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#the characters have some depth and the relationships are meaningful
aemonhightower · 2 days
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I believe the writers made a significant mistake in turning Alicent and Criston’s relationship into something physical in season two. In season one, their bond was built on courtly devotion, loyalty, and mutual respect—something far more complex and emotionally resonant than a physical relationship. By taking it in a physical direction, the writers diminished what could have been a profound and meaningful dynamic.
Courtly love, in medieval literature, often contains a romantic or even erotic element—the knight is handsome, the maiden fair. Yet, the degree of physical intimacy varies across tales. Some involve consummation and adultery, while others describe a love that is pure and spiritual, focused on admiration, loyalty, and service. When we look at Criston Cole and Alicent Hightower, their dynamic in season one leans far more toward the latter—a deep, almost spiritual loyalty rather than a physical romance. Two key factors make this clear:
Firstly, Ser Criston’s life was nearly destroyed by his previous physical intimacy with Rhaenyra. He would have faced severe punishment, likely being gelded and sent to the Wall, as happened to Ser Lucamore, another white cloak who broke his vows. Criston is so tormented by this breach of his sacred oath that he even attempts suicide, saved only by Alicent’s intervention. His fear of the consequences and his shame show how much physical intimacy cost him, and it seems unlikely that he would risk it again—especially with someone as important as the Queen.
Secondly, Alicent’s own experiences with intimacy are likely tainted by duty rather than passion. Her marriage to Viserys was more about fulfilling her role as queen and bearing legitimate heirs. Viserys was much older and physically deteriorating, a “living corpse,” and it’s doubtful that Alicent ever truly loved him. While she may have had affection for him as the father of her children, their relationship was never about love—it was about duty. Viserys himself never stopped loving Aemma, and their marriage was more of an obligation than a romance. Alicent is also deeply invested in her faith, praying regularly and adhering to her religious values. Given her personal history and beliefs, it seems unlikely that she would engage in fornication, particularly with someone who had sworn an oath to the gods, like Criston. Her faith, her past experiences, and Criston’s own trauma make it improbable that their relationship would turn physical.
One moment in season one epitomises this sense of chivalric, courtly devotion. In episode 9, Alicent says to Criston: "I trust again to you, Ser Criston, and to your loyalty. Everything you feel for me... as your queen." This line perfectly encapsulates the emotional tension between them—it’s a relationship based on loyalty, duty, and perhaps even admiration, but not physical desire.
So, why did the writers make the choice to turn this relationship physical in season two? It seems that the only reason for pushing a physical relationship between Alicent and Criston was to draw a parallel between her and Rhaenyra. However, this parallel doesn’t hold up. Alicent and Rhaenyra are fundamentally different. Alicent fulfilled her duties as a wife and queen, giving Viserys legitimate heirs. Rhaenyra, by contrast, defied the expectations placed on her as a royal woman and engaged in affairs that complicated her claim to the throne. The attempt to equate their situations through a physical relationship between Alicent and Criston falls flat, as it undermines the depth and complexity of both characters.
In conclusion, In season one, the bond between Alicent and Criston was built on something far more profound than physical desire. It was rooted in loyalty, admiration, and the chivalric ideal of a knight serving his queen (the queen that saved and forgave him). A physical relationship cheapened that connection, when keeping it as courtly devotion would have been far more powerful and in line with both characters' experiences and values. The first season laid the groundwork for a relationship built on duty and honour, and that should have remained the foundation of their bond.
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hauntingblue · 4 months
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Why is this flashback happening now... whi is it centered on mista.... do not kill him too please..... I do not care that much about him but Jesus christ....
#is this an alrernate world where fugo takes care of giorno and only mista and giorno die??? like the complete opposite... oh well trish too#WHY#OH MEVERMIND THIS IS MORE FUCKED UP#MISTA TRIES TO STOP BUCCIARATI FROM DYING AND SHOOTS AT THE ROCK TO CHANGE HIA DESTINY#BUT HE ENDS UP SHOOTING BUCCIARATIS BODY ON THE COLISSEUM!!! AND HE DIES THERE!!!#(kinda by his hand)#talked too soon maybe bc it got destroyed by the crashing on the floor but still.... it started to change there#trish and the turtle scared me so much omg... enough...#trish and mista no......#nvm relationship scare they are just fucking around#THATS IT????#the flowers for abacchio and narancia and the zipper for bucciarati... omg#how mad are these grown men swearing loyalty to a 15 yo boy#i need more clousure..... mista reacting to bucciarati dying too... swearing loyalty to giorno too???#also this was the best jojo season simply bc of the writing#like there is a plot and themes relevant to it and even if they are superficial and there are still incongruences in fights (jojo constant)#the characters have some depth and the relationships are meaningful#like jotaro was cool just bc of the characters but this one is good bc of the writing too.... i dont rmember the first 2 lmao#but josuke was missing the two seems like#anywaya that is my opinion#also the classic jojo style consolidated here#also we need to stop the killing of the better secondary characters bc they have the meaningful relationship with the main one#and it has more meaning if they die.... we cannot end another season without the main characters best friend just bc their death hits better#kakyoin caesar bucciarati...... i mean bucciarati makes sense but still narancia could fill the role#and like giorno needs to appear again him becoming a gang star seems like a beggining......#josuke is out there too.... and idk about jolyne yet so sshhh#talking tag#watching jojo
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antirepurp · 7 months
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i think some folks may need to have the word "queerbaiting" revoked from their vocabulary until they learn what it means. perhaps
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astrolovecosmos · 4 months
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*Pluto Natal Aspect Snippets*
Sun Trine Pluto: May be charismatic, influential, magnetic, and highly perceptive. They can easily read and intimidate, persuade, or manipulate others. They can handle pressure and change well, believing what doesn't kill you makes you stronger. While the trine aspect is generally harmonious, the connection between the Sun and Pluto can sometimes lead to a tendency towards being overly intense, obsessive, overbearing, or controlling.
Sun Opposite Pluto: May struggle with their darker side often, especially obsessive and compulsive behaviors. They may deal with a lot of power struggles in life, feeling like they always have to defend and fight for themselves. But they can develop sharp intuition, self-awareness, and inner power.
Sun Square Pluto: May deal with a lot of tension and conflicts with others in life. Others may find them to be too intense, intimidating, mysterious/private, or others may be jealous of their authenticity, passion, or depth. They may feel like others are always out to one up them, control them, or put them down. HOWEVER they must also mind a possible paranoid side. The tension between the need for self-expression (Sun) and the deep, transformative energy of Pluto can lead to obsessive thoughts and behaviors. A positive to this aspect is these individuals do not fear their shadows or the skeletons in their closet. They may be brave, strong-willed, and always willing to grow.
Moon Trine Pluto: This can be a highly deep and intuitive individual. At a young age they learn how to sooth and heal themselves and can act as a great healer or guide for others. But their emotions are intense and they can be highly controlling towards their closest loved ones.
Moon Opposite Pluto: May easily overreact, is hypersensitive, volatile, and can easily drain themselves or others emotionally. Can fall into relationships that have a lot of hidden tension, leading to feelings of resentment, manipulation, or emotional blackmail. Over time they can have a great understanding of their emotional landscape and the ability to transform their vulnerabilities into sources of strength and wisdom.
Moon Square Pluto: Could be a highly manipulative individual. Can find themselves caught in a cycle of emotional highs and lows, frequently feeling consumed by their own intensity and drowning. This can lead to a sense of inner turmoil and difficulty in maintaining emotional balance, often resulting in stress and anxiety. Can grow to be emotionally strong and very self-aware.
Mercury Trine Pluto: Likely a deep, insightful, perceptive, and investigative person. They have a love for researching and analyzing subjects in depth. Could become a master of a subject. Can be a passionate teacher/professor. But this aspect is famous for becoming too obsessed with a subject or obtaining knowledge to their detriment.
Mercury Opposite Pluto: May be combative or competitive in their communication style. Could try to "dominate" conversations. Can easily misunderstand others or become misunderstood. May be plagued by paranoia at times. Can easily mistrust others. They likely learned to trust their intuition at a young age and may heavily rely on it. They may have a talent for always getting to the heart of an issue.
Mercury Square Pluto: Can be stubborn in their opinions and have an all-or-nothing mentality. Can overlook what is important by jumping to conclusions or being preoccupied with finding hidden meanings or uncovering perceived deceptions. But they mentally approach the world with a lot of depth and sensitivity. They notice what others don't and some can be a good judge of character.
Venus Trine Pluto: Intense and passionate in their relationships but in a way that is magnetic, sexy, and maybe commanding. It's a great aspect for deepening intimacy and fostering meaningful growth in relationships. But those with this placement can become unchanging or controlling in their relationships too. Their attachments may usually be harmonious or loving but they can also be extremely strong.
Venus Opposite Pluto: There can be intense emotional power struggles in relationships. There can also be profound transformations or challenges in many of your relationships that lead to empowerment and self-mastery.
Venus Square Pluto: Associated with control, power dynamics, jealousy, and possessiveness in relationships. Needs to learn to manage their own intensity when it gets out of control or unhealthy. Or may need to learn how to listen to themselves more in relationships, follow their intuition/heart.
Mars Trine Pluto: Is a focused, passionate, magnetic, and inspiring or leading individual. They have a lot of confidence with heat, power, and determination to back up their confidence. But they can have an overpowering side to themselves that causes friction with others or gets them wrapped up in competition or conflict.
Mars Opposite Pluto: May be a ruthless individual who is out for conflict, finding it to be stimulating, to feed their ego, or to feed their hungry drive. Can be self-destructive and reckless. May be manipulative or controlling and really struggle with collaboration and cooperation. They can have a lot of willpower and endurance.
Mars Square Pluto: May be aggressive, forceful, could frequently and quickly escalate situations. May push others away from being close to them. But may be a survivor in life, someone who has to empower themselves often. They might be a very strong individual on many levels. Must learn to open up and find peace in their own way.
Jupiter Trine Pluto: A whole lot of inner strength. This aspect fosters a deep sense of purpose and the ability to influence and inspire others, making it easier to effect positive change on a larger scale. However their intense drive for success and transformation can sometimes lead to an obsession with power or control, potentially causing strain in personal or professional relationships.
Jupiter Opposite Pluto: Can indicate someone who deals with a lot of explosive power struggles in life. May be manipulative or power hungry themselves. Can give into obsession and extreme behavior of all types. Has a great ability to empower themselves by facing their inner demons head on.
Jupiter Square Pluto: May be a dogmatic, closed-minded, judgmental, and overly harsh person, especially in their beliefs. A desire for control may manifest through philosophies or religion somehow. But this person can have a lot of determination and depending on their ethics may be a great force to change the world around them for the better.
Saturn Trine Pluto: Makes individuals perceptive, hardworking, diligent, strong, and determined. We have two powerful planets working together. Pluto brings depth, destruction, healing, transformation, empowerment. Saturn brings wisdom, maturity, strategy, lessons, and realism. They can be blessed with self-mastery and a strong, effective willpower. But they may be overly serious, negative, or controlling, and easily stressed.
Saturn Opposite Pluto: May struggle with inner power struggles. They may swing from intense confidence to crippling anxiety or self-doubt. Can easily feel overwhelmed or restricted by responsibilities and limitations, resulting in periods of frustration and potential burnout. These individuals will likely experience many profound transformations in their life. Introspection and honing their intuition will be helpful to them.
Saturn Square Pluto: May feel like they never have enough control or power over their life. Leaving their comfort zone, sticking to discipline or a routine, inner authority, independence, and ultimately empowerment may seem extra hard for them. But they can learn to be resourceful, perceptive, and enduring over time. They may find empowerment in unexpected ways.
Uranus Trine Pluto: May be highly unconventional, radical, or revolutionary in their mindset and goals. They can navigate big changes in society or historical events a little easier than others. They are open-minded to the future and can be adaptable and enduring. However they can get obsessive with some of their ideas and opinions. May also not see the value in older structures or traditions. May not learn from past mistakes of others.
Uranus Opposite Pluto: A tornado within and chaos outside - these people are likely very familiar with instability in life. They can also struggle to deal with sudden changes whether they are burnt out from many upheavals in their life or have experienced events that cause them to fear change. Internally they may have a tug-of-war between the desire for freedom and the need for control, leading to feelings of being torn between competing priorities. However this placement can learn to embrace authenticity in themselves and others, they may be passionately honest, and can find hope in the future.
Uranus Square Pluto: May be use to power struggles throughout life, especially in terms of them trying to be more individualistic, independent, or moving forward with change and adaptability. Can encourage others to be rebellious, despite this square's challenges they can have a rebel heart themselves.
Neptune Trine Pluto: This aspect fosters profound spiritual growth and transformation, allowing individuals to deeply connect with their inner selves and pursue meaningful, soul-enriching experiences. They are likely highly intuitive, may be prone to intense dreams, and has a knack for digging up the truth or is a natural healer. However they can be highly unpractical and may neglect the more day-to-day needs and demands of life.
Neptune Opposite Pluto: This aspect can lead to intense inner turmoil and confusion, as individuals may struggle to reconcile their deepest fears and desires with their idealistic visions, resulting in periods of uncertainty and emotional instability. They may be very familiar with deception and betrayal. They can have a great capacity for self-awareness, healing deep wounds, and finding empowerment in soft or spiritual ways.
Neptune Square Pluto (2050s - 2070s): May face a lot of disillusionment in life, both in belief systems and people. "Don't meet your heroes" is an important message for this placement. Has susceptibility to deception or escapism, as individuals may struggle to see situations clearly and might resort to avoidance or denial when faced with harsh realities. They can grow to have a lot of psychological depth and insight.
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novlr · 7 months
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How to write loneliness?
Loneliness is a universally shared emotion that shapes the psyche of your characters and the world they inhabit. It’s a silent force that can drive and change your characters, adding layers of complexity and pathos to their development. Here are some quick tips to write about characters experiencing loneliness.
Behaviour
May avoid social interactions.
Often choose to isolate themselves.
A lack of enthusiasm for activities they once enjoyed.
May appear distracted, distant, or aloof.
Neglect their personal appearance or living space.
Overuse technology or social media as a substitute for real-life interaction.
Engage in one-sided conversations with pets or inanimate objects.
Have a rigid routine that keeps them isolated.
Live vicariously through fictional characters in books and on TV.
Resist attempts by others to engage with them socially.
Interactions
Conversations may be brief, superficial, and lacking in depth.
Avoid eye contact and physically withdraw in social settings.
Miss social cues or respond inappropriately during interactions.
Exhibit envy or resentment towards those with strong social connections.
Overly formal or distant, even with friends.
React negatively to offers of companionship or help.
Express a cynical or negative view of relationships and friendships.
Display relief when social interactions are over.
Deflect personal questions and redirect the conversation.
Have a small social circle but lack a true confidant or intimate relationships.
Body language
Slumped shoulders or lowered head to avoid drawing attention.
Minimal or restrained gestures during conversations.
A fixed or blank expression, showing their detachment.
Fiddle with objects or their clothing as a self-soothing behaviour.
Cross their arms or legs defensively when approached.
Sit or stand at the edges of a group, physically distancing themselves.
Might have a nervous tick or habit when faced with social interaction.
Exhibit slow or lethargic movements, suggesting a lack of energy or interest.
Have a personal bubble they are reluctant to let others penetrate.
Usually the last to arrive and the first to leave social gatherings.
Attitude
Express a philosophical or poetic view on the nature of solitude.
Have an air of resignation or acceptance of their loneliness.
Harbour a secret hope of finding connection, but feel it is unattainable.
Quick to criticise or judge others as a defence mechanism.
Have a deep internal world that is rich and complex, contrasting with their outer displays of loneliness.
Believe that they are fundamentally different or disconnected from others.
Have a strong sense of self-reliance, seeing it as a necessity.
Demonstrate a fear of rejection or abandonment that prevents them from reaching out.
Heightened sensitivity to the pain of others, stemming from their own loneliness.
Experience moments of clarity or creativity when they are alone.
Positive story outcomes
Find strength and independence in solitude.
Experience personal growth and self-discovery.
Form a meaningful connection that alleviates their loneliness.
Gain a deeper understanding and empathy for the loneliness of others.
Use their time alone to develop a skill or pursue a passion.
Find that solitude allows for reflection and the development of a clear perspective.
Inspire others to appreciate their own company and find peace in solitude.
Become a catalyst for change, helping others to overcome their loneliness.
Create a work of art or literature that expresses their feelings and connects with others.
Their experiences of loneliness make their relationships more meaningful when they do occur.
Negative story outcomes
Become increasingly detached and withdrawn from the world.
Develop mental health issues such as depression or anxiety.
Make poor decisions due to a lack of guidance and support.
Grow to resent others, leading to conflicts and misunderstandings.
Spiral into destructive behaviours as a way to cope.
Experience a sense of hopelessness about ever finding connection.
Become distrustful of others, hindering potential relationships.
Lose touch with social norms and struggle to reintegrate into society.
Overlook or sabotage potential opportunities for companionship.
Leave a lasting impression of sadness and regret in the narrative.
Helpful vocabulary
Forlorn
Sequestered
Estranged
Abandoned
Reclusive
Isolated
Adrift
Detached
Solitary
Alienated
Despondent
Forsaken
Lonesome
Marooned
Melancholic
Ostracised
Remote
Unaccompanied
Vacant
Withdrawn
Yearning
Bereft
Disconnected
Outcast
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velvetures · 3 months
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Hello loves💕 I still can't get over your writing I'm obsessed!!
I would love to request Roommate König x fem reader. König hears you fucking some guy on the other side of the wall and he can tell you faked it so once the dude is gone he's got you over his shoulder and is walking you to his bedroom to fuck you right. I love the idea of her trying to get him to confess to her and trying anything after months or years of mutual pining, her last resort is to make him jealous.
Overheard
a/n: I'm so sorry for being so slow my love... I always have the worst self-confidence with nsfw reqs. I constantly write them, delete them, and start all over... (this is like... the 8th full-draft retry) So I hope you'll forgive me if this isn't up to standard. Also, I know this trope has been covered by some really talented writers and I hoped to do it justice, and not feel like a carbon copy of something better. (ps. This shit is too long... but I knew if I deleted anything, I'd delete the whole thing over again.)
tw's: 18+ ONLY, nameless hookup, alluded unprotected sex w/side character, unintentional orgasm denial, the reader is mentally not in the best place for sex (disconnected), voyeurism, jealously, fem-oral receiving, fem-fingering receiving, dirty talk, König being a bit of a loser, König omitting his lack of experience, aftercare.
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His mom kept saying it was about time to settle down. That the biological clock, normally pushed on women, was ever-present and ticking against his favor. But his sweet, innocent, mother didn’t know the depth of his awkwardness. Not even the slightest idea that her well-mannered boy, turned praise-worthy Colonel was nothing but a bumbling fucking idiot when it came to speaking with women. In the field, sure. He could give orders, discuss tactics, and even bullshit with the best of the best… but if a woman was among those? Oh hell. It was like trying to talk to a brick wall with a randomly developed stuttering issue.
He didn’t understand where it came from either.
It wasn’t like his mother was one of the overbearing types that made dating impossible, and nor did he exactly have the worst time when he was younger with women being interested. It was just… after they showed interest, that became the struggle. Relaxing wasn’t possible. Not when he knew that a woman’s perception of him was far higher than that of any man. Believing that even the smallest of gestures and phrases could earn him an immediate dismissal, and his name or photo being sent in some group-chat to be berated after a first date. He didn’t blame any of the women though… he knew what he looked like. What he sounded like… and God, how miserable his personality was compared to what his career and position would lead others to assume.
A shred of truth could always be found in his mother’s warning though.
He’d gone years without any meaningful relationship where the softer, side of a woman could be found. He found bastardized ways of getting a taste, but he could only allocate so much money a month to porn sites and camgirls without feeling like a total sleaze. The Colonel felt much more confident mapping out a prospective warzone than the contours of a woman’s body, and fuck… it made him more than a little embarrassed to admit. Enough so, that when you mentioned that your rental agreement was coming to an end, and you were trying to find somewhere new to stay, he offered for you to just move in with him.
He owned. Which made the idea of ‘rent’ or you paying it almost unquestionably stupid. It made the deal a little sweeter -in his mind- for you to agree, and then he wouldn’t have to be quite so personally diligent on logging onto online portals to pay utilities. That is, if he could get you to move in. And while in his own mind and body, every synapse screamed that he was being unrealistic, you hadn’t caught on. He’d looked just as stoic and cold as ever when he propositioned that you just start moving over your things into his house. Save money… it’ll be easier for you; He’d said, hard eyes glancing over your face. You thought saying ‘yes’ was anxiety-inducing? König nearly passed out in his office after walking there on numb feet and weak knees.
In the week following, he brought you a small ring of keys, and you started moving your life into his, one cardboard box at a time. And every night after returning from his on-base duties, he would have to physically restrain himself from opening up the taped flaps and getting a peek at the unattended items sitting by the front door. At the time, he thought it was nothing more than unchecked curiosity and instinct to feel-out a new situation. Just simply wanting to learn more about you before you started sleeping over. Merely the soldier in him. But box, by box, that curiosity didn’t dampen down. Even when your items began making their way out of their containers and enmeshing with his around the house.
Tea cups in the kitchen cabinet next to his thicker, coffee mugs. Throw blankets rolled and stacked in the far corning of the couch he rarely sat on. A little rug you’d tossed down in the kitchen in front of the stove with a little floral print that he’d been utterly possessed to not get any stains on while cooking, or by taking off his boots before walking inside. And while never claiming to be a ‘minimalist’ man, he learned right away that his house was nothing short of a hotel when it came to personality.
You’d brought at least five full walls worth of decor. Little trinkets and cute things from all over the world you’d been sneaky enough to stuff into the pockets of your gear. And all of it, had initially been shoved into an empty linen closet he’d been perfect happy with you claiming as your own since it was ‘on your side of the house’. That was, until he found himself noticing that you’d put more than “storage” things away, and had silently refused to put them where they belonged.
On the damn walls.
“I don’t decorate well anyways..” It’d been his excuse… or at least something along those lines. Maybe a little bit more gruff. Guarded. Because even in his own home, he had the tendency of walking around like someone was going to sneak up behind him.
So one week, while he was away, you took the permission and ran with it. Buying the picture hanging kits, and everything else needed to begin covering the Colonel’s walls with your amassed collection of utterly unnecessary, but brain-scratching decorations, art, and collectable junk. Spending a good half hour walking around the halls and rooms with a little smile of accomplishment on your face seeing the colonel’s house feeling more like a home. Totally unaware that he’d been checking the security cameras dotted around, watching you scale a shitty stepladder, climb the kitchen cabinets, and struggle to lift the more heavy items. All the while, growing more and more intrigued with this new arrangement. Debating whether he liked it or not. Rapt attention making the instinctive suggestion that you’d make a good wife far less perverse than he should’ve felt it to be.
Missions took precedence though. And it kept both of you busy more than not. Fully living adjacent instead of in a more dependent role. But there were decidedly small decisions that needed to be made. Like who was in charge of buying groceries, and getting essentials that you both used. König ended up just leaving cash on the counter once a week so you could take care of his end for him. Saving the trouble of a second loaf of bread being bought, or doubling up on paper towels after a miscommunication lead to fifty rolls of the shit needing to be stored somewhere. You did the job more than credibly, and it got you out of the house too.
Which was good, because you rarely left.
Not unlike him, you preferred your time spent in calm situations. Either reading reports, answering emails, and other related tasks before just closing that tab on your laptop and opening up an new one to watch a show or scroll on your phone. You appeared to thrive in his house when you could curl up like some little bird in a nest and just rest. Developing almost permanently sleepy eyes when you came through the door, and a softer tone of voice that took some getting used to. König didn’t exactly understand it. Why your demeanor changed so much within the house, and how it got substantially much more noticeable when your schedules aligned for both of you to be there at the same time.
A solid seven months or more passed before he got his answer. And from your late-night scrolling nonetheless.
Some woman, blabbering on about her husband, and all of the ways that he effected her life once she moved in with him. And, honestly, König wasn’t listening all that much. Having just begun sitting on the other end of the couch with you, since it was where you spent your evenings after dinner. And, it’d become a little bit of a new experience. Just being halfway close to you. Interacting, but not. A safe way to enjoy your presence without any expectations. But that woman on your phone caught his attention when she made the joke about being tired all the time. Tired. Sleepy. All the fucking time. He had to stare down at the TV to keep his head from snapping in your direction.
Apparently it was chemical. Some little thing in the back of a woman’s mind that men didn’t have the complexity to experience the same way. That this woman -and you- were so mentally focused for such a long time, that when the right person was around you, and created a safe space, it acted like a the strongest sleeping pill in existence. Flooding you with dopamine and melatonin to the point that your pretty face got even sweeter with those deep, sleepy looks and constant yawns at all times of the day. Getting a glimpse of you tapping the screen twice, and then tapping at your keyboard to leave a comment only reinforced his inquisitiveness. From the moving boxes, to watching you on cameras while away… and now realizing that you acted so sweet and docile around the house because of him..? He didn’t know how to control himself, and still find a way to keep figuring you out.
Wanting more…
Needing a chance to find out if things could go further than just living in his house.
Dating wasn’t a walk in the park for you either. Call it a hazard of military work. Computers and filing paperwork was more your speed than the guns and blood that König was accustomed to, but it still limited the amount of men who were interested. Especially in the long-term.
It really came down to the uniform and lack of free time that could be allotted to the guys that you did have the fortune to meet. They wanted to take you on dates, and your superiors preferred you stay late to take minutes for a meeting. They always suggested you take a vacation, since it was clear just how tired you were on a daily basis. But vacations were practically a laughable dream you knew wouldn’t come to fruition until you finally were sent the retirement packet everyone in the service dreamed of. But.. on the rare occasion, you did have the energy to entertain a man for a night. Just. One. Night.
Thankfully König was out.
Such good timing considering you’d spent nearly a week, taking your sweet time to wring orgasms out of yourself just for the sheer frustration of getting them, and still not feeling satisfied. Instinctively missing the warmth of skin on skin and the dynamic of having someone else provide and take pleasure from you. Even getting on the app had felt more like a shopping trip than a chance to go on a date. Looking through photos and bios with nothing more on your mind than someone big enough, and pretty enough to make the ordeal worth it. The guy who answered back to your painfully blatant request for a good fuck, didn’t ask any questions either. Just asked politely asked if you wanted to go to him, or vice versa and gave you ample time to get yourself ready before the knock on the front door.
Your mental ruined any chance of having a good time though.
The poor guy sucking at your neck and grunting soft praises was nice… but you couldn’t get into it. Feeling tense. Going through the motions. Foreplay becoming an act of forced moans to reassure the guy genuinely trying to make you feel good, and unable to even make eye contact for a slightly guilty feeling that pervaded your thoughts. Hell, you even refused to have missionary, just to make sure that your facial expressions didn’t have to constantly match the fake whimpers and whines.
John… Joe… Jacob… whatever his name was, he was honestly a sweet guy. Giving your clit attention, no just shoving his cock in you without prep, and actively checking in without making it overbearing. On another day, you’d have really been trying harder to impress him. Give the impression that you were interested in him for more than the sex you couldn’t surrender to. Hope that he liked you enough to stick around. But deep down, you thought better of it. Withholding your feelings to ensure that when he left you alone for the night, that you wouldn’t hate yourself.
König, on the other hand, came home a bit earlier than expected. Walking in the door quietly to expect a silent house, and you sleeping in your bed or on the couch after waiting up for him. Only to be stunned with wet, skin slapping and familiar, pathetic, whimpers getting overrun by deep grunts and low, almost whispered sounds from a man.
God… you were getting fucked.
His whole chest tightened in embarrassment and his face felt hot. You’d never been quite this comfortable… at least to his knowledge. Plenty of nights he had overheard the faint sounds of you getting off alone… soft little moans and gentle hums of a vibrator filtering down the hallway to him. But he’d never heard anything quite that… loud. Even when you fucked yourself on a dildo -he’d always been too curious not to listen intently- the slick sounds of your cunt always made louder noise than your voice. As mortified as he was hearing it… part of him knew something was wrong. Like his whole body was stiff, realizing that you weren’t enjoying it. Faking it… for some unknown reason.
Why couldn’t you say something? Surely you could ask him to… to do something different right? To let you use a toy? Or… or touch your clit? Whatever it took to help you enjoy yourself. But those pinched, almost broken moans starting grating on him within seconds. Stalking towards your bedroom door quietly, and leaning against the wall. Eyes closed and his breath getting heavier with each imagined scene in his head that developed. Picturing him doing all the wrong things… Touching you… tasting you… and living out his own pleasure without the slightest idea that every sound out of your mouth was a fucking lie.
König’s jaw clenched. Resisting a sudden desire to bang on the door or make some other loud noise that would bring this all to an end. Even his fist clenched at his side flinched towards the bedroom door, as if he was insane enough to actually bust in.
What would he even do?
The question rang out a bit too harshly in his mind.
He didn’t have the first idea how to… do better. To make you feel good, or any woman really. Plenty of jealousy rose in his throat at the thought of that bastard fucking you, but he hadn’t even touched a pussy in years. And the last time he did it, he was, pathetically inexperienced. Using his huge fingers to try and prep his partner, but not hitting any of the right spots. Accidentally taking a clinical approach, and it left him feeling like a damn gynecologist instead of a good fuck.
He couldn’t please you, no matter how much he wanted to…
The sobering thought forced him to back away from your bedroom door. But pride alone forced him into the kitchen, leaning against the counter with a glass of scotch in his hand. The last -and unavoidable- line of defense before the front door. No doubt in his mind that if nothing else, he’d get a good look at the man you’d brought home for a disappointing night of sex. Wanting to at least humiliate the bastard for a few seconds. Because while he knew himself to not be an acceptable partner, the guy currently riding out his high in your bedroom wasn’t going to know it. And seeing him -in his daily fatigues- and his hood, would give any man a moment of pause.
You felt sticky. Hot. And more than a little achy in all the wrong ways as Jeff… Josh… whoever the fuck he was, removed himself form your bed and began pulling on his jeans. Watching cautiously as he excused himself into your bathroom -sweetly- offering you a wet washcloth and a too-shy smile for a man who’d just come all over your stomach.
You didn’t bother putting on pants to walk him out to the front door. Too disappointed and stuck in your own head to see König standing in the corner of the kitchen. His dark eyes glaring daggers at your… ‘guest’ who was much more observant, and stood stock still. Shirt in his hands, and forced to raise his gaze more than normal to get the best look at the terrifying man looming in the shadows. It took you far longer than it should’ve. To trace Jonah… Josiah’s… gaze, and recognize your roommate. And even longer to remember that you weren’t wearing pants.
“Hey man…”
You had to give what’s-his-name credit for being as casual as he sounded. Because in all honesty, you were just as taken aback. Shuffling to stand behind the guy just enough that your bare pussy and ass weren’t totally out for him to see.
“Evening…” König sounded… bored? Not his normal tone. “Heading out already?” The guy you were using as a shield, just nodded his head. Looking a bit apologetic, but still anxious.
“Yeah, man…” He pulled his head over his shirt, patting his pockets for the jingle of car keys before glancing back at you with an truly apologetic smile, and a clear unpreparedness for the situation. “I… uh…. thanks for… letting me come over…”
You can’t manage more than a nod. No smile, no reassuring touch to him… nothing. Just a silent acknowledgment and the subsequent scamper over to the couch to grab a blanket to cover yourself up.
Shit… König fucking waved bye…
He didn’t expect you to come out. Nor to get his first-ever look at your pussy. And god it’d taken a lot of restraint not to just stare at you and memorize what he could get get a look at. You just looked soft. So fucking small and soft… A slight sheen of sweat on your face and the roots of your hair damp from the erotic affair.
Too bad it was all an act.
“Thanks for letting him come, huh?” He can’t resist… the guy just hadn’t been cautious enough to not fuel the fire of jealously in him.
Seeing you wrap that blanket around you tighter, avoiding all eye contact, and even turning your side to him a bit… it makes him smile under his hood. An amused one. A sickeningly happy sort of feeling rising in his gut where you appear vulnerable under his gaze. You’re already much more expressive just talking to him than you’d sounded with that bastards cock inside you.
“Didn’t think you’d be back for a while…” Your valid excuse falls a bit flat, especially when those dark brown eyes scan your entire body. He lifts his tumbler of scotch under his hood, nodding before taking a long drink. Feeling a secondary burn that soothes the heat building everywhere else in him.
“I can see that…” He chuckles lowly. To him, it sounds unsure… and maybe tinged with anger, jealously. But on your face, he’s clear that you don’t recognize it. Far too embarrassed to see that there’s just as much uncertainty flooding him as well. “Could hear it too…”
He literally sees your shoulders sink. The wave of embarrassment. Part of him loves it. Knowing you’re experiencing some of the same things he is. That you to, know what it’s like to leave a bed feeling like things didn’t go right, and there’s a guilt that hardens like sediment in your gut. Yet the other half, resists pushing harder. Using this same, defensive, and chastising tone. To give you just a bit of respite, because, he’s not really mad… he’s just fuming with jealously.
“If I knew… I wouldn’t have…” You can’t manage much more. Both of you knowing damn well this wouldn’t have happened if you knew what his arrival was going to be. You always kept so good to his schedules… and not just because this was his house. But because you were so genuinely sweet around him.
“Been so loud?” He suggests, downing the last gulp of his scotch and pushing away from the counter. “Speaking of that…” His gaze lingers on your throat… those faked moans echoing in his mind.
“I didn’t know it was common practice for women to walk their fucktoys to the door… especially when he doesn’t make you come.”
If your stomach was twisting before, there wasn’t a doubt now. And god… you couldn’t tell if it was that he was home, or his voice, or just the edged-feeling of your aching pussy; but König was making you squirm. More than he’d ever done before… and you’d gotten yourself off to the thought of him plenty of times before when no other fantasy had done the trick.
“I finished.” You defend, tightening the blanket around your waist and tucking your bare feet under the excess material pooling on the floor.
König’s eyes blacken, and he laughs lowly. It’s the closest you’ve seen to his behavior when he’s interrogating someone. His power of knowing all the right answers and just dangling the freedom to lie right in front of your face. Maddening, to say the least. And enough to make your thighs flex together.
“I’d like to believe you…” he begins, making leisurely steps closer. “Yet, I’ve spent more nights than I care to admit hearing you come… and what I just hear… is nothing close to the real thing.”
“It’s different with—when it’s not just me.” You gape at him, trying to find anger at the audacity.
Searching for something other than a feeling of arousal knowing that despite your muffled cries into pillows, he’d still heard you at night. Still listened, and if nothing else, knew what your true pleasure sounded like to call you on bullshit. He shrugs, massive hands resting on his hips. Watching them sway a little as he keeps getting closer. Testing the boundary lines you no doubt had. Pushing and prodding at weak spots, and wondering if he can set foot on the living room rug you stood at the center of.
“Different, huh?” The fake acceptance doesn’t last long. “So if I asked for proof… you’d have it?”
“Proof?” You choke out. “What kind of proof could I even give you?” There are plenty running around in your head, all of them raunchier than the previous. But you’re almost desperate to hear him say it.
“Sweetheart, you’ve got the wettest fucking cunt I’ve ever heard,” He growls softly. “You never finish yourself off without making the slickest goddamn noises. Can hear it from down the hallway like it’s playing off my phone.” He adds, voice getting gritty, eyes lowering towards your hips and back up.
“Show me, that is… if he really did make you come.”
Air in your lungs evaporates. God it’s criminal how fucking lewd anything could sound coming from his mouth. And your dry pussy is pathetically getting wetter by the second. Fluttering muscles twitching with each filthy admission he makes. You’re already resorting to putting pressure against your clit by flexing your legs, trying to deny the feelings. Excusing it all by the still-lingering desire for release and not König. Not moving, and a miserable lack of a response forces him to approach faster. Stepping onto the rug serving as a mental barrier for you.
“Embarrassed?” He asks, head tilting a little and stretching the hood to pull away from his chest a little. Putting a bit more of his chest on display in that tight t-shirt.
You shake your head defiantly.
“Oh? Okay then… you should be able to show me then, right? Pretty girl like you, wanting to get fucked… Should be more than willing to brag that you got satisfied. That he left you satiated…”
Your face burns. Debating how to answer. If it’s even smart to try and test your voice in the first place.
“Nothing to see… got-got cleaned up…” God the miserable truth that your no-name partner’s cum was the only thing needing cleaned off of you hits like a punch to the gut.
A massive hand grabs at the blanket in your grip stops all possibility of lying anymore. A warning. Gentle, for sure and meant to be just a small test of consent. However, you too far into this to not want more. He’s just hitting all the right buttons, whether he means to or not.
“How about I… check for myself?” He asks lowly, free hand -covered in a glove- sliding up under his hood and returning into sight with the achingly sexy sight of a huge, scarred hand. His meaning isn’t lost on you, and it’s almost like your cunt floods in anticipation.
“Slide my hand between your pretty thighs, and see just how good he treated you…” He murmurs, trailing fingers down the two sides of the blanket pulled together. “Let me see if that pussy is fucking drenched like she deserves to be.”
“König.” You warn softly, eyes darting down to his hand and back to his eyes.
Not the slightest bit worried about him touching you. Not at all. But about what would happen after all the tension faded. What would come of your relationship if you fucked… or, just made things complicated in general.And he pauses, looking to you a bit cooler. His breathing still heavy, and laden with emotion.
“Yes, sweetheart?”
You’re desperate to think of a way to explain yourself, but the most basic, stupid, comment comes out of your mouth.
“I don’t want this to end badly.”
He straightens just a bit. But his hands don’t move. And while from your perspective, it seems he’s hesitating on whether or not to continue, that’s not what’s got him stuck mere inches away from slipping his fingers between your folds.
He’s worried you know. That you’ve caught on to his inexperience, and are merely defending yourself from a second bad experience in one night. And god it makes this throat burn. Desperate to defend himself and prove that while -yes- he’s more than a little bit lost when it comes to the manual process, he’s still going to be the most teachable fucking man you’ve ever met.
“I’ll listen so well…” He eventually mutters, stepping just a bit closer. Voice lowering and a hint of desperation entering it. “Can—can give you everything you want… Just need to tell me…” he adds, unable to look you in the eyes.
It’s not exactly what you were expecting to hear, but it still strokes that burn between your thighs. Especially when his hands grip your hips through the blanket wrapped around you. Groping softly, massaging at the fat over your muscles and feeling hungry just to touch you.
“I… I don’t want things to be awkward afterwards.” You try to reexplain. Hoping the clarification will help him see why you hadn’t already leaned into his commanding touch.
“Awkward,” he repeats, as if it’s a foreign idea. Like it’d never crossed his mind. “Don’t plan on ignoring you anymore… Not—Not after hearing that… and knowing… fuck…”
“He couldn’t have listened… please tell me you tried to tell him what to do… what you wanted,” His rambles get more panicked. Like every thought in his head is equally important and he can’t take the time to pick one and let me even answer. “Should’ve asked what your pussy needed… how to make you feel good… make those pretty sounds..”
You’re half dazed just watching his breathy words fan the material of his hood to react to his boot kicking your feet apart. Wide hand sliding between your thighs and groaning. A deep, guttural sound that reminds of him being winded. And really… he probably should be. Because your inner thighs are dry to the touch. The wetness he’d been creating still not enough to make much fuss over. But he’s not satisfied with that alone. Immediately curling a finger to spread your lips, feeling the thick, slick of new arousal that had been nothing, if not his doing.
“Ohh, you poor baby…” He sighs lowly, head rolling back at the mere sensation of your pussy under his fingertips. Feeling you a bit anxiously, yet getting a buzz in the back of his skull when your hole pulses against his prodding touch. “Left you so fucking hot…”
It’s a fast movement but he’s got you off your feet and dropped down onto the couch in one swift move. Your back arched in the slumped position and the blanket that’d been covering your -pathetic- modesty, fluttered open on both sides of your hips. Leaving your core exposed to his hungry and heavy-lidded eyes. Letting out a little whine of a sound when he slowly drops to a knee; tracing his hands down your inner thighs like he was scared of touching you too harshly.
“König, please…” You gasp out, watching his thumb run over your swollen labias. Pinching your fat lips together softly and inadvertently putting delicious pressure on your swollen clit. He curses under his breath, free hand grabbing your thigh with bruising strength.
“Tell me how to please you,” He commands, eyes flashing dangerously wide in the icy moonlight streaming through the living room windows. “I need to make you come.”
His desperate, and knows you can see it. His whole body shakes seeing your flushed pussy a mere foot away from his face, and nothing but opportunity and his hood preventing him from burying his face in it. Watching as you shyly reach for his wrist, guiding his hand where you want it. Extending his fingers and whimpering when your motion for him to rub small circles over your clit sends those to-intense waves of pleasure through your pussy.
“Like that… just like that…” You’re able to praise with a shaky nod of your head.
Rocking your hips in tandem with his movements and nearly crying out in relief when he diligently keeps the same pressure to you despite your little twitches and grinds. Allowing you the freedom to plant your feet on the edge of the couch and simply feel. König’s lost in it. Lost in the sight of you. Your pretty mouth gaping open and your hips chasing the touch he’s providing. His breath catching when you cry out or give a weak praise for his work. Like you’re enjoyingwhat he’s doing.
But god he’s happy to stay right where you want him, how you want him. Feeling his knee dig into the harsh floorboards, and ignoring it with a refreshed feeling of duty he’d long lost as a soldier. Never had he been given such a pretty fucking prize to work for. Nothing as sweet as seeing your cunt drip from his rough fingers rubbing soft, almost too-soft circles over it. Not even realizing that he’d spent almost fifteen minutes just rubbing your clit lazily when your hand reaches back down. Happy to direct him yet again, especially when he doesn’t even need a verbal direction to do exactly what you want.
“Fingers,” You whisper through panting exhales. “Give me your fingers…”
Your little hand grabs his pointer and middle fingers, spreading your own slick over them like a goddamn professional before guiding him down to your aching hole. Letting go just long enough to feel the thick digits press though that first little ring of tightened muscle. Forcing your eyes open to witness his mostly-hidden expression as he sinks knuckle deep inside of you.
“So fucking pretty,” His head shakes a little, lost in the creamy slick gathering at the base of his fingers as he curls him up towards your pelvis just a little. Subconsciously scared to do the wrong thing, but desperate to keep your cunt flex and mold to his touch. “Tell me, sweetheart… show me what she needs.”
You’re too possessed to chase your high to not listen. Readjusting your bent legs on the couch to gently lift your hips and sink them back down. Slowly getting used to the feeling of his thick fingers, already deeper than your no-name partner. Groaning when they bump into your g-spot just hard enough to make your clit burn. Grinding against his hand and keeping one hand wrapped around his wrist just to try and ground yourself to the present situation. Lost in the rhythm of fucking yourself -quite literally- stupid within mere minutes. Beginning to hear that vulgar, sucking sound of your pussy gripping his fingers and utterly drooling over his palms.
König’s helpless to so more than sing your praise. “That’s a good girl… so good for me. Using me like a fucking toy.”
It’s the best he’s felt in a long time. Watching you take from him. Too absorbed to even think about anything other than yourself. Not in enough control to even worry about the true moans and yelps escaping you. Real pleasure wracking your body and burning every nerve ending.
“More… please more…” You cry softly, hips slowing to a painfully sexy grind as you squeeze the tendons in his wrist with your thumb.
König takes a little more initiative than he’s normally comfortably using, but adds a third finger. Slowly pumping them in and out, little by little, to help you adjust. Watching as your eyebrows pinch together in focus. A low growl rumbles in his chest, his mouth practically watering as your cunt sucks him in.
“Let me taste it, baby…” He huffs, head flinching forwards before backing off, repeating the action a couple more times. “Wanna help… just—just let me taste you…”
You clench around his fingers when he rests his cheek against your inner thigh. Big, wide eyes pleading with you so innocently like he isn’t stretching your hole wider than the biggest of your toys can with nothing but a few fingers. Forcing you to slow the roll of your hips, a shaky hand reaching out to cup his face through the mask. Rubbing a thumb over his hidden cheekbone with a little whimpered hum. Pulling his head closer to you, hissing when the hem of his hood merely grazes your clit.
“How’d you want it?” He asks, head down and pulling his mask up so you’re stuck. Forced to merely feel his mouth so close to you, and not see the shape of his mouth.
“Lick-lick my clit… s-soft…” You whine, eye shutting when the hot fan of his exhale his your fevered skin.
Holding his head steady with one hand, you almost coming up off the couch when his tongue makes one, long, lazy, lap between your folds. Gripping at the material of his hood just tight enough that he ends up ripping the whole thing off. Tossing it to the floor with an aggressive snarl that rumbles against your clit. Sparks of pleasure forcing your thighs apart and jerking your hips back up. Chasing his mouth. The rough texture of his tongue, and the slight graze of his teeth against your slicked folds.
Your orgasm approaches fast from there. Between his fingertips stroking you deep, and the new rhythm of his tongue lapping your slick up to massage your clit, it’s hard to even warn König that he can’t stop for risk of ruining your long-awaited release.
“König… K… oh… fuucckk…”
Your back arches tightly, both hands grabbing harshly at his hair with an unintelligible shout as you come. Jerking wildly and one of your feet losing it’s hold on the edge of the couch. Trying to fight through the shocks of pleasure, and groaning curses with a hoarse throat. Feeling König’s free hand latch onto your thigh to keep you from running away too far from his still-working lips and tongue. Sucking up the wet drips of release trying to drip down his hand.
“Slow, slow down.” You whimper, pushing at his forehead just a little. The pressure too much. The stretch of his fingers still satisfying but overstimulating.
Your so fucking grateful that he doesn’t fight you on it, or force you to try for another. And maybe it’s just the mere sight of you. abdominal muscles twitching, forcing your upper body to do baby-curls with each flex of your pulsing cunt. Toes curled and an all-over buzzing sensation making it hard to even make sense of where your limbs are in relation to the rest of your body, much less König or the couch your hardly laying on.
“You okay, sweetheart?” His softened voice almost gives you emotional whiplash, especially when he bends over you forehead resting against yours softly.
Gently removing his fingers with murmured apologies when your little winces mar your pretty features. Both hands sliding up your sides to help lift you back onto the couch, moving to sit himself next to you just long enough to reposition your body on his lap. Pulling that blanket back over your bottom half and maneuvering your cold, tingling feet between his thighs like he can tell they’re freezing. He presses soft kisses all over your forehead and nose. Rocking you softly and squeezing at the muscles in the back of your neck reassuringly.
“You needed that… needed to feel good…” he murmurs almost lovingly.
You nod dumbly, laying your head against his shoulder. Letting out soft nearly unconscious whimpers and a soft repetition of his name in cum-drunk appreciation.
“Told you I could listen… could be good for you,” He adds, almost like he’s reassuring himself of the idea. “Wanted to be better than him. Needed to prove it.”
He holds up your weighty head, stabilizing it with care and a sickeningly sweet look of devotion in his eyes.
“You’re never going to fake it again, sweetheart.”
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reblogs & comments are always appreciated <3
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doreminimi · 2 months
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an exposed love story | I.Y.
A/N: It's been a while since l've been in the writing scene but l've been wanting to go back into it for a while but didn't really have anyone in mind to write about. But recently, l've been quite hooked onto the olympics scene and a few of the athletes ended up catching my interest and so this short imagine is based off the person who caught my attention.
The story is a mix between my love for the k-pop (as I have done some writings from the past) and the volleyball scene - particularly the Japanese men's volleyball team
Hope you enjoy my first piece of writing in a while!
Genre: Hidden Love, Highschool Friends to Lovers, Fluff
Characters: Ishikawa Yuki x Reader (Reader has a last name)
POV: Third Person to Your POV
- ft. Dokyeom, Mingyu, Seungkwan from SVT, Sana from Twice, and JPN Men's Volleyball Team
Word Count: 2.3k (A short imagine / one-shot)
———————
In the bustling city of Tokyo, where the neon lights danced and the energy never seemed to wane, Jeon Y/N and Ishikawa Yuki first met. Y/N, a bright and ambitious high school student with dreams of becoming a renowned idol, was instantly captivated by Yuki's quiet determination and athletic prowess. Yuki, a promising young volleyball player with a serious yet kind demeanor, found Y/N's charisma and passion irresistible.
Their connection was immediate and profound. As high school friends, they spent time together whenever they could, sharing dreams and supporting each other through their busy schedules. Y/N's path soon took her to Korea, where she pursued a successful career in the music industry. Yuki joined Japan's national volleyball team and played for various Italian clubs during the offseason, leading to a long-distance relationship that was both challenging and rewarding.
Despite the distance, their bond remained unshakeable. Y/N's songs began to feature subtly in Yuki's team practice vlogs and official matches, leading to murmurs among fans. Although neither Y/N nor Yuki publicly confirmed their relationship, their connection was evident in these small but meaningful gestures.
One evening, during a casual brunch get-together with, Seungkwan, Dokyeom, and Mingyu at a cozy café, the topic of your "relationship" with Yuki came up.
"Have you noticed that song from the Japan volleyball team's vlogs?" Seungkwan asked, leaning forward with curiosity. "It sounds a lot like something Y/N/N would sing~" ending his sentence in a teasing manner.
Quickly turning towards Seungkwan surprised like a deer in headlights, you curse in your mind forgetting that he always keeps himself updated in the volleyball scene as an avid-fan of the sport. You should have known sooner or later that one of your friends would found out, so you reply with a nervous chuckle, "Really? I hadn't heard that.”
Mingyu, always ready to stir the pot, added with a grin, "There's been chatter about you and someone in Italy. Care to share?"
Your face turned a light shade of pink as you tried to compose yourself. "There might be some truth to it, but let's just keep it between us for now."
Dokyeom placed a supportive hand on your shoulder. "Whatever's happening, we've got your back. You don't have to go through this alone."
After years of navigating the complexities of a long-distance relationship, you and Yuki finally found a moment in your busy schedules for a short getaway. Quickly deciding on Florence, a city that seemed to perfectly embody your dreams of romance and history. As you and Yuki walk through its cobblestone streets, exploring its art-filled museums and enjoying its quaint cafes, you find yourselves enveloped in the very essence of a long-awaited reunion. The city’s timeless charm mirrored the depth of your connection, making the time together both magical and unforgettable.
The days were filled with joy as you two explored the city's narrow streets, visited the Uffizi Gallery, and enjoyed meals at quaint trattorias. Wandering hand-in-hand, savoring the rare opportunity to be together without the constant scrutiny of your public lives.
One sunny afternoon, you find a charming café deeply hidden in the alleyways, you look at Yuki with a bright smile. "How about we sit here? I've heard their espresso and tiramisu is fantastic! Plus, since it is a bit secluded we won't have to worry too much about someone spotting us."
Yuki’s eyes twinkled with affection. "That sounds perfect. I trust your taste completely."
As you settled at your table, enjoying your coffee and each other's company, a sudden burst of camera flashes disrupted your peaceful afternoon. Paparazzi, ever on the lookout for a story, had caught you in your private moment. You exchanged startled glances with Yuki, realizing your carefully planned escape had been compromised.
Looking around frantically, you tried to find a waiter who could help you find a more private spot. Yuki, his face hardened with determination, grasped your hands and said, "Hey, look at me. Don’t panic. It’s okay, what happened has already happened. Let’s try to enjoy the rest of our day. We will deal with the consequences later."
You squeezed his hand, offering a reassuring smile as you settled your anxiety and nerves. "Okay. We’ve faced challenges before, so we can handle this together."
Despite your efforts to stay calm, the media frenzy that followed made your vacation far from relaxing.
The morning after the photos were leaked, you and Yuki awoke to a media storm. Dispatch had published an exclusive article titled "An Italian Getaway: The Secret Romance Between Korean Idol and Japanese Volleyball Captain!" The article featured several intimate photos of you and Yuki from your Italian vacation, and it didn’t take long for the story to spread across various media platforms.
Your phone buzzed incessantly with notifications. You felt a mix of anxiety and resolve as you read messages from friends. Seungkwan, Dokyeom, and Mingyu all reached out in your group chat.
Seungkwan's message appeared first: "Y/N, are you really dating my volleyball idol? Is it true about you and Ishikawa? You know we’re here for you, no matter what."
You took a deep breath and typed a response. "Yes, it’s true. Yuki and I have been together for a long time. We kept it private because of our careers, but now that it’s out, we’re ready to face it."
Dokyeom's message followed quickly: "I’m glad you’re open about it. We’re all here for you. How are you holding up?"
You sighed, feeling a mix of relief and worry. "It’s overwhelming, but I’m managing. Thanks for your support."
On Yuki’s side, his teammates in Japan were also reacting. His phone buzzed with messages from their group chat, which was now exploding with notifications.
[Group Chat: Japan Volleyball Team]
Ran: "Congratulations on your relationship, Captain! Can I ask for a favor, can you ask Y/N for an autograph? I need it for my collection!"
Otsuka: "Seriously, congrats, Captain! You’ve always been such a mystery with your personal life. It’s great to see you so happy."
Yamauchi: "Yuki, about time you got into a relationship. We were worried you’d stay single forever!"
Nishida: "Wow, I can’t believe it’s Y/N. That’s huge! I’m sure you both make a great couple."
Yuki read the messages with amusement. He scoffed at the playful jabs but appreciated the genuine congratulations from his teammates. Smiling, he typed a response: "Thank you for the messages, guys. I’ll definitely ask Y/N for an autograph for you, Ran."
He hit send, shaking his head with a chuckle. The reactions from his teammates were a comforting reminder of the support he had, even amidst the chaos of the media frenzy. Their messages provided relief and laughter, helping him navigate the challenging situation with camaraderie and humor.
As the Paris 2024 Olympics approached, Yuki dedicated himself fully to his training, and you prepared for your own activities. You had planned to make a meaningful public statement after the Olympics, marking both your relationship and Yuki’s achievements.
When Yuki’s team won the gold medal after weeks of challenges and hardships, the moment was both triumphant and emotionally charged. You felt an overwhelming sense of pride and joy. Your shared victory was a testament to your resilience and love.
Later that night, you and Yuki sat in your hotel room, the weight of the day’s events sinking in. You were preparing a special Instagram post. "Are you ready for this?" you asked Yuki, your voice filled with a mix of excitement and nerves.
Yuki, his gaze soft and full of affection, nodded. "Yes. It’s time for the fans to know the truth. I want to celebrate our journey."
You uploaded a series of images to your Instagram story. The first few photos were nostalgic, showing your high school days, candid vacation moments, and various milestones in your relationship. The final image was the most powerful: you and Yuki in the now-empty Olympic volleyball arena, sharing a sweet kiss on his cheek with your arms propped around his neck, with Yuki holding onto the gold medal in one hand and your waist in the other.
The caption read: "Happy 10 years, my captain ♡ to many more years with you"
The post quickly went viral, with fans from both Korea and Japan, as well as across the globe, flooding your feeds with messages of congratulations and support. A hashtag for your relationship trended on Twitter, symbolizing your love story and the strength of your bond.
You were inundated with heartfelt messages from friends and fans. Sana from Twice reached out with a warm message: "I’m so happy for you both! Your love story is truly inspiring. Congratulations!"
You responded with gratitude: "Thank you, Unnie. Your support means so much to us!"
The final show of your Japan tour was set to take place at the iconic Nissan Stadium in Yokohama, a grand venue that held a special place in your heart. The stage was set, the lights were dazzling, and the anticipation in the air was palpable. This concert marked the culmination of a successful tour, and you wanted it to be unforgettable.
As you prepared to go on stage, your heart raced with excitement. You had planned something special—not just for your fans, but for Yuki. The Japanese volleyball team had been given special VIP seats for the concert from your management company, and Yuki was among them. You wanted to honor Yuki and your relationship in front of thousands of devoted fans, and you had a surprise planned.
The concert began with an electrifying opening number, your powerful voice filling the stadium as you sang your heart out. The crowd’s energy was contagious, and you fed off their enthusiasm, performing with an intensity that matched your excitement.
Midway through the concert, during a particularly emotional ballad, you signaled to your camera crew. You had a special request that you hoped would add a personal touch to the evening. The crew quickly understood and prepared for the transition.
As the song reached its crescendo, you gestured towards the camera with a bright smile. "We have a very special guest here tonight, and I’d like to share that with you all," you announced through your mic, your voice full of emotion.
The camera panned away from the stage and began to move towards the special VIP balcony, where Yuki and the volleyball team were seated. The crowd’s murmur grew into excited whispers as the camera drew closer. Your fans recognized Yuki and the volleyball team, and the energy in the stadium surged with excitement.
You took a deep breath, your voice steady but filled with warmth. "I want to take a moment to thank someone very special to me. Yuki, you’ve been my rock and my greatest support throughout this journey. This night is dedicated to you and our love."
As you sang the final notes of the ballad, your eyes locked with Yuki’s. The connection between you was palpable, and the sincerity in your gaze spoke volumes. The audience, moved by the gesture, responded with cheers and applause that echoed throughout the stadium.
The camera then returned to you on stage, capturing your radiant smile and the way you seemed to glow with happiness. You continued to perform with renewed energy, your heart lightened by the visible support from Yuki and the volleyball team.
After the concert, you and your bandmates were backstage, basking in the afterglow of a successful show. The atmosphere was jubilant, filled with laughter and congratulations. Yuki and his teammates made their way backstage to meet you, and the reunion was filled with warmth and affection.
Yuki pulled you into a tight embrace, his eyes shining with pride. "Amore mio, you were amazing tonight. I’m so proud of you."
You looked up at him with a beaming smile. "Thank you, Yuki. Having you here means everything to me. I wanted to share this moment with you."
As you stood together, surrounded by friends and colleagues, Sana and Momo from Twice approached with a smile. "The concert was incredible, Y/N. And you two looked so happy together. I’m really glad to see you both celebrating."
You hugged both of them warmly. "Thank you, Sana. Your support has been so meaningful to us."
As the evening wound down, you and Yuki took a quiet moment together, stepping outside to enjoy the cool night air. You stood on a balcony overlooking the city, the lights of Yokohama twinkling below.
"This tour has been incredible," you said, leaning against the railing. "But tonight was really special."
Yuki nodded, wrapping his arms around your shoulders and placing a sweet kiss on your forehead. "It was perfect. Thank you for making me a part of it."
You rested your head on Yuki’s shoulder, feeling a deep sense of contentment. "Here’s to many more moments like this."
As you stood together, the world seemed to fade away, leaving only the two of you and the promise of a bright future. Your love had endured through the highs and lows, and now, with your relationship celebrated publicly, you looked forward to what lay ahead, knowing that you could face any challenge together.
Your journey, marked by love, dedication, and resilience, continued to inspire many. And as you embraced the future, you and Yuki knew that your love was stronger than ever, ready to shine in the spotlight and beyond.
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sparxyv · 1 month
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Mousey Student ID 💙🐭
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NOW 😏 time for Mousey's official introduction.. get ready for another huge infodump! (this one's even longer than Milena's I'm so sorry 😭😭)
Template by @kiwiplaetzchen !!! (Thank you again 😙🫶)
Family
Mousey is the youngest of four brothers. Clyde, Lachlan, and Magnus.
His three big brothers have long since moved out of the McGregor house, going on to become very successful each in their own ways. They were all sorted into Ravenclaw, and were all part of the Ravenclaw Quidditch team at some point in time.
Mousey's mother - Florence McGregor (née Prewett) - is Leander Prewett's father's sister (so Leander's aunt lol). She was sorted into Gryffindor!
Mousey's father - Fergus McGregor - was sorted into Slytherin when he attended Hogwarts. Naturally, he is very prideful and ambitious - oftentimes (accidentally) placing pressure on his sons to pursue things that are not in their interest to impact the family legacy in a meaningful way. Fergus genuinely cares for his sons, he's just unaware of the effect his words have on their psyche. 🙁
Fergus McGregor was a keeper for the Montrose Magpies for 3 years before Magnus was born, and after that he decided to settle down for good. Quidditch was his passion, and he was ecstatic when all his sons shared the same love for it.
The McGregors have resided in Irondale for generations! They have a quite small house for a large family - but fret not, it's bigger than it looks on the outside.
Mousey is 5 years younger than the brother closest in age to him - Clyde - while his three older brothers are each only about two years apart from each other. This feeds into Mousey feeling like an outcast in his own family. (Clyde - 20, Lachlan - 22, Magnus - 24)
Life Before Fifth Year
Growing up, Mousey had always been an exceptionally anxious AND impulsively loud child, so he found it was a miracle he made friends with Anne Sallow during his first week at Hogwarts. Anne was always terribly kind to him, helping him out when he needed a shoulder to lean on, giving him lots of encouragement - which he so desperately needed. Anne, being extremely mischievous, self-confident, and empathetic, she made the perfect best friend for Mousey.
Mousey wasn't exactly a permanent addition to the Sallow Twins and Ominis' little group, but they would hang out with Mousey more often than not. Up until fourth year, they were practically his only friends. (We'll get to this in a bit.. 😙)
In order to impress his father - Mousey started training on a broom as soon as he first attended Hogwarts, but his heart was only half in it. Although he was very talented with a broom, it was never a true passion of his.
Speaking of Mousey's true passion - he is deeply fascinated by wandlore/craft. Ever since he recieved his first book on wandcraft at the age of seven, he quickly became entranced by it. Mousey absorbed all the information he possibly could and constantly visited Ollivanders in Hogsmeade in his free time once he was allowed to by the school.
Sometime at the start of fourth-year Sebastian and Mousey got into a HUGE argument that quickly ended their friendship. After this argument occured, Sebastian practically banned Anne and Ominis from speaking or interacting with Mousey in any way out of sheer pettiness 😒. Mousey was heartbroken. While he would swear up and down it did not affect him, he genuinely loved Sebastian, Anne, and Ominis.. losing their friendship was difficult on him. Although, sadness quickly turned to anger and he held a big grudge against Sebastian. After the big fallout, he vowed he didn't need them - immediately going on a quest to make as many friends as possible. And ultimately, he did.. but it never felt the same.
Relationships
Like Milena, I'm planning on creating a separate series of posts going more in-depth with his relationships w/ characters - so take this list of his closest friends!
Ominis Gaunt
Anne Sallow
Milena Chase
Amit Thakkar
Everett Clopton
Andrew Larson
Samantha Dale
Duncan Hobhouse
Garreth Weasley
Leander Prewett
Eric Northcott
Poppy Sweeting
Arthur Plummly
Unnamed Students
Personality
MBTI - ENFP-T
Alignment - Chaotic Neutral
Mousey is a complicated type of extrovert. He grew up constantly fighting for attention - he learned quickly that he needed to be loud and to stand out to be seen. Mousey is the type of person to only want a few close friends, but a large circle. He loves socializing with everyone, typically coming off as very cheery and playful, yet more snarky + sarcastic with people he's more comfortable with. However, he's also very anxious. He's quite the overthinker - yet never exactly thinks ANYTHING through at the same time. He's the epitome of impulsivity.
In addition to him being anxious - Mousey cares too much of what other people think of him, especially the people he loves/looks up to. He finds himself constantly trying to impress his friends and family because he craves external validation to feel good about himself.
Mousey is very sensitive, but can oftentimes be seen as apathetic when it comes to heated moments. He's very much controlled by his emotions and feelings, which has put a strain in a lot of his relationships. Mousey feels emotions more intensely than most of his peers, his mood also being affected by the people around him. (Although when he's not blinded by his own feelings, he is actually very sweet and caring person. 😞)
If there was one word to describe Mousey - NOSY. As a Ravenclaw, he's obviously inclined to want to know as much as he can about anything. With that being said, he's a NASTY gossip. Mousey knows everything about everyone, always around and listening in the background.. 😊
Just like how it is in other parts of Mousey's life, he feels that he's an outlier in his Hogwarts House. Other than being curious and passionate about learning, he isn't as clever as other Ravenclaws - not great at riddles, oftentimes having trouble even entering the common room. So he tries his best to make the best of it, befriending his housemates, joining the quidditch team, etc.
When it comes to being active, he can make an exception for Quidditch - for his father - but other than that, he HATES physical activity. Unfortunately he's a bit on the cowardly side as well. He could be reckless and get a burst of confidence, but in general Mousey is terrified of dueling, sharp things, large creatures, and especially cats. You wouldn't usually catch him out in the Forbidden Forest, or in any of the hamlets far from Irondale.
Additional Fun Facts!
The only people who don't refer to him as 'Mousey' would be Ominis, Imelda, and Milena - all for different reasons.
Mousey actually likes his nickname, not minding it one bit - although, he doesn't remember how he got it.. but even the teachers have called him Mousey since his first year.
He used to have very prominent buck teeth up until he was 13, having them magically fixed (by Anne Sallow) after his big brother Clyde had made fun of them.
Mousey is the Ravenclaw Quidditch Captain and Keeper in sixth-year! 💙
Other than Sebastian, his nemesis at Hogwarts is Charlotte Morrison (whom Milena actually made friends with???). She just really irritates him in a way he can't describe. The feeling is mutual.
He is very close with a lot of the teachers, most notably Professor Fig and Professor Garlick.
Mousey makes wood-carving animals representing the people he loves, and keeps them in his dorm. (Some would be: Ominis - Bat, Anne - Fox, Sebastian - Snake, and the newest addition.. Milena - Eagle 💜 I like to imagine Mousey came to terms with his and Milena's friendship at one point and secretly made her little animal to keep 🥹) No one knows the meanings behind the animals but him. They are his to keep and to protect.
Bi icon 💙💜🩷
Had a crush on Adelaide Oakes in third-year. (his type is blondes I guess?)
Was nearly sorted into Slytherin, but the hat changed it's mind at the last second.
Raphael is the only feline that tolerates Mousey. (And vice versa)
Knows about the Undercroft.
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felassan · 4 months
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"Electronic Arts Inc. and BioWare have provided a first-look at gameplay from the opening moments of the highly anticipated all-new single-player fantasy RPG experience, Dragon Age: The Veilguard. This bold, heroic adventure is built to deliver on what the series is best known for: rich storytelling, fantasy worldbuilding, companions and fellowship, and a world where you matter. In Dragon Age: The Veilguard, you’ll embark on a quest to face powerful Elven gods and stop the destruction they’re unleashing on the world. You are known as Rook, battling on the front lines alongside a compelling cast of companions with individual storylines and motivations. In true Dragon Age fashion, companions are central to the experience and as Rook, you must rise up, rally your crew and forge relationships to become the unexpected leader others believe in. Dragon Age: The Veilguard is launching worldwide to PlayStation 5, Xbox Series X|S and PC in Fall 2024. “We want every single moment in the expansive, story-driven experience of Dragon Age: The Veilguard to feel impactful,” said Corinne Busche, Game Director of Dragon Age: The Veilguard. “Players will journey to more regions than any other Dragon Age game, where they’ll need to level up and customize deep skill trees to take on increasingly challenging enemies. Additionally, our combat blends fluid moment-to-moment action with the deep RPG strategy the franchise is known for. We’re incredibly excited to offer players around the world a first-look at this experience that embraces BioWare’s storytelling roots of carefully crafted and immersive single-player RPGs.” In Dragon Age: The Veilguard, the Elven Trickster god of legend Solas wants to tear down the Veil that separates Thedas from the world of demons, restoring his people’s immortality and glory – even at the cost of countless lives. But his ritual goes awry, and his worst fears are realized, as two of his most ancient and powerful adversaries are released. They seek only to finish what they started millennia ago – the complete and utter domination of our world. Rook’s journey to stop these two powerful deities will span across all of Thedas to bustling cities, lush tropics, boreal forests, fettered swamps and the deepest depths, but be wary of the evil forces along the way like the Dark Spawn, Venatori Cultists and Demons of the Fade."
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"Key Features of Dragon Age: The Veilguard Fellowship: Dragon Age: The Veilguard’s brand new companions come alive with some of the most compelling individual storylines in Dragon Age history. Expansive and dynamic stories navigate love, loss and complex choices that will affect your relationships and the fate of each member of the Veilguard. New companions like the Veil Jumper Bellara, the necromancer Emmrich, and the private detective Neve, come from iconic factions in Dragon Age lore, possessing individual skill trees and specialized gear for advanced team progression. You’ll see familiar faces, too, such as the archer Lace Harding who returns to the series as a full time companion. Choice and Consequences: Dragon Age: The Veilguard builds on the series’ deep role-playing roots, providing extraordinary storytelling and worldbuilding, deep personalities for each companion, meaningful choices and impactful cinematic moments. The bonds you create and the relationships you forge will be affected by your choices made throughout your journey.  A Crafted Experience: As a character-driven RPG, Dragon Age: The Veilguard delivers a crafted experience that pays homage to BioWare’s history of storytelling. The Lighthouse provides a central place where you can rest, learn more about the world through conversations, while the Crossroads allows you to traverse to separate explorable regions of the world with your companions. You’ll experience more of Thedas than ever before as your story unfolds across meticulously crafted biomes and beautiful regions including Rivain, Weisshaupt, Arlathan, Minrathous, the Deep Roads and more, each inviting you to delve deeper into the narrative and uncover the mysteries of the land. Fluid, Customizable Combat: Immersive combat blends fluid moment-to-moment controls with tactical decision-making. Players can fully customize their experience to fit their playstyle with diverse skill trees among three different classes - Warrior, Mage and Rogue - each with unique abilities and specializations. Choose two companions to join you on your quests and unleash powerful team combos that can change the tide of any battle. Make strategic choices and direct your allies to fight, heal or stay out of the fray with the newly-added ability wheel. Be the Leader You Want To Be: Dragon Age: The Veilguard features a robust character creation system that allows you to be the leader you want to be with a vast range of customization. BioWare has created the most comprehensive character creator in Dragon Age yet to make this story truly your own."
[source]
"his worst fears are realized, as two of his most ancient and powerful adversaries are released. They seek only to finish what they started millennia ago – the complete and utter domination of our world."
👁️
"All the world will soon share the peace and comfort of my reign" / "Glory to the Risen Gods. They've come to deliver this world." [x]
also:
lush tropics, boreal forests, fettered swamps, the Deep Roads ("the deepest depths")
more regions than ever before
Rivain, Weisshaupt, Arlathan, Minrathous, the Deep Roads and more
fight darkspawn, demons, Venatori cultists
the Lighthouse (our central hub) is a central place where we can rest and have conversations
We will travel around the world via The Crossroads and presumably the eluvians
companions have specialized gear (Fel note: more on companion skill stuff here)
and I love what they are saying here about storytelling and character-focus and everything of that kind here. :)
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dollarstorefern · 9 months
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ok, so i’ve been thinking about the whole food/love symbolism in house, (i’m not sure who the first person to mention this symbolism was, but i love them so much. if anyone knows please mention them!!!) and there's one more specific element that i want to overanalyze, so just bear with me for a moment; there were four people that directly interacted with house when he was cooking in wilson's apartment (episode 3 season 6): cuddy, thirteen, wilson, and a random lady from the cooking class house and wilson took together. and i feel like these four best represent how house's love is spread. just hear me out for a second you guys.
first, you have cuddy. she comes to house and he happens be cooking; however, she never tastes the food he’s preparing. they love each other, he has love FOR her, but it's never the right time for them. (house and cuddy have such an insane and doomed relationship that i don’t think i quite understand myself tbh).
for the random lady, she's cooking *with* house when cuddy is there. this one isn’t as clean/sensible as the others, but i’m sure at least one person will get what i’m trying to say or be able to word this better. house has a certain level of understanding and care for others/strangers, but on a very grudging level. his love isn't necessarily made just for them, they'll never know the depth or spontaneity of it, and they'll never know what it means like the people close to house do.
with wilson, wilson wakes up to house cooking. house shoves the food in wilson's face, not listening to a word that wilson has to say. and wilson just goes with it! and i believe that it’s around here that house admits that he stayed up all night cooking because he was in pain, but i could be wrong. if that is the case though, that just ties into the whole idea that all of house’s strongest emotions are directly tied to his pain, all of his actions are fueled by his pain, which makes his love even more insane if you think about it. (i wish i was as eloquent as some of the other house fans on here when talking about this stuff but i only ever think about it when half-awake).
and lastly, there's thirteen. she visits house to ask for advice. and you see how precise he's being with the cooking. i don’t remember quite what he was making, something to do with chicken embryos or yolks, and extracting some of the yolk to squeeze sauce in there, something along those lines. pretty precise stuff. and thirteen tries it and says that it's the best thing she's ever eaten. quick and positive interaction.
so. we only see *two* people eat his food in this episode. two people who know what his love is like: wilson, the man that house depends on to even exist, and thirteen, basically the only character that (at this point in the show) has a chance of understanding house’s suffering, to some degree (house dreading the pain that comes with simply existing, knowing each day will be filled with pain, thirteen dreading every day, knowing that her huntingtons can only get worse and one day she’ll lose control).
also, this isn’t to say that house doesn’t/hasn’t loved other characters!!! i personally just feel like the relationships he has with wilson, cuddy, and thirteen are some of the most significant on screen relationships we see. (maybe i’m a bit biased because i adore wilson and thirteen, but we’ll ignore that).
anyways. all of this was likely just coincidence, but i don’t quite care! it’s the coincidences that make for the most meaningful portrayal of characters, in my humble (questionable) opinion!
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tyrantisterror · 7 months
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I've seen Utena and Evangelion get compared to each other for both being 1. dark coming of age stories that get increasingly surreal as time goes on and 2. supposedly deconstructing their respective genres. And I think there's a good basis for comparison in there, definitely, and they've both become anime I've made a point to revisit because they struck a very strong chord with me.
I think what gets me when comparing them, though, is that Utena gets to do what Evangelion sets up but never managed to finish - and some people inexplicably criticize Utena for it?
Cause Evangelion was clearly meant to be a longer series. They establish early on that there are eight Evas and eight teenage pilots for them. In the series itself we see four - well, five, technically, since an angel posing as a human named Kaworu tricks everyone into letting him pilot an eva, but still. There three side character teenagers introduced early, one of which pilots an eva (to disastrous results) while the other two remain supporting cast. It's possible they were intended to eventually be eva pilots too, but it's also possible the mystery pilots might have been foreignors like Asuka.
Either way, it's clear the story was meant to become bigger, but because of various behind the scenes reasons it didn't - it ultimately remains focused primarily on Shinji, Gendo (the true antagonist), Asuka, Rei, and to a lesser extent, Misato. And don't get me wrong, that still makes for an incredibly engaging show - I wouldn't trade any of the episodes and scenes focused on those cast members for the world, the depth to which those characters are explored is a huge part of what makes the series meaningful for me.
But Utena, while being a similarly character-focused series, does get to expand its scope in the way Evangelion set up but never paid off. The cast of Utena does get larger, and while the focus remains primarily on Utena, Anthy, the true antagonist Dio, and to a lesser extent Touga and Nanami, it finds time to shine the spotlight on a very rich supporting cast of characters. The Black Rose arc in particular is great for this, because it gives the supporting cast members introduced in the first arc - Juri, Miki, Nanami, garbage boy Saionji, and Wakaba - their own arcs and, in many cases, their own relationships with characters outside of Utena and Anthy's direct orbit. The lives and relationships of all these characters become really rich and interesting, with their own quirks and problems to overcome.
And, like, I've seen some people say this is a flaw - that these are "filler" episodes, that you can skip the Black Rose arc entirely, and it's baffling to me. The way all of these characters interplay with each other, how their struggles and arcs mirror and complement each other, is what makes the world and story of Utena so rich. It's still about Utena and Anthy in the end, but Utena and Anthy's arc is also made so much more meaningful by how it reflects the arcs of everyone around them - that ultimately all these characters are sharing facets of the same struggle, and if there's hope for Utena and Anthy at the end (and there is, especially in the movie), then there's hope for all these characters and, indeed, everyone in the audience who sympathized with them.
One thing that'll plague my imagination till the end of my days is the concept of what Evangelion would be if it could have broadened its scope the way they originally planned, and the way Utena broadens the scope of its narrative only fuels that wonder more. I'd kill to see Evangelion's Black Rose arc, and I'm so glad Utena got to have its world grow.
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blossomthepinkbunny · 2 months
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I'll probably just go on a rant after starting with this topic, but Helluva Boss really failed at showing us that Stolas doesn't look down on Imps. Or that he doesn't treat Blitzø as an exception, while not caring for Imps as a whole and the struggles they face. The only Imps/other lower-class Hellborns we see Stolas interact with are ones he:
-dislikes and shoves in Blitzø's face to make him feel guilty (Striker)
-abuses physically (his Butler)
-is indifferent to because they're on his side with being mad at Blitzø (Verosika, Tex)
-gets something out of (Blitzø, the guy at Verosikas party)
-ignores (Millie, Moxxie, Loona)
He gives Imps nicknames like: "little ones", uses the word "impish" as if Blitzø being an Imp implies anything about his behaviour (specifically his behaviour in bed). He tells Blitzø that his "friend", Striker tried to kill him, which either means that he believes every Imp knows/is friends with eachother or, that he said that to make Blitzø feel like he and Striker are like-minded (basically putting someone who was reasonably mad at him and tried to discuss their issues on the same side as someone who tried to assassinated him twice), which is manipulative as hell. He also ignores the fact that Blitzø couldn't come to save him because he had to take his daughter to the doctor (as if Loonas safety is less important than his, even though Blitzø has more of a reason to care for Loona than for him) and, that he sent Millie and Moxxie to save him (without them he literally wouldn't have survived). Stolas ignored Millie and Moxxie helping him in "LooLoo Land" as well, he only asked where Blitzø is because he is his "knight in shining armour", because he gets something out of him, which means he can just ignore the other Imps, who have no obligation/interest to sleep with him. Stolas being rich is never something he uses for the greater good. He could easily help Blitzø and his employees out financially, though I get that that might not be something Blitzø would want. But other than that as well, him seemingly having authority as royalty is completely useless. He only gets recognized in public when it's plot convenient (he has assassins trying to kill him as soon as he leaves the house in "LooLoo Land" and "Harvest Moon Festival", but going to a party with atleast 50 people or so is completely fine and no one seems to recognize him). We don't really see any of the duties he has as royalty. Apart from organizing the Harvest Moon festival, there really seems to be nothing he does (unless i'm forgetting something). The fact that he has to repress his sexuality also feels a little less impactful when you remember that Andrealphus and Vasago are also Gay. Though I guess we don't really know the connection they'll have to the story yet. The fact that he is super wealthy isn't really brought to focus either. He lives in a mansion and wears fancier clothes than the Imps, but that's just sorta it. Him being royal just makes the power imbalance much more apparent. Something that (from how I see it) was done intentionally, because Blitzø and Stolas were never ment to be endgame from the very start. At first it seems like Stolas is mostly just a running gag character, who got some depth in "LooLoo Land" but was never ment to be that important to Blitzø's story. He was more of a device that the I.M.P need to keep save, not because they actually cared for him (as he doesn't really care for them either), but because he is the only way they'll get to the human world. Characters that seemed like they'd be much more important to Blitzø's personal journey were:
-Moxxie (who probably gets used the best out of pretty much every character in HB, atleast in his relationship with Blitzø. Though they also didn't have real interactions for a while now)
-Loona (who hasn't changed her abusive behaviour towards him, because the show fails to give her meaningful screentime with Blitzø)
-Millie (who sorta has no real relationship to Blitzø aside from not really being dismissive of his actions. Though the Ghost episode might focus on how they met, etc.)
-Verosika (who they could've gotten more out of with the actually interesting relation she has to Blitzø, with a seemingly genuine and happy relationship they had, had they not sidelined her for the other, more uninteresting ship)
-Fizzarolli (who is utilized pretty well, though he and Blitzø got over their issues really fast and now they're just best buddies again with no complications and interesting moments whatsoever)
-Barbie Wire (Ya know, his sister who literally got nothing at all in terms of screentime, even though she should arguably be one of, if not the most important relationship Blitzø would need to be confronted with)
-Striker (who, from my understanding presented not only a threat to Stolas, but also a possible temptation for Blitzø to go against the system they live in. It was clear that he and Blitzø shared atleast some common ground, judging by the fact that he nearly became a new member of I.M.P because Blitzø liked him. They had chemistry and what Striker says about the system of hell is true and seemed like it would present a new option for Blitzø. A way to break free from oppression, which he might have never considered but is considering now that someone gave him a chance for things to change. But Striker got turned into a villian who completely lost the connection he shared with Blitzø. To become just another way the show could coddle Stolas by saying: "Oh no, Striker is saying that the upper class takes advantage of the lower classes?! But Stolas would never look down on Blitzø! He must be really aggressive and also, he was just hired by the evil Stella who wants Stolas dead for no good reason! So let's just ignore all the good reasons Striker has for wanting Stolas dead one way or another! Striker doesn't know what he's talking about, he was only an Imp suppressed by the upper class his whole life, how would he know what's best for Imp's?! Afterall Stolas is in love with Blitzø for real!!! That means that there is no problem with the royalty whatsoever and Striker and anyone like him should just shut up and stop complaining UwU..." <- definitely exaggerated)
(can you tell i'm really upset about what they did with Striker)
Some of these characters got dropped in order to make space for more screentime for Stolas, who is now considered the most important relationship for Blitzøs development, even though he should most definitely heal in other places, with other people before immediately deciding wether he wants to be in a romantic and sexual relationship or not. Blitzø has lots of issues and hurt a lot of people, there should be a lot of room to explore these relationships and to make Blitzø heal by sorting out his stuff, but the one he has with Stolas is not the one they should focus on first and foremost. If the way they've been writing Stolas for season two isn't going to change for the better, then I think he should've just stayed as an edgy joke. Atleast then he would've added context to the Imp's lower class status without taking away screentime from them and leaving way more interesting characters to be ingnored.
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It's just lazy writing honestly. Saying that you want to develop a "mature relationship" between two characters and killing off the female character to fuel man pain is such a tired and dirty trope.
And from his own words in that article - caryl falling in love is "obvious" and "easy" and such a "TV book of tricks" (again - all of these words could have different interpretations.)
Like, my dude, "friends to lovers" is an old but gold timeless trope for a reason. UNLIKE, introducing a female character and killing her to serve the male character's man pain (if that is the route they are in fact taking - I would rather her live or have her death serve some larger/meaningful purpose - bcoz yes...i can't imagine Daryl and Isabelle together - they have known each other for two months and most it has been her lying to him/manipulating him - my man deserves better BUT I also want female characters to be treated fairly) Forcing a relationship between her and Daryl so that the audience would feel more for her when she dies - and completely reducing her death to prop up Daryl is NOT the way to go. Give her a meaningful arc and real/clear/grounded motives and emotional depth.
Also - can we like backtrack here for a minute - saying that making Caryl romantic would be too easy - is like the most ridiculous thing I have heard in a while. Besides the fact that they are both incredibly complex and layered characters of their own right (the best to come out of TWDU imho) - their shared journey is such a gold mine in terms of potential - there is angst, real emotional stakes and conflicts, so much freaking build up that was already established (I mean the entire s10 arc was basically the angst-iest fanfiction to ever fanfiction) - and underneath it all - a bond/understanding/love that is so revered by so many (even the non-carylers). AND - the chemistry between the actors is the perfect cherry on top of this fantabulous sundae. I mean, u can create a whole rom com and a half out of it.
The easy route is pairing Daryl up with a character like Isabelle. Because it doesn't take much creativity or much thinking honestly.
In short, if you are going to go with a TV trope - plz don't put your bets on something as tired and tedious as reducing a female characters death so that the man can cry a few tears. Go with the tried and tested and timeless dynamic so many ppl root for (I mean - I only recently joined twitter to get updates on the Book of Carol - and twdcaryl has been trending for like three days straight now - and that Entire hype is created by carylers- they are out there dissecting every teeny tiny bts pic that we get from s3 - and creating fan art and just non stopping talking about it.)
I only finished twd a few months backs and since then, have been obsessed with this dynamic. I can't say I have hopes for canon. And I have never once interacted with this fandom beyond liking posts and devouring caryl fanfiction from so many talented writers here. But this article just seems like the dumbest decision ever (like why dig your own grave)
Me about Caryl...
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The Dondon Post (or: the bizarre TotK's side content counterpoints to its main quest's immuable binary morality)
Speaking of strange TotK Choices, I think I have one singe post left in me about this game; and it's about the Dondon quest, "The Beast and the Princess".
(and about other stuff too, you'll see, we'll get to them)
More specifically: about how... strange of a thematic point it feebly attemps to make in the larger context of the storyline, and how it seems to be yet another mark of a world that, perhaps, once tried to be more morally complex that it ended up becoming.
Buckle up: it's a long one, and it gets pretty conceptual.
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(good gem boys notwhistanding)
The Princess and the Beast
So, a couple of things about the setup. We are investigating potential Princess sightings; but at this point, either because we have already completed a bunch and know the general gib, because we have met a couple of wild Fake Zelda shenanigans, or through the simple fact that we are completing a side quest, we know there's a good chance it won't lead to an actual Zelda information. So when we ask Penn about what is going on and he replies with the ominous "we saw the Princess riding some kind of beast --a frightening one with huge, brutal tusks-- that the princess seemed to control", we get Ideas. Then the sidequest is registered: "The Princess and the Beast".
So. You know me. And if you don't know me, here's what you should know: my brain immediately flared up with the thought there was no way in hell this wasn't some kind of wink towards Ganondorf's renowned boarish beast form, especially given tusks were given so much focus.
My first assumption was: that's a miniboss right? I will get to fight some small boar-like thing that Fake Zelda rides sometimes. Cool! I didn't hold too hard onto my hope that the relationship of Zelda and/or Ganondorf to the natural world, or to each other would be expanded upon, since I had already been burned before, but my interest was piqued.
You have to understand how starved I was for any hint of complexity or mystery or ambiguity at this point. I was extremely eager for the game to throw anything at me that would surprise me, enlighten something pre-established, make the exploration lead to a meaningful discovery or deepening of characters, world or themes (and not just slightly cooler loot, or a bossfight, or a puzzle devoid of emotional context --cohesion and depth is what motivates my play sessions, especially in an open world game that I want to believe is worth losing oneself into). This was about the most intriguing task on my to do list at the moment, and so I plunged in immediately.
After really REALLY misunderstanding what I was supposed to do (I stalked every corner of every forest surrounding the tropical area at night or during blood moons in hope to see something --which was very much the wrong call), I arrived to the other stable, then was guided to the other side of the river where Cima awaits and explains that these creatures are actually a new species discovered by Zelda; that they are gentle and kind and not at all scary ("Dondons aren't beastly, they're adorable!"), and even somehow digest luminous stones into gemstones. They like the company of people and liked Zelda in particular.
I was... I felt two different ways about this conclusion, and I think it's worth to explore both: disappointment and some sort of... "huh!" Hard to describe this emotion otherwise.
I'll get the disappointment out of the way first, because it's the least interesting of the two. While I think the little emotional arc I was taken on was not devoid of interest --I was indeed taken on by the rumor and intrigued by its implications-- I wanted, well. A little bit more. And if the creatures were to be Zelda's pet project, I would have loved for them to be actually terrifying and feisty, and for her to develop an interest for these creatures in particular regardless. It could have been very interesting characterization that veered out of the perfect princess loving the perfect world floundering around her, always bringing her clear, practical benefits from the interaction.
(I have made another post that speaks of my discomfort that Zelda does everything everywhere and everyone loves her for it --I get what they were trying to go for, but it either lacks conflict for me to buy into that dynamic at the scale of several regions, or they went on too hard for my taste, as she is, at once and in the span of a couple of years at most: a schoolteacher, a gardener, an animal researcher, a scholar, a traveler, a military expert, a knower of landscape, a painter, a horse rider, an infrastructure planner, a [...] princess --at some point it begins to sound made up, "Little Father of the people"-esque to rattle the hornet's nest a little bit, especially if it's not shown as either a clearly godly characteristic or, even more necessary imo, a negative trait; another expression of her killing herself at work to compensate for a perceived flaw she's trying to earn forgiveness for, like she did in BotW. But that's another topic, and the clumsiness of her character arc has been well threaded by basically everybody disappointed in the story already.)
But, if I decide to be a little graceful, I'd like to explore my "huh!" emotion, and take it apart a little bit.
I think there's something interesting to have such strong parallels to setting up a story about the relationship between Zelda and Ganondorf ("The Princess and the Beast", like come on guys that's the conflict of over half the series), or at least Zelda and the concept of Evil since Ganondorf pretty much represents it in this game, and then have it go: actually, there was a horrible monster that everyone was afraid of, but Zelda was wise and patient enough to approach it and realize its potential beyond the tusks, what beauty can be brought upon the world if one makes the effort to look for what exists underneath. It says something a bit deeper about the world and about Zelda in particular. It intrigues, at the very least.
Is it a reach? Probably! Is my first interpretation that the quest is actually about "eww you thought Zelda would be interested in *disgusting vile monsters* and not sweet and gentle and human-loving animals that literally shit jewlery when cared for? jokes on you, she never would feel any ounce of sympathy for anything that isn't Good and Deserving" uhhh definitively truer? Probably! But I also don't want to dismiss that the quest made me think about it. If I had completed it earlier, I might have even felt like it was (very clumsy, not gonna lie) setup about the main conflict.
But that's also a good segway into my next section: the arbitrary limitations between the animal and the creature, the monstrous and the human.
And the fact that TotK points directly at it.
A Monstrous Collection
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(these two guys are just. doing So Much and being So Valid despite being massive weirdos the game wants us to be slightly repelled by. I, for one, respect the Monster kinning grind and their general Twilight Princess energy.)
So. These two guys. There is so much to say about these two guys. I don't think I have seen the Trans Perspective on Kolton on tumblr, and I would love to get it because. I feel like it's a worthwhile discussion (just, how gender and identity is handled in TotK overall, I feel like it's a very complicated conversation and I have not seen super deep dives and I'd be very interested in hearing more).
Beyond the throughline of voluntary consumption of magical objects to turn into less human creatures being a weirdly prevalent plot point in TotK (Zelda, Kolton and Ganondorf casually transing their entire species for funsies --Ganondorf being particularly relentless with Fake Zelda, mummy/phantom shenanigans, Demon King and then literal dragon), I want to focus on Kilton a little bit.
Kilton is genuinely the only NPC in the game willing to acknowledge the inherent personhood that monsters have (the game does showcase them picking up fruits, mourning their boss if you kill them, being cutesy and happy to identify you as one of their own if you wear the appropriate mask --and that's not even getting into creatures like the Lynels, who seem to really edge on the limit of being a conscious creature with a system of honor and property and many other things). He does encourage us to think of monsters as more than a species whose only worth lie in how fun it is to eradicate them; even more, gameplay-wise, he does give us a reason to interact with them in other ways than just our sword with his museum. He does encourage us to see that beauty for ourselves and then select what we think is coolest/most intimidating/cutest/eight billion ganondorfs in every pose imaginable
The fact that Ganondorf is considered a monster was a great win for this feature in particular, and is very funny, but it's also... A lot, if we dig at it a little more than warranted. Beyond all of the Implications and all of the things of representation and political conflict and values already discussed ad nauseum: when did he stop being considered a human? What does that mean about the flimsiness of what is a monster and what is a creature and what is an animal and what is a person and what is even a hylian, as sheikahs got absorbed into the definition in this game? Especially with the stones taken into account, how profound changes in nature are a huge part of the plot (even when reversed and ultimately pretty meaningless): how easy it is, to make that slip? Who decides when that slip has been made? What is acceptable to hurt without remorse? What is beautiful and worth preserving? What is both at once? What is neither?
And again, in a classic Zelda conundrum (appreciative(?)): who the fuck gets to decide that, when, and why?
The Bargainers and the Horned God
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(major shoutout to these big guys for being the sole and only providers of actual depth to the Depths, and for looking cool as heck)
So. Let's move the conversation to the Depths.
Conceptually: what an interesting idea!! And so well executed (initially)!! A mirror world to the surface, dark and hushed and full of unknown creatures; haunted by gloom and sickness and the unknown. Not a first in the series, far from it: from ALTTP to ALBW, and even taking the Twilight world of TP into account, this idea of a Dark World acting as a deforming mirror to Hyrule and revealing many interesting aspects as we get to explore both is always a very interesting take on corruption and envy and fear/weakness and/or some sense of darkness looming under the perfect exterior. I'd argue even the Lens of Truth of both OoT and MM's serve a similar function, both gameplay-wise, but also in terms of theme: not everything is as it seems. In the world of Light, darkness must hide itself; but darkness also possess its own beauty, its own hardships, and will stare back at you without blinking if you go seek for it. It's, in my opinion, one of the series' most compelling conversation about the cyclical nature of fate, the coldness of godhood, and how small one feels in the face of a universe that is more complicated than it initially appears --which is why Courage must be invoked to push forward regardless.
The Depth's otherworldly ambiance is truy wonderful, whether in the plays of light and shadows, the creatures native to the environment we meet there (wish we met more!), the soundtrack, the strange aquatic/primordial plants, the fact that the dragons visit this place and connect them to the outside --invoking ideas of balance and interconnectivity, that the tree branches look like veins. The coliseums, the mines, the zonai facilities and the prisons do seem to poke at many things about what the relationship to the past was to this place; was it ever truly a place? Did it look like this back then? Why was it buried? Why did it come back? But in spite of it all, I think the Depths struggle overall to question or reveal anything about the surface that we couldn't already assume going in (that the only thing congealing there is Ganondorf's gloom, his lonely domain of Wrongness, only shared by Kohga and the yiga --the only naysayers of Goodness and Light, contemptful and blinded by self-importance and rage). The zonite is mined by gloomy monsters --why, what for?-- so any notion of greed and over-expansion that could have been associated to the zonai is now reabsorbed into Ganondorf's general evilness, since it needs to be reminded he is everything and anything bad with the world: darkness and conquest and greed and capitalism and pollution and bad weather and sickness and darkness and violence and war and death and betrayal and fakeness and lies and patriarchy and exploitation. No matter that he never does a single thing with zonite in the game; rather set up elements of conflict that never go anywhere than, for a second, let the foundations of absolute goodness and absolute evil risk becoming shaky --and you coming to this unwelcoming dark place that hates you, killing the miners and taking their resources for yourself is, on the other holy, royal fur-covered hand, utterly legitimate. The resources were once Rauru's after all, were they not?
And this is what I would say, except... except for the dead. The fallen warriors, the poes, and, most important of all: the Bargainer statues.
The Bargainers are, in-universe, godly creatures guiding the fallen to a place of final respite, regardless of moral alignment. The poes are all, fundamentally, cleansed of judgement: they are lost souls whose past reality does not matter anymore, and all deserve that peace regardless. In spite of the heavy paradise/hell parallels drawn in that game, with Rauru/Zelda/Sonia as the guardians of Light where Ganondorf gets to become a Devil-like figure, it is confirmed here that no such thing exists when you actually die in this universe.
It almost feels as if the fabric of Hyrule itself, in a brief moment that refuses to elaborate on its own point, goes: "yeah, whatever is happening here between Light and Darkness, it doesn't actually matter. This conflict is futile and doesn't understand the real nature of being alive, dead, a god, a person, a monster, an animal. The truth lies elsewhere --but you will never be told what it is."
It's: wild.
One of the game's most striking traits of narrative brilliance in my opinion --to the point where I'm wondering whether it's there on purpose or was effectively an oversight since every other aspect of reality breaks its own back trying to reassure us that everything is at its correct place, receiving the appropriate treatment by the universe in a way that is never to be questioned.
Another case of that ambiguity being allowed to exist without being immediately crushed and repressed is the case of the Horned God (interesting parallel to Ganon's actual horns that he develops in this game in case the hellish parallels weren't clear enough already): a demon Hylia sealed into stone and pushed far from humans in a clear case of questionable behavior since, while the Horned God isn't exactly nice, does propose a different philosophy you are not punished for exploring; and yet, a proposal that has seen itself persecuted in a very real sense by the goddess of absolute goodness, patron of hylians, Zelda, and many more. Pushed away from view.
Interesting.
And Yet, Light Must Prevail
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Okay, so, after all of this, we're left to ask... What the fuck is up with morality in Tears of the Kingdom?!
What do we trust? These half-breaths in the occasional sidequests that Light and Darkness is just the wrong frame of reference, that nature cannot be this simple, is ever-shifting and can be recalled or reaffirmed by arbitrary forces, and might even not matter at all in the universe's fabric, despite having so much of its lore soaking in the dychotomy? Or... everything else about the game, this insistence that Good must not only be assumed as whatever tradition the kingdom has passed down for thousands upon thousands of years, but remain utterly unquestioned the entire time? That Bad is without cause, graceless and unworthy of investment?
Are the Bargainer's statues the only thing worth listening to, that morality is a fable the living tells themselves --or should we be moved when Darkness destroys Light, when Light suffers to preserve itself and the world --but not when the Other is rightfully slain?
Was Kilton correct to see beauty in the monstrous? Was Kolton onto something when he let go of his previous form because there is no clear distinction between what should receive an arrow to the face and what shouldn't? Or should we rather focus on Zelda losing her human form as a beautiful and tragic sacrifice --but something that never actually altered her nature as a hylian, the descendant of a lineage of Good Kings meant to rule forever?
Is the Dondon good because it always was, or was it worth Zelda's love in spite of the fear it initially provoked?
Either way, at the end of the game, evil is slain. Ganondorf is, not killed, but --like his angry BotW boar counterpart-- destroyed, as monsters tend to be. He explodes over the lands of Hyrule, freed from Darkness; freed from everything wrong, since the foreign menace that embodied it all was wiped out in one fateful sweep of a holy blade cradled in sacrificial love. Nothing wrong remains. The Sages reaffirm their vows to protect the kingdom forward, and a very human --hylian-- Zelda smiles: Hyrule now forever and ever basked in eternal Light.
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spockandstars · 1 year
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I think that a lot of people take issue with the way the Spock/Chapel/T'Pring love triangle is presented in Strange New Worlds, but that sometimes this is dismissed as fans just being bitter spirk shippers. So here are a few reasons why I believe people are iffy on this plotline. (Disregarding the fact that we're disappointed that the showrunners didn't, and most likely won't, take the chance to do something really cool with Spock's legacy as a queer coded character...)
Firstly, it takes time away from other characters to address an element of Spock's story that has already been explored beautifully. (I will get into how this treats Chapel and T'Pring later...) Spock's struggle with his humanity and his anguish over the depth of his feelings for others (particularly Jim) is a focus in TOS and the movies, and if you're going to keep on talking about it, at least do it in a more creative way? This isn't to say that it shouldn't be acknowledged at all, seeing that it is a lifelong struggle for him, but by making it such a focus of the series they're not giving other interesting characters as much of a chance to develop.
Additionally, it has traditionally been understood that Spock coped with his inner turmoil by repressing his feelings. Over the course of his lifetime, he learns to embrace his human side more to become a more balanced and healthy person. SNW takes the approach of "young Spock was more human and horny!" which isn't necessarily bad, but they better be giving us an explanation for how he transforms so dramatically to the extremely repressed character he is in TOS. Maybe this is reaching too far, but this whole approach of young Spock just feels like an excuse to get hot ladies into his bed and to fulfill the fantasies of nerdy men who project onto him. This is the same Spock who scoffed at the idea of going to see dancers at a bar, who was immune to the charms of the sexy ladies in Mudd's Women, who only entertained women when drugged or when he needed to do so for a mission...
Furthermore, I believe it's a disservice to Chapel. On one hand, it does make her love for Spock seem more grounded in reality, which I appreciate. In TOS, it's pretty clear that Spock doesn't share her feelings and her crush is only really ever used as a means of ridiculing her. There goes silly Chapel again, trying to win over her unrequited love! It's not cool. But on the same token, making Spock the focus of her character yet again only further reduces her to nothing but that. Why can't we let the girl breathe and do other stuff? Sure, she does get some of the AOS Uhura treatment where she gets to be a generic cool badass lady, but this is in a way that is lacking in any real depth. Chapel deserves better.
I also don't love the way it treats T'Pring. Was it really necessary for her to be Spock's eye candy wife that he gets to bang and cheat on? In Amok Time, it's heavily implied that this was an arranged thing and that they hadn't seen each other since they were seven. If they really felt the need to include this relationship, it would have been so much cooler if they had explored it from that angle, with neither of them truly wanting to be together but being forced into it by societal expectation. Which of course, results in T'Pring using her intelligence to gain her freedom in Amok Time.
So yeah. Those are my main gripes with this whole thing. Overall, I think it's lazy writing that allows the writers to benefit from the nostalgia of legacy characters without developing them in actually meaningful or revolutionary ways.
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novlr · 5 months
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how do i write an established married couple that are out of their honeymoon phase and now theyre just cute and comfy w/ eachother??
Established relationships, in particular, require careful consideration and development to make them feel authentic and relatable to your readers. An established relationship is one that has a history of shared experiences and a level of comfort and familiarity between the characters and can take many forms, such as long-term friendships, romantic partnerships, or even familial bonds. Writing established relationships requires a deep understanding of the characters’ backstories, the dynamics of their relationship, and how their connection influences their individual arcs.
Understand the dynamics of established relationships
Established relationships have a history and shared experiences that shape their current state.
Power dynamics, roles, and expectations within the relationship have been formed over time.
Established relationships involve a level of comfort, familiarity, and trust between the characters.
Conflicts and challenges in established relationships may be more complex and deeply rooted.
Characters in established relationships have a deeper understanding of each other’s strengths, weaknesses, and quirks.
Established relationships involve a sense of commitment, loyalty, or even obligation.
Develop their backstory
How and when did the characters first meet, and what were their initial impressions?
What significant events or experiences have the characters shared that have shaped their relationship?
How has the relationship evolved over time, and what challenges or conflicts have they faced together?
What are some of the defining moments or turning points in their relationship?
How has the way the characters have grown and changed as individuals affected their relationship?
What are some of the inside jokes, shared references, or traditions that are unique to their relationship?
Show the depth of their connection
Use dialogue to reveal the characters’ familiarity, comfort, and understanding of each other.
Show the characters engaging in shared activities or rituals that demonstrate their bond.
Describe the characters’ nonverbal communication, like knowing glances or subtle gestures.
Reveal the characters’ ability to anticipate each other’s needs, thoughts, or reactions.
Show the characters supporting, comforting, or challenging each other in meaningful ways.
Demonstrate the characters’ willingness to make sacrifices or compromises for the sake of their relationship.
Explore conflicts and challenges
Identify the underlying tensions, differences, or unresolved issues in the relationship.
Show how the characters navigate and cope with these challenges, both individually and as a pair.
Explore how external factors, such as family, work, or personal goals, can strain the relationship.
Demonstrate how the characters’ individual flaws or weaknesses can affect the relationship.
Show the characters working through conflicts, compromising, or finding solutions together.
Illustrate how the challenges and conflicts ultimately strengthen or change the relationship.
Develop character arcs
Show how the relationship influences each character’s personal growth, decisions, and actions.
Explore how the characters’ individual journeys affect the dynamics of the relationship.
Show how the characters learn from each other and inspire growth or change.
Show how the relationship evolves because of the characters’ individual development.
Illustrate how the characters’ shared experiences and challenges shape their shared future.
Reveal how the relationship ultimately supports or hinders the characters’ individual goals and desires.
Craft authentic dialogue and interactions
Use inside jokes, nicknames, or references that are specific to the relationship.
Show the characters finishing each other’s sentences or thoughts, demonstrating their deep understanding of the other.
Use subtext and implication in dialogue to reveal the characters’ unspoken feelings or concerns.
Demonstrate the characters’ ability to communicate effectively, even during conflicts or disagreements.
Show the characters engaging in playful banter or teasing that reflect their comfort with each other.
Illustrate the characters’ ability to have meaningful, vulnerable conversations that deepen their connection.
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