#and folklore coded!

[mmelolabelle]

— i think i’ve seen this film before, and i didn’t like the ending / i’m not your problem anymore, so who am i offending now? / you were my crown, now i’m in exile seeing you out

[fables-if]

The Night of Ataegina and Betatun

A high fantasy interactive fiction story based on Spanish mythology, folklore, and paganism. Set in modern-day Spain. Most locations and all the characters are fictional, except the type of fae that will be seen during the story.

Summary:

After leaving Imeria during your eighteen birthday to chase your dreams and college education, you return to the little village in Southern Europe that saw you grow up after receiving the horrible news that Caterina, the old woman that took you in after the death of your family and your adoptive grandma (or yaya, as you call her), is terminally ill and has a few months left.

During your return, Imeria is set in motion to host an ancient festival and masquerade. It’s supposed to honor two ancient Iberian deities, one called Ataegina, ruler of the underworld, and the other one Betatun, deity of fertility. Most Imerians don’t believe in the ancient legends but those who do, like Catelina say that it’s the most dangerous night of the year because the frontier between the mortal and the magic realm is so thin anything can happen. 

Returning home under the threat of Caterina dying is already hard enough, but will you be able to adapt back into Imeria and rekindle old friendships or form new ones? Will you uncover the deep and rich history of your home and the old magic it carries? 

We shall discover it all very soon.

Features:

Customizable mc: Gender, pronouns, and physical appearance

Build friendship or romance with four characters.

Learn more about Spain's folklore and pagan traditions. Uncover your family history and your abilities.

Develop your MC's personality as you go

Two characters are gender locked but you can choose the gender identity of the other two

Your choices can't be undone and will have consequences.

Characters:

Caterina: An older woman, well into her 80s who took in the MC after most of her family died. She doesn’t seem to have a family of her own, or at least that’s what Mc believes. Caterina has a sweet disposition, always up for helping anybody. She raised MC with the stories of the folklore of their village, so she will always know how to honor the traditions of Imeria. MC doesn’t remember very well what she did for a living but she used to do fortune and tarot reading for some villagers and they usually came to her for advice and help. 

Ana: She runs The Golden Apothecary, a small store where she sells traditional remedies. Her family has run the Apothecary forever, and it’s considered a family craft. Ana has golden shoulder-length wavy hair, almond ocean-blue eyes, and a button nose. She’s no taller than 167cm, with a voluptuous body and soft features. Ana is in her late 20s to early 30s.

Personality-wise, Ana is soft-spoken, sweet, and very open-minded. She strikes to accept everyone with open arms, as long as they’re good people. Unfortunately, some individuals mistake Ana’s kindness with weakness, which is untrue. Ana is extremely smart, stubborn, and strong-minded, she’s always kind but only to those who deserve it. She can be a lot to reckon with if she deems you a bad person. Ana dreams of seeing the world but there is something tying her to Imeria.

Supernatural or not (spoiler):

Ana is a Xana, a river spirit that helps those she finds worthy by offering them pure water or gold. Some people believe that Xanas interchange human babies with fairy babies. As a river spirit, Ana can’t be apart from her river or she’ll suffer horrible consequences.  She met Caterina when Caterina was a young maiden and bathed in her river. Ana saw the purity of her soul and gifted her magic. Xanas are mythological creatures that originate from Asturias, a northern region of Spain with strong Celtic influences.

Anne, An or Antón: Anne/An/Antón works on their family farm along with some of their siblings. The Zamora’s farm supplies Imeria with its fresh produce. Everyone knows the family since they’re a happy and amicable bunch. Anne/An/Antón is pretty tall, around 185cm, they have wide shoulders, a big frame, tan skin and are chubby. The shape of their face is round, with little freckles, big green eyes, long eyelashes, and a hooked nose. They have short straight brown hair and are a bit hairy.. Their voice is deep and loud, almost booming, exactly like their laugh. Anne/An/Antón is super extroverted, knows everybody in the village, and has a sunny and sweet disposition. They are super strong, from all the physical labor but their secret hobby crocheting, they’re always making little dolls for the children of the village or making clothes. In general, they’re super well-liked and have a golden heart. Anne/An/Antón is the MC's childhood best friend and neighbor. Unfortunately, after leaving Imeria they didn’t keep in touch. Anne/An/Antón is 25 years old. 

Supernatural or not:

Anne/An/Antón is an Ome, a mountain spirit, and a giant made of rock that turns into mountains after living for many centuries. Their whole family is made of Omes graznidos. Omes Graznidos are a type of mythological creature that originates from Aragón, a northeast region of Spain surrounded by mountains.

Diego, Diana, or Dix: Diego/Diana/Dix is new in Imeria, they have been living in the little village for less than a year. Nobody knows where they came from, they remain a bit of a mystery for everyone. They set up a popular lounge called “The Velvet Moon” in the middle of the village, very exclusive and chic which clashes with the rest of the decoration of Imeria. Still, the young Imerians love the place. They’re 31 years old but look slightly older. 

Diego/Diana/Dix is of average height, standing around 174cm, they’re pretty slender, with a petite frame and olive skin. They have an angular face, with sharp features, long shaggy black hair, and clear eyes that almost seem silver-colored. Diego/Diana/Dix keep mostly to themselves and can be seen riding their motorcycle around the village. They have a limp and can be seen using a cane. As mysterious as they are, they’re pretty talkative once you get to know them, and are very protective of those they love. Diego/Diana/Dix seems to be interested in the MC, since they’re always watching them, and seem to have a secret that they don’t want to share with anybody. They are very self-reliant, have learned to survive by themselves and have a hard time trusting others, but once you have earned their trust, they’re loyal to a fault. 

Rumors say they have a criminal past and are mixed with a bad crowd, but not everything seems as it is.  

Supernatural or not (spoilers):

Diego/Diana/Dix takes the form of a giant spectral dog, with long black hair and a permanent limp, which is called dip by Spanish folklore. They’re supposed to be emissaries from the devil and they suck the blood of the livestock at night. However, not all legends tell the entire truth. 

Bingen: Bingen lives in the forests near Imeria, where he has a small cottage and a little bit of land where he has a vegetable patch. Bingen is a well-known journalist for online newspapers. He’s an ecologist, and his coverage is mostly about the natural world and ecologism. 

Bingen barely sets foot in Imeria, he is auto-sufficient but he comes down to the village to visit Ana and her apothecary, and to buy a few things he needs.

Bingen has a square jaw with high cheekbones, sharp green eyes, and long blonde messy hair, usually kept in a braid. He has a sweet face with a straight nose, and round brown eyes that resemble a little lamb. He’s the tallest of the bunch, 1’90cm, very muscled from all the exercise, and has a big frame. He loves hiking and is very in touch with nature. Bingen has a hard time socializing, preferring being around animals and plants since he understands them better. He, as intimidating as he looks, is a sweetheart and really craves human connection. Bingen is not talkative but expresses his feelings and emotions through his actions. He might have a hard time telling you he cares about you but he’ll help you install furniture or will make you soup when you’re sick. He always shows up when you need him to.

Bingen recently led a rescue of a few teens who got lost in the forest and saved them from a wolf attack, since then a lot of the villagers have respected him a lot and brought little sweet treats to his cottage. He's in between 27-33 years old.

He has struck a friendship with Ana, who frequents the forest often.   

Supernatural or not (Spoilers):

Bingen is a Basajaún a creature that inhabits the forests of The Basque Country, Navarra, and some parts of Aragón. Basajaúns are described as giant hairy men who protect the livestock, and warn shepherds of wolfs during the night. Basajaúns are seen as protectors of the forest but also creatures of great strength and kinda dangerous. 

Rami: A green weasel-like creature, with a long and flexible body, similar to a snake, and little tusks. They’re friendly and sweet and help guide the MC during their adventure. Rami’s fur has healing qualities. 

Extra:

This project is made by an absolute amateur in coding so it's going to take a long time. I have been writing since forever so I trust in my ability to create a good and entertaining story and I hope you guys stay for the ride.

The Night of Ataegina and Betatún is also going to be a surprise gift for a dear friend of mine who absolutely loves Interactive fiction and this project (if I get to finish it;_;) might be the way I ask her out since we both harbor strong feelings for each other. So let's hope she doesn't find out about the project before it's time.

[writingwithcolor]

Sri Lankan Fairies and Senegalese Goddesses: Mixing Mythology as a Mixed Creator

[Note: this archive ask was submitted before the Masterpost rules took effect in 2023. The ask has been abridged for clarity.]

@reydjarinkenobi asked:

Hi, I’m half Sri Lankan/half white Australian, second gen immigrant though my mum moved when she was a kid. My main character for my story is a mixed demigod/fae. [...] Her bio mum is essentially a Scottish/Sri Lankan fairy and her other bio mum (goddess) is a goddess of my own creation, Nettamaar, who’s name is derived from [...] Wolof words [...]. The community of mages that she presided over is from the South Eastern region of Senegal [...] In the beginning years of European imperialism, the goddess basically protected them through magic and by blessing a set of triplets effectively cutting them off from the outside world for a few centuries [...] I was unable to find a goddess that fit the story I wanted to tell [...] and also couldn’t find much information on the internet for local gods, which is why I have created my own. I know that the gods in Hinduism do sort of fit into [the story] but my Sri Lankan side is Christian and I don’t feel comfortable representing the Hindu gods in the way that I will be this goddess [...]. I wanted to know if any aspect of the community’s history is problematic as well as if I should continue looking further to try and find an African deity that matched my narrative needs? I was also worried that having a mixed main character who’s specifically half black would present problems as I can’t truly understand the black experience. I plan on getting mixed and black sensitivity readers once I finish my drafts [...] I do take jabs at white supremacy and imperialism and I I am planning to reflect my feelings of growing up not immersed in your own culture and feeling overwhelmed with what you don’t know when you get older [...]. I’m sorry for the long ask but I don’t really have anyone to talk to about writing and I’m quite worried about my story coming across as insensitive or problematic because of cultural history that I am not educated enough in.

Reconciliation Requires Research

First off: how close is this world’s history to our own, omitting the magic? If you’re aiming for it to be essentially parallel, I would keep in mind that Senegal was affected by the spread of Islam before the Europeans arrived, and most people there are Muslim, albeit with Wolof and other influences. 

About your Scottish/Sri Lankan fairy character: I’ll point you to this previous post on Magical humanoid worldbuilding, Desi fairies as well as this previous post on Characterization for South Asian-coded characters for some of our commentary on South Asian ‘fae’. Since she is also Scottish, the concept can tie back to the Celtic ideas of the fae.

However, reconciliation of both sides of her background can be tricky. Do you plan on including specific Sri Lankan mythos into her heritage? I would tread carefully with it, if you plan to do so. Not every polytheistic culture will have similar analogues that you can pull from.

To put it plainly, if you’re worried about not knowing enough of the cultural histories, seek out people who have those backgrounds and talk to them about it. Do your research thoroughly: find resources that come from those cultures and read carefully about the mythos that you plan to incorporate. Look for specificity when you reach out to sensitivity readers and try to find sources that go beyond a surface-level analysis of the cultures you’re looking to portray. 

~ Abhaya

I see you are drawing on Gaelic lore for your storytelling. Abhaya has given you good links to discussions we’ve had at WWC and the potential blindspots in assuming, relative to monotheistic religions like Christianity, that all polytheistic and pluralistic lore is similar to Gaelic folklore. Fae are one kind of folklore. There are many others. Consider:

Is it compatible? Are Fae compatible with the Senegalese folklore you are utilizing? 

Is it specific? What ethnic/religious groups in Senegal are you drawing from? 

Is it suitable? Are there more appropriate cultures for the type of lore you wish to create?

Remember, Senegalese is a national designation, not an ethnic one, and certainly not a designation that will inform you with respect to religious traditions. But more importantly:

...Research Requires Reconciliation

My question is why choose Senegal when your own heritage offers so much room for exploration? This isn’t to say I believe a half Sri-Lankan person shouldn’t utilize Senegalese folklore in their coding or vice-versa, but, to put it bluntly, you don’t seem very comfortable with your heritage. Religions can change, but not everything cultural changes when this happens. I think your relationship with your mother’s side’s culture offers valuable insight to how to tackle the above, and I’ll explain why.  

I myself am biracial and bicultural, and I had to know a lot about my own background before I was confident using other cultures in my writing. I had to understand my own identity—what elements from my background I wished to prioritize and what I wished to jettison. Only then was I able to think about how my work would resonate with a person from the relevant background, what to be mindful of, and where my blindspots would interfere. 

I echo Abhaya’s recommendation for much, much more research, but also include my own personal recommendation for greater self-exploration. I strongly believe the better one knows oneself, the better they can create. It is presumptuous for me to assume, but your ask’s phrasing, the outlined plot and its themes all convey a lack of confidence in your mixed identity that may interfere with confidence when researching and world-building. I’m not saying give up on this story, but if anxiety on respectful representation is a large barrier for you at the moment, this story may be a good candidate for a personal project to keep to yourself until you feel more ready.

(See similar asker concerns here: Running Commentary: What is “ok to do” in Mixed-Culture Supernatural Fiction, here: Representing Biracial Black South American Experiences and here: Am I fetishizing my Japanese character?)

- Marika.

Start More Freely with Easy Mode

Question: Why not make a complete high-fantasy universe, with no need of establishing clear real-world parallels in the text? It gives you plenty of leg room to incorporate pluralistic, multicultural mythos + folklore into the same story without excessive sweating about historically accurate worldbuilding.

It's not a *foolproof* method; even subtly coded multicultural fantasy societies like Avatar or the Grishaverse exhibit certain harmful tropes. I also don't know if you are aiming for low vs high fantasy, or the degree of your reliance on real world culture / religion / identity cues.

But don't you think it's far easier for this fantasy project to not have the additional burden of historical accuracy in the worldbuilding? Not only because I agree with Mod Marika that perhaps you seem hesitant about the identity aspect, but because your WIP idea can include themes of othering and cultural belonging (and yes, even jabs at supremacist institutions) in an original fantasy universe too. I don't think I would mind if I saw a couple of cultural markers of a Mughal Era India-inspired society without getting a full rundown of their agricultural practices, social conventions and tax systems, lol.

Mod Abhaya has provided a few good resources about what *not* to do when drawing heavily from cultural coding. With that at hand, I don't think your project should be a problem if you simply make it an alternate universe like Etheria (She-Ra and the Princesses of Power), Inys (The Priory of the Orange Tree) or Earthsea (the Earthsea series, Ursula K. Le Guin). Mind you, we can trace the analogues to each universe, but there is a lot of freedom to maneuver as you wish when incorporating identities in original fantasy. And of course, multiple sensitivity readers are a must! Wishing you the best for the project.

- Mod Mimi

[blueskittlesart]

is detcon actually good

no <3 hope this helps

[made-my-peace-with-all-the-bad]

I was too scared to jump in…

[waste1andb5by]

wait i just realized peace by taylor swift is so gelphie coded

[yuuuu16]

“there’s an ache in you put there by the ache in me, but if it’s all the same to you, it’s the same to me” — lying low at lupin’s or canon compliant DILF wolfstar angst :D

[romidoes]

[crierschoir]

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[deerainy]

Dean Winchester being a canon swiftie is everything to me you don't get it, like he's a die hard classic rock fan but still he loves Taylor he's so me I wish all men were like him... btw I just know that Sam secretly loves it when Dean plays her songs but he doesn't care much about her

however! I know for a fact that Castiel is a big swiftie but not the chill kind – whenever he has a second to himself he listens to folklore and midnights on repeat (which are his favourite albums of hers) and I headcanon that when he finds out that Dean is also a swiftie he starts fan girling so hard and they have one of those 'talks' where they compare their favourite songs/albums/eras etc... while Sam is just standing there, judging silently but secretly invested in the conversation

[ninnidelrey]

[sarahyasmiiin]

credits: pinterest

[all-too-unwell-13]

i feel like tori spring wouldn't like taylor swift all that much BUT i do genuinely think she'd like some of folklore (like mad woman) and maybe some of taylor's angrier songs ???

i also feel like michael would love taylor. his favourite album would be lover or speak now tv!!!

but his fav taylor song overall was invisible string or peace :)

[tortured-poet-of-thursday]

castiel “family that i chose now that i see your brother as my brother” and dean “is it enough if i can never give you peace?” winchester

[call-me-starshine]

hey hi good morning

whatever you do, do not think too hard about the 1 in a Luffy after Ace dies way

sorry not sorry carry on

[bacchuschucklefuck]

if talking abt my friends after looking at another artist's work is gauche then Im about to take a hard left babeyy if chris grace's dropout special speaks to u and u like dnd actual play then u should watch metanoia blues live on twitch every sunday at mimzalot and also available on youtube at metanoia blues