#and he’s not an actual canon character so

[poorly-drawn-mdzs]

...Turns out gay sex actually was the solution.

(This is basically a redraw, come read the real deal over at Tiger Tiger)

[always-just-red]

Hii! I've seen some Pregnancy scenario with LaD's men, but I have this HC-- personally for Sylus. That when fem!reader got pregnant, he didn't really understand how the Pregnancy hormones work, until he experienced one and he got confused how he should act or react because it's feels like he's walking on landime, one wrong move/word, she'd throwing tantrum or being sulky at him

I've heard from my Friend who got pregnant before, when she craving something and her Husband showing any form that he can't fulfill what she's craves, she felt her heart broken, and she'd sulk and acted as if he just cheated on her. The problem is, she always craved something that didn't even exist at that moment😂, she's craving certain type of Mango while it's not even that Mango season, so nobody selling it. He literally being desperate to negotiate with her cravings

So... Can I request a scenario smiliar like that? It doesn't have to be mango, or any foods. Just... how Pregnancy hormones or Cravings could make Sylus got frustated lol

Aaaaa anon this is adorable, thank you! We love making Sylus suffer in cute and harmless ways. He's always asking for trouble, so let's give him some! 😌💅

Something Sweet

Sylus x Reader 🩸

Summary: Sylus knows how to get what he wants. Getting what you want might be a little more tricky...

Genre: fluff!

Warnings/Additional tags: female!reader, IMPLIED pregnant!reader (pregnancy not actually mentioned or described- just hormones being hormones ✌), established relationship, canon pet names, a lil bit of roleplay because Sylus refuses to leave his Mystic Adventure era

| Word count: 2.1k | Masterlist |

Disclaimer: Characters belong to Love and Deepspace. All work is my own, so please don't repost or plagiarise!

“Sy, d’you know what I’m craving right now?”

“Always, sweetie.” Sylus doesn’t look up from his book. “Not now, though. I’m tired.”

Morning sunlight streams through the gaps in your living room curtains, casting pale yellow shapes over the floor. A shard of it has been inching over the sofa towards Sylus, the sharp edge now grazing the side of his face. He shifts, ever so slightly, away from its touch. His eyes are open but heavy.

“No,” you scold, leaning forwards to swat at him with your book. “That’s not what I meant, you narcissist.”

He chuckles with his usual low timbre— his gaze still not lifting— and the sound is deeper for how close he is to sleep. He wants to give in to it, you can tell. When he turns a page, the movement is languid, soft. You’re losing him.

“Sy,” you say again, then with more of a whine: “Sylus.”

His eyes flutter closed as he draws in a deep breath. His hand raises, his fingers stretching to pull his reading glasses from his face. They’re set down on the arm of the chair beside him, along with the book, and he turns to you with a smile. “What are you craving, sweetie?”

You rest your book on your stomach. Your legs are stretched out over Sylus’s lap, and his hand finds one of your feet, massaging an ache from it as you begin your speech. “Do you remember that café we used to go to? The one we found when it started raining in the park that day? We didn’t think it was open, but then the owner knocked on the window and said we could—”

“Yeah?” His hand moves to your other foot.

“Well, they make these—”

“Macarons.”

“You remember?”

His smile widens like he remembers vividly. “Kitten, how could I forget? I’m still jealous of that sweet little treat. You’ve never made that face for me, and believe me—” he wiggles one of your toes— “I’ve tried.”

That had been one of the only times you’d truly caught him off-guard, back when your feelings for one another were unnamed and uncharted. The rain had been drumming against the café window, and you’d heaved Sylus’s damp coat from your shoulders— giggled at the raised eyebrow and the sarcastic ‘…thanks’ he’d given in turn. One hot drink later, you were lifting a pastel pink macaron to your lips, taking a delicate bite and failing to stifle a tiny, almost euphoric moan.

You remember realising yourself: blushing profusely and expecting some remark, some ridicule, but none ever came. Sylus’s eyes were wide, dark, fixed upon your still parted mouth.

After a few of the longest seconds of your life, he’d dragged the plate with the rest of the macarons away from you and muttered something about how you had better not do that again.

“They’re still the sweetest things I’ve ever tasted,” you tease now, just as you’d wrestled him for that plate back then, set on eating every last macaron.

He makes a hmph as he idly runs a finger over the part of your foot he knows is ticklish. His expression is distinctly grumpy, but it falters as you laugh and try to writhe away from him.

You’re quickly out of breath. “Sylus?”

“Mmm?”

He glances up at you and you smile sweetly, head tilting. “Please?”

His coat on a rainy day. The entire plate of macarons in the end; he’s never been very good at denying you anything. For the first time since you’d stirred him from his book, however, he appears genuinely regretful. “You’re forgetting something, sweetie,” he murmurs gently. “Why did we stop going to that café, hmm?”

You shrug.

“It closed, kitten,” he sighs. “Months ago.”

“What?”

Not only did you already know that— you actually visited the café on its final day. The owner was telling you stories: he was moving somewhere warmer, closer to family, and he needed all the funds he could get. Sylus had snuck an obscene amount of money into the man’s tip jar whilst you acted as a distraction. You both had fond memories of that place; it was nice to make one more.   

It's all coming back to you and you’re struck by a wave of nostalgia. You want to go back there. You can’t go back there. It doesn’t exist anymore, and you’ll never taste sweetness like that again.

Your mouth has gone dry.

“Sweetie?” Sylus prompts, because he notices you’re far away. “Are you alright?”

“Yeah,” your voice wobbles, “I just really wanted… I mean, I really needed one of those—”

“… Macarons?” he finishes for you.

You burst into tears, and one day, you’ll tally this as another time you took the man by surprise. His face drops instantly— lost, for a moment— before he slides your legs from his lap, allowing him to lean closer. “No, no, no,” he coos, “don’t cry, kitten, please. I didn’t mean to… well, I didn’t realise…”

He doesn’t know what to say, and he always knows what to say. He set you off with a single word and now he’s stuttering like sentences are all possible landmines. He tries his luck again, putting a foot forward: “Listen to me. I’ll go to the store. Would that be alright? Or perhaps there’s another café that could—”

You explode: sobbing even more viscerally. Your whole body shakes with it.

Sylus has frozen. He watches on helplessly as you cry, blabbering about the macarons you can’t have and the café you can’t return to. Across the room, even Mephisto has hunched down on his perch, though he issues a few, spirited squawks, maybe in solidarity with your breakdown, or maybe in protest of it.

It’s like a catalyst. You cry more: burying your face in your hands because what the hell is wrong with you? It’s not a big deal. It’s not a big deal, so why do you feel sick? And then there’s Sylus— your Sylus, devoted and adoring— and here you are, punishing him for something beyond his control.

You look up from your hands, desperate to apologise, but he’s gone. More shards of sunlight paint his empty seat and catch all that’s left of him: a few crow feathers, glistening like onyx. Mephisto is gone too, and the room is quiet, save for you snivelling and feeling sorry for yourself.

“Sylus?” you call out into the empty morning.

It isn’t his fault, not really. You wouldn’t want to be around you, either.

…

Something brushes over your cheek, and your tired eyes open.

The sun has ebbed back behind the curtains and the ceiling light has taken its place, casting artificial highlights over everything in reach: the coffee table, the closed-up flowers at its centre and a mug of tea that’s gone cold. Sylus is in front of you too, backlit and soft like a daydream, and he—

He left you.

“Sy?” you whisper warily, because the context is coming back to you slowly, piece by piece.

“Hey,” he coaxes, voice as honeyed as whatever’s turned the air sweet.

You blink, rubbing sleep from your eyes and relishing the warmth of his hand on your face. Then you slap his shoulder. “Hey, really? That’s all you’ve got— hey?”

He’s kneeling for you— on the floor, beside the couch— so you can meet his eyes. He settles his chin thoughtfully on the edge of the seat, his nose almost touching yours. “What would you prefer, sweetie?” His lips are close to yours too. “Good evening, my beloved? Greetings, my queen?”

“How about sorry?” you snap, because he isn’t cute and he isn’t charming.

He pouts. “Why sorry?”

“Because you left, Sylus!” You sit up straighter, and your phone tumbles out of your lap. Its screen is still lit-up from a few hours ago, showcasing a very one-sided conversation and a rant you never actually sent, because it’s still in the text box.

You vaguely recall writing it, so you try to snatch the phone from Sylus’s hand as he plucks it from the floor. He’s more alert than you. More co-ordinated. He keeps it out of your grasp as he reads the unsent message, an eyebrow raising.

It was a lot of things— colourful, creative— not entirely tasteful. “My, my, your highness,” he tuts, “so this is the treatment your valiant knight receives for undertaking your quest?”

“You’re not valiant,” you rebuke, and you manage to wrestle your phone from him. “You’re—”

“A heartless prick,” he finishes casually, quoting your message with a chuckle. He takes your free hand and kisses the back of it, refusing to let you pull away. “And whose fault is that, I wonder?”

“You can have your heart back.”

“Nope. You’re stuck with it, sweetie. With me, too. Now—” he sits back on his knees— “would you please ask me about my quest?”

The analogy is lost on you. You sit fully up, looking down at him. “What quest, oh valiant knight?”

His lips form a smirk; he just loves when you play along. “Close your eyes.”

You do— whether you’re queen or not. You hear him shifting aside, and then there’s a snap of his fingers. The air changes, warping like thick, liquid smoke, and you know he’s using his Evol. “Open,” he commands.

And there on the coffee table, freshly teleported, is a plate of macarons the colour of cherry blossoms. As if anticipating the comparison, Sylus pulls a handful of pink petals from his pocket and blows them up into the air so they can spiral down on the scene. He watches them. Then you. “Ta-da,” he proclaims, his tone dry but full of humour.

You’re prone to hyperbole nowadays, but this is without a doubt the best thing you have ever seen.

“Sylus,” you gasp in disbelief, “how did you—”

“It doesn’t matter,” he says; the story isn’t for today, and he’s very, very tired. A few weeks from now he’ll tell you about how he tracked down the contact information of the owner of the old café. How he spent an hour on the phone bargaining for a certain macaron recipe, and several more hours in the kitchen, trying to get them perfect. “Now, they might not be exactly the same, sweetie. But I did try to—”

You surge forwards, capturing his lips in a kiss. It’s so impulsive— so reckless— that you almost tumble down from the couch, but he catches you, steadies you, and your hand is gripping the soft of his hair as he kisses you back. Slowly, his mouth not leaving yours, he lifts you back into your seat.

“Easy, sweetie.” His voice is low as he pulls away, and though he turns his face from you, you can make out the blush on his cheeks. He settles back into his kneeling position on the floor. “I have one more surprise for you. Do try to control yourself.”

He retrieves a small, complete flower from his pocket, albeit one a little dreary from its journey. Sylus smiles triumphantly as he holds it out to you, and he was right; you do want to throw yourself at him. Instead, you take the flower and lean forwards, tucking it behind his ear before he can protest. He’d tilted closer to help you, and he sits back with an exasperated tsk when you’re done.

“It suits you,” you grin.

He yawns. “Everything does.”

You don’t want to get into trouble, so you shimmy to the very edge of your seat and carefully— showing tremendous restraint— reach out to take his face in your hands. “You’re amazing, Sy. Thank you for doing all of this for me, but…”

“But…?”

“I missed you. I like macarons, yeah,” you smile, “but I’d much rather have you.”

This time, he can’t hide his face and the way it goes pink, like the blossom behind his ear. His cheeks are warm beneath your palms. “You couldn’t have said that before I spent the whole day—”

His voice is strangled as you keel towards him— slow and deliberate— to thread your arms around him and pull him into a hug. He tenses for a moment, then wraps his arms around you too: holding you tightly, keeping you from falling any further. You can feel his hand stroking your back and he hums as you give him a gentle squeeze.

“Such a lovely moment, kitten,” he muses, your head on his shoulder. “I do hope it’s sincere, and not— say— an excuse for someone to get her paws on the macarons behind me.”

There’s another moment of quiet.

“Don’t be silly, Sy,” you retort, but your mouth is full, your cheeks are stuffed, and not a single word of it is intelligible.

[becausegoodheroesdeservekidneys]

In response to the Mile High Job post, I hate that Parker implies that poor flight attendant slept her way to a promotion/better shift. Her day is super weird but her cat is fine and her life is saved. That rumor, however, might stick and that didn't really feel like Leverage to me.

Agreed!

The thing with Leverage is that it's a show from the late 2000s; it feels contemporary, but actually it is a bit dated. And, like all shows, it had some problematic elements, which get a bit more Obviously Problematic as time goes by (I am just waiting for someone to write a lengthy call-out post in 5 years' time and for the Discourse to start.) For example, Tumblr loves to declare that Leverage has a "canon" throuple, but if anyone read that and then watched the show they would be profoundly disappointed - while it's a fantastic ship with a great many shippy instances, Elliot has a lot of onscreen No Homo moments, and frequently is shown sleeping with random women (I personally read him as aromantic). Similarly, there are two big relationships in that show: Nate/Sophie, and Parker/Hardison. And we all wax lyrical about the brilliance of Parker/Hardison and how healthy it is, and for good reason; but we gloss over how unbearably "I hate my wife/father I cannot click the book" Boomer humour Nate/Sophie is.

(He literally calls her a shrew in one episode. She throws a tantrum and sulks if he doesn't remember the exact details of how/where they met. She's stereotypically 'romantic' and he's stereotypically 'cynical' and she has to Save Him From Himself, and he self-deprecatingly says he should just know when to stop arguing because she's always right. Like... it is a grubby and uncomfortable dynamic; but, it's also aimed at a different segment of the audience that is older than me, and that's okay, actually. It just means I don't much care for the ship myself.)

Anyway, this is one other such instance. Clearly someone in the writers' room thought that was a funny joke, and not enough people disagreed, and so in it went. What's nice is that Sandi McCree, who plays the other flight attendant that stays on the plane, actually kind of saves that joke for me with her performance. When Parker first boards and declares that her co-worker is not coming in, McCree looks disgruntled at the sudden change to her staff list when she wasn't informed; she's annoyed at management. Then Parker makes the sleeping-with-pilots comment, and McCree looks disgusted and furious -

An expression she then pulls at Parker every time she sees her for the rest of the episode, even when Parker is technically not doing anything particularly weird. It's not necessarily intentional on McCree's part (Parker IS very weird in this episode, so it very much can be a response to that), but to me it means you can read it as "This woman is absolutely furious at the lateral sexism of this white girl because We Love And Support Each Other On This Plane." So, for me, between that and the aforementioned revelations of the day (the plane was brought down by the domestic terrorists of a Fortune 500 company, but saved by... a few unexplained Official People who snuck aboard??? And the other flight attendant was made to miss the plane after all under mysterious circumstances and was not promoted??? What???), I don't think Sandi McCree's character wouldn't put those pieces together.

[doberbutts]

I'm pulling this out because this shit is funny as hell hold on

Merry and Pippin (2 in 1) actual hijinks and shenanigans of mutual stumbling over each other's first times. Bonus points if they are hours apart. Pippin finds Merry rolling in the hay in the morning, decides he wants in on this and doesn't want to be outdone, finds himself a willing partner, and Merry interrupts them by accident. Comedy gold.

I don't view Frodo as someone interested in sex (boos and hisses from the Sam/Frodo crowd) however Sam I think would similarly be Frodo opening the door to their shared living space after the quest and Sam's, err, "helping" Rosie in the kitchen. Sam stutters an apology, Rosie starts trying to explain, and meanwhile Frodo's just like "really? where we eat???"

Blink and you'll miss it moment between Legolas and Gimli OR the most intense, drawn out, intimate yet tasteful scene with a bonus at the end where Gimli goes "wait wym we're elf-married now". Probably in Rohan, after the drinking contest.

I'm choosing to believe that the scene between Arwen and Aragorn in Rivendell before he left, where she's wearing a mostly translucent shift and he is in a state of far more undress than we've seen him prior and ever seen him again, is a post-sex scene. So just put it there.

There is not a single person who will ever be able to convince me that Boromir did not get mad pussy in Gondor. The same goes for Faramir, who was loved by all except their father.

Gandalf, also, is not a sexual being to me. But with PJ's insistence on highlighting Gandalf's relationship to both Galadriel and Celeborn, I would believe him to be a third in whatever dynamic suits them.. Maybe he and Galadriel have telepathic elf magic ring sex and Celeborn is just like "yeah sure that's fine w/e". This is movie-canon only, of course.

Bilbo also- reclusive, kept to himself, constantly wandering the wilds alone or with Gandalf? Either he and Gandalf are regularly FWB adventure buddies or they're just plain uninterested in the whole deal.

I'm of two minds with Smeagol. On one hand there is great comedy gold with the little fucked up loincloth man and on the other hand there is so much tragedy to his character that I can't decide if it would be funnier to have him still have sexual desires or if it would be sadder to take him at his word when he states that he lost all desire and interest and pleasure in everything except the Ring. Perhaps he attempted to have sex with another Stoor early on in his possession of the Ring, before he was chased away. Maybe someone he had been trying to court, before the murder of Deagol and the subsequent chained events of consequences.

[morphodae]

· · ─────── ·𖥸· ─────── · · ღ HSR Men Becoming Parents (part I) ღ · · ─────── ·𖥸· ─────── · · ✦ I used a randomized wheel to select some characters on parent/baby head-canons. I will do the rest in other parts, and I also plan on including the HSR women as parents too! ≫ Note: some children of these characters are biological and some are adopted! :) ✦ CW: some related story spoilers for characters, non-graphic mentions of labor and delivery, pregnancy, fluff, mentions of angst but not much

✦ Characters: Aventurine, Boothill, Gallagher, Jiaoqiu x Reader (separate)

≫"Aventurine" - Kakavasha • ♧ • ☆———☆ • ♧ •  You aren't sure why you were nervous to tell him in the first place. He takes the news shockingly well; with a bright, wide smile and a tight hug. But there's no mistaking the tremble in his hands as he envelops you, the worry that furrows between his brows at night when he thinks to his own family, his clan, and their fate. So when that fateful day arrives and you go into labor, it nearly kills him to be kept out of the room with you. "There's issues happening, sir. She's lost a lot of blood and still is, but we are doing everything we can to ensure baby and mother survive this."

Hours pass, minutes, eternity. The mocking ticking of the clock does little to lessen the incessant pacing Aventurine does with his leg as he sits, gets up to pace, then sits some more. Every possible scenario runs through his mind; none of them are positive. He can't help but think back to his cursed luck, to the fate that befell his family and now - you. His child. His flesh and blood and his hope for the future... would he even be awarded that chance? Or would "luck" take you away from him, too? Nearly stumbling over himself, a nurse comes to get him; her eyes dark, exhausted, and her face forlorn as a tired smile stretches gently across her face. "They are both stable now. Would you like to see your little boy, Mr. Aventurine?" ≫ Boothill ━━✥◈✥━━ "Well fudge me! Ain't no way it actually worked!" He spins you around in his strong cybernetic arms; ecstasy doesn't even do his own emotions justice in this very moment. The two of you looked at galactic doctors in passing, some promising the idea of conception as long as Boothill had some genetic makeup left on his person. Which he did: his head and his hair. Still, the two of you didn't put much stock into it but figured you might as well both try. If not, neither of you had any issue being childless or even adopting an orphan from one of the many war planets. Boothill, for as curt and reckless as he could be, always admired your enormous heart for children and animals who had no home, and no one to take care of them. So, when the news of that so-called galactic genius of a doctor managed to successfully combine both your and Boothill's genes to create a baby, it isn't several minutes before Boothill lets your feet touch the ground. Even so, throughout your pregnancy, he still doesn't let your feet touch the ground. Call it dedication to you, his spouse, but also call it a fear of losing his family again. Months pass by quicker than expected and Boothill always managed to talk with the growing life inside you every night, telling stories of the sister they could've had, how proud he was of them already, how much of a fighter they were gonna be when they managed to kick you a little too hard.

And so, when time passes by in another blur, Boothill's eyes are glazed over as he stares down at the tiniest little bundle swaddled in his arms. Tiny tufts of hair that resemble his fill her small head, eyes thar resembles yours. She looks up at him, at her daddy, and one stray arm lands square on his face until her hand squeezes at his nose. Boothill is speechless for once; glad his little girl is strong and healthy and reaching out for his face - the one part of his body he can still feel touch. He swears on every part of his being: it's not just you he has to keep safe anymore, but his new chance at being a father.

≫ Gallagher ∘₊✧──────✧₊∘

The enigma known as "Gallagher" has always perplexed you. Even when the two of you met; just who or what was he? A person? A former person? Or an amalgamation of dreams? He proves you wrong one day when he decides to travel with you to a worn-torn world for your work. As a nurse, you usually went by yourself, but for whatever reason, Gallagher decided to tag along. "It'll be nice to stretch these old legs and get out to new sights," he said. That was before the two of you were stumped: staring slack-jawed at the little boy who had smuggled himself onto your ship. He is a Halovian child; small wings flapping nervously out of shame as he peers at the two of you behind some shipping crates. Sighing, you reach down to his level, outstretching your hand and hoping that your demeanor will allow the child to feel safe with you. To your and Gallagher's surprise, the little Halovian rushes to you in a desperate hug, a familiar sound of sniffles and a dampness near the collar of your shirt. "Please! I have nowhere to go! I'm so, so, so sorry to have snuck on to your ship!" the boy sniffles, voice muffled by the fabric he buried his face into by your neck, "please don't leave me! I p-promise I'll be useful!"

'Useful'... a word Gallagher could resonate with, one that hit a little harder than most when he slowly began approaching the boy in your arms. Something changed in his demeanor then, large, scarred hand deciding to ruffle the boy's hair until the Halovian sniffled and peered up at him. "No need to cry, kid. We'll take you with us, alright?" Gallagher glances to you for approval and you send him a kind smile and nod. The young boy grips on harder to your shirt, thanking you profusely as you carry him off somewhere safe until you can go through the proper channels to adopt him.

≫ Jiaoqiu —————❖————— "Why?"

"Why?" "How could I ever be upset with you...? The only part of me that's upset is you thinking I wouldn't want you after this news." He wraps his arms around you, contented smile on his face. "If this is what you want then, yes, of course it'll be hard, but I'm willing to experience this with you." Your hormones are raging as you hug him back, fear slowly dissipating as the guilt for letting yourself fall pregnant when Jiaoqiu's eyesight and wounds were still healing. "I never thought an old fox like me could be a dad, heh," he mumbles, holding you just a little closer, "but I think I could get used to it... the word: 'Papa'."

Despite one of senses severely impaired, Jiaoqiu is still just as much of a mother-hen as always; ensuring you are taken care of, properly nourished, and resting when you need to. He uses the excuse each day that he "needs to check your progress" on the growth of your belly, but knowing he has little to no experience with pregnancy as a healer, it's quite obvious he's lying just to feel your tummy and bond with his little kit. Jiaoqiu will use text-to-speech books on pregnancy and parenting frequently, telling you all about the progress and changes your body is going through. And, for the record, he takes any mood swings and changes quite well; the reason is quite simple, too. He never thought he'd ever have the luxury of settling down with a family of his own and so, he cherishes every single moment of the process: good and bad. When you go into labor, he's immediately at your side. His Foxian blood can practically sense it. His instincts take the better of him and he refuses to leave your side for even a single moment; wrapping his tail protectively around you and nuzzling his face close to yours with a flurry of kisses and encouraging words. His hand certainly hurts when you squeeze it, but he doesn't mind. He also doesn't mind if you feel the need to scream; in fact, he encourages you to let it out if it hurts. Feeling the tears on your face and hearing the agony in your voice as you try to stifle your cries hurts him more than you know. But, oh... when the first cries of his beautiful child is brought into the world, he feels that familiar lump of emotion forming in his throat, his chest constricting. When you describe what she looks like, describes just how much she resembles him, Jiaoqiu breaks down. He apologizes quickly and tries to compose himself. But it doesn't last long when he's allowed to hold his daughter with your guidance.

When her tiny hands wrap around his finger, he knows... he knows that he's finally reached a point where his centuries of healing others has finally begun to mend his broken heart back together.

© morphodae (please do not insert any of my works into artificial intelligence programs or repost my works on any site)

[realian]

my biggest hope for the new Devil May Cry anime is that it doesn't lose what makes DMC so cool, which is the sheer brazen uncoolness of its characters.

Dante is a middle-aged man who is semi-unemployed and constantly late on rent because his shop is in the middle of nowhere and nobody knows what he does. every time he gets a job he destroys two houses because he can't help showing off to absolutely no one. he loves his mom, pizza, and strawberry sundaes. he doesn't smoke. he doesn't drink. he doesn't curse. his place of business is decorated with posters of scantily-clad women but as far as we're aware, he has never had sex.

Vergil is Dante's older twin by a couple hours whose superiority complex originates in how he's Dante's older twin by a couple hours. he spent his childhood reading William Blake poetry but doesn't understand it. he runs around with just a katana because he considers guns to be "cowardly." he has only had sex once in his entire life. this resulted in him becoming a deadbeat dad, but not even the archetypical "cool" kind because he is somehow convinced that Nero is Dante's kid. we have actual in-canon confirmation that if he wasn't part demon, he would be a melodramatic pretentious poetry-obsessed twink. Vergil abandons his pursuit of power not jusf for the sake of Nero but because Nero is his power realized - his legacy - the ability to protect loved ones without killing them. he loves Nero but will never under any circumstances admit it because he has the emotional maturity of a 12-year-old. instead he throws a journal of William Blake poems at him and jumps off a cliff.

compared to the rest of his living family, Nero is thriving. he has a job, a house, a wife, and several foster kids. when a suspicious hobo shows up on his doorstep he invites him in for dinner. he thinks Dante is his dad. Dante knows Nero is his brother's kid because he has never had sex. Nero is viewed by Dante as an incompetent child who needs guidance and protection despite Nero being a grown adult and being more mature than Dante and Vergil in every way and yet neither of them will ever acknowledge this. when Nero hears about Dante and Vergil's battle-to-the-death rivalry he decides it's stupid and shoves them apart like they're two kids in a playground brawl. he's the dad now. fuck you.

[honeydewandcake]

TW — Bullying, implied suicide, abuse

Recently read Takopi no Genzai (Takopi’s Original Sin) and wanted to make something inspired by it

I’m not going to make something based on the entire manga, but I did want to take the story of characters and put them on Sprout and Cosmo. I don’t really want to get too into detail since most information is already in the pictures

Sorry Fruitcake shippers, your favorite mlm ship is getting destroyed today :p

Below is extra drawings for it ↓

Messy sketch drawings to visualize what life is like for the two of them

Cosmo gets picked on the students in his class, mainly by Sprout. He always comes home bruised and dirty. Most of the time when he comes home, his mom isn’t there to greet him. Even as a young grade student, he started to think about dying. It’s unfortunate that such a young kid could be driven to such a state. Really, the only thing he has left is a stray cat that he calls his pet. If that cat disappears, he might actually be gone for good.

Sprout is popular in the class and is Cosmo’s bully. He calls him names and physically pushes him around. The things he calls Cosmo is very vile and not so school appropriate. No one tries to stop him though since everyone thinks it’s funny. Whenever he comes home, his mom is there. Although, on rare occasions, his dad will be home and he will be greeted by loud arguing rather than a hug. He learns his insults from them. He learns how to hurt others from them.

In Takopi no Genzai, the memory of Takopi brings Shizuka and Marina together and they become friends. In here, Takopi doesn’t exist, but I wanted to draw what it would be life if they did together again. Although not canon, I really wish they could have been friends.

This was just an experimental idea, don’t hate me for this q-q

I also don’t really want to continue this too much since it’s just a one off thing, but I might draw more inspired things. I’ll probably bring back these designs and lore, who knows.

[glisten-inthedark]

You wanna know what gives me confidence for Byler? The show.

That's it.

Because I promise you, if you watch the show objectively everything is there. You don't even have to look at camera angles, lighting, or signs that point towards closets, the information you need is there.

And it isn't even shit people made up (****** I'm looking at you, even though I ship it). It's there, I fucking saw it before even shipping it.

And at first, I assumed I was seeing shit. To be honest I mostly brushed it off, but when we found out that Will was gay and in love with Mike, it clicked.

My favorite mental exercise is: If Will was a girl, how would you perceive their scenes? All you have to do it's switch up their genders and it's not even up for debate because we all know everyone would eat that shit up.

I mean, a boy relentlessly looks for a girl in the woods, stays by this girl' side, tells her they'll go crazy together while touching her hand, tells her that asking her to be his his friend was the best thing he's ever done, fights with her but actually tries to apologize, then we find that said girl has been in love with her friend but it's lying so that this friend could be happy. Tell me that if this was the case there wouldn't be like 30000 fics of that couple on Ao3 and millions of people begging the showrunners to make them canon? Tell me, I fucking dare you.

And at this point I'm like a broken record but I am going to repeat myself.

WILL BYERS BEING IN LOVE WITH MIKE WHEELER does not make a difference to the plot. It doesn't.

He could have been gay and not be in love. If the life lesson was: "Will has to learn to accept himself as gay, and to love himself and understand he isn't a mistake" they could've done without the love. They could've given him exploring that part of himself in California, they could've presented another gay character that taught him that.

They could've fixed El and Mike's relationship without Will's love. We've seen them doing it before. Will could've helped by just being Mike's friend.

So can we ask ourselves this itsy bitsy question: Why make Will in love with Mike in the first place? Why make him say not once, but twice, that he and Mike could play DnD together for the rest of their lives which, if you're not good at subtext, means he sees himself with Mike by his side as long as he lives if all they're going to do is bring him more misery?

Because I'm going to be honest, with the way they wrote this love Will has, they literally didn't gave themselves a easy way out. They made sure we knew it was real, it was unconditional and that it would never change. We didn't make it up, they gave us that information with their writing.

So again, ask yourselves why that is.

Because whatever non Byler explanation I try to come up with doesn't make sense.

Queerbaiting? More like Bylerbaiting at this point considering Will is gay and again, he could've been in love with anyone else or not be a queer character experiencing love at all.

Make Mil*even stronger? It literally did the opposite, the ship is going down in flames and we all know it. Their relationship isn't healthy, El's arc isn't about romantic love and the painting which was the only reason Mike proclaimed the romantic love he doesn't feel literally came from Will.

So... Again. Why?

[eloiseyybish]

Touching on recent 9-1-1 fandom discourse, I think it's important to contextualise. You see, the thing is, I've typically in the past shipped non-canon ships, but they've taught me a lot about fandom culture.

Ngl, this kinda started with The Mighty Ducks (Charlie/Adam shippers rise) and keeps going onto fuckin Klance (I'm just mad about how the writers left Lance and Allura as individual characters regardless of their romantic status at the time) and Zosan (OPLA did not help this).

So I 10000% know what it's like to ship something and for it to never to be canon because that's like 95% of most ships (especially gay ones) in fandom.

I promise you...if Buddie doesn't go canon... you'll live. You'll still have the same fanon couple that you've worshipped for so long.

Just, please... stop the 'Tommy Bashing' fics just because he is hot enough to make Buck discover his sexuality (instead of Eddie). I don't have the energy especially when some people don't even un-tag Bucktommy with these fics. They still keep Buck/Tommy as the main couple even though all they're doing is making Tommy OOC and an asshole (idk I haven't actually read the fic because I muted the creator when I saw that's what they were doing)

This is all new to me.

Normally, I don't ship the canon one, but Bucktommy is cute, guys, and idk what to tell you if you disagree. There isn't a single interaction they've had (in canon, not fanon) to show you that they don't desperately want to know each other better.

My point is: YOU DO NOT NEED YOUR SHIP TO BE CANON FOR YOU TO SHIP IT. As a veteran, I'm so shocked at the entitlement of NEEDING your favourite ship to be canon because that's the only way it's valid.

Please, grow up and understand that things don't happen in this world just because you want them to. Canon or not shouldn't stop you from being able to enjoy the dynamic.

[alexanderwales]

One of the dominant models of magic and superheroes is that everyone has their "thing", what I would call a bespoke magic system, but is mostly just a power that sits orthogonal to all other powers. This crops up all the time, because it's really really good for having dynamic fights, for characterizing people through their powers, for having new surprises and twists, and just generally keeping things going.

It's adaptable to all kinds of genres. Superheroes are the obvious one, whether it's canonized as Quirks or just an aspect of the setting. But I'm pretty sure that the basic concept was first invented in anime, with marital arts settings, where every character had their own jutsu or whatever, or the system in theory is all about ki manipulation or equivalent exchange but in practice everyone has their own particular niche. You can slot this into urban fantasy, giving every vampire their own special Power, or you can have some magical fantasy thing where everyone has their own unique Semblance.

So this is all well and good, but it leaves us with a narrative hole, which is progression. Having a unique power is cool, because you can think of new uses for it, have unique matchups, etc., but it doesn't give you that juicy sense of becoming more, and if you're facing down terrifying villains with their own powers, then a god-tier power is just kind of ... random. Luck of the draw, rather than the consequence of a powerful will or keen mind.

You can strip out limitations and amplify effects, and this is cool and good, or you can lean back away from uniqueness and toward uniformity, which I think is sometimes the right call, depending on your narrative needs.

So you say that actually the guy who can swap places with someone and the guy who can cut people from a distance are both unwitting hyperspecialists in the same field of magic or whatever, and that in theory, with unlimited time to train and experiment and explore, each could do what the other does.

This allows for a lot of snazzy narrative stuff. Two intense rivals "learn" each other's techniques, or at least adapt them into their own technique. Maybe the guy who does teleport swaps never learns to cut from a distance, but his teleport swap incorporates a cut into it, slashing at the person he's trading places with. A widower incorporates aspects of his dead wife's power, a mentor passes down elements of his technique to all his students, a young protagonist has some angst about using the aspect he got from his abusive father, etc.

If powers are a reflection of character, then you get to physically manifest a character's relationship with other people.

[saintsenara]

Why Harry being short and frail (or even petite and delicate) past puberty is such a popular take these days? Sure, he is not bulky, but don't we know from Voldemort himself that James was tall and don't we know that Harry was exactly the same height as James during the final battle? Don't we know that Harry works out 3 times a week and is generally athletic? Is it the same thing that is happening with fanon Sirius or is it something different? Is it because he was short as a child and grew up in a cupboard, thus unlikely to end up like he did at the end of the series? What do you think about it? How likely is it? I keep seeing it in many slash ships and I am genuinely baffled. Is it me who has it backwards? Please solve this mystery, dear Asenora!

thank you very much for the ask, anon!

i think several things are at play, tbh - some of which are more understandable than others.

the first is that daniel radcliffe genuinely is short [for a british man, at least] - his height is given online as 165cm [or 5'5], but looking at pictures of him leads me to suspect that's an exaggeration - and was, unsurprisingly, even shorter when he was a teenager. many of the other actors in the films are much, much taller than him - especially people like alan rickman and david thewlis, both of whom were over six foot - and since the films inevitably influence how people picture the characters physically, the height differences we see on screen end up becoming part of that.

the second is that, while harry is described as "tall" in canon, that term appears to be doing a fair amount of heavy-lifting. numerous male characters are described as taller than him in both half-blood prince and deathly hallows - with the example which always stands out to me being the fact that fred and george weasley are said to "shrink" when they polyjuice into harry before the seven potters chase. fred and george - like charlie - are described in canon as being noticeably shorter and stockier in build than bill, percy, and ron. unless ron et al. are so tall that it would be thought of as really unusual - let's say above 6'6/198cm - harry probably isn't over 6'0/182cm tall.

thirdly, it's worth saying that what is meant by "tall" is culturally contingent. i've said that daniel radcliffe is shorter than average for a british man - and that's true - but his height isn't going to be thought of in that way in different parts of the world. similarly, there are parts of the world where describing a man who was, say, 5'10/178cm as "tall" would be considered quite strange - but i don't think the uk [where the average male height in 1998 was just over 5'8/174cm] is one of them. certainly, i picture harry as around that height [allowing characters like ron, sirius, dumbledore, and voldemort - who are all described as such - to be noticeably taller than him, but not so tall that their height would be considered abnormal], and i don't think it precludes him still being thought of as "tall" within the context in which he lives. but an author from, for example, the netherlands - where the average male height is 6'0.5/183cm - would probably think differently.

[there's a point about cultural contingency in the quip he makes about being short because of the cupboard too: i would read that as a dark joke which he doesn't actually think has any truth behind it specifically when it comes to his height, but which nonetheless expresses that the dursleys abuse him generally and this abuse has had a long-term impact upon him; readers from other parts of the world take it more literally.]

and finally, harry is definitely physically fit and - of course - works out a lot as part of playing quidditch, but both he and james are emphasised in canon as having slender builds - and it's also implied in the text that seekers are generally slim. harry doesn't need to be seen as any less sporty if we presume that he has the physique of a distance runner or triathlete rather than that of a sprinter.

however, there are definitely some aspects to the tendency for harry to be written as short and slender which do bother me a fair amount - and i do think that these have something in common with what we see with fanon sirius.

that is, that harry and sirius aren't written as short and slender because the author wants them to just happen to be short and slender. they're written as short and slender because the author wants them to be passive. their height/build is emphasised in the story in order to hammer this home - and it's often accompanied by them being assigned other aspects of physical appearance, personality, dress, or manner [especially ones which might be considered as "effeminate"] which, once again, aren't intended to communicate anything other than this passivity.

and - of course - in the writing of vast amounts of slash, any indication of passivity, submissiveness, or femininity - and the physical traits which end up equated with them - is taken as an indication that the character in question would be an exclusive - and submissive - bottom, who defers to the whims of their partner, an exclusive - and dominant - top.

and - unsurprisingly - topping ends up being associated with masculinity - and the personality traits and physical characteristics - above all a tall, muscular build - which are equated with that.

frail!harry seems to be most prominent - in my experience - in ships like tomarrymort, not so much because people really care about the implications of harry's characterisation, but because they're hugely opposed to the suggestion that characters like tom riddle would ever bottom [since - of course - they associate the act of being penetrated with femininity and femininity with weakness...]. great lengths have to be gone to, then, to emphasise that voldemort - or whoever else - is powerful and proud and authoritative and masculine and tall. and, for some reason, this is apparently incompatible with the idea that he might also like to get railed... which means that harry has to make sure nobody is in any doubt about who's the woman bottom by becoming as teeny tiny as he possibly can...

[lady-phasma]

Sometimes having a couple Art History degrees is useful when watching a series or, at least, makes things more interesting. I've been thinking about potential series canon for future seasons and how perfectly Assad's casting and Armand's updated/modified history can still fit with Andrei in the books.

The name Arun that they chose for him is actually a Hindu name, but his timeline aligns with the beginnings of the Mughal Empire in 17th century India. So let's assume they keep the artist theme for Arun (pre-Amadeo) like it was in the books, how perfect would it be that he converted from Hinduism to Islam before he left India? I envision illuminated manuscripts of the Qur'an that he painted and tracked down over five centuries later. Like these pictured below from past Sotheby's auctions, they exemplify Anne's descriptions of the religious ikons "not painted by human hands" even if Islam is iconoclastic.

Source

Source

Full volumes under glass, framed single sheets from long-damaged copies, I can picture so many versions of these illuminations that he might recover and deem precious simply because they came from a time that appears (to him in hindsight) to have more freedom than anything he knew for centuries later.

This part is pure conjecture (and a bit of hope): if his parents were Hindu, maybe he converted to Islam on his own. I doubt it based on his age at the time he was sold (15 years old in the series). But I would love it for him if, after centuries of forced belief in a system based on a response to Catholicism, he was able to go back to a religion that provides him some comfort. Anne wrote Armand as one of the more religious of her characters and I trust these show runners implicitly - I believe they will exceed my expectations. I need Armand to have something that is his, truly and completely his.

[dinarosie]

Unfair Comparisons (part 3)

Here are descriptions of two boys from HP books. It’s hard to believe, but Harry Potter fans claim that boy number one had a very tragic and difficult childhood, suffering abuse, violence, and neglect from his family. These hardships caused him to experience a tough and insecure adolescence, eventually leading him to join the Death Eaters under pressure. On the other hand, fans claim the boy number two is a racist and a professional killer, who in his youth tried to join the Death Eaters in order to freely torment Muggles with dark magic.

1- Regulus Black:

Beneath this was a collection of yellow newspaper cuttings, all stuck together to make a ragged collage. Hermione crossed the room to examine them. ‘They’re all about Voldemort,’ she said. ‘Regulus seems to have been a fan for a few years before he joined the Death Eaters ...“

He was younger than me, said Sirius, ‘and a much better son, as I was constantly reminded.’ ‘But he died,’ said Harry. ‘Yeah,’ said Sirius. ‘Stupid idiot … he joined the Death Eaters.“

2- Severus snape:

Suddenly Harry’s mind was teeming with memories that were not his — a hook-nosed man was shouting at a cowering woman, while a small dark-haired boy cried in a corner. …

Two girls were swinging backward and forward, and a skinny boy was watching them from behind a clump of bushes. His black hair was overlong and his clothes were so mismatched that it looked deliberate: too short jeans, a shabby, overlarge coat that might have belonged to a grown man, an odd smocklike shirt.

"Oh yes, they’re arguing", said Snape. He picked up a fistful of leaves and began tearing them apart, apparently unaware of what he was doing. "But it won’t be that long and I’ll be gone". "Doesn’t your dad like magic?" "He doesn’t like anything, much", said Snape. 

One of the boys sharing the compartment, who had shown no interest at all in Lily or Snape until that point, looked around at the word, and Harry, whose attention had been focused entirely on the two beside the window, saw his father: slight, black-haired like Snape, but with that indefinable air of having been well-cared-for, even adored, that Snape so conspicuously lacked.

J.K. Rowling: Well, that is Snape's tragedy. Given his time over again he would not have become a Death Eater, but like many insecure, vulnerable people (like Wormtail) he craved membership of something big and powerful, something impressive.

I love both Regulus and Severus, and I believe they were both brave boys who made mistakes and tried to make up for them by risking their lives. But there’s something in the fanbase that bothers me regarding these two characters. It’s that Snape’s story is erased from him and given to Regulus Black. I haven't found any evidence of Regulus being tortured or forced to join the Death Eaters, as described in the books. He willingly joined Voldemort because he was fan of voldemort. Moreover, according to Sirius, Regulus was well-liked within his family, and his parents not only didn’t mistreat him, but they actually loved him more than Sirius.

I’m tired of constantly seeing people say that Regulus was a saint while Snape was a sadistic murderer. I can’t believe people can read these lines from the books and still claim that Regulus was tortured with the Cruciatus Curse and abused by his family in childhood, which forced him to join the Death Eaters due to his traumatic upbringing. But Snape? Oh, apparently, he was born to be a racist, torturer, sadist, and murderer from day one.

Aren’t you tired of these ridiculous double standards? Aren’t you fed up with constantly insisting that fanfictions and TikTok videos are canon?

[nihtscada]

IM BACK BITCHES

part 2 of my previous deadpool post

he isn't actually "breaking the fourth wall" exactly. he doesn't know you're there for certain, he's just gone so insane he believes this is the case and he just happens to be right

he doesn't have a healing factor, it's more of a dying factor since his body is constantly in a state of death but keeps regenerating dying cells

he doesn’t have scars, that's the cancer. he's a walking tumor

he has a daughter with a slightly weaker healing factor but the payoff is she thinks much faster

CANONICALLY PAN! dated a non binary character called Valentine, even when he was first made he flirted with Cable and has called Thor hot. Plus, no straight man says anything like what he says to spidey

go forth and prosper, my padawans

RECIEPTS. PROOF. TIMELINES.

[lu-polls]

man ngl sometimes I’m tempted to leave wild off of the polls out of spite cause I think some of the votes are biased 😂

[raven-at-the-writing-desk]

People asking which one we get between Jack Skellington and Oogie Boogie, while I'm sitting here in a Comm class thinking "Why not both? Lmao". We all recognize them easily, so having it a twist(heh) of both, with Jack's being a hero character and Oogie being the main bad, could work out with how they actually are.

How Yana could go about it, idk, we'll have to wait and see. But honestly, am so fucking hyped for it. But what exactly do you think could be a possible plot idea or what do you think could happen in the event?

You can answer at your own leisure.

[Referencing this post!]

I don’t think it’s strange at all that people are speculating which character will be the one twisted. Yes, Fellow and Gidel were introduced as a pair, meaning that there is no limit or precedent set for there only be one new character revealed. However, it’s very clear that Fellow was the star of the show, as he has the stronger presence (and ended up getting the SSR as well). Ultimately, it does mean they end up being treated like a single character rather than individuals anyway. So really, I think most fans are still running on the logic that only “one” can be twisted.

The problem with Jack and Oogie is that they are both strong presences, neither dominating the other when it comes to being attention grabbing. Fellow and Gidel go together, but Jack and Oogie are opposing forces, not teammates, in their own story. This makes it hard to predict which of them will be twisted and makes it less likely they’d be crammed into the same card.

(ncbsbsvwjwheisn NOT GONNA LIE, I’m really hyped for a twisted!Jack Skellington… but a part of me is also really attached to my OC that’s twisted from Jack 🤡 That’s not to say that I don’t want a canonized one; I think I’d actually ASCEND if we got a twisted!Jack Skellington for real!!! It’s just that I wouldn’t know what to do with my OC after the fact 🤷‍♂️ Something similar happened with my Snow White OC when Neige was introduced in book 5 www)

A popular idea I’ve seen in circulation is another isekai plot where either the students go to Halloween Town or the Nightmare Before Christmas characters come to Twisted Wonderland from Halloween Town. I’d wager that’s a pretty safe guess! Like… they’re doing their Halloween parade prep and there’s a new character disrupting things. Maybe they’ll have to pull off a heist or kidnapping of some kind?? 🤔 It would be funny if the NRC boys had to help play matchmaker for a Sally and Jack/j Personally (and this is a stretch), I really would like to see some kind of casino or gambling element because I love those design details for Oogie’s lair. Not sure if it would make sense being a large part of the event story, but it would be cool to consider.