#and i cannot tell much difference

[darkwood-sleddog]

like i can just imagine already the frenchie people that will be bemoaning these crosses because they don't "vibe" with the "temperament" of the frenchie because they are "active" dog breeds. god forbid your frenchie can function as a dog but like....get a pet rock if you're so inclined.

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[lazycranberrydoodles]

getting back into the untamed and i had a thought. / follow for more yllz babygirlism

[def-not-kaz-brekker]

I hate it when people don’t take aromanticism seriously. I hate it when they say “oh it’s just a phase I also thought I was aromantic but then I got a partner.” It doesn’t apply to everyone.

Respect aromanticism as you would respect any other identity

[stuckinapril]

i literally have the bestest friends ever. like of all time

[kastillia]

[nemo-of-house-hamartia]

ok, once more I realize that my own kindness and friendliness has been taken for implied consent, and as always, the troubles that are brewing now are connected to OCs.

So let me be clear and frank one more time, one last time, because I have NO INTENTION of going through what I went through in 2021.

While I am always immensely happy that my Original Characters are enjoyed and that they can serve as source of inspiration, they are NOT however a template for anyone to base their OCs on.

They are not something that you can take in their entirety, change whatever suits you, and then call it your own.

It doesn't work like that, especially because, and allow me to reiterate this once and for all, OCs are *immensely* personal.

They are an extention of the soul of the person that creates them.

So taking whatever suits your fancy and use it for the "aesthetic" or the "vibes" is immensely disrespectful and, dare I say, rather impertinent, especially when both characters happen to belong to the same fandom.

Now, I am not talking about certain tropes and subjects that are typical of certain genre, of course not.

We are all somehow reinveting something that's already there when we work with OCs and stories.

What I am talking about is taking certain specific idiosyncrasies that make a certain character unique, change them to suit your character, and then being SO IMPERTINENT to just call it your own and parading it around without even having the courtesy to quote the person that has inspired you, taking advantage of the fact that I am just a small creator with a small following.

This is a huge No No for me.

Huge.

I appreciate that other creators might have a different opinion or perspective when it comes to OCs, and while I do not share entirely in that, I sure as hell respect it.

But allow me to be crystal clear: if this happens to me, like it had in 2021, that's the *easiest* way to lose all respect I might harbour for you, and I seldomly get mad or angry.

I am always accomodating, always supportive, and I think I have proven it aplenty in the past few years.

But this is something that I cannot condone nor agree with.

And it's not just a matter of ethic, in this sense: it's a matter of also hurting me, and literally put my whole creative process into shamble.

It's a matter of having respect of others.

Now, you might say: who cares if they hurt you? they are characters that do not exist, just move on and have thicker skin!

Well, as I said above, for when it concerns myself, my OCs are an extention of my own soul, a way for me to formulate and explain feelings that sometimes I have a hard time let out; a way for me to actually face, fragmentize and analyze my own trauma through them;

and most important of all, they are OFTEN a love letter to both the world I am exploring with them AND my own husband and child, such as in the case of Jacob and Dorothea,for whom, as I said often in the past 5 years, I have poured A LOT from myself and my husband's own story.

You could say that it probably my fault for having bared my feelings so much and poured so much of myself into a character;

And you might be correct, because I have learned my lesson, and ever since Dorothea and Jacob, no other character has been infused with as much of my own being as they were.

but that doesn't mean that it stings any less when I see it unravels in front of my eyes.

I am tired.

[julijbee]

i kind of miss when he had genuine beef with a 12 year old and wanted him dead.

[triglycercule]

horror having crazy irrational thoughts about food,,,,, like bro thinks there's poison in the cupcakes. someone snuck razor blades into the bread and once he takes a bit it'll cut him up. somehow there's mold growing inside the bananas and when he eats it the mold colony is gonna start growing on HIM and then he'll become a moldy skeleton and oh god and oh god and he is paranoid but hes so hungry.... BUT WHAY ABOUT BUGS IN THR FOOD,,,, BUT HES HUNGRY.... a struggle it truly is

probably doesnt help that dust and killer could feed into it. killer could make off hand remarks on how he snuck razor blades into the meat horror's attempting to eat (to fuck around with horror. just some eeeever so slight psychological anguish. and also because killer would just be the type of casually carry those around. what for you may ask well decide for yourself) and then immediately horror's mood drops and he storms out of the dining room. dust and horror go on a sweet little picnic in a beautiful field and its all beautiful and inconspicuous but dust made the food and horror knows that look in his eyes. horror knows dust was muttering something about chemicals a day or 2 ago. the food is poisoned isnt it??? and dust just smiles and motions for horror to eat it

[marisatomay]

I don’t know who needs to hear this but not being good with remembering NAMES is normal for human memory but humans are usually very good at recognizing and remembering the differences in FACES because it’s a survival thing so if you “just suck at remembering faces ahah” or struggle to tell people apart you might want to get that checked out

[justanintrovertedweirdo]

Spoilers for the new digital circus episode

THE NEW EPISODE WAS SO GOOD OH MY GOD AAAAAAAA!!!!!!! They totally teased us with that Jax angst, but it was still amazing! They better bring back Gumigoo in a future adventure. Man did not deserve what happened to him. He had his entire reality crushed and just when things were going well for him again, he got deleted. And of course it was Pomni who had to get close to him. My poor girl just can't catch a break. ALSO, THEY HAD A FUNERAL FOR KAUFO. THEY HAVE FUNERALS. I AM NOT OKAY. THE ENDING WAS SO FUCKING SWEET MY GOD!!!! POMNI HAS FRIENDS NOW AAUGDKDVAJSG!!! All it took was for her to get trapped in a digital hell hole. Good for her! Also there's a Kinger plush. I must have it. I need to cuddle him.

[caramelmochacrow]

"Beating so fast, seems like it'll burst..."

[atrustfulplace]

i have come to the horrific realization that jean moreau is literally y/n from a sold to 1D fic.

think about it: he is sold by his abusive parents to the mafia to pay off debts. he is than given to riko for rikos personal amusement. he is made to play exy with riko and the other ravens.

now replace mafia/ravens with 1D, exy with singing, and riko with harry styles. it’s the same fucking story!!

[doubleherbs]

cooper falling in love with annie is so poetic. its not a rebound or to fill in a gap but its "you have parts i have met in other people yet you wear it so uniquely charming, that they will remind me of you when im alone tonight instead of you reminding me of them."

[ween-kitchens]

you ever see someone complain about something in a game that makes you think they just don’t like the game itself because why are you complaining about that. that's universally loved and your complaint is that it 'could do more'. where is your whimsy

[superhell]

ok so it’s fully established that house has an incredibly hard time verbalizing his emotions (specifically the positive ones) due to a fear of rejection and a deep deep aversion to displaying vulnerability

which makes the incredibly few times he’s admitted to someone that he cares about them, well, incredible. to list every single time that i can remember off the top of my head here: 

instance one: he tells stacy he loves her directly before he goes into a coma.  the statement itself is undeniably romantic in nature. 

instance two: he tells cuddy he loves her after they hook up and she gives him a whole long speech on how she doesn’t want him to change. this is the culmination of years of dancing around each other. the statement is undeniably romantic in nature. 

instance three: he tells wilson their friendship means more to house than any patient

instance four: he tells wilson he likes him

instance five: i mean i can keep going. there’s wilsons transplant surgery there’s everything with amber theres just so much. anyway

all of which leads me to the conclusion that of the three people house has ever sincerely expressed affection for two of those are people he’s canonically in love with which means that the third one must also be someone he’s [gunshots]