DP x DC Writing Prompt #5
Damian does not glance back at Bruce when he knocks on the door. Instead they both wait in silence.
After a moment, the door opens.
"Hello," Jasmine, Jazz, Fenton greets politely, unsurprised to find the Waynes on her doorstep. Damian's expression grows ever darker at this revelation.
"Hello Ms. Fenton, are your parents home?" Bruce asks, placing a firm hand on Damian's shoulder, to ground as much as to restrain. To his credit he does not shake it off.
"No, they're out of town for a conference," the eighteen year-old says, opening the door wider. "But I think you'd better come in."
Bruce would normally decline, but Ms. Fenton is a legal adult and he has already, even unknowingly, waited 16 years. Damian makes the choice for him, striding past the threshold.
"Please take a seat," Jazz says as she leads them to the living room. She ignores Damian's swinging head as he takes in the home. It is deceptively large, a 90s style house filled with modern furniture. The walls are bright, with purple and green accents that would normally feel garish but somehow work. The stairs leading to the second floor are lined with family photos that Bruce yearns to take a closer look at. "Can I get you anything? Coffee? Water?"
"No, that's alright, thank you," Bruce says, taking a seat on the long plush couch. A men's windbreaker lies haphazardly thrown across one of the arms. A closed container of Oreo cookies sit on the coffee table next to a physics textbook open to chapter 16, half covered in highlighter and filled with sticky notes. There's a child's painting framed next to the tv, a handprint made to look like a thanksgiving turkey in bright blue.
For the home of experimental scientists, it is cozy and well lived-in.
Damian repeatedly glances at the stairs through the doorway.
Bruce clears his throat. "We were hoping to--"
"I've texted--oh, I'm sorry," Jazz says, having spoken at the same time. Bruce gestures for her to go on.
"I've contacted Danny, he should be here soon. He was out with some friends." Jazz explains. As she hadn't pulled out a phone in their presence, Bruce can only deduce they have some sort of camera at their front door. This also explains Ms. Fenton's complete lack of surprise at their appearance.
"So you know who we are." Damian says, the first words he's spoken since they arrived at the house and the longest sentence he's spoken since they arrived in Amity Park.
"I do," Jazz says, calm in the face of Damian's clearly simmering anger. Bruce trusts him not to attack Ms. Fenton, but he still watches him carefully.
"He told you about me," Damian says. It is the same question, but it is also not.
"He did," Jazz says.
Damian swallows. "I see," he grits out.
Jazz's neutrality slips and her face softens in sympathy. "Damian," she starts hesitantly, but before she can say anything else the front door opens.
A moment later Bruce's son walks through the doorway, and Damian is on him.
This is what Bruce hoped to prevent, but despite his numerous checks of Damian's luggage his son has still managed to smuggle a small dagger, which he now produces and swings in a calculated arc at Daniel Fenton's jugular.
Danny dodges cleanly, and dodges every swipe thereafter in a manner that speaks to continued practice long after his time at the League. Damian is a perfect product of his training, but it is up against Danny his flaws come to light. He is just as good as he always was, but Danny is better.
In a matter of seconds Damian grows frustrated and sloppy in his attacks, completely atypical for him. Danny takes Damian out at the knees and pins him down with one arm, pressing his face into the carpet.
"Calm down," he orders. His voice is deeper than Damian's at sixteen to his twelve, the accent that still traces Damian's words completely gone from his speech. Damian growls and thrusts his head back into Danny's face, meeting it with a sharp thunk. He rolls up as Danny recoils, putting distance between them. Danny glares at him from several steps away, hand to his forehead. Damian tosses the dagger into his other hand as he charges, and to Bruce's surprise Danny does nothing more than turn his face to the side, allowing Damian to draw a sharp line down his cheek.
Damian stops dead in his tracks.
"Are you done?" Danny asks, blood beginning to pool at the seam of the cut.
Damian's expression is stricken, eyes stuck on the blood starting to drip down his brother's face.
"I said, are you done, Damian?" Danny asks. His voice is cold.
Damian hears him this time, and he flushes red. "I--you--"
Danny sighs. He looks at Jazz, whose expression is back to carefully controlled.
"Are you alright?" he asks her. She nods.
"You left me," Damian accuses, standing there holding his bloody dagger limply.
Danny turns back to him, raising an eyebrow.
"You left me," Damian repeats louder, rapidly blinking.
"Yes. I did." Danny provides no excuse nor any explanation. His stance is unyielding.
Damian's eyes bounce wildly, shifting to Jazz and Danny slides smoothly in front of her, protectively. He looks at Damian warily, not as if he is his brother, but as if he is a danger. Damian flinches.
Hope is the last to die, Bruce thinks, watching as that last bit of hope Damian had is extinguished, the knowledge working its way through every inch of his body like ice in his veins. His eyes darken. He turns and runs from the room, the front door slamming shut not a moment later.
Jazz stands up, pulling a few tissues from the box on the coffee table. She presses them to Danny's face, cupping his cheek until he holds it himself. "I'm going to go get the first aid kit," she says gently. It is a thinly veiled excuse to leave them alone, and Bruce is grateful for it as she heads for the stairs.
They both wait until her footsteps have faded, taking each other in. Bruce looks at his mother's eyes and the sharp turn of Talia's nose. Damian's everything, four years older.
"You shouldn't have come here," Danny says, throwing himself on the armchair Jazz has just vacated.
"You know who I am," Bruce says carefully.
Danny glares. "I've kept your secret. She nor my parents know."
"I know," Bruce says. "That's not what I meant. You know who I am. And who I pretend to be. So you know I am familiar with masks."
"And?" Danny asks, looking vaguely bored.
"And so I can recognize when someone is wearing one. Damian will too, once he's calmed down."
Danny's expression sharpens. "No, he won't. Because you are going to go to back to whatever bed and breakfast you're staying in, pack up, hop in your private jet and fly him back to Gotham immediately before the League realizes you've gone. If they haven't already," he mutters.
"This is about the League then," Bruce says. "Do you not believe I can protect you?"
"I don't need your protection," Danny snaps, and watches Bruce actively extrapolate with a dawning resignation. "So this is the World's Greatest Detective at work," he says, slumping bonelessly into his chair, the first teenager-y thing he's done.
"Damian's in danger from the League," Bruce says. Danny glares from his slump. It's almost cute. "And as long as the League doesn't know about you, he's safe."
"Draw your own conclusions," Danny says, baring his teeth. Damian often makes the same face. "As long as you leave."
"I can protect him. I can protect you both," Bruce says. "Let me help you."
Danny closes his eyes. He centers his breathing in an exercise someone has clearly walked him through in the past. Bruce would bet money on the adoptive sister waiting patiently upstairs.
"Mr. Wayne. You are not my father," he says. "My trust in you extends to the point that I left Damian in your care, but that is where it ends. And that was when it was sanctioned by the League. By coming here you have endangered those sanctions."
Bruce disregards the sting, doubling down on his analysis. Talia had left Damian with Bruce well after Danny had left the League. But Danny speaks as if the decision had been his.
Or perhaps, Bruce realizes, it is not that Danny decided upon it, but that Danny allowed it to continue.
Bruce takes a second to review what Oracle had gone over with him before they left for Amity. Daniel Fenton had by all accounts, since leaving the League, lived a fairly normal life. His adoptive parents were eccentric scientists dabbling in the occult but their findings that bordered pseudoscience circulated a very niche community of like-minded eccentrics. The bulk of their income came from alternative energy, a more viable source of study that they'd veered harder into in the past year or so, a government contract with the EPA currently in the works. This had in part funded a vacation to an all-inclusive resort the family had taken that past summer.
Danny received average grades in school, above average in science and mathematics, declining sharply in his freshman year and sophomore year before evening out around the second semester. He had gotten into fights repeatedly with one student in particular, suspended for two weeks following an incident that resulted in a the student receiving a black eye. Teachers reported him to be highly intelligent but distracted and removed. They had recommended he be evaluated for an attention-deficit/hyperactivity disorder. He had no social media. He had missed multiple picture days. The ones he had attended he was sneezing, or a blur of movement, even going so far as to fall off his stool, legs flailing. Bruce had drank up every last one as Barbara had waited patiently.
A normal life. A family vacation to Bermuda. Average grades.
His freshman year, distracted and removed. The same year Damian had arrived at Bruce's home. Masks upon masks.
"You have informants within the League," Bruce says. Danny, to his credit, has no discernible tell. But there is no other explanation. "What will you do, if they find out you are alive?"
"That is none of your concern," Danny says, but he might as well be saying whatever I have to.
He never stopped practicing, after all.
"If they go after Damian, it is my concern."
"And that is why you need to take Damian back to Gotham before they do." Danny says. "I will take care of it."
Damian had barely spoken since he had realized Danyal was alive. But Bruce had seen the reverence in his eyes as he looked at the file.
"الوريث الصحيح" he had murmured. The rightful heir.
"You are proposing going after the entirety of the League with no backup," Bruce says. "Even if you think they won't kill you, you won't win either."
"Maybe they will," Danny says lightly. "Kill me. That would also work."
Bruce inhales sharply. "Danny," he starts.
"Go home, Mr. Wayne," Danny says, pushing himself up with one hand. The other still clutches the wad of tissue to his cheek, partially soaked with blood. "Go take care of your son."
"I'll go," Bruce says, "I'll take him to the Watchtower. And then I'll come back."
"Mr. Wayne-"
"I should've come for you," Bruce interrupts. "Sixteen years ago. I should've come for you."
Danny's brow furrows. "You had no idea I existed."
"But if I had. I would've come. I never would've left you there. And now that I know, I am not leaving you now."
For the first time Bruce watches Danny be completely caught off guard. He openly gapes at Bruce.
"You would've died," Danny lands on, voice thin. "They would've killed you."
"Unlike you, I would've brought backup." Bruce says, mimicking Danny's lightness.
He's lying. Sixteen years ago he would've thrown himself at the League to save his newborn son without a plan, without a thought beyond rescuing his baby.
Danny barks out a laugh. "You would've laid siege to Nanda Parbat with The Big Blue Boy Scout?" he looks wistful. "That would've been rad."
Bruce sees his opening. "Danny," he stands, eye to eye with his son. "Let me help you."
Danny evaluates him. "The Batman," he says softly. "I didn't want you to come, then. I didn't need one more person I had to prove myself to. All I wanted was to live amongst the stars, in the quiet of the cosmos."
"You want to be an astronaut," Bruce says. At Danny's cocked head, he says without shame, "I read your essay on personal heroes. You wrote about Edward White. Ad Astra Per Aspera."
Danny smiles slightly, sadly. "It is a rough road."
"You can be whatever you want to be," Bruce says. "I won't stand in your way."
"Even if I want to be Danny Fenton?" he asks.
"Even then."
Danny sighs. "I don't need your help Bruce," he says. "No," he says as Bruce opens his mouth. He pulls the wad of tissues away from his cheek. Underneath the splotches of dried blood the gash in his face has cleanly knit itself together, a faint white line now all that remains.
"I don't need your help," he says clearly. He holds a palm forward, and a green fire grows from its center, until the flames are licking delicately up his fingers.
"I know The Batman does not kill. But I am not a Robin. I am something else entirely," Danny says, his eyes reflecting the green of the flames. Or not, as he looks up at Bruce, his eyes green all on their own. They are sad. This is why he stayed away, Bruce realizes. Not out of fear. Danny is not afraid. Danny is tired.
But for his brother, Danny will wake up.
"And If the League takes one step towards Damian, I will raze them to the ground."
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So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!
No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)
25 Feelings Dick Has About Tim
This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!
OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:
WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3
Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)
I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!
Below the cut:
I hate him and find him infuriating (#1-5)
On second thought, he's endearing & fun (#6-10)
Grief is complicated & he's all tangled up in mine (#11-15)
I love him & think highly of him (#16-20)
I rely on him & though it's hard for me, I trust him (#21-25)
I hate him and find him infuriating (#1 - 5)
1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)
2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)
3) He is so nosy about stuff that is MY business (Robin 0)
4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)
5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)
On second thought, he's kinda endearing (#6-10)
6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)
7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)
8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)
9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)
10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)
Grief is complicated and he's all tangled up in mine (#11 - 15)
11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)
12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)
13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)
14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)
15) Life sucks, so what. I sucked it up so he should too (RR 1)
I love him and think highly of him (#16 - 20)
16) He’s the closest thing to a brother I’ll ever have. If someone hurts him I will hurt them harder. (Nightwing 6)
17) I can't handle the idea of losing him. (Nightwing 97)
17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)
18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)
19) In my head he’s the responsible one. (Gotham Knights 10)
I rely on him, and though it's hard for me, I trust him (#20-25)
20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)
21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)
22) I trust him. When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)
23) I want him to trust me (Red Robin 12)
24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)
25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)
Final rambling thoughts:
TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important?
DICK: No? I think I got everything?
TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building -
DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.
SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.
And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf
All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.
But that's not Dick's version of the story!!!
Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.
And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --
-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3
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In defense of late-canon x files (including the revivals)
I was thinking about this poll after I commented on it, and I kinda want to be brave and say more.
Short answer to the poll's question before I go any further: If you're a new fan and a sensitive sort who thinks you'll struggle with your blorbos Really Going Through It and you really need a happy ending, I suggest you stop at the end of season 8. Do not pass go, do not look at spoilers. Disregard this post entirely, close the internet, and go look at something that makes you happy. (Also fuck every part of society that characterizes sensitivity as inherently weak and bad and some kind of personal failing, you are valid.)
That said, "quality" as a concept is entirely subjective, and the question of whether or not there's a decline in quality for any story is wholly subjective, too. In the case of x files? I'm not convinced there is a decline. I am going to be upfront that I haven't yet watched past season 8, though I am almost completely spoiled on events after that - and the reason I haven't watched yet is not because of how I know events are going to unfold, but simply because I don't want it to end!!! Ohh, the tension between "I CAN'T WAIT!!!" and "Nooo don't be over D:"
When I first came to txf fandom on tumblr and gradually became spoiled about what happens in late canon though, I was often left uncomfortable and tbh kinda queasy about it. As I said in my comment on the poll, the hate for especially the revival and IWTB, or to a lesser extent even seasons 8 & 9, is very well documented. But! There are other takes to be found here on tumblr if you figure out where to look, and my feelings have changed!
The thing is, I have yet to find myself in any fandom where there isn't a vocal subset of fans who dislike the story after a certain point. I am not joking when I say that no one hates the things they love as passionately as sci-fi and fantasy fans. In my experience, it often hinges on the extent to which a viewer has strong notions on where they would like the characters to end up. In particular with series where shipping is a dominant component for the bulk of a fandom, I have almost universally found that there comes some turning point in the story where "let them be happy you cowards" is the dominant view, and things that compromise the attainment of a degree of romantic stability and/or domesticity are, to many fans, annoying at best and despicable at worst. But! As one tagset on the linked poll said:
and I think for any fandom, that last tag especially is so so so important. (I think that's harder for people watching a weekly series live, bc you have so much time to analyze and speculate and dream before the next breadcrumb drops, but I digress.)
So why am I saying this and how do I apply it to x files? Well, I eventually found that there are also a subset of fans who find redeeming things right up to the very end and actually quite like the whole thing! The things that I had seen people rage and ventpost so much about honestly never quite sounded to me as "out of character" or "untrue to the story" etc as those same ventposts made them sound. And I've discovered I'm not the only one who felt that way. Do I love that the spooky squad had to go through all of those things? No, those poor guys D: Life is hard and they have been through so much trauma. But do those events and their choices make sense to me in light of everything that came before? Yes! And I honestly can't wait to see them fight to overcome those things, breaking, healing, always learning, always growing, always getting better.
So if you're wondering "where does it go wrong"... well, I'm a completionist, as many people who've answered that post are, but also my personal opinion is that I don't think it does go wrong. If you're new and interested in exploring why I've gone from "vaguely queasy" to "excited" about the whole thing, or want to maybe balance out the impressions you're getting about the later seasons before deciding whether or not you want to see the whole thing, I'll put a few blog names in the comments.
Final admission: even once I started feeling a little more confident in the possibility that "actually ok maybe I'm not crazy, maybe this all kind of is in character and does make sense", there was one big plot point that I was NOT looking forward to and I thought I would never be comfortable about. In hindsight, I think my discomfort came from the negative responses being SO seemingly universal that I hadn't stopped to let myself truly consider other possible interpretations on that point. (I mean my initial instinct when I first read about it was, why are we mad about this?? CSM is literally the most unreliable narrator in history???? it's obviously fake news?????? this must be either a fever dream someone's having or it's a misdirection ploy against whatever shadowy forces might still be lurking?????????????? but for whatever reason I guess I had halfway written that off.) Happily, just last month there's a new post-s11 novel out, and although reviews for the book as a whole are mixed, it seems to have laid the groundwork for resolving that plot issue in a way I think most fans would be broadly happy with. If you're interested in being spoiled about that and seeing how, I recommend searching #perihelion on @agent-troi who liveblogged reading it with receipts, scroll back chronological-style to the first post on the subject and see how it unfolded. (And never forget that Dana Katherine Scully is the queen of denial as a coping mechanism lol)
Everyone's mileage will vary. Each person can feel however they want! But for anyone new, I wanted you to know that the very many ventposts you might be seeing are not all there is to this show or its fandom. Some of us love it despite - or even because of - all the things that went "wrong". I think we just don't talk about it as much.
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I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.
A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.
But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.
And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.
And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.
He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.
We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.
We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.
The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.
And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.
And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.
It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.
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