#and THEN it gets screwed up again

[the-chickenshit-oddity]

svu prompt

canon divergence where after eli's birth, the stablers make olivia his godmother. soon-ish after, they disappear (kathy or elliot or both) so olivia ends up halfway adopted into the stabler family by the kids because they need someone, and it takes them a while to get used to everyone else. and then, whoever disappeared shows up again.

[wistfulwatcher]

emily prentiss + her waning tolerance of getting close to killers

[lamuradex]

I really like how they handled Golbetty.

An all powerful, inscrutable chaos goddess, utterly inhuman, and yet her reactions still feel strangely understandable. She never communicates, and yet they still dealt with the relationship drama. They left it ambiguous if that conversation was with truly her or all just in Simons head, resolving the issue to himself (I think he was speaking to her). She's a dark and terrible deity who will body The Lich into a Tetris block and refuse to elaborate, and act in ways that constantly leave you questioning her motives, and perhaps imposing your own on her chaos.

Unknowable, all powerful, unpredictable.

But you touch her Simon, and she will turn you into bugs.

[six-white-venus]

the worst trait of me and my family is probably this: we never learned to say the word sorry.

i) my best friend and i, we are no people. knives? maybe. liars? definitely. but people? i’m not so sure.

knives were never forged to be tender (what a shame, what a shame) and we too, fall and slay what we meant to protect. him and i, we go for the throat when we clash. we hurt and bleed and oh, i should be terrified, i should be running for my life, but all i am is tired and a bit lonely and would really like his arms around me.

( “can we please stop fighting now.”

“oh god yes please.”)

because time and time again, this man has held my heart in his hands and cleaned its festering wounds with cotton dipped in alcohol (always the healer, always the lover) and wrapped gauze around them with clinical precision. and i have walked through the maze of his head and tended to his withering garden, have dragged the sun and fresh air and all the oceans to the barren land to make it bloom (always the poet, always the lover).

him and i, we have never needed words because we are knives forged in the same fire and at the end of the day, we both know that he will be the one who wordlessly stitches my broken heart and i will be the one who sings him to sleep.

ii) let me paint you a picture:

blue that fades into red that fades into black that fades into blue that fades into red. loud, clashing and nonsensical. a pit in your stomach that was dug with desperation and blunt fingernails. how do you colour anger that is also pain, grief, hate, love, fear and truth? the smell of the paint is foul and clogs your windpipes. blunt fingernails and blue and black and madness. can you bear to look at what you created without flinching?

that’s what anger looks like on my father. a horror. a mottled bruise. a hellfire.

all his life, my father has been scorned, belittled, beaten, spat on. his mother didn’t love him right because her mother didn’t love her right. my dad loves like he hates. something is fucked in his head and heart and his words fade into black and blue and red and this shitshow always ends with me sobbing, bleeding, dying on the floor. my father watches with his hackles raised and his eyes red and wide and glowing. once wounded, an animal never sheathes its claws. it strikes the ones it loves and walks away with its head held high and hands trembling.

but here’s what happens when the curtains close: he pulls me into his arms and brings me tea. he wipes away my tears with hands that has moved mountains to make me smile. he kisses my forehead and tells me that his mom didn’t love him right. my grief is like anger and indignation and love. i wrap my arms around him and cry all the tears he never had the luxury to. who should say sorry, really? is it him or his mom or his mom’s mom or this stupid fucking world? my father has never said the word sorry. he never needed to. this is what love looks like on us. a horror. a mottled bruise. a hellfire.

iii) despite it all, i am not usually an angry person. i take after my father and my mother, after all. i rage like my mother (quick, loud, fire that burns out almost as quickly as it sparked to life) and fight like my father (aim, shoot, bullseye). my sister does something even mildly upsetting and before i know it, i’m cursing her to be miserable till she dies. not even an hour later i’m draping myself over her shoulder and bugging her till she rolls her eyes and smiles ever so slightly.

(“do you have no shame?”

“yeah no i don’t think so.”)

my family and i, we never learned to say the word sorry. because the word sorry never meant sorry, not to us. because at the end of the day, that’s all it is: a word. and it sticks to the back of my tongue and the dents of my molars and gets tangled in my mouth when i try to spit it out. so i grab it by its throat and thread it into my being. i find it so much easier to hide my pathetic inability to do one thing that doesn’t scream that there's something wrong with me with the truth of another three words:

“i love you”

and they are always echoed back to me, just a few million times more tender, in ways only we can understand.

“yeah, i know.”

“that’s great, but there’s no escaping dishes duty.”

“oh, shut up, you.”

“what’s that for?”

a pause and a hum.

“i love you too.”

[mrehkka]

Dib meets one of the tallest in person and uh... is actually rather awed. He kinda gets it now. Zim is like "see?! the tallest are great!"

The story that goes with this is that Dib becomes ill, but oddly, with a somewhat rare Irken disease (stemming from a long term complication from when Zim's PAK attached to him way back when, it messed with something internally in Dib's body). So Zim takes Dib along with him to meet Red, to get Dib some Irken medicine/cure. Red has a huge crush on Zim so he tends to give him whatever he asks for (or gives him SOMETHING anyway, if he can't give him what he wants), and Zim knows this, although maybe a little in denial about the actual crush part.

aka: the "Dib gets to visit Irk and experience a bunch of Irken Culture" fic :D

[livelovecaliforniadreams]

[tndo]

This is poetic cinema

[lorogy662]

Why is THIS the thing that brings me out of art block. How do you even explain this image to a normal person

Original image under the cut:

[thatonecrookedsmile]

There never was a Choice.

-----

Something simpler for today. Again at the end of Chapter 5. Time to play the reel again. Not that there is any other choice. I mean,what else can he do? Not putting the reel in the projector,and continuing to be chased by the demon through the corridors of the giant machine? Maybe he can,hypothetically,probably,one day,not put the reel and try to continue the story from that moment. See where it goes.

But for now? Stay on the script.

From the top,everyone.

[End of Cycle (268)]

[smile-files]

oh yeah i watched the new ii and it was pretty wack. my only two thoughts are

i love cabby

they had to neutralize clover?????? hello?????????

[waywardstation]

Imagine if the rifts work both ways.

Emmet *on his knees praying*: Dear Reshiram, Zekrom, Arceus, Giratina, (ect.) Please give me a sign that Ingos still out there.

*tiny rift opens up and a small piece of cloth falls out*

Emmet: :O

*Meanwhile in Hisui*

Ingo: Akari! A rift just tried to derail me! Luckily it was too small too be a proper hazard but it did take a piece of my coat.

oh at that point it would just be cruel for Emmet haha

Alternatively, Arceus is trying their best to conspicuously open a rift and take Ingo back, but every time they set one down Ingo’s moved just slightly so it keeps clipping his coat instead. He doesn’t even notice at first.

[jonathanbyersphd]

thinking about Jonathan Byers who cried himself to sleep, threw up seeing his little brother's dead body, thought his mom was going through an episode, planned a funeral, confronted his abuser, didn't want to tell his mom about monster hunting because she had been through enough, stole a gun, nearly shot a deer, pulled Nancy out of the upside down, stayed the night with her so she wouldn't be alone, went shopping for a bear trap & a pack of .48s to kill a monster and then wasn't confronted/checked on/ or asked about where he had been or what he had been doing until he was arrested for fighting Steve after he insulted the Byers family.

[mysteriouslybluepirate]

Can't send asks from my sideblog, but this is @chewing-the-drywall

I feel like much of s2 fell into Frenchie's "we put it in the box and then lock it and don't open it again" in the sense that it set up A LOT that I was intrigued about how they would address it, but it either never was mentioned again or was handled poorly.

Examples range from light, like how I wish we saw more of the crew interacting with each other in ways that built on their characters from S1, where in S2 they didn't feel any more developed, or even regressed. (Example, Fang used the word Fingies 2-3 times through S2, and it felt like they were using it almost as a shorthand for his character, rather than making him feel more real and multidimensional as a character.)

100% @chewing-the-drywall. When I first heard that line I had I was so excited for the story to prove Frenchie wrong. Or show how important it can be to put aside problems to stay alive in the moment. But in the end, this one line summarized how the season handled everyone, besides Stede and Ed. Below, is an in depth discussion on where this season decided to spend it's limited amount of time. Instead of focusing on the characters and plotlines they'd already established.

This season had so MANY ideas it wanted to touch on.

Izzy trying to deal with his unrequited love and opening up to a new way of living. The traumatized 'Revenge' crew trying to adapt to a softer way of life again. The abandoned crew learning how to help their traumatized friends. Introducing new characters like Zheng, Auntie, and Archie into our main group. Setting up a conflict to resolve in season three. Along the way, referencing Pirates of history like Ned Low, Mary Reed, and Anne Bonny.

Notice, I've said all this and we're not even at our romantic leads.

Which is fine. Stories are fluid things. As long as the story knows how to flow from our leads to our side characters. Which leads us to how I feel this show took a lot of time away from establishing our central crew-

[Warning- this will be a controversial opinion- I want to know what y'all think about this] Zheng/Oluwande. This seasons habit of retreading old plotlines and referencing scenes from S1.

What S1 did so well was paralleling the side stories with what was going on with Ed/Stede. Usually, highlighting how well Stede/Ed worked by showing how much Ed/Izzy DIDN'T work. Or general hijinks that tied into the plot (Oluwande and Frenchie on the French ship).

Season 2 chose to parallel our main story with what was going on between Zheng/Oluwande as a budding romance and Izzy's slow recovery. The reason Zheng/Oluwande scenes felt like a waste for me in that the story was JUST a retelling the story we watched from S1.

A frustrated first mate(Auntie), and a legendary captain(Zheng) fighting over the captain falling in love with an idiot(Olu). In season 2, much like every callback for me, it felt like it slowed down the plot by pulling us out of the story. Like...yeah, you did the thing again, do you want me to applaud you for it?

I LIKE Zheng and Oluwande as a couple! I like that Oluwande was debating leaving Stede and taking Jim and Archie with him. But at the same time, I didn't care about Zheng until episode 7 when she beat up Stede, showing that yes. She's not just some all powerful woman taken down by a mix of love(the crew in ep3) and thinking that she was above it all (ep 7). She's fast on her feet, smart, and willing to stab someone who gets in her way. She's her own person. But.

Every other scene that established her was about her romance, felt like we could have put Rhys and Taika in there. It didn't feel...unique. It's as if the show only knows 1 way to write a romance between a badass and a bumbling idiot. Again. Oluwande in season 1 wasn't dumb in the same way everyone else was. He was protective of Jim, a bit nervous overall, but he was the person the crew chose to lead them. The season just dumbed everyone down a bit and called it a day.

This comes to the larger issue. When we only have eight episodes I don't want to rewatch the exact same plot beats with different characters. Time spent here ends up taking away from other stories we could have told about trauma and growing as a family and other forms of growing as a family. We didn't need another romance plot line. Imagine taking this time instead to show Lucius reaching out to Pete AND the crew for help. Or Frenchie finally feeling safe enough to play his lute. Or Roach helping Fang get over his thing with cakes-you get my point.

The fact we took all the found family stuff from season one, and pushed it onto only Izzy in S2 means when he dies, all the found family shit falls away. His death makes us realize we've been ignoring the central family we were supposed to care about. Because in so many words, their trauma was ignored.

[I even theorize if Izzy was alive and sailed away with them. Showing how he was taken in and loved by his crew, the ending wouldn't feel so hollow. This crew doesn't feel like a caring family. The person who protected them for months died, wasn't mourned, and then they threw a wedding the same day. Not even a full day to mourn. The 'New Revenge' feels like a heartless crew of characters we barely recognize because they aren't a family like they were at the end of S1. More like coworkers who sometimes fall in love with eachother.]

Trauma, Timelines, and Tonal issues when jumping from Episodes 1-3 to Episodes 4-5.

When the crews meet up, the story chooses to focus on the fun plot. Ed and Stede recovering their relationship, only dipping back into that serious tone when Izzy or Lucius come on screen to 'make things sad' again. I don't think the transition from 'serious' to 'comedy' was handled well.

I don't have an official timeline of the events of season two. But from what I remember, everything happens within 2 weeks.

In episode 4, Stede ignored the vote of his crew- to let the man who was torturing half his 'FAMILY' for at least 80 days- back aboard. This rubbed me the wrong way, as it showed Stede being a selfish prick in a way that could seriously harm his crew. That's when I started to see how not adding a *single* time-skip mid-season would hurt S2.

Imagine if we had a one-week off-screen time skip between episodes 4 and 5.

Maybe it's implied that they stay in that town for a bit. Izzy would a bit more time to learn to move on his new leg and start to open up to those he already trusts. Include a scene of Izzy WITH the crew, maybe laughing about something with the old traumatized crew, even if it's just a 30-second opener. Imply that the traumatized crew would have more time to settle in with the family they miss. Show that yeah, the traumatized crew needs more time to heal. Imply at the start of the 'Ed apology' that Ed and Stede have had more time to talk their issues out.

THEN have Ed apologize. You can even keep the bullshit corporate to show that Ed still has to work for this.

Healing takes time. Setting a series over the span of two weeks after half your cast was tortured by your lead love interest? After five of your main crew thought they would sail off into a storm and die after months of stress and life threatening battles? Why did that shit get shoved to the side so quickly?

Framing episode 5 as the START of Ed making amends with the crew, only to drop the plot by episode 7? Not a smart move. Because let's be honest, 'poison into positivity' in episode 6, referring to the fact that they sold all of Ed's loot to pay for the party, ignores the sacrifices the crew made to live that long. (The death of Ivan, and intense trauma they all need to work through). In a way, Ed throwing this party was him asking the crew to start putting everything away in that imaginary box.

It's Ed retroactively letting himself say 'hey, that time I spent torturing my captives was worth it because we got something good out of it' while still ignoring his own guilt. Ed needed to take accountability for his actions. No more 'I took 'a' mans leg' bullshit. The reason his arc feels so unsatisfying is that the plot easily forgives him. Fuck. I hate what they did for Ed's arc, but that's not the point.

Overall.

My issue with this season is not that it chose to do these topics, it's that it didn't think about the implications of what they were bringing up. It didn't dare to think 'maybe it's fucked if we quickly brush off a trauma like this'. Again. I know we have to blame MAX for cutting off two episodes. But I don't think 2 additional episodes would fix a tone problem seen going from episodes 3-4.

Fucking hell. Each member of the revenge had the potential for their own arc, so it's baffling to see them all reduced to 'well meaning idiot' when they all felt so fleshed out in S1.

When izzy gives his speech about belonging, there's a reason the only image in the show of the crew all together was from S1.

At the end of the day, Season 2 didn't let our surviving side characters grow. This is a mean spirited bit on how I feel the writers see the their own characters.

Stede and Ed are our leads. They won't die, not in this genera. Their shitty actions will be forgiven because it's a comedy, and as long as it's joked about, it holds no weight. They won't die. They won't get fatally hurt. Their trauma will be taken seriously, but it's a 50/50 on if they'll talk about it before breaking up again. They will eventually get a happy ending, their trauma looked at head on, because duh.

Jim, Olu, Lucius, Pete? Characters who used to have defined personalities in S1, but haven't been defined much beyond their relationships with their partners? Whose trauma might be mentioned, but will quickly be 'resolved' in one scene? Shame. Seems like they're only useful as set dressing, But we might make you useful as interchangeable side characters to riff against. Oh, and you're in love! Isn't that cool!

Izzy? I'll just quote Jenkins here. "To have him become a father figure to Blackbeard, and on some level to the rest of the crew, and to see him become the heart of why we’re giving pirates the chance to stand for being able to live how you choose. In reality, they’re thieves and criminals, but what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy." So...Is Izzy a pirate and accepted into the Revenge family? Or is he still an outsider? Jenkins gave us a romcom but still defines Izzy's character as that of one stuck in a drama/tragedy. Point and laugh, because tonally these two things clash HARD and will make an audience lose trust in it's writers unless well established. Leading us to the entire issue we've pointed out of not letting your characters actions hold in dramatic weight in your story.

Frenchie, Wee John, Roach, and Fang- Ah. No love interests again...shit. Well. Background actors it is... for now. We'll see. But we need 2 more scenes of the couple breaking up, so MAYBE you'll get some backstory hinted at in dialogue. You all have 1 thing your good at, so that's easy enough to put you where you belong.

Buttons and Swede? Well. They're still alive!! Don't be sad, fans :) The actors just couldn't show up anymore. We don't want our silly happy queer pirate rom com to not end on a happy ending! (Closes the lid of the trash can where they're keep Con O'Neill a bit tighter, thanking God Con was silenced by a strike this entire season from social media)

Do you agree, or disagree? Leave any lingering thoughts down below!

I'd love to chat down below.

[emil1863]

ehe

[skitskatdacat63]

Fernando S1E2 - "Lost For Words"

[tswwwit]

Will Dipper always have almost no magic of his own, even after being reincarnated? He obviously has a talent for life magic but he can’t really train to get better at it, because he’s using Bill’s magic for it (and we know the latter hates it lol). I just don’t want my guy to be sad and miserable forever🥺 He deserves to become a cool and independent magician! And prove his bullies wrong once and for all!

A reincarnation of Dipper could definitely have more magic of his own! And as clever as he is, there's a bright future ahead of him. Perhaps even one where he's excellent at life magic and healing, and getting a little cocky about his own talents.

Bill, of course, upsets all the plans he had for his life. Again.

The good news is that it's a life where Dipper could use more life magic. Theoretically. The problem there is going to be hashing out how he can use it once they're bonded again.