#and I love the people that write for her

[writebackatya]

Out of all the Della Duck fans I sure am one of them!!

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[zan0tix]

ALPHA KIDS: Draw your best friends!

DIRK: I'd say I'm better at one on one character interaction work of the more intimate variety, but I think this piece came together nicely. DIRK: Fun for the whole family style wholesomeness, any motherfucker in the radius of a screen displaying this image will instantly get hit with a sore case of heartburn and their tear ducts will clock in overtime at the weeping factory.

ROXY: im so proud of these i think these are my best designs yet :3 but omg dirk callie and jake were SOOO peculiar about their damn designs over my shoulder. jake wanted me to clarify that even in pink pen form his little guy is BLUE. so there. sigh this is the one occasion they could take notes from janey.. JUST LET LE ARTIST WORK!

JANE: Boy! I don't draw often but I always was fond of calligraphy growing up. I was kind of inspired by all of the other's works, but especially Calliope's swirls she puts in her art. It's very fun to add!

JAKE: Im not quite the best with posing, but i find the head very fun to study! Especially skulls.. so good ole calliope makes for the perfect muse! (hehe)

CALLIOPE: i realized i hadn't ever made a piece with Us in the same place at once. u_u CALLIOPE: bUt since it's reality now here's all of Us together, United at last! ^u^

==->

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[taohs]

(some) Balalaika moments that lives in my head rent free

[ghostbsuter]

Danny got comfortable on the roof, leaning froward with anticipation.

A silent thump and a person slid next to him, Danny barely gave the red head a glance.

"Any reasons to be on the roof at night?"

He shushes the vigilante, eyes not leaving the spot. It has Roy crouching next to him, watching as well.

Out of nowhere, a vampire looking fella flew around wildly, not far behind a ginger woman on a hoverboard, flying after him.

The Lady is shooting lasers with deathly accuracy, the man (?) dodging barely. It had Arsenal hum at the show.

"That's my mom." Danny points at the lady. "The guy she's hunting keeps harassing me so she took matters into her own hands."

Cheshire Cat lands not far away from the two, head tilted with a silent question that had Roy nodding and she is leaping away to the next roof once more.

"Why not call the authorities?" He asks, appearing less tense and more friendly to the teen.

The kid whistles sharp with a grin before answering.

"Tried, unfortunately, he's super rich with influence and connection. So here we are." He shrugs.

While they watch the chaos a bit longer, Roy ignores the insisting buzzing from his comm, Cheshire Cat probably alarmed Oliver by now.

He looks up when Danny stands, stretching.

"What was your name again?" He quirks his brow with a smile.

"I don't remember telling you."

Roy rolls his eyes, joining the teen to his feet. "So?"

"Danny."

He steps off the roof before Roy can react, a shout building up, until he sees the kid sitting on the hoverboard of his mother, her hand ruffling his hair.

"See ya, Arsenal."

They're long gone when Arsenal huffs, laughing.

"Until next time, Danny."

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[mipexch]

sixnine dump

[risingmoonyue]

Tried my hand at redesigning Lucy from Fairy Tail! Notes and separate images under the cut.

[EDIT: I now have another post for more notes and world building!]

I wanted to give her a little more “working towards casual” vibes, because I wish it was explored a little more how being raised rich affected her behavior - or rather, how she *doesn’t* act. I HC she spent the time pre-Natsu but post running away kinda training herself to not default to rich, polite heiress. There was a lot of people watching involved. She may or may not have a notebook titled “How to people”. When she’s really tired or stressed, she’ll fall back on talking formally, though she usually catches herself fairly quickly by the time Natsu bulldozes his way into her life. She prefers talking casually, but the formal speech comes in useful when dealing with particularly picky rich clients (or royalty).

(On a completely unrelated note if anyone has fics along this vein send them my way)

Anyways I like to think my version has a very close, familial relationship with all her spirits. She’ll call one out most days, even just to hang and talk for a while. It very conveniently doubles as stamina training for her - not that she actually needs the excuse, but if she does happen to need one that’s her go-to. They are all very protective of her, especially Aquarius, who despite how it seems cares very much for Lucy and basically helped raise her after Layla passed. Lucy appreciated how Aquarius treats her like literally anyone, and Aquarius is her go to for life advice; Aquarius herself has a habit of accosting the other spirits as they come back for status updates.

[demigods-posts]

me whenever i see people write off annabeth as an annoying and controlling and crazily jealous girlfriend with anger issues. understanding that the foundation of the rhetoric is based off of annabeth's behavior toward percy and rachel is tbotl and tlo. except annabeth's behavior in those books is soley due to the surplus amount of traumatic experiences she's had. ranging from her parents neglecting to care for her well-being when spiders attacked her in the middle of the night as a seven-year-old. to watching everyone she's ever dared to care for die, abandon, or leave her for a better option. so it's much more likely than annabeth was expressing great mental and emotional distress during a period of her life where it was uncertain if the boy she loved would drop dead on his sixteenth birthday. on top of having to uphold a reputation as the best strategist at camp half-blood and devise a plan to fight in a war and save the world before she's a sophomore in high school. so the notion that annabeth is an abusive and toxic individual lacks the consideration that maybe she was just a child forced to carry the weight of the world on her shoulders at all times.

[positivelyadhd]

i have been reading through the diary I kept from ages 14-17 and realising how helpful it can be to keep a record of how you're feeling at different moments.

not only is it helpful to write down and process how your feeling and give yourself time to truly think about it, it's nice to have something to look back on. to not just remember how you felt about a certain situation but to actually have yourself from that time tell you.

and also, from an adhd perspective, it's really lovely to have reminders of things I'd almost entirely forgotten. it's easy to think that your life right now isn't interesting, but in 5 years time? to know what songs you were listening to or book you were reading or even that Thing that you were so worried about but now you can't even remember the details. it's nice to have a physical reminder that time passes and things really can get better.

[stellanix]

(genshin impact spoilers incoming)

one aspect of furina's characterization that's pretty understated but that i really really really love is her intelligence and curiosity. usually in genshin, when a character's intelligence is an important trait of theirs, there are aspects of their design, writing, voice acting, etc, that very clearly tell you "hey this character is smart." albedo, for example, wears a labcoat, is always saying big sciency words in a calm, rational tone of voice, and other characters are always talking about how smart he is

but furina? nothing about her on the surface suggests that she's a "smart" character - quite the opposite, in fact. superficially, she's introduced as a bratty, conceited, overconfident person who actually has no idea what she's doing. we eventually learn in the archon quest that that was all an act, but even after she regains her freedom, nothing about her really seems archetypically intelligent, at least at face value

instead, furina's intelligence is always shown rather than told (the only exception being nahida's voiceline about her). she had an intelligence network across teyvat feeding her information, and we saw in the flashback how she directed researchers to study the prophecy and potential ways of stopping it. before things like lyney's trial or directing the two musketeers, she'd stay up all night planning and piecing things together all on her own. she loves learning new things, she has lines in the teapot about how, when she's interested in something, she wants to become the most knowledgeable person in the topic, and also how she'd like to disassemble the teapot itself to learn how it works, and she's quick to learn new skills (like surfing). and, of course, she's well read, and quite possibly teyvat's foremost expert on the performing arts

i like how furina sort of defies the concept of character archetypes. she's initially presented as an archetypical bratty, dramatic, spoiled popular girl, but that was a role she forced herself into because it's what people expected of her. but the real furina, while still retaining some of the flamboyance from her archon persona, doesn't really fit into a clear mold. she's smart without being a super-genius, and she's kind without being a soft-spoken doormat. it makes her feel multifaceted and real, and i really love that!

anyway, this is why it makes me mad whenever i see people calling furina stupid, cuz she's not!

[disco-troy]

Donna Troy is truly the character of all time. Always struggling with how people percive her. Needing to be perfect on the outside if not on the inside. Spending her entire life hiding her faults from outside eyes.

And then the monkey paw curls.

She gets erased and brought back with Wally’s memories of her. All of a sudden the facade she’s put up all her life becomes her. She becomes what she’s always projected to the world.

But it fixes nothing. Instead of worrying about showing her flaws to the world she worries she’s successfully erased them. The jokes is on her. She finally perfected the mirage of herself, but instead of freedom she finds herself in a self built prison, trapped in a watered down Donna Troy, the hollow image of perfection she cultivated all her life.

Her response is to scream in her own voice for the first time in her life.

[hellohellowelcome]

ik it's just homophobia at work, but something that's always puzzled + bugged me is when fans can't apply the real-life complexities of romance, sexuality, and identity to fictional romance. I'll see a well-thought out analysis of how Ochako or Izuku are great examples of comphet, for example, and all of a sudden here comes a pack of dudebros shouting "MHA fans don't know how to read OCHAKO CANONICALLY LIKES MEN! IZUKU BLUSHES AROUND GIRLS! THEY ARE STRAIGHT!" from the rooftops....like.....okay? Should we clap? It's the same spirit that drives antis to rush to social media to say "bkdk and togachako are dead I prayed for times like these" instead of just enjoying their own ship 💀

It's "sexuality can be fluid and sometimes your understanding of the attraction you experience (or don't) changes over time and that's okay!" Unless, of course, you're talking about [insert character here who must be straight because it kinda seemed like it in these three panels from four years ago~] Like oh brother, give it a rest.

Again, there's nothing wrong w/ disagreeing with headcanons like these!! You might think, "well, I actually think Ochako's crush on Izuku is genuine and that they would make a cute couple!" That's great, love! Ship to your heart's content! My issue is when people act like any interpretations aside from heterosexuality are insane and the product of some inability to understand the source material. Especially when it doesn't affect your individual hcs or enjoyment of the series at all? And especially when most of these headcanons often come from actual queer fans seeing their experiences in these characters' journeys.

[myokk]

🥺

[pricetagged]

that death is a very stable job

''Cause I love my baby, tall, dark Hades. Lord of death is down on his knees for me.'' Poor little Dormouse, with her cruel father and labourer's hands. You find an unexpected guard dog in one of the passing Knights.

Enjoy 4.8k words of half inaccurate-medieval, half poorly-built-fantasy AU. Inspired by a few existing historical AUs (like @bi-writes 1600s au, 391780's 'the rus') and a scene from 'The Serpent Queen'. Also, I stan 'old grizzled dog with a heart Ghost' so here you go.

Warnings/content: implied domestic abuse/sex work (not Ghost), very mild suicidal ideation, violence, power imbalance (social hierarchy ew), kissing & intimacy (no smut. yet.). Reader is described as a young woman, generally body-neutral (one reference to being 'plump').

-----------------

What makes betrayal so potent is that, by its very nature, it can only come from someone you trust. Of course, as a child you knew little of the abstracts and intricacies of trust. You knew the warmth of your mother's bosom. You knew the sharp, lingering smell of lye that slung to her chapped hands. You knew that you were not hungry or hurt for those blissful early years, at least.

You did not know that you had a father.

He spent those blissful, early years of yours fighting for a King and cause that meant far less to him than the pocketful of coins he earned and promptly spent on pleasures. But a soldier cannot earn coin in times of peace, not if he weren't a member of the standing army, so with treaties signed he shipped back to neglected wife and babe.

You did not know that fathers could be cruel.

Your mother protected you as best as she could, but slippery riverbanks and lixivium fumes were hardly safe for a little girl. So you learned to scurry about, eyes wide and feet soft as a dormouse. When your mother's whimpers and father's shouts split the silence of dusk you crouched and covered your mouth lest his attention switched to you. On the rare times your father called for you, you remembered your mother's hushed advice - be quiet, be meek, be sweet - and bobbed along to the waves of his fickle moods. When your stomach growled and gnawed you stifled it with a look at your mother's wan face, her fingers worked to the bone for mere pennies that were no longer spent on peat and produce. You lived in a cold house, an empty house. A strained house.

'Look at the size o'her, running wild, eating me out of house and home!' Lies. Your father hunched over your mother's shaking form, three meager brass farthings spilled across the crooked kitchen bench. 'You put her to work, or I will.'

The lye stung your skin. Sometimes you imagined yourself floating off, down in the frigid waters, your funeral clothes being salvinia and your shroud made of pennywort. Those thoughts rose like lily pads, big and blooming and plentiful, the autumn your mother passed.

'You've really got to work now, girl,' your Father sneered. 'Got to earn your keep now that your mother can't cry on your behalf.'

The glint in his eye pricked at your neck, made your spine stiffen and eyes shift away. Be quiet, be meek, be sweet. You wondered if your mother's advice would save you from his basest assertions, or encourage them. You would soon find out.

----------------

Ordinarily the Mid-Autumn festival was a slight reprieve, allowing a few days for your aching, numb fingers to warm and stretch as you enjoyed the city turned to colour. Ordinarily.

This year, you found yourself hauled down to the drinking district, your Father's blunt, filthy fingers digging into the soft meat of your upper arm. It was still daylight, thankfully, but you already felt exposed as he had you linger in the square near the public houses. You could already hear the hoots and laughter of raucous men enlivened by drink and company. The smell of stale ale and piss was not enough to cover the scent of fresh baking and roasted game drifting on the breeze. You shivered, your burned, you hungered.

Meek little dormouse, scurrying around the greasy ferret who held her tail under his claws.

Your Father's chance came as the sun was setting, candlelight just now visible through the slats and windows of taverns. Far from cozy, it reminded you of the lidded eyes of some lazy predator about to watch your ruination.

'I don't care if you are crusader to the gods themselves! Knight of the Realm or not, you can't come into my pub and throw furniture around like you're at the Solstice games!'

The snarling Madame looked comically small next to the absolute beast of a man currently ducking under the doorframe. Watching her chuck the splintered leg of a chair after him you thought her lucky that he didn't want more of a fuss. You had never seen a man so big, so broad, seeming bigger whilst dressed still in his mail and wearing the colours of the King. He merely grunted as he made his way to the tethering post, letting her threats and screeches fizzle into the cool, twilight air. Leather-gloved hands worked at the harness of the dappled stallion you had been admiring earlier, easily more than 18 hands tall and capable of carrying this brute. You had imagined earlier slicing that very harness and riding hard across the cobblestones away from your father. Away anywhere.

'Good sir, are you in need of lodgings?' The words dripped from your Father's lips like ichor. You could smell the sickly underlying rot.

The Knight's hands stilled, head still lowered. His voice rumbled out, deep and rough as gravel.

'You offerin', then? 'ow much will that cost me?'

'Well, it's busy in the Festival. The guest houses are full but my home is open to weary travelers-'

A barked laugh cut him off. The Knight raised his head, pinning your father in place like a moth in a hobbybook. You quickly looked away, pretending to busy yourself with a nearby fruit cart. His face was covered, a dark black slash across his lower face like an empty maw. But his eyes. You could have drowned in those eyes, dark as they were. They pulled you in more than the call of the river on your bad days. If you stared too long you'd never wade out.

'Ain't you charitable,' you couldn’t see his mouth but you were sure that he sneered.

'Well, a former soldier should be willing to support the Crown. Although, with a mouth to feed a few coins wouldn't go amiss..' his hand swept back and you tried not to cringe away.

'Former solider, eh?' Your Father clearly had the Knight's attention now. As did you. Though you continued to look away you felt his gaze like you felt touch. Like he was grasping you, keeping you still. Your head felt heavy as you raised it towards them, now a part of this bargain whether you wanted to be or not.

'I know what it's like to seek the comfort of a warm hearth and soft bed. I would not see you ride off into the cold night.'

The Knight huffed; you could almost mistake it for a laugh. Though quiet, the voices and laughter of the nearby inns seemed quieter, like all sound and light was absorbed by this armoured beast. Once, just after your mother died, you headed to the riverbank as always for work. It was barley daybreak, some of the older more experienced women already beginning their washing, but you walked on. And on. Until the river led you to its mouth, rushing and rocky and dangerous. You wanted to jump in. You felt the same now, gazing at this man.

'How much for the girl, then?' He looked right at you as he said it, catching your wide, staring eyes. You didn't blink, couldn't look away.

'She is my daughter! Sir, I-' that same rot, spewing out of his mouth.

'I didn't ask who she is, I asked 'ow much?'

Your Father took a step towards him, faltering under the weight of his gaze. He leaned, then, trying to seem ashamed. Trying to seem like a father should.

'Sir, she is my daughter. I can do nothing but take offence at what you are suggesting.'

The Knight pulled out a small velvet purse, heavy and distended with coins. They clinked as they smacked into the cobbles at your Father's feet. All pretenses dropped, then, as he scrambled to pick it up with greedily shaking fingers. Prize in hand, he found his courage as he sidled closer to him, thick neck open and exposed as he leaned in to whisper his betrayal. His filicide.

'She's a bit older, yes, but unused to the ways of men, mind. With a firm hand I'm sure she cou-' a gloved fist at his throat turned perfidy to gasps. You watched red bloom instantly under those fingers, and marveled at the strength. The violence.

'Your own daughter,' he sneered. 'What kind of man, soldier at that, would sell his daughter to a man like me?'

Your Father was bigger than you, yes, but looked like a poppet in the hands of this beast, so easily dragged towards him ready to be shaken in his maw.

'I'd love to think that she isn't yours, that she's some whore you peddle out to drunken leches in the alley. But you're slimier than an eel in birdshit, aren't ya?'

You didn't move, didn't speak as you saw his fingernails scrabbling uselessly against the unforgiving strength. You, for a small moment, felt the claw release your tail. Run, you thought. A look at this behemoth and his horse had you thinking again. Run where?

Be quiet, be meek, be sweet.

'Please!' The plea bubbled up your throat like acid.

He said nothing, did not loosen his grasp, as he tilted his head like a dog.

'It is as he says. He is my father,' you continued.

A scoff stilled your words.

'Some father, look at the state of ya.'

You looked down at your chapped, scarred hands. Your patched, slightly-too-short shirts. You felt the throb of the bruises on your upper arms, the beginnings of hollowness eating away at your usually plump cheeks.

'You mistake me, Sir,' You could barely hear your voice over the blood rushing in your ears. 'I am not asking for his life. I am asking you to take me with you. Please.'

Silence. His eyes flickered over you anew, contemplating. Your hummingbird heart fluttered in your chest.

'Close y'r eyes, girl. Until I say.' Your shocked hesitance made him growl. 'Now!'

The imprints of tavern candlelight burned behind your lids. You let the corners of your mouth flick up.

----------------

Your Knight's name was Simon. The Ghost, it was rumoured. You weren't seasoned on the field so you knew not of his reputation, but the reaction of those you encountered gave it away. Even without the blood staining his hands he was imposing. Tall, broad, intense. You still hadn't seen under the kerchief he kept around his face, but you spent many nights imagining. Was his nose crooked, or was it a trick of the light on fabric? Did he have stubble across his jaw that matched the fine, blond strands that decorated the top of his head? Did he smile? Scowl? Was he handsome?

He was gruff, certainly. You spent the first few days obeying your mantra - be quiet, be meek, be sweet -but it didn't provoke anything in him at all. Neither praise nor censure. It seemed, rather, that he was determined that your presence would be nothing more than a fact of circumstance. Not worth much fuss.

'She needs winter clothes. A nice dress. A travelling cloak. And some boots.'

That was how you found yourself perfectly still, getting prodded and pinned in the parlour of a tailor shop in the city's mid-tier. The seamstress' cheeks burned red as she turned her disapproving eyes between her task and the Knight who refused to leave the dressing area. He dwarfed the chaise, leather and chains indenting delicate brocade. After a grunted 'She's my Charge. If you want my coin, then 'm not leavin'' he sat silent. Just kept his eyes on your face. As always.

You couldn't find it in you to feel embarrassed. He'd done no more than see you in your petticoats, even at the guesthouses where you lodged for the night. An altogether better set up that you could've envisioned for yourself. You had thought your Father like a sly weasel, thought any future husband like a carrion crow ready to pick over whatever your Father left. But you thought Simon like a grizzled old guard dog. A dormouse held no interest when bigger prey was to be had. When you didn't pose a threat.

He clothed you. Fed you. Ordered hot bathwater for your room - a luxury you had never experienced - and otherwise left you alone. All he touched you with was his gaze, steady and unashamed. Strange how you now saw your silence -quiet, meek- as a barrier.

'Where are we going?' You worked up the courage to ask as you rode behind him up to the next tier of the city, seeing wooden roofs change to tile.

'The Palace.'

'The Palace? What, but what about me?'

'You asked me to take you wiv me, didn' ya?' you felt the rumble of his words all the way from his chest to your arms.

'Yes, but.. What, what will I do there? How will you explain this?'

You realised now your lack of foresight. You foolishly assumed that someone high-ranking wouldn't be starting brawls in lower-tier taverns. Or magistrating over scoundrels due to the sale of their daughters. You thought, perhaps, of an impoverished country knight who came to the city only for the festivities. You could bargain your way (or slip away) if he turned out to be just as bad as your progenitor, and make a living in one of the towns or hamlets that stretched along the woodlands of the Kingdom. Foolish girl.

'No one will ask questions. No one will bother ya,' You believed him, felt the threat in his words.

'But they'll think. They'll wonder.' I wonder, you thought to yourself.

'Can't stop that,' He snorted. 'Why don't you ask me what you really want to ask?' He pulled sharply on the reigns, causing you to clutch hard around his waist and whisper your words pressed into his back.

'What are you going to do with me?'

------------------

"Ho, Simon! Hard to drag ye from yer hermitage in Northmire,' you stared as a smiling Isleman slapped your Knight hard on the back, hooking his arm and dragging him down into the booth. 'And ye've brought a wee Bonnie thing with y-'

'That'll do, Johnny,' Simon growled. Still, he let himself be handled onto the bench. He looked at you, standing still, staring at the other side of the table. 'Well? You sitting down or wot?'

You scrambled down beside him, too timid to sit next to the laughing stranger. Too wary to put your back to the rest of the tavern. Past Simon's profile, you snuck a peek at the man - Johnny - and found him looking back at you. He looked friendly, sure, but you were reminded of the harriers that plucked young hens from the woods. His eyes were too sharp, too bright. His smile was a little wicked, too. Too intense to be without danger.

'Well, the King'll be happy. He'll finally have a real reason to say naw to all the harpy mothers pecking at him about their single daughters. Cannae say I expected it, but congratulations,' You blinked. 'Cannae believe you beat Garrick to it an' all, thought fer sure he'd be the dutiful one. Well, first that is.'

Simon ignored him as he flagged down the serving girl. He ordered for you, as always.

'Bit bold of ye, though, plastering her in your colours. Scared o' a challenge to her? Like anyone would chance their arm seeing her wi' you, Your Grace,' Johnny laughed again, blue eyes shining as he watched Simon's jaw tick under the scarf. 'Go oan then, introduce us.'

'Dormouse, meet Johnny.'

'Aw, come oan!' Johnny leaned over, then. 'He's forgotten his manners all the way oot in Northmire. I'm John MacTavish, of the Northern Isles. I've known this one fer a while, but never knew him tae settle.'

You squeaked out your own name in return, quickly taking a sip of the weak ale Simon pushed in front of you. Gave yourself more time to take stock. He too had the King's colours in a sash across his chest. Unlike Simon, he wasn't wearing full mail or a face covering. A heavy shirt of forest green, a red tartan kilt, and thick knitted socks were his attire of choice. Blue warpaint swirled from his temples down to his jaw, and he'd shaved his hair only on the sides. Not commonly seen in the Tiered City, but you knew the islanders to the North of the mountain wore similar garb. You let your eyes catch the glint of a dagger in his socks, as well as the hefty broadsword hooked by the table. The warpaint on his face was not just for decoration.  

You stayed quiet, munching on thick slices of bread dipped in broth as they talked, Low, rumbling voices and warmth from the hearth lulled you to a wakeful sleep, eyes still open but mind calm. MacTavish had called Simon 'Your Grace'. You were wearing his colours. You were going to the Palace. Something about that niggled at you, deep at the base of your skull.

You woke to Simon gently sliding you along the bench. Big hands and stained fingers so soft, like you were an overripe damson he wanted to preserve.

'Time for bed. C'mon, mouse.'

'Why do you call me that?' You murmured, still feeling his arm around you as he led you to your rooms. 'I never told you that was my Mother's nickname for me. Dormouse.'

You felt him huff out a laugh, pressed close against you.

'Didn't need ya to. It's obvious.' he answered after a pause. He leaned down, bracing you against the  room door. Only his scarf separated you from his flesh, close as you were. Wide eyes meeting dark. You shared the same breath.

'You're quiet like one. Seem sweet. But I saw you'd be willing to chew y'r own leg off to escape a trap,' he whispered that horrible truth so tenderly. His blunt, calloused fingers left firetrails on your cheek. 'My mouse. My survivor.'

His thick forearm braced your back as he opened the door, stopping your from tumbling into the emptiness behind. He needn't have bothered; you'd already fallen into him.

-------------------------

'How many more days' to the Palace?'

'Two, if we don't loiter. Johnny'll meet us at the gates to the Citadel.'

You looked up, seeing the Palace fortress taller and more intimidating than it had ever seemed down at the city's lowest levels. You were awed by the mason and marble buildings up here, the clean streets and cleaner people. Everything seemed to gleam this high-up. This close to the sun. Close to the Palace. Your skin had started to heal, after a week or so without labour and with good meals and rest, but you could see the discolouration that would never fade. It made you pick at your sleeves. Dormice didn't gleam. They hid.

You looked at the wide streets and their sun-bleached stones. Nowhere to hide here.

'And when we get there? What will happen?'

'We'll greet the Court. I have news for the King. They'll be a Ball f' the Festival. And you,' Simon stilled your steps, 'You will be good. You'll do as I tell ya. Not everyone is a friend. And I won't always be wiv ya.'

Perhaps you imagined it but you swore you could see something soft - warm - in those dark eyes of his as you nodded. You had years of experience avoiding the attentions of predators; you could do the same for Simon.

When you reached the Citadel Gates Johnny was waiting as foretold, chatting with a guardsman by the pulleys. He perked up as he spotted Simon's horse, all dappled grey with black skull harness. A proud danse macabre, carrying The Ghost.

'Here they are, the Duke and Duchess of Northmire! Let them pass, go oan. Here, raise his banner.'

It was a good thing that your blood turned to ice in your veins; it prevented you from letting go of Simon's waist. You watched as a square banneret in the same colours as your new travelling cloak - and dresses, and overskirts, and, and - rose to flutter slightly below the banner of the King. The wind lured the heavy fabric to thwack against the sky, echoing the drumbeats of your tambour heart. What were you marching towards?

Johnny had mounted his own stead, canting a light pace next to you and Simon.

'Ye should hae seen the ponces and pricks - sorry, My Lady - who came riding up here in their carriages this mornin'. I ken they think they were showing off but the guards and I were havin' a barry laugh watching the wheels get stuck in the cobbles and streets from the mid-tier all the way up-'

'Y'r point, Johnny?'

'Alright, cool yer blood. The point is, we've got tae change our travel plans. Be at the Palace tomorrow, nae a day later.' He sent Simon a significant look that you weren't so stunned as to miss. 'We've got a night hosted by Garrick's sister, then we'll be off in the morning.'

'Garrick's sister' was a comely, slender woman with sharp eyes and a kind smile. She, or rather the Garrick family, kept a townhouse in the top tier close to the Citadel as well as their estate at Thamesbury.  As a close peers and allies of her brother, her doors and hospitality were open to you all. You didn't want to seem like the uncultured urchin you were, but even the entry hall surpassed any luxury you'd seen thus far. You had to suppress an instinctual flinch as her manservant stepped behind you to reach for your cloak. Or perhaps the lessons from the streets were written all over your wide eyes. You saw Johnny chew on a smile as Simon glared down at the man, massive arms crossing across his great oak chest.

'That'll do,' he growled. 'There are saddlebags to be seen to.'

The poor man scarpered with a stuttered, 'Of course, Your Grace.'

You stared after your Knight as he stomped up the stairs, heavy footfalls disturbing the frames of the Garrick ancestors across the walls. He looked back, silhouetted with a hand outstretched.

'C'mon then.'

His rough, warm hand enclosed yours and you followed him to exegesis.

Ensconced in your chambers - shared chambers, marriage chambers - you found your tongue.

'Should I be calling you 'Your Grace'?' Be meek, be sweet.

He snorted, inelegant against the filigree and flowers that bore witness to your unsettled feelings.

Be meek, be sweet. Be meek, be sweet. Be meek-

'I do not speak in jest, Simon. Sorry, 'Your Grace',' Your mouth twisted, trembling with the force of holding back. 'I asked you to take me with you, yes, and I have tried not to inconvenience you beyond…beyond the circumstances of our meeting. But I must demand, now. Tell me what is going on.'

He merely tilted his head, old grizzled dog on a velvet chaise. You could see his lips - what did they look like, what did they feel like? - move under the black of his kerchief.

'We're in a guest room, talkin'. Listenin' to you ask stupid questions.'

'If the question seems stupid it is because you have made it so!' You felt your stubby nails bite into your calloused palms. The feeling made you shake, brought tears to your eyes. Shame and fear turned saliva to acid. You flung your hands towards him. 'Look! You see these. These are not the hands of a girl addressed as 'Duchess'. If this is a joke, I ask you to stop it now. I am grateful to you, I will remain so always, but playing in this manner is lower than whatever my Father had-'

"Do not. Compare me. To that man.' His growl cut you from cutaneous to cartilage, exposing your raw, soft innards. You hoped he'd be kind. Even if he chewed on your heart, popping gristle between sharp canines, perhaps you'd be a part of him, dripping down his throat with an intimacy you longed to initiate.

Viper-quick, your hands were in his. Your lap was in his too. Too warm, too bulky, too close.

'Quit y'r squirmin'. Look at me, no. Look!' Your jaw was turned more gently than you expected from hands made for violence. You couldn't meet his eyes, but that mattered not as he brought your hand and his up to your sight. 'Look. My hands aren't delicate neither.'

You took a deep breath, feeling him pant underneath you, and reached to cup his hand in yours. Butterfly-soft, you turned it, watching candlelight catch on silver scars and pockmarks. Deep gouges and veins raised valleys between knuckles and wrist. One finger seemed slightly too short, like the top joint had been lost in some gruesome accident. When you looked at the palm, it was calloused. You had already felt its roughness, deep imprints from years of work. Of war. He flexed, closing his fingers around yours.

'I'm not 'of the blood'. I'm good at spillin' it, but the stuff inside me isn't worth much. Was a Squire. Then a Knight. Caught some eyes on the battlefield and was sent to defend the borders. Became a Margrave for it an' all. Now I'm a Duke. The titles don't mean much t'me, except I've got more coin and can tell nobles to fuck off without spending a day in the stocks.'

You're not sure whether your sigh was a laugh.

'Then, what? Please, Simon. What are we doing here?'

With your face this close to him you were reminded of the night in the tavern where you first met Johnny. You felt that you were sharing the same breath then. Now, here on his lap, you felt more. The warmth of his body that leeched through your skirts. The hard press of tough leather plackart. The pounding of his heartbeat - or was it yours - as you clutched his hand with trembling strength. That same trembling strength had you meeting his eyes at last, your position allowing you to be equal in height. His pupils dilated under scarred eyebrows, deep brown melting into pitch black.

'I took you wiv' me. It was sealed in blood. You're mine.'

You cupped his jaw, feeling stubble peek through his scarf. The sensation grounded you, kept you from flying off as his words used all the world's gravity.

'Bit of a terrible dowry, blood.' You whispered, a whisker away from his lips.

'I'm not made for anything else.'

Wrong, you thought as you pressed your parted lips to his covered ones. You were made for me.

His hand trailed up your arm as yours trailed across his jaw, two bodies with one mind. With deft, strong fingers you removed the last barrier between you. Black fluttered to the floor, still flesh-warm, and your lips met again. His lips were a little thin, but hungry. He groaned, supplicant to your taste, as you sought to press him closer. You could feel stubble tickling your chin, and the firm outline of another scar close to his cupid's bow. Lightning struck across the back of your neck, making you shudder against him. All you could taste, all you could smell, all you could feel was Simon.

And he all was yours.

After his face mask fell, so too did all barriers. You feel asleep together, entwined on the same bed. You awoke to his face made soft in the morning light. Sunbeams danced in the crevices of his scars, pale and rugged like the mountain you'd looked up at as a child. You watched, sentry, as you mapped the features of his face. Golden hair, golden stubble. A crooked nose that had been broken and set several times. Tributaries of scars running down to a strong jaw. And dark, unwavering eyes that creased a little as you met his gaze.

'G'mornin'.'

'Good morning,' You murmured, still sleep-soft. You traced along his lips, laughing as he nipped softly. 'Why do you cover this up?'

'To preserve my modesty,' he smirked as his tongue flicked out to soothe your nipped fingertips.

'Simon!'

'I'll tell ya. One day. When we get back 'ome. I don't trust everyone in this city.'

'You can trust me,' you whispered as you pressed your tingling digits into his mouth, catching on blunt teeth.

You felt the heat of his gaze bring blood to your cheeks. His eyes didn't leave yours as he bit down, softly. You knew the dog wouldn't bite.

'I know, Simon. I trust you too,' You leaned your forehead against his. 'Just, wherever you go, take me with you.'

-------------

Got a part ii drafted (palace intrigue, meet John and Gaz, Ghost and his mouse finally enjoy marital rites *wink*, conflict, etc., eventual HEA) but I'm not sure if there's an audience for it. And this is the first writing I've published in y e a r s since my cringe forays into dark videogame smut as a 19 y/o, so I'm not really confident. This is unedited/not proofread. Here ya go~