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#and i hate that mentality a lot
softgrungeprophet · 2 years
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if comic artists don't stop drawing flash thompson with his pants inexplicably tucked into his fucking prosthetic legs i'm gonna start biting people
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canisalbus · 5 months
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I really appriciate how often Machete is depicted struggling and feeling like a burden, while still being loved and supported by Vasco. It gives the top tier angst of "i'm not good enough, I'm not worth it" but you frame it in such a way where it's clear that's just how he *feels* and is not how things really are, but also it's so nice to see someone who struggles quite often in a loving and unique relationship that suits them. The narrative of not being able to love or be loved unless you're consistently healthy is really tiring lol.
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gayvampyr · 2 years
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“queer spaces should be inclusive of people who don’t enjoy sex and who have “strange”, negative or repulsed relationships with sex” and “sex is an important aspect of lgbt community, history, and activism and queer people should be allowed and able to talk freely about sex without stigma or shame” are ideas that can and should coexist.
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laurapetrie · 6 months
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The delicious set, a Victorian Gothic colonnade made of candy sticks and white lace doilies, which floats in front of a pink cyclorama, never fails to win gasps of delight from the audience. Each divertissement is imbued with its own saturated color—from ballet pink (Sugarplum’s solo) to deep coral (Spanish Hot Chocolate) to ultraviolet (Arabian Coffee) to peach (Marzipan Shepherdess) to lilac (Waltz of the Flowers) to Balanchine Blue (Sugarplum pas de deux)—the milky midnight blue of a St. Petersburg White Night. “When we first lit it at the State Theater we had a call from Con Edison on the West Side,” says Barbara Horgan, Balanchine’s longtime assistant. “There seemed to be a surge consistent with our performances—the candy and all that. They could always tell when we were doing Nutcracker because we pulled so much power.” - Balanchine’s Christmas Miracle, Vanity Fair (December 2014)
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rancidjuno · 9 months
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“You misjudge me. I too care for my apprentice, but if their time has come..”
I saw the headcanon that Luminara’s master was Master Katri who was mentioned in Tales of the Jedi and was like omg!! Cute master for lumi!! Before realising that Katri died when Luminara was maximum about 13/14 years old, so my new hc is that poor Luminara was orphaned very early on in her apprenticeship and having to deal with attachment and loss so intensely and so young is why she is so “detached” later on with the very real possibility of losing her own apprentice. It’s not that she doesn’t care, she does - too much - but she’s a Jedi Master now and feels that showing that is wrong.
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rustytrident · 1 year
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seeing all these mixed opinions ab nightbringer and here i am giggling and kicking my feet cause we get to rizz up the demons all over again
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uncanny-tranny · 1 year
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You know, the simplest thing I do to maintain hope and also acknowledge my emotions is to add a "yet" to whatever I want to complain to myself about.
"I'm not done being angry... yet"
"I'm not ready to let this go yet"
"I'm not happy yet"
I definitely think it can be toxic to refuse to acknowledge negative emotions, but it can be helpful to remind yourself that there is hope and that negative experiences do pass. You don't have to "get over" negative emotions because it's a bad thing to have "negative" emotions, not at all, and please don't use this post to guilt yourself over negative or uncomfortable feelings. Just know... it's okay to be hopeful, it isn't foolish to wish for a good future for yourself
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spaciebabie · 10 months
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"but spacie, i have no followers why should i reblog things" let me answer this question using myself, a person who has been using tumblr for almost a decade now, as an example. pre 2022 the most followers i ever had was like 125. most of them were dead blogs. killed in the porn ban or just people who had left for whatever reason. out of the people left who were still active, i had like 3 people at the most interact with my blog on a monthly basis. for years b4 this, i had ZERO FOLLOWERS but upon making my blog i saw all the other ppl who had been using this website longer than me talking abt how important it was ta reblog shit, and throughout all these years on tumblr, even when i had no followers i reblogged things. b/c i understood that it was integral ta the way this site functions.
now mind you, just b/c i had no followers didn't mean ppl wouldn't stop by and reblog things from my blog. every couple months id have a new person find me and reblog something. maybe they'd reblog a lot of stuff! the point is that id go months without any interaction at times and i STILL reblogged things because i knew people could find me and see something they liked on here. eventually people who frequently checked my blog ta see what i would reblog followed me!! im sure there’s ppl who dont follow me that ta this day who still reblog the stuff on here!! the point is that it genuinely doesnt matter how many followers you have. sure, it certainly helps, but ppl can still find and interact with the things on your blog without you having thousands or even hundreds of followers. so PLEASE PLEASE PLEASE reblog things.
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transmechanicus · 22 days
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Rip to every trans person who did an initial Gender Affirming Wardrobe run as soon as they got financial/full independence and then later found out that those clothes don’t really fit their actual fashion sense or worse don’t fit at all😓
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joseigamer · 7 months
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Patalliro! is fascinating to me because of stuff like this. It's unapologetically gay - even within its anime which aired during primetime hours in 1982 - in a way that many later BL manga would never be, like the ones from the early 2000s which would never dare to call their characters actual homosexuals. Patalliro has actually aged quite well in this regard, there's something comforting about how campy it is.
#i still dont really understand how they got away with this kind of thing honestly#female VAs i get that - but first m/m kiss in an anime in episode THREE?????#theres also the maraich/thomas episode where they are *Both* voiced by women....advanced yuri#patalliro#i love how bancorans gender expression is pretty much explicitly to attract only bishounen#you blushed - so you must not be a girl#etc#i also love how joyful it all is#theres never anything sad or tragic about being gay - only that bancoran is forced to kill the bishounen spies/assassins/etc#when bancoran finds out that gay sex feels good after demian; in the manga he is elated. its basically a positive thing#he awakens to his true power...lol#also notable is that while bishounen youth is glorified maraich is 18#this means it portrays being gay as an adult as normal; not a phase relegated to nostalgic adolescent periods of time#according to the NYT japan's psychiatric body called homosexuality a mental illness until 1995#im NOT going to say patalliro changed that or anything lmao but its just significant to me that banmara get to live their lives happily#even raise children together in the manga....???#especially contrasting that with kaze to ki no uta and other manga of the time (no shade intended)#yaoi#<- for tagging purposes#obviously it also got away with a lot by being a gag manga. but still!#months later edit: want to say im not intending to moralize BL manga from the 2000s either. like gen. no hate on them.#as a gay person i just appreciate when characters who act gay are considered gay textually#and its kind of disheartening how gay-as-identity was treated as something incredulous in those manga a lot of the time#even the mere suggestion of attraction to men as a whole and not just the other male lead...yknow#this post is meant to praise patalliro for being unique in its approach to gay content compared to other titles#ive enjoyed plenty of 2000s yaoi titles despite their shortcomings lol#joseiposting#shoujo
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fly-sky-high-arts · 2 months
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I do want to talk about sharing art online from the perspective of a hobby freelancer but before that I'll just toss this tidbit I mentioned on my main
Reblogs are not numbers. Reblogs are meant to share and pass on artwork that someone may like. NO ONE is forced to reblog anything BUT it is a core of engagement in a space like tumblr. Engagement is what brings in interest after all and it's one piece of what makes it important for freelance artists here.
When you look at the numbers and the notes, we need to stop viewing them and comparing them with likes (me included) or total in general. It doesn't help.
Artists do self rebloging to both show or remind folks they've done some work as well as to nudge people to reblog their stuff. Tags are nice and comments in them are a nice way to engage too but passing on the work, especially to help someone to get noticed, is a good way to just work the site as intended.
It will always be about luck because we can't guess who wants to engage with what online. You also can't blame yourselves for this. Don't use the internet mentality of "content" (eugh!) and "flopping" and go about it that way. People find stuff I drew years back and find ways to engage with it now. It's really about luck.
There are things that can help but I'll go about it in another post.
One more thing. Don't be shy about "shilling". Advertise your open commissions, your patreons or ko-fis. I promise it has nothing to do with how big of an artist you are. Remember that you're doing that within your own zone so "bothering" followers is hardly the case, it's your house. Make a tag for it if it helps your mind. I say as someone with social anxiety.
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beanghostprincess · 4 months
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Usopp's constant negativity and anxiety are something useful and "positive" at the end of the day (eg: fight against Perona) because he doesn't necessarily need to change his views, he just needs to trust himself and his abilities more and he just uses what he has at the moment which is, you know, negativity. It is not something positive but it does keep him safe from danger and he will end up being proud of himself and stronger than he could ever imagine, but that doesn't mean he'll stop being negative. It's just another personality trait a lot of people have, and Usopp using it for his advantage is something great, I feel. He takes pride in being like that. He's loud and shameless about it.
Unlike Sanji, who dwells on his negativity on his own. Quietly. And lets it consume him without having any power over it. His self-sabotaging and self-sacrificing behavior often comes from a place of giving up out of fear of others getting hurt to save him because that's pretty much his core fear. Being a burden/Not being able to save the people he cares about from himself and his past. It's not something the manga shows that much in comparison to Usopp's negativity, but Sanji's pessimistic views are pretty much one of the reasons why WCI happens and why he puts himself in the worst situation in Wano.
And I think (this is why I'm writing all of this) that they're perfect for each other because Usopp could show him that being afraid and negative isn't something so bad. After all, at least Usopp is aware that if he can't do something, the crew will help him out no matter what. Usopp's negative, yes, but it's alright because he doesn't go through it on his own. Even if he does look shameless and "selfish" when desperately asking for help (he isn't, by the way. It's actually pretty reasonable to act like that). Sanji needs to learn to ask for help shamelessly too and he needs to stop putting all the weight of the world's negativity on his shoulders. They need to carry it together.
Like- There's just something so personal in Usopp going "Yes! I am scared. Frightened even. Please, help!" because he might not like that part of him and he's trying to be stronger and more independent every day, but he acknowledges that things can go south and his reaction is very fight or flight but pretty mostly flight to be safe. While Sanji's response is always to fight because he refuses to let others know he needs help in case something happens to them (and also because he feels ashamed of feeling weak). Usopp shares the responsibility and accepts that he's kind of a loser sometimes but Sanji refuses to do so.
This is just a thought about Sanji learning that being a coward and asking for help isn't bad because they're meant to do stuff like that, and Usopp growing to be stronger and independent but not necessarily stop being pessimistic because sometimes you just... Are like that. Sometimes you're scared. Sometimes you have anxiety. And that's alright. You can be strong anyway.
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twoheadedfather · 11 months
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list of symptoms for personality disorders (many disorders in general) are the absolute worst because, since PDs are so stigmatized, they're almost always like
signs you have x personality disorder😊 :
you are satan himself
you have killed 23 people
god doesn't love you
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jankwritten · 5 months
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Jasico Bingo Challenge: Boyfriend Sweater
When Nico walks into the dining pavilion wearing a golden yellow sweater, Percy does a double-take. Actually, it’s a triple-take: first, he thought it was a new Apollo kid, then he realized it was Nico, then he realized it was Nico. Wearing a color. 
Is the world ending again? Was there something really wrong with the milk in his cereal? What in the everloving Hades was going on?! 
Nico sits down at table 13, unbothered as ever, and pulls the sleeves of the hoodie up. It’s way too big on him, like Big Bird shed and some poor fucker decided Nico di Angelo needed the empty muppet skin in his wardrobe. 
(Is it Nico? Maybe some changeling creature kidnapped their resident son of Hades and has decided to take his place? Maybe Percy needs to go over there and test him out, y’know, knick him with some iron or something to see if he burns. If it’s an imposter, though, they’re doing a piss-poor job. Is it an intentionally bad job? Gods, it’s barely eight AM on a Tuesday, does he seriously have to go save Nico from somewhere and kill a monster wearing his face? That does not sound like his ideal Tuesday, if he’s really real. He’ll totally do it, but he won’t like it, and maybe he should start planning how to take out a creature like-) 
“I can see the mountain you’re building,” Annabeth says, popping Percy’s strangely detailed daydream of hunting down and killing a weird, half-Nico, half-demon gremlin creature. He blinks the image out of his eyes and looks up at her, her hip resting against the edge of his table. 
She looks amused. He squints. “Nico’s been bodysnatched.” 
“Mm, no,” she says easily, with a shake of her head. “Nico’s wearing a jacket.” 
“A yellow jacket.” Percy looks at the son of Hades again. He just- can’t wrap his head around it. He hasn’t seen Nico willingly wear a color since the guy was ten years old. “A yellow jacket that’s, like, twice his size.” 
“It’s a molehill, seaweed brain. A jacket’s just a jacket.” 
“But it’s yellow.” 
“What was your nightmare about?” 
Percy physically recoils at the non sequitur, tilting back in his seat incredulously. His- what? His nightmare? What does his nightmare have to do with a jacket, anyway, that’s got nothing to do with this. 
He folds his arms on the table and makes a face. “That’s unrelated.” 
Annabeth’s mouth raise at the corners, her eyes watching him like an all-knowing hawk. An owl, three-sixty vision and nothing but questions, who, who? 
She pets through his hair and pushes her weight back up. As she draws her hand back, she taps his cheek, then his chin, and says, “just leave him alone, then.” 
Percy watches her walk back to her table. When she sits, he buries his face in his arms and groans. 
“Jason has also been bodysnatched,” Percy hisses to Annabeth during pottery class. 
“What makes you say that.” She throws her lump of clay at the pedestal in front of her and gives Percy the same look she gave him this morning. 
Percy decides to ignore that look, because that is the look of reason and he is far beyond that now. “He was wearing this black jacket with, like, skulls in hourglasses and weird skeleton butterflies and shit during Latin.” 
“He is related to Thalia, you know,” Annabeth hums. She wets her hands as the plate before her starts to spin. “Maybe he’s going through the family goth phase.” 
Had she not just leaned in to start forming something magical and incredible out of clay, Percy would slouch over Annabeth’s shoulders and plead with her to at least consider that something weird is going on. Maybe it’s not bodysnatchers or changelings, okay, but something is strange! Jason Grace does not just decide to wear emo shit! Jason Grace once had a panic attack because the Aphrodite Cabin stole a pair of his jeans and cut them into shorts! This is a man who has a stricter sense of style than Nico, who, fucking hell, don’t even get Percy started on that. The yellow jacket has remained on all day and it’s haunting him. 
Annabeth dips her thumbs into the top of her clay and does not respond. 
Percy slumps down into the stool beside hers and huffs, more for himself than anything. 
Change is okay. Change is fine. But change like this, with no reason, is the opposite of fine. Change like this is a low-blow stink bomb in an otherwise perfect Capture the Flag game, impossible to get out of his clothes and his skin and his hair. Change like this is how people die. 
He claws his hands up into his hair and listens to the steady whir of the pottery wheel, the sound of wet clay being molded and shaped in different ways. There’s a lull of conversation from other campers in the class, kids from all different cabins, because to them this is any other day. 
Maybe this should be any other day to him, too. No, not maybe. It should be. This should be a regular Tuesday, full of regular classes with his regular friends who are ordinary in whatever ways they can be, but instead, Percy’s brain has to go and mix up everything, make everything feel- out of control. 
HIs next exhale shakes too hard for his liking. His shoulders are too tense. 
Beside him, Annabeth keeps calmly shaping her pot. She dips her hands into the water every so often, probably executing some flawless plan of action she drafted the night before. She’s not always delicate with her hands, with art like this - Percy knows that’s something she’s self conscious about. She never thinks she can be good at finer things. 
That’s normal. That’s normal for her. Ordinary, to think that Annabeth Chase would tackle arts and crafts in the same way she would a war strategy, devising the perfect approach for a flawless result. Executing it flawlessly. 
She pinches too hard pulling up the walls of the pot. It crumples, then swings off the wheel entirely with the force of it’s motion, splattering wetly across Percy’s arms and the other campers at the bench. 
Percy watches Annabeth glare at her failed creation. She sticks her hands in the dirty water to scrub the clay off, wipes her hands off on her shirt, and pulls on Percy’s sleeve. 
“I hate pottery,” she mutters as they rise together. 
Percy grins. “I think it knows that,” he teases, and follows as she stomps toward the exit. 
When the answer slaps Percy in the face, it feels more like a gut punch in the way it makes him breathless and off-balance. 
“You’re…huh?” 
Annabeth clicks her tongue. “You two couldn’t think of a better way to do this?” she gestures between Nico and Jason, standing awkwardly side by side as if they don’t know what to do with themselves. 
They’re still wearing the wrong jackets. Each other’s jackets. 
Percy makes a face, then realizes that might not be the best response to his two friends telling him their dating, so he tries to make a different face. 
The world’s not ending. They’re just…together. Sharing jackets, like couples do. 
“We didn’t want to make it a big deal,” Jason says. He keeps glancing at Nico and chewing on the inside of his lip. Nico, with the golden sleeves of apparently-Jason’s-jacket pulled over his hands once more, looks stubborn. Like he’s ready to fight about something. 
Percy wipes his sweaty hands off on his shirt and gestures, though he’s not sure at what. “But Nico’s wearing a color?” 
He feels more than sees Annabeth’s disapproving glare at the side of his head. Jason draws himself up, then seems to falter. His head cocks to the side and he shakes his head. 
“What?” 
“That’s a big deal,” Percy reiterates. “Nico doesn’t wear colors.” 
“Nico is standing right here, wearing a color,” Nico grumbles. He shoves his hands into the pocket of the sweatshirt and gives Percy a glare that is far more familiar than literally anything else happening right now. “I’m allowed to wear whatever I want to wear, for the record.” 
“But you don’t!” 
“Well I do now. If you have a fucking problem with it-” 
“I never said I had a problem with it,” Percy snaps back, immediately on the defensive. “I was fucking worried about you, you little shit, I thought something was wrong. I thought- I don’t know what I thought! I thought you two were swapped with some other versions of yourself, I thought you’d been- I don’t know- abducted by aliens, or fairies, or something!” He throws his hands up in the air, then drops them back onto his head, staring sort of at the middle point between the two of them. “You can’t do that shit and not expect- I mean, because, come on, guys, you’re you, you two fucking freak out if someone so much as touches your clothes. What were we supposed to think?” 
The hearth crackles. It’s too pleasant a sound for the sick Percy feels. 
Annabeth takes his hand, at least, and squeezes. His face burns with the shame of yelling like this, over this, it just feels so fucking stupid all of a sudden. He feels so stupid. Annabeth tried to tell him it was nothing, and he let it all get away with him, he let that nasty part of his brain win and win and win, and now he’s taking his losses out on them. 
“I’m happy for you two,” he makes himself say, when no one else speaks. “I think I just also need therapy.” 
Finally, Annabeth snorts. It’s a noise Percy knows, one he can ground himself with, same as her palm hot in his, her weight tilting into his side as her head bonks into his chin. 
The stress he’d held bundled up in his spine and his shoulders and his stomach all day releases in an instant. He slouches back in against her and laughs against the top of her head. 
“Jesus Christ,” Nico mutters, when Percy can’t stop himself, dissolving into a fit of hysterics over his own bullshit. “This is why I said we should just tell them. He’s laughing at us.” 
“I think he’s laughing at himself,” Jason says. He sounds uncertain. 
Percy hugs Annabeth tight, and laughs himself hoarse. 
EXTRA 
Nico stares at himself in Jason’s mirror, with the sweater hanging halfway down his thighs, sleeves hanging off his hands, the peak of his collarbone through the freaking collar. He narrows his gaze into a glare. 
“I look like a toddler,” he says derisively. 
Jason, still getting dressed himself, laughs. When he appears in the mirror behind Nico, looking far more proportional in Nico’s sweatshirt (which is frankly fucking unfair), his grin softens into a smile that’s- something. Sweet. 
Nico twitches his nose.  
“I look like I’m six years old,” he says, grabbing the hem of the sweatshirt and yanking down. “Why are we doing this.” 
“‘Cause it’s silly,” Jason says. He presses a kiss against the side of Nico’s head and hugs him loosely from behind. “You don’t look like a baby, either. You just look your age.” 
Nico looks down at himself. Maybe there’s a point there, a point to be made about how he dresses for practicality, dresses to blend in, but never to express himself. Maybe there’s a point to be made about how his discomfort isn’t really for how he feels about this, but how he thinks others will feel about it. 
He tugs at the hem again, and looks back up. Jason’s eyes in the mirror are bright, as if taking in the sight of Nico in his hoodie like this is something to savor. 
Nico likes when Jason looks at him like that. He likes how it feels to be looked at like he’s attractive. He likes how it feels to be wanted. 
“I guess,” Nico concedes, leaning further back into Jason’s chest. Immediately, Jason’s stance is more solid, sturdy, holding them both up as easy as breathing. He holds Nico like it’s a promise that he’ll never let go. 
He looks at the pair of them in the mirror, a cohesive unit rather than two separate halves. Jason in black is definitely something Nico wants to see more of, especially with the way Nico’s clothes fit snug over him, just a little tight at the biceps and chest. He looks good, not that he doesn’t look good otherwise. Different. 
With Nico his contrast in yellow…maybe it isn’t so bad. Maybe he likes being the counterbalance, even. 
Jason squeezes him again. Those damn eyes in the mirror are making Nico too warm, like his stomach is full of hot jell-o. 
“Okay, fine, let’s do this,” he huffs. The difference in his tone must be audible, though, because Jason perks up and grins, his eyebrows up, face aglow. Nico can’t look at him for too long. It’s still strange knowing he can make someone feel like that. He doesn’t know what to do when Jason turns the full puppy-love thing on. “And stop looking at me like that, you’re going to give me cavities.” 
“Okay,” Jason says in a voice identical to his expression. 
Nico grabs his hand and squeezes it twice. 
Jason squeezes back, so tight it aches. Nico’s heart swells with bright affection. 
Alright. Maybe yellow isn’t so bad, actually. 
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skitskatdacat63 · 8 months
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2023 United States Grand Prix - Sprint - Fernando Alonso
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oldirontender · 1 year
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hey guys whats up *gets crushed to death by a falling anvil*
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