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knightofthenewrepublic · 18 days

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The Battle of Manhattan didn’t go the way the Fandom thinks it did; we need to address the “massacre” of the Titan Army!

The Battle of Manhattan is the most pivotal event of the first series. And we see the entire thing exclusively from Percy’s point of view. He takes us through the thickest of the fight from one end of Manhattan Island to the next, and shows us a desperate fight of good against evil.

But we have another point of view for the battle, one that comes from the demigods of the Titan army, and one that informs us of a far different, darker side to the conflict. One where an entire army of children is massacred by the victorious Olympians, without a thought or even a care. It’s a shocking, confronting side of the struggle that most fans don’t seem to be aware of.

But it’s also completely inaccurate.

Now I love Alabaster; he’s one of my favorite characters, and I want nothing but the best for him. But he’s a demonstrably unreliable narrator. I don’t even mean that he’s intentionally dishonest; but he’s very badly misinformed about what actually happened. And that gives the fandom three major misconceptions that need to be cleared up.

Alabaster gets the casualty ratio for the battle wrong (the Olympians had more than he thinks).

The Titan army has far fewer demigods than most fans think (not much more than 50 at the most).

Alabaster does say that there was a “massacre” at the end of the battle, but most of the TA demigods had deserted before that!

Part 1) The Olympians Have High Casualties

“It was a massacre. If I remember right, my mother told me that Camp Half-Blood and its allies had sixteen casualties total. We had hundreds.” (pg 219)

This is the only time we get a specific number for Olympian casualties, but it just doesn’t match up with what actually happens in the books. Looking back at all the deaths we do see:

Charlie Beckendorf -1

one [Hellhound] got hold of an Apollo camper and dragged him away. I didn’t see what happened to him next. I didn’t want to know. (pg 182) -1

Michael Yew -1

A young dragon had appeared in Harlem, and a dozen wood nymphs died before the monster was finally defeated. (pg 203) -12

“We lost twenty satyrs against some giants at Fort Washington,” [Grover] said, his voice trembling. (pg 203) -20 Giants smashed through trees, and naiads faded as their life sources were destroyed. (pg 243) -1< Enemy archers returned fire, and a Hunter fell from a high branch. (pg 244) -1 Too many of our friends lay wounded in the streets. Too many were missing. (pg 257) -1< The flagpoles were hung with horrible trophies –helmets and armor pieces from defeated campers. (pg 282) -1< The Drakon lashed out, swallowing three californian centaurs in one gulp before I could even get close. (pg 288) -3 Poison spewed everywhere, melting centaurs into dust along with quite a few monsters, (pg 288) -1< The Drakon snapped up one Ares camper in a gulp. (pg 291) -1

Silena Beauregard -1

Leneus -1

a body covered in the golden burial shroud of Apollo’s cabin. I didn’t know who was underneath. I don't want to find out. (pg 303) -1

Oddly enough, we actually miss the moment that was probably the worst for the Olympians, the final push by Kronos that breaks through their line. After Clarisse slays the drakon and the monsters are driven back again, Percy and co. take the opportunity to go up to Olympus. Percy gives Pandora’s Pithos to Hestia, and then contacts Poseidon via his throne. It’s just as he finishes that Thalia comes up and tells them that Kronos is coming again, but they miss the fighting.

By the time we got to the street, it was too late. Campers and Hunters lay wounded on the ground. Clarisse must have lost a fight with a Hyperborean giant, because she and her chariot were frozen in a block of ice. The centaurs were nowhere to be seen. Either they’d panicked and ran, or they’d been disintegrated. (pg 312) -<500

And finally, Kronos does kill some people on Olympus itself.

A few minor gods and nature spirits had tried to stop Kronos. What remained of them was strewn about the road: shattered armor, ripped clothing, swords and spears broken in half. (pg 322) -1<

The specific deaths we have mentioned during the battle amount to 48 at the very least; and that is an extremely conservative estimate that only includes the deaths Percy has the time and presence of mind to witness in all the carnage. Considering how many others must have happened, factoring the sudden disappearance of the 500 centaurs in particular, it was likely in the hundreds. And most of the centaurs probably ran at the end, but even that would have involved heavy casualties.

It’s true that actual demigods were a smaller fraction of Olympian forces, and so would have made up just a fraction of losses. The number 16 might actually make sense if it were just the number of campers lost, but that’s not what Hecate said, she said total.

It might be significant that Hecate is the actual source of this misinformation. Would she have reason to lie to her own son, or might she herself be out of the loop. Right now, we just can’t know.

And she might be underestimating Titan Army losses too. Considering how many times a wave of several hundred monsters tear into Manhattan, and get thrown back by the Olympians only to return later with no discernable drop in numbers, until the army is finally routed entirely, it wouldn’t surprise me if the TA actually took a thousand or more casualties. But those would be overwhelmingly monsters, because:

Part 2) Less Than Fifty Demigods Were Even In The Titan Army

To prove that there could not possibly have been hundreds of TA demigods killed at Manhattan, we need look no farther than Alabaster's own account.

“There was a war between the gods and titans last summer and most half-bloods–demigods like me–fought for the Olympians.” (pg 218)

So the TA could not have had more demigods than the Olympians; and they had about a hundred. There are forty campers to start with, who are quickly joined by the Hunters, who now have thirty members. Then, in the last hours of the fight, they are finally joined by the Ares cabin, which brings another thirty (jeez Ares, you animal!). So Olympus has an even hundred demigods. (The Hunters aren’t necessarily all demigods by birth, but I don’t think Alabaster would make a distinction based on that.)

So the TA has less than a hundred demigods, significantly less. I would argue they probably had no more than fifty because that lines up with the only solid numbers we ever get for them. And every time the TA is described, demigods are a clear minority. First, look at the foes Percy encounters when he infiltrates the Princess Andromeda:

I saw monsters patrolling the upper decks of the ship–dracaenae snake-women, hellhounds, giants, and the humanoid seal-demons known as telkhines . . . . . “I don’t care what your nose says!” snarled a half-human half-dog voice—a telkhine. “The last time you smelled half-blood, it turned out to be a meatloaf sandwich!” “Meatloaf sandwiches are good!” a second voice snarled . . . . . a telkhine was hunched over a console . . . . . a half dozen telkhines were tromping down the stairs . . . . . past another telkhine . . . . . And in the fountain squatted a giant crab . . . . . a couple of dracaenae slithered across my path . . . . . As I was running up the stairwell, a kid charged down . . . . . Laistrygonian giants filed in on either side of the swimming pool . . . . . demigod archers appeared on the roof . . . . . two hellhounds leapt down . . . . . The crowed of monsters parted . . . . . Giants jeered. Dracaenae hissed with laughter . . . . . throwing monsters off their feet . . . . .I knew him, of course: Ethan Nakamura . . . . . two giants lumbered forward . . . . . Panicked monsters surged backward . . . . . one of the dracaenae hissed . . . . . I pushed through a crowd of monsters . . . . . Monsters yelled at me from above.

That was a quick summary of all the enemies Percy and Charlie encounter on the Princess Andromeda, I’m not crazy enough to try and write the whole chapter. But it’s pretty clear there are only a few demigods amid dozens of monsters. We hear the same thing from Poseidon later, that “there were only a few demigod warriors aboard that ship”; we might question whether or not Poseidon is a trustworthy source, but the evidence does back him up.

When we finally get to the battle, the disparity of demigod numbers in the TA is again evident:

The bronze image showed Long Island Sound near La Guardia. A fleet of a dozen speed boats raced through the dark water toward Manhattan. Each boat was packed with demigods in full Greek armor. At the back of the lead boat, a purple banner emblazoned with a black scythe flapped in the night wind. I’d never seen that design before, but it wasn’t hard to figure out: the battle flag of Kronos. “Scan the perimeter of the island,” I said. “Quick.” Annabeth shifted the scene south to the harbor. A Staten Island Ferry was plowing through the waves near Ellis Island. The deck was crowded with dracaenae and a whole pack of hellhounds. Swimming in front of the ship was a pod of marine mammals. At first I thought they were dolphins. Then I saw their doglike faces and swords strapped to their waists, and I realized they were telkhines—sea demons. The scene shifted again: the Jersey shore, right at the entrance of the Lincoln Tunnel. A hundred assorted monsters were marching past the lanes of stopped traffic: giants with clubs, rogue Cyclopes, a few fire-spitting dragons, and just to rub it in, a World War II-era Sherman tank, pushing cars out of the way as it rumbled into the tunnel. (pg 167)

Here we see the first wave of the Titan Army as a three pronged attack (which Percy says on the next page collectively numbered at least 300) and only one of the units has demigods. It’s the one that Kronos leads, so it’s probably meant to be a more elite unit, at least at first.

We don’t know for sure how many there are. Speedboats are usually made to carry 4-6 people so a dozen would be possible 48 to 72. Considering Alabaster says there were significantly less demigods in the TA than the Olympians, I would guess it’s on the lower end; and that does match another number we see in a moment.

This fleet never reaches Manhattan, since Percy bribes the East River to swamp their boats. Those who say many TA demigods were killed in the battle might point to this as Percy causing a bunch of kids to drown; but Alabaster never mentions a mass drowning in his narrative of the battle, and he would have been on one of those boats, so it’s safe to say they just went for a swim.

(And Kronos was with them, which means that a very angry titan lord was suddenly pitched into the river and had to swim with the rest of them. That’s not really relevant, I just want everyone to know that.)

Percy is then immediately told that “Another army is marching over the Williamsburg bridge.” This fourth prong of the attack, led by the Minotaur, also has no demigods in it.

An entire phalanx of dracaenae marched in the lead . . . About a hundred more monsters marched behind them. (pg 182) More monsters surged forward —snakes and giants and telkines—but the Minotaur roared at them, and they backed off. (pg 186)

But more monsters keep advancing because by the time Percy kills the minotaur and the demigods charge and rout the whole group, it had grown to 200

Finally, the monsters turned and fled—about twenty left alive out of two hundred. (pg 188)

So the grand total for the first TA attack was 500 soldiers or more, with only 40-70 of them demigods. And after the monsters on the Williamsburg bridge retreat, those demigods show back up.

Then I saw the crowd at the base of the bridge. The retreating monsters were running straight toward their reinforcements. It was a small group, maybe thirty or forty demigods in battle armor, mounted on skeletal horses. One of them held a purple banner with the black scythe design. The lead horseman trotted forward. He took off his helm, and I recognized Kronos himself, his eyes like molten gold. (pg1 188)

This is the only time we get anywhere close to a specific number when TA demigods are concerned. It would have been the same group that was sunk in the East River, who then had to swim for Brooklynn; which is where they are now trying to take the Williamsburg bridge. This reinforces the idea that the number of demigods in the boats was only a little more than forty, since they would not have suffered more than a few injuries in the sinkings.

I’m going to come back to this moment later to demonstrate how Percy refrains from killing other demigods, even in his Achilles state, but the other important thing to note is that this is the last time Kronos organizes his demigods into a unit that he leads personally. After they fail to break through here, Kronos just has them take on a secondary role, and puts his faith in bigger and bigger monsters to lead the charge instead.

The Titan Army units on Long Island then spend the evening marching the long way around Manhattan (for some reason) because they make camp for the night in New Jersey, at Medusa’s old lair. Percy again describes demigods as the small minority.

Hundreds of tents and fires surrounded the property. Mostly I saw monsters, but there were some human mercenaries in combat fatigues and demigods in armor too. A purple-and-black banner hung outside the emporium, guarded by two huge blue Hyperboreans.

And this is only part of the Titan army, because there are more troops north of Manhattan.

“Tell my brother Hyperion to move our main force south into Central Park. The halfbloods will be in such disarray they will not be able to defend themselves.” (pg 237)

The army that marches into central park is bigger than the one camped in New Jersey. And it is made up exclusively of monsters.

At the north end of the reservoir, the enemy vanguard broke through the woods—a warrior in golden armor leading a battalion of Laistrygonian giants with huge bronze axes. Hundreds of other monsters poured out behind them. (pg 243)

There is not a single mention of a demigod. However they’re already joining the fight in other places.

When it flew above the rooftops, I could see fires here and there around the city. It looked like my friends were having a rough time. Kronos was attacking on several fronts. (pg 251)

After Percy kills the Clazmonian Sow, the momentum of the battle shifts. With his main force failing to deliver a knockout punch, Kronos has his remaining armies spread out to put equal pressure on the entire defensive line, and catch it in a massive envelopment.

Midtown was a war zone. We flew over little skirmishes everywhere. A giant was ripping up trees in Bryant Park while dryads pelted him with nuts. Outside the Waldorf Astoria, a bronze statue of Benjamin Franklin was whacking a hellhound with a rolled-up newspaper. A trio of Hephaestus campers fought a squad of dracaenae in the middle of Rockefeller Center . . . . . The hunters had set up a defensive line on 37th, just three blocks north of Olympus. To the east on Park Avenue, Jake Mason and some other Hephaestus campers were leading an army of statues against the enemy. To the west, the Demeter cabin and Grover’s nature spirits had turned Sixth Avenue into a jungle that was hampering a squadron of Kronos’s demigods . . . . . I spotted a familiar silver owl banner in the southeast corner of the fight, 33rd at the Park Avenue tunnel. Annabeth and two of her siblings were holding back a Hyperborean giant . . . . . The next hour was a blur. I fought like I’d never fought before—wading into legions of dracaenae, taking out dozens of telkines with every strike, destroying empousai and knocking out enemy demigods . . . . . At one point Grover was next to me, bonking snake women over the head with his cudgel. Then he disappeared in the crowd, and it was Thalia at my side, driving monsters back with the power of her magic shield. Mrs. O’Leary bounded out of nowhere, picked up a Laistrygonian giant in her mouth and flung him like a Frisbee. Annabeth used her invisibility cap to sneak behind enemy lines. Whenever a monster disintegrated for no apparent reason with a surprised look on his face, I knew Annabeth had been there . . . . . Kronos was riding towards us on a golden chariot. A dozen Laistrygonian giants bore torches before him. Two Hyperboreans carried his black-and-purple banners . . .

“THEN THE WINGED HUSSAARSSS AARRRIIIIIIIIIIIIIIIVVVVVVED” SABATON BLASTS ON ELECTRIC GUITAR

Sorry, sorry, I mean then Chiron and the 500 centaurs arrived!

Kronos’s forces looked as confused as we were. Giants lowered their clubs. Dracaenae hissed. Even Kronos’s honor guard looked uneasy. Then, to our left, a hundred monsters cried out at once. Kronos’s entire northern flank surged forward. I thought we were doomed, but they didn’t attack. They ran straight past us and crashed into their southern allies . . . a shower of arrows arced over our heads and slammed into the enemy, vaporizing hundreds of demons. (pg 258)

This is how the second phase of the battle ends. And during the entire night, out of a sea of monsters (hehe) we only see one unit of TA demigods. And it’s the last time we get any reference to them participating in the battle.

After being driven south, the TA apparently did another long march, because they make camp northeast of Manhattan.

The Titan army had set up camp all around the U.N. complex. The flagpoles were hung with horrible trophies—helmets and armor from defeated campers. All along First Avenue, giants sharpened their axes. Telkines repaired armor at makeshift forges. (pg 282)

Ethan is the only demigod mentioned this time. And he doesn’t appear to take part in the next attack, aside from releasing the drakon. We get less of a description of the enemy army this time, but it’s all monsters.

The rest of the battle wasn’t going well. The centaurs had panicked under the onslaught of giants and demons. An occasional orange camp T-shirt appeared in the sea of fighting, but quickly disappeared. (pg 289)

Of course the Ares cabin arrives, the drakon kills Silena, and Clarisse kills it. It’s another rout for the TA.

The monsters retreated toward 35th Street. (pg 298) There was no answer from the enemy. Slowly, they began to fall back behind a dracaenae shield wall, while Clarisse drove in circles around Fifth Avenue, daring anyone to cross her path. (pg 299)

After that we have the final phase of the battle, when the Titan Army finally breaks through the Olympian lines. But once again, we have no reference to demigods other than Ethan.

The Titan Army ringed the building, standing maybe twenty feet from the doors. Kronos’s vanguard was in the lead: Ethan Nakamura, the dracaenae queen in her green armor, and two Hyperboreans. I didn’t see Prometheus. (pg 312) “ROWWF!” Mrs. O’Leary bounded toward me, ignoring the growling monsters on either side. (pg 315) There were thousands of [skeletan soldiers], and as they emerged, the titan’s monsters got jumpy and started to back up. (pg 315) The armies of the dead clashed with the Titan’s monsters. Fifth Avenue exploded into absolute chaos. Mortals screamed and ran for cover. Demeter waved her hand and an entire column of giants turned into a wheat field. Persephone changed the dracaenae spears into sunflowers. Nico slashed and hacked his way through the enemy, trying to protect pedestrians as best as he could. My parents ran toward me , dodging monsters and zombies, but there was nothing I could do to help them. (pg 318).

The fight continues like this, until Typhon is destroyed, and the defenders are joined by the gods, and Poseidon’s army of cyclopes. It’s then that the Titan army is “massacred.” Most of the fandom thinks that the demigods were killed too, but that’s not the case.

PART 3: The TA Demigods Deserted Before The Final Battle

As Alabaster remembers it:

the war didn’t go our way. I fought on the battlefield against the enemy, but most of our allies ran. Kronos himself marched on Olympus, only to be killed by a son of Poseidon. After Kronos’s death, the Olympian gods smashed any remaining resistance. It was a massacre. “We weren’t all destroyed,” Alabaster said. “Most of the remaining half-bloods fled or were captured. They were so demoralized they joined the enemy. (pg 219)

When you look at this narrative, and compare it to The Last Olympian, it’s actually more complicated than the TA demigods simply getting massacred.

Al says that while he was fighting, most of his allies ran. That’s odd, because we don’t see the relative numbers of monsters go down at any point. What we do see, is the number of demigods go down.

As I illustrated in Part 2, the Battle of Manhattan has four distinct phases. Phase one, that ends when the Williamsburg Bridge is destroyed. The second phase, that starts when Hyperion attacks Central Park, and ends when the Party Ponies arrive. The third phase, which is all about the attack of the drakon. And the final phase, when Kronos breaks through.

We only see TA demigods in the first two phases; they attack the Williamsburg Bridge in the first phase as part of the Kronos’s main force, then in the second phase they’re relegated to a supporting role by hitting the defenders western flank. And that’s the last we see of them. After that, Etahn is the only demigod left standing in the TA. Alabaster must be somewhere in the background, as a retcon, but there’s no one beyond the two of them.

You might think that they’ve just already been killed by this point. After all, Percy blows up the Princess Andromeda, then goes into an Achilles Curse fueled berserker mode several times in the first two phases of the battle. Surely he must have killed hundreds of kids, right?

No, not even close.

Maybe not any at all.

On the Princess Andromeda Percy finds lots of monsters, but the number of demigods he finds could be counted on one hand. And the first one he meets; Percy spares him and tells him to get his friends and evacuate. We can’t prove whether or not any demigods were killed in the blast; we just know that the two we can confirm were still on board, Ethan and Alabaster, both survived. And when Alabaster recounts it, he doesn’t mention any bad losses at this point.

As for the Curse of Achilles, it doesn’t send Percy into anything like the berserker state some people think of it as. It might seem like that when Percy lets loose on the Williamsburg Bridge:

You’re going to ask how the whole “invincible” thing worked: if I magically dodged every weapon, or if the weapon hit me and just didn’t harm me. Honestly, I don’t remember. All I knew was that I wasn’t going to let these monsters invade my hometown. I sliced through armor like it was made of paper. Snake women exploded. Hellhounds melted to shadow. I slashed and stabbed and whirled, and I might have even laughed once or twice—a crazy laugh that scared me as much as it did my enemies. (pg 188)

But when push comes to shove, Percy can control the Curse, and what he does during it. That last moment was when he was fighting nothing but monsters. But when the TA demigods arrived, Percy pulled his punches like he always does.

I tried to wound his men, not kill. That slowed me down, but these weren’t monsters. They were demigods who’d fallen under Kronos’s spell. I couldn’t see faces under their helmets, but some of them had probably been my friends. I slashed the legs off their horses and made the skeletal mounts disintegrate. After the first few demigods took a spill, the rest figured out they’d better dismount and fight me on foot. (pg 189)

Percy is still in complete control of what he’s doing; even when the worst happens.

“Annabeth!” I turned in time to see her fall, clutching her arm. A demigod with a bloody knife stood over her . . . . . I locked eyes with the enemy demigod. He wore an eye patch under his helmet: Ethan Nakamura, the son of Nemesis. Somehow he’d survived the explosion on the Princess Andromeda. I slammed him in the face with my sword hilt so hard I dented his helm. (pg 190)

Percy really has all the reason to hate Ethan at this point; after Percy spared his life in Antaeus’ arena, Ethan still joined the side that had been ready to write off his death, and deliberately helped Kronos achieve his physical resurrection. Because of that Percy’s friends and even-Riordan-doesn’t-know how many mortals are going to die in the next few days; and on top of all that, Ethan just stabbed the love of his life.

And all Percy does is knock him out, maybe a little harder than necessary. He makes no effort to kill him. Those aren’t the actions of a berserker with no control.

In fact, the knife turns out to be poisonsed. And Ethan now has an idea where Percy’s Achilles Spot is, and might tell Kronos. And even after all of that, Percy doesn’t seriously think about killing him as an option.

“I’ll bonk him on the head harder next time.” (pg 241)

But more on topic, there is no reason to think the TA demigods have particularly high casualties in this phase of the battle, though they have a few:

Our archers shot a volley, bringing down several of the enemy, but they just kept riding. (pg 189)

Though it’s vague if they are hitting the riders or the horses. In fact, it might actually be Kronos who’s responsible for more of their losses.

[Kronos] struck the bridge with the butt of his scythe, and a wave of pure force blasted me backward. Cars went careening. Demigods—even Luke’s own men—were blown off the edge of the bridge. (pg 192)

I will die on the hill that between this, Ethan, and other implied moments, Kronos killed more of his own demigods than Percy did.

In the second phase of the battle, when we see the TA demigods attack again, they’re in a very different situation.

To the west, the Demeter cabin and Grover’s nature spirits had turned Sixth Avenue into a jungle that was hampering a squadron of Kronos’s demigods. (pg 255)

This is the only thing we see the TA demigods do as a group in this phase; and they’re fighting people who are using very defensive tactics, more hampering than harmful. They’re not likely to lose many fighters. A few of them do cross Percy’s path in the chaos, but even at his most Achilles fueled chaos he never loses control.

The next hour was a blur. I fought like I’d never fought before—wading into legions of dracaenae, taking out dozens of telkines with every strike, destroying empousai and knocking out enemy demigods. (pg 257)

He talks about killing monsters, but always “knocking out” demigods. Finally, that phase of the battle ends when the centaurs show up. Did the centaurs kill any demigods? After all, Percy said they “trampled everything in their path.”

Well the only report we get on the TA demigods puts them to the west. When the centaurs attack, they come out of the north east and drive the enemy south, and start off a wave of panic that ripples down the enemy lines ahead of them. The demigods were probably running before any centaur reached them, and might have had better chances of being trampled by their own monsters.

So if the TA demigods aren’t taking many losses, where do they all go in the third and fourth phases, when we don’t see any except Ethan?

They desert.

Alabaster: “I fought on the battlefield against the enemy, but most of our allies ran.”

I think the demigods of the TA signed up with no real idea of what would happen when they fought the Olympians. They thought they were going to have a sure victory.

Chris Rodriguez said it in SOM:

“I hear they got two more [drakon] coming,” [Chris] said. “They keep arriving at this rate, oh, man—no contest!” (pg 122)

Alabaster C. Torrington said it in SOM:

“Kronos wasn’t supposed to lose! You said the odds of winning were in the Titan’s favor! You told me Camp Half-Blood would be destroyed!” (pg 196)

And they probably weren’t well prepared for the war either. At one point Luke says they will fight well because he has been training the army. But most of them join because they are the children of minor gods who swear for Kronos, and that doesn’t happen until the end of BOTL, after Luke has been possessed. Most of the TA demigods never got training from him; including their two highest ranking members, Ethan and Alabaster. It’s no wonder most of them weren’t prepared.

As I was running up the stairwell, a kid charged down. He looked like he had just woken up from a nap. His armor was half on. He drew his sword and yelled, “Kronos!” but he sounded more scared than angry . . . . No way was I going to hurt him. I didn’t need a weapon for this. I stepped inside his strike and grabbed his wrist, slamming it against the wall. His sword clattered out of his hand. (pg 18)

And the demigods might not hold much loyalty to Kronos, a violent and temperamental eldritch horror!

Ethan moistened his lips. “He’s still fighting you, isn’t he? Luke—” “Nonesense,” Kronos spat. “Repeat that lie, and I will cut out your tongue. The boy’s soul has been crushed.” (pg 236) “But, my lord,” Ethan said. “Your regeneration.” Kronos pointed at Ethan, and the demigod froze. “Does it seem,” Kronos hissed. “that I need to regenerate?” Ethan didn’t respond. Kind of hard to do when you’re immobilized in time. Kronos snapped his fingers and Ethan collapsed. (pg 284)

And the demigods might have witnessed a darker side to his army that we didn’t.

Back on my first visit to the Princess Andromeda, my old enemy Luke had kept dazed tourists on board for show, shrouded in Mist so they didn’t realize they were on a monster infested ship. Now i didn’t see any sign of tourists. I hated to think what had happened to them, but I kind of doubted they’d been allowed to go home with their bingo winnings. (pg 15)

So, the demigods deserted. After the second phase of the battle we don’t see any at the Titan camp at the U.N., or taking any part in the last phases of the battle. They had been fed false promises, were treated badly, and were being sent against enemies out of their league.

“Most of the remaining half-bloods fled or were captured. They were so demoralized they joined the enemy.”

All except two, Alabaster and Ethan. The son of Nemesis, who has already given so much and is so desperate to see something good and fair come out of it; and the son of Hecate, who was promised victory, and is desperate to avenge the death of his siblings. Ironically, the two demigods who stayed loyal to Kronos the longest, did so because they had faith in their godly parents.

So if there was no “massacre” of TA demigods at the end of the Battle of Manhattan, why is Alabaster so insistent that there was one?

“Yes,” Alabaster said bitterly. “Camp Half-Blood decided that they would accept any children of the minor gods. They would build us cabins at camp and pretend that they didn’t just blindly massacre us for resisting. (pg 220) “But I’ll never bow to the Olympian gods after the atrocities they committed. Their followers are blind. I’d never set foot in their camp, and if I did, it would only be to give that son of Poseidon what he deserves.” (pg 221)

Well, it’s because the children of Hecate suffered the most in the war. She didn’t have as many children as other gods, and Alabaster was the only one to fight in it and survive. He claims he convinced “most” of his siblings to join; but if Hecate does not have many children, and he is the only survivor of the battle, how are there still enough of his siblings to decently fill a cabin, it’s likely “most” was only slightly more than half. The sad irony is that the fact that the smaller group of demigods had more casualties than the larger ones (and it sounds like not just more proportionately, but more in actual numbers), also kind of disproves that there could have been a large massacre that affected them all.

Alabaster was a scared, frustrated, exhausted kid; who convinced his siblings to fight in a destructive war, and was the only one of them to survive. To him, that is probably always going to feel like a brutal massacre.

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mikobeautifulheart · 6 months

Text

☆Master list☆

Because my other one is gross and apparently not doing its job. Plus its fully updated.

Rules and about me here

Link to og master list here if u want it ig but its not that different. ML

♧Megumi♧

Drunk Megumi's over due confession

Synopsis: Megumi gets unknowingly drunk on his birthday and spills a secret.

Yuji's little sister

Synopsis: You join Jujutsu high with your older brother yuji, meeting Megumi as well.

The same.

Synopsis: Yuji dies and the weight falls on your shoulders, the only way you thought to take it of was but hurting yourself.

Crying over Megumi

Synopsis: Megumi find you in your dorm after your mission avoiding him.

Pervy Megumi (Thoughts)

Synopsis: Not a fic more just like general ideas of him.

When he finds out you harm yourself

Synopsis: Usually you don't get into much danger when you harm yourself, but his time Megumi found you.

Megumi head cannons (the start of dating

Heired as a secretary

Synopsis: You go for the job for secretary without fully knowing what you got yourself into.

MEGUMI SERIES

Synopsis: Gojo watches as his son grows and is there every step of the way (even if Megumi dosen't know it)

Megumi and get caught up in the moment (And on Gojo's phone)

Synopsis: Megumi gives up on his mind and follows his instincts. And Gojo bares witness.

You and Megumi have your first official date

Synopsis: You and Megumi sneak out at night only for you to be pleasantly surprised by your fist date.

Bed bugs

Synopsis: He could care less about the marks he leaves.

☆Yuji☆

Yuji being horrible at comforting you and getting jealous over a 'guy'

Synopsis: Yuji hears you crying uncontrollably but after he fails to console you Gojo interrupts. which pretty much dose the trick.

Perv Yuji

Synopsis: Just some thoughts, like the Megumi one but *Sweeter* or so I tried to make it.

Toxic bf Yuji head cannons

♡Yuta♡

Nothing yet...which is kinda weird because he's my favorite character.

There is a bit of him in the various fics tho.

♤Toge♤

Nothing yet...

~Gojo~

7 Minutes in panic (College AU) 1700 words EXACTLY.

Synopsis: You go to a party for the first time and run into your Chemistry partner. As luck would have it the night goes wrong when your drink turns out to be spiked and your stuck with him in your closet.

Mafia Gojo needs to go to work but you could care less.

Synopsis: Really short less then 100 words. Gojo has to go to work but you convince him not to.

Assassin partner Gojo tries to make up for his mistakes.

Synopsis: Gojo's made a few mistakes in his job when it comes to you but in the end he knows you weren't one of them.

When you are replaced.

Synopsis: A new transfer teacher comes to Tokyo jujutsu high and she seems a bit to friendly.

He cheats but he still loves you

Synopsis: Yandere Gojo, his pleasure is cheating but that dosen't mean he dosen't love you.

•Geto•

Taken

Synopsis: after moving on you thought the past was behind you. That was until Geto showed up with no warning and kidnapped you.

OR Look at the various or go to the series section for '5 satges of greif'

¤ Nanami ¤

Teen Nanami and the random trampoline

Synopsis: Nanami just feels like a happy kid.

Teen Nanami winning cards.

Synopsis: In a game of cards, Nanami competes for the first prize which you gladly give him.

Jealous of the cat

Synopsis: He comes home after work only to find that there is another burden in your home.

Attempted

Synopsis: after coming back from work Nanami finds you and you dangerously close suicide attempt.

▪︎Sukuna▪︎

Sukuna switching with Yuji when your both asleep.

Synopsis: Sukuna wants a feel of what Yuji gets.

Intervention

Synopsis: You were going to go get married off to the Gojo clans strongest, how ever you disappear when you marriage was announced. The only clue anyone has to your disappearance is the monster lurking in the woods.

Choso

He gets jealous of your new pet cat.

Synopsis: You find a stray cat and Choso is not a cat person.

-Series-

5 stages of grief

1 Denial, Megumi Fushiguro

Synopsis: After Megumi's death you start seeing him everywhere, but every time your reminded that he is dead.

2 Anger, Suguru Geto

Synopsis: After his death you cut yourself off and busy your life with work, however when your called into Shibuya you can't bring yourself to kill him, until he assures you that its okay.

3 Bargaining, Satoru Gojo

Synopsis: After Gojo's death you try everything you can for years but nothing will bring him back.

4 depression, Nanami Kento

Synopsis: In an attempt to be reunited with your dead lover you take the ultimate self sacrifice.

Various JJK men and scenarios:

-Pretending to be your boyfriend and saving you from creeps:

Synopsis: Creep approaches, their there to save you.

Megumi and Yuji

Gojo and Geto

Nanami and Toji

Sukuna and Choso (Coming soon)

-When you forget your umbrella:

-Synopsis: You forget your umbrella but they find solutions.

Yuji and Megumi

Teen Gojo and Office worker Nanami

-When the train is crowded

Synopsis: The train goes thorough rush hour and you guys got stuck in it.

Yuji, Megumi and Yuta

-When the secretly hear you sing

Synopsis: You don't like singing infront of other people, but they want you to sing around them.

Megumi and Yuji

-When they accidently fall on you and vice versa

Synopsis: Its exactly what it sounds like.

Yuta and Yuji

-When you go to your first festival with them

Synopsis: You go to the festival for the first time with

Megumi, Yuji and Yuta

-When you turn delusional

Synopsis: From sleep deprivation to blood loss.

Yuji and Toge

-When you think they would hurt you.

Synopsis: When arguments bring your instincts back, they almost drop everything to love you again.

Yuji and Megumi

Yuta and Gojo

-Movie date but things get heated.

Synopsis: A simple movie in an almost empty cinema is good enough. (Not smut but suggestive)

Gojo and Megumi

-When they eat the last donut

Gojo and Yuji/Sukuna

-When they have an older GF

Yuji and Yuta (Aged upish, nothing illegal okay)

-Their morning voice

Megumi and Yuji

-When someone breaks into your house

Megumi and Yuji

-Touching your weak spot

Yuji and Yuta

-Touching THEIR weak spot

Yuji and Megumi

Gogo, Geto and Nanami

*If you want me to write anything again or with some one else or something new entirely

PLEASE SEND ME REQUSTS

I LOVE THOSE THINGS

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mchib · 7 months

Text

‘We need more bipolar characters’

YOU COULDBNT EVEN HANDLE HIM

first of all i think this is common knowledge but he exhibits a complex and erratic personality which i think could potentially be interpreted as symptom of bipolar disorder - bipolar is a characterized by extreme mood swings that include emotional highs (mania) and lows (depression) - throughout the series and manga (i think the manga shows this better) mellos behavior fluctuates dramatically displaying periods of intense energy impulsivity and irritability which align with manic episodes,,. - in the manga mellos depicted as ambitious driven and sometimes reckless in his pursuit of catching Kira. he has a chronic case of impulsive decision making such as kidnapping poeple and hijacking a character showcases a lack of regard for consequences which is a hallmark trait of manic behavior - i also think mellos extreme emotional responses ranging from fits of rage to moments of despair mirror the intense mood swings characteristic of bipolar disorder. he also struggles with self esteem and identity also point towards bipolar disorder... individuals with bipolar disorder often experience fluctuations in self esteem oscillating between grandiosity during manic episodes and profound self doubt during depressive episodes - mellos constant comparison to near (who he he and only he sees as his rival) and his need to prove himself could stem from underlying insecurities exacerbated by his mood swings

him developing bipolar could totally be a normal trauma response from literally a lot of abuse that he has faced, most of the main characters from wammys house show no signs of like rebellion or outlandish behavior like he does but that doesnt necessarily mean that nothing happened and i think the author gave characters such as near and the other orphans way too much mental fortitude. bipolar can be developed at any age and its especially common between ages 15-19. not to mention other than it being genetic, theres a huge link between bipolar and childhood trauma. like imagine being groomed your whole childhood into this competitive environment with other 4 year olds to be the smartest toddler so u can substitute this crazy genius when he dies. and think of it like come on theres no chance all of these kids desperately wanted to be detectives when they grew up there was definitely like some sort of foul play. L is an exception obviously since the orphanage became abusive after he came and he was treated like a king basically while the other orphans mental state was completely disregarded because they were only brought in from several corners of the world solely to be his successor. in fact the first generation orphans were literally expected to kill themselves because of the pressure and A killing himself literally was not a shock at all to the orphanage in fact i suspect that a lot of the first generation orphans made to succeed L had a horrible mental state and also killed themselves which if you think about it B (which stood for backup) losing his mind was completely normal even if the way he went about challenging L was not. not to mention how he had to live with shinigami eyes but thats for another post lolol.,,, anyways yeah mello's behavior is actually justified when you think about how much of an abusive household he lived in even if its kind of obvious that the author disregarded coming up with an explanation for the orphans mental wellbeing and how it would have affected their adolescence except from the character of mello and even when they show mello they basically make him seem insane and watari like an angel . reading the la bb murder cases from mello's perspective really opened my eyes to like how it actually was in wammys house u can really understand it from his tone and stuff also with that one page hold on lemme find it

'but what if they could copy him? what if they could make a backup? that was us. L's children, gathered from all corners of the world. children gathered together, never told each other's names. but even for a genuis like watari, creating a fake L was easier said than done. even for near and i, who were said to be the closest to L... the more we tried to be like him, the closer we got, the farther away he was, like chasing a mirage. so i hardly need to tell you what it was like when wammy's house was first founded, when he was still experimenting. the first child, A, was unable to handle the pressure of living up to L and took his own life, and the second child, beyond birthday, was brilliand and deviant. B stood for Backup.'

'L was the goal of everyone in wammys house. everyone one of us wanted to surpass him. to step over him. to step on him. M did, N did and B did. M as a challenger, N as a successor. B as a criminal.'

sorry for my complete lack of spelling punctuation and grammar but i think i got my point across and also big thanks to @monards who helped me finish this draft by giving me the energy to continue and also encouraging my crippling death note addiction by feeding into it with questions and remarks like 'woah!' and 'eureka!'

#death note rant for my three followers :33 #i feel like i made sense #to some extent #i had to scroll on pinterest for a while to find a picture of mello where he doesnt look like hes a crack baby #why does he look like he was rolled around in 🌿 in his infancy #i love my wammy house kids #crack theory #crepe tag #death note #labb murder cases #beyond birthday #l lawliet #miheal keehl #mail jeevas #nate river

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makeste · 9 months

Text

BnHA Chapter 410: Kacchan Fights a Baby

Previously on BnHA: Kacchan was born and then he grew up and murdered the Demon Lord.

Today on BnHA: Kacchan fights a baby. Tomura and Deku finally remember that they were supposed to have been fighting too this entire time, and get on with that once again. Tomura is all, “[literally just reaches out and grabs Deku’s face because Deku’s main character powers suddenly abandoned him in a fit of confusion].” Deku is all, “[chops off Tomura’s fingers which is somehow not even in the top twenty of violent things that have happened in this series in just the last five chapters].” Tomura is all “joke’s on you I still got your quirk :D” and fuck me he actually stole Danger Sense, what the fuck.

logically I knew AFO still had to be alive somehow because he’s too big of a villain to go out that easily without a proper sendoff. but deep in my heart, I’m still secretly disappointed

it just isn’t fair, lol. this guy has died more times than Rasputin and he’s still out here scheming his schemey schemes. when oh when will it end

sir you did not just say you had yet ANOTHER unused trump card up your sleeve??

(ETA: the translation isn’t fully clear here, but I think the trump card he’s referring to is the whole “I’ll just go back inside him and join the part of me that was already in there and we’ll take over Tomura’s body again together” plan that he was trying to pull off. I think. if not though, that’s certainly something worth speculating about.)

well as always the psychology in this series is unironically fascinating! he just wants acknowledgement at the end of the day, huh. just wants some love and attention. too bad he was born in a rat-infested hellscape and learned all the wrong lessons and turned into a crazed omnipotent murderlad

also he really did turn back into a baby sdfsdlkjfl oh no. I need to see Katsuki’s reaction to this immediately

oh my lord

(●__●)

lmao this is so incredibly fucked up

ngl though, this is karma at its finest. he tortured and killed so many people trying to earn everyone’s fear and awe and reverence, only to literally blip out of existence at the end with absolutely nothing to show for it

everyone please enjoy this series of panels of a deeply vexed Bakugou Katsuki picking a fight with this slowly melting evil baby

“you think I care that you’re a baby now. you think I won’t fight a fuckin’ baby. let’s do this you little punk”

also I’m sorry but it’s absolutely ridiculous that the gigantic chest wound Tomura inflicted on him got sewed up so neatly lol. AFO’s not the only one who stubbornly refuses to die no matter what

...

just once, it would be nice if Horikoshi didn’t immediately shred my plot nitpicks to pieces mere seconds after I write them

LMAO

BABY AFO DON’T CARE. BABY AFO WILL THROW HANDS WITH ANYONE ＼(｀0´)／

KACCHAN MY BELOVED FAVE OF ALL TIME, ARE YOU REALLY ABOUT TO LOSE TO A LITERAL FUCKING INFANT

WHAT HAPPENED TO “PERFECT VICTORY” LMAO. MOVING THE GOALPOSTS EVEN AS HIS CONSCIOUSNESS FADES. “EH, CLOSE ENOUGH”

-- OH FOR THE LOVE OF --

me: wow it sure is uncharacteristic of Katsuki to just pass out before he properly wraps up this battle

Horikoshi: oh yeah good point, sure would be a shame if someone... IMMEDIATELY ADDRESSED THAT CONCERN ON THE VERY NEXT PAGE

me: ఠ_ఠ

ldskjflaksdjfkds

fdsfsdkf. “SORRY ABOUT THAT, FOR A MOMENT THERE I ALMOST FORGOT TO BEND THE ENTIRE UNIVERSE TO MY WILL”

holy fucking shit. his body was all “um, just a quick reminder that you’re HORRIBLY WOUNDED and have lost like ten gallons of blood and all of your cells are about to call an emergency meeting to shut this thing down before you get us all killed.” and he was all “WHAT WAS THAT?!” and his body was all “oh my GOD, FUCK, OKAY just forget we said anything”

and meanwhile Baby AFO is just lying there all “(◉⌓◉)”

this six-month-old child is truly and sincerely still trying to kill Kacchan while screeching death threats in high-pitched baby talk

this actually would have killed him too, if he’d succeeded in passing out. all that just to be punk’d by a damn baby

you are actually shitting me right now

at this point I’m genuinely not sure which of them has the more powerful angry toddler energy

oh no ffuffkdsfk

meeeeelting. meeeeeeltiiiiiing!!! oh what a world what a world

jesus Horikoshi I am genuinely speechless

... welp

WAIT NO WAY, REALLY?!?!

?!?!?! WAS IT ACTUALLY THAT SIMPLE THIS WHOLE TIME

-- lkjf

three times. three times in the same fucking chapter. I give up. apparently I’ll literally believe anything this man says. does it feel good, Horikoshi. preying on your readers’ hopeful naivete

yeefuckinghaw lmao

GOOD JOB KACCHAN YOU DEFEATED THE EVIL BABY

awwwww

I actually had a theory about this! well more of a wishlist item, really. I can’t remember if I’ve actually posted about it yet or not. but it’s like. you know how Deku and Kacchan are always being really dramatic about holding hands? wanting to hold hands; not wanting to hold hands; being afraid to hold hands; holding hands via proxy, etc. etc.?

and you know how both Endeavor and All Might have each done their own version of the victory pose that Kacchan is referring to here? with each one using a different hand?

so you see, I was thinking that it might be nice. might be a little poetic and all that. if at the end of the fight, Deku and Kacchan did, in fact, hold hands. and then did the victory pose together. and it became like their iconic hero moment. them standing there together. having accomplished their goal and defeated TomurAFO through teamwork. realizing their shared childhood dream. and sharing that moment of triumph with each other and with the world, ushering in a new era of heroes

anyway yeah. I was thinking that might be a pretty good ending. but it looks like Kacchan maybe really is about to pass out here now, lol, so maybe not? anyways time to finally scroll down

-- okay I literally said awww again out loud

what a fucking nerd. I have never felt more fondness for a character in my life

every damn person watching this on the news better have leaped to their feet and started applauding, goddammit. those motherfuckers better be CHANTING HIS FUCKING NAME. all those nagging reporters better be bombarding his phone with calls. those fuckers who deleted his footage from the Shouto interview better be shamelessly leaving him dozens of voicemails acting like none of that ever happened and presumptuously asking when he can free some time in his schedule to visit their studio again. all the heroes who haven’t hugged him yet better be lining the fuck up. that one guy from the post-kidnapping press conference in chapter 86 better be writing a fifty page letter of apology!!

oh hey it’s a random pre-battle flashback mysteriously taking place in Troy “a few days before the battle” even though I thought they only moved into that place the night before the fight

I love how Katsuki immediately narrows his eyes (I assume. we can’t see for sure but that’s the vibe I get) at Jeanist and has to resist the urge to call the police on him for that pun

so Hadou’s wondering what Jeanist is talking about because they already evacuated the civilians, so what else are they trying to protect. and Edgeshot is all, “well obviously we’ve gotta protect everyone’s future,” which is a nice... rearshadowing?? for him saving Katsuki’s life later on lol

and now Mirko is all “get to the fucking point already.” which, same

so Jeanist says that Tomura is an even bigger problem than AFO, because at least AFO doesn’t want to murder everyone on the entire planet. and he concludes with “he’ll probably try to touch the ground and use his quirk.” which is a conclusion that I have to say wasn’t really worth two pages of flashback buildup for, considering that we all figured that out years ago

I’m guessing this is all just some sort of awkward transition back to Deku’s fight now lol

and now we’re getting two pages of exposition on how long it would theoretically take Tomura’s Decay to spread throughout the city, and then the entire country, yikes

damn. talk about stakes

and now finally back to Deku!!

shoutout to everyone who correctly predicted that Deku was once again talking out of his ass when it came to being out of Gearshifts. we all knew. unlimited supply

wow Tomura way to throw AFO under the bus

the way I recall it, AFO wasn’t the one who failed to kill him back then lol. but go ahead and talk your shit king

DEKU WHAT ARE YOU DOING

holy shit?!?!

like my first thought was “well last time he did this he just tried to steal OFA rather than Decay him, so he’ll probably try that again and it’ll be fine.” only to remember that the AFO inside Tomura is currently permanently(?) out to lunch, and Tomura himself doesn’t give two figs about stealing OFA. so, uhhhh >_>

(ETA: nevermind.)

but then this happened

Deku what the actual fuck

OH MY GOD??!?!

HOLY SHIT

okay. okay, fuck. lemme gather up my thoughts, and then we’ll wrap this up

they’ll never admit it, but you know the other OFA Vestiges secretly resented Shino a tiny bit for being the only one of them to not be gruesomely murdered. bet they all feel guilty for thinking that now

Shino and Banjou also seemed to have this cute little pseudo-rivalry thing going on, so I really feel bad for Banjou now. :/ he looks so horrified in that bottom right panel

gotta admit, I did not see this coming in the slightest. OFA has been this immutable “I do what I want!” quirk for so long that I never thought Tomura or AFO would actually succeed in stealing it, even partially. that shook me to my core

BUT, it’s also really exciting to me because it’s going to make this battle much more interesting if Deku can’t use his get out of jail free card. shit just got way more real and I’m here for it

lastly, so! let me tell you guys my prediction. I still can’t see Tomura being the final villain lol. I just can’t. it feels too anticlimactic. if I’m wrong, I’m wrong, and I’ve certainly botched MANY predictions in the past, but I have not yet learned my lesson from any of it and I will not apologize lol

so here’s what I think. Deku and Tomura battle it out for the next chapter or two, and Tomura snatches up more of Deku’s quirks one by one. we see all of the Vestiges disappearing and the mood gets more and more desperate. eventually we’re down to just Kudou and Yoichi. Deku is panicking, but for some reason Kudou seems even MORE panicked

Kudou/Gearshift eventually gets stolen too, and it looks like this might finally be it for Deku (I have no idea how he’d stop Tomura from Decaying the ground once Blackwhip gets stolen, btw, but maybe Katsuki or someone else interferes in desperation towards the end). but just when it looks like Tomura is finally going to take the last piece of OFA, Deku’s vibes suddenly do a 180, stopping Tomura in his tracks

cut to the OFA Moon Gorgeous Meditation Realm, where Deku and Yoichi are staring at the door -- yes, that door -- in shock. because it’s finally been opened (now that the other Vestiges are no longer there to keep it at bay). and just like that, enter AFO, for the THIRD FUCKING TIME :D :D

tl;dr, HERE’S HOW HORCRUX!DEKU CAN STILL HAPPEN!!! wait where are you all going. wait come back

anyway so wow that was a really bizarre chapter that I truly thoroughly enjoyed, which should probably be a bit concerning. on to the next two week break! (for anyone who’s not aware, Shounen Jump will be on break next week, so yeah.) I’m on chapter 391 now. so close but still so far. the end of the year has gone by too damn fast tbh

#bnha 410 #bakugou katsuki #all for one #midoriya izuku #shigaraki tomura #one for all #bnha meta #bnha theory #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha

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princeblue · 2 months

Text

People wail and cry for stories that focus on platonic relationships and then discards all platonic relationships for romantic ones. And I feel like the kny fandom is a really good example of this.

Demon slayer is a straightforward story with family oriented and goal driven characters and a story that focuses on the bonds of platonic relationships forefront and center.

Tanjirou wants to avenge his family, keep his sister safe and turn her back to a human.

Zenitsu wanted to honor his gramps (yes that’s his actual reason and I will not argue on this)

Genya wants to apologize to his brother

Sanemi wants to keep genya safe

Shinobu wanted to avenge kanae

Giyuu wanted to avenge/honor his sister and sabito, protect Tanjirou and nezuko.

Muichirou later on wanted to live his life for his brother

Even kokushibos whole thing about how he Hated yoriichi and wanted him dead and to kill him vs seeing a genuinely sweet and caring and loving brother in yoriichis pov and everything kokushibo had ever stood for since yoriichi left/their mother died being contradicted in an instant when we see the flute in his clothing after he dies.

And so on and so forth.

And like anyone ever focuses on, and argues on. Is ships, canon or fanon, and sexuality/gender headcanons. For a series that is set in taisho era japan on the brink of World War One.

And I understand queer people existed during these times and that they had conflicts with themselves and others and etc, that comes with anyone in any time period. But it is still not the forefront of the story, platonic relationships are. All our romantic relationships just, do not have the same significance or impact on the story I have to say.

Obamitsu was a small (and beautiful/painful) moment at the end of the series, tankana didn’t actually happen until the Very end. Same with zenitsu/nezuko, aoi and Inosuke were the same as tankana. The uzuis got their one season but it was about finding each other and then killing ume and gyutaro. WHO speaking of, were literally conjoined together because they didn’t want to leave each other because of a promise neither remembered until they were actually dead.

I could even bring up gyomei and his ordeal with raising orphans and his relationship with genya, so on and so forth. There’s countless amazing platonic/sibling relationships. And yet I’m seeing stupid ass debates on Twitter about how an mlm couple could conceive and have descendants towards the end of the manga. Like ??

(And not to mention how people will horribly mischaracterize complex characters to toxic daddy abusers and woobify the other partner, most typically in mlm ships which would constitute as fetishizing imo.)

And I’m not saying it’s not valid to project or headcanon for fun, because I have also done that many times!! Aroace sanemi, bi genya, genderfluid genya! But there’s a line to it and everything else, when you start discarding the importance of platonic bonds to characters in favor of the romantic ones (aka my biggest problem with people who ship Sanemi with characters because 99% of the time they do this with him and Genya) then it’s no longer fun and it’s no longer cool and it in fact, makes you look stupid.

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iamnmbr3 · 3 months

Note

💖

What is your biggest unpopular opinion about the series?

hm. not sure because i feel like no matter how fringe the opinion it will be popular in one corner of the fandom or other. However, I'll go with my opinion on the Sectumsempra incident. I feel that it is not as big a deal as it's made out to be in some corners of the fandom and the bad thing about isn't what people focus on and also it's not even the most morally questionable thing Harry does in the series by a long shot.

I think some people tend to treat it as something Harry did with knowledge and intent, when he didn't. He didn't even use the spell because he dislikes Draco. He did it in a frantic moment of self defense when the first few spells he tried didn't work and he was shouting the first thing that came to mind. The terrible thing is that he was very cavalier about trying out unknown magic. The actual context he used it in - self defense agains a probable Death Eater who was attacking him and had escalated to Unforgivables - is actually pretty understandable. However, had he not walked in on Draco the probable victim of his spell would have been Cormac Mclaggen, who he had actually intended to test it on due to his dislike of him. This is hugely irresponsible, as was his decision to test another spell on Ron. (Though we must remember that his education has not stressed the potential risks of using unknown spells on people.)

Harry didn't know what the spell did and used it only in response to an attack and only after several of his other spells didn't work (btw shoutout to the fact that Draco actually lasted longer in a duel with Harry than any other character in the series except Snape). People sometimes put it into the real world context of a fight between people at school getting out of hand to the point one person nearly dies. But that's not what happened. This is a heightened fantasy context of two people who are now literally on opposite sides of a war getting into a serious fight. Also, although people say Harry didn't feel bad he actually was absolutely horrified by what he has done, so much so that he completely lost his composure in the moment which is a very atypical reaction for him, even in dangerous or upsetting situations. And then he subsequently completely stops investigating Draco even though the fight and what Draco says right before it further substantiate Harry's theories about Draco.

The really notable thing to me is how upset Harry is when Draco is hurt - to the point that he freezes up and panics, which is one of the only times he reacts that way in a high stress situation - and how it is Pansy and not Draco who vilifies Harry. It's also really interesting that Harry could have probably gotten himself out of trouble by mentioning that Draco was saying some super incriminating stuff and then attacked him and tried to use an Unforgivable Curse on Harry (which remember, carries a life sentence in prison). But even though Harry previously brought concerns about Draco to McGonagall, during the whole time she apparently yelled at him over this incident he never brought any of these extenuating circumstances. Given that Lucius is already in jail and the Malfoys have lost their standing in mainstream wizarding society (as well as among Death Eaters) Harry's accusation would probably have been taken seriously and he might well have been able to land Draco in jail. However, instead when Harry sees the vulnerable position Draco is in he backs off.

So yeah Harry definitely made a horrible mistake in this scene, but I see it more as drarry fodder than as evidence of him being a vicious psychopath.

Were this anyone but Draco, I can't imagine Harry reacting in a similar way. I mean, imagine him walking in on some other Death Eater saying a bunch of incriminating stuff and then getting attacked by that Death Eater and injuring the Death Eater more than he intended while acting in self defense. (Remember in book 5 Hermione was the one who had to stop him cursing the Death Eater whose head was de-aged to a baby.)

And the other weird thing is that Harry does other more morally grey things. In book 2 he makes Lockhart go first into the Chamber. If the Basilisk was waiting there he would have been killed. In a moment of anger in book 6 he chokes Mundungus so hard he starts turning blue, and never feels bad about it or apologizes. In book 7 he won't attack Stan with Stunners but he does use them on other Death Eaters, which presumably risks killing them. (There's also his use of the Cruciatus Curse in book 7 which I personally find to be a dumb and ooc scene added for a silly reason and thus just don't count as canon even though it could have been a super interesting moment if done well; but if you do count it, that's wayyy darker than the book 6 scene). I love Harry but he's not just an uwu soft cinnamon roll though I don't think he's an evil psychopath like some parts of fandom do either. He does make some morally grey choices that make his character interesting and complex and flawed, but the bathroom fight in book 6 really isn't one of them imho.

#asks #Harry Potter #drarry #ask game #Cruciatus Curse #my meta

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scienceandstorytelling · 8 months

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I can’t stop thinking about Will Branner’s performance as Max Jägerman and how it leads to my favorite usage of the Nightmare Time leitmotif in all the Hatchetfield musicals (and why I voted for NPMD as having my favorite title number in the poll I made a while back).

Max is a well-written character who already gives me hints of a tragic villain vibe, and then Will’s performance just fleshes that out tenfold. It features the duality Starkid has been playing a lot with in this series, where you’re sympathetic towards a character while also acknowledging the terrible things they do. Max is horrible and abusive towards his classmates and has given them years of trauma. But a teenage boy does not become a Literal Monster in a vacuum.

Alongside his role as a bully, the script gives us images of Max as someone who is struggling academically and would have probably fallen through the cracks if adults didn’t idolize him for his football prowess so they can live vicariously through him as he beats the rival town in the big game. We find out that he has a shitty dad who verbally abuses him for not being macho enough. That he probably doesn’t have all the sex people say he does. That the people he bullies hate-pranking him in revenge is “the nicest thing anyone’s ever done for [him].” And then Will’s acting keeps showing us glimpses of this goofier side of Max, glimpses of the person he might have been if he wasn’t such a bully.

And for those few moments in the aftermath of the prank, you think maybe he’s going to change now that someone has shown him what he perceives to be kindness. And then he falls through the floor and that opportunity is lost. But unlike what Mayor Lauter implies, I would argue that his fate isn’t fully sealed when he dies in the Waylon House. I think the moment of no return is when he kills Richie while the leitmotif plays.

Lots of people ship Max and Richie and have headcanons that they used to be friends, and I think it’s because of the parallels between them in this song. Here we have two 18 year old boys who have both been failed by the adults around them. Both are harmed by being stereotyped. Both are in the liminal social role of being in the process of stepping out of childhood and into living their adult lives after high school. And both of them are denied those adult lives. And then they fucking sing about it. The “will you pray for me” duet is such a powerful part of the song for many reasons, and I think it’s the moment that shows us that Max is still in the process of committing to being nothing more than a vengeful spirit, or at the very least is in the last stage of that process. The thing that strikes me the most is that Max is simultaneously trying to make Richie feel insignificant and alone while also projecting his own feelings onto him. “Is this the eternal dark without a dawn?” he asks, reaching up to the sky and not looking at Richie at all.

And what fucks me up is that Max fails in this moment. Richie is not alone. He never was, and now he’s even less alone. Not only will Pete and Ruth mourn him, so will Max’s former friends. Its so notable to me that this takes place immediately after Go Go Nighthawks, where we’ve just seen everyone, including, again, Max’s “friends,” sing about how great it is that he’s gone. It’s a real Ebeneezer Scrooge moment that makes me wonder if Max has been silently haunting the school these weeks since his death and it’s only now, having watched that, that he tips over into full villain mode. Max is the one with no one to pray for him, not Richie. And Richie basically says as much, and Max kills him anyway. Richie was doomed from the start in the sense that the show literally opens with a flashforward to his death, but I think Max is doomed too. “Don’t need no one to tell me high school will be my peak,” he says in his own introductory song. I said before how they’re both on the cusp of living their whole adult lives, but I wonder if Max had trouble seeing himself that way. He already didn’t think he would amount to anything after high school. A lot of these “peaked in high school” football star characters spend their adult lives being metaphorically stuck in high school, in their teenage years, because they can’t let themselves move on from their glory days. And here Max is, literally stuck in his teenage years forever as a ghost - but not literally stuck in high school, as we see when he follows them all to the Witchwood. When he makes he grand ghostly return he says to Richie, “I’m free!” (Free from what, Max?) He certainly has the freedom of a ghost to go anywhere and do anything. And yet he traps himself in high school. He prevents himself from moving forward. And all of that is why it makes me emotional every time when he casts aside any last chance of not being the villain and strikes the first blow on Richie, these two teenagers failed by the adults and the structures around them, their fates locked together, while the leitmotif plays and takes us back to that original line from Alice’s corpse singing to Bill about how he should have been a better father: Look what happens, nightmare time.

#npmd #starkid #hatchetfield #hatchetfield series #nerdy prudes must die #max jagerman

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el-moscorrofio-y-el-mercachifle · 2 months

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Besides my obvious annoyance with the new season because of the horrible character understanding from the writers and their ADMITTED goal to change Gaitán's ending, there are other aggravating issues with it:

1. The pacing:

This new novela knows it's in a rush, but we can tell, too. The first episode seems to attack the viewer with so many different new facts and characters and issues. It straight up starts with: Roberto's funeral, Armando and Betty separated and having been so for years now, Armando's presidency in the gutter again, lots of economic issues within the company again, Mila gone for years and her distance with Betty, a new guy that Marcela is suspiciously protective of and planning together to get revenge, Daniel being dead for going to jail from illegal business practices, etc. And all of this in the span of 1 episode. It just hits you with so much that it doesn't even give you the chance to get to know the characters. We haven't seen most of them in over twenty years, and some of them never, so we basically don't know them anymore! It's going so direclty and straight to the point that it feels more like a badly written fanfiction.

2. Lack of builup for tension

Jesus, there is very, very little tension here for the big things that matter. [SPOILER] In one episode we find out that Ecomoda is in bad shape, and just a few ones later, Armando is turning himself in. We don't see him slowly driving himself insane with his moral dilemma, we don't see him desperately trying everything to fix it, we don't even see him turning himself in! Just one episode ends with him saying he was turning himself in, and the next one starts with Armando's mugshot. That's it. No tension at all

3. Bad editing

One of the things that I loved about the old novela were their transitions. The first episodes were amazing with this: while Betty was looking at the magazine of the collection launch and giving her opinions and commentary, we were seeing the pictures of it and then we're taken to the moment the picture was taken. While Gutierrez, Armando and Roberto are talking about Betty and why Gutierrez discarded her, Roberto asks "why would a candidate so well prepared and qualified only want to be a secretary?" And then we see Betty going "because I'm tired of looking for a job!"

Those kind of transitions were incredible, I loved them so much. Now in this new series it just cuts abruptly to something totally different.

4. Inappropriate setting

They really, really tried to make everything seem so modern, and in their effort, they ended up making it so plastic and fake. The office doesn't look like an office at all, but rather a gallery or the lobby of an exotic hotel. The desks almost seem out of place. Sure, it's a fashion business, but it's just so fake looking. Most offices, even modern ones, still look like offices. This one just doesn't feel like it, and that really takes me out of the story.

Finally, and just as a little pet peeve that, objectively, idek if it should count but I'll include nonetheless because I'll forget to make a separete post about it: the robot and the hacking. It's just so cringy and cheap. Are robots like that even in the market fr? AI robots that follow you around and are in the shape of a sewing mannequin? And the whole hacking thing... ugh. As I said it's a personal pet peeve but I always find it cringy when they make these super high-tech knowing characters that can hack on everything and we see on the screen the codes and all of that. I found both of these elements so tacky and unnecessary lmao why not just hide cameras?? Nooo, let's make Daniel wannabe a finance and hacking genius lmao ((this part isn't part of the list I just wanted to vent because my hubby and I died of cringe watching one episode last night where Mila's AI Moving Robot Sewing Mannequin told her someone was hacking into the cameras and Ignacio is cyber-fighting to hide and we see a split screen of him and another of what he's seeing through the cameras and eventually he just closes the lid lmao)) ((anyway little rant over sorry))

#ysblf #yo soy betty la fea #betty la fea

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creatingblackcharacters · 6 days

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Also gonna send my criticisms of The Walking Dead TV show's treatment of Black characters as a separate ask.

So, to put it simply. The Walking Dead show has a horrible tendency of killing off its Black characters. Like, to the point it's a semi-common joke/theory that they have a quota on how many Black characters they can have.

Spoilers for most of the TV show, continue at your own risk

At the start of the show, we have two Black characters; Jacqui and T-dog. Jacqui only appears in the first season (7 episodes). She had very little presence in the show, only showing up for brief dialogue or to guide the other characters. She dies comforting a (white) man, who she decided to not leave alone in his final moments.

T-dog lasts three seasons (22 episodes) and gets more time in the spotlight. He's quiet, compassionate, and very selfless, the kind of guy who spent the early days of the apocalypse transporting old people to safety in a church van.

He also gets called the n-word and is beaten horribly within the first few episodes by Merle (...who is widely loved by the fandom despite this). T-dog still attempts to save Merle's life later, as Merle was, himself beaten up and cuffed to a pipe after committing a hate crime.

Throughout most of the series he's a pretty regular good guy. He's resistant to hurting people (even in self defense), he helps out other survivors, very normal stuff.

Then he dies while saving another (white) character.

Then we meet Big Tiny, Andrew, and Oscar, a trio of Black prisoners. Big Tiny dies almost instantly. Andrew is killed by Oscar. Oscar is killed during a rescue mission for two other characters (one white).

Then we meet Bob! He's another normal, decent man, doesn't stand out much. Then he's bitten by a zombie and has his leg eaten by (mostly white) cannibals. Tyreese puts him out of his misery.

Tyreese and Sasha are a pair of siblings. Sasha survives for most of the show, Tyreese survives a couple seasons. He's strong, protective, quiet, and wise. He beats up zombies with a hammer, pretty cool.

He is bitten by a zombie and dies not long after a new Black character is introduced.

That brings us to Noah; he's polite, helpful, intelligent, and interested in architecture. He even builds a close friendship with another member of the main cast.

Then a white man sacrifices him to zombies to survives. And he just... kinda allows it so the other guy present can survive.

Let's not forget about Sasha. She gets a pretty long run on the show; she's loyal, practical, has strong morals, is a great leader, and is amazing with a gun. She even has a couple romance arcs... one with Bob (the guy who got eaten), and the other is a man who is violently beaten to death in front of her.

She commits suicide and becomes a zombie to avenge her second boyfriend (who was white), attempting to bite the man who killed him.

I'm sure you can see the pattern... Black characters die and are replaced by a shiny new Black character. When they die, it's often directly connected to a white character.

If I remember right... around three Black main characters made it to the end of the show.

In comparison, three of the four Telltale games put their Black characters front and centre (the third game stars a Latino man, but a Black girl is still the deuteragonist). These characters are varied, loved by their peers, people sacrifice for them, people want to save them.

Well I guess I have no interest in ever watching this, huh 🤣 my reactions

Jacqui: 🙄 of course

T-Dog: shoulda left dude stuck to that pipe. Let a zombie get him, even. How do you find time to be racist during a zombie apocalypse? Nah, I'd let him die. He better than me.

Big Tiny, Andrew, and Oscar: here one moment gone the next

Bob: poor Bob 😭

Tyreese and Sasha: no, Tyreese 😭

Noah: is Noah the one that was played by Tyler James Williams?? Where he got caught in the spinning door? Because I remember that shit! I remember being HORRIFIED bc omg that's 1) Chris and 2) WHY IS HE DYING?? 3) now im scared of revolving doors

Sasha: 🙄🙄🙄🤦🏾‍♀️🤦🏾‍♀️🤦🏾‍♀️🤦🏾‍♀️🤦🏾‍♀️ now Sasha. Girl.

That is too much lmao damn.

#creatingblackcharacters

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bengiyo · 9 months

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Not sure if you’ve already answered this one or not but I’m curious what your top 5 BL character development moments/achievements would be?

My personal fave is Charn’s process of opening his heart to Tin and how it changed him but didn’t detract from his sassiness.

Hmm, this is an interesting one to consider. It requires the character to change in some way. It's notable because a lot of times it only happens for one of them.

Alex from The Warp Effect

I actually really like the arc for Alex. I think seeing a character reckon with the consequences of his choice or lack of choices was really well done in this show. I like that part of learning for him was about how his people pleasing hurts the people he's trying to appease and making the choice to take better care of the people around him by being a more active participant in his own life.

Nakamichi Misaki from Me, My Husband, and My Husband's Boyfriend

I think I really liked how much she learned that she can choose the kind of relationships she wants from the people around her. I like that so much of her learning about what kinds of love are possible is grounded in her genuine love for Yuki. I have some complex thoughts about where the show chooses to end, but I like how assured she seems about her own life by the end of this compared to the way she seemed trapped at the beginning.

Uea from Bed Friend

Continuing even into Middleman's Love, I really love that Uea learned that he doesn't have to dim himself. He is beautiful. There's nothing wrong with that. It's not his fault that people treat him a certain way. He is also unwell. I'm glad he admitted that and is getting help. I'm glad he's built a support network that knows about his struggles so they can take care of him. I'm glad he severed ties with his horrible mother. He is thriving as himself and not who he was told to be.

Kawi from Be My Favorite

In so many ways I thought Kawi was an incel at the start of the show. I like that so much of his arc was about seeing people around himself in a kinder way, and also treating himself more kindly. I like that he had to face that no matter what he tries he will always eventually lose his dad. Grief is one of the constants of being alive. Everything dies, and so we have learn to cherish what we have and accept that nothing lasts forever. I actually came to like Kawi by the end of the series and could see what Pisaeng saw in him originally.

Amane in If It's With You

I love this boy, and I love how much he's comfortable with the fact that he's attracted to men. I like that his journey with Ryuji is learning that he doesn't have to skip over the cute stuff about first love and run directly to the apps and hookup culture. I like how, even though I wasn't necessarily keen on the chaste ending, it didn't feel like Amane regressed into a sexless being. It's hard for a lot of us who didn't get to have these cute experiences as teens. Dating is hard. We didn't get to practice in simpler settings. I like seeing Amane get a second chance at high school love and blossom as a result.

Ask Me Top 5 BL 2023 Anything

#answered #best of bl 2023 #Kimi to Nara Koi wo Shite Mite mo #if it's with you #bed friend #me my husband and my husband's boyfriend #Watashi to Otto to Otto no Kareshi #be my favorite #the warp effect

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justvora · 4 months

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MOON KNIGHT IS A HERO

HEROISM BEHIND A LEGACY OF VIOLENCE. A Moon Knight essay, pt1.

Origin.

Nothing pains me more than the segmented view of Moon Knight, which seems to be anchored to the stale perspective of the 2000s, an era that destroyed this character. It meant too much that stage, one where he hit rock bottom, where he was at the lowest point in his life. And those moments were intrinsic in him, they do not define him or determine his present, but they did mean a turning point to want to change, to want to be something else.

Marc Spector has always been a violent person, from his childhood (The Vengeance of Moon Knight, Shadowland: Moon Knight) where he exercised excessive violence against those who harassed his brother, to his adulthood, where he was a renowned underground boxer (Moon Knight Vol1: #37 ; Shadowland: Moon Knight), being this a stage where he felt rejected by the passivity of his own father, a rabbi. Marc never understood why he always kept his head down, why he was so extremely peaceful at levels that did him more harm than good. He was a rebel, a lost cause to his family, but someone who fought against anti-Semitic hate crimes no matter how alien he considered himself to this religion. After that, he ended up in the navy, from which he was expelled for disobedience, insubordination and assault on a superior, in addition for the strange behaviors that can be seen in the flashbacks that Khonshu distorted from his past, in Jeff Lemire's run (2016, Vol8: #12). After that he spent some time in the CIA which is extremely difficult to define given the ambiguity of his chronology. But it is clear that from that moment on he went off track to the point of ending up being something worse: an assassin, a mercenary.

In his mercenary days he did horrible things. He was never a good guy, death was nothing alien to him, so ending anyone's life was no problem… Until he met Marlene. He rebelled against Bushman and died, being left to his fate, crawling through the desert day and night until he ended up in front of a temple where, in the vicinity, Khonshu was. This was a new point, one which allows us to see different ramifications of the interpretation of both Moon Knight and the god who brought him back to life, Khonshu.

There are those who define him as an abusive god who took advantage of Spector's catatonic state to coerce him, leading him to make a deal whereby he became his vessel, leading him down a path of false heroism solely to quench the bloodlust of a god, an evil one, who recreates the idea of protecting people as an excuse to exercise violence.

On the other hand, there is the interpretation that I personally like the most. Redemption. Marc Spector went through a catharsis or metamorphosis that allowed him to change. He could not eradicate his bloodthirsty past, let alone clean it up, but at least he could give a new purpose to his person, and that would be to become a hero, one who would protect people.

“I became Moon Knight to end the darkness; and I never had to look beyond my heart”

He admitted, within his thoughts, in the trial that was made for his war crimes in bosqueverde, during the stage of the late 80s and early 90s where the infamous series of Marc Spector: Moon Knight is developed, one that has so many lights and shadows. I have to say that it is a good comic in its initial form, perhaps too corny and intense, throwing to “waste” certain ideas that had been established; but on the other hand the comic was fruit of its time and the bad writing of the 90s affected the rest of its issues from the middle, leading to the introduction of harmful ideas and concepts, but that hopefully remained in oblivion.

“Moon Knight is a critical pastiche of superheroes that somehow managed to exist in a Big 2 lineup. Marc Spector was not kind, or noble, or an upstanding citizen. He was a violent asshole who rejected God. Rejected his father. Killed people for money. Marc had pain in his heart and suppressed that pain with violence. He did not enter into a pact with some ambivalent greater power to protect humanity because it's the right thing to do. Marc was afraid of death, and contracted with an abusive, vindictive, petty God who cursed his own followers and declared the night time world his domain. A God who drove him to more violence not as an act of charity but of supernatural domination. Marc does not grow linearly as a superhero - his pact with Khonshu saves him from death and he begins to indulge his love of violence under the guise of heroism. In some ways these impulses grow worse - and ‘protecting the innocent’ turns into mutilating criminals and lashing out at the woman he loves. Marc does not narrowly survive danger. He dies. Again and again and again. Gruesomely, painfully, traumatically. He's crippled. He is not returned to service by an indomitable will or drive to do good, but a curse that will see him reduced to a mindless husk who only knows violence - something Marc has been training for his whole life. Marc does not wear the mask to hide his identity or protect his loved ones. He's a fractured, broken person who at this point in his story has accumulated a lifetime of failure and trauma, and constantly externalizes it, driving away the few people he loves. He wears the mask to run away from his past and play pretend that he's secretly a good man. Moon Knight should be in The Boys, or Invincible. His stories are critical of the violent, aggressively over-masculine anger that perpetuates in the medium. He's a critique of batman, daredevil, the punisher - any super hero who portrays themselves as some dark and tortured herald of justice. He is the result of some of the industry's best talents looking at the tropes of the genre and admitting ‘Anyone who acted like this in real life would be a friendless, unlovable asshole’ And he has an arc! He seeks to exist beyond the sins of his past! Marc desires to grow and abandon the violence he's cultivated within himself. To treat himself with kindness, to find forgiveness, and atone for the hurt he's caused.”

—explodyboompow, “What makes moon knight stand out from from other superheroes” : Reddit comment from that post (2023)

Marc Spector, as much as he is someone who dresses completely in white, is a gray person, someone who exists within the moral spectrum and is incapable of transcending it. He could be considered, during his darkest period, as the very opposite of copaganda (a term used to refer to police propaganda whereby comic book superheroes are blurred from their anti-police discourse to support strict measures within the law); he acted outside the law with sadism, punishing villains in horrible ways, even exercising excessive violence, although with the law of superhero registration and all the authoritarian control that was exercised he saw that he had to relax, at least to keep a low profile, because he did not want to finish tarnishing his image, being something that Black Spectre (Carson Knowles) took advantage of to dirty the way in which the knight himself was seen. Since he checked in, manipulating the man who interviewed him, coercing him and subjecting him to extortion that led to his suicide, he was considered a high danger even without his powers, mainly because of how dangerous he was as well as his own “mental instability”, so, as soon as the alarms went off, S.H.I.E.L.D went after him, and the competition was not far behind, Norman Osborn considered him a threat, so in the same way he sent the Thunderbolts to liquidate him.

That's why Moon Knight's story works. It speaks to society and the power that context has over society to torture people. Spector fell into the big pit, forgetting what he was, who he was, and the company he kept. He was selfish.

Part of the paradigm of his heroism is based on the fact that he kills. Evidently, he is not, as a person, the best human being you can find, that is something quite clear, but still… He does not seek to be a good person, but a specter of vengeance that takes the grief of others to avenge them for their pain. To a certain extent we could define Moon Knight as an opposite of Cassandra Cain: an antithesis to that way that the individual depersonalizes his human facet to serve justice and help others. Cassandra wanted to detach herself from what her father transformed her into: a killing machine. She believed that, if she was born that way, anyone else could change, as she was searching for so long for redemption that she forgot she was Cassandra to be Batgirl, because her world needed a heroine: And she became a martyr on a suicide mission, because if she died, she wanted to die a heroine. This is not so different from Moon Knight, although the roots of the paradigm are completely different.

The true meaning of Moon Knight in a past stage whose vestiges fall into a reformulated present that we can see, encapsulated, in Jason Aaron's recent writing in Spector's appearance during the last issues of Punisher, specifically, when the latter has been defeated and our hero comes to give him a brief speech, one by which he believes that he, despite everything, can change; but that unlike himself, he recognizes, inwardly, that he would not want to change, and that is where his perception of things lies: In believing that, if he after all has had more than one chance to prove to the world that he can be a better person, anyone else could do the same, and that is a thought that rests with Frank himself.

One thing that sets the current Moon Knight apart from any other character is that he recognizes the sin he lives with himself, but this doesn't mean he gives up striving to be better, quite the contrary, he always seeks to change himself to an era of light and hope. He wants to be a hero, a beacon of light for the people, and yet, he does not force himself to take on or absorb the cultural beliefs of what is right, he does not seek to cling to the idea of others, but to what he believes is right.

Moon Knight resignifies his will, his mission and the way he works. Crossing the line of life is something morally questionable, but he frivolizes it. He is not sadistic, he, contrary to popular belief, does not enjoy it. Contrary to the misbelief held about him, Spector is not looking for an excuse to exercise violence and let off steam, no. For him violence is just another tool, one he uses to attack evil, those who harm his travelers. It is the paradoxical irony of using more violence; he knows he will not be able to extinguish the flame of his past, and he believes that, much less, he can exempt himself from it; that is why his fight against evil is not as Marc Spector, but as Moon Knight: The system composed by his alters. All this does not take away that Moon Knight does not reach levels that are worrying, but what he does is to play with fear and the mistakes of his past, because in previous stages he fell so low that he began to act like a monster, destroying the criminals he faced in inhuman ways that could very well make him look worse than the Punisher. But it is just all those legends that he uses to evoke fear in criminals, something that is addressed in the recent volume of Vengeance of the Moon Knight where we are shown the paradigm difference between the new user of the lunar mantle and our hero under the words of Soldier, his loyal ally:

“Anyone can be a psycho. It’s easy. All you got to do is take a machete to a guy who rips off ATMs dressed up as pinocchio or whatever, and presto, you’re a grim avenger of the streets. But the Boss was better than that. Smarter. he kept them scared. He had his rep, from his bad old days, and he kept them in hand with that fear. He was their fixer, giving them their hit. But he was careful. Because fear’s like any other drug. If they get too much in their system, they get unpredictable. Get stupid, get sloppy, get out of hand. You want them too scared of you to act. Not so scared that they feel like they got to.”

Vengeance of Moon Knight Vol2, #3, 2024. Jed Mackay.

The paradigm here is in working correctly by playing on fear, following Batman's mechanics of instilling fear in people so that they don't want to act rather than so that they end up acting in an unpredictable way by having an overdose that makes them want to break through their own fear, though this is something I'd rather talk about later in more depth on 'Zodiac's theory and vision of the new Moon Knight'.

Re-reading his first comics I could not help but cry with joy when I read the incredible and beautiful writing of the character and the way they were able to define him better than ever, contradicting, ironically, the way in which in the future they will portray the character as an absolute savage, when he is nothing but the opposite of something like that. What's more, Moon Knight to some extent takes different ideas and concepts that have been developed with the Batman character but gives them a twist. For starters there is the cycle of violence with which he acts and which, to his surprise, does nothing more than fan a flame in a city that never sleeps or progresses, reaching a feedback whereby pouring violence against crime only fuels it more, making him see that people need more than revenge, finding, there, a mission greater than that of his god: Justice and, with it, hope. And, on the other hand, there is the issue of the use of the enemy's weapons: violence and fear. He takes everything, as well as 'murder', to frivolize it and change its dynamics, taking it to the paradox of intolerance: He will not tolerate that the rights and integrity of those he protects are violated, so those who cross the moral line must be punished… Although not all those who do evil are people with malice, but other people who, just because of the system, have been oppressed and pushed to the limit by their circumstances. There are those who have no choice -better- and can redeem themselves -Moon Knight believes in the redemption of others-.

“You know what’s out there. It’s a world in which the savages all too often rule our cities, our streets, our souls. The good citizens– the Grants, the Lockley’s– they fight that tyranny as best they can- They aren’t always enough. Moon Knight is more than a good man. He’s a force that transcends the brutality and the fear that are the savages’ main weapons– because he can use those weapons himself. He’s a savage on the side of the angels… A protector of innocents… A symbol of vengeance and hope. And, god willing… If he does his job well enough… he’ll be the last savage.”

Moon Knight Vol1, #35, 1980. Tony Isabella

“Those who forget their past are condemned to forget it”.

The mask not only serves to protect your identity, or to flee from your past, which also serves to become something else, something better. If yesterday's violence served to hurt, isn't it more poetic to use violence to protect? That is its mission. Not to harm, but to protect. He puts on the mask because no one else needs Marc Spector (MK Vol9 #4, 2021, Jed Mackay) and because he has caused enough damage, because people need the moon knight, and putting on that mantle serves to destroy himself, to punish himself and become a martyr. This is something we will also see in Doug Moench's stories where it is emphasized that Steven Grant came about as a way to leave Spector in the background. What Marc longs for most, after all - in his early 80s - is to die to escape hell, because he is someone weak, a man who has shielded all his horrors in a hard shell of toxic masculinity that has driven him to rot, desensitizing him when, inside, he is dying. But this hell is not, if not, a purgatory to exonerate himself from his sins (MK Vol1 #29, 1980, Doug Moench). And everything suddenly becomes, all of a sudden, a self-destructive missionary for what he hopes to be destroying himself and eliminating Spector.

To be continued...

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