#and it has a quote of the day section

[asteria-argo]

taking suggestion of what quote to put in my silly little gratitude journal for today. Begging for them in fact. Please.

[bilestat]

.

[prael]

Spectacle

Kinktember Day 11: Cuckquean

IVE Wonyoung and Liz x male reader smut

words: 6,118 Kinktember Masterlist

"I love you."

You love her too. That's a long-accepted fact, and you've told each other this a hundred times over. Sometimes it's casually told at the end of a phone call, sometimes it's in some romantic setting like when you're walking out on the promenade under the night sky, but in a way, these ones are the most honest.

It's a little bit special when those are the only words that come to her mind while she is cumming.

She's lying with her head against your neck, still shaking in pleasure. You would reply but you're so focused on grinding into her and you're so fucking close...

By this point, it's all become a little routine. Predictable, maybe. She gets home, you cook together, eat together, watch a film or TV show together, then one of you makes a move and... You get the picture. It's any old weekday.

So maybe this isn't what people would consider to be earth-shattering sex(fuck the critics) but she likes the feeling of your hips bucking and you spilling inside her. And you love the way she struggles for breath in between her moans before she does that same little squeal right before she cums.

These nights have all blurred a little into one. Tonight will become a little section on a page of many; a few lines that are not much more than a footnote.

Silence sets in once you untangle your limbs and lay beside her. Her head is pressed against your shoulder and the post-sex smell hangs in the air.

You look out your window over at the walled gardens on the other side of the river. It's as dull a sight to look at as always and there's hardly anyone out at this time but somehow you're content with looking at this view.

"So, do you think we should visit my dad sometime?" Liz asks out of the blue.

"I know I said I would think about it, but I was a little busy just now." You roll your head over to the side, sacrificing the river view for Liz's flush face. "What's this about?"

"Like I said, he's been asking." Her words trail off and she doesn't quite meet your eyes. She gives an awkward shrug of her bare shoulders, and then scoots over, snuggling up even closer. You give her back an appreciative squeeze.

"I can't do this weekend, busy remember? But we can go next week?"

Her hand stops circling your abdomen and she lifts her head from your shoulder to look at you. "Busy?" Her eyes dart around, searching your face for clues, but she just has to ask: "With?"

"My friend's birthday, I told you last week, and you said, and I quote, 'Okay babe, I'm meeting Wony this weekend anyway, have fun!'" You do your best-worst impression of her which earns you a jab of her fist in your side and a laugh.

"Oh... I'm always forgetting things."

"You work too hard." You cup her cheek and stretch your neck muscles to plant a kiss on her forehead. She coos and moves forward again, returning to her rightful spot snug on your shoulder. You slip your arm behind her back, and both of you lie there together in comfortable silence.

Liz moves her hand up from your stomach to your chest and starts circling her fingers over your skin. The touch is light and soft and very very deliberate.

"I have another question..." Liz eventually says, trailing off her sentence as though she's half lost in her own thought.

You bring your hand up to hers, hooking under her wandering finger and raising her hand, and then you lock your fingers between hers. "What is it? Something on your mind?"

"Am I good?"

"Good? Good person? Good cook? Good girlfriend? Good what?"

Liz laughs gently nuzzling into your body to hide her face and breathing hot breath over your skin. "Good... in bed."

"Oh thank god, I thought you were going to ask about your cooking and I'm not so great at the whole white lie thing."

She tries to punch you with the hand you're holding but you tighten your grip to stop her. "Not funny," she groans with a smile on her face.

She tries to turn her head into the pillow but you refuse to move or say anything until she looks at you. When she eventually peers up and matches your gaze you tell her, "You are the perfect girlfriend in every way," you tell her.

She exhales a short chuckle and raises an eyebrow. "Nice dodge," she tells you, unable to contain her laugh, and you laugh with her. "It's okay, I have a plan."

You pause, her words suddenly throwing you. "A plan for what?"

"You'll see."

She refuses to say anything more for the rest of the night, but she smiles at your puzzlement and laughs whenever you try to playfully nudge the subject. And you do notice that a slight smile seems to stick to her face all night, right up until she falls asleep.

***

Sunday evening transport is so hellishly unpredictable, so you're walking in the apartment door about an hour later than you planned, and about twice as stressed as you should be.

All of that washes away when you look at the girl who's been waiting for you to get home.

The scented (mostly melted) candles have been burning for a while and the smell of them fills the apartment. Not only has Liz picked out one of your favourite bottles of wine, but she's poured out a pair of glasses of it already, though they're both half-empty. And as you near it, the bottle is too.

"Hey, Liz."

"Finally! Welcome home," she says with a smile as broad as your confusion. "I've been waiting so long. So, so long." She's wearing a gown you don't recognise that's soft to touch when you hug her as she throws herself against you.

"Is this new?" you ask, touching at the silk hem.

"Of course it is," she answers quickly. "I was saving it, saving it until a special night. You know... Something special to break it out for."

She moves back in your arms, so she can have a better look at you, and she stares for just a few seconds before she leans back in, this time kissing you full on the lips. There's nothing soft about it. There's no hesitancy, and certainly no tenderness. This kiss is so firmly decided, so purposeful.

She purrs her words against your lips, "I've been giving it some thought, and, I know you would never say it, but I'm a little bit... vanilla, in the bedroom. And, I know, I know," she stops you with her fingers on your lips, shushing you with the tilt of her head and a flutter of her long lashes, "You wouldn't say anything because you love me too much and you're far too kind, but, this is for me too, okay? I want to be good, I want to try different things, exciting things, and this is the best way for me to learn."

"Liz. Liz. I've barely walked in the door and you're throwing this at me. I need a minute."

"No, don't think, we've been waiting so long for you already." Liz is pulling your arm toward the bedroom door. Her soft touch and your own burning curiosity have you willingly in tow.

"We?"

She's smiling the wildest of smiles over her shoulder as she pulls you along. Your heart beats a little harder in anticipation of what lies ahead, and even more at the look of sheer excitement and determination on her beautiful face.

You dropped your bag somewhere in the middle of the room but you hadn't even taken off your shoes before Liz is bundling you through the doorway.

"This is Wonyoung."

Why the fuck is there a girl in your bed?

"Wait. I know. It's weird right?" Liz sounds giddy, almost frantic. She bounces up to you and pulls on your arm until you stand right alongside her, peering down at the young woman in front of you. "You know Wonyoung, right?"

"Of course, I know one of your best friends, but why is she in our bed?" You turn and look at the girl lying there with a similar silk gown over her body, from her neck down to just below the knee. "Sorry, no offence, but I have no idea what's happening right now."

Wonyoung doesn't react but instead chooses that moment to rise. She is sitting with her hands folded on top of her legs. She tilts her head and examines you carefully, with an unmoving gaze that's almost more uncomfortable than the two of you hovering over her.

"It's fine." The deep smooth voice cuts through the silence like a hot knife. Her voice is as cool and calm as you expected, not that you're all that familiar with it, you have only met her a handful of times.

"Liz?" you ask, turning to her again.

"I want to watch. I'm going to watch," she blurts out her response before falling silent.

"What?"

Liz exhales softly, then draws in a steady breath, steeling herself, as her mouth curves in a trembling smile. "I was talking to Wonyoung, about... things. And, well, we were talking, and I guess maybe this idea just sort of popped into our heads. I couldn't just dismiss it. And I've had this fantasy. And well Wonyoung, it's been a while. And you, I want you to. And I can learn." Liz is talking far too quickly and doesn't finish a single sentence she starts.

"What she is trying to say," Wonyoung cuts in with her voice sharp and full of cold steel. "Is that we have come to a mutually beneficial agreement."

"Arrangement." Liz chimes in with the correction.

"That I will," her eyes drift, flickering and moving over both of you, "join you both, for a while, in a few different ways. What Liz is trying to explain is that, well, to be frank, it's been a while for me and I would appreciate some good sex. As for Liz here... It just so happens she has a bit of a fantasy about this whole thing too."

"Yeah, exactly." Liz cups your cheeks and kisses you gently. "It's completely up to you, of course." Her hands rest at the back of your neck and she closes her eyes, resting her forehead against yours. "I love you."

Your hands are hanging idly by your waist. This woman sits on your bed and your girlfriend clings to you, asking you to fuck her. 

"Okay." A single word while your heart is beating hard with anticipation. You reach to Liz's waist and pull her flush against you and plant your lips against her soft supple skin.

She giggles with delight and puts a finger under your chin, tilting your gaze up. "So... We're really going to do this, huh?" Liz leans in, eyes flickering over your own as you exchange a final look. You feel her warm breath just a moment before the warm touch of her lips, pressing against yours, melting your resistance and hesitation, while sending warmth through you, easing you into acceptance, as the idea begins to cement itself in your thoughts.

There's a rustle of sheets as Wonyoung climbs up behind you and presses herself against you. "You're already late," she whispers behind you. "Don't make me wait any longer."

Liz leans away and her delicate fingers ease open your shirt, undoing each button in turn.

"Don't hold back. I want to see you give it to her." Liz takes your hand, giving it a reassuring squeeze, "Please, babe." Then she takes a step back, towards the chair that you're just now realising had been moved from the corner of the room so it had a close view of the bed.

Wonyoung pulls your shirt from behind, dragging it over your shoulders and down your arms. She follows the fabric down your back with a series of gentle kisses over your spine. The light tickle and feel of her hair drag over your skin, as she tugs the shirt free of your wrists.

"Liz..." You look over to your girlfriend who is staring with a grin on her face. Her eyes follow every single movement that Wonyoung makes as if studying them, examining them, processing them.

Wonyoung tugs the shirt free of your wrists and discards it. Her hands immediately reach over your chest and drag downward, making no secret of the way that her little breasts under the silk push firmly, and delightfully, up against your back.

Her nails drag over your skin until she hits the waist of your trousers. Delicate fingers, so precise in their movement, make quick work of the belt buckle, the button, and the zip. All without pausing, all without hesitation.

Under the dim light of the evening, Wonyoung pushes your trousers, and underwear, free from your hips. Down, over your ass, dragging them down your thighs. The cool air passes over your body, and you look to Liz for affirmation.

She smiles and she nods, waiting for what comes next.

Naked, and vulnerable, you're standing before her with another woman wrapped over you. Wonyoung reaches around you with both hands, she takes one confident grip of your still-limp length, and her other hand just a little lower onto your balls.

Liz's eyes light up at the sight.

"Not hard yet. Nervous?" Wonyoung's question is a tease. Her voice, velvet and silky, is whispered into your ear. The smell of her perfume is subtle, but the floral, womanly scent is unmistakable. She moves her hand in a light grip over the base of your cock and moves it slowly, methodically, and without the urgency you might've expected.

"Maybe..."

Wonyoung releases a silent giggle against the skin at the back of your neck. "Just wait..."

You look at Liz and her hands clamp tight over her knees as her breathing visibly hastens, matching your own. Her attention is fully, single-mindedly, upon you, with you, but there is no doubt about where her thoughts and her emotions lie. She's excited. In the comfort of seeing that, so are you.

"There we go," Wonyoung whispers. Her hands work leisurely over you. And yet in no time at all, you're rising in her grip. Stiffening. Aching for more. Your focus is on the sight of the only woman you have ever cared for, but the feeling of someone else's hand on your cock as you watch her is as strange as it is exciting.

She massages with both hands, always rhythmic, always steady. "Liz, do you like to suck cock?" Her question comes out smooth, and refined but pointed.

Liz glances up at you briefly, then down between her knees. She gives her answer as a nod, looking a little timid as her hands tighten their grip even more and her nails start to press into her knees. "I like the way his body reacts to my tongue." She glances up once more with a satisfied smile.

"That's good. And he likes it too?"

"Yes," you both say it at the same time.

You shiver as Wonyoung plants a long trail of delicate, wet kisses over your neck. She draws back her hand and leaves you there, cock stiff in the air. She walks around you slowly, finally that pretty face of hers coming into view. Her dark brown hair falls over her shoulders, the locks blending into the black silk of her gown.

She places both of her hands on your chest and stares right at you, no ounce of shyness or reserve as her piercing eyes dig deep, threatening to carve a hole clean through you.

"See something you like?" she asks. "Liz, if he is so hungry looking at me now, can you imagine what his expression is going to be like once my robe is off?"

Wonyoung rests the tip of her tongue on her lower lip, using it to moisten the pillowy soft, glossy surface. Her fingers rake down your chest as she drops elegantly, slowly to her knees and smiles up at you with those shiny red lips.

"May I?" she asks.

You take in the sight of her, kneeling before you, her lips so teasingly close to your tip that each of her soft breaths kisses it. A lustful, indecent twinkle in her eye.

You force a glance over to Liz, to which Winyoung immediately reacts, "I'm asking you, not her."

And all of the reasons to hesitate are just evaporating.

"May I suck your cock?" she repeats. She remains perfectly, unnervingly, poised on her knees.

"Yes. Suck my cock, Wonyoung."

Your breath catches. Your whole body shudders as she runs the warm, wet flat of her tongue up the underside of your hardness. Her gaze never falters. Wonyoung purses her lips, before lowering herself in her elegant descent, and letting her tongue slide around you as she sinks into the first of many bobs of her head.

Liz shuffles forward on the edge of her chair.

Wonyoung takes you deep, so deep, without so much of a gag or splutter. Her dark, doll-like eyes stare straight ahead, as she swallows your cock with her luscious lips and warm mouth. The warm and wet envelopes you so wholly that you can't stop yourself from hissing a groan of approval and you feel her mouth tighten its grip with a devious grin.

Liz squeezes her bare legs together.

Wonyoung braces herself on your hip, wrapping the other hand around your thigh as she rises and sinks back down again, again, again. Each time she gets a little quicker, a little stronger.

It's so different to when Liz does it. She's normally so playful with her tongue, and she doesn't take a lot of it inside her, but Wonyoung seems to have this sole fixation on drawing you deep into her. The very back of her throat greets your sensitive tip.

The muffled moans that roll from her throat vibrate around your shaft, and her tongue eagerly rolls all over your every inch. Her deep breaths get heavier, and her suckling becomes sloppy and wet. You're getting weak at the knees.

Wonyoung finally releases you with a short gasp and looks up at you with glassy eyes, "Fuck," she groans out before spitting over your shaft.

She clasps her hand over the head and grips you tightly, stroking up and down the length.

You don't dare to tear your gaze from the stunning, lewd woman staring up at you.

"Tastes... Mmm. So good, so good." Wonyoung whines her praise out between kisses and flicks of her tongue on your tip.

Your hands twitch and the instinct to sink your fingers into her hair is a near-unstoppable urge. You gently thread your fingers into her long, silken tresses, and gently grip them. She lets out a satisfied gasp and then says to Liz, "Look at that. See how much he wants me?"

Your gaze shoots over to Liz. Her eyes are transfixed, focused on Wonyoung's tongue, wrapped around the head of your cock. Her breath shudders, then slows.

You pull Wonyoung's head down while staring at your girlfriend. If she wants a show, you'll give her one.

A quiet sound escapes her, and then a sharper inhale, but still she shows no sign of objection. On the contrary, the pleased hum that emanates from her mouth drives you wild. It encourages you. You rock your hips forward, slamming past her lips and prodding against her throat. Your lust swells alongside your confidence.

"Good girl." You know how much Liz likes it when you're the dominant one, she often teases you in conversation about how it's hot when you tell her what to do and you notice her breathing become hitched when you whisper dirty things in her ears.

Wonyoung says nothing but moans her appreciation and rewards your command by relaxing her throat and letting you use her.

For a while you use her, over and over until you're right on the edge, Liz looks practically ready to jump out of the chair, and when you check on Wonyoung, her face is a mess. Tears streaking, saliva dripping. She's taken every last drop of this beating with nothing but an overwhelming desire to serve you.

She opens her mouth and sticks out her tongue. The desperate submissiveness in her act brings you that step closer, "Cum, cum," she moans out between deep gulps of air. "Do it. Give it to me."

She's holding your cock in her fist and pumping it towards her face. With the first hot jet of cum, she cranes forward and takes it onto her eager tongue. She looks up at you as if urging you to keep going, to fill her pretty mouth.

Liz gasps audibly as you empty the contents of your balls into the sweet girl's waiting mouth. Wonyoung does nothing but accept what you're giving.

Your girlfriend just watched you blow a load into the mouth of her friend.

With each spurt into the soft, receptive touch of Wonyoung's inviting mouth, Liz squirms on her chair, her tongue playing on her lower lip.

"That's so hot," she strains to say through heavy breaths.

Wonyoung swallows all of it without instruction and then cleans you off in the same eager fashion that she sucked the load out of you.

"Hey Liz," Wonyoung croons in that smooth, velvety voice, while kissing along your thighs, her breathing quick and light on your damp skin. "You should have invited me sooner. I can think of a hundred ways to fuck this cock."

Wonyoung sweeps her damp hair from her face. She presses her forehead to your thigh, collecting herself. You can feel her taking deep breaths through her nose against the skin of your thigh.

"Show me."

At that, Wonyoung glances at Liz in genuine surprise.

"Show me all of those," Liz pauses, and takes a moment to collect her words. "All of those ways to fuck my man. Please show me."

"Okay, Liz, you just sit there and watch me fuck your man." Wonyoung's lips are sticky with your cum, glistening and tempting in the low light of the room, the remnants of your seed on her chin are even more provocative, as Wonyoung tilts her head and reveals a gorgeous neck and collarbone that draws your attention. "Well?" Wonyoung continues, extending her hand, "Help me up."

"Of course." You reach for her, eager and so, so ready. You pull her to her feet, and into a heated kiss, a little rougher than you should, but she doesn't mind. You lean down, slipping your hands around her thighs and then up to her ass, lifting her against your body.

Wonyoung squeals as you take three steps towards the bed, toss her over the edge, and then stand over her. Her gown has fallen open, framing her petite, naked body in the centre of your bed. It takes no time for her to move back, propping herself up on her elbows, and then giving her body a delicious stretch to emphasise her every feature. She sits there, spreading her legs, knees parted, showing you her bare, wet pussy, flushed and exposed.

"I want you over me so badly. Pushing my legs up over my head and fucking down into me. But not tonight. Tonight I'm going to show Liz how to ride a cock. Would you like that?" The lust in her dark eyes shines, not for you, not for Liz, but for the moment, the experience, the power that Wonyoung wields right now.

"Yes," you whisper.

"Good." Wonyoung raises herself, rising to her knees to look up at you, leaving a lingering, open-mouthed kiss on your lips before peeling the gown off of her shoulders.

In a small, feminine pile, it gathers on the floor. Then she flaunts herself, not so much in an exhibitionist way, though she certainly has every right to, but more of someone who enjoys being admired. It's not just because her body is fucking stunning, but it sells such a sinful promise of how good it's going to feel to fuck, and she knows it.

You hold her waist for that simple purpose. Hands over her narrow body, soft skin and toned muscles underneath. For her part, Wonyoung extends one delicate arm so that she may brush her index finger over your jaw, just making that familiar, if chilling, grazing over your skin. You slide your hand down between her legs and press a single finger inside her.

"Mmm. Don't be afraid," she purrs.

You stroke her smoothly. Two fingers, twisting them, delving into her as her insides react, tightening, dampening around your teasing invasion.

"Already getting me so worked up, and poor Liz over there is being so well-behaved."

"Hey!" Liz laughs playfully. Her playful laughter trails off when Wonyoung's voice lowers, and the erotic, needy sound in her tone builds.

"Lie down, let me show her how it's done. Look at me. Watch me."

Immediately, you melt away. Back to the bed, to the cool feeling of the sheets under your skin. The quiet anticipation, and the expectation. With languid grace, and without her body ever seeming to interrupt its soft, almost perfect curvature, Wonyoung climbs over you. She places one knee on the bed, then the other. A hand on your chest, then the other. The weight of her, what little there is, pressing you down until the moist heat from her lips finds your cock.

She presses your length flat against your body, the lips of her pussy holding it in a long kiss that she gradually eases over your shaft. Grinding back and forth, you watch as your cock disappears under her as she comes forward, only to drag herself back down against it.

"Feel that?" Wonyoung pants quietly.

"Uh-huh," you hum.

"Feel that warmth, that slickness sliding around you. Imagine what it's going to feel like inside, hmm?" She coaxes a twitch out of you as you do exactly as she says.

Her tight abs roll into you, followed by the press of her thighs. Hot and clasping. Higher, her bare chest bears a pair of hard nipples on her little perky tits. Higher still, her face twists in expressions of pleasure, the delight in her shining eyes, the rapture etched across her face. Her lips tremble as something threatens to escape, whether a whine, moan, exasperated breath or a request for something, she never vocalises the sound and it remains nothing more than a sensual promise of a good time ahead.

Wonyoung slows to a stop and throws her head forward, putting her hands on your shoulders. You place yours at her legs, watching her close her eyes, drawing her lower lip between her teeth.

"Feel how wet I am?" Wonyoung moves her hips in tight circles and she struggles to hold back her whimpers. Her warmth flows out of her and over you. "That's me, getting turned on at the thought of having this inside of me," she whispers. She rocks herself again, this time drawing out her whimper.

"God. Fuck..." You gasp and groan. You want this. Need it.

Wonyoung lifts and turns your cock until your head prods against her tight and needy pussy. She pauses to look to the side, her hair falling over her face but you can make out a grin, that very sly smile as she tilts her head towards your girlfriend, no doubt appreciating her breathless arousal.

"I'm going to ride your boyfriend's cock now. Cum all over his cock. Make him cum inside me. How does that feel?" Wonyoung moans softly, tipping her hips up, down, and over again, toying with the head. "Mmm, you like the sound of that, don't you?"

Liz is gripping the arms of her chair, not saying a thing. She just whines with agitation, kicks her feet out and stamps on the floor.

Then, Wonyoung gasps with relief. While your head was turned, Wonyoung surprised you by drawing the tip of your cock into her. You snap you're attention back to her as she settles around your cock. Where her throat was so accepting, her pussy is decisively not. It's so fucking tight that she struggles to take much of you in at first. Such small movements over the tip, tiny motions that rock her. And yet the sensation is something that could, and does, unravel you in an instant.

You're powerless to resist as she takes more and more of you into herself with each and every drive back down. Each little push, deeper inside, the further apart her thighs, and the deeper she descends, pushing herself, forcing herself, upon your cock.

You hold onto her ass, guiding her every bit of the way, rocking her rhythmically back and forth. Deeper, harder, tighter, she stretches, accommodating you until you reach as far as her tight walls will allow.

"You're gonna ruin this pussy." The sultry voice and the crude declaration cause another tremble out of you.

At that, she places both hands on either side of your head, palms flat on the sheet. Her pretty face is so close, just bobbing slightly as she fucks you. She pants heavily, her small, round breasts quiver and bounce up and down in front of your eyes.

She stays like that for a while, fucking herself on you, telling you all sorts of sweet nothings. "Gonna ride that thick cock. Love it so much, feel so fucking good." All the while, her perfectly tight ass is in your rough hands as you knead it and pull it wide.

Eventually, she throws herself back, breaking the intense stare, and making herself a spectacle again. She leans back, far back, her hand behind her for support, and gives both of you a show. Those slender thighs shake just enough to send you crazy each time she slaps them down against your waist. Her cute, shapely tits bouncing and jiggling.

"Fuck! Liz! You lucky girl! Mhm!" You're squeezing and palming her thighs roughly, fingers into flesh. Pulling her down hard, trying your damnedest to force her even tighter against you.

"Sfucking hot," A filthy compliment that is rewarded with another gasp of arousal and a short burst of bouncing as desperately fast as she can.

She slows to a crawl again. One leg moves off you, and then her hips swivel and the movement on your length is breathtaking. She's sideways on you now. One leg between yours, and the other stretched out over your body, her foot by your face.

Wonyoung is looking right at Liz now. "Watch me cum on your boyfriend's cock."

You're holding her by the leg she has over you, and you're using it as the leverage you need to buck into her while she works the lateral movement. The bed shakes and protests under your exertions. Wonyoung pulls her hands behind her neck, scooping up her hair and holding it up, so every inch of her body can be seen.

"Look. Look, Liz." Wonyoung lets out a guttural moan. A throaty, visceral noise of climax catching you off guard. You keep rolling your hips, taking in the way her body tenses and tightens and she trembles all over. "Cumming. On your. Boyfriend." She barely gets the words out as her head falls backwards and you can't take your eyes off of her, or the way she spasms on your lap.

She struggles to keep up the pace and rhythm but still tries her best, her resolve amid an orgasm is worthy of respect. You move her, this time, hands on her waist and twisting her so she faces away from you. She allows you and gasps in delight the moment you reposition her, her hands reaching for your thighs.

You continue the thrusts, with Wonyoung content now to take the punishment. You fuck her in a steady, thumping motion, the slap of skin against skin loud and ringing in the air. Her ass is marked red, compliments of the tight squeeze you had on it earlier. Her taut little cheeks bounce and shake each time you slam into her. Her own whiny moans and squeals mix and add a new melody to the atmosphere.

Wonyoung is nothing but moans now, one orgasm just cascaded into the next, and she shows no signs of stopping. Every now and then her sounds break through, becoming cries. Each time they do, you follow it up with a series of rapid slapping of hips. It's all you can do, just to keep yourself going, chasing that elusive climax that the three of you so desperately want.

Liz is fucking losing it. She's squeezing her thighs together. Grinding. Dancing in her chair. Her fingers, her knuckles, are white with strain as she holds onto the chair for dear life. She's making squeals and gasping moans too—she wants to cum so bad. It is as though her pussy is squeezing on nothing, you can imagine just how needy and wet she is. How painful it must feel, not being able to have that satisfaction that you can give Wonyoung.

"Yes, yes, yes!" Wonyoung wails out her climax with such intensity that it actually leaves her voice a little hoarse and you can't hold it anymore, you have to follow her lead. You have to cum.

So you do.

Wonyoung drags her nails across the skin of your legs as you reach that tipping point and pump a thick stream of semen into her. There is more and more, and she takes it all greedily as if there's no limit. As if she'll never be satisfied.

You let it all out, pump her full of hot, thick, semen. The release is enough that, for a while, you blank out the world. Nothing matters but the overwhelming feeling of pleasure.

Consciousness returns with you lying limp on the bed. Your head rolls to one side and you struggle to stay focused. You gaze down past your feet where Wonyoung lies collapsed, the exact same way as yourself. Still, you watch, and try to keep focus, and you do because when Wonyoung awakes she lifts her head, a sheen of perspiration glistening and flowing in droplets from her dark, silky hair and down her face, streaking her skin and flowing over her red cheeks and flushed lips.

The combination of both exhaustion and arousal as Wonyoung catches her breath causes a wonderful sight before she meets your own exhausted gaze and that smile of hers, all pearly white and perfect and so damn alluring.

"Fuck! I have to! Fuck!" Liz is rampant now, her hand reaches in between her own legs and then her legs are spread apart and you can see her furiously fingering her own pussy, the motion of her whole arm trembling and shaking. Her pussy is wet, and gleaming. And the fingers in it move and dive deeply. "That was the hottest fucking thing... I need to... Cum..."

Wonyoung supports the side of her face up with her fist, a grin on her features as she watches the way Liz acts like she's going insane, out of her mind, she just needs the cum in the worst way, the urgency apparent from the way her fingers disappear, pumping into herself.

Wonyoung starts crawling up you, to rest on you, while transfixed on your girlfriend pumping herself into oblivion. "Oh, Liz, that is beautiful," her eyes light up as she comments, "Now imagine the feel of it... His cum leaking out of me right now. Because he fucked me and not you."

That's what sends Liz spiralling over the edge.

Liz's body twists, writhes, shudders and convulses in orgasm. It's almost hypnotic, her thighs squeeze together so hard that her hand must hurt, but she just goes on and on and on, never easing, and it leaves a hot, sticky mess all over the chair and her fingers. You watch as she rides those waves of blissful gratification, all over a set of digits that aren't nearly enough to satisfy, not even for a moment.

Wonyoung brings her lips close to your face, hot breath washes over you, and she whispers quietly into your ear, "She's going to want this again, you know? Look at her, you even seen her cum that hard?"

"No, I haven't."

"Then me and you? We're going to be having a lot of sex."

[gothamcityneedsme]

Tbh it will always get my goat that me:a doesnt have the attention it deserves and that no one talks about it on a deeper level or examines the characters etc. like even the wiki pages suffer with like basically no info.

[vaspider]

Measure 110, or the Self-Fulfilling Prophecy

So if y'all aren't local to Oregon, you may not have heard that the Oregon state legislature just voted to -- essentially -- gut Measure 110, the ballot measure which decriminalized all drug possession and use in the state. It turned all drug use into a citation instead, and the citation and fine could be waived by completing a health screening. The entire point of Measure 110 was replacing jail with health care and services to help people instead, and while I could probably write a very long side post on the imperfections of that approach, it was at the very least a move in the right direction after decades of the pathetic failure and absolutely racist mess that is the "War on Drugs."

You may hear this pointed to in coming years as a reason why we have to just throw people into jail for using drugs, because Measure 110 failed. And like... it did fail, kinda. Sorta. It failed in that it did not manage to fix everything immediately, and it created some new issues while also exposing older issues more sharply.

It also saved the state $40 million in court costs prosecuting low-level drug offenses, kept thousands of people whose literal only crime was putting a substance into the body of a consenting adult (themselves) out of jail, put at least one addiction services center in every county in the state, invested $300 million in addiction services, and an awful lot more. See the end of this post for more reading.

But where it failed, it failed because it wasn't supported. Police and advocacy groups both asked for specific tickets for this new class of offenses which had the phone number to call to go through the health screening and the information about how going through that health screening would make the ticket go away printed on it prominently - lawmakers declined to fund this. Governor Kotek budgeted $50K to train officers on how to handle these new citations and how to direct people to the treatment and housing supports, but lawmakers thought that training officers on this new law at all was a waste of money. Money moved extremely slowly out to the supports that were supposed to come into play to help people obtain treatment or get access to harm-reduction strategies. People freaked the fuck out about clean-needle outreach, fentanyl testing strip distribution, Narcan training, and other harm-reduction strategies.

And at the end of the day, Measure 110 gets called a failure because it wasn't a silver bullet. Never mind that thousands of people are not sitting in jail right now for basically no fucking reason. Never mind that people have gotten treatment, harm has been reduced, overdoses have been prevented...

So, yeah. You'll probably start hearing this trotted out as proof that, well, we triiiied decriminalizing drugs, but look what happened in Portland! Well, what happened in Oregon is that we got set up to fail, and still didn't fail, just didn't totally succeed.

Measure 110 highlights, quoted directly from Prison Policy Initiative:

The Oregon Health Authority reported a 298% increase in people seeking screening for substance use disorders.

More than 370,000 naloxone doses have been distributed since 2022, and community organizations report more than 7,500 opioid overdose reversals since 2020.

Although overdose rates have increased around the country as more fentanyl has entered the drug supply, Oregon’s increase in overdoses has been similar to other states’ and actually less than neighboring Washington’s. A peer-reviewed study comparing overdose rates in Oregon with the rest of the country after the law went into effect found no link between Measure 110 and increased overdose rates.

There is no evidence that drug use rates in Oregon have increased. A cross-sectional survey of people who use drugs across eight counties in Oregon found that most had been using drugs for years; only 1.5% reported having started after Measure 110 went into effect.

There has been no increase in 911 calls in Oregon cities after Measure 110.

Measure 110 saves Oregonians millions. Oregon is expected to save $37 million between 2023-2025 if Measure 110 continues. This is because it costs up to $35,217 to arrest, adjudicate, incarcerate, and supervise a person taken into custody for a drug misdemeanor — and upwards of $60,000 for a felony. In contrast, treatment costs an average of $9,000 per person. The money saved by Measure 110 goes directly to state funding for addiction and recovery services.

There is no evidence that Measure 110 was associated with a rise in crime. In fact, crime in Oregon was 14% lower in 2023 than it was in 2020.

Further reading/sources:

[mikeystrawberry]

Today is Dungeons & Daddies’s 5th Anniversary!

I haven’t been listening for nearly that long but the podcast and all its characters means a lot to me. Happy Anniversary!!!

Throwing the cropped sections under the cut because there’s a lot of stuff going on and I know Tumblr likes to throw half the pixel quality out the window. And also so I can ramble a bit about this piece!!!

This piece has been months in the making, possibly an entire year. And by that I mean I’ve had a sketch of the comp scribbled on my whiteboard for ages because I wanted to save this specifically for 5th anni art. Now onto design stuff!

(First off a random thought: I really love how the garlic knot came out, I kind of want it as an enamel pin.)

I knew I wanted to make this a stained glass piece since the beginning, but I was also going to add flowers at one point but quickly dropped the idea. It felt like too much and I also didn’t want to fuss over flower language assignments for everyone. I was also going to add Doodler tentacles, but also dropped that idea pretty early. Kind of on accident, right at the end, I figured out how to make it even more stained glass-like but taking a duplicated lineart underneath the regular layer and turning the brightness all the way down, then setting it to overlay and adding a guassian blur. It’s very subtle but it adds that tiny bit of depth that makes it look more real. As for shading on the lineart/gold, I tried adding more highlight on the characters who died but once I evened everything out it wasn’t as noticeable anymore so I’m throwing that thought here so the attempt at least known lol.

The order of characters only changed a little bit from my original comp, I flipped the Wilsons and the Oaks so the rainbow could work. As for the anchors, specifically in season 2, I lined them up to the teens since the season 1 anchors lined up with each dad:

Tony —> Scary: his death was the beginning of Scary’s betrayal arc and also Willy killed him.

Guitar Pick —> Taylor: it’s not really aligned with Taylor at all, but the anchor was with Glenn so I put it next to his blunt.

Scroll —> Normal: was only because it was the last left to give him, but there’s the whole scene of him and Hermie in the Green Room so it still works!

Garlic Knot —> Link: one of two that he broke, but the more significant of the two with him telling Grant he never wants to see him again.

Small notes on the season 1 anchors: I put the layer of mold in the overnight oats but you can’t really tell with the overlay. And to make the supper bowl more interesting I added the fantasy sodas mix they dumped into it. The lure of actually drawn before so I just traced my own art lol.

As for the other smaller triangles, it took me a bit to figure out what I wanted to put there. I didn’t even think of adding the vehicles until two days ago but I’m so glad I did. I don’t really have my own take on the mascot version of the Doodler (yet?) so I borrowed the design from one of the stickers in their merch shop. Teeny was terrifying as just a front facing head so I made him cute again.

In the outer circles, I put what I felt was the most significant quotes for each family. I really wanted to use “It’s okay to be angry, it’s not okay to be cruel” but it was just a little too long.

That’s all I can think of! If you read all the way through, thank you for indulging me in my excitement to gush over this piece.

[intersectionalpraxis]

Gaza Updates (1:30PM, EST, November 13, 2023)

Gaza's health ministry's director general, Ismail al-Thawabta confirmed that 11,240 Palestinian people have been killed. Al Jazeera added this as apart of his updates:

"Dead in Gaza include 4,630 children and 3,130 women." "Number of killed medical personnel now 189, including doctors, nurses and paramedics." "Ten people – “kids, babies, patients and wounded” – died at al-Shifa hospital due to operation rooms being shuttered as a result of a lack of fuel." "If fuel shortage continues it will cause a communications and internet blackout. Al-Thawabta said this is projected to happen on Thursday and will lead to “all the crimes of Israel” being “hidden from the world”, and turn the humanitarian crisis from “bad to worse”. "Fuel must be allowed into Gaza and the Rafah crossing with Egypt must be fully opened." "Israel and the international community – particularly the United States – are fully responsible for “crimes against civilians”. "The fighting has also destroyed 41,120 residential properties; 94 government headquarters; 71 mosques destroyed; and 253 schools have been damaged." "There has been $181m in direct agricultural losses, with 25 percent of agricultural farms destroyed." "4 governmental headquarters, 253 schools, 71 mosques and 3 churches destroyed in Israeli raids."

It has also been confirmed "all primary care for pregnant women has been lost"

"Dr Haya Hijazi, who works at al-Hilo Hospital in Gaza City, has confirmed: "there are no prenatal, neonatal or postpartum services catering to pregnant women, new mothers and newborns."

"UNFPA, the United Nations sexual and reproductive health agency, said that Gaza is home to 50,000 pregnant women."

It also said:

"70 percent of those killed and injured so far are women and children." "5,500 women are due to give birth in the coming month – more than 180 births per day." "Fuel, medicines, blood supply and other essentials for hospitals are running out." "Two truckloads of Inter-agency Reproductive Health Kits have arrived in Gaza containing individual clean delivery kits and supplies and equipment for emergency obstetric care, including anesthesia and supplies for cesarean sections." "Some 238 attacks against health care have been reported in the occupied Palestinian territories since the beginning of the hostilities, killing 517 people, according to WHO"

All of this information/everything I quoted can be found on Al Jazeera's live updates on their website -all credits to Al Jazeera journalists:

I need folks to continually keep understanding that everything happening right now in Gaza in NOT a war, it is a genocide. Israeli military and government is systematically destroying infrastructure for their Zionist agenda, and are massacring Palestinian people mercilessly and without remorse -nowhere is safe in Gaza, and reading these updates should continue to enrage you.

Keep posting, keep re-posting, keep researching and keep reading, stay informed, go to sit-ins and protests if this is accessible to you, and most importantly -keep fighting against Israeli and American propaganda.

Free Palestine 🇵🇸

[miraculouslbcnreactions]

This is probably small in the grand scheme of things, but how did Emilie being noble play any impact in the story at all?

I mean, I'd get it if it was just a small detail to help deepen Emilie's character, but why nobility of all things? I don't know, from what I'm seeing so far, the whole "Emilie renounced her noble title" shtick just feels worthless if it's not going to impact the story or add depth to Emilie's character (like maybe upbringing or personal values?).

I don't know. Like everything else, the noble part just feels shallow and means nothing to the story, especially for a character like Emilie, who is the plot device for the whole show. Any detail about her, like her personality and life story, is supposed to influence the story and characters one way or another, namely Hawkmoth since she's his driving force.

So what was the point?

For context, this ask is about Félix's play which says that Emilie gave up her title to be with Gabriel. I'm gonna give a slightly larger section of the transcript of the play for full context, but the relevant but is at the end of the last paragraph:

Félix: The king and queen's twins grew up, each day as different in heart as they were similar in body. The firstborn, curious and brazen, despised life at court and escaped at every opportunity. The younger daughter, well-behaved and respectful, did everything she could to please her parents, and stayed quietly in the castle. Félix: (as Mr. Graham de Vanily) Oh, my queen. Did we entrust our legacy to the right princess? Kagami: (as Mrs. Graham de Vanily) She will fall in line, eventually. Félix: Confident that she would settle down as she matured, the king and queen allowed the curious princess to leave to study beyond the sea in another kingdom. There, she immediately found true love in a humble tailor. Félix: The tailor was making clothes so magnificent that they revealed the beauty of the soul of anyone who wore them. Although it made her parents furious, the curious princess gave up her rank, her wealth and her kingdom to live a bohemian life with the tailor.

Story wise, I have no idea why any of this was added since it adds nothing to canon. It's not like this finally explains why Gabriel and Emilie are poor while Amelie is wealthy. Along similar lines, it's not like Amelie's title has ever mattered. Prior to this play, I don't think that we even knew that she had a title or that she was the younger sister. The play is all about explaining things that we never had reasons to question in the first place.

My best guess as to why the writers wrote this pointless backstory is that they wanted to make Emilie seem even more pure and perfect so they went with the tired old trope of a rich girl giving up material things for the sake of love and art because good pure women don't care about material things! Only nasty, shallow women care about money. (Way to play into sexist tropes, guys.)

There may also be cultural elements at play here given that France doesn't have the greatest history with nobility, so giving up a noble title may be seen as good and pure to a French writer, but I don't know enough about French culture to say that with any certainty. If anyone who reads this blog is French and would like to chime in, then feel free!

While we're on the topic of the play, I wanted to point out that the above quoted passage is why I say that the Graham de Vanily parents can be as kind or as abusive as you'd like to make them. It's incredibly vague and you can read into it whatever you want to read into it. Were they good loving parents who were just upset about their daughter living in poverty or were they miserable controlling classist who Emilie fled England to get away from? It's up to you because you can get both reads from this. The play commits to almost nothing of value. Politicians could take lessons from this impressive level of noncommittal writing.

A better version of the play would have focused on things that actually matter to canon like the details of finding the miraculous and/or Emilie learning she's sick, but you could only have those details if they were coming from Nathalie or Gabriel. Félix is a terrible choice for a character to tell us the show's backstory because he knows so little of it, thus the play focusing on his largely pointless backstory.

[echotunes]

Do you like writing? Are you an MCYT fan? Do you sometimes struggle with getting that one character's dialogue to sound just right?

Well, I have a solution:

Echo's MCYT writing cheat sheet doc!

Featuring notes on 80+ CCs ranging from Hermitcraft, Empires SMP, and the Life Series to QSMP, this Google doc has now been in the works for nearly two years (since November 2021!), currently comprises 18k+ words, and still receives tweaks and updates pretty much every day.

Contents of each CC's section on the doc (which are in alphabetical order!) include:

Commonly used words/phrases - adjectives and adverbs! Exclamations! Filler phrases and words! and other turns of phrase that make their speech distinct from others

Sentence structure - including transcriptions of example sentences that help get an idea of how exactly someone tends to say (and stumble over) their words!

Interaction with others - do they use nicknames? Which ones? What little phrases do they tend to say in conversation?

Typing - how do they type in Minecraft chat? What emoticons do they use? Do they send one long message, or several short ones? Should it be all lowercase? Do they use apostrophes? and more, with example screenshots!

In-game movement - how do they move their cubito? Do they shuffle around on the spot while talking, or stand still to look someone in the face? How expressive are they? Do they shift for emphasis, or nod? etc!

and other random characterisation notes - any fun facts about their character that you might want to keep in mind while writing!

There's also some bonus content outside of the specific character sections - links to general writing resources, recaps and summaries and quotes from the series the CCs on the doc have been involved in, as well as notes, conversation transcripts and clips I've compiled for some specific character dynamics!

(Important disclaimer: This isn't a 100% comprehensive guide - I'm just one person, and this is entirely comprised of notes I take while watching, so it's never going to be perfect or fully accurate. It also varies a lot on its level of detail for each CC, because I watch some people more than others, and in the case of QSMP there's language barriers involved, too.)

But I do think it can be pretty helpful. So if you're struggling, maybe consider giving this doc a try - you might find something useful inside! <3

[midnightorchids]

Alternative bf Jason Todd headcanons pt.i, pt. ii linked here

Alt!bf Jason... who, after coming back from the dead, found an odd sense of comfort in the macabre. The tellings of Edgar Allen Poe and Shirley Jackson brought him a sense of solace

Alt!bf Jason... who met you while you were browsing through the horror section at the local bookstore, his heart stopped and in that moment, he knew that he wanted to be yours... forever

Alt!bf Jason... who has snake bites and adores the feeling of your lips against his own. the cool metal pressing against you always feels like home

Alt!bf Jason... who plays the bass and lets you decorate it however you want. it's covered in stickers and quotes, a constant reminder of you

Alt!bf Jason... who never sleeps and is always wearing the darkest eyeliner. it's smudged and smeared, but it highlights his dark emerald eyes, so he never bothers to clean it

Alt!bf Jason… who brought you a bouquet of black velvet petunias on the day he first told you that he loved you

Alt!bf Jason... who only ever wears cheap black nail polish, it's almost always cracked and chipped, no matter how many times he reapplies it

Alt!bf Jason... who wears the thickest and heaviest platform doc martens and decided that you needed a matching pair as well

Alt!bf Jason... who made a shared playlist of his favourite rock and metal songs for you to listen to for when he isn’t physically there to blast them

[historic-meme]

Thinking about Leo Frank today and how even though there is a historical consensus he was completely innocent modern neo-nazis still put up websites claiming he was a child rapist and murderer.

Thinking about how this defilement of his memory is just a continuation of the antisemitic violence he faced in the last years of his life and is what killed him.

Thinking about the ease with which goyim, and white people specifically, accuse jews of heinous crimes. As if the main evidence and reasoning needed is that the accused is a Jew. Everything else is secondary.

Thinking about the local newspaper that was able to increase its circulation from 25,000 to 87,000 almost entirely on spewing antisemitism while reporting on the Frank case.

Thinking about how when the first major Northern newspaper reported on the case they considered the antisemitism in Atlanta to be a “natural” consequence of the Jews banding together to support Frank. A classic case of blaming Jews for antisemitism.

Thinking about how the mob, that tore Frank out of his jail cell, dragged him back to Marietta and then finally lynched him, were spurred by the fact his sentence had been commuted from the death penalty to life in prison.

Thinking about how the lynching was not a moment of angry mob violence but rather a carefully crafted plan. That these men sat around planning for months on how to inflitrate the prison, kidnap Frank, and then return to Marietta to hang him before the authorities could do anything about it.

Thinking about how after the lynching men, women, and children came by to grab “souvenirs” from the site including pieces of the clothes Frank was wearing. They sold postcards of photos taken of the lynching. They were all very popular.

Thinking about how the photos that clearly showed the lynchers were not published for fear of being arrested. Thinking about how no one was ever charged with the lynching due to the protection of the local community.

Thinking about how when the leaders of the lynch mob were named in 2000, it included the Governor of Georgia the year Mary Phagan was murdered, a future President of the Georgia Senate, and the Mayor of Marietta at the time.

Thinking about Judge Morris, a previous politician and at the time lawyer in the private sector who ran to the lynching site once he heard. How he calmed the mob and protected Franks body from further defilement.

Thinking about how the New York Times reported on his actions by calling him ‘the only hero of the Frank lynching’ in the same section where they quote him denying antisemitism had any part in the case and saying “The men who lynched Mr. Frank were intelligent men; they did it in an intelligent way...[T]hey brought him here to this town in the light of day, so that they might put him to his death in an appropriate place.” Later he said, “I believe Frank has his just deserts.”

Thinking about how this judge posed for a picture by Franks still hanging body.

Thinking about how eventually Franks body ended up in a local funeral parlor. Another mob threatened the parlor wanting to see the body and after bricks were thrown, they allowed people to file past his body.

Thinking about how these people who filed past Frank’s body probably thought he got what he deserved and were glad to see him dead.

Just thinking about how antisemitism never really changes.

[changisworld]

Baby fever

Husband!Chan x reader

word count;3,200

Summary: Your husband, Bangchan has finally decided that he too wants a baby, after you constantly pestering him & getting it into how good parents you would both be.

-just HAD to write this after I got an ask about & then having my amazing 🪫 anon AGREEING which has now encouraged me to write this heheh,

18+, MDNI, SMUT WARNINGS UNDER THE CUT

©ANY translation, copy & paste, posting of my work is strictly forbidden for ANY posts/ writing i post.

main masterlist here

SMUT WARNINGS: PIV, oral(f rec), B R E E D I N G kink, creampie, lactation kink if you squint, nipple sucking, slight dirty talk, channie is BBBIIIGGG, bulge kink, body worship, marking, lovemaking, praise, aftercare but more off screen, 99% smut 1% backstory :3

You & your husband, Chan are just strolling around Walmart, doing some grocery shopping for your fridge & cupboards & you both end up walking past the small clothes section & your eyes land instantly on the cute newborn baby onzies & cute baby packs of socks.

"Channieeee, how can you even look at this n not want a baby? the clothes are so teeny & adorable!" you cheer, looking at him with a big smile & doe eyes on your face & chan just looks at you & rolls his eyes, smiling at you as he reaches out to touch the baby clothes, looking at all the cute patterns on them.

"Shhh! It's not that I don't want a baby, It's just scary! You say the exact same quote every time we walk past anything to do with babies I can rehearse it!" He giggles before putting his hand up & splaying it across the little onzie, comparing the size to it.

"I know but I'm just dyyying for a baby! Would you prefer a boy or a girl? & you've been saying you'll 'think about it' for monthhhs! We'd be the best parents on earth n you know it, I've seen you with kids & you'd be the best dad evverrrrr!" you cheer back, reaching out to ruffle his soft black hair & he kneans into your touch.

"I wouldn't care if about gender as long as I got a mini us & I knowww but still! You've came off the pill so now we just gotta see if it happens, can you get us some tomatoes? We forgot to pick em up." He questions you, putting both hands back on the cart & giving you a kiss on your cheek, making you blush.

"Doesn't mean much if you pull out Channie! I'll grab five." you sigh as you leave your husband & walk to go get what he asked you to. Chan watches you leave before he looks back at some of the cute baby clothes & he picks up three different onzies in different stripes & also polka dot patterns, he also picks up a cute little white baby hat before he buries it underneath the small mountain of items still in the cart before making his way to the checkout, texting you to just put the tomatoes back & meet him at the car.

⭑･ﾟﾟ･:༅｡.｡༅:ﾟ::✼✿　　✿･⭑✼:ﾟ:༅｡.｡༅:*･ﾟﾟ

"I didn't even realise that you'd asked me for tomatoes but while I was there I remembered you don't even like tomatoes!" You whine as you buckle in your seatbelt, turning to look at the man beside you, now laughing as he turns the key.

"I just wanted to see if you'd remember! You failed the test." he chirps back & you swat him on the arm jokingly & he just laughs at you again before driving back to your shared home.

The rest of the day goes without a hitch, Chan insists on putting the items away & you don't complain, deciding to just tidy up your shared bedroom instead, reorganising the room & making the bed before deciding to just do some laundry since you have the habit of letting it pile up.

You are sorting out your jewellery box, using your shirt to make each piece shinier before replacing each part, fully rearranging the box in front of you when your bedroom door opens & Chan enters the room, hands behind his back.

"Ah, what ya doin babe?" he questions, looking a bit antsy. "Just tidying, why? Wha'cha hiding?" you reply, your head nodding towards him, referring to whatever he is holding behind his frame.

"well eh, I couldn't decide if I was gonna hide it for a while longer or if I wanted to lay it on the bed with rose petals or something, make it all romantic but you caught me, can I do that or are you gonna be stubborn n make me show you now?" he hums to you & you frown your eyebrows at him, chuckling as you try move your head to see what is in his hands, but he is quicker & keeps moving his frame.

"You know me too well, I really am that stubborn, show meeee." you reply as you do as he asks of you anyway & you stand in front of him before closing your eyes & cupping your hands in front of the both of you.

He takes in a deep breath & you just know his hands are shaking behind is back. "Just know y/nnie, no pressure! I don't want you to feel like I'm putting you on the spot." he says in a soft voice as he places something in your hands.

You open your eyes after nodding at his words & look down & what is it you see? A few of the tiny baby onzies you were dreaming over just a few hours ago & an adorable tiny tiny baby hat laying on top of them.

You look up at Chan, nerves smeared all over his features, his adams apple moving through his throat as he swallows, not taking his eyes off you as his hands cup themselves over the outside of yours, his thumbs caressing your hands.

"Is this what I think this means, Channie?" you ask, your mind going at a million miles an hour & the butterflies in your stomach being that crazy you're convinced they're about to fly out of your mouth.

"Uh.. yeah, I've had my mind up for a while, just got a bit scared to directly say it I guess?" he replies, his cheeks a shade of rose pink as you can feel his hands slightly shaking & getting warmer against your as he keeps his on yours.

"Channie, you're so silly, there was nothing to be scared of when I've been begging you to knock me up!" you joke as you softly throw the small fabric on the chest of drawers beside you both before practically throwing yourself at him, connecting your lips together, he freezes for a second before melting into your touch & kissing you back passionately.

He ushers you towards the bed & you lay down once the back of your knees hit the edge of your bed & chan follows right behind you, putting his hand & forearm on the bed beside your head to hold up his weight as his tongue begins to break past your lips, tasting you deeper, which you have no problem reciprocating.

You worm your hands beneath one of his usual black shirts & you feel over his chiselled abs, making him squirm. "You really are desperate, aren'cha?" he teases as he takes the three seconds to take his top off before getting back into the same position he was in before, taking the time to admire your slightly reddened & spit glossed lips.

"Well why waste time when I've been begging for so long?" you chirp back as you wriggle yourself up the bed, making chan follow not long behind you.

Your husband just smirks at you before kissing the tip of your nose. "I love you, soooo much, you mean the world n more to me." he murmurs in a sweet tone to you before he begins to kiss your jawline before making his way down to your neck, nibbling on different spots of your neck before lightly suckling on the exact same parts of skin, leaving four dark red marks on the right side of your neck.

Chan bunches your shirt up at the top of your chest, not bothering to take it off as he wriggles himself downwards just an inch & begins to fondle your tits over your bra as he kisses the parts not covered by the fabric & you sit up just enough to unclasp it for him & he lets out a hum of approval before taking a look up at you, the both of your eyes completely full of lust, pupils blown out & your stomach does a flip.

He cups your right tit in his hand as he starts to tongue your left nipple, your nipples perking up even more than what the cold air caused. He takes it in his mouth & suckles on it, making your back arch off the bed & you let out a small hum as you let your fingers find their way into his hair, playing with it.

"Your tits are so perfect, can't even imagine these filled with milk, try save me some, alright?" he says, more to himself but he still takes the time to look up at you, his fingers not stalling on your right nipple before reattaching his pretty, pink, puffy lips to your nipple, sucking on it as if it's the last time he will ever do so.

"Channie with a lactation kink? who woulda guessed." you chuckle at him as he switches tit, repeating the action & you close your eyes, simply taking in the feeling.

He then stops his motions & gives yet another hickey to your left tit before kissing all the way down your stomach before pushing your shorts & underwear off your smooth legs without much struggle.

"How do you blame me, have you seen you?" he remarks back at your words, not even looking up at you this time as he now settles down at your legs before pushing them open, now looking at your pretty, now glistening cunt & he sighs, a dreamy look painting his features & your heart melts.

He wants to tease you but his own patience is wearing thin so after a few kisses to your thighs, working his way inwards, not missing the way you squirm & twitch beneath him as your thighs rest on his broad shoulders & he licks a long, slow stripe up your cunt which makes you shudder.

He uses the tip of his tongue to slightly tease you but mostly to get a deeper taste by licking the outside part of your folds before using his tongue to part them further before he works his way up to your clit & begins kitten licking it.

"Chan, like that, fingers please." you request, sucking a breath through your teeth, trying your best to stay still for him. "say please n I will" he teases to you before moving away from your clit, much at your disapproval & begins teasing your now leaking hole.

"Pretty pleaseee, Channie, please." You beg as you try push your hips towards him, giving him that little bit extra of your cunt on his lips & he obviously can't help but let out a muffled groan as he starts to grind his hips against the bedsheets, trying to ease even a tiny bit of the pressure in his cock as he listens to your pleas & enters his middle & index finger into your pussy, a small squelch being heard.

He picks up the pace on your clit as he begins to suck & nibble on it, not caring about how much spit is escaping his lips as his fingers match the same speed, doing a 'come here' motion & you begin grinding against his face, your hands reaching down to twist your nipples in your fingers as you begin to fall apart.

"Gonna cum channie, don't stop." you basically demand as your eyes scrunch closed & your legs close in on his head, but he doesn't budge & continues at the same speed, smirking into you & humming & moaning into you & your orgasm bubbles over not even five seconds later, moaning his name non stop.

He lets you ride out your orgasm on his tongue & fingers as he slowly slows down his movements until you begin to whine & he knows your body well enough to know it's the overstimulation setting in.

He pulls out his fingers & puts them up to his mouth & sucks the orgasm you just had off his fingers & groans to himself before licking his lips & then making his way back up to you & kissing you, allowing you to taste yourself on his tongue & you whimper on his lips.

"Taste as good as always, do you still wanna do this Channie? You can still pull out if you have any doubts." you reassure him, cupping his cheek with your hand & moving your thumb back & forth, giving him a warm smile. "I'd never back out babe, especially now that it's out in the open, lemme put this baby in you, mkay?" he chirps, nuzzling into your touch before allowing you to sit up so you can take your top off & he strips too, his cock slapping against his lower stomach as he helps manoeuvre you towards the edge of the bed & stands between your legs, jerking himself a few times, his tip already shiny with the amount of precum that has been leaking for the past twenty minutes or so.

He gives you a warm smile & he reaches down to hold your hand, your wedding rings beside one another as he begins to slowly push in, knowing he can't go too quick as he is aware how big he is, he knows he needs to allow a lot of time to stretch so he doesn't make it hurt any more than needed since no matter how much prep he gives you, it still makes you hold your breath for a second.

He buries himself to the hilt & he pauses, letting you get adjust as he kisses your ring finger, making you both blush as you look at each other, nothing but love & adoration in both of your eyes.

"You can move, 'm ready." you softly speak & chan hums as he moves his hips before softly moving them forward again, both of you letting out a moan in unison. "you're so tight, y/n, I'm fully convinced you're made for me." He says in a hoarse voice, biting his bottom lip, making you clench around him.

He begins a medium pace, hitting your G-spot each time & you can barely catch your breath as you both make eye contact, not one of you daring to break it as you can both slightly hear the wet, squelching noises of your cunt wrapping around his cock over your shared moans.

"Chan-nie, you're in my s-stomach, fuck." you yelp as he changes his position slightly, hammering into your spongey spot & kissing your cervix in a painful yet addicting way.

"Hmm yea? I can tell, look at it sweetie." he groans back, slightly breathless as he stands up, pace not slowing as he takes the hand which he is still holding & placing it on your lower stomach & you can't help but get giddy as you can feel his cock in your pelvis, making you clench around your husband more than you already were, making his pace falter.

"Taking me so well, babe, see? too bad we won't get to see it in your pretty belly once my cum sticks, can't say I-I'd complain though." he basically whimpers as he leans back over you, taking your lips in his own as he continues to destroy your poor hole & you yelp into his mouth with how deep he is.

"C-I'm gonna cum, gim-gimme it." you shriek as your hands reach onto behind his back & you dig your nails into his back, refusing to let go & chan just groans into you as he kisses you again, muffling both of your moans but only slightly.

You begin clenching around his cock & he stands back upright to be able to take in the whole sight. He reaches down to rub your swollen button with his thumb & you don't even have the right mind to even be able to warn him before your second orgasm hits you like a brick wall & your legs begin shaking as your back arches & you let out a shriek as you cum, this time all over his cock, your orgasm so strong it almost pushes him out of your hole.

He doesn't falter his pace this time & continues at the same speed & rhythm, throwing his head back but not for long as he feels his own orgasm starting to bubble up.

He looks down at your pretty, reddened face, a small shimmer on your skin, your tits bouncing along with his thrusts as you pinch your nipples again, not breaking eye contact with you.

"Cha-channie, s-so big I-I swear to f-fuck, please c-cum in me, gim-gimme your baby." you whine up at him, trying your best to ignore the overstimulation he is giving you for the sake of his own release & mostly focusing on just trying to push the simple sentence out.

"Wou-wouldn't dream oth-otherwise, beautiful, your pretty belly gon-gonna be so full for me, I know it's gonna s-stick, you're t-too good for me, my angel." he says, breathless & he takes your left hand in his again & he sucks on two of your fingers as he lets his orgasm take over, having to use all his strength to keep himself standing as he lets his cum coat your walls, you taking in the feeling of it too.

Chan lets his own orgasm come & then pass before he slowly pulls out, not failing to notice how his dick is so shiny you'd think he put lube on it & he uses the rest of his strength to help you lay at the top of the bed & he rests his back against the pillows, letting you lay between his legs, your back against his chest.

He grabs the bottle of water from his side of the beds bedside table as he always insists on having water there & feeding you it as he kisses the top of your head.

"Did so well for me hunny, you not sore or anything? I love you sooo much. want me to run you a bath n make food?" he questions softly as he reaches down with the hand not holding the bottle to rub over your stomach.

"I'm fine, more than fine actually, just daydreaming about out future bundle of joy! Just wanna lay here for now but yes, we can bath n eat soon, just lemme melt into you a bit more first." you half joke as you turn your head way from the bottle, indirectly telling him you're finished drinking & he just half laughs as he puts it back where he originally found it & cuddles you.

"Just gotta think of baby names don't we? It can't come soon enough, you can choose food since you'll complain if I order something for us if you give me the freedom to choose." he jokes & you just 'tut' at his words, smiling as you rest your head on his arms.

->Taglist:open!

->Anon list:open!

[i-hate-accidents]

i hate accidents: the beginning

femme!reader x benedict bridgerton, femme!reader & the bridgerton family, femme!reader & penelope featherington

summary:  the adventures of a working class femme who befriends a fellow writer, a boisterous family, and a bewitching second eldest son

sections:  I. the beginning / II. the between / III. the ball

y/n:  bipoc, she/her, afab, nonbinary femme, queer, working class, of immigrant parents

content warnings:  classism, mentions of financial survival, microaggressive sexism, microaggressive gender assumption, positive/supportive families, allusions to alcohol abuse in [I.viii]

word count:  13.9k (of 38.8k)

story context:  everything in s1 and s2 of the tv series is canon for this story except for the s2 epilogue with the bridgertons.  this story takes place leading up to and into the 1815 season. 

additional notes:  this story is incomplete. scenes that are not written are described in chevrons <> with third person pov or are delineated by isolated ellipses. additionally, the author has only watched s2!  she has not watched any of s1 aside from clips, and they have not read the books aside from quotes used in edits.  they have not yet watched queen charlotte.  the author kinda knows the gist of an offer from a gentleman; they are familiar with sophie beckett (and are excited to meet her/them in the tv series!).

author’s note:  this is the first time the author has written fanfic in 13-15 years.  :)  it is her hope that they have made some progress since her pre/teens.  additionally, this fanfic has been written, on and off, over the course of two years.  the author sincerely hopes you find some sort of joy in it, especially the readers who maybe hope to see themself a little more specifically in the world we so love.

reading tip: whilst the author is proud of it, she understands the intro to the first section is long. if you wish to get more straight to y/n and benedict's story, the author suggests jumping to [I.ii]. they won't be offended that you did heh.

𝄆 ⚘ ✸ I.i ✸ ⚘ 𝄇

you do not know how you got here.

well, that is not true; you quite literally walked from the markets and followed the directions that penelope had given you, but you did not think those directions would lead you here.

this is a mistake.  i must have taken a wrong turn, gone up instead of down, made a left when i should’ve taken a right. 

or perhaps this is a dream?  yes!  that has to be it!  a dream!  i must have lulled off and dreamt myself here, for whatever reason.  once i close my eyes and open them again, surely i will be at home, or the markets, or the workshop even.  surely!  

so, you close your eyes shut.

you had been walking about the markets on your non-work day, some weeks ago, browsing the wares you wouldn’t (and couldn’t) buy, eavesdropping on any conversation of intrigue, observing the bustle of the crowd going about their day, mindlessly thinking of the next thing to write, daydreaming—when you had collided with someone.  they had let out a squeak, their materials flying out of their hands, as you had fallen on your back, thankfully not hitting your head.  in your periphery, you had seen how the person had crawled to your side and looked at you with urgency and concern.

“i am so sorry!”  their voice was pretty.  sweet and lovely.  you lifted yourself up a bit to see the person you had collided with.  they were also pretty— beautiful, red-haired, and hooded in blue.  

their eyes widened.

“er, i meant,” they spoke again, but this time with an— irish accent?  their voice was still sweet and lovely but very distinctly irish and distinctly different from their voice mere moments before. “are you hurt?”

“i am all right, thank you.”

“very well,” they said, still in their irish accent, “then i must be going—”  and they shot themself up and turned, you assumed, to run away.

“wait!  you’re a writer, yes?”

as you had hoped, the person in blue froze.  they slowly turned to you again, apprehension and intrigue in their eyes.

“how do you know?”  their voice was mangled between their two accents.

“unless you pluck birds for fun,” you stated as you collected the scattered materials they had dropped in the collision, “these are quills.”

you stood up, approached them, and held out their quills to take, offering a smile.  the stranger took the quills and put them in their bag.  they returned their eyes to you and returned your smile.

“thank you,” they responded in their english accent.

“i know how precious those are, so i am very glad to see they won’t go to waste.  well, they wouldn’t have gone to waste either way; i would’ve taken them if you hadn’t turned around.”

that caused the person in blue to laugh.

“i assume you are a writer?” they inquired.

you don’t know what had overcome you; you don’t know why you had been so trusting of this stranger, especially with something such as your writing, but you had been. you reached for your then most recent, folded up quarto, kept between your bosom and your blouse, and offered it to the stranger to read.  they took it, shifted their eyes from line to line, turned it to read the crossed lines, and then looked up at you, beaming.

“this is brilliant!— oh, forgive me; i did not even ask for your name.”

“y/n,” you extended your hand.  “and you?”

the stranger seemed to stiffen but quickly relaxed themself, taking your hand in theirs and shaking them.  they beamed still, but something of their smile had grown quietly mischievous.

“can you keep a secret?”

when you open your eyes, you huff out a breath in a poor attempt to assuage yourself from the reality of your situation:  you are not dreaming.  here you are—you—at grosvenor square.  

you knew of your friend’s circumstances as she had shared it:  she is a noble lady, a third sister of the featherington family, who has been writing scandal sheets of high society’s romps and happenings since her ‘debut,’ as she had put it (you hadn’t understood how she had used that word and became further confused upon her explanation of it), under a pseudonym called lady whistledown.  penelope has been kind enough to let you read her sheets, and you find it ridiculous what these high society persons do for their lives and utterly brilliant with what wit, snark, and compassion even penelope commentates on that world.  

but you did not ever, ever think that she would bring you to it, let alone into it.  when penelope had said that you were to meet her most beloved friend, you had thought it would be in an obscure alley or a room hidden behind a bookcase in an unassuming shop—not the literal neighborhood in which she, and presumably her friend, lives!  by your posture, by your clothes, by your very existence, it is blatant how much you do not belong here.

i should run.  i am going to run.

and so you turn and start—

“y/n!”

—when you hear the sweet voice of your friend.  you scrunch your eyes closed, inhaling and exhaling through your nose, and turn around and see penelope in a picturesque green dress, lifting up her skirt with gloved hands, scurrying down the pavement of her neighborhood towards you, beaming.  despite the anxiety that rages within you at this very moment, your heart swells upon seeing your friend in such enthusiastic spirits, and you smile despite yourself.

“good day, pen.”

she takes hold of your bare hands in her gloved ones and gives them a squeeze.  perhaps she can discern your nerves because you start to feel yourself calm ever so slightly by her gesture.

“i am so glad you are here,” she says.

“i am—— glad to see you,” you then lower your voice.  you do not know why; it is not as if your lowered voice will help conceal your existence in this place.  “are you certain i am permitted to be here?”

letting go of your hands, penelope swats at the question.

“the bridgertons and i care not about such things.”

“the— bridgertons?” 

“yes!” she turns and gestures to the grand brick house with wisterias.  “it is at their home, after all, in which we will be spending our time together.”

your jaw drops.

“we are staying inside the house?  not simply meeting outside the house?”

this is not a dream.  this is a nightmare.

penelope returns her eyes to yours, and it startles you with what tenderness she gazes at you.

“i understand that you are fearful, y/n.  i had presumed you would not have come if you had known we would be here.  but i would not have led you to bridgerton house if i did not think you would be safe here.  the bridgertons are the most inviting, kindly family of the ton— of high society,” she amends upon seeing your confusion at the word ‘ton.’  their name for their world, it seems.  “eloise has assured me that we shall be in her bedchamber for the entirety of our time together.  and if you wish to leave, for any reason, at any point, i shall accompany you, and we shall leave together.”

with closed eyes you heave a sigh through your nose.  you flutter your eyes open and offer penelope a weak, but sincere, smile.

“very well.”

penelope squeaks in excitement, taking hold of your hand once more, giving it another squeeze of encouragement, and leads you towards this bridgerton house as she so called it.  she raps at the stately door thrice with great eagerness, seeming to knock in perfect tandem with your beating-too-quickly heart.

an elderly man opens the door, about to greet penelope and her guest, when a young femme shoves herself through the opening.

“thank you, giles!” she calls out as if the man is across the road and then looks at you, ferocity in her eyes.  it ought to unnerve you, the whirlwind force of this stranger, but it doesn’t.  you just return her gaze with a large, albeit a bit bemused, smile.

“penelope has shared so much about you,” the stranger states and takes hold of your hand.  “let us get inside!” and yanks you into the house.  she turns, looking straight ahead, and barrels forward, pulling you with her.

as the fiery femme seems to soliloquize excitedly to herself, you look back at penelope who merely wears an amused smile at her friend’s antics as she follows behind.

“oh!” the femme exclaims suddenly.  she halts you both and sharply turns to you, still gripping your hand, grinning.  “my name is eloise.  eloise bridgerton.”

“y/n y/l/n.”

“excellent.  now!  with introductions all sorted—”

and she turns and barrels you both right, rather than heading straight ahead to the grand staircase as you had presumed she would.

“eloise—” eloise’s fervency had provided a reprieve to your anxiety, but the confusion in penelope’s voice puts you back ill at ease, “where are you—”

“it’ll take just a moment, worry not, pen!”

eloise leads you down a hall, noises and voices of all sorts coming from an entrance to a room, growing louder and louder as you approach until they reach the peaks of their volume as eloise halts you both once more, to your mortification, at the entrance of that very room.

“family, penelope, y/n, and i shall be in my bedchamber.  we have much to discuss.  please do not bother us,” eloise proudly announces to the entirety of the room.

silence falls.  all eyes—and there are many eyes—are on you.

oh, my god.

you turn to penelope.  her overall manner is calm and composed, but you can see the disquiet in her eyes.  she peers into you, the apologetic look conveying, i did not know this would happen.

you turn back to the family.  

a lady.  a lady of older age.  two gentlemen with a difference in age.  a boy.  a girl, the youngest amongst them.  

how is it with a house this massive in the middle of the city that the entire family is present in this one room?  well, the room is the size of the two floors of your home combined, if not larger, so in that sense it is sound—but your question still stands.

this has to be the entire family.  surely.  there are so many of them.  this has to be the entire family.  yes?

“no talking, no music playing, no fighting?” inquires a droll voice walking into the room, “has someone—” 

you turn your head to follow the source of the voice and make contact with dumbfounded ocean eyes.   

butterflies flutter in your stomach.

oh.

shit.

“y/n, this is my second eldest brother, benedict bridgerton,” eloise states.  “benedict, this is my friend, y/n y/l/n.  do not bother us once we are in my bedchamber.”

he stares and blinks at you but then assumes a gentlemanly posture and bows his head.

“it is a pleasure to make your acquaintance, miss y/l/n.”

without any forethought you start to extend a hand to benedict until you hear penelope give a slight cough only you, she, eloise, and he can hear.�� receiving the hint, you retract your hand and pretend to swat at your skirt.

“err— yes.  likewise.” 

another cough. 

“mis, ter?— brid… ger?—ton,” you articulate with complete and utter uncertainty of how this world’s introductions function.

he cocks his head and furrows his eyebrows at you, something like amusement playing at his features.  he wears a lopsided smile that he is barely attempting to conceal.  his expression should be infuriating.  and it is.  but, it is... charming, too.  and welcomed.

you have never felt more embarrassed or more pleased in your life.

shit.

“before the three of you retreat to eloise’s bedchamber,” declares an authoritative voice, breaking your reverie.  you turn away from ocean eyes and see the lady of the room approaching you.  much to your surprise, she smiles.  to an even greater surprise, her smile seems sincere.  “i must insist that i introduce myself and the rest of the family to our guest.  

“i am viscountess kathani sharma bridgerton, the lady of this house,” she curtsies with perfect elegance.  “it is a delight to welcome you to our home, miss y/l/n.”

“thank you for having me— lady bridgerton.  and you may call me ‘y/n.’  you need not use such, uh, formalities with me.”

“very well; then you may call me ‘kate.’”

you furrow your eyebrows.  she had introduced herself as ‘kathani’ but now asks you to call her ‘kate.’  it makes you think of mama and papa; they shared with you once how they had chosen to go by different names upon emigrating to england.  when you had asked why, they simply replied that it would be easier for others in this country to address them.  

“may i call you ‘kathani’ instead?”

surprise flashes over the dignified demeanor of the viscountess.  she regards you with softness in her eyes.

“yes.  yes, you may.”

resuming her full composure, kathani guides you to the eldest of the gentlemen and introduces him as her husband, viscount anthony bridgerton, the lord of the house.  he offers you a small smile with a bow of his head and greets you ‘good day.’  you try not to wince at his decorous use of ‘miss’ with your first name, but you suppose it is merely in these people’s natures.  

kathani continues and leads you to the lady of older age, introducing her as dowager viscountess violet bridgerton.  she dips into a lovely curtsy and, on her rise, gazes upon you with a gentle smile.  you feel compelled to respond in kind, but it would certainly not be as graceful as hers, and worse, she may interpret your slovenly attempt as a lark.  so, you refrain.  

the viscountess next introduces you to mister colin bridgerton (you summon all your self-restraint to keep your countenance neutral—this is the boy who hurt penelope); then to mister gregory bridgerton (he bows so ceremoniously towards you, you cannot help but be endeared by his resolve); and lastly to miss hyacinth bridgerton.

“why are you dressed like that?” she inquires.

“hyacinth!” the dowager viscountess reprimands.  she must be her mother.  she sounds like a mother.  it reminds you of how your mama reprimanded you and your siblings as little ones; the memory and the exchange make you hold back a laugh.

“what!  what did i say wrong?”

you ought to feel self-conscious, your lower standing brought into further display to everyone in the room, but you detect neither malice nor judgment in the young girl’s voice.  just genuine curiosity.  so, you smile.

“my family and i have different means to clothes, amongst other things.  i wear these when i work or go about my day.  though,” you regard your attire and then— hyacinth?, feeling the glimmer in your eye, “it makes for running around and playing make-believe quite easy.”

“make-believe!  gregory, do you hear that!  miss!— miss—“ she turns to you with a cocked head.  

“y/n.”

her eyes shine once again.

“miss y/n plays make-believe!  we must play!” hyacinth latches onto your hand and, with remarkable strength for a child who cannot be older than two and ten, pulls and drags you towards the entrance of the room.  “come along, gregory!  wouldn’t want to be the last one there!”

“no fair!  you cheated!” the second youngest shouts back, dropping all previous ceremonies, and scrambles towards the entrance.

“hyacinth!  y/n is not your playmate!  she is here with me and penelope!”

“plans do change, dear sister,” hyacinth retorts.  eloise’s jaw drops, and the rest of the family bursts into laughter.  the entire exchange warms your heart.  in so many ways, they are so proper, so wealthy, and yet they are not all so different from your own family.  they seem to really care for one another.

“when did you get so smug!” eloise shoots back.

“small wonder where she could’ve learned that from,” you hear colin, the traitor, murmur.  turning your head, you see him give amused, pointed looks to eloise and kathani.  the latter grins wickedly, and her husband beams at her with pride. 

“there are only so many hours in a day!” hyacinth complains.  you face her once more, still holding her hand.

“what about this?  i will play with you and your brother for an hour, and then i will be with your sister and penelope for my remaining time here.  i want to honor the wishes of each of my new friends.”

hyacinth considers this with much theatricality to her expression.  she then grins.

“that is an excellent plan,” she remarks, looking to eloise for her thoughts.  you follow her line of sight.  eloise rolls her eyes and sighs, but a smile rests on her lips.

“very well, then.”

feeling peace restored, you smile in return and, in doing so, in your periphery, catch the ocean eyes of the second eldest brother.  benedict.  he is looking at you.  why is that?  you feel your cheeks flush and the tips of your ears heat.  his gaze is somehow gentle and intense and indecipherable all at once, and the flutterings in the pit of your stomach grow, and intensify, and start to overwhelm you—

when you are tugged back to reality with a tug forward.

–

< hyacinth leads y/n through the house to the gardens with gregory by her side.  y/n is both uneasy and in awe of the things she sees.  eventually, they arrive in the gardens.  y/n notices two swings hanging off of a large branch of an old tree and is utterly endeared by the sight; it confirms what she has been thinking:  though the bridgertons are wealthy, they are warm and welcoming.

< just as hyacinth declares that she has found a suitable spot for make-believe, two male voices ask if they may join.  hyacinth, gregory, and y/n turn and see benedict and colin approaching.  colin shares that though y/n seems lovely, it would be unwise of the family to leave the two youngest with a stranger; though y/n agrees with his family’s caution, she refrains from wanting to strangle the person who hurt her friend.

< gregory whines and asks if they can begin before eloise complains.  hyacinth agrees and says that they need to assign characters.  y/n suggests that hyacinth should be a sorceress and gregory should be a knight; these proposals delight the youngest bridgertons.  y/n volunteers herself as the villain and decides to be a banshee; she turns to the elder bridgertons and asks what they wish to be. 

< before they have a chance to respond, hyacinth proposes that benedict should be the princess who has been captured.  benedict indignantly asks why, and hyacinth simply states because he is the most sensitive of the family.  sensing how the sibling argument is about to evolve, y/n intervenes and suggests that, like a sensitive princess, perhaps benedict is merely in tuned with his emotions, even amidst adversity; it is, in its own way, a compliment.  benedict’s eyes become indecipherable upon the comment, but he wears a small sincere smile.  gregory then proposes that colin is y/n’s changeling henchman. 

< make-believe ensues, and it is very sweet and very silly.  eventually, gregory is called in for latin tutoring and thanks y/n for the fun with a deep bow; hyacinth is called in for pianoforte lessons. >

hyacinth launches herself at you with a hug.  pulling back from the embrace, she beams.

“we must continue when you return next!”

before you can even start to reply, she turns and skips off towards the house.  you hear how gregory makes a comment about coming in first, and suddenly the youngest bridgertons are in a race against one another, shouting taunts and insults.  you can’t help but smile.

“they seem to quite like you.”

your smile falls.  you turn and face towards the two elder bridgertons, the traitor being the one to have spoken.

“colin bridgerton,” you begin, “yes?”

he smiles and nods.  you surge forward and shove your finger into his face, his smile now wiped.

“if you ever hurt penelope again, i shall make certain that it is the last time you ever do.  do i make myself clear?”

when he does not respond, you repeat yourself, and he slowly then quickly nods.  satisfied, you turn towards ocean eyes and point your finger at him.

“and you look after him.” 

“what did i do?”   

“be a proper elder brother and serve as an example for your misguided sibling.  understood?”  

“i— yes.  of course.  understood.” 

you smile again.

“wonderful.  i am glad we three are in agreement.  it was good speaking with you, gentlemen.  good day.” 

you turn away and start to walk towards the house.

“i quite like her too,”  and you hear the restored smile in the third bridgerton’s voice.  “what about you, brother?”

you hasten your steps towards the house.  though mere moments before you had felt emboldened and brave, you fear hearing benedict’s response.  you do not why.

–

< eloise, penelope, and y/n extensively discuss literature and writing; upon talking about women writers, y/n shares how she does not fully see herself as just a woman. >

“so, what are you?”

you wince.  you have kept good on your promise and joined eloise and penelope in the former’s bedchamber, but you are swiftly wishing you had been able to stay with hyacinth, gregory, colin even, and benedict.  you had attempted to explain an aspect of yourself to eloise but not to very much fruit, it seems.  you want to hide and escape and run from this place—

“eloise.”

—when penelope comes to your defense.  

“what?  what is it?”

“perhaps you could have phrased your question with more tact and thoughtfulness.”

eloise looks between the two of you, concern flooding her eyes.

“did i— did i not?”

penelope turns to you.

“are you comfortable to answer?”

“i would prefer that i didn’t.”

you hope that your eyes are sufficient enough to convey the immensity of gratitude that you feel towards penelope in this very moment.

“y/n,” begins eloise, “i did not realize—”

“and what are you three gossiping about?”

you jump, penelope squeaks, and eloise growls a noise of exasperation.  turning towards the voice in the doorway, you are visited, once again, by the third and second bridgerton siblings.

“and what makes you think we are gossiping?” demands eloise, “because we are w— people?”

you feel the corners of your mouth tug upward.  at least she is trying.  wanting to keep the attention on benedict and colin rather than yourself, however, and with genuine curiosity, you cock your head at the two gentlemen.

“do you two always come in a pair?”

“not always,” replies benedict.  and he smiles at you, “today is merely a special occasion.”

stupid butterflies.

“speaking of such,” colin proceeds.  “kate has requested that the three of you join the family in the drawing room.”

< the five of them make their way to the drawing room.  kate shares that, on behalf of the family, she would like to invite both y/n and penelope to dinner.  though at first honored to have been invited, upon hearing “dinner,” y/n realizes how late it has become and looks out the window:  the sun is halfway set.  she apologizes and says that she cannot stay because she resumes work the next day.  her latter statement renders some of the people in the room confused, but kathani states how she understands and that y/n is welcomed to join dinner whenever she visits.  

< seeing how confused y/n is, anthony shares that y/n is welcomed to visit their home whenever she is able and whenever she would like, and the rest of the family pipes in with how delighted they would be if she does.  not knowing how she deserved such kindness from people who were mere strangers at the start of the day, y/n thanks the bridgertons and says that she would love to.  penelope chooses to stay for dinner and says that she will see y/n next week.  y/n affirms that she, and the bridgertons, will.

< kathani and benedict offer to escort y/n to the entrance.  y/n walks down the steps and passes the gate but, before she goes, takes one last look at number five until next week and sees benedict still in the doorway.  y/n notices, but reprimands herself for perhaps imagining it, that his smile grows when his eyes lock with hers.  with flutterings in her stomach, y/n offers a wave.  he gives a small wave back.  she turns and goes, smiling all the way home. >

𝄆 ⚘ ✸ I.ii ✸ ⚘ 𝄇

“benedict has been making more appearances as of late,” penelope remarks.

the three of you all look up—you and pen from your writing, eloise from her reading—to see benedict entering through the doors and heading towards the other side of the drawing room.  he looks over at you— at you all and offers a smile before he plops himself down onto a chaise and begins to draw.

“yes, it is strange,” eloise considers to the two of you.  “for so long he had been moping about, locked away in his bedchamber aside from mealtime or the occasional visit to the drawing room.  he’s even picked up his charcoal again.”

“again?” you inquire, averting your gaze from the artist to your friend.  “had he stopped prior?”

“he had entirely put it down after—” eloise sighs.  whatever memory she has recounted, it does not seem to be a pleasant one.  you look to penelope; you sense that she shares a similar sentiment by the sad look in her eyes.  you are curious but you choose not to press.  

“it has been quite some time since he’s last drawn.  but now, whenever i see him, whether in his bedchamber or the billiards room or some other room in the house, he’s drawing.  he frequently arrives to mealtime with charcoal stained fingers—much to the chagrin of mama and anthony.”

you all laugh.  benedict looks up at you three, and from here you can tell he wears a curious expression, no doubt wondering what you are laughing about.  when he exaggeratedly arches an eyebrow, eloise just makes a face at him.  benedict rolls his eyes, smiling, and for the briefest moment, you feel as though he is looking at you.  but you’ve always had an active imagination.  when you blink, he has returned to his drawing, a smile still on his lips.

“i wonder what has changed?” eloise softly says, still looking at benedict.  for all her fire and spirit, you see how deeply she cares for her second eldest brother.

“perhaps he has found a muse,” penelope poses rather than queries.  you shift your gaze from eloise to penelope, and you’re curious about her expression.  she seems... delighted?  benedict finding his passion for art again does sound delightful; you know firsthand how difficult it is to pick yourself up from a slump.  but that’s not what she seems delighted by.  she just looks at you.  with a soft smile.  why?  what does benedict have anything to do with you?

you feel your cheeks and the tips of your ears flood with warmth.  you don’t know why, but penelope’s expression unnerves you, in a pleasant sensational way.

you clear your throat.

“i am happy for him,” you say, returning to your quill and folded quarto, haphazardly writing down whatever words come to your mind.  

ocean.  charcoal.  smile.  flutters.

shit.

it is not until what feels like an uncharacteristically long moment later that you hear penelope resume her writing and eloise resume her reading.  you try not to imagine what they could have silently exchanged with your gaze averted.

𝄆 ⚘ ✸ I.iii ✸ ⚘ 𝄇

you suck in a sharp breath and shoot out of your seat.

“you do not!” you shriek, hastening towards kathani, eloise, and the stack of books they have just settled onto the table.  you had arrived early to the bridgertons’ home, at the invitation of kathani, so early that the rest of the family seems not yet to be awake.  

(which is strange, you find, as it is nearing 8 o’clock.  most mornings, at this time, you are already well into the bustle of work.)  

kathani had prefaced, rather enigmatically, that she and eloise had a surprise they wished to share with you.  you had your suspicions as to what it could be related to, and with each passing moment, you are suspecting, very excitingly!, that you are very correct. 

“indeed, we do,” kathani grins and gestures to the stacks.  

taking no hesitation to the offer, you grab from the top of a stack and open to the title page.

the dramatic works of william shakespeare.  vol. 2:  a midsummer night’s dream / the merry wives of windsor / much ado about nothing.

you shriek again, this time accompanied with hops of excitement, flipping to the final third of the book.

“much ado!  this is the one i’ve read!” 

dorothea, a fruit seller, had offered a copy of it to you (at a lowered price, she had emphasized) when she had learned of your liking to stories.  she grandly stated that she had started to write down the dialogue during low-attendance performances at the theater and then brought her handiwork to be typed and printed at a not-to-be-named press.  but if the pages’ handwritten annotations alluded to anything, you suspected that she had managed to purloin a performer’s copy of the script.  you felt a bit of pity for the poor performer who misplaced it, but you respected, and still respect!, dorothea’s moonlighting. 

you shoot your head up from the book and are greeted by the grins of your two friends.  “which one has romeo and juliet?”

this past autumn you had overheard several candlemakers at the markets animatedly discussing the ‘incandescent’ portrayal of the titular character by an actress from ireland.  a performance, described as ‘incandescent’ by candlemakers!  embodied by a storyteller who has emigrated here!  hearing all those wondrous things made you insatiably curious to one day read the text that made such wondrous things happen.

“i believe,” eloise says, pulling the second from the bottom of a stack, “it is this one.”

you twitch your fingers; you have to refrain yourself from snatching the book from your friend’s hand.  when it is in yours, you open to the title page and feel your eyes, along with your smile, widen.

“it is, it is!  oh, this is extraordinary!”  you flip furiously to your desired page and, once you find it, start to read,  

prologue.  two households—

—when you hear kathani say, “we had thought of starting with that one.”

that makes you rip your eyes away from the words and look up at the two ladies.

“‘starting with’?”

“when eloise, penelope, and i learned of your eagerness to read shakespeare,” elaborates kathani.  her saying that makes you flush; you had not realized with what apparent enthusiasm you had spoken of the poet.  “the three of us had discussed that the four of us could read his plays together.  if you would like, of course.”

your jaw drops.  you cannot help the squeal that emits from your mouth.  hopping once again in your excitement, you throw yourself at your friends and wrap your arms around them both.

“if i would like!  i would be delighted!”

you pull back from your hug with the two ladies and are greeted by gleaming eyes and wide grins.  you feel how your expression matches theirs.  it has only been a little over a month of your friendship with eloise and kathani, and the rest of the bridgertons at number five, but they each have somehow found a way to carve themselves out in your heart.  and if this most recent kindness by eloise and kathani indicates anything, perhaps you have found a way to carve yourself out in each of theirs.

(and you promptly ignore the thought of what that could possibly mean for ocean eyes and charcoal-stained hands, flutterings within you be damned.)

“how shall we allocate the book?” you say aloud out of genuine inquiry and a deep desire to revert your heart, mind elsewhere.  “shall we read passages aloud and then pass it on to the next reader?”

< eloise makes a remark that indicates her confusion at y/n’s question.  kathani, who is more privy to the situation, shares how she has her own copy as do eloise and penelope.  the stack that they’ve brought is an extra set that the bridgerton house has that y/n can use.  this perplexes y/n.  she cannot understand how a household can have multiple copies of a book, let alone copies of a whole anthology of many books.  before y/n can doom-spiral into thinking, penelope arrives at the entrance of the drawing room.  reading of romeo and juliet commences.  

< just as y/n finishes reading the scene in which romeo and juliet meet for the first time at the capulet ball and then kiss, y/n notices in her periphery benedict approaching the four.  kathani remarks how unusually early he is to be awake and ready for the day; y/n notes to herself how there seems to be some sort of mischief in the viscountess’s smile. >

𝄆 ⚘ ✸ I.iv ✸ ⚘ 𝄇

“i shall be y/n’s teacher,” the viscount declares.

“you were adamant on her not fencing, and now you are insistent on being her teacher?”

“it would be hardly appropriate, colin, for two young unmarried men to be in such close proximity to a young unmarried lady, as proximity of teacher and student in fencing would require.”

“are you always this— antiquated?”  you inquire.

that earns a snort from kathani.  anthony, looking betrayed, turns to his wife; she merely shrugs in reply, mirth shining in her eyes.  he turns back to you, eyebrows deeply furrowed and mouth fully frowning.

“and what do you insinuate by that!”

“are you so distrustful of your own brothers, the ones for whom you have served, and still serve, as a model, that you think they would take advantage of me in such a situation—”

you sense how the eldest bridgerton is about to retaliate and arch a severe eyebrow at him in response; you refuse to be interrupted.

“or are you so unbelieving in persons of feminine dispositions that you think i shall be compromised by the mere closeness of a body different from my own sex?”

there is a silence, and though you cannot see them as you stare down the viscount, you can feel how the others exchange delighted glances with one another and hold back their laughter.

“you have two choices, my lord,” you offer.

“neither of them are suitable!  and do not call me ‘my lord’!”

“is that not the proper way to address you?”

“it is, but you—!” he huffs out air through his nostrils, like an indignant dragon in a fairytale; it is a very silly, very amusing sight.  “we have not even begun the lesson and you are already the most exasperating student i’ve ever had!”

you turn to colin and benedict, grinning.

“you two must have been saints then.”

“would you expect any less?” colin grins back.

your wide smile remains intact until your eyes fall on the expression of benedict.  you are entirely uncertain of what emotion he could be possibly feeling until he seems to realize where he is, and how you are looking at him, and breaks out into a brilliant smile with matching brilliant ocean eyes.  you quickly snap your head away from him, ignoring the fluttering of butterflies summoned within you upon the shift in benedict’s expression, and turn to anthony.

“shall we begin, then?”

–

it turns out that you are quite the quick learner when it comes to fencing.  after putting on a fencing vest that had previously belonged to benedict—

“because you are the shortest of the three of us, brother,” remarked colin after the second son inquired why it had to be his former vest that you were to wear.  benedict scrunched his nose and eyebrows in displeasure.  (perhaps you should have taken offense to his opposition, but it was truly of no personal consequence to you and the reaction it created in him was truly adorable.)

“i am not!”

“you are, indeed,” anthony deadpanned.

“prove it!”

and the three eldest sons of the esteemed bridgerton family stood next to one another, comparing their heights.  you turned to kathani, eloise, and penelope.

“are they always like this?”

“idiotic?” eloise deadpanned, sounding remarkably like her eldest brother.

“indeed, they are,” grinned kathani.

—over your blouse, you are immediately put to lessons.  anthony explains the basic concepts of fencing and then demonstrates elementary strikes and parries, occasionally adjusting your stances to the proper forms.  noting how quickly you took to the lessons, he calls for a match between the two of you to observe how you would apply your skills in combat.

“you are retaining information exceptionally well, as well as executing the techniques rather impressively,” states your teacher as you deflect his strike.  you try to hide your gladness in his praise as you smirk and push his blade away with the terzo of yours.

“ah, so my sex is not a detriment to my abilities; that is good to know.”

you hear snickers and snorts from around you.

“i said nothing of the sort!”

“did you think it?”

your opponent frowns further, slightly turning his head away from you to steal a glance at his wife.  he turns back to you.

“i did,” he admits defeatedly.

“it takes a true man of honor to rise up to his folly,” you remark honestly, as you strike anthony’s arm with the tip of your sabre.  loud cheers burst from the onlookers and an aghast but proud look emerges on the countenance of your teacher; you grin, “and a fool to leave his defenses so easily open.”

impressed by your display of sport, and seemingly overcoming his antiquation, at least for the moment, anthony decides that you will match against colin and then benedict.

“how are you to improve if you are to face the same opponent?” claims your teacher with his usual air of annoyance, but you detect his pride in your accomplishment.

it is also decided that the matches will end when one scores a point.

and so, you face colin.  it is easy to keep pace with him, not due to lack of skill on his part but complete and utter determination on yours.  you tried to convince yourself, in the beginning of your match, that the remnants of your anger towards the third bridgerton brother, and how he treated your friend, did not fuel your determination to score the point— but it did and does.  and successfully so, as you strike colin in his left shoulder.  perhaps you do it with too much force as the strike reels him off balance (and perhaps you are delighted that it has done so), but he quickly resumes composure and flashes you a grin.

“i see more and more everyday why you and pen are friends.”

that softens your heart.  you should be dubious of his charming remark, but you aren’t; it is too sincere, as is he, and you begin to see, even if minutely, why penelope cares for him.

“she has good taste in the company she keeps, i’m learning.”

that makes him laugh, as it does the others, and you look over and see how pen’s countenance shines with joy.  that is enough to put your anger towards colin at ease, and turning towards your defeated foe once more, you return his smile and bow your head.  bowing his head in kind, colin leaves, and in his place arrives your next and final opponent; he is smiling like a boy.  

“best for last?” he remarks as he prepares his starting position.  you roll your eyes, ignoring the warmth that starts to fill the center of your chest.

“this shall determine that,” and settled in your starting position, you and benedict begin your duel.

you have observed something of the eldest bridgerton brothers in your matches against them.  anthony struck like fire, bombastic and ferocious.  colin stood his ground like earth, his guards resolute.  and benedict— 

benedict moves like water.  free.  fluid.

as if he is dancing while dueling.

both you and he have reached a stalemate.  you have managed to parry every one of his strikes, and he has managed to deflect every one of yours.  you can feel how those watching are holding their breaths, waiting for someone to land the point.  

you try not to startle when you hear benedict’s voice as you guard against his strike.

“it takes quite an astonishing person to earn the praise of anthony bridgerton.”

“are you so surprised that i am such a person?”

“quite the opposite, y/n,” he catches one of your strikes and grins at you.  “i think you are entirely perfect in that regard.”

you roll your eyes once again but cannot help the blush that you feel spread across your cheeks as you push back his sabre with yours.  

“do you honestly think charm will win you the point?”

“do you find me charming?” you ignore the heat that creeps up your neck and the voice in your head that has already answered his question far too quickly for your liking.  “no, i do not think so lowly of such a formidable foe.”

and he winks at you.

and somehow, without you realizing how you got there, benedict strikes the center of your chest.

“but a little distraction does help.”

his point earns a round of groans and bleats from the crowd.  instead of looking offended, benedict just laughs and approaches you, gloved hand outstretched, a boyish smile once again on his face.  despite your loss, you cannot help but smile too.  you place your gloved hand in his. 

“it was a pleasure to duel with you.”

“yes.  likewise.”

perhaps you imagine it, but you feel his thumb swipe against the side of your hand.  it is featherlight, hardly felt with both your and his hands gloved, but felt nevertheless.  before you can process the sensation any further, he lets go of your hand.  with another smile, he bows his head at you as the crowd of people approach you both, penelope raving about your matches, eloise expressing her wish to fence now, anthony already commenting on what you could do better in your next match.

and without you realizing it, you gently swipe against the side of your gloved hand.

𝄆 ⚘ ✸ I.v ✸ ⚘ 𝄇

"mama?  papa?"

it is a rare occasion when you, mama, papa, and your sibling eat together, and an even rarer occasion to do so for a second meal, but this night was such a night.  the three of them halt their conversation and look over to you.

"how did you know you were in love with one another?"

there is a small silence, but then, without looking at one another, they smile in tandem.

"it was at first sight, really, for me,” your papa says as he offers his hand to mama.  “as trite as that sounds."

mama takes his hand into hers.

"i as well."

"when i looked into your mama’s eyes, i knew that something was different.  that my life had changed."

"for the better, dearest?"

papa laughs heartily.

"no, actually.  it has been misery ever since."

you and your family laugh as mama playfully slaps at papa’s hand.  it warms your soul every time they do this, when they tease one another and are light because of the other.   it makes you believe in love each time.  

mama and papa lace their fingers together again, smiling, still gazing at one another.  as if it is just the two of them in their own world.  mama, turning her smile from papa to you, speaks again.

"the flutterings in my stomach wouldn’t quiet, and they only intensified as we approached closer to one another that day and grew closer to one another with time."

she looks nostalgic until something mischievous quickly overcedes her countenance.

"why do you ask, my dear?  has someone captured your eye?"

"or, better yet, your heart?" papa tags along.

ocean eyes and charcoal-stained hands flash by in your mind.

"no!" you say too hastily.  "no, of course not.  it’s— for one of my writings, is all."

you repeatedly poke at your bit of boiled chicken to avoid any further inquisition from your parents’ gazes.

–

sat by your window, you stare up at the night sky when the voice of your sibling infiltrates your dreaming.

“it’s one of the brothers, isn’t it?”

you whip your head over to them.  they don’t even look at you; they are preparing for bed.

“pardon me?” 

“is it the artist brother?”

“what!”

fluffing their pillow, they smile.

“so i am correct.”

“i didn’t even say anything!”

“that is not true.  you said ‘what.’”

“that reveals nothing!”

pleased with the setting of their bed, they ruin their work by plopping their bottom onto it as they finally face you in what you realize now is a confrontation.

“of course it doesn’t, the word on its own.  your reaction, however?  could not be more transparent of your feelings.”

“i have no feelings!”

“is that why you asked mama and papa about being in love?  because you have no feelings and you need to be told what they are?”

“i!—— i am going to bed!” you lift yourself up from your seat at the window sill, turning away from the peace of the night sky, and crash onto your bed.  you lay on your side, faced towards the wall, refusing to make eye contact with your sibling.  you lift up your sheet with too much force and lay it over your body and head.  “good!  night!”

after some silence, you hear the creak of your sibling’s bed and, a moment later, feel a featherlight touch on your upper arm.  you give it a thought, and perhaps against your better judgment, you lift off your sheet, turn, and are greeted by the gentlest of expressions from your sibling.

“i think it is wonderful, y/n.  whoever it is, they are very blessed to have your affections.”

your heart swells.  you love your sibling.

“how did you know it was the artist brother?”  

“so i am correct!”  they smile with a shrug.  “i deduced based on how much you’ve been writing about paint and charcoal as of late.”

you almost shoot upright from your bed.

“you’ve been reading my writing?”

“well, if they weren’t to be read, why do you leave them spread out on the table?”

“because there is no other place to store them!”

“and how good that is, or else i wouldn’t be able to read your fantastical stories or have been able to discover who your beloved is.”

“you are impossible!”

they kneel next to your bed and place their head on your shoulder.

“i love you too.”

you exhale the last of your frustrations, adjusting yourself a bit so that your sibling can rest their head more comfortably.  without realizing, you stroke their hair, just as you always have.

“i quite like the story about the mushroom family,” they state after some time. “i’m happy that the middle mushroom child befriends the peony and then the hyacinths.  i am happy they are happy.”

you feel your eyes start to drift.

“his name is benedict, by the way.”

you hear your sibling’s need for sleep in their reply.

“that’s a lovely name.”

“he is,” you murmur as the peace of the night falls over you.

𝄆 ⚘ ✸ I.vi ✸ ⚘ 𝄇

“good day!— robert?”

“good day, y/n!” and robert holds the door of bridgerton house open for you to pass.

“pardon the confusion in my greetings—”

“no offense taken on my part!” the late adolescence beams.  you grin back.  with how utterly enthusiastic robert is all the time, one would think it is part of some ruse.  but it is not; he is just that genuinely delighted by life, you’ve observed.

“i am grateful.  i had expected to be greeted by giles, is all.”

robert frowns.  you feel the corners of your mouth tug downward in response, concern starting to swell your heart.

“he is ill at the moment.”

“ill!  with what?”

“i know not.  i had admitted the doctor perhaps not even a quarter of an hour ago.  but worry not too much, y/n!  from what the viscountess has shared with the servants earlier this day, giles shall make a quick recovery.  and lady bridgerton has yet to be wrong in anything!”

relief floods your body.  giles is of elderly age, so it calms you to hear that his ailment seems not to be too severe.  and you can’t help but smile not only by robert’s sunny temperament but also by his rightful faith in kathani.

“that is all good to hear.”

“shall i announce you to the drawing room?”

“oh god no.  i am quite all right, but thank you.”

“understood!  then i must pardon myself; i must retrieve miss bridgerton and miss featherington.”

“‘retrieve’?  are they not in the drawing room?”

“i was informed by dowager lady bridgerton, who was accompanied by miss bridgerton and miss featherington themselves at the time, that they would be in the gardens until your arrival and to retrieve the young misses upon your arrival.”

“i see.  well, i shall be in the drawing room then.  thank you again, robert.”

“it is my pleasure, y/n!” he beams once more and takes off to complete his task.

how odd, you think to yourself.  this day seems rather unusual to the ones you’ve had thus far at bridgerton home.  and it is hardly even noon!  you become lost in your thoughts as you approach the entrance to the drawing room—

when you are greeted by benedict, and benedict alone, lounging with his legs thrown over the arm of a chair, staring sternly at the page he draws on.

“oh,” is all you say.

benedict snaps his focus from his book to you, his countenance transforming from deep concentration to frustration to genuine surprise in a mere moment.  he scrambles up from his seat, book in one hand and charcoal in the other, posture now proper, and he bows his head.  

“miss y/l/n.”

never before have you been alone in a room with a man.  a gentleman.  a gentleman with a handsome face, charcoal-stained hands, and beautiful ocean eyes.

you roll your eyes.

“blimey, it is just me.  there is no need to bow.  and why are you calling me miss y/l/n?”

benedict smiles.

“all right.  y/n.”

shit.

perhaps that was a mistake.

“where has your family gone?” you inquire as you go to sit in the chair parallel to his, ignoring the flutterings within your stomach.  “it is uncommon to enter the drawing room of bridgerton house and not be greeted by talking, or music playing, or fighting.”

smiling, benedict falls back into his seat and resumes his drawing.

“hyacinth is with her reading tutor; gregory is with his fencing instructor; colin is eating some sort of pastry, i am certain, in town; anthony and kate are likely— preoccupied—”

you snort; benedict’s smile grows broader as he smudges charcoal with his thumb, a small furrow in his eyebrows now forming.

“and mother has managed to rope eloise into learning about the flowers of the gardens, and eloise, being eloise, has roped penelope into doing the same.”

“and what of you?”

“and what of me?”

“why have you chosen the drawing room as your whereabouts?”

benedict cocks his head towards his drawing.

“it’s in the name of the room, is it not?”

“ah, a man of wit, i see.”

“i am a man of many attributes, y/n.”

ignore the butterflies.

“such as?”

“what attributes would win your favor?”

“so that you may lie to me and say you possess them?”

“of course not; the list is merely too long and i shan’t bore you with a soliloquy.”

“so, a man of thoughtfulness.”

“oh yes, a myriad of thoughts.”  

“name one.”

“how much i am enjoying our conversation.”

and benedict shifts his ocean eyes from his drawing to you, a smile on his lips.  he is being playful, but you detect no deceit in his expression.  it infuriates you, really.  how charming he is.  how endearing.  how sincere.  

you return his smile.

“as am i, benedict.”

you sit in comfortable silence a moment more until benedict breaks the gaze, returning his oceans eyes and smile back to his drawing.  his smile, however, does not last for very long.

“this sketch, on the contrary—”

and he rips out the paper from his book, crumples it in his hand, and throws it onto the carpet of the floor, giving his deed not another moment’s notice.  he puts his charcoal to a new page in the moment next.

your smile falls.

“do you know how much paper costs?” you demand.

benedict looks back up at you with scrunched eyebrows and a smile having returned to his lips.  he tilts his head.

“why?  should i?”  he inquires.  nonchalantly.  delight in his ocean eyes.

as if you are making a jest.

as if this is amusing.  as if this is nothing.

it reminds you of a recent memory.

eloise had generously given you sheets of paper.  hitting a stride in your writing and wanting to continue, you had asked, after much internal deliberation, if you could have a ripped half of a quarto upon running out of all negative space on your current one.

“have a foolscap.  have a whole lot of them, actually,” she said easily, taking a good chunk of her stack and handing it off to you.

“eloise, are you certain?”

“of course.  it is just paper, after all.”

“right.  yes— of course.  thank you.”

eloise hummed affirmatively in response, returning to her passage, as you stared at the small stack of foolscap in your hand.  that amount of paper would have been eight months’ wage, perhaps even more.  

a gentle touch of a hand on yours brought you out of your clouding thoughts.  you looked over and saw penelope looking at you softly.  understanding her unspoken thoughts, you held her hand and gave it a squeeze.

thank you, you mouthed.

"i must be going,” you say aloud.  “goodbye, mr. bridgerton.”

you stand, turn, and quickly exit the drawing room. 

“y/n.  y/n!”

you hear him scuffling up from his lounge and start to follow you.  you hasten your steps towards the entrance.  

moments before you can open the doors of bridgerton house to the respite of the outside world, you feel benedict take hold of your wrist, stopping you in your steps, and it infuriates you how gently he does it.  how you can pull away from his touch if you want to, how you can just go if you choose to.  but you do not.

it infuriates you how much you want him to hold you.

you turn to face him.

“please— wait,” he breathes.  “what did i do wrong?  what have i done to upset you?”

you look at him incredulously.  then it dawns on you.

“please.  tell me,” benedict practically begs.  with such softness in his voice.

it infuriates you.

“i know money is of no concern to you, or your family, or fair ladies and pretty gentlemen.  but it is for the rest of us.  for the rest of us who have to work to keep the ones we love fed, clothed, warmed, sheltered.  that is a fact with which i have been concerned since the very moment i could think for myself.  and for you—of the male sex, of pale skin, of inherited riches—it is something to discard onto the carpet of one of your family’s many houses.  the paper you threw to the ground would have paid for a month’s worth of warmth for the entirety of my family’s home.  and you ask me what you have done to upset me?”

he says nothing.  he just looks at you, damned ocean eyes and all.  gentle.  attentive.  like he could care; like he does care.

you feel your nostrils flaring, your blood pounding in every vein of your body.  you finally rip your wrist away from his loose hold, already missing his touch.

“i shall take my leave.  please give my regards as well as my apologies to eloise and penelope.  goodbye, benedict.”

you turn away from him, yank the door open by its handle, and step outside, walking composedly at first, then quickly, then sprinting, then running.  to be as far away from number five of grosvenor square as you possibly can be.  to be far away from crumpled up paper, charcoal-stained hands, gentle touches, and ocean eyes.  

you rub your wrists against your eyes.

stupid bloody tears.

stupid fucking heart.

why am i so afflicted by this?  why am i crying?  why do i hurt?

because i love—

no.

you cannot fall for him.  he is someone you cannot have, cannot want, cannot— cannot…

it cannot happen, the two of you.

and most likely of all, you are not someone he wants.  not someone who he would love.  not the way you—

you are a fool for getting this far.  but these feelings, they will pass.  somehow.   you will forget them.  you will forget him.  this is not the fairytales you read, not the fairytales you write.  daydreams, hopes, love for a gentleman— there is a reason you are a writer.

you write the things you can never have, the things that will never happen.

you and benedict will never happen.

this is the prayer you tell yourself that evening before sleep takes you.  you pretend not to be affected by the tears that afflict you as you do so.

𝄆 ⚘ ✸ I.vii ✸ ⚘ 𝄇

< y/n does not go to number five the next week on her non-work day as she had grown accustomed to.  she had tried to write at her table in her home to preoccupy herself, but her teardrops were ruining what she had already written.  she considers going to work to distract herself, but y/n knows her unexpected presence would be a detriment to her fellow workers’ established flow of day.  she decides to go to the markets to try and get fresh air and a change of scenery and to do anything to interrupt her spiral of thoughts and emotions.

< while at the markets, y/n hears her name called and turns to see penelope in her blue cloak.  y/n asks what penelope is doing here, and penelope gently replies that she can ask y/n the same thing.  she shares with y/n how, the week prior, after she received news that y/n had left bridgerton house, she left to find y/n in the markets and at her workplace but to no avail.  

< their conversation continues.  penelope shares how y/n was missed last week; by her, by the family, by benedict.  y/n tries to dismiss her words and how the past few months have been a mistake and that she shouldn’t be there with pen or the bridgertons, that she’s not meant to be in their world.

< with patience and empathy and grace, penelope gently encourages y/n to return to bridgerton house next week, and y/n, though her heart aching and reluctant, agrees because she misses them. >

𝄆 ⚘ ✸ I.viii ✸ ⚘ 𝄇

you sigh deeply.

have courage, y/n.

and you rap your knuckles twice against the stately door of number five.  a moment later, the door opens, and you are greeted by a beloved grin.

“miss y/n!  i have not seen you in weeks!”

you cannot help but smile back.

“good day, giles.”

“oh, where are my manners!” and the elderly doorman bows at you.  you huff out a laugh, feeling how your face contorts with distaste. 

“blimey, please don’t.  i am not a lady, giles.”

“you could’ve fooled me, miss y/n.”

you shoot him a severe look; he merely continues to grin.

“you know of my feelings towards being called ‘miss.’”

“i am getting older; my memory frequently fails me, miss y/n.”

“and yet you’ve recalled how we haven’t seen each other in two weeks.”

“three.”

you grin.

“precisely.”

“well, it was quite the surprise when I fell ill the following week!” then giles frowns.  “and it was an even greater surprise to have not seen you when i had returned the week following that.”

you look at the ground, unable to face the inquisition in his sad, kindly look, but when you bring your head back up, you manage a smile.

“it is no matter.  i am here now.  that is most important, yes?”

the elderly man smiles.

“yes, i suppose you are right, y/n,” and he holds the door open for you to pass.  

“aside from bouts with ailment, how have you been, giles?”

“still standing upright, still opening and closing doors,” he beams without a bit of sarcasm.  “and what of you?  how have you been?”

“i’ve been—— well.  and the family?” you say quickly, wanting to move the conversation away from you and your feelings.

“the same as is to be expected.  though—” 

concern starts to swell in your heart.  what has happened in the fortnight you have not been present?

“mister benedict has been absolutely despondent.”

“oh,” is all you say.  giles’ gentle joviality transforms into solemnity, and it makes your heart ache even further.

“on the rare occasions i do see him now, he is leaving for the gentleman’s club in the bright light of day and coming home at an ungodly hour, drunk as a wheelbarrow, wreaking of what smells like every available spirit in london.  he had stopped dipping rather deep sometime ago, much to my relief, so it was an utter shock to return to my station and to see him back on the cut, and deeply at that,” the elderly man sighs.  “i wonder what has happened for him to be so…” he unexpectedly turns to you, his countenance sanguine, “do you happen to know?”

you swallow as you ignore the sensation pooling in the pit of your stomach.

“no, i— i do not.”

“i see.  well, whatever it might be, it is clear how much it deeply afflicts him,” and giles offers you a small, sad smile.  “you know mister benedict; he has always been the most sensitive of the family.”

i do.  

i do know benedict.

you clear your throat.

“do you happen to know where eloise and penelope are at this moment?”

giles cocks his head at you but is kind enough (you thank the heavens) not to press your change of topic.

“the last i had seen them, they had spoken of viewing the art gallery.  do you know the way?”

“i am unfamiliar.”

he smiles again, and it makes you smile in return.

“then i am most glad to escort you there.”

–

giles opens the doors to the gallery, and ahead, in front of a portrait, you see the turnings of penelope, eloise, and—

“y/n,” he utters.

“benedict,” you breathe.

and he looks just as surprised as you are.  

you look to giles, his eyes wide and mouth agape, and then to eloise and penelope.  upon seeing their expressions, you feel your eyes narrow.

“ah, penelope!” shouts eloise.  everyone else turns to stare at her.  “with y/n’s arrival, i must change out of my, my art gallery viewing dress!  and— and, into my... drawing room!  sitting— dress...”

eloise scrunches her entire face in displeasure, confused by her own poorly concocted excuse.  that does nothing to deter her, however, from clamping onto penelope’s wrist and barreling forward towards the doors of the gallery.

“come along, pen!” she calls out to the friend she is pulling right behind her.  as they pass you, eloise gives you a strange and strained smile bearing all teeth, and penelope offers apologetic eyes and an encouraging smile.

giles looks to you, to benedict, and to the two escaping ladies.  mouth still agape, all he manages is,

“i suppose— i shall see to that— miss bridgerton and miss featherington arrive to miss bridgerton’s bedchamber... safe—ly…?”

he mouths, i’m sorry!, at you before quickly bowing his head at benedict, fleeing the scene with remarkable speed for an elderly man who has recently recovered from illness, and leaving you at the entrance of the art gallery.

closing your eyes, you deeply inhale through your nostrils as you place your hand to the space between your eye and your temple.  on your exhale, you wipe your hand hard against the side of your face and open your eyes, whipping your head to look at the second eldest bridgerton brother.  it seems that he has been staring at you this entire time, stupid (stunning) ocean eyes and all.

“would you like to paint a picture?” you snark.  “you are the artist in the room, and it would certainly last longer.  or perhaps you have run out of paper?”

he does not respond, indecipherable expression unchanging, and it unnerves you how guilty you feel at goading him, at taunting him, and he merely takes it.  you sigh again and cross the gallery to where he stands.  resisting the urge to look at him again, as you feel his gaze still on you, you instead look at the painting ahead of you.

it is a portrait of a gentleman.  with dark chestnut hair and mutton chops.  he wears a blue jacket, a darker blue vest, a cream cravat, green breeches, and brown boots.  a watch on a ribbon hangs from his vest; it looks familiar.  he looks familiar.  a benevolent smile rests on his lips.

you look at the plaque at the bottom of the gilded frame.

edmund bridgerton, the 8th viscount bridgerton.

you look back up at the painting, captured by a particular feature.

“you have his eyes.”

“his are gray; mine are blue.”

you roll your eyes but smile despite yourself.  (you try to ignore the flutterings that bloom upon hearing his voice again.)

“yes, but that’s not what i was referring to.  they peer into you— not with scrutiny, nor judgment, but with kindness, curiosity, compassion.  an eagerness to learn about you.  pools of welcoming.  cool tones that radiate warmth.”

you cough, ripping your eyes away from the portrait to inspect the scuffs of your boots.  you feel embarrassment spread throughout your entire body as heat creeps up your neck.

“the painter is excellent at their craft.  it is as if i know him, your father.”

silence falls in the expansive gallery, the calm and kind eyes of viscount bridgerton looking down upon you and his second eldest.

“i’ve missed you.”

you snap your head up to look at benedict, your eyes making contact with his ocean ones.  welcoming and warm.  honest and... hopeful?

i’ve missed you, too.

“benedict, it has only been a fortnight since we saw each other last,” you respond aloud, your voice coming out so much softer than you had intended.  you offer him a small smile, an olive branch of sorts.  something of relief starts to fill his ocean eyes, but his demeanor does not change.

“i behaved arrogantly, and you did not deserve to be the recipient of such behavior.  no one does, and i am so— i am so sorry, y/n.”

and you know he is.  you resist the urge to touch his cheek, to comfort him with your caress, to selfishly have your skin touch his.  instead, you look on at him.

“i do not ask you to grant me your forgiveness; i know i am unworthy of it.  i just— i just wanted you to know how i felt, and feel still.  and how i shall work on myself to be better, to do better.”

the butterflies in your stomach flutter maddeningly.  you emit an exhale from your nostrils.  the urge to touch him intensifies, and you feel yourself flex your hand to let go of the sensation.  you huff out another breath, and smile brightly, sincerely, at benedict.

“well,” you begin, “with our friendship renewed, care to show me what other paintings you love in this gallery?”

benedict’s ocean eyes beam with relief and joy, a brilliant smile lighting up his face, and it takes all your self-control not to drop all discretion and wrap your arms around him in a crushing embrace.

“i would love nothing more, y/n,” he declares.

you try not to flutter your eyes closed at the words ‘i,’ ‘love,’ and your name in the same breath from benedict’s lips.  at the pleasantness and home you feel in them.  you smile on.

“where shall we begin, then?”

you and benedict walk together as he approaches a miniature in a wooden frame ornately carved with floral motifs.  he admits that he has not the slightest clue which bridgerton ancestor this is, and that makes you snort.  grinning, he points out how adeptly the artist portrayed the translucency and fluidity of the lady’s veil and how particularly impressive it must have been to accomplish such effects in paints during the early 1600s, if the remnant dating of the artist’s signature is correct.  you remark how particularly impressive it is that a painting has endured two hundred years of existence, details still intact, and benedict responds simply that rich people have a way.  that makes you snort again, and that makes benedict grin again.

he then leads you to a portrait of kathani and anthony, the viscountess sat in a chair with the viscount stood behind.  you marvel at the painting—how much it looks like them, how much it captures kathani’s confidence, how much it captures anthony’s conviction, how much it captures their love.  excitement coloring his voice, benedict imparts to you how he was given the opportunity to observe and assist the painter on the days the latter was commissioned to portray the viscountess and the viscount.  he also shares with you how impossibly difficult they were as models, always giggling and kissing and looking away from the painter and talking to one another, being overall sickeningly saccharine.  you chortle and share with him how that does not surprise you in the least bit.  despite his annoyance upon recalling the memory, an incredibly fond smile rests on benedict’s lips.  turning from his lips back to the painting, you remark how in love they are, and he remarks that, indeed, they very much are—and turns his fond smile from the painting to you.

coughing, you walk over and ask about the landscape of an enormous building.  benedict names it as aubrey hall, the ancestral home of the bridgertons.  you recall how you had heard of it early on in your friendship with the bridgertons; you had been unable to see them one week as they were preparing for kathani’s first ball as viscountess at the home.  you also recall how the usually collected and confident kathani was anxious and uncertain during that time.  benedict, beaming with pride, says how, of course, she absolutely excelled and how all of the ton—he rolls his eyes then and you guffaw—enjoyed themselves at the event.  while kathani had done an unsurprisingly resplendent job, the ball was not very entertaining to benedict.  he much more enjoyed the annual bridgerton game of pall mall leading up to the event.  after announcing how kathani had won—much to the contradictory disappointment and delight of her husband—and answering your questions about what sounds, to you, like a very silly, very fun game, benedict suggests that you join them next year.  you laugh, finding it impossible to imagine yourself at a home such as aubrey hall, particularly for the entirety of three days, but your heart swells at the invitation and the sincerity in his voice, and you say aloud how you would love nothing more.

your spontaneous tour eventually comes to an end, and the two of you make your way towards the entrance, still discussing the various art you had seen.  as you and benedict walk out of the gallery, a thought crosses your mind.

“none of your work is on display.”

you notice how benedict stiffens.  you feel your smile tug into a frown.

“ah, yes.  i do not think my work is— up to snuff— with the work on display here.”

“horse shit.”

benedict’s jaw drops, his face aghast and regaled in reaction to what you assume is your choice of language.  you merely shrug.

“you have not even seen my work!”

“i do not need to see your work when i can already see how harsh you are being.”

he scoffs, and it aggravates you.

“fine— i will show you, then, and prove to you my point.”

“fine, then!  show me, and i will prove to you my point!”

–

“you are full of horse shit!”

you and benedict are in his bedchamber, where all his works are hidden away.  he has shown you canvas after canvas, sketch after sketch, charcoal drawing after charcoal drawing, his palette of color ideas— and he still has the audacity to say that his work is not “up to snuff” for the bridgerton gallery.

benedict looks aghast again, perhaps by your language, perhaps by what you are (very rightly, very correctly) insisting.  he shakes the canvas that he holds in his hand in your face.

“look at the proportions, y/n!  they are entirely off!”

you roll your eyes, swatting his arm away, and begin to rummage through his other work.  you pull a sheet and hold it up to benedict’s face.

“look at this sketch, then look at the canvas.  there is a very clear, marked improvement, and with only a—” you look at the dates at the bottom right corners for confirmation, “—a difference of two days!”

“what does ‘improvement’ mean if the improvement is not even good!”

“it is good!  and!  improvement is everything, benedict!  it is progress!”

“what—”

you and benedict jump back from one another by the sudden new voice.  you had not realized how close the two of you were as you were shouting at one another, how close your faces were to one another, how close your lips were to—

a blazing heat creeps up your neck, at the tip of your ears, and across your cheeks as you turn from benedict’s flustered face to the scowl of the eldest bridgerton sibling in the doorway.

“—are the two of you doing?”

“brother!  i— i was merely showing y/n my work.”

you vigorously nod your head.  anthony’s glare remains unaffected.

“alone?  together?  in your bedchamber?”

your heart almost leaps out of your chest, your eyes about to bulge out of their sockets as you look around the room, suddenly aware of where you are.  you are in benedict’s bedchamber.  alone.  together.

“i—” you start, very pathetically.  “i——  we—”

anthony curtly bows his head at you.

“y/n, i would like to have a word with my brother.  in private.  please.”

“of— of course, right— of course!”

you hastily put the sketch on a nearby table and walk towards the door, pass anthony as he steps in, and are about to run down the hall and away from the scene when—

you turn and steal a glance at benedict, mustering up all the apologies you can convey through your eyes.  despite the peril of his current predicament, his ocean eyes soften immediately, and a thousand butterflies erupt in your stomach and flutter around viciously.  he offers you a slight smile, one that is sincere and unregretful.  you offer one back, just as sincere, just as unregretful, before anthony gives you another bow of his head and closes the door.

–

“are you pleased by the results of your consorted trickery?” you state blandly upon seeing the young ladies that you thought were your friends sitting in the drawing room.

eloise looks up from her pamphlet, beaming at you, as penelope wears a wide and proud smile.  well, at least they have answered your question.

“trickery?” eloise feigns.  you roll your eyes; their expressions answer honestly, but their words continue their game.  “i have no idea what you are referring to.  pen and i were merely keen on viewing the art gallery today, and i thought, my blue-deviled of an elder brother ought to stop moping about; what better to get him to leave his bedchamber than by way of his favorite topic?”

“and his other favorite topic,” penelope adds.  eloise chortles, and you feel the tips of your ears heat.

“what is that supposed to mean!”

eloise waves a dismissive hand at you.

“benedict knew nothing of your arrival, as i am sure you deduced by his surprise,” but the second eldest daughter grins wickedly.  “though, from the sheer amount of time you have spent together thus far today, i am also sure the surprise was very welcomed, indeed.”

“by both parties, it seems.”

you promptly ignore the flush you feel on the apples of your cheeks.  your friends are lucifer incarnate split into two.

“well, then you must be delighted to know that your shared plot has led to punitive action against him.”

that surprises them.  (good.  you are relieved to finally have some sort of an upperhand in this conversation.)

“‘punitive action’?  by whom?  for what?”

“by—”

the three of you hear a set of footsteps.  you look to where the sounds are heard and see the two eldest bridgerton siblings enter the drawing room, the elder approaching you with conviction and the younger trailing behind him like a pet that has just been reprimanded.  the sight would make you laugh, if you weren’t the one to have instigated the current conflict between the two brothers.

anthony stands before you, posture perfect and chin held up high.

“y/n, thank you for your patience.  please allow me to apologize most ardently on behalf of my brother for his complete and utter lack of propriety.  it will not happen again as i shall be more vigilant in tracking his every deed.  i do hope this incident of my brother’s disrespect does not taint the beloved friendship between you and our family.” 

and he deeply bows his head at you.

your jaw drops.  benedict shuts his eyes tight and scrunches his face.  penelope bops her gaze amongst the three of you.  and eloise just howls, causing anthony to break the gravitas of his decorum and shoot a glare at her.

“it is no laughing matter, eloise!”

“it is harmless fun, brother!  a pursuit of intellect exchanged between two creatives, who also happened to be by themselves.  i have never heard of a baby being conceived from sharing some art.”

“ELOISE BRIDGERTON!”

you have now entirely hidden your face behind your hands; no one needs to witness the deep crimson that you are certain is spreading very rapidly across your countenance.  an absurd hope also blooms in you that if you cannot see the others, then the others cannot see you.

“what ever is the matter in here?” 

your eyes shoot open upon hearing the much needed voice of reason.  removing your hands from your face, you see kathani enter the drawing room, a confused expression worn on her face.  

“my dearest,” anthony begins, “i have offered my deepest apologies to y/n for benedict’s disgrace.”

“disgrace,” scoffs eloise, crossing her arms.

“disgrace!” reiterates anthony with increased fervor.  kathani’s confusion does not lighten.  she looks to benedict, whose eyes are scrunched closed again (his nose looks adorable this way), and then to you.

“are you all right, y/n?” she inquires gently.

“i—” you had intended to say, am well, but that would be a lie.  you are utterly mortified.  so, instead, you state the truth.

“benedict has been a gentleman.  he has treated me with the utmost respect, and when he has done wrong by me— which!  which has nothing to do with our being in his bedchamber!—  he—” you steady your voice, determined to say this right, as you know and feel it with and in your heart, “he has corrected himself and bettered his words and thoughts and deeds.”

“you hear that, brother?  no harm has been done.”

“eloise, you were not even there!”

“i believe what eloise means, anbe, is that you are being dramatic.”

“dramat— they were in his bedchamber, kathani!  together!  alone!”

kathani rolls her eyes, her attempt at diplomacy entirely gone.

“speak louder, anthony; just a bit more and the entire country shall hear you.”

the viscount pouts grumpily at his beloved, emitting a huff of air through his nostrils.  

“you must trust y/n by her word,” the viscountess states.

“or do you not trust someone of feminine disposition to speak for herself?” eloise inquires.

“pen!” 

you all snap your gazes to the entrance of the drawing room and see colin making his way to your friend in blue, followed by—

“y/n!” shouts gregory and hyacinth as they run towards you.

“y/n, penelope!” remarks violet and approaches you both.  “how delightful it is to see you!  you—” she says, reaching out for your hand, gently taking it in hers, and smiling kindly at you, “—in particular.  it has been a moment, y/n.” 

it melts your heart, really.  the sincerity of affection that flows so easily from violet bridgerton.  you recall the kind eyes and benevolent smile of her late husband.  it is no wonder you so easily fell in love with this family; true, real love is woven into the very fabrics of each of their beings.

you look at them.  hyacinth and gregory cling onto your slides, holding you tight.  kathani and anthony are engrossed in debate, affection in their eyes despite the heat in their words.  colin and penelope speak with and blush around one another as eloise, unknowingly (and, in your opinion, frustratingly, endearingly), butts into their conversation.  and benedict.  who, with the gaze of the entire room no longer on his so-called indiscretion, is looking at you.  softly.  with those damned, wondrous, bewitching ocean eyes.  a smile on his lips that makes the flutterings in your stomach unbearingly, wonderfully unyielding.

you truly, really love this family.  

you love the bridgertons.

“though,” the dowager viscountess starts.  

shaking yourself out of your thoughts, you see how violet looks at the others in the room as half of them now pointedly avoid eye contact with the matriarch and the other half share a similar sentiment to her.

“is everything all right?” she turns to you, peering curiously into your eyes.  “has something happened?”

you cannot help the laugh that bubbles out of you.  violet seems taken aback by your reaction, as are the others in your periphery, but her eyes, as well as theirs, shine on.

“i think,” you say, smiling, “it is just another day with the bridgertons.”

[astonmartinii]

worlds biggest fan part two | max verstappen social media au

pairing: max verstappen x reader

y/n is the president of the official max verstappen fan club, but nothing can come of that, right?

part one

masterlist

yourusername

liked by maxverstappen1, martingarrix and 6,708 others

yourusername: not much going on right now

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user28: and now we're quoting taylor swift huh?

yourbff1: you're fake as fuck for posting this after not replying to me for two days

yourusername: what if i told you my phone died?

yourbff2: i would fight u

yourusername: i'm outside pull up

user29: the way they're still bickering as if y/n isn't well known now

yourbff1: she'll never dodge these hands

maxverstappen1: 🧡

user30: you ever gonna progress past an orange heart WHERE'S THE FLIRTING?

yourusername: blushing

user30: there's something suspicious amuck here

user31: ur right

maxverstappen1

liked by yourusername, danielricciardo and 1,309,561 others

tagged: yourusername

maxverstappen1: i'm her biggest fan

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user36: i am going feral i need to be put down

danielricciardo: who is this man and what did you do with max verstappen?

maxverstappen1: i'm not allowed to appreciate my girl? danielricciardo: my bad, y/n is a very beautiful girl you're very lucky maxverstappen1: I AM AWARE

user37: yall i think max is losing his mind

yourusername: wow who is this girl who definietly should be in a lecture and not monaco

maxverstappen1: but i'm more fun than your professor yourusername: better take that maxy he's a big fan of yours maxverstappen1: okay he's a cool guy but i'm cooler yourusername: i'm not going to debate that

user38: so like did he fly her out for the dinner or did they go to dinner and then get on so well they went back to max's in monaco? i like desperately need to know

yourbff1: so this is where you've been @yourusername

yourusername: sorry not sorry yourbff2: we've been collecting notes and work for you and this is how we're thanked maxverstappen1: name a race and i'll get you there yourbff1: i take it back you can fuck off to monaco whenever you want yourusername: you change your tune fast

maxverstappenarchive

liked by maxverstappen1, yourusername and 39,671 others

maxverstappenarchive: max enjoying his summer break

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user39: i know y/n is loving reporting on herself on this account

yourusername: maybe am i, maybe i'm not

yourbff1: she definitely is

user40: not to sound cheesy but i've never seen max this happy victoriaverstappen: neither maxverstappen1: i'd rather wait this long for a love like this, than have something less than what i feel right now yourusername: awwwwwwww i love you too maxy user41: i'm sorry ? LOVE ? user42: i feel like this is way too fast maxverstappen1: i'm an f1 driver all i know is fast charles_leclerc: good lord that is cheesy mate user43: @charles_leclerc what are you doing in the comment section of a max fan account charles_leclerc: being nosey and gathering data for the group chat user43: what group chat? charles_leclerc: the one where we make fun of max for being a softy

f1wagsandtea

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tagged: yourusername, yourbff1, yourbff2, yourbff3

f1wagsandtea: y/n y/ln, the girlfriend of max verstappen, will make her debut this weekend at silverstone and has brought along three of her closest friends and housemates.

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user46: omg y/n is finally going to a race

user47: i want her to go to zandvoort at some point i know the girlies there would treat her well

yourbff1: we're famous now oh wow

yourbff2: i mean it's just a wag account bro don't we hate these?

f1wagsandtea: catching strays on my own post

yourbbf3: deserved xoxo

user48: i am so excited for y/n omg this has all happened so fast

redbullracing

liked by maxverstappen1, yourusername and 569,341 others

tagged: yourusername, maxverstappenarchive

redbullracing: a famous face in the orange army was with us in the garage this weekend. y/n has been a long-time fan of her boyfriend max and finally got to attend her first race here in silverstone

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user49: this shit is straight out of a damn fanfiction

yourusername: thank you so so much for having me, truly an insane experience i am so grateful

redbullracing: there's still race day to go

yourusername: don't remind me i'm so nervous

maxverstappen1: i thought i saw an angel in the garage after fp1, turns out i wasn't hallucinating

yourusername: you're too sweet

user43: @charles_leclerc i got one for you

charles_leclerc: thank you for your service

maxverstappen1: how many of you are in this group chat

charles_leclerc: none of your business

user50: god when will it happen to me

f1

liked by lewishamilton, lancestroll and 881,208 others

f1: RED FLAG. the marshals have thrown the red flag after a collision between max verstappen and lewis hamilton. the impact was 51g and verstappen has been escorted via helicopter to the local hospital but is awake and talking. we will resume within the hour.

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maxverstappenarchive

liked by maxverstappen1, victoriaverstappen and 67,033 others

maxverstappenarchive: i cannot express my disappointment enough in the way the situation was handled this afternoon. it is to my understanding that the fia have considered this to be a racing incident, though i do not agree, that is the ruling so i nothing i can say will change that. HOWEVER, i am deeply disappointed in the manner in which lewis decided to celebrate despite the severity of the crash to max. i am lucky enough to be with max now, he is okay and his scans indicate that there is no internal damage, but i do believe there should be some introspection to how we celebrate while being unaware of the wellbeing of the other party. you can call me bias, but max will come back stronger and this will only motivate him more for the title fight. game on.

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user51: holy moly she did not come to play

user52: i don't even know how to feel about this whole thing

user53: i was there and oh my god it was so intense

user54: i'm just glad both parties are okay

user55: this title fight is so intense oh god

user56: i have a feeling this is not over

maxverstappen1 added to their story

[caption: thank you for being there for me, we'll come back stronger]

note: HOLY MOLY this felt like it took so long to write lol. i've been at work every day and finally sorted my living situ out (i.e. i'm gonna move into the dodgy house and just wait to be evicted lol). i like writing cause it's such a distraction from my current shit show life lol - i may make a part three of this if y'all want idk i love the drama of it all xxx

[solarbird]

“Are we willing to fight for it?” Crowd: “YES!” “And when we fight?” Crowd: “WE WIN!” — Kamala Harris to campaign staff, 22 July 2024

That’s right, the “if we fight we win” isn’t from me this time. It’s from Kamala Harris, and I am kind of in shock.

One of the things I most feared about the “replace Biden” movement was the donor class yanking the party right again and hand-picking an all old white dudes ticket and absolutely tanking every chance we had of winning this election and stopping Trumpism for good.

Politically active Black people I know personally were expecting that to happen, because that kind of shit has happened so many times. And when political Black people talk about this shit in the Democratic party, you better listen, because their history on this stuff is solid.

I mean, that’s not the only reason I feared it, I have plenty of my own experience watching this same shit go down. But it’s a big one.

That – and all the many money and organisational problems I have described which would result – was about the biggest problem I had with replacing Biden. Particularly once it was clear the money people were moving on it so hard. I was so sure they’d do again what they’ve always done, slide the top of the ticket back to the “right,” repudiating so much economic and climate good the Biden administration has done, trying to haul us back to Clintinesque neoliberalism which would fail more spectacularly than ever before.

That’s also why I was an instant loud and dare I say it strident pivot to Harris when Biden actually did drop out – it was all to stop that money move from happening. That’s why I was out Sunday as loud and long as I could be, shouting, “WHITE PEOPLE, GET HER THE NOMINATION. FUCKING DO IT” while various usual clowns and dilettantes wibbled on demanding an ‘open convention’ and nattering about a ‘flash primary’ and going off about ‘not voting for a cop’ and the wretched spectre of Joe Manchin dipped a skeletal toe into the race.

None of that was an option. It’s still not an option. It had to be her; it has to be her.

And that speech I’m quoting shows why.

I’m still stunned. I never expected to hear a presidential candidate echoing my own words back at me.

I mean, Biden understands exactly what we’re dealing with – fash propaganda aside, he really is still all there, and his words show it. But he’s not able to frame it that way, it’s just not who he is. To see a candidate frame it like this… exactly like this… that’s something new. And I did not expect it.

I am so rarely truly surprised in politics. It has been a while since I have been surprised at all.

This has surprised me.

Another political writer I follow described her as the first Generation X candidate, and maybe that’s why. Technically she’s like two months too early for GenX, she’s in that transition zone, but y’know what? If she wants to grab that label I am fine with that, because those are some words from someone who fucking gets it. From someone who has figured it the fuck out.

Go watch her speech, particularly, oh… the “I know Donald Trump’s type” section starts around 19 minutes in, but the part after that, that’s where it really starts to matter, at 21:45. Here, I timestamped for you, hopefully it’ll work where you’re reading this and if not, just skip ahead:

I’ve been saying – this is the turning point year. The peak year of a fascist movement weakened but not destroyed by self-inflicted wounds of COVID, the last year of the backstop, the year after which we can start to win.

But still I expected that this year that we’d still have to fight under the old rules, playing the old games of the Baby Boom, even if I knew that one final year of holding would shatter it all, and let us make and play by new rules in ’26 and ’28.

Hence, one more year of the bulwark, one more year of the hold.

Until two days ago, on Sunday, July 21st, 2024, that was exactly how it was playing out.

Then a political miracle happened. Biden left the race and the donor class didn’t get their push to the right, and some of them apparently didn’t even want it because they dropped money again the moment Harris announced her campaign.

I guess maybe those rich bastards finally learned a thing or two about not throwing elections.

And that means…

…maybe we don’t have to wait ’til ’26 and ’28.

Maybe it’s not one last hold after all, before the spring.

Maybe the rules can change now.

Maybe Millennials and Zoomers are going to seize the moment this year.

If they do – if you do, if you go in, if you mean it, if you don’t waver and trip yourself up in details and personality and propaganda and purity tests and and and all of it…

…then…

…this year won’t just be a hold.

This year will be the fucking landslide we have needed for eight years now to wipe Trumpism and its like off the map for a century.

Wanna make that happen?

France and England have shown us the way, and christ, I want to make that happen.

How about you? You up for it? You ready to do the work?

Let’s go, then. Everybody.

All in.

104 days remain.

[neil-gaiman]

Hello Neil! Hope you're doing well.

Not an ask but I wanted to let you know, since we're blessed and communication with authors is easier these days.

My 3yo niece is a big fan of yours. She liked Chu when she was a toddler. But for a few months now she has been attracted to the Gaiman section in my room like a moth to the flame. Sometimes I read to her just what it is; Blueberry girl or Little Endless. Other times I make my own versions of Stardust, or some Sandman issue that she has managed to sneak from the shelves. But today.... Today she decided to go for The Wolves in the Walls. I had my doubts. Not that is the most creepy thing out there, but she is only 3 after all. And not only she loved it, but she took it to bed with her. She was not scared of the possibility of having wolves in the walls after all, she was thrilled that they could be thrown out by someone brave like Lucy.

It made me think a lot. And brought to my memory that quote Fairy tales tell children the dragons can be killed This is the same but maybe Neil Gaiman tell children the wolves can be thrown out.

: )

Anyway, that's it. I just wanted to let you know. If you get to read this. Wishing you the best from Spain. (Iris & Mia)

I'm glad.