ok this is filth adjacent but would u ever write a lil blurb or fic about Steve with a gf whose super insecure about her stretch marks and body? And May be she doesn't want to disappoint Steve bc his exes seem prettier
would i ever! i love these type of requests i love ppl getting a little bit of respite and comfort through fic esp in smut! i hope this makes u feel even a little bit hotter babe <3 1.6k, afab!reader, and just filth adjacent sry!
MDNI this entire blog is 18+
Steve's mouth is on your neck, his tongue hot where it teases against your skin, and his hands are searching your body with a lustful fervor.
Your head tips back. It's so easy to let him in, let him slide his body closer to yours, to get more of whatever he's giving. The hot press of his mouth on your neck feels damn good enough to make your blood sing—and heat travel between your thighs, wetness beginning to pool.
You want to rub your thighs together, if only for a little relief. Steve's toned thigh between them prevents it. You scrunch his polo between your hands instead, trying to wrestle the courage to slip your hands beneath it.
You're lying back on his bed, propped up lightly by the pile of pillows the two of you had stacked when the evening had begun. The television at the end of the bed runs a film idly in the background, completely unnoticed by this point.
"How we doin'?" Steve's voice rumbles out, barely parting his lips from your skin before he's swooping back in to nip at it again. The bastard.
Your hands flex again, finally mustering the nerve to dive beneath the fabric of his shirt. Steve's warm. You feel the muscles of his tummy shudder as you skim your fingers across it, a pleasurable shiver running down your spine at the trail of hair you can feel leading into his pants. Steve's breath hitches, close to your ear.
He nudges your jaw with his nose lovingly, planting another row of sloppy, wet kisses down the expanse of your neck.
"Hmm," He hums, questioningly. "Still doing good?"
You realise you hadn't exactly answered him and something glows in your chest at his insistent checks. Extremely reluctantly, you manage to drag your hands away from his torso, shifting them up to subtly nudge his face out the curve of your neck.
Steve's eyes dart up to your face as he pulls himself back, his expression turning dopey the moment your hands cup his jaw. His cheeks are flushed ruby and his hair has been mussed in all his steamy motions. He looks fucking delicious.
You kiss him — surging up to connect your mouths, warmth exploding in your chest and trickling down, down when Steve responds with a revere hunger. His plush lips scrape against yours filthily, his tongue always so perfectly teasing. You're gasping for air when you pull away.
"So good," You say breathily, finally answering the question.
Steve takes a moment longer to register what you've said—but that dopey look crosses his face the moment he does.
He plants his hands on the bed and shifts his weight back, sitting back on his heels. His thigh is still situated right between yours and you have to shove down the lustful urge to grind against it, lazy pleasure still pooling low in your gut. Though you're pretty sure Steve wouldn't oppose the idea.
Chest heaving lightly, you watch as Steve reaches for the edges of his polo and tugs upwards. It comes off in one smooth motion and you're rewarded with a fine sight. You're pretty sure your mouth actually waters in response. Tan chest, scattered moles, the smattering of hair. Oh god, you want to lick him.
Something in your face must give away your train of thought because Steve laughs. He leans back down, one hand moving to your waist, and nuzzles his nose against yours. He steals a kiss from your lips.
"See somethin' you like?" He says, the smirk evident in his tone. You feel like you might vibrate out of your skin.
"Shut up," You aim for fiesty and fall far, far short. You sound on the verge of a whine when you say, "You know I do."
Steve grins wider. His hand on your waist tucks under your shirt seamlessly, his thumb drawing maddening circles into the skin. Your breath catches, even as your arousal hikes.
"What about you?" He whispers the question between his kisses as he mouths along your jaw again, finding that same damn spot on your neck again. It'll be violet coloured by the morning. "Do I get to see something I'll like?"
He's asking permission. It takes a long moment to realise that—too distracted between the touch of his fingertips skating across your skin and the addicting feel of his lips against your pulse.
You nod without thinking.
Steve pulls your shirt up no more than a few inches before your brain catches back up. Your hand moves abruptly, grabbing his hand and yanking it and your shirt back down in a split second.
Steve's halting in an instant, pulling back from working lovebites on your neck to see what he's done wrong. There's a string of spit connecting his lips to your neck.
Steve frowns in concern, shifting his hand up wipe his mouth with the back of his hand, as he makes an effort to put a little distance between you.
"You okay?" He asks. You're still holding his wrist, which is still holding the edge of your shirt. "What happened?"
Your mouth opens uselessly and closes. You know precisely why you had stopped him and now you're facing up with the fact you have to tell him, lest Steve believe you're actually having second thoughts over being with him.
It's just... you've probably spent far too many hours in the mirror. You've seen it from every angle. Seen it in every lighting. You can't quite ever seem to make your body look good.
You don't look like any of the girls Steve's been with in the past.
Comparison is killer, you're aware of this, but infuriatingly you just can't seem to stop. You think of what Steve will see the moment he gets your shirt off, what he'll realise, and your hand tightens around his wrist subconsciously. Your throat tightens up too.
Steve's face melts into a softer expression, eyes big. "Hey, hey, it's totally fine if you said one thing and- and you realise that you didn't mean it, it's okay."
Words continue to evade you and humiliatingly, it feels more likely that tears will escape you before any explanation will. He's being so nice.
"But..." Steve continues, his tone wary as if aware he's treading on uneven ground. "You seemed like you were into it. Like, comfortable, I mean. Then it was like a flip switched and you froze."
"I-" You finally find your voice. You clear your throat as you try to find the right words, breaking Steve's intense gaze to study the ceiling.
This is worse. This has got to be worse that just Steve taking your shirt off and being disappointed because— because you're goddamn building up to it. Your eyes screw shut and you decide it's better to rip the band-aid off.
"I'm just," You can't quite keep the quiver out of your voice. "I'm not like- like girls you've dated before."
Steve makes a noise of confusion and it's enough to force your eyes open. You glance down, taking in Steve's adorably furrowed brow.
"Okay...?" He says, clearly still a bit confused.
"I mean, Steve," You say, voice a little steadier. Your hand around his wrist finally remembers to relax.
You release the hold on him and tuck your hand under your shirt discretely, covering the skin of your stomach you know is warped with stretch marks. "I don't look like the girls you've dated before. My- my body is different."
The wrinkle between Steve's brow shifts, moving from confused to something a little harsher.
"So?"
You blink. Of all the possibilities that you had run, not one of them had ended with Steve saying that.
"So?" You echo meekly. "So... so you might be like, I don't know, disappointed or think—mfh"
The words get smushed beneath Steve's fervent kiss, stealing one kiss off your lips and all your words with it. You blink up at him again, all your endless arguments of why Steve would be so disappointed suddenly silenced.
Steve grins, evidently pleased with his reaction.
Tentatively, moving slowly so you could intervene if you wished, he drags his hand along the sheets and onto your hip again. This time, however, he pushes the fabric of your shirt up and doesn't pause til it's bunched up, most of your torso on show.
Your nerves gather, gnawing at the edges of your chest. You can't bring yourself to move the hand that's trying to hide part of you, even if a dozen other stretch marks are visible now.
Then Steve leans down and he kisses your skin, right in the middle of your tummy.
"I think," He says, lips dragging across your skin and setting it aflame. He's looking up at your through his lashes, your gazes locked, his eyes dark. Another kiss, this time longer, with just a flash of tongue. "You're hot shit."
Instinct makes you want to scoff. But Steve says it so seriously that you almost believe him off the bat. Believe that he believes that.
He lowers himself onto his elbows, letting both of his large hands settle onto your waist, fingers pressing into the skin lightly. You shiver at the feeling and start to consider the possibility that he actually does think that.
"And I will gladly," He punctuates the word with another kiss, this one evolving into a soft, sensual lick up towards your breasts which peak lustfully in response. Your breath hitches. "Spend all the time needed if you need some convincing of that."
His hands move, sliding down til he's gently knocking yours aside, big warms hands spread across your hips. His thumbs are moving, drawing soft motions down, you realise, towards your waistband. Your pulse jumps between your legs, the heat in your body uncaring about the brief interruption.
Steve kisses your tummy again, further down this time. You acutely realise you've got Steve Harrington between your thighs, looking up at you with darkened eyes and promising filthy things with his fingers. Or mouth. Both if you're lucky.
"So," Steve murmurs, voice raspy and low. His thumbs slip beneath your waistband, just an inch. "You gonna let me convince you?"
You're feeling pretty damn lucky.
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Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.
Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.
Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.
So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.
I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.
I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.
Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?
I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?
I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.
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