in her books is that every plot point and development of secondary characters is in service to the arc of the main character. None of the character's outside of Nesta have their own development. Not even Cassian, any sort of changes or developments he undergoes is in service to Nesta (a complete missed opportunity for Cassian but that a whole other point). And before anyone tries to say otherwise, you can have development for characters even if they are secondary ones (and for a book that is 800+ pages long it is definitely possible). An example is with his can also be seen with Gwyn. Her leaving the library for the first time was a huge moment for the character, but she did so, in order to comfort Nesta after her big fight with Cassian. It was also so that Nesta, Gwyn and Emerie could all be together in Illyria so they could be kidnapped and forced to enter the blood rite (where the final showdown occurs with Nesta and the villan).

so what has this got to do with feysand and why are they OOC?

In fact the entire plot with feyre's pregnancy was made to give chracter developments for Nesta. There was nothing written in the book that suggested any developments for feyre and rhys. it did nothing for them. Nesta needed to become central to the story and the only way sjm thought to keep feyre side lined was to make her pregrnant. It was also just lazy writing and world building bc there is no way that rhys would have though of this when he and feyre were trying for a baby.

SIN #1 The Shields

Rhys practicing shields (shield thats doesn't even allow anyone to even touch her) on feyre, which she just allows. the book explains because of the fact that there is more danger to her now that she's pregnant. Narratively, this would make sense if there is a payoff. Like later in the story if feyre was in physical danger and the shield saves her or if the shield became a detriment to her in some way. But no nothing like this happens. Rhys 'practices' the shield on her and thats it. Rhys, who was the same person that trusted feyre enough defend herself against the weaver. It was totally out of character that he would shield her to the point that Cassian can't even kiss her on the cheek (sounds familiar huh). and the same goes for feyre, who has no problem with this (*cough* tamlin locking her up *cough*). Thats is some OOC behaviour.

So what were the point of the shields? well since sjm made it canon that fae can smell when a female is pregnant, the biggest way they came into play was in the scene when rhys lifted it long enough so that everyone could sense that that feyre was pregnant. And It could have been just that, feyre and rhys were expecting a baby, and Nesta can go along with her development, they did not need to intersect. But it did, and we'll come back to that later. This scene is a lighthearted moment in the book, one of the rare few where all the characters are happy and celebrating a good thing. acofas we knew that rhys and feyre decided to try for a baby, and seeing it pay off here was enjoyable for the readers.

But what else does this scene do? through Nesta's perspective, we can read her thoughts on it, and though she doesn't reveal much its an important character moment for her. the readers can see that she can feel happiness for someone else beyond the self-loathing she guards herself with, it shows that she is a character worth rooting for.

SIN #2 Rhys concealing the dangers of the pregnancy from feyre

oof this one is a doosey. this was the most baffling thing to come out of acosf for me. there is literally no reason or explanation that would make sense for rhys to lie to feyre like that. It offers no development for the two character it affects the most: rhys and feyre. there no fallout on rhys' end for lying to her, and there is no turmoil for feyre such as falling into depair like we told she would (the whole reason that rhys was hiding it in the first place).

When Nesta finds out that the pregnancy was most likely going to kill feyre and the baby. instead of Nesta disagreeing and urging Rhys to tell feyre, she doesn't say anything and forms a temporary truce with him, a character she has always had conflict with. It also serves as the incident that allows Nesta to have her 'world collapse' moment in her character arc. How else was Nesta going to realise what a shitty person is was being if she didn't do something so absolutely shitty? in a fit of rage, Nesta reveals to feyre that the pregnancy was going to kill both her and the baby. she get taken away on a hike in illyria (because???) and she reaches rock bottom after she comes to term with what she did. the story is taken away from velaris and the inner circle, and any conflict and resolution that happens between feyre and rhys, if it even happened at all, happens off page. again furthering my point about the pregnancy having no impact on the two characters is affects the most. After Nesta's fleeting moment of enlightenment, and her swordplay sex marathon with Cassian (urgh) she returns to velaris and nothing has changed between rhys and feyre. there isn't really much of a development with Nesta's relationship with feyre, their 'reconciliation' occurs all of less than one page and doesn't even happen out loud, just mind to mind. Now that Nesta has had her important character moment, nothing else matters (again lazy writing).

SIN #3 Everyone dies

ok so yes everyone has said their two cents about this and i agree with it. Feyre and nyx had to die so that Nesta could have her climax moment. It is the climax of the story since it is the big story development right before the resolution. and about the bargain - feysand decided in acofas that they were going to try for a baby. meaning that it was after this decision that they struck the bargain that they would die together. so at some point they would have thought of the fact they would have a child/children when the both die. im sorry but do they seem like the kind of ppl that would make a suicide pact even if it meant leaving their children behind? TOTALLY OOC for me. and i dont know i guess also the stakes weren't high enough with just the threat of feyre and nyx dying.

So feyre and nyx are dead and rhys will soon follow and Nesta intervenes to save them. Its also a self-sacrificing moment bc she has to give up her powers in order to do this... Showing that she does truely love her family and the depths of her powers. (seriously idc how you stan or hate how does anyone this good book?). don't doubt that in the future books sjm will find a way for Nesta to get her powers back (whatever they are (pure death WHAT DOES THAT MEAN???))

So Nesta saves the day, everyone is fine and nothing has changed except Nesta is nice now probably. the end.

welp this got way longer that i expected but anyways long story short there was nothing about the pregnancy that gave development to feysand characters and it was all for the development of the main character.

i don't claim acosf!feysand and sjm better fucking leave them alone in the rest of the books.

[off-in-the-moors]

It is not the responsibility of art to be morally instructive. It is 100% YOUR responsibility to research something if you know you are a sensitive person, take responsibility for your self. Art does not need to be some clinical sanitized morality play, get over your weird Puritanical obsession that all art must conform to your specific world view. Either engage in challenging works or stick to children’s cartoons where you can feel ‘safe’.

-

Dear Anon,

I’m truly confused by this. I have no idea what are you referencing and what “inspired“ you to send me this “ask“. But I will do my best to give you something.

(It only took me this long to answer, bc I don’t log in very often.)

Let’s start with your assumption of me.

I’m not a sensitive person, in any meaning. I actually love reading and engaging in media that’s morally questionable or straight up morbid and disturbing. Some of my favorite thing are: paintings by Goya and Beksiński, folklore/mythology (in it’s most unchanged form), “Perfume“ both film and book, Hannibal tv series, true crime, to name a few. Your assumption that I’m just “a girl obsessed and only enjoying modern cartoons“ is insulting.

I actually do agree with you that art, in any form, isn’t responsible to be morally instructive, but every work of art is made to send some form of message, be an obvious one or hidden between pages. In my opinion, authors and writers should be aware of what message they want to send with their works and what messages they are sending with what and how they’re presenting.

On your “It is 100% YOUR responsibility to research something if you know you are a sensitive person, take responsibility for your self“ this is also true. But on the other hand, given media should provide you with some kind of warning and not a third party entity. For example, if I pick-up a YA book from a bookstore, bc of its synopsis or someone (be a person I know or a creator) recommended it to me, I don't expect "spicy" scenes or blatant a*use of a character by its love interest or just "torture p*rn" scenes in it but here they are. With no warning. Is it my fault? Partly yes. Is it the media's fault for not giving me any warnings? Also yes.

Even with researching "warnings" isn't that simple. When it comes to books, the only way is reading reviews or recommendations. With reviews, they're either positive and say nothing book related or are negative and full of spoilers. Recommendations nowadays most of the time don't even give you what the story is about, just "it has x, y and z in it", let alone "warnings". From my own experience, they either don't tell you about "unappropriated" stuff (be r*pe, d*ug a*use, a*use, etc.) or they down play them and in worst cases, excuse it or say "it gets better/it's addressed in the next book/later in the series".

But if you feel the need to micromanage everything you engage in, go for it. But most people don't and a warning would be nice.

(This of course doesn't apply to thing and character's actions deemed "problematic". If said stuff is well handled and addressed, it's perfectly ok to portray it. But again, if it addressed and/or showed as wrong, and not ignored, excused, or played as a joke.)

I don't know from where you took the "your weird Puritanical obsession", bc 1) I never petitioned for that in my posts, and 2) I'm actually against censuring and sanitation of media.

Now, on to what "inspired" you to write this.

Again, I have no f-clue. So here are my best guesses:

If it's about Pathologic: I only have problem with people forcing their politics, modern sentiments and opinions/interpretations on to something they don't fully understand, because they're from a different cultural climate. An American can't fully (or in some cases, refuses to) understand something made by Europeans (in this case Russians) for Europeans in mind. I don't want to mix myself into the fandom discourse/drama, because I don't care what people think or how they interpret stuff, even if it's taken from something minor or from nowhere with no support (or even is debunked) in canon. I don't care if people like or hate this one character. Just don't police people for liking things, you don't like. Nor do public shaming or send people on those you don't agree with. You don't like a pixel man on platform shoes? Fine. Just don't bully and attack people who do.

If it's about my post about B*rdugo's adult book: I will admit, the wording and presentation wasn't the best. I was writing it from a place of strong emotions, but I'm still standing by my opinion that some things should not be presented with graphic details in a book without any type of warning. Here we could have a discussion about trigger warnings in books, hers response to the idea of putting them on her book and what is consider "too far", but this isn't about that. I actually have a lot of problems with B*rdugo and her fan-base, besides that. Her use of Russia, it's history, religion iconography and culture only for aesthetic and not doing proper research (she called her series "Greg's trilogy") or showing any respect for it (with characters, how are not main and secondary characters, a Slavic stereotype); her portray of dyslexia and how the fandom likes to use it as a joke in relation to this character; or people shielding her from any form of criticism with "She's is xyz, so she can write this". But I don't care about her and her works.

I stopped reading YA books, because I can't stand them any longer and their "handling" of topics, with people holding up every-single-one as "the best book ever written", not because of the quality or story but because the author is xyz, and spitting at every book written before 2000s. I'll get flag for it but YA novels are the Pulp fiction of our times (of course not all, but most of the popular ones are). I stopped trusting people recommending them to me, because 90% of the time, I'm just disappointed by them.

If it's about K and TRC: I already said so much about this. Margaret isn't aware of her audience, she writes for herself (which she admitted on a podcast) and refuses to change it to please anyone. She created and killed K for two reasons: to further Ronan's character arc (to be used for teaching him to dream better and a (not working) foil of him (or Adam... or Gansey)) and as her weird catharsis of killing everything she hates (who she apparently was; "fratty boys and chortling men") personified as one boy (and yes, boy, because this fandom likes to forget he’s only seventeen, the same age as the Gangsey. If you excuses their actions, like Ronan and Adam’s racist jokes or Gansey’s toxic behaviors towards Adam with “they’re just teenagers”, why K is excluded from being a stupid teen?). With Jordan, it's now obvious that she has a bias of suffering/dealing with your trauma (and addiction) "in the right way", of which in her eyes, K wasn't. She could not create K or she could not make him a harmful stereotype of a Slav, but she did. In a book targeted at 13-18 year olds, we have a drug-addicted boy committing a public s*icide and being demonized and forgotten by everyone.

But I'm done with this fandom, I never had a place in it. TRC fandom is 80% P*nch with a 1% being about K, but even this little corner is "too much" for the stans. I left for a reason, the only thing I regret is not apologizing for my out-burst. If someone who knows what I’m referencing is reading this, I’m truly sorry.

So, yea. I hope, I addressed your issue, Anon.

[common-blackbird]

it’s time... for a dragon age 2 playthrough post. scroll on!

The things i loved most:

1) the frame of the game - Cassandra interrogating Varric.

What a great way to get hook the player. Like, the opening of guards dragging this poor dwarf with cuts of the title, and then Cassandra demanding answers... Whoaaa! I have no idea if that’s usually done in games or not, but it’s definitely such an amazing intro with characters introducing themselves as well as the story so perfectly, it captivates instantly. The tutorial has a charm to it bc varric is messing around. Which serves to show more of his character. Cassandra’s personality was pretty much blank here but her presence is so powerful. Something happened, something huge and they know and i was about to find out. I can’t describe how excited that intro made me feel. Each time the scene cut to the interrogation scenes, my eyes were glued more than ever. Just GREAT.

Also it makes for a very convenient scapegoat for every plothole ever with the argument “it’s just his version of the story”.

2) The story.

It’s tragic. It’s amazing! The further you play, the more you can see that no matter what you do, everything leads to a disaster. Hawke doesn’t want to take sides, tries to mediate, does not want to get involved, but just can’t stop it. For every thing gained, Hawke loses two more. Your friends come with packages that get you involved in terrible stuff. Your good intentions result in disasters. The whole game you spent time climbing  the social ladder not only to reach the top hauntingly alone after losing all of your family, but also losing even that empty title and watching as the city you started to find your place in fall apart in blood. UGH! GAH! FEELS!

3) Kirkwall.

“ But, I beg you my dear readers, never forget that, no matter the subject of any story that might ever be explored between the cliffs of Kirkwall, She will find a way to steal the thunder of the protagonist. Or become the antagonist. Kirkwall is never a mere background. We could even understand it so: the challenge for you dear readers is to prevail against the smokescreens and observe to what extent our characters are players or played by the merciless black souled stone giant. Enjoy playing the dare of the ages between the lines of these humble memoirs. “

Memoirs from the Downfall - Act I. Mirage    by Pfefferminze on ao3 (fic rec!)

This paragraph summs up what Kirkwall is better than I ever could. This shrouded mystery that surrounds Kirkwall keeps you on toes. From the first intro when Varric describes it (paraphrasing from memory) “Kirkwall. The city of chains. It is a free city - keeping in mind i use the  the word loosely”. You already start seeing how dark Kirkwall gets. The name, that derives from its black walls (interestingly, the walls in the game aren’t black...), the history of slavery etched into every corner of that city  and its surroundings - the names (The Gallows, the Bone Pit, the Wounded Coast, the pub The Hanged Man), the scenery (sculptures of slaves, the sunken ships by the Wounded Coast, slums and underground of the Lowtown and the Darktown).

I was really digging the History of Kirkwall and it loved it. Kirkwall has a history of violence, from the times of slavery of the Tevinter Imperium, to Qunari conquests and liberation from Orlais. Many revolts and uprising. And though free now, it’s suggested that, seeing that the Templars hold the most influence, Kirkwall is in the hands of the Chantry.

It’s full of cultures mixing together. I love how not one of your companions is a native to Kirkwall, and it feels like a crossroads to every character’s life. a very tragic crossroads in their life, seeing there’s nothing ever good waiting for you in Kirkwall.

Also there’s these codex entries you look for about the Enigma of Kirkwall. It was when i started digging that up that i fell in love with the city and all. Combined with the History of Kirkwall and every codex entry for every place in and out of Kirkwall, I was pulling my hair out reading about the Enigma. I..i’m still not quite sure what happened. Did the magisters use blood of thousands upon thousands slaves to unbound a forgotten one? if so, is that corypheus? And around what time did that happen?? I get that part (or all?) of Kirkwall’s mysterious violent agency is owed to corypheus slumbering relatively close to the city, but is that all? or is there something more? In either case, the Band of Tree are my heroes.

4) The characters.

I’ll talk more about them later, but in general, i just love how they oppose each other, how complex they are, and there is just not pleasing everyone. They feel genuine. They are all deeply flawed. They all have a solid background that makes their beliefs and actions convincing. The friendship/rivalry points are shaky though, and sometimes really don’t fit the character, but i guess there must be someone hating/loving your bad choices for the sake of the game regardless of characterisation. But all in all, i really appreciated each and every character, and loved how their viewpoints challenged me.

First i want a disclaimer: i love each and every character in the game, whatever i say against them doesn’t diminish my liking of them. My issues really aren’t significant. Also, i might and probably will say smth wrong bc i’ve only played it once. I’m a baby.

let’s start with Family:

Mama Hawke:

i really loved mama hawke. after reading her codex entry and an excerpt of some book on this site, i really feel for her. I mean, imagine going back to your home city where you only remember being respected and wealthy only to find out everything you remember is gone, you are forced to live in poverty, your kids are doing dangerous jobs and you can’t stop them bc you do need that money, you write letters trying to get the old connections but keep failing (at least it was implied?), it’s really been hard for her. I get why she was so obsessed with her legacy. She wanted her childhood home back. She can’t feel like Kirkwall is her home until she is home.

Also loved her antagonism towards Hawke. It seems she can no longer treat him like a child, so she criticises him instead. and honestly, hawke is doing some crazy things so he defintiely deserves some criticism. And stopping Hawke from taking carver with him is just logical to me, idk. since she knows she can’t stop Hawke from going, she will at least attempt to prevent the last kid from going into mortal danger. I’d do the same. AND AFTER HAVING CARVER DYING IN DEEP ROADS I AGREE WITH HER

All in all, i don’t think she’s a perfect mom, but there is no perfect mom, and Leandra does care a lot for her kids. The All that remains killed me too :’(

Bethany

RIP :(

Her codex is not long, but i guess she wasn’t happy with her magic :(

CARVER

My favouritest bestest bro in the game. A secondary character with an inferiority complex towards his sibling, with no sense of humour, blaming everyone else for his inability to get a life? I see a lot of myself in him.  He is sooo bitter, but doesn’t even realise (or at least doesn’t admit) that he’s his biggest obstacle. He feels like it’s Hawke’s fault for Carver not getting his place in the sun, but honestly, it’s Carver’s devotion to Hawke that keeps him from getting a life. He’s just tied with that responsibility and can’t break from it unless forced to.

His interactions with other characters are so funny. Either he’s bitter or he’s awkward, i die every time ;;__;;

Anyways, he became a templar in my game and i thought it fits better thematically (throughout the game the grey wardens felt more like a fanservice material since they really aren’t connected to the story), but after reading that meta about carver and seeing the striking difference between warden!carver and templar!carver i wanna reload and redo everything ;;__;;

i mean... carver isn’t exactly a templar material. The codex entry for templars says that the wanted characteristics of templars are strong faith and utmost  obedience, none of which carver really has... . But that moment when he stands up against meredith was *chefs kiss* worth it. I’m just wondering what happens after, is he still a templar? is he with hawke? is he in Kirkwall or if not, where did he go?? so many questions ;A;

Uncle Gamlen

I feel bad for him. Mostly he’s mean but i like to think it’s bc he’s so ashamed that his sister sees what he’s become. And he’s bitter about his own life. I was so happy when i realised he has a personal mission ;__; I feel bad that he didn’t come to live in the hawke estate tho, especially since Hawke is also alone there :(

COMPANIONS!

Varric

There are no words that can properly convey the amount of love for this guy. He is simply flawless. He’s a charming godfather of the dwarven mafia. I wanna have a charming godfather of the dwarven mafia in my life... He already becomes interesting with the intro, and i gotta say, out of all ~storyteller~ types of characters, he is the best. he puts a disclaimer at the beginning with that game tutorial, and during the whole interrogation he’s like “well, how do you know i’m not lying? i could be.” Also, his voice is the second best voice in the game. 

As for his personal missions, oh wow, that thing with his big bro really hurt. I also gave him the red lyrium... was that a mistake? will i regret it? ;__; I know the true friend would prevent him, but i also trust that varric knows how to handle dangerous stuff...

On a side note, since i’ve read the comics (no self control whatsoever), i loved the beginning of the Until We Sleep, where varric mentions it’s easier to imagine all the people he had to kill were evil than to face the fact that those were normal people just doing their job or trying to survive. Man, it hurts TAT

*garret hawke’s voice when he looks a certain way at the family crest in the hawke estate* ISABELA!

Ok ok, so, i love Carver bc i relate,  i love Varric because he’s simply perfect. But I love Isabela because she’s the most intriguing.

She just crashed in Kirkwall and really didn’t sign up for all the trouble she got. She never likes to have deep conversations, she is always downgrading herself and you just wonder, what is it that happened in her life, and you know her past mistakes haunt her, and she’s doing her best to move on. Her arc was i think my favourite. I think the comic Those Who Speak really adds a lot to her arc in DA2 and makes some of her choices more understandable. Her whole story is about her internal conflict of whether to survive or do the right thing. Her story about freeing the slaves got her ship wrecked is great and all for making her be a pirate with a golden heart, but that story about her drowning all the slaves few years previous make this freeing of slaves a big character moment for her. She finally did the right thing. And she got for it was more trouble, because she’s a pirate which means she can’t afford to just do the right thing. And throughout the game, that same story is going back and forth. She runs off with the Relic bc she’s done the right thing before and it got her nowhere, so now she decided to put her own survival as a priority, but comes back bc she’s too kind to just leave Hawke standing like that. And again, with the slaver papers, it’s the same reasoning: it’s her or the higher cause. She needs that ship. She chooses herself. It’s her biggest flaw. But hey, between pros and antis in your party, it was really refreshing to have someone who, along with varric, just gives you a break with moral high-grounds.

I only wish we actually got to see her more as a captain in power in the game or that she showed me that amazing hat she saw in lowtown. It’s cool that it’s implied that her crew doesn’t like her and she also lost most of them during the crash while the others probably left her after.

I love it when she says she goes sometimes to the docks just to watch the ships. That there is no feeling like sailing. I just want a spin-off with captain isabela’s terrible adventures (´A`)

Also, isabela’s VA is my fave, she really did an amazing job. she voices so smoothly, i wouldn’t know if i was playing a game or watching a movie. And has such a pretty way of talking...

Aveline

I’m really neutral towards Aveline. I like her personality and i like that she’s found herself a purpose and advanced in the guards, and she’s always looking out for everybody. I just wish her personal missions went in the vein of the one in act 1... i feel it would have been more interesting to see her having trouble in her position and that you can’t just waltz into Kirkwall and take command. It’s implied she’s being pressured, so i guess she’s just dealing with it herself, but i just... eh. She’s ok.

Merrill

Merrill actually has one of the if not the most tragic story-line that really challenges you both morally and emotionally. 

Her cheerful and cute personality is dampened by her constant dark leitmotif of willingly practicing blood magic. And i think her story really showed well the indirect consequences of it.

Not in one instance was Merrill’s practice of blood magic an active culprit for all tragedy that surrounds her. First, it seems that blood magic is practiced in the clan, seeing there is no freeing Flemeth without it, but i’m guessing it’s seldom practiced and with great caution. So Merrill wasn’t in any danger of being prosecuted for her blood magic. It’s actually her wish to study it further with the help of the demon that makes her an outcast. That and the magic mirror that apparently is forgotten for a reason. Also, it’s made quite clear that Merrill would be welcomed back no questions asked if she at any point decided to ditch the demon and live without the study of magic mirror. She, on the other side, is driven by the higher cause, the idea that figuring out the forgotten purpose of some evil mirror might help her clan, and is willing to be an outcast if it means reaching her goal and helping her clan. Fast foward to act 3, the clan is still there when they should have moved away, and it’s only when you face the demon possessed Keeper, you realise why. She knew Merrill would sooner or later bargain with the demon again. And she sacrificed herself, trapping the demon within her, as to prevent it. And i think that is why the clan stayed so long there. She waited for Merrill because she wanted Merrill to kill her, and hopefully with her the demon. It didn’t go as planned, obviously, but i really think she had good intentions. When Merrill does manage to kill the Keeper she’s forced to face the clan and i chose the wrong option of telling the truth which resulted in a massacre. Merrill gets back and regrets everything. She, however resolves to help the alienage.

The thing is, there is no one to blame Everyone had the best intentions. Everyone is working for the safety of the clan. it’s a story of sacrifice and when sacrifice feels like the wrong choice (whether it truly is or isn’t depends on your worldview) and it’s really done well.

But here are my issues with Merrill. I love her as a character, but i don’t agree with her decisions.  It’s a personal issue. Merrill is giving up everything as to help her clan by learning history of the evil mirror. And while this is a game where old things are important and significant, her mission is always explained as this duty of preserving history. And while i agree that preserving history is very important, there is a limit to it. you should never put history before the present. If your research endangers the present, you give up on that line. The other is that you need to make peace with the fact that many, many things are forgotten and will be forgotten. It’s sad, but you gotta make peace with the fact that some things are just gone.

And Merrill, who is a magic historian, fails to see that. So that kinda irks my historian moral codex. And in the end, as far as i know, Merrill doesn’t succeed in reviving the evil mirror and dedicates herself to help the alienage. It was a terrible way to learn that some things aren’t worth it.

The other, less personal issue, is that none of this had to happen. I mean, the keeper obviously didn’t think Merrill was experienced enough to actually deal with demons and therefore distrusted her and warned the clan about it. So, if Merrill was a little bit more patient she could have just studied normally under the keeper, and when she herself becomes the keeper, she could have fraternize with that demon however she wanted without much complications. So yeah... i guess youth is made of idealism.

But as i said, minor issues. Her story is really, really great.

Fenris

Fenris and Anders are my “i love you but i am soo annoyed by you but i still love you” characters. Half of the time they’re just there to make you feel guilty for being a neutral party. Which sometimes has me rolling my eyes. If Fenris and Anders actually got along with each other, slavery and mage oppression would have ended in 2 days. Which makes it all the more frustrating that they do not.

Fenris.. his voice. What a nice voice colour. So elegant, but kinda rough, sometimes he talks like he’s 80 years old, sometimes like he’s a teenager. I love it.

As for the rest, i mean, i don’t agree with his methods, but very often, the guy’s got a point. I get his experience with mages colours his view on them, so while i symphatise, it’s really hard to have him on my “free mages” missions when he’s my best tank and i want him to be on friendly terms with Hawke so this makes things... difficult. That aside, it’s interesting that fenris doesn’t see mages as evil per se, but rather victims who, in his experience, will always, always going to succumb to a demon. It’s an inevitable reality to him. And this makes me wonder if he ultimately, despite being his friend or lover, is just waiting for the day he will be forced to kill Hawke too :(

As for his missions, they were ok, it led up to culmination and i didn’t let him kill his sister bc Hawke has just lost his mom, don’t do smth you’ll regret ;__;

also, somewhere around the end of act 2 i decided to romance fenris bc i love to suffer, so i worked the whole act 3 trying to get more aproval points and also wondering why are there no romance options when i talk to him... turns out that one night stand with isabela romanced her and canceled fenris. But i never even finished the romance with her so i’m just ??? about it all.

I wish it was more explained about the tattoos fenris has? I just thought the tattoos would play a big role somewhere in the game and it just never happened. There was a banter with Merrill about how his tattoos are similar to valaslin, so i thought, hmm, interesting, maybe the two are connected. But nah they just glow in the dark and make you pass through walls. Whatevs.

also dude just goes and kills without a second thought, i’m just “mate, you gotta calm down”. But that’s his thing. He’s constantly bitter and is very bad at anger management. I can’t blame him, considering he lacks around 10- 20 years of experience due to amnesia.

He’s the only one who left me when Hawke sided with mages, and i was like, “ok i getcha, it’s been nice knowing you”, but then when i asked him to join me 5 minutes later he just went “ok changed my mind” which was so funny, like, where did all that integrity dissappear??? It would have been more impactful if the dialogue went in the line of “i want to stand by my principals but you’re a living breathing proof that not all mages are weak to succumb to demons so i’ll join you in the end” (and then side-eye “i told you so” when orsino turns into a demon)

And i wanna read the fenris comic now bc my question for every character here is what is their fate after kirkwall. I only know that isabela & varric are working for alistair and merrill wants to help the alienage. Aveline is i guess either dismissed from her job or got a pass after cullen took  the command.  But Carver?? Fenris?? Anders?? They never talked about long term plans...

Anders

ooh boy, here we go. there are many questions i have for him and am generally just hmmmm. First, as for his pro-mage rights - it’s like opposite fenris so i just have the same feelings: you mean well, i don’t agree with your methods, your experiences define your worldview so i let some things slide, but other things i will not agree with. Though, question: in how many circles has Anders been? He knows the kirkwall circle, he knows the fereldan circle. Seeing he has excaped 7 times, did they send him to a different circle each time or was the fereldan the last one? or the first one? Or maybe it was his boyfriend they transferred? did i miss something?

I’ll just whisper: awakening!Anders >>> da2!Anders. I just miss the old anders. Which says a lot bc during the awakening i was just “shut up anders”. I miss his bad jokes, his terrible attempts at flirting, his enjoyment of freedom, nagging all the time, and generally being more moderate in pro-mage rights. Like, in awakening, because it was not the only thing he talked about, it felt more personal and intense. Here mage-rights are the only thing he ever talks about + justice. I mean, please correct me if i’m wrong, this was just general impression. But to defend da2!Anders here, it makes sense that merging with mixed both of their personality, and i like that they did that. It’s also very sad.

The thing is, when i’m thinking about anders, i love his story and character. Just as it’s terrible that Fenris, having no memory from before being Fenris, Anders can never go back to being just Anders. And this, people, is why you don’t fraternize with spirits. He’s obviously afraid of how justice is affecting him and there are some bare traces of his old personality and i guess he wouldn’t be as radical if he didn’t have justice personality that can’t stand the injustice. And in combination with anders quite selfish personality (form awakening, and i say that lovingly), it makes him do things that justice wouldn’t condone. Anders is literally a walking bomb.

Again, same problem as with fenris, i really thought that the justice glow would have a incredibly significant culmination, and it didn’t, it was just to show that anders and justice are very bitter. Eh, ok.

Also, i let anders join after he blew up the chantry, bc he started it, so might as well follow it through.

Some minor characters that i remember

Senechal Bran for the next Viscount! He hated hawke so much but still put up with him.

Feynriel is the coolest mage in Kirkwall. I think his missions were my favourite. Dude goes from “oh no i’m a mage” to “i will just dreamwalk to tevinter and learn control the reality” to “i dream-killed bad people from thousands of miles away”. Does he appear in the next game? I want him on my side. He’s so cool.

I think the Maker is sending Cullen signs to quit being a templar. First job: evil mages that tortured you. Instead of “this job will kill you” h took it as  a “never trusting mages again, got it”. Second job: your boss is evil possessed paranoid maniac. Man, talk about bad luck.

What is the story of the Lady Elegant?

Flemeth had that big great talk at the beginning of the game and i thought by the end of the game i’d realise what it meant, but nope, still no clue.

Ok so I defeated Corypheus, but there was this looong shot of Larius walking away. Corypheus possessed larius, didn’t he? He’s out there. In a madman’s body. I know he appears in inquisition.

Many thoughts

I gotta say, in Kirkwall, at least, it didn’t feel like much of a challenge to pick a side. Like, there was no mage who said “hey i actually really like it here in the circle, the templars aren’t so bad”, and having templars actually smuggling mages from the circle says a lot to say the least. Every time a mage talks to you, unless you go with “oh they’re 100% lying”, their stories invoke sympathy and of course you want to help them. And then in 99% cases they turn to blood magic bc there was no other way. Except that dude who always hanged out with the wrong people, he only did blood magic to save Carver. But yeah, that turning to blood magic was like having Fenris side-eye me with an unspoken “i told you so” bc every mage, whether in desperation or hunger for power, will turn sooner or later into a demon. Regardless, blood magic was always in the act of desperation and self-defense. The only times where magic was actually evil was the slavers and the serial killer, who is a madman.

When i was reading the Enigma of Kirkwall, there was a part that talks of a blood-mage conspiracy and i was all, oh shit, there is a reason why templars are mean to mages! maybe the conspirators are framing innocent mages on blood magic crimes that they actually commit, maybe Meredith is actually on trail of the conspirators, maybe there is a reason for animosity on both sides. After all, Kirkwall was known for having a bigger number of apostates, a bigger number of blood magic cases and far more ruthless templars. It added up.Thinking back now, i never even got any specific reason why meredith was so intensely anti-mage, other than going mad.

But yeah, no conspirators. Just sad mages and mean templars, and good templars that get screwed by desperate and mean mages.

While in Kirkwall it’s easy to be a pro-mage, i was thinking a lot about mage-rights in general so let me indulge myself: there are circles, but the mages aren’t oppressed. Rather, the circles would be educational centres and society in every larger city where one learns how to properly handle magic bc magic is dangerous. You can leave when you pass the final exam and also come back anytime to hang out with mages who decide to live there since the institution would support mages.

Also, when one gets possessed, i’d invest more into “walk into their head and free them of demons” specialists. It’d be cool if you could have a dreamer who does that bc no lyrium spent. Honestly, why don’t they ever do that? How did the keeper do that rite for Feynriel? Was it blood magic?

I guess, you’d still have to answer for your crimes, tho no death punishment and degradation allowed. Blood magic wouldn’t be punishable by death, but rather have specialists who study it, but practice with extreme caution and use of another person’s blood is strictly prohibited.

Templars would still exist but completely reformed. No more “mages are all potential disasters”, but i’d rather make it that mages can too be templars, since they both have abilities that prevents the others from casting magic. This way the control system would be much like the dalish: if the keeper(mage) is possessed, the clan (which means the non-mages and the first(mage)) need to kill them. You could argue that you don’t need templars as non-mages, since mages can do it too, but seeing that in general people fear magic and feel inferior to it (since there’s a collective memory of the great tevinter imperium), having non-magic specialists would make them feel like on equal ground. The extra-reformed templars would be under Circle, not under direct command of the chantry, and circle, depending of whether chantry is reformed, might or might not be under chantry.

(a side note, i was thinking about templars recently and i can’t recall an instance where it says who had the clever idea to chew lyrium first? i just wanna know)

I know that DA2 wasn’t about grey wardens and therefore not about darkspawn, but seeing as in legacy we get corypheus being... an evil version of the Architect(??), i was only wondering do we get more answers about the darkspawn? is there hope for them? is the Architect still alive?

And oh, to turn to the Anders question:

Is he a terrorist, or was that just activism? I mean, i don’t see why those two can’t go together. blasting a building with a symbolic significance killing and harming many innocent people to get a message of your radical activism across belongs into a schoolbook of terrorism. Does he have a good cause? He sure believes so, and i, too, agree that mages should not be oppressed for just being mages. But does that mean this is the right way to do it? Personally, i do not condone any act of violence in service of a political or religious cause. I know it’s sometimes inevitable, but i like to believe there are more diplomatic ways, or at least not including an attack on civilians.

That aside, the moment where anders goes in front and just announces that the church was gonna blow up in a minute was the best anders moment for me. Until that point i more or less just viewed his activism as a hobby since he just did it in his free time, but now he put his money where his mouth is and freaking went all out. Cool character moment. And incredibly heartwrenching. He was aware of how many innocents he killed, but just didn’t see other way to get the point across.

I still don’t agree with his idea of blowing up the church tho. Maybe if he told Hawke, they could have done something to empty the church previously and further people away from it and then blow it up?

But still, blowing up religious buildings isn’t the answer. If i was the radical mage activist, i would have gone for the open assassination. Seeing it worked in WW1, i don’t see why it couldn’t start a fantasy war.

Some random things i liked:

uniportant but lovable interractions in the house: it starts innocently with gamlen’s house, to see how you’re doing, and becomes really fun during act 2 when you see your friends have been here and left you things. In act 3, however, it feels melancholic. no more family to come back to, just ghosts of friends that have visited, Bodahn and Sandal being there for you, Orana still not getting some sunlight and your dog at the fireplace. The Hawke Family Suite is playing, and you feel older than you are, lonlier than you should be. just... ouch. I hope Bodahn adopted Orana and took her out of Kirkwall :(

t i named the dog “Maker” which is very funny to me bc every time i summon the dog i just imagine Hawke yelling “Maker help us”. Carver hates the name bc he needs to chase the dog often in the streets. Mama Hawke never ever calls the dog Maker, but she never has to call the dog anything: he’s super obedient towards her.

Fighting wasn’t as hard as in origins, i like that.

The haunted house mission was so cool.

When random people greet aveline in Hightown.

And that’s i think about it. There are probably plenty more things i loved, but i think this is already enough. if somebody told me i’d be playing so much this year, i’d laugh, but I already want to play the next game ;;___;;

[sometimesrosy]

The fact that even tho bell knows it’s Josephine the fact that he clocks her body so fast when she’s tapping alive is insane. He’s always in tune to Clarke. Her body, her mind, her heart and soul. Josephine herself doesn’t even notice in all her genius.

Isn’t that a great gif and a great scene?

He sees her tapping and something doesn’t fit with Josephine’s actions or character. It’s a pattern. One that he recognizes. He starts marking it. It’s a message. He knows, he just knows, what it means.

Somewhere inside of him, he didn’t give up on Clarke. Somewhere he still believed that she was alive. 

You can’t tell me that he didn’t have the same buried faith in Clarke for all those 6 years after leaving her behind, with nightblood, on the irradiated planet.

Josephine underestimated Clarke badly. Just like all those people who went up against her and died on Earth. Just like all those Clarke antis, or the people trying to relegate her to love interest in favor of their faves (many in both CL and BC fandoms think of her as the reward for L or B, not the hero for whom L and B are the goal, the support, the care, and the reward. Yes B is the secondary protagonist and yes L was the antagonist and a foreign leader, but in the THIS story, which is Clarke’s story, their relationships helped move her forward [or kept her from] achieving her larger goals.)

Josephine also underestimated Bellamy. First she didn’t notice how he cared about Clarke or knew her and thought she could fake her way through the bellarke relationship (ha ha no.) THEN she thought that she could imply that they could “get through this together” (aka screw-- come on we all know that’s what she was saying,) and giving him Clarke’s body would be enough to get him on her side. Then she thought that offering (a lie) his people’s safety would be enough to get Bellamy to give her up. 

I don’t think she stopped underestimating Bellamy and Clarke until the cave, when she started paying more attention to Clarke’s memories of Bellamy and the attendant feelings involved. That’s when she stopped threatening him or promising him with his people’s safety and started comparing Bellarke to her relationship with Gabriel. 

And then when Clarke tapped out “boo hoo.” Wow. 

That was not only a message to Bellamy that she was there and listening, it was a message to Josephine that she was there and NOT GIVING UP. 

Josephine, who is narcissistic but not stupid, then reevaluated Clarke and Bellamy’s strength and power. She gave the body to Clarke when she needed to get out of there and stay alive. She knows who can fight.

But I suppose she still thought she was sneakier and would think her way out of her mess. MANIPULATE her way out. Josephine is probably more manipulative than Clarke, and better at it. She’s more charming. Clarke is too serious and singleminded to be charming. Clarke is COMPELLING not charming. 

In the end, after cajoling and bribing and poking at Bellamy, she tried to beg and plead and seduce Gabriel into saving her, and when that didn’t work, her last ditch effort was to befriend and trick and betray Clarke at the last minute. Not understanding the FORCE OF WILL that Clarke has. She was literally about to fly to pieces and disintegrate when she pulls a grounder move (same wound-- flying axe to the forehead that killed one of the delinquents as they tried to runaway from the drop ship) with a Bellamy skill (axe throwing) with the last of her energy before death (Clarke move, definitely).

NEVER underestimate Clarke Griffin. NEVER underestimate Bellamy Blake. And NEVER underestimate Bellarke.

Not only do the characters in this show forget that, but the fandom does too. 

[laufire]

In depth fandom ask: the last fandom you joined bc I can't remember it now

Well, I guess the last fandom I’ve properly joined --making a few edits, starting yet-another-WIP etc.-- is Black Sails, so. Plus I want to talk about it a little, spoiler-free, in case you decide to watch it ^-^ (I’ll leave that to the s3 post I need to finish...).

Top 5 favourite characters: Max is my number one, without a doubt, and of the rest of my faves Silver has an edge... but the remaining positions are a tough fight between Flint, Jack, Madi and Miranda, and I honestly can’t choose DD:

Other characters you like: Mr. Scott, Anne, Idelle, the Maroon Queen, Billy, Eme, Abigail... This show has a lot of great characters tbh.

Least favourite characters: I still loathe Peter Ashe with every fiber of my being. Alfred Hamilton is obviously The Worst(TM). And though it hasn’t grown into hate (yet), I don’t like Woodes Rogers one bit ¬¬

Otps: Flint/Miranda, and the combos in Flint/Madi/Silver and Anne/Jack/Max (in no particular order at the moment because I just HAVE TONS OF FEELS ABOUT THEM ALL).

Notps: I don’t have strong NOPE feelings towards anything, but I’m not into Eleanor/Max (which is a dynamic I actually really like BUT that I’m glad it doesn’t return to shippiness LOL); Eleanor/Rogers (I might be indifferent towards Eleanor most of the time but I haaaaaate Rogers for her. RUN GIRL), Flint/Vane (booooooooring).

Favourite friendships: Max & Silver (THE duo I swear), Jack & Max, Flint & Silver, Idelle & Max (I might not have said so before but I guess I like a little conflict LMFAO), Billy & Flint (NOT a friendship, but their relationship absolutely cracks me up I swear. “Who’s Billy?” XDDD).

Favourite family: Madi’s family, which is all I can say without getting spoilery. I just. *lies down on the floor overcome with emotions* xDD

Favourite episodes: the problem with binge-watching (okay, I’ve taken s3 more slowly but) is that they all kinda blur together LOL. Hmm. The season finales are all *chefs kiss* so far (sometimes in a very painful way... I’m looking at you s2. Though the ominous Flint/Silver moments in the s3 were A LOT too); any in which I get to see Max & Silver scheming together ofc. And the first handful of eps in s3 were particularly enjoyable to me because I was drowning in PURE ANGST and Flint & Silver feels xDD (I can’t NOT believe the fandom seems to call one of those “the shark date” asñldfjasdfñl).

Favourite season/book/movie: oof. I honestly can’t pick; s1 is probably the “least” because the others include better moments for some of my secondary faves, and because there’s a plot that’s really hard to watch... BUT it has things on it I adore to pieces too. s1-2 doesn’t have Madi (major drawback xD), and s3 is after one of my faves’ death... but frankly they’re all neck and neck so far.

Favourite quotes: “I am ruined over you” always comes to mind DD: “Liked is just as good as feared”; Max combo with Eleanor about sand (typing that down made me think of Anidala LMFAO. The scene itself is very different though! xD) in the s1 finale; “in another time, in another place, they would call me a queen”; “this ends when I grant them my forgiveness, not the other way around”, Mr. Scott’s “No. Only YOU.”... honestly, this show’s dialogue is just too good(TM), I could just quote it all back xD. And of course, I HAVE to mention “WHO’S BILLY”. It’s the law.

Best musical moment: the score is perfection all around, but given that I never skip the intro just to listen and watch it... yeah, the intro xD

Moment that made you fangirl/boy the hardest: well, I *might* have lost it the moment CAPTAIN FLINT COMES OUT TO LONG JOHN SILVER OVER A BONFIRE, IDK XDD

When it really disappointed you: the fact that I won’t get to see a fully fleshed out Mr. Scott-Silver dynamic is MAJORLY disappointing, let me tell you. That Flint’s actor didn’t somehow get his mother (aka Maggie Smith aka Professor McGonagall aka Lady Violet) on the show too ¬¬. LOL.

Saddest moment: character’s deaths of two of the characters listed on “top 5”/“others you like” xD.

Most well done character death: the hanging in 3x09 was well done and served its purpose.

Favourite guest star: for a value of “guest star”... I’m going with Idelle.

Favourite cast member: Jessica Parker Kennedy is the one that I know and love for other projects she’s done.

Character you wish was still alive: THE ONE WE TRAGICALLY LOST IN 2x09.

One thing you hope really happens: I’m cheating because I know there’s some of that in s4, but I want to watch more Flint/Madi interactions pls.

Most shocking twist: well, I wasn’t spoiled for Mr. Scott’s plot in s3 so I was (pleasantly) surprised by that xD

When did you start watching/reading?: a little over two weeks ago; I watched (devoured) s1-s2 and 3x01-3x04 in a few days because I wanted to meet Madi, and then I tragically had to slow down :(((

Best animal/creature: I will always love Treasure Islands’  parrot that Silver named after Flint LMFAO.

Favourite location: Nassau aka Max’s ~domain xD. And Miranda’s house.

Trope you wish they would stop using: noooooone. I love the tropes this show reuses LMFAO. Romantic Betrayals(TM), triumvirates, “good things happen in the dark/away from civilization”, the power of narratives, social climbing and revolt... bring them oooooon.

One thing this show/book/film does better than others: quite a few xD. But one that really stands out to me is the dialogue; both the ~deep and sorrowful type (there were so many quotes where I had to take a break to freak out properly lol), and the humorous ones.

Funniest moments: I know I’m repeating myself, but I recently rewatched the pilot to edit some scenes and I keep remember the WHO’S BILLY one xDD (which I maintain it was Flint trolling him. He could give Abigail a rundown of Billy’s whole life story AND he shamelessly checked him out that one time. Flint knows who Billy is, he’s just an asshole xD). Really, all the scenes between Billy and Flint in that episode are comedic gold lmfao. Billy’s “oh dear I fucked up” expression when he tells Flint the crew has started to think him weak and Flint looks half a second away from murdering him right there, his WTF face at Flint’s antics with the stolen page... Gold, seriously.

Couple you would like to see: I meannnnnn. I would’ve been very happy if the show had decided to go with Flint/Madi/Silver, for one. Bonus if Miranda could’ve been included. Or just explicit Flint/Silver in poly arrangements (THEY ARE IN LOVE, IT’S JUST ~COMPLICATED XD).

Actor/Actress you want to join the cast: MAGGIE SMITH DAMMIT.

Favourite outfit: literally everything Max wears in s3. Eleanor’s s1-s2 outfits were things I’d love to wear too. Flint’s ~dramatic coat. Miranda’s collection of supposedly-puritan-but-showing-the-goods dresses xDD (and ofc her London clothes), Jack’s clothes (he’s Nassau’s fashion icon lbr).

Favourite item: the books!! Especially when Flint gave Miranda “La Galatea” as a gift (given that sometimes he reminds me of my OC Latoya, you might understand the freakout I had when he gave the other member of my OTP a book titled like that xDD).

Do you own anything related to this show/book/film?: no, but I kinda want to. I did have a Treasure Planet computer game I tragically can’t find... it was about collecting money in increasingly difficult scenarios LOL. And I probably have more pirate-y/Treasure Island theme stuff. I had a long pirate phase xD

What house/team/group/friendship group/family/race etc would you be in?: Max’s because I like being on the winning team, thanks xD (though I do ~align more with Flint and Madi’s lbr...).

Most boring plotline: Eleanor and Vane’s ~romance is not at all badly written... but the fact that I find both of them boring kinda ruins the whole thing because I always wish that time went to someone else xD. Also, Blackbeard. Meh.

Most laughably bad moment: n/a.

Best flashback/flashfoward if any: the London flashback where Miranda goes to Flint’s house unannounced to take him to an art gallery, she finds him half-naked and he gets all awkward about it lmao. And then they hook up in the carriage :DDD

Most layered character: we get to explore Flint and Silver the most. Silver’s development in particular is something that never ceases to impress me ngl.

Most one dimensional character: except the one-note characters I wouldn’t really call anyone completely one-dimensional, tbh. Though I do think the fandom attributes more complexity to Thomas than it’s seen in canon? Like, I like what I see; I think he’s functional, he works well, and he adds wonderfully to Flint’s (and Miranda’s) story, but I don’t see him as a full character in his own right. Which is perfectly fine for the narrative so far, but I fear it might fall apart for me at the very end.

Scariest moment: I never know what to say in this... I mean, I guess Flint killing a man with his bare hands in the pilot Like That was scary xD. I understand why Silver freaked out LOL.

Grossest moment: any of Max’s interactions with Vane tbh. Stay away from her ¬¬

Best looking male: Flint has that ruggedly handsome thing going on for him, if you’re into that (and sometimes I do appreciate his ~aesthetics... very sad he shaved his head in s3 though. Like, I get you did it for the Angst, honey, and trust me, I Feel U, but still). I feel like I might be forgetting someone, but seriously, none of the dudes in this show so far do anything for me LOL. I can honestly say I love them for their personalities xDD

Best looking female: I have a weakness for Max, but Miranda, Madi, Anne, the Maroon Queen, Idelle, Eme... all of them are gorgeous in their own way. This show is good for sapphic women’s enjoyment in that sense xDD.

Who you’re crushing on (if any): I could crush on any of the women mentioned above tbh.

Favourite cast moment: I have literally only seen this post about an interview where Flint’s actor says he’s too old to party with The Youth of the cast and just wants to chill on the weekend... with bonus Max and Eleanor’s actress talking about how Vane’s once climbed the side of a building up AND back down. I’m with you, Toby Stephens, you don’t need those shenanigans xDD

Favourite transportation: the Walrus, for sentimental reasons LOL. I liked stolen Spanish warship too.

Most beautiful scene (scenery/shot wise): lots of good ones, though I think my fave might be the one of Miranda sitting by the window in London. Or the one of Charles Town burning down, I liked that :))) (I remember thinking “Flint better go full Daenerys on them”. And he did! It was nice xD).

Unanswered question/continuity issue/plot error that bugs you: n/a, so far.

Best promo: n/a.

At what point did you fall in love with this show/book: I liked it from the word go, but the moment that TRULY cemented it for me was in 1x03, with Max making a decision that I... frankly didn’t expect. It made things worse for her in the short-term, the storyline itself was difficult and disturbing to watch and I still have some mixed feelings about it. But what it said about her as a character and how her journey goes after that... I was in awe of her, and of the show.

[kennexara]

I’m still so mad. Like you can put aside the entire Cas thing - and even for that I wasn’t expecting anything but subtext, jesus, I just wanted him to show up and Dean smile at him my standards were fucking low. But even if you didn’t care about Cas and the 12 years of subtext between him and Dean there’s no way around the fact they just…fucked Dean over. Threw 15 years of character development out the window. For - for what? YOUR ENTIRE FUCKING SHOW WAS ABOUT DESTINY NOT MATTERING AND THEN YOU KILLED DEAN THE WAY EVERYONE - HIMSELF INCLUDED - DESTINED HIM TO DIE. What, you wanted to show they finally got over their codependent brother thing? Jfc show them living in separate fucking houses it’s not that hard.

Like, okay, I’m going to tell you what I wanted to happen, and also how they could’ve tweaked it to leave everything ambiguous - do they die next week, do they die of old age, we aren’t telling - and still have the show make fucking sense.

You can keep 15x19 - it was fucking weird, but whatever it works. I do think you should replace the montage with this one, and also you maybe should’ve played carry on wayward son at the start of this second-to-last episode. (hey harkening back to season 1 without destroying 15 years of growth!)

Then 15x20. Don’t do that just-two-brothers-against-the-world. If your primary message was about free will your secondary message was about found family. Show them ACTUALLY checking up that all their friends are back. Jody & Donna and the girls. AU Bobby and AU Charlie and her girlfriend. Eileen - how dare you establish this kickass deaf hunter, slowly start something between her and Sam, and then just fucking forget her. As if two episodes ago he wasn’t more upset about her disappearance than anybody else’s.

And Adam. Get Jake Abel one last time and give him something to do besides stand there while getting called a cuck. “I was wrong before,” he says to Dean. “Sometimes - sometimes, we do get what we deserve.” Dean smiles and slaps him on the back but his eyes are sad. He has that look - you know the one - that he gets every time Cas is gone.

But COVID- Then have everything be phone calls. Or if you’re really cheap and lazy just dig up past dialogue of Hey or Hi or Hello from these people. I don’t need entire conversations, I guess, though I’d prefer them.

“So that’s everyone,” Sam says, putting down his phone. “Everyone’s back.”

“Well, not everyone,” Dean sighs and he has that Look again. Sam gives him a sad look and starts to say something but is interrupted by the creak of the bunker door opening. It’s Cas, of course it’s Cas, and Dean stares at him with that look he always gets when Cas comes back from the dead.

“How are you-”

“Jack,” Cas explains. “He brought me back when he restored everyone else, and I’ve been helping him change things in heaven. It took longer than expected, otherwise I would’ve come sooner.”

“Jack got you out of the Empty?” Sam asks.

Cas hesitates. “Sort of. The Empty claims angels. But if that angel has developed a human soul…the Empty can’t hold it. But it could still take my grace,” he adds, sounding annoyed at the last part.

“You’re - you’re human now?” Dean asks.

“Yes,” Cas says, looking at him. “That’s why I couldn’t return to Earth until we were done with heaven. Are you mad?”

“No,” Dean says, “I don’t - human or angel, it doesn’t matter, I’m just glad you’re here, Cas.”

(And then, if the show had some guts, Cas would say, “No, I meant the thing I said before I died.” And Dean would say, “No, of course not,” and then make some excuse to get them away from Sam and they would actually TALK about it and I don’t need a kiss just Dean saying something about “I feel the same, you know,” and “Being’s nice, sure, but having - having is even better.”)

But they don’t have guts so I’d settle for Dean and Cas hugging and then the three of them all stand there until Sam says, “What do we do now?”

And Dean smiles and says, “Now? Now we write our own story.”

(and if they really decided not to go with classic rock they could’ve done christian rock a la matt maher’s ‘hold us together’ which does not mention god or anything, just talks about how ‘love will hold us together’ and ‘I’ll be my brother’s keeper’ but most importantly ‘this is the first day of the rest of your life.’)

Then you actually show them living lives that are balanced. They’re not full-time hunters, but neither have they stopped completely.

The show’s been establishing Sam as a leader, maybe have him running an American hunter network of sorts? Or having the wall of phones like Bobby? But he still lives in the suburbs with a white picket fence and kids bc that’s the straights dream life apparently. Or if you really want to have season 1 callback, have him be a lawyer for hunters - god knows they get in trouble or arrested by law enforcement enough.

Have Dean open a bar for hunters, like in that dream fantasy from AU Michael. Actually, maybe it’s a restaurant, partially bc he does like to cook and partially so that teenage hunters can breeze in and get advice or extra rocksalt rounds without any trouble while he Dads them. Maybe even have some monsters show up and Dean kicks their asses, like in his dream world. And Cas is there - of course Cas is there, rolling his eyes at Dean’s one-liners but smiling at him fondly all the same.

Don’t do the wig and makeup and ‘look they’re old now!’ thing. Just…don’t. Just fade to black on some scene of Sam and Eileen visiting Dean and Cas at the restaurant and they’re all smiling and laughing.

Then, that scene of Dean in heaven mostly plays out the same. Dean flexes and looks at his hands, his whole body, and says, “Huh, must be in heaven, no arthritis,” or some other issue to let us know he did grow old. And Bobby greets him and doesn’t have to explain quite so much about heaven since Cas already did. And maybe instead of the Roadhouse it’s Dean’s actual restaurant, and you can hear everyone they’ve lost - Charlie, Kevin, Ellen, Jo, Mary, etc inside, bc again COVID and just voices would be enough for me. Maybe you can hear even Crowley and Benny, and Bobby makes some comment about “Oh yeah, Jack dragged people from all places just for you.”

And Dean says something about, “Not everybody is here yet.”

Bobby rolls his eyes and says, “They’ll be along soon enough.”

(I think…I think I would like Sam to be one of the voices coming from the restaurant. Sam always seemed a bit more able to live without Dean than vice versa, so I’d think it’d be nice to show Dean could and did. But they probably really wanted to end on a ‘look at the brothers’ note so I guess Sam isn’t there quite yet.)

Dean gets into the car and there’s that flap of wings they haven’t done in years and “Hello, Dean,” from Cas in the passenger seat and Dean grins at him and cranks the radio higher and it’s playing, idfk, I know they can’t do Stairway to Heaven but we know they can do the actual Kansas version of Carry On Wayward Son so if they’re gonna play that song PLAY THAT VERSION and maybe morph it into the slower one from the musical episode as Dean and Cas exit the car and Cas smiles and Dean says “What?” before turning and Sam’s there and maybe they stand on the bridge together but you know Cas is to the side and Bobby’s waiting at the restaurant with everyone else.

But some fans want blaze of glory and some want growing old so we split the difference and- and made nobody happy motherfuckers! If you want to please everyone then don’t show either! Fade to black from Dean saying “Now we write our own story” and idk, maybe you should’ve saved the montage for this, or at least just say “Sometime in the future” and then my version of the heaven scene plays out minus the arthritis comment and both Cas and Sam show up quicker and it’s left ambiguous if they all lived long lives or died in a blaze of glory a week after stopping Chuck.

[violet-sabres]

Some quick observations re: TROS and some "reylo"musings (spoilers)

- the editing removed A LOT of emotional pay-offs for so many scenes. The decorations and actors change quickly, a bit randomly - in fact it takes a while before this movie finds its tempo and footing. Something weighty happens and no reflection is allowed even in briefest sketch of a reaction. Next scene. Next scene-

- Poe, Finn, Rose and two new female characters were absolutely robbed. Both by the ungodly pace of this movie (there is much potential for scenes that could mean much much more in the whole storyline. As is, they are discarded as soon as they happen). The bond between Finn and Poe got severed in the beginning with some awkward finnrey moments and strange jealousy (was that what it was???) from Poe. I say either carry out the finnrey thread (which was also beautiful actually, though Finn deserves so much better than how she treats him in TROS...) or finnpoe, something which JJ himself built up. Rose should be given an independent arc with no romance involved, or a love interest of her own.

- Rose's infatuation with Finn is never touched. Rose herself is absolutely erased - she is a statist, providing some dialogue with absolutely no weight behind it. JJ treated her terribly - it was his privilege and responsibility to utilize whatever he got from Johnson as he saw fit; but throwing away her potential only underlines the racist sidelining he did to all characters of colour.

- the heteronormativity I can't understand - Finn and Poe are JJs babies after all (and yeah, I know - shareholders...). Why tease hetero relationships for both and STILL leave even them hanging?? Like, he discarded Rose bc first of all racism, second - Johnson's 'leftovers' I guess? Unacceptable. The lady of Poe's was sketched boldly - but still sketched. Her inclusion wouldn't feel so random if Poe wasn't shown to be this randomly emotional abt her all of a sudden. Why now? It felt a bit forced and this is a shame bc she (and Janah, omg Janah...) is super cool. I'd love to read and see way more about all of them.

- Finn and Janah - wonderful rapport, so much empathy and loyalty, they are wonderful together. I definitely could see them together as well - so many threads to explore! There was so much potential to embed meaningful relationships for Finn into the plot. Janah is one of those that felt quite right but deserved more still. She deserves a story of her own. Not for the first time it is a secondary character of colour who carries so much potential and substance and gets sidelined. I dont mind Kylo content btw - but this series was shown to concentrate on 3 people and a villain. Keep to this proportion or perish I say. They didnt keep them and the movie feels unfairly skewed towards the force dyad of Rey and Ren. Hence, robbed. We were robbed of much of quality content here.

- the implication/suggestion that Finn may be Force sensitive held so much promise. I love Finn and Boyega played him with so much passion and dignity. He grew into leadership without pretense or drama, was competent and knowledgeable about the inner workings of the Fleet and found hope he was struggling for. Honestly the problem here is that his prominence was teased to be greater than the actual time and the weight of scenes he was given. This movie should be longer, scene order less abrupt and random - so the characters that were shown to matter in the first part could matter here as well.

- JEDI FINN please. The potential of it was teased - they should scrap some of the scenes and build those kinds of plot points more thoroughly. Finn's arc should be more - but that doesn't mean Boyega played it any other than magnificently. He got what he was given and made it his. I hate that this still means it was not as much as he and Poe deserved it. Same with Rose.

- galactic generals (*husbands) Poe and Finn. It could be marriage, it should be - Isaac played a man in love. I enjoyed this new romantic angle with the spice smuggler lady as well - but it required more buildup. As it was, it made for an awkward and frankly homophobic ersatz for finnpoe plotline of the first and even second movie. I hate wasting the potential of new characters in the movie, and this is what happened here. Also Poe's smuggling past - no previous setup that felt offensive to many bc of its randomness and no previous grounds in existing media. Felt like unnecessary sensationalism here.

- Rey is complicated here. I didnt like her attitude towards Finn and wished for more appreciation of their own idiosyncracies between them. Finn deserved his love (whether romantic or platonic) to be recognized. It was lacking here.

- I loved the fight scenes, the dialogues with Ren that should begin in TFA if they wished for the romance to be acceptably wet up. Driver is so fucking physical and huge, a bit awkward and very strong. To me it was attractive - but to me Kylo always lacked the threat in him when it came to Rey; I know this isnt so for others and respect that.

- Choreography is super effective here, the body work of Rey and Ren is wonderful.

- lighting, the sith locations were one of my favourites

- the creatures - while in the background, theybwere lovely. They made for lusher world out there.

- Palps was eh. Needed for the ending setup, ultimately fell a bit flat. The twist re his endgame would feel better if the whole scene didnt play this fucking quickly.

- the death (you know whose...) is quick and abrupt, passing fleetingly with no real depth or importance. They are rushing to another scene so quickly they forget that if you love somebody enough to accept them fully, this person's death tends to leave some kind of impression. As it is, Rey is hardly the first character robbed of emotional engagement in TROS.

- sigh. Ren. I love to hate him and hate to enjoy him still. Also feeling like a hypocrite bc would I enjoy him if not for my prefernce for how Driver looks like? Would anyone who I respect a bit more than his most fanatical reylo fans? I have no answer really.

I've never seen a character ripped into shreds from so many angles. For incels and dudebros he is a pussy (a lot of girls I know also mentioned that). He is supposedly not cruel enough, not awesome like Vader, whatever.

For others he is a genocidal criminal, and that he is. You can't sidestep Tuanul or his passivity in front of Star Destroyer wiping out whole planets. He is implicated in this genocide - and that scene where he is supposedly mutely watching it from the distance falls flat if its intention was to show he wasn't entirely behind Hux's agenda. He still never stopped him. So yeah, it is obvious that for many he is absolutely undeserving of any empathy, much less a romance plotline with movie's heroine. Especially when the first scenes setting it up were so messed up.

Now I hate the word reylo and I'd rather choke than call myself that. But I did enjoy their enmity and idk love?? towards each other? It should be plotted more consequently and I believe if JJ didn't muck it in tfa people would be a lot less opposed to the whole villain x heroine thing. Nobody opposes it bc of that - it's the torture bed and it's the "whatever I want" line that made so many recoil. It's the absolute lack of coherence at a time where more self awareness was needed from the director of the very first part in the series.

I believe there is a kind of generational divide on topic of their romance. Youve got gen z "antis" who argue about the abuse (and have a lot of good point more reylos should think hard and long about) - and mostly adult to older women (this includes older milennials also!) who grew up steeped in gothic romanticism that, up to gen z growing up, was a dominant romance paradigm in the West.

Youve got your Wuthering Hills, your Pride and Prejudice and Beauty and the Beast. I hate it. I absolutely abhor it, and the more the reylo fandom hammered their whole relationship from this angle, the more I was distancing myself. I believe the whole genre is steeped in toxic masculinity and yes, you can look at reylo from this angle as well - and I understand that when you saw those scenes from TFA, and didn't feel convinced by entirely paradoxal romance teasers (bc JJ mixed them both in equal measure, and thus killed wide enthusiasm for reylo for good) then what happened in TLJ and TROS must look like the embracing toxic hetero romance in entirety. And to some degree it is - entirely by JJs fault. The other elements that you mightve ignored in tfa suddenly get amplified in tlj, in tros and youre left wondering why the hell Kylo Ren could ever be seen as romanceable?

But the thing is, while the analogy of angry white male pursuing a pure young woman seems fitting, it doesnt work for me here. I also acknowledge that it may be in part bc I'm used to the gothic paradigm, attracted to Driver as Ren and feeling safe and assured that Rey would stay herself despite whatever he wanted from her (and she did in my opinion, she never caved even when she loved him). Kylo is white, and he is aggressive - he is a villain, he tortures and hurts Poe and Finn and plays psychological games with Rey, he shouts a lot and is very physical, which in itself looks threatening.

All those could end up somewhat accepted bc he is a villain - people will accept the consequent villain, or paradoxical one done with self- awareness on side of their creator. JJ was absolutely unaware of what a mess he did I bet - the worst elements that crossed "reylo" off the list for so many people I'd argue were first sown by JJ himself in paradoxical chase of I tease this-now I don't. Here's what I mean.

It was JJ who put Rey on that horizontal torture bed, even when Poe's was upright. It was JJ who had Ren say those gross words abt taking what he wanted. It was also JJ who irreaponsibly and paradoxically played with symbolism normally reserved for gothic princes DESPITE the gross elements he himself planted - the mask going off to reveal a goofy Disney prince, the crouching so as not to scare her, the freaking bridal carry, the humanizing via showing Ren's vulnerability. I actually hated some of those scenes - I loved the face reveal no lie, but what followed was unacceptable. Why style your villain this lush and vulnerable when you're shooting your own foot a few minutes after, with dialogue that had whole groups of young women discard him as trash? Why not polish your villain with more self awareness so that the ground for the romance is understood and cautiously accapted?

So youve got an internally cracked TFA that for some was obviously teasing reylo but for others made it unacceptable forever. This is one hell of a difficult mix to continue with and I believe if JJ was given the 2nd part to work with, perhaps he might be able to somehow work with Ren so that TLJ wouldnt feel like slap to the face to those who saw mostly the worst parts of Ren that JJ himself designed. Perhaps he would also polish the romance teasers or got rid of them altogether, idk. TROS shows that while he was eager to discard anything that Johnson had put into motion, he chose to leave reylo content still. This is really paradoxical to me, today as it was back then.

Now reylo isnt super mainstream - if he got rid of it, it would surely anger a lot of people but also satisfy an equal amount of others. Yet he chose not to and I'd argue it is because he planned for reylo to happen from the beginning, just in a shitty way we first witnessed in the worst scenes of TFA.

I'll also argue another point - if Johnson was given the saga from the beginning, reylo wouldnt be nearly as much hated and regarded as abusive for so many. It is this particular humanization of Kylo that was criticized by so many that would protect the 1st part from that torture bed, and from taking whatever Kylo wanted. As it was, when all this sudden humanity followed JJs paradoxical mess, only opposition could come bc it kind of must - it looked for many as woobifying somebody who was already irredeemable. The irony is that JJ probably never planned for this - maybe he thought he could pull this off, somehow work out the agreement between ugly Kylo and Kylo worthy of Rey. Johnson just put a fat line between TFA and his own vision, and irresponsibly ignored all the ugly heritage that should be better worked on if he ever hoped to rectify JJs paradoxes. He didnt do this and thus the mess.

I dont know if it would ever be possible though. Perhaps theres been a shift in ethics, in aesthetics even, so big that for the gen Z this kind of relationship is unacceptable. I dont see anything bad in this - even if I enjoyed a lot of reylo's potential, there will be better content, better romances done by those kids who despise reylo now as well. Meanwhile I plan to stay on this weird pole stuck deep into my ass between reylo enthusiast and haters bc I cant for shit choose a side fully.

Bc I dont see the abuse this clear cut - but am also unsure how much of it is my cultural baggage, the history of normalizing toxic masculinity etc. I bet it's both to some degree, like with all gothic romance genre, - and that there wouldnt be this whole rift at the heart of tfa without toxic masculinity normalization at all. Without it there would be no torture bed and no threats. And the irony is that Johnson would probably see to that better. But not as good as a woman behind the camera to begin with - if you want a heroine at its heart that is.

Like, you can see JJs initial vision as pretty homogenous - the bed, the words, and ignore all the paradoxical romance symbolism in there. You can also look at it as fractured and absolutely lacking coherence, and fish for the elements youd like to stay in next parts. I welcomed Johnson bc he took the best in Kylo and left JJs mess behind. This is also the very reason youre gonna hate the TLJ if TFA felt coherent for you. Bc you cant ignore that which felt threatening and cruel and very much obvious.

I have no easy recipe at dealing with this saga. I cant throw my weight behind reylo fully, ever, but will cautiously accept the potential it could have should it be more coherently written. I love so much of art and those fics that are in line with my wishes towards how Ren should be done from.the beginning.

When I was considering what to.think abt all that, back in the beginning, I didnt want for Rey to cater to emotional demands and baggage of an aggressive male, and I believe she actually doesnt - time and time again she asserts herself, maybe messily but she has the right to her anger and pain so the messy it has to be. She is shown to hope for him becoming better - and isnt manipulated or groomed to do so, and if loneliness was the only reason to stick to him then any other person would suffice, which isnt the case. She is loyal to the cause to the end and happily carries on despite Ren dying, even if it's clear she loved him. She is her own woman and the magnitude of his emotions, the physicality of his behaviour hardly influence her - she neither cowers before Kylo nor caters to him, ever. I love her for this, actually.

So there you have it, my messy thoughts on both TROS and 'reylo' dynamics. I cant say Im satisfied with both. There could be more, Ren could be fleshed out better in the beginning. The potential of so many characters was left undeveloped. I dont feel satiafaction even with elements I loved abt reylo bc there is no counterpart in other aspects I hoped to see developed. I wanted Rey to have more time with Finn, for Finn to have more time with Poe, for Rose to matter in tros as well. I wanted more of Rey and Leia, and for Ren to have more coherence to his character. Ultimately I got crumbs and some bits unable to be stomached.

Go and watch tros, stay in the place of engaging with this series that feels best to you, closest to your needs abd perceptions. Tros will not satisfy anyone in full, also bc of editing and the pacing - which is terrible. Reylo will either frustrate you or frustrate you for entirely different reasons. Dont take JJs shit, dont take Johnson's. Take from the saga whatever works for you.

I dont think it's possible to fully embrace reylo, without reservations. There are grounds for the so called antis to point out the toxic masculinity and potential for abuse. There are tropes suggesting romance despite this still, all in just TFA. It was a mess from the very beginning and it's normal people took sides.

I'm just glad it's finally over.

[firebirdsdaughter]

The whole issue with Korenosuke pretty much boils down to brainwashing and slavery when it comes to Humagears. They are allowed to keep existing after reaching singularity if they chose to continue serving humans. Should they decide to have dreams beyond that, they need to be destroyed because god forbid they think for themselves and want a better life. To me this doesn't sound good guy like (not even grey grey), rather this is a bad guy in the making.

Yes, I totally understand that, esp bc that’s kind of the impression I’ve been getting of him, too.

That’s why I described him as a ‘less sympathetic Shroud’ type character. To explain the comparison… Well, if you haven’t see KR Double, warning, spoilers:

Shroud is a mysterious woman responsible for giving the secondary Rider his powers, and who often cryptically helps the main pair w/ weapons. She seems rather fond of one of them (Philip), but keeps warning him away from the other (Shoutarou) bc he’s ‘not good for you.’ She seems to be an ally, but as time goes on, she shows herself to be increasingly ruthless and cold. It’s revealed she choose the secondary bc he was motivated by hatred and revenge for his family’s murders, but when he breaks free of that and warms up thanks to the heroes, she literally sends him to die bc he’s of ‘no further use to her.’ She repeatedly tries to get Shoutarou out of the picture bc of his kindness and heart, and eventually states that she intended for the secondary and Philip to be Double, and for it to be a tool/weapon of revenge, w/ no compassion or heart, in order to destroy the villains. Also, turns out she actually was partially responsible for the secondary’s family’s deaths bc she gave the guy who killed them the super powered item in the first place in the hopes he’d attack the bad guys, and when he killed innocent people, she felt bad, but choose to manipulate the survivor into becoming fuelled by revenge like her rather than taking responsibility. She wants the same thing the good guys do, but her actions are largely no better than those of the people she’s trying to stop. For her, though, it does eventually turn out that, however twisted it got, her actions were motivated by love; Philip is her son, she was initially trying to protect him, but got so consumed by her hatred of her husband for what he’d done and her own desire for revenge that she became no different. In the end, they prove to her that she was wrong and she agrees to stand down. There’s no big dramatic ‘everything you did is okay now.’ Doesn’t ask for forgiveness. She stands aside and trusts them to build a new way.

(wow, that was incoherent, sorry…)

Now, to me, the big difference between these two is that I doubt Korenosuke has the ‘my husband went nuts bc of green planet light stared treating our son like a tool and then horribly injured me when I tried to protect my child’ start of issues; or maybe he does, I don’t know. But I get the same ‘wants the same thing, but is doing it wrong and for the wrong reasons’ kind of vibe, where Korenosuke is like ‘yes, we must stop Gai from destroying all the HumaGear’ but it’s bc ‘they benefit humans’ rather than ‘bc they’re people who deserve to live,’ exactly… And there’s also the fact that we’re outside the show universe. In universe, I can def see him being a lovely, personable dude, good boss to his human employees. But, just like everyone else in the universe, he doesn’t see HumaGear as people. Like, I like the idea of finding out he had the view you mentioned proving to Aruto that this actually needs to go deeper than just ‘make people like having HumaGear around.’ Make him realise the shallowness and the issues w/ that form of ‘support’ and choose to work to change the attitude.

I say I don’t seem him as a big bad partially bc I don’t want him used as an excuse for Gai’s actions, but also bc Aruto wouldn’t necessarily need to physically fight him. I feel like that’d be more of an emotional thing, rejecting the assumptions of the past and starting a new future.

So it’s not hat he’s ‘good’ compared to Gai he’s just a… ‘Different’ sort of dangerous?

If that made any sense?

[flying-elliska]

salut ellie! someone once asked you about your writing and you recommended falling in love with language and finding ways of writing you love. i was wondering, what books and/or writing styles are you in love with? it's just so interesting to know what somehow had an impact on the way you're writing bc i honestly adore your style

wow do you remember that ? that is such a flattering question oh my god. well, i’m still working on it. some of my favorites are (i’m very eclectic lmao) : 

- His Dark Materials (it’s a fantasy book series ‘for kids’ but it’s actually insanely deep and philosophic) is pretty much the first book series that made me fall in love with stories, and made me want to write. I think I found it when I was 10, and it completely shaped me. It’s so ambitious and clever, it never talks down to the reader, brings up those amazing worlds and philosophical concepts and is still accessible to kids. Most of all it is so committed to atmosphere, to making it vivid, to really make you go through what the characters are. I’m thinking of it and I can remember exactly certain passages in an almost sensory way : the witch Serafina Pekkala describing what it feels like to feel the Aurora Borealis on her bare skin as she is flying through the arctic. The polar bear Iorek giving Lyra frozen moss to help bandage his wounds after a battle. The grilled poppy heads that the Jordan College scholars at Oxford eat during a meeting. The little Gallivespians on their dragonflies and the way the sun reflects off their poisonous spurs. That’s how you make a story stick ; that’s how you can put in deep stuff without ever making it boring. I am so excited they’re making a tv series because that shit deserves some recognition. And I mean the whole plot about the importance of stories, free will, the horror of religious fundamentalism....always relevant. Philip Pullman’s stuff is great in general, I love his Sally Lockhart series, which is more adult and adventure focused, and is a great deal of fun. And of course, the sequel to HDM he’s been putting out recently. 

- I spent a lot of my teen years reading either crime novels or historical novels. (When I think of some of the stuff I read when I was 13 I’m like oh my god what were my parents doing lmao some of that was really horrible.) And I think it gave me a good feeling for suspense and setting, and how important tension is. One of my all time faves is Andrea Japp. She is a French writer who does mostly crime, involving complex/monstrous woman characters and a very sensory, poetic approach to language, often involving food, plants and poisons. My favorite by her is the “Season of the Beast”/Agnès de Souarcy chronicles, which is a crime series set in medieval times, with a cool independent lady at its core, crimes in a monastery, and this very gloomy end of times vibe that I love. I also read a lot of Scandi Noir stuff, I love the kind of ...laconic approach to life. And again : vibe. Vibe is so important. And Sherlock Holmes stories. I love the Mary Russell series that take place in that universe and are basically a big Mary Sue self insert guilty pleasure but are just. So much fun. 

- I like poetry a lot - not stuff that is too wordy, but something short, sharp and vivid. i think reading poetry is essential to feeding your inner ‘metaphor culture’. I love Mary Oliver. Rimbaud, too, that I read at 17 and rocked my world. One of my underrated faves is  Hồ Xuân Hương, a Vietnamese poet from the 18th century who was adept at using nature metaphors to hide both erotic stuff, irreverent jokes, and political criticism, and correspond with all the great scholars of her time under a pseudonym. Badass.  Recently I bought ‘Soft Science’ by Franny Choi, which is about cyborgs, having a female body, emotions and politics and it’s absolutely brilliant. 

- I love reading fairy tales, too. Currently reading (i always read a lot of books at once lol) Angela Carter’s Book of Fairy Tales, basically fairy tales for grown ups, collected from folklore all over the world, with an amazing kind of gruesome humor and wisdom. Norse mythology is also so damn funny. That one bit with Thor dressing up as a bride or Loki’s shenanigans...amazing. And I like fantasy, I find it very soothing to read for some reason, my fave has to be Robin Hobb and her Realm of the Elderlings series. And Terry Pratchett, especially the series with Death or the Witches. Just brilliant. Neil Gaiman too. 

- I tend to be very impatient when it comes to literary fiction, I find a lot of it is self-indulgent, dreary. I’m a genre reader through and through, I need to be amazed. I loved ‘the Elegance of the Hedgehog’ by Muriel Barbery though. Some stuff by Amélie Nothomb, Virginie Despentes occasionally (they’re French writers with a very dark, wry approach to life, tho the first is more polished acid and the second very punk rock). And ‘Special Topics in Calamity Physics’ by Marisha Pessl is pretentious as hell but a lot of fun, if you like dark academia. Salman Rushdie has a way with language that is amazing. 

- I read a lot of non-fiction. At the moment : the Cabaret of Plants (about the symbolic/socio historical meaning of plants and how they shaped history) by Richard Mabey and ‘Feminist Fight Club’ by Jessica Bennett. One I absolutely love is ‘the Botany of Desire’ by Michael Pollan in which he traces the history of four plant species (apple, potato, cannabis, tulip) and how they impacted us as much as we impacted them. I was obsessed with plants for most of my life as you can see lol (my mother is a herbalist and I wanted to become a botanist for quite a while.). Also philosophy/anthropology in little bits. I love Tim Ingold. Things about witches. Anything by Rebecca Solnit is incredible. 

- I’ve been reading a lot of YA recently, because it’s fun and quick and keeps me reading, and has a lot of good female characters. Big fave recently : Jane Unlimited by Kristin Cashore. It’s about a young bisexual woman who’s grieving and comes to this weird house full of doors, each of which leads to a different path in life, and we follow her through each choice she can potentially make, each of one becomes a different genre of story : creepy ghost story, spy story, sci-fi, cute romance, etc. It’s so innovative and it’s a story that is also bisexual culture at its core. Also I absolutely love love love love love (etc forever) the Raven Cycle series by Maggie Stiefvater. What she does with language is just so cool, because she stays simple and efficient but uses her metaphors in such a fulgurant, vivid way. Some of her lines are just. bam! genius. #goals. Also Ronan Lynch is probably THE character that helped me the most with my coming out. He’s one of my forever faves.  Of course Harry Potter, lmao, I was of the generation that pretty much grew up with him, the last book came out when I was 17. JK Rowling really should just stop rn. But I learned so much from those, about the importance of making your story feel like home, and having a clear emotional journey. And Harry is such a sarcastic little shit, I love him. And I love a Series of Unfortunate Events too, the darkly funny tone of it, the celebration of knowledge and resilience. 

- I think in terms of the classics (I had to read in school lmao), I do like Victor Hugo a lot even though some of his stuff just doesn’t fucking stop. I also like Balzac and his Comédie Humaine, he’s very observant, mean and funny when it comes to people (even though it’s depressing.) Colette is my grandma’s fave writer and she is a rockstar, I love her (also hella bi culture). Jane Austen is great, I read Pride and Prejudice in one night straight, I was so hooked. Love Jane Eyre too. I read On the Road by Jack Kerouac while hopped up on opioid pain killers and that’s probably the only way to appreciate it, but it did mark me.  

- But to be completely fucking candid, I probably read the most fanfic nowadays still. Esp since I got to college, I need to unwind when I read, and having characters you already know can be so comforting. Now, of course, there’s a lot of fanfic that is just fluff (nothing wrong with that) but I honestly really believe in the literary value of fanfic. Because some of that shit simply just really slaps and is well written. But also as a genre on its own : you just simply don’t get so much emotional nuance, and depth in most other things. Because these are characters we already know and the writers are not afraid to be self-indulgent and plot is secondary, we see shades of things that we never see anywhere else, we see relationships developping in the small things and wow that shit is breathtaking, bro, sometimes. The art of infinite variation on a theme. Even though a lot of fic writers could use a bit of stricter editing, and do stuff a bit too many unnecessary details in here, so does Victor Hugo soooooooo....

lol i could go on forever. i love book soooo much. uni kinda killed my reading appetite, I used to read several books a week when I was in middle school. hope i can get back there (although maybe not as much bc i have a life now lol.) but thinking about everything i have yet to read makes me sooooo happy. I want to get more into sci-fi, English lit classics. Basically I like stuff that’s witty, dark, political, hedonistic, with dry humor, but a warm heart. Stories that celebrate knowledge, curiosity and human weirdness. And that gets to the point. When I get bored by a book, I put it down, because I just don’t have the time. I also hate writers where you can tell that they think they’re better than other people. Misanthropy is boring. Thank you for this question anon I had a blast

[mikototsu-trash]

It is always funny to see people say anyone but Totsuka mattered to Mikoto because he made him good

I’m Late to answering this ask but what else is new

idk why anyone would send me an ask thinking that I agree only Totsuka is important to Mikoto bc I’ve posted quite frequently in the past about especially Anna’s importance to him??? Anyway, this disc horse is long dead and gone but I’m a petulant little shit and I have a lot of Thoughts and Feelings about Suoh Mikoto, the fictional love of my life. 

Disclaimer: this is just my opinion/interpretation of canon and not intended as an attack on anyone else’s thoughts or a presentation of the One True Correct Way To Interpret K Project, or as an attempt to reignite any disc horse, I’m just chronically late to the party lmao. Also, my memory is shit and I haven’t read some of the side materials in a long ass time so if I forget/misremember anything, please let me know!!

Secondary disclaimer: whilst I am a hardcore miko/totsu, this is written from the perspective that all relationships mentioned are platonic.

Third disclaimer: this is probably gonna be long af so it’s going under a cut, but the main summary of my viewpoint is that Tatara, Anna, and Izumo are all equally important in Mikoto’s life, but they all serve different purposes in his life and balance him in different ways. The difference in the ways in which their personalities and traits complement and balance Mikoto’s own doesn’t diminish their importance though, and he would be worse off without any of them.

Okay, so I’ll start with Mikoto’s oldest friend Izumo, who Mikoto knew before he even met Tatara. He’s basically the closest thing Mikoto has to family, and I read their relationship as quite a brotherly one. Izumo knows Mikoto very well, and seems to have a pretty good grasp of how he works. Izumo is also hard-working, tactful, clever, and thoughtful. He’s very forward thinking and level-headed, and takes on leadership roles well. In this way, he balances out Mikoto’s impulsiveness and lack of forethought/difficulty controlling his powers that he displays on some occasions. He helps to direct Homra’s, but particularly Mikoto’s, strength to the places where it would be best employed. I also read a number of Mikoto’s character traits as potential symptoms of depression, especially his low energy and motivation, so having someone like Izumo around to deal with day-to-day running of business and behind-the-scenes stuff takes a burden off him. Izumo is the right-hand man and brains of the outfit, and without him, Homra would be disorganised and ineffective, as would Mikoto. In essence, Mikoto is the Big Gun, who is very powerful and commands respect, but who is far less useful without the tactician to decide where would be most effective to point it. 

Next we have Anna, who is basically Mikoto’s daughter. He cares for her fiercely, to the extent that sometimes her presence is enough to calm his aura (but not persistently). His final words were his apology to her, a threat against her from the Colourless King sparked more anger in him than a threat against anybody else, and he does things for her that he wouldn’t be caught dead doing with anyone else, like going on “dates” and to the amusement park and reading stories. He barely knew her that well in Side:Red and he nearly started a clan war with the Golds over her anyway. I’ve elaborated more on the importance of their parent/child relationship in this post. The way Anna balances Mikoto is like Tatara says - Mikoto’s powers are meant to protect, and Anna is the thing Mikoto most wants to protect. Mikoto and Anna also seem to have an understanding of one another - they’ve both suffered immensely because they’re different to everyone else, and it seems to create this instinct in Mikoto to want better for her than he had for himself. Their influence on one another is very pronounced, and their bond and Mikoto’s protectiveness of her is very deeply important to him. I’m very passionate about these two’s relationship, and I refuse to believe that Anna doesn’t matter deeply to Mikoto, and vice versa. This is the hill I’m gonna die on he’s her dad and that’s that. 

I also wanna dedicate a little bit to Reisi as well, because whilst in my view he’s maybe not 100% as important as the other three, he does perform an important role. He’s the only person who is Mikoto’s match and equal in terms of their level of power, and when Mikoto can’t control his powers, he knows he can let it out safely around Reisi without having to worry about hurting him. They’re pretty much foils to one another, and Reisi is the only person Mikoto trusts to end his life - Habari Jin was stopped by Zenjou Gouki, and yet Mikoto chose Reisi rather than Izumo, because he knows Reisi will do whatever is for the greater good above all else and he doesn’t let emotions cloud his judgement, whereas Mikoto is very much controlled by his emotion. He provides something for Mikoto to safely throw his powers against and let off steam, but he also understands the burden of being a King in a way Mikoto’s clansmen can’t, and is a force of regulation and discipline, by contrast to Mikoto, who is more unwieldy and uncontrolled. 

Then of course there’s Tatara, whose most important role in Mikoto’s life is as his “stopper.” His powers were designed precisely to complement Mikoto’s own - whilst Mikoto is very powerful but struggles to control it, Tatara can very deftly control his own weak power, and help Mikoto control his. He balances Mikoto in a more obvious way - he calms him down, helps him regain control of his powers. That’s what Tatara’s powers were made for - he’s the beast tamer, and nobody else can reliably control Mikoto the way he can - Anna has been shown to help him cool his flames on a couple of instances, but Tatara is the only person who can do so consistently. Plus, he’s very optimistic and happy-go-lucky whereas Mikoto is often portrayed as apathetic and pessimistic, or at least putting up an apathetic front to disguise his fear of hurting the people he cares about, so his optimism helps to balance out Mikoto’s anxious/self-deprecating/pessimistic traits. He’s also very perceptive and empathetic, and therefore has a knack for interpreting what Mikoto needs and what he’s thinking/feeling without Mikoto having to speak (and Mikoto’s not much of a talker). For that reason, he understands what Mikoto needs and what he’s feeling better than most others.  As demonstrated, without Tatara to help him control his powers, Mikoto wouldn’t last very long - the Greens targeted Tatara for a reason - because they knew it was a surefire way to make the Red King end up dead.

However, this doesn’t necessarily make the other characters less important. They’re just important to Mikoto in different and unique ways. If it was Izumo who was killed in the shooting, I’m not 100% sure Mikoto would have ended up dead. He would of course definitely seek revenge, but his attempt would be less organised, and he would have had Tatara around to help him control his Weismann level and prevent a Damocles Down, so he may not have died. Similarly, if Anna had died, again of course Mikoto would seek revenge, but again because he still has his stopper, he’s not guaranteed to have a Damocles Down. Having Tatara around could definitely change Mikoto’s fate, though it’s of course impossible to say with 100% certainty how it would have played out because it’s not canon, this is just my interpretation. But again, just because Mikoto might not have died if the others had been killed doesn’t make them less important, it just means that Totsuka’s main importance to Mikoto was to help him control his powers, and it was an (albeit intentional) loss of control of his aura that caused Mikoto’s Damocles Down and therefore his death, so maybe if Tatara was still around, he could have prevented it. 

Regardless of that tho, it would never have been the others who died anyway, because Tatara was predestined to die prematurely if he stayed beside Mikoto, and he never would have chosen to leave. Mikoto is, in my opinion, the most important person in Tatara’s life, but that’s a different story for a different post.

So yeah that’s my very long-winded two cents on the matter. Again, not trying to start discourse (tho I will fite anyone who says Anna isn’t important to Mikoto because that’s just... are we watching the same series???) and feel free to give me y’all’s opinion on the matter, I always wanna discuss needlessly-in-depth K meta with whoever will listen to me lmao

[lance-brady]

shut the front door she finally wrote an intro in a timely fashion

the paparazzi have spotted lawrence brady, the twenty-eight year old actor who’s currently working as dr. jake bishop on paloma general. the tabloids have called them formidable and ambitious, but also calculating and stoic. during their time in the spotlight, they’ve been dubbed the tempest.

(tw: death, violence, gambling addiction, guns, general assholery)

i need to stop winging these but whatevs

okey dokey so this time we have lawrence james brady

he was born in bel-air, california, to super rich parents arthur and helen brady

probably won’t realise you’re talking to him if you call him lawrence – lance or brady is probs your best bet

he’s the oldest of three kids, with a younger brother and sister (who he’s super protective over)

okay now for the fun part (or not so fun?? depends whose side you look at it from)

so the brady bunch are absolutely nothing like the brady bunch. think more the peaky blinders

the brady family are incredibly well-off, but they didn’t exactly come about their money in the most legitimate fashion. there’s a more in-depth backstory at the bottom of lance’s bio page here but tldr:

papa arthur was involved in gambling and owed a lot of money to the wrong people. by dealing with the issue and disposing of the problem, he gained a reputation for himself. there was one incident after the birth of his 3 kids, when his wife was shot and killed by a bullet intended for him, leaving the kids without a mother.

his youngest son is serving a stretch in prison for multiple counts of grand larceny, extortion and assault. whilst arthur’s daughter remains on the right side of the law, for the most part, lawrence has had more than a few run-ins.

frequently through school, he was involved in fights and was suspended on more than one occasion.

as he got older, lawrence learned to deal with matters while keeping his own hands clean. he’s the literal definition of ‘it’s not what you know, it’s who you know’. dirty cops, drug dealers, contract killers – you name it, lance probably knows a guy. that way, he keeps his hands – and more importantly, his reputation – clean, but still gets the job done. it’s a side to him that almost nobody knows, except for his family.

the side of him that everybody knows, however, is the rugged, stoic actor.

acting for lawrence began when he was essentially forced into being a stage-hand for a school production as punishment after being suspended – a sort of community service, if you will.

he found that he actually enjoyed it, but was more intrigued by what was happening on the stage than backstage. the next time around, he auditioned and surprised everybody with his talent. drama was his outlet in a way. it was a place that he could express himself and forget about his own life for a moment. towards the end of school, he used it as an escape from confrontational situations, knowing that he needed to pass and couldn’t afford to keep being suspended. he kept his head down and kept himself to himself.

choosing to forgo college, he headed straight for an acting career. like most, it began with minor roles as extras, and then secondary characters in tv shows and movies, but it didn’t take long for his career to kick off. he was starring in commercials, music videos, tv shows and movies left right and centre.

between (roughly) 2009-2014, lance found himself working as drew erickson on a show called afterlife. the attentive ones of you will recognise this as the same show that our very own addie was also in. the pair were (and still are) super super close, having been in a pr relationship for multiple years during filming.

fast-forward to now and lance finds himself working with addie once again, this time as dr jake bishop on paloma general.

for the perfect idea of lance’s personality, just think of tommy shelby from peaky blinders. that’s literally lance.

he’s stoic, calculating, and super ambitious.

super selective about who he chooses to let into his circle. like, you should be honoured if he actually attempts to make conversation with you

famous for his signature eyebrow raise and frosty glare that he gives when a) he thinks you’re talking bullshit or b) he couldn’t care less about what you’re saying and is asking whether you’re done

he’s secretive and seems quiet – it’s only because he knows that the less people know about him, the better strategic advantage he has over them

despite all of this, he’s incredibly loyal and would literally take a bullet for his closest friends

intimidating, powerful, assertive and domineering are the most appropriate words to use to describe lance

he’s the kind of guy who you could hold a gun to his head and he’d be like ‘i’d take off that jacket, if i were you. my blood will stain the fabric, and it looks expensive’.

he def has this silent look (probs accompanied by the eyebrow raise) that basically means ‘i could crush you like a bug’.

he does actually smile sometimes? if he doesn’t hate you, you might actually get a smile

also a flirt. he’s a flirt #confirmed. except he doesn’t like, smile and wink, he just drops some dry, flirty comment and you’ll have no idea if he’s joking or not because he doesn’t smile, or laugh, he just says it and walks away

the press are always surprised bc he’s super grumpy with them but quite nice to fans and will 99% of the time take a picture or sign something for them

probs has dozens of articles written about how he can make people go weak in the knees or how he’s a lovable bad boy or some shit, idk

kids love him. idk why, idk how, but they do. he’s just surprisingly good with kids

can play the guitar!! rly well!! he frequently takes himself off somewhere to play but like. not many people know that side of him??

despite being this super badass guy he’s terrified of flying and needles. will probs pass out if he has to have a blood test (but he’s mostly okay with tattoos)

couple of connections that are definitely the same as always because i’m uncreative as hell:

enemies. probably a fair few of them

exes left right and centre. definitely broke a few hearts

all of the one night stands

someone who knows about his mad guitar skillage and has heard him strumming some sad melody or something idk

that one person who doesn’t stop making an effort with him and being nice to him, despite the fact that he’s a massive arsehole to them

the honorary younger sibling who he takes under his wing and doesn’t hate entirely

current pr relationship to try and make him look less like a heartless fucker

flirtationships!!

neighbours! def rich enough to afford to live on his own but maybe someone lives rly near to him?

idk just come love us and we can brainstorm!!

this got so long im so sorry but there’s a bio page here and i havent done a connections page yet because i’m a loser but hit me up xoxo

[diaryofanobsessivefangirl]

Masterlist of Ships Subtropes

Dynamic tropes

Puppy love

Romance between children.

Examples: Gendry x Arya, Arnold x Helga, Mike x Eleven, Shaoran x Sakura

Childhood Acquaintance

They meet when they were children, regardless of the frequency or how close they were. They may have been raised together, may have saw each other every now and then, or even just once.

Used to be Friends

Examples: Petyr x Catelyn; Erik x Christine; Mina x Lucy

Used to be Lovers

Couples that were officially together (At least had sex) before everything went to hell. Ships that only flirted, such as Anna/David (The Guest) and Jackson/Lisa (Red Eye) are not included.

Examples: Athos x Milady; Tom x Elizabeth (The Blacklist); Dolores x William

Love Makes You Evil

A character who was originally good but did things for love that turn him to the dark side.

Examples: Anakin, Petyr Baelish and Claude Frollo

Love Makes You Crazy

A character driven to the brick of sanity because of love.

Example: Claude Frollo from Notre Dame de Paris and Ram from Princess Daisy

Not So Different After All

Opposites/rivals/enemies that actually have many hidden similarities. They are canonically each other’s shadow and are compared as two sides of the same coin.

Example: Anne x Vincent, Steerpike x Fuchsia, Kylo x Rey, Jackson x Lisa

Love Beyond Death

Meeting in the after-life, meeting reincarnation or person coming back from the dead.

Example: Catherine x Heathcliff, Petyr x Catelyn, Dracula x Mina, Naraku x Kikyo

Dragging You to the Gutter with Me

A villain turns a heroine into a brutal lonely broken thing only he can understand what it’s like to be, and still she won’t come to him. So what keeps them together is also what keeps them apart. Read more.

Example: Naraku and Kikyo; Alina and Darkling; Petyr and Catelyn; Dolores and William

In Love with the Mark

A man who works for some really big, bad guys. He may or not believe in their ideology; that is not the point. He is there for the money and he prides himself of his professionalism. For some reason, this organization working on the shadows have “business” to deal with this ordinary everyday woman. So he is hired to stalk, threaten, or even kill her. Turns out, Stalking is Love, and he develops feelings for his target. That doesn’t stop him from keeping up with the job, thought. He had to be undercover to get closer, so cases of Used to be Lovers/Friends are probably included. You will likely hear from a character In Love With the Mark the quote “It wasn’t personal.”

Example: Jack/Angela; Jackson/Lisa; Vincent/Anne; Tom/Lizzie (Jacob/Masha); Skye/Ward

The Queen and her Champion

Woman occupies traditionally feminine roles of power and the man is an example of masculinity for others. She uses clever words, social understanding and schemes. He is her sword and her armor, but nothing more. Because of their different stances, he is bound to be close to her he protects, but never with her.

Examples: Maly and Alina; Zelda and Link; Lancelot and Guinevere; Rhaenyra Targaryen and Criston Cole; Daenerys and Ser Jorah; Every Elizabeth Tudor romance, Queen Anne and Aramis; Lucrezia and Cesare; Cersei and Jaime.

Art Inspires Love

When character A realizes or falls (more) in love with character B after watching him dance, sing, or doing something artistic.

Examples: Frollo/Esmeralda, Christine/Erik, Hap/Prairie, Isaura/Leôncio, Anne/Vincent, Sandor/Sansa and Babydoll/Blue Jones.

Supernatural Connection

The characters have a psychic or physical connection. Maybe they can communicate through telepathy or can feel each other’s presence and emotions when they are nearby. There might be a spell connecting their hearts in a way one can only die when the other one does. Maybe they are twins. Whatever the reason, these characters are bonded in a way no one else could be.

Examples: Kylo x Rey, Nuada x Nuala, Darkling x Alina and Cersei x Jaime.

The Frollo Effect

A guy falls in love with a girl he is suppose to reject, repulse or dehumanize, and fights against it. By trying to suppress it, her converts love into hatred against her and himself, and probably punishes both hoping it will make the feeling go away. It does not work and the guy starts doing things he never thought he was capable of in order to deal with this unbearable need. He is usually proud, rational and very in control of himself until she comes along. Her initial dismissal as a suitor commonly starts out as social expectation - in which the characters are from divergent social segments and ideologically separated -, but it’s always a expectation the guy has over himself, regardless if anyone else imposes this on him.

Examples: Esmeralda x Frollo (Gypsy and priest), Amon x Helen (Jew and nazi), Isaura x Leôncio (Slave and master), Daisy x Ram (Sister and brother), William x Dolores (Host and guest) and Hap x Prairie (Subject and scientist)

Bonding undercover

When the bad guy pretends to be a normal person long enough to befriend the good girl and make her fall in love with him. This is usually how tragically two-sided vxh happens, because she gets to know his other side before the bad one gets in the way, but they can still have a happy ending because it also establishes they could have the base for a healthy relationship if only he could abandon his malicious quest. This only happens when the girl develops deeply romantic feelings for him; if it's only a crush or devilish attraction (Red Eye, The OA and Agents of SHIELD) than it doesn't count. She must be sobbing on the floor when this is done. May also involve an amnesia period in which the antagonist approaches the hero as an old friend or a lover.

Examples: Steerpike and Fuchsia, Christine and Erik, Kiara and Kovu, Elizabeth and Tom, Dracula and Vanessa

Generation Parallel

A love story doesn’t end up well. Years later another generation repeats the first one in a slightly different manner. Most of the time, the parallel between the two affairs means the characters from the first one have the chance to develop as we wished they would, and that their love might have grown roots under a different field. Sometimes it just means shit happens no matter the circumstances, and that people will make the same mistakes of their elderlies despite that they should have known better by now. If we are talking about the first generation’s offspring (Incest not necessarily included), it might mean their love is on their DNA and they would fall over and over again under different names and places. In any case, this trope is the romantic side of History Repeats Itself.

Very common theme in incest, because their birth requires a previous affair between their parents, but it only counts if it is a story on its own, full of ups and downs, and people talk about it. If it’s not mentioned or important to the plot, there is no point in calling it Generation Parallel.

Examples: Jaime and Cersei (Joana and Tywin), Arya and Gendry/Jon (Lyanna and Robert/Rhaegar), Catherine and Hareton (Cathy and Heathcliff), Abby and Henry (Wakefield and Sarah), Rey and Kylo (Padme and Anakin), Isaura and Leôncio (Almeida and Juliana), Leonardo e Marina (Pilar e Murilo).

Roaring Rampage of Romance

Love that starts a war and the main plot. Characters that destroy cities and galaxies because Love Made Them Evil, because they are trying to be with whom they love or to secure their safety and happiness. It might be on purpose, in which they have foreseen the consequences but choose to take them anyway as a means to an end, or it was accidental. There may be decades of conflict and the count of a hundred corpses, or maybe a famous massacre with a handful dead extras. Maybe a murderer is hunting down everyone on an Island so that he can be alone with his beloved. Anyway, innocent people that had nothing to do with them nor interfered with the couple’s happiness will suffer the collateral damage.

Common trope among royalty, since marrying or bearing the children of someone you were not supposed to could have disastrous consequences to the State, still people would do it for love.

If the character is causing the rampage in search for something else, like power, and to secure his beloved is an incidental bonus, it isn’t considered Roaring Rampage of Romance, unless he is doing it because Love Has Made Him Evil. Alina/Darkling and Nuada/Nuala, for instance, don’t fit this category.

Examples: Penny Dreadful, Inuyasha, ASoIaF (Rhaegar x Lyanna, Jaime x Cersei, Petyr x Catelyn), Harper’s Island, Westworld, Notre Dame de Paris, Wuthering Heights, The Phantom of the Opera, Bram Stroker’s Dracula, Apollo and Cassandra, Star Wars (Anakin and Padmé)

Taboo Tropes

Incest

Self-explanatory. Cousins will not be considered incest in here. I’m brazilian.

Subtrope: Decadent Aristocrats

Ho Yay

Homosexual couples

Age gap

Ships with age gap between then, 10 years at least. Supernatural/immortal beings won’t be taken into account unless the other part is a child or coming of age.

Wife Husbandry

A man adopts or temporarily takes care of a little girl. She may or not develop a precocious crush on him. Little girl grows up into a extraordinary and desirable woman. She had him on a pedestal all these years and has been saving herself for him. Man is distressed bc he can’t reconcile the image of the child he cherished as a father and the provoking woman she turned out to be. He mostly resists her advances, but they work that out by the end.

Example: Older!Mathilda/Leon AU, Nancy/Hartigan (Sin City), Veronica/William (Final Girl)

Development Tropes

End game ship

Is not everyday an OTP becomes end game

AU ship

A.k.a. “Canon? Who needs canon?” ships. OTPs that had a lot of potential but were ruined by canon. So either I ignore the end they were given, either some parts in the middle. Unlike Not Canon ships, these were meant to be romantically involved, but the way it was executed ruined it.

Secondary Interest ship

That One Scene ships are the ones with nothing shippable except for one or two scenes. Sometimes is not even canon and are more anti-recs than anything, but it’s still about villain x heroine, so it’s relevant to this blog.

Not canon

Word of God stayed silent and, according to my best judgment, the subtext was not enough. If something sexual or romantic happens between the characters but isn’t based on desire, such as the villain seducing the heroine for his advantage, it’s not canon.

Example: Scream (Billy/Sidney), Kim Possible (Kim/Shego), Mulan (Mulan x Shan Yu), World Without End (Carys x Edward), Sky High (Layla x Warren), Star Wars (Obi-Wan x Padmé), Richard III (Anne x Richard), Tesis (Angela x Bosco)

[firebirdsdaughter]

Okay...

Finally sitting down to watch Zi-O ep 4...

Let’s game?

Well, no, actually no, we won’t, but I was trying to be thematic.

And in no particular order:

Okay, that explains it. When I saw the preview images it looked like they were talking to Emu, and then Geiz and Sougo both henshined and took a knee for some reason. It’s actually the other way round.

Geez, Emu. Since when were you this uncommunicative and unhelpful? That’s Taiga’s job!

Like seriously, you know these two are Kamen Riders. Just explain yourself to them instead of making weird vague statements.

Geiz at it again w/ the grump. Have I mentioned--you know where that’s going.

Tsukuyomi w/ the intercede again. I’m liking this trio.

Okay, I wanna know who Goggles is. The guy whose hand Geiz was holding in that future-flashback? A friend? Brother? This being Toei it’s unlikely to be a boyfriend, but it’s still possible. He looks like he mighta been a nice fellow, I’m sorry he died.

I guess this is a lot to take in, and Sougo is generally pretty slow on the uptake, it appears, so... But looks like he’s getting it now.

Tsukuyomi, I really hope you’re aware just how much of a problem child you just decided to adopt.

I actually agree w/ someone else I saw, I think. I kinda wish they would give her a better reason than ‘I don’t know’ for this. Like, I’m liking the idea that she doesn’t want her childhood friend to technically become a murderer by killing someone who is, at that point, still innocent, but this ‘I don’t know’ thing is kinda... meh to me. It doesn’t feel touching or sweet, and is even kinda out of character... But that’s just me. She’s super great, but she otherwise seems so decisive and confident that it’s a little odd.

OH MY GOD IT’S THAT CHURCH! I mean--it’s that wizard Bugster!

Fun fact, that Church is not just a Toei set. I have seen it in about FIVE other shows I think (don’t ask me to name them all, I can’t--but Kaname Jun was in one I think)

AH! Brave is here! But it’s back in 2016, episode... 2? Or maybe 3, but it would be when Hiiro literally just got there, so he’s still an ass. I mean, I still love him. But he was an ass.

Geiz, mister straight forward, just fucking informs them he’s from the future, I love him.

Maybe this has something to do w/ Hiiro’s sense that he should help them before... Aside from grumpy secondary solidarity, ofc.

‘From your perspective,’ Geiz, you are literally from 2068. I’m pretty sure, excepting folks from 2069 onward, that that’s the future from everyone’s perspective.

Also, to get this out of the way: AAAAAAH! SETO IS SO PRETTY! OH MY GOD I LOVE HIM SO MUCH EVEN WHEN HE’S A DICK! AND ESPECIALLY WHEN HE’S NOT!

Note: I don’t love him because he’s a dick, but what I love is grumpy, pretty much jerky characters who come out of that bc they start caring about someone or something (again, in Hiiro’s case). Did that make sense?

Also, I’m actually giggling bc of how much of a pompous ass my grumpy surgeon son was. The fact that this is literally like, right after he first showed up, means that he’s at peak dickishness and it’s really funny to look back.

Kids pulling on Geiz. God, honey, what were you expecting when you put that thing on? Well, at least they’re aware of how goofy it is.

On that note, ARE WE EVER GONNA SEE YOU WITHOUT IT?

Also, dear god, someone get this boy some fashion advice. I’ve SEEN that preview image sweetie. You canNOT dress yourself.

Oh my god, it’s the hospital helipad. Now I’m nostalgic.

Okay. Emu can teleport to game worlds now? Al... Alright then. You know what, whatever.

And Emu’s getting thrown around again. Some things never change. What’s still funny about this is still that Ijima Hiroki is (still) not a short man. He’s 5′ 10″. This, to me, makes how much Emu get’s thrown around utterly hilarious.

See, Emu. This is what happens when you don’t pull a Taiga, and discuss things w/ people. You’re the one who forced Hiiro to learn that, why are you doing it?

Aw, Sougo appreciates that Tsukuyomi is trying to save the future w/out killing him. Good kids.

Where’s that B99 ‘cool motive still murder’ picture? I mean, I know it’s a kid. But dude... You don’t have the right to other people’s lives (or body parts) just bc your son is dying.

Hm... I know people are thinking it’s named after Hiiro, but... What if it’s named after his dad? I mean, Kagami Haima was the director of the hospital, he had to start somewhere. To me that feels more logical? Bc it’s only been two years since Ex-Aid, that’s awfully fast to name a medical procedure... But it’s just a thought.

You know what, I bet Hiiro feels bad for brushing Geiz off in the past, so now he’s like ‘I must do everything I can to help these kids out bc when I met them before I was a jerk.’ Part of his ‘stop being an anti-social grump’ attempt. And he’s worried about Emu.

Does the Time Majin have an AI? How did it know to fly up to the roof right then? Is it telepathically connected to Sougo now?

So Uhr is helping Ora/Hora out? Maybe there is hope for a villain-family dynamic after all...

Also apparently that’s Takeru’s mech? Takeru has a mech? I really need to finish Ghost... But it’s either just for the sake of cameo, or it’s related to how Geiz got the Ghost Ride Watch. Now I’m wondering if he maybe stole the Drive and Ghost Watches from the Time Jackers? But if that’s the case, why did they have them? They usually use the Another Rider Watches...? Are Takeru and Shinnosuke okay? Oh my god, did Takeru die again? Actually, I guess Shinnoksuke also died a lot in that one movie so... Oh dear.

Is Sougo transforming in tiny spaces gonna be a thing now?

Come to think... Since the opening, we haven’t seen Woz. What’s prophet boy up to?

This tiny gremlin child who I adore and want to pinch the cheeks of just giggling to himself in his busted mech like a five year old.

Sorry, Geiz, you can’t beat the bounce.

Sougo just fucking slams this thing w/ the Time Majin.

And so, the path toward very reluctant and at first very awkward friendship begins. Let’s a-go kids!

But also god that boy is skinny. Honey, do you even HAVE hips? Are you okay?

Geiz is having feelings but is very confused right now. Punching things is generally a good venting method.

And the boys are still very bad at not being good at teamwork. Like, they’re already synchronising in pretty much every fight they’ve been in--not just in henshins but in attacks and so on.

Emu that looks NOTHING LIKE YOU, WHY would you call it a doppelgänger.

Since this is after Hiiro first showed up, it means that the two of them still don’t like each other (bc it took them a while to get there), so I’m not surprised that he wouldn’t call Hiiro immediately if something came up. Plus this may not show up bc CR relied on reports by witnesses and were in an abandoned warehouse. But then why is Emu...? Oh, I don’t know.

Was his henshin really always that deep?

Oh! There he is! Woz! I was wondering where you were! So, uh... Where were you?

Geiz: ‘Oh no, not again!’

Wow, he did the hoppity hop thing!

HE HAS GIANT BUMPS ON HIS ARMS! I LOVE THE GIANT BUMPERS ON HIS ARMS!

(I think they’re meant to be buttons?)

Aaaaand, right on cue, there Woz goes again.

Emu just like ‘okay then, let’s roll w/ this then, I guess!’

Wait, but the Brave and Snipe (and Genm, and then there’s Para-DX, and Poppy, and Cronus... Though I guess those last ones may not end up existing since they’re post-this?) Watches don’t seem to be in-show, so... Does that mean that Hiiro and Taiga keep their powers? Bc there was a Crozz-Z Ride Watch, so I now understand Ryuuga losing his, but there were so many Riders in Ex-Aid... Though maybe there’s a whole butterfly thing that simply by removing the primary everything is effected. Bc if you had to account for each individual Rider... Imagine how complex and difficult shows like Ryuki and Gaim would be to explain/sort through.

Hiroki has such a nice smile. Actually, pretty much everyone is Ex-Aid had a nice smile when they smiled.

Oh, god, yes. I really hope that the Rider trying to teach Sougo how to do the finisher in some way (miming for Emu, explaining for Sento) is a thing every time... Though I guess since they couldn’t get Gentaro we won’t get to see him do it... But maybe Takumi will? (I’ve never actually watched Faiz, so I have no idea what the finisher looks like)

Oh, hey. When Sougo hits him it says it in... Kanji, I think? But in Japanese characters of some kind instead of English.

ATTACK OF THE SUBTITLES!

Geiz standing of to the side trying to act cool while these two dorks help this man up.

... He’s wearing socks and... You know what, this is Japan. They’re probably his shoes for inside, and because he was running out to the ambulance with his dying son, he didn’t bother to change.

I love how Emu is like ‘who could we possibly... OH! That asshole!’ (again bc this is the very early season, back hen we didn’t like each other)

HE SAID IT! I guess they cut away so Seto didn’t actually have to eat the cake. Apparent he doesn’t actually like sweets? Maybe bc he’s such a sweetie. ^^

I really love it when the ones playing the ‘serious grumps’ are really adorably dorky and super nice. Like apparently, Seto was the funny and fun one, which I find so cute and hilarious.

Sougo here, getting into the groove of things during his second rodeo.

Emu’s like ‘are you two together?’ and Geiz is like ‘someone shoot me.’

Awwww. Of course Hiiro saved him. Though they haven’t shown us anything yet... So, maybe, even in the altered timeline, he and Emu still ends dup becoming close somehow? Can I pretend that’s the case? Seriously, Hiiro needs that kid. Otherwise he’s just gonna continue forgetting how to be human.

Why do you need another plate? But I think it’s cute how Junichiro is making so much food. I wonder if it’ll be like Mario in Zyuohger, where when he find out (if he doesn’t already know) he decides to just make life at the shop as homey as possible.

Geiz, maybe you should start using his name? Just to, you know, keep Uncle from getting suspicious?

ALSO WHAT THE HELL ARE YOU WEARING WHY... I just can’t anymore. I love my dorky fashion disaster assassin son.

Here we are w/ the intense staring again. Wouldn’t be KR w/out it.

Geiz and Tsukuyomi be like ‘wow no pressure.’ Seriously, Geiz looks like he’s having a small panic attack back there.

He looks very pretty, though.

Aw, they’re keeping their Ride Watches together!

Well, there’s clearly a friendship theme, so I’m hoping there’s a level of deepening the bonds that just started forming in this episode. Unfortunately, I know nothing about Faiz other than apparently Kaixa is a horrible person (given that the preview images imply he’s strangling some poor girl, I am inclined to agree), so I can’t make any guesses there.

All I ask for Christmas is ONE episode where Geiz doesn’t wear that damn collar thing. I know it’s only been four eps but just ONE.

And, in final news, looks like they’re switching the Watches around.

Okay! Well, that's that for now. Now, my head hurts and I still want pizza, so... Not much else to say. Imaginary pizza for anyone who read all of this, you really didn’t need to do that.

I’m gonna pretend Hiiro and Emu are still friends somehow. Having a good time here, looks like we’re looking at another solid trio and I love it. Also, w/ OOO and Ghost apparently coming up... Good times.