#and it just feels more interpersonal in some ways... i know a lot of them have assistants but it feels different from a Whole team of an -
Explore tagged Tumblr posts
Text
Hello!
I'm Lee (any pronouns), a middle aged queer writer from the midwest of the US. It's been a bit, so I'm doing another writeblr intro, to find more potential writeblr folks to chat with!
What I write:
- Mostly scifi! I have a bit of fantasy brewing in a collab project, but mostly, scifi.
- Queer stuff. Lots of different types of queerness.
- Community. Both in the group-hugs-and-support variety and the extreme-mess/everybodies-traumas-keep-smashing-into-each-other variety. I have training as a family therapist and am endlessly fascinated by interpersonal dynamics. This is the meat of my work.
- Grounded worldbuilding. My main project right now is near future scifi that diverges from our timeline around 2001. I'm enjoying the hell out of playing the US I know with some very key tweaks that changed society. I know a lot about medical systems, criminal justice systems, and legal systems and like using fantasy and scifi elements to show them as I know them. But like, in a way that should appeal to people who give 0 shits about US institutions.
- Disability stuff. Not that after-school-special shit. I am just tired of characters being generic pretty dolls whose physical attributes don't impact how they move through the world. That means not only writing a variety of different disabilities, but also different bodies. My characters aren't "inspiration porn" or just waiting around for less disabled characters to come save them. They are messy, with a wide array of relationships to their limitations and the things they use to cope with those limitations.
- YA into new adult. Not exclusively, but mostly. I really like taking characters from YA into early adulthood. Not just a standard coming-of-age arc, but the actually moving from a self-concept of a dependent teen into someone with legal responsibility for themselves, jobs, college, etc. Especially when combined with all of the above. I love a nice long character arc with lots of sub-arcs along the way.
What I have out, now.
- I have two books out so far, Secondhand Origin Stories and Names in Their Blood. I'm working on book 3 in that planned 5 book series now, which is currently titled Brittle Idols.
- I have a free monthly newsletter called Shed Letters where I talk about psychology, tech, queerness, storytelling, and the creative process, plus whatever random topic I've been researching for my books recently. Also contains pictures of my three very photogenic cats.
- Newsletter subscribers also have access to a novella I wrote that goes between Secondhand Origin Stories and Names in Their Blood, that's about an fictional AI (the only kind I like) trying to decide on a body for themself.
- I also draw and animate, with my first and still in-progress animation project being a "trailer" for Secondhand Origin Stories.
What I'm looking for
- writeblrs - especially writeblrs that aren't JUST writeblrs. I want to feel like I'm meeting people, at least in some manner, rather than just hearing about a product in process. That doesn't have to mean deep confessions or private information, but honestly I'm not likely to remember you for your writing project alone. Sorry. Please show me what else you care about!
- Bonus points for queer or disabled scifi or fantasy writers.
- I am white for most intents and purposes but I always want to find more AOC who write sci fi.
- Also always excited to meet more YA authors- especially the currently kinda sidelined YA scifi.
- People who care about where society is going but aren't posting that everything is doomed and pointless. I mean you post whatever you want but I don't need that on my dash. That shit is not helping me help.
I sometimes do ask games? It's fun when I have the time. It'd be fun to have more folks to do them with, provided those folks are patient.
Please interact if this has piqued your interest!
33 notes
·
View notes
Text
WHYYYYYYYYYYY....
#i HATE this idea that manga are inherently inferior to anime adaptations....#I always prefer reading manga over anime because i feel like i get more time to digest things!! and its amazing seeing the different ways-#-people work around limitations within the medium itself.. breaking the boundaries.. creative problem solving.. unique pacing and visuals#and it just feels more interpersonal in some ways... i know a lot of them have assistants but it feels different from a Whole team of an -#-anime to me#(and usually there are maybe no more than 5 assistants.. sometimes fewer. or none)#some of you engage with media just to Consume and it shows because why treat reading something instead of watching as an inconvenience
4 notes
·
View notes
Text
Relativity Falls!
Design Concepts (and my unnecessary thoughts):
Excuse the the colors, ig my apps are fighting.
I see Mabel finding success no matter what happens to her, but I really like the thought of her running an insane arts and crafts business in GF. Alternatively, if she fell in the portal, she'd come out acting confident as always, but she probably wouldn't realize how much the constant change and lack of family/stability wore her out until she settled back in. In either case, she's a bit cracked.
Dipper is investigative, but cracks easiest under stress and is not as inherently adventurous as Mabel or Ford- so the portal wouldn't treat him well. If he's not the one in the portal, he'd be into stargazing and real magic to share with people, while also warding tourists away from the dangerous stuff. In general, he'd be an unhappy adult if left to his own devices, lol.
Between Dipper and Mabel, I like Dipper being in the portal more. He's a great protagonist, but as a supporting cast member, he needs to be more insane to match the draw that is 'Mabel taking care of children,' ha. I also love the idea of there being no portal / some other looming threat for these two to struggle with (at least because Hirsche has made it clear that Dipper and Mabel are equally smart, and to me it seems like the portal would reopen way quicker with them), but I didn't plan on posting these and I don't know how my followers feel about me posting lore.
Stanford and Stanley:
Pretty much how they are in canon, but now they're in a setting where they can get over themselves, ha. They aren't quite as mature as Dipper and Mabel were at their age, but after coming to GF, they finally found other people to look out for them. Dipper could be a more emotionally available and level-headed role model (I think having people to take care of is calming for him in turn), and they'd both look up to Mabel as the peak of somebody who knows how to socialize.
Fiddleford:
He's a sweet, southern, farm-raised mechanical engineer just like in canon.
Idk why Fiddleford is in GF (visiting an unnamed grandparent?), but I really like his relationship with Ford in the journal. Following that thought, in this AU, he starts out more of Ford's friend than Stan's, and it's kind of a big deal. Unlike Dipper's arc on learning to be a kid, Stan and Ford clearly struggled a lot with interpersonal relationships / finding security outside of eachother, and that's what I think this AU could be about (it's great they realized they need each other in canon, but the part where they had no one else to turn to is also kinda crazy if you ask me).
Ford gets to meet another smart kid in a weird town, which helps him feel more normal. He has a better idea of what friendship is because of it, but also, since I can't imagine Dipper wanting an apprentice so young/vulnerable/impressionable or Mabel asking only one of the twins to stay- he'd have to come to terms with the fact that he can't live in his dream world forever. (Or maybe the apprenticeship comes from somewhere else, just because the conflict around going back to Glass Shard Beach at all, or sending Stan alone could be pretty good.)
On the flipside, I think Stan's initial jealousy of Ford and Fiddleford's friendship would force him to try finding his own friends / hobbies. I like the idea that he fails at first- and a lot- but Mabel notices his mounting frustration (which he is very keen on hiding), and her consistent and unorthodox support makes him realize he wasn't alone to begin with. He can be more open around her, which makes it easier to open up to others, and then he can make friends without having to pull any tricks. He probably starts with some animals, and then at least gets closer to Fiddleford anyways (I feel like they're both more practical than Ford and value human company more, so they'd bond easier once Stan gets over his personal hurdle).
Anyways- because that was way too much- Mabel's exes are a constant source of antagonists and Dipper is stressed about setting a good example.
(I was more of a Monster Falls fan back in the day, but I can't draw animals, lol)
#fanart#gravity falls#relativity falls#relativity au#mabel pines#dipper pines#stanford pines#stanley pines#fiddleford mcgucket#fiddauthor#(if you wish)#I wasn't planning on doing any AU fanart#but designing mabel was way too fun#damn i didn't even draw bill#oh well#i have mixed feelings and ideas for how he'd fit in anyways
3K notes
·
View notes
Text
HR department romance plots
I just… beyond the surface level of enjoying a new game with new relationship dynamics to explore, I really can’t feel much about the DAV companions or their romances.
They all just seem so disconnected from the story, from Rook (who in turn is entirely disconnected from all kinds of feelings because Rook is just Employee Of the Year), from the world, from themselves. I feel like Cole here, looking at them and saying in my gentle, fleeting voice: even the dwarves don’t really remember dwarves. It really feels like the interpersonal relationships are written by the HR person who sits with you as union rep to tell you that you should use a positive language, that "we are all simply employees here, it doesn't matter what title you have", give a little pep talk about teamwork and how to get the job done. That's what we're here for. Everyone's equal. We all want the same thing here, your boss is your friend. Have you tried talking to this person, see their side of things, mmmm? It's just... yeah, they're cute, all of them. But why do they like each other? Why do they want to be with Rook? Who are they even in relation to the world of Thedas, what do they believe in, what have they overcome, what do they hate, what sort of prejudices do they carry around? I have no idea.
And since I’m also replaying DAI again, I wanted to compare these romances to my canon romances in DAI. With Blackwall, you immediately get a sense of attraction and a sort of flirting on his part that suggests this is something he falls into quite easily - “you know a lot about girls” to quote Cole - BUT it’s also something he really, really thinks he shouldn’t be doing now. Why? He is tied to the Warden plot, if you bring him along you get a sense of a man hiding shit but you don’t really understand what, and he still comes to see you (flying/climbing up your balcony wall idk) because he can’t step away. You get to tell him he’s a good man even though you know shit about that at this point, like with Anders in DA2 you can give your PC over to this passion/love despite knowing that there’s something off, something potentially harmful or dangerous. There is conflict, there are things that jar, that can even make you uncomfortable.
Blackwall as a character is open and compassionate. He approves of mercy, shows mercy, he isn't judgmental of others. In sharp and delicious contrast Blackwall’s crime is vile. He isn’t bound by any sort of oath, he can back down, there is no greater good whatsoever in his actions. It’s inexcusable. And yet. YET. You can CONTINUE THE ROMANCE. He killed a wagon full of kids, THEN RAN AWAY AND LET HIS MEN TAKE THE BLAME and hates himself so much that he tries to become someone else by erasing his previous self from the face of the earth. You can still kiss him and tell him you want him to live and redeem himself. It’s fucking incredible to think about this in the light of Veilguard actually. Your LI, the child murdering coward.
With Iron Bull you have the doubts all spread out on the table. He’s a spy, how could you ever trust him? He also doesn’t respond to your flirting, why the hell not when you hear through ambient dialogue that he’s fucking half the chantry, isn’t he supposed to be a fuckboy? But he’s fun, he’s a mystery, he’s got fascinating banter with everyone, he’s brought his found family along, he’s a Qunari who at least somewhat believes in the Qun - he’s got AMAZING conversations with Solas that characterizes Bull as deeply intelligent (and Solas as much more caring than he’d let on) and knowledgeable about surprising things like architecture. Cole, as always, gives us more insight into Bull’s mind along the way and even before the offer to ride the Bull, the idea of him has been through some adjustments. You change his idea about a lot of things and in return, Bull challenges your idea of him, your idea of the Qun, your idea of the world and possibly, depending on how you react to his romance, your idea of intimate relationships. The game’s writing allowed me to imagine a rather frumpy circle mage in her mid 30s reluctantly forming a friendship with this strange fellow, only to find herself very much attracted to him, only to find herself being cared for in a way she would never have let anyone do before simply because Bull told her that was the only way he’d be with her. This is how we’ll do it, are you in? Your LI, the service top Qunari spy who is terrified he’ll run mad without his belief system to dictate his actions.
And Solas. I mean mythical love stories culminating in mythical endings aside, what I really fell for in this relationship was the refreshing dynamic not of enemies to lovers but of two souls just sort of connecting instantly during strange events, taking a few hard looks at each other and going oh shit it’s you, you get me HOW is it possible you get me when nobody else does? There’s so much external drama surrounding them, which is why I personally LOVE and ADORE how calm their internal connection actually is. They know, so early in the game, that this is it. You’re my home, you understand the bones of me, you ask questions no one else thinks of asking, you care about the world in a way I haven’t seen anyone else do. He is LITERALLY the only one who understands your Lavellan when they make her the herald, when she protests and they keep pushing and pulling and sing their song after Haven, and Solas is there to be sarcastic about it. If nothing else, I'd fall in love with that. And there’s this sense of impossibility from the very beginning, a sense of it being almost unreal because the first kiss is in the Fade, the second is in a frenzy where Solas goes from 0 to I LOVE YOU, MY HEART and then leaves and you know, you know how this is coded and YET - he seemed so wise and kind and sad, it goes like this, the fourth, the fifth. And even with this connection of souls, things chafe - he’s an absolute bastard about certain things, he mocks your heritage and you don’t know yet that it’s because a huge guilt blanket rests on top of him since thousands of years back, you can just argue back and receive his disapproval. He says it’s selfish of him to start anything with you yet he does - WHY DO YOU DO THAT, SAD EGG? Your LI, the ancient god of rebellion, treachery and lies, depending on the story.
Even beyond my favourites, there are conflicts. Sera is A LOT (affectionate) if you're an elf, with Cullen you get a substance abuse story-line tied to his general dismay about his past as a really fucked up templar, Dorian has personal trauma and cultural prejudice he struggles with for the entire game, Vivienne is so complex half the fandom hates her and has very awkward and uncomfortable banters with almost everyone (save for Bull because he treats her like he would a tamassran), Cassandra is constantly challenged in her personal beliefs, very clearly reflected in her conversations with Solas and Cole has a whole personal plotline about deeply existentialist matters. What does it mean to be alive? Who is a person and who gets to decide that? He could have been a person, Varric says. Isn't he already? Does this unit have a soul? Not to mention that Cole functions chiefly as a speaker of truths, bringing a lot of complexity to the others.
DAI is not perfect by any means but I feel like I know these bastards. I feel like my PC or even I could actively dislike some of them, because they are written to create dynamic conflicts inside and outside of their own arcs. I can write fic about them, I can imagine what they're doing during the events of DAV because I know them.
Because they are written like actual people in a world where some people have power over others and some people have been raised with a certain belief system and some people just have shitty takes on society, may they learn.
917 notes
·
View notes
Text
in the past year i've pushed myself through increasingly physically extreme acts, kink wise, and that's introduced me to a few sides of me i wasn't conscious of before.
like the bratty me. im not a brat. i dont like being difficult in a scene. i like being a good obedient blanks submissive. but if the Dom is too casual in the dynamic or I doubt his judgement in some way, bratting comes out of me almost involuntarily, as if to fill the space. Either I make little snide comments and jokes (which can establish a rapport and be fun, sometimes), or I push back pretty willfully (but subtly) against what the Dom is doing, which can cause them to either regroup or go off balance.
There's a whole spectrum of sarcastic, snide, flirtatious energy I dispense depending on just how untrusting I feel, and I do so on instinct, so sometimes it goes way too far or emerges at the wrong time and isn't at all what the Dom wanted to see. But I can tell I developed this side to protect me. The bratty me knows how to de-escalate and disempower a powerful person and I've been her(?) throughout my life, anytime that a man has seemed more self-assured than he deserved to be around me, and I felt let down by him. The bratty me knows how to neg and get the upper hand even if the rest of me doesn't want to, basically. Sadly, the first person I had to develop this persona on was my dad. And in a way I'm still trotting out the exact personality that used to get him riled up and allowed me to feel like I was in control of our relationship, spiky and seductive at the same time.
Bratty me exists to prevent emotional pain. It lets me backpedal at giving away power, cast the whole thing as a joke, and reassert myself as the person of superior competence without having to take on the responsibility of leading the show. I have been let down by a lot of Dominant figures in my life over the years and now I find it hard to fully give in to someone the way I was once able to. It gets irritating when bratty me crawls out of my mouth and throws insults at a time where I am safe and I do want to get closer to somebody, but now I can take that as a sign that she (the brat) can feel the risk level mounting and wants to make sure I'm okay. I need to do more intentional IFS type of work on myself and her to let her know we're okay.
There's another side of me that comes out when I'm in actual physical distress during a scene, and that's a feral, fight-or-flight mode self. With emphasis on the fight. I didn't expect this to come out of me during kink, for me to start shoving and spitting and pushing back, but I honestly should have, because every time that I've been groped or followed down the street in real life my instinct has been to become violent. I am filled with barely suppressed anger and always am thrilled to have the excuse to unleash it on somebody. It is so rare to have an acceptable target.
But recently, during a couple of kinky scenes, I've gotten electrocuted too much in the wrong spot or had too big of a toy forcibly inserted far too fast and I've turned into a kicking, screaming, pushing, aggressive mess even when I haven't wanted to. It's the same thing as being unable to relax enough to open your hole up, or breathe through a strike, but it sure looks a lot meaner. I tend to emotionally regress right after being this person, go a bit mute and infantile and be unable to look at anybody for a long while afterward and I usually can't explain what I need.
But again, I'm proud of this side of me for existing. Feral fight mode me is also trying to assert control and protect me, even if he overdoes it. These explosive characters show how much I've had to live through, and all the skills I developed to do so. It's been rewarding to get to know them, even if they can be a real pain to deal with during a scene. I know that these two sides of me are powerful and I can see how much I deploy them (in smaller ways) in my regular interpersonal relationships to prevent intimacy, and I need to work on making these sides of me feel safe so that doesn't happen so much. And that starts with appreciating them for all that they do.
146 notes
·
View notes
Text
This is a bigger problem in the fanfic realm as well, because I have recently frequently been running into the problem of being drawn in by shippy fanfics that involve things like captivity, enslavement, and other scenarios that inherently constitute reduced autonomy and thus dubious (at best) consent, but actively refuse to engage with those implications.
And it's frustrating, because these are scenarios that I find compelling, and that have the potential for very rich emotional work. I like the juxtaposition of physical pleasure or emotional fulfillment with feelings of fear and violation, and the shame and self-blame that those feelings bring about. And I like digging into an experience of love and desire that is frighteningly selfish in its negligence towards the personhood of its object.
But I see so many of these fics that are explicitly framed as seeking to avoid these story elements - they'll have an author's note or something at the beginning with something like "I know this is problematic, but I've tried to mitigate the dubcon elements as much as I can!" And I find this... deeply frustrating! Because it's seeking to ameliorate the very dynamics that make this sort of story interesting to me!
And by the refusal to engage with the inherently nonconsensual aspects of these premises, I'm not necessarily referring to fantasy romance plot scenarios in which the characters overcome the violence of their initial dynamic to live happily ever after in a more egalitarian relationship. I can understand that these plots are living inside a sort of non-diegetic BDSM fantasy bubble, and they are still engaging with and deriving their initial eroticism and intimacy from violence implicit in their premises, while using the fantasy aspect to mitigate the actual "realistic" consequences of that violence. (I read some danmei novels that did this in ways I found really enjoyable; I think Hannigram also arguably fits into this mold in certain ways, especially considering that it is a fantasy about the parts of abuse that can feel intensely thrilling and that can make you feel recognized and known in ways no one else can.) What I'm referring to is, well, a refusal to engage at all with that violence and violation; an implementation of these premises that feels like just another pretext for introducing the characters and getting them into a relationship, without attentiveness to the implications of the specific pretext in play.
And there's something worth probing at with these kinds of authors' notes in the sense that... there's a lot of concern in fandom nowadays about "romanticizing" rape and abuse, and the seeming necessity of portraying perfect negotiation and consent in fanfic. And yet these sorts of paratextual framings seem to me to be dangerously mistaken about what consent even is - to be conceiving of it as a magic script with no interpersonal or situational antecedents, one that intrinsically smooths over systemic power differentials or lack of personal trust.
I wonder also if that's actually related to the simplistic approach to textual criticism that I sometimes call "checklist criticism" - the idea that a text can be deemed harmful or not, problematic or not, -ist or not, simply by going through a list of "is x present? check yes or no" bullet points, rather than taking a more holistic approach to the relationship between textual production and broader systems of power, being attentive to the specific premises and genre/stylistic aims of a text, etc. Possibly that's too much of a reach for what is ultimately a complaint about the difficulty of finding really juicy darkfic, but it's worth considering.
348 notes
·
View notes
Text
Reo Mikage is Actually Great BPD Representation- Some Thoughts
So I had the extremely unfortunate experience of being exposed to Blue Lock (unfortunate because it's all my tiny pea brain can think about now), and while it is absolutely full of silly guys whose brains I want to pick, this little bugger really stood out to me. The second he came onto the screen, I KNEW I smelled the borderline on him. As I watched the series and read the manga, I noticed he is actually an incredibly well-written depiction of someone struggling with BPD. Reo is a super layered character and my favorite hobby is picking apart those layers and yapping incessantly about them, so here we are. I want to write this analysis for a few reasons:
1.) Too many people misunderstand Reo and categorize him as dramatic or childish without any elaboration and he deserves a proper character deep-dive. I think him being borderline explains a LOT of his reactions/choices throughout the story.
2.) Borderline representation is extremely important to me. I'm diagnosed borderline and have struggled with this disorder for around ten years now, so I get really excited when I spy BPD-coded characters (especially if they're likable people and not just ghoulish irredeemable villains or manic pixie dream girl characters). This disorder can be so isolating, especially when the majority of people will never even bother to research or understand it. I know that some people like to chalk Reo's emotional reactions up to him being a moody 17-year-old, but I think I have enough evidence to prove that this is undiagnosed BPD that's festering in his noggin. Not to mention, literally nobody else acts like this in the series. Reo is incredibly unique and distinct in the way he behaves through this narrative and I think it's way past the point of normal teenage angst. Regardless, believe what you want. He'll always be borderline to me tho <3
3.) I have a master's degree in English and what good is that if I don't write long, painful, pointless essays on anime guys? Not that this is exceptionally well written, I just like to laugh at myself for getting a whole M.A and then this is the shit I publish online lmao
By the end of this, I hope I can shed some light on wtf is going on inside of Reo's silly little head. (I'm also obviously not a psychologist, don't use any of this to diagnose yourself pls I don't need the scandal)
If you want to read, buckle up, because this is gonna be a long one!
First, let me define BPD- It's a personality disorder characterized by a long-standing pattern of instability in mood, interpersonal relationships, and self-image. At its core, it is a disorder categorized by emotional dysregulation (the inability to regulate one's emotional responses) People with BPD feel everything EXTREMELY hard. That's important to keep in mind IMO, because while their reactions may seem dramatic or extreme, what they're feeling IS dramatic and extreme. Everything they're feeling is amplified, so their reactions are amplified. Obviously from the outside, people assume it's an overreaction since they can't see what's going on inside the borderline's head. When you sit down and dissect the thought process of someone like Reo, it becomes a lot easier to understand why they react the way that they do to certain situations.
(Also, I'm not going to reiterate more than once that an explanation is not an excuse to treat people poorly. I cannot read ANYTHING on BPD without hearing every 2 minutes how the disorder isn't an excuse to hurt other people. We get it!! I'm explaining it, not excusing it. This enter essay is an analysis of why someone acts the way they do, not whether or not it's excusable)
So then, what behaviors/signs does somebody need to exhibit to receive a borderline diagnosis? The 9 diagnostic criteria for BPD are as follows:
1. Fear of abandonment
2. Unstable or changing relationships
3. Unstable self-image; struggles with identity or sense of self
4. Impulsive or self-damaging behaviors
5. Suicidal behavior or self-injury
6. Varied or random mood swings
7. Constant feelings of worthlessness or sadness
8. Problems with anger, including frequent loss of temper or physical fights
9. Stress-related paranoia or loss of contact with reality
Someone would only need 5 of these to receive a proper diagnosis. Just with the main story and the spin-off manga that is currently released, I think I have enough evidence to argue that Reo has 8 out of 9 criteria for a BPD diagnosis. For the sake of organization, I’m gonna group some of those together though, indicated by a + symbol. I also want to define a few important terms before I start yapping, so that y'all without BPD can understand wtf I'm even talking about.
Favorite Person (fp) - This is someone who holds massive significance in a borderline's life. They emotionally depend on this person a lot and to a certain extent, their worldview almost revolves around them.
Splitting- the change in perception of someone or something caused by black-or-white thinking or dichotomous thinking. It is the devaluation of someone who was once idealized and vice versa.
Mirroring (aka: the chameleon effect)- the constant, unconscious change in one's identity or sense of self by imitating another person’s behaviors, characteristics, or traits. It is common in people who have a vacant or distorted self-image which is a general symptom of BPD.
Now, time for me to break down the most prominent moments where Reo showcases borderline behavior. As I mentioned, I'm going to try and organize this under each criteria point (with some being grouped together)
Unstable self-image; struggles with identity or sense of self:
Before I delve into Reo's relationships, I want to start with his baseline sense of identity. It’s established early on that Reo is a very bored, empty, unsatisfied person. Nothing excites him, nothing motivates him, and everything is handed to him. He’s frustrated because his parents notoriously try and buy his affection even though he doesn't want anything. For most of his life up until the narrative starts, he's wandering through life empty and frustrated. That is, until he finally sets his sights on soccer and decides to dedicate his life to winning the World Cup:
The wording, 'proves my existence' is interesting here. I think this is the first instance Reo has felt alive. So far, the only notable thing about him has been his family and his money. He hasn't achieved anything exceptional for himself, but now he has that opportunity. With this goal, he can really build something up from nothing and make it his own. It's almost like he's clinging to this dream to prove that he has some purpose in his life other than being the family heir.
Now, this dream changes when he meets Nagi, of course. I'm not gonna focus too much on their relationship in this section, but I will mention that meeting Nagi shifted Reo's entire dream, and not for the better. Through the narrative, his dream went from:
Winning the World Cup
Winning the World Cup with Nagi
Proving to Nagi that leaving him behind was a mistake
Improving himself and becoming a good striker on his own
Being a tool for Nagi to become the best striker
Had Nagi not come in and ask for Reo to come back to him, I think Reo could have done a great job at establishing his own sense of identity without Nagi. But no matter how much he works on himself, with Nagi in the picture, he's never going to value himself more than Nagi. Reo lets Nagi cloud his identity to the point where Isagi calls him out and asks what he's even doing at Blue Lock in the first place, since he clearly can't survive on his own, he needs Nagi with him.
After dealing with the turmoil of being abandoned by Nagi, Reo goes through a few stages. He starts with wanting to become somebody worthy of being beside Nagi, somebody that Nagi would want to choose. Devoting himself to becoming stronger and more versatile, his end goal is to have Nagi realize he made a mistake by leaving him behind. After a few more matches, Reo starts to realize that he needs to grow and change and become a stronger, better version of himself for himself and not for other people.
He decides that the fight was all his fault to begin with, that he should have never forced Nagi to play soccer and now he is going to get back to what his dream was originally, combined with his new desire to be a stand-alone player (and person, for that matter). Reo accepts the mistakes that he made, admits that he shouldn't have forced his ideals onto Nagi, and resolves to become a better person for HIMSELF. That's excellent!
Of course, Reo can't be happy for TOO long. Nagi comes out of the woodwork saying that he can't beat Isagi on his own and asks for Reo's help. Reo does stand up for himself a bit, saying that Nagi is being inconsiderate of his feelings and mentioning how long it took for him to recover from Nagi leaving. Now, the BPD trait here is how Reo not only forgives Nagi and is jumping on him and hugging him THE NEXT PAGE, but he also just disregards everything he said in this sequence. In a matter of two minutes, he no longer wants to be a player that can fight on his own or improve for himself, he wants to improve for Nagi. He starts ruminating again about how hurt he was when Nagi left, but now he's saying all of it wasn't so that he could get stronger individually, it was so that he could be reunited with Nagi again. Nagi asking for his help and saying that now they can play together again motivate Reo more than anything we've seen so far. (Nagi notoriously throws Reo little affection crumbs like this that Reo eats up, but I'm not trying focus on that) Now, Reo's alright with being a tool for Nagi's success again. Everything that happened was supposed to make him stronger so he could be a better partner to Nagi, right? Reo also says as the chapter ends, to please let him be a part of Nagi's dream until Nagi becomes the world's best striker. That's literally so sad!
He's also immediately back to the 'our' 'we' 'us' talk as well. If he can master his chameleon style in order to keep Nagi above the rest of the players, he wont get left behind again. If he devotes his time and energy into being a solo striker like the rest of these guys, Reo knows that he wont be able to keep up. This was always supposed to be his role, right? Building Nagi up to his full potential! :*)
I also like the detail that Reo is back to hugging Nagi and holding him, but Nagi never really touches him back. I think Reo's love language is touch for sure, not that it's incredibly relevant, but I do think it shows that Reo is back to being 100% comfortable around Nagi as if their fight never happened. I hear a lot of fans asking how Reo could have forgiven Nagi so easily, and I say this with my entire chest, it's the BPD. The black-and-white thinking combined with Nagi being Reo's fp and the excruciating pain of being abandoned by him in the first place ?? Of course he's going to take him back. Also, I've seen people blame Reo for not saying no to Nagi when he asks for help and I have to say that is an absolutely insane take. How are we gonna look at a panel where Nagi asks for help and then blame Reo for helping him?? I'm not going to focus on it too much in this post but in my opinion, it is crazy how little accountability both the narrative + fans give Nagi. Reo is pegged as responsible for both of their downfalls and it's nuts tbh.
Currently in the story, I think Reo's identity is still centered around Nagi. It's really easy for borderlines to structure their entire lives and personalities around their favorite person, but I can only hope that these two keep having open and honest discussions with one another. Hopefully, Reo will eventually learn that he can exist without Nagi and that he's more than just 'his arms and legs'.
Unstable or Changing Relationships:
The most notable relationship in Reo's life is Nagi. They're both each other's first real friends, which already sets up a less-than-ideal dynamic. Nagi has no idea how to communicate and he has pretty weak emotional intelligence. On the other hand, Reo is great at communicating, but he isn't used to regulating his emotions. For a lot of borderlines, they can go a very long time without experiencing any symptoms when they don't have a favorite person. When you think about it, the bulk of the disorder is shown through those interactions with other people. If Reo has never had a real friend in his life, I don't think he'd be used to the emotional turmoil that comes with having a fp.
The minute Reo meets Nagi, he's attached. All his classmates notice it, too. They question why Reo is suddenly so obsessed with this random kid who has no interest in him. Reo is ignoring everybody that isnt Nagi.
Very quickly, Reo boils down his view of the world to being him and Nagi versus everybody else, and he makes that very clear. It also depicts something that I think is incredibly crucial to Reo’s character that a lot of people overlook; as Nagi develops to be Reo’s favorite person, Reo’s dream isnt ‘playing soccer’ anymore. It’s Nagi. It’s being with Nagi, playing soccer with Nagi, being useful to Nagi, taking care of Nagi, and being somebody important to Nagi. He doesnt teach Nagi the rules or how to actually play, he teaches Nagi how to play with him. He literally re-writes and re-structures the game so that it can center around him and Nagi. Nagi calls him out on this in the spin-off manga:
Reo doesnt care about the structure of the game, he cares about Nagi. The other people on the field don't matter. The other team doesn't matter. He also starts to unknowingly put Nagi up on a pedestal, which is another borderline trait. He starts reiterating that Nagi is special, he's different from everybody else, he's destined to achieve great things. The more he raises Nagi up, the more he isolates the two of them in his mind, reiterating the idea that it's them against everybody else. His language reflects this too: Reo exclusively talks with 'us' 'we' 'our', insinuating that they're going to do everything together.
When Ego says that there can't be two winners, Reo says that he'll make Nagi the best striker. His 'ego' will be making Nagi successful. Along with putting Nagi on this pedestal, Reo also very early on establishes the fact that he'd pick Nagi over himself any day of the week. He's the only person in Blue Lock who really couldn't care less about becoming a striker himself: his dream is to be a tool in Nagi's success. Or, in simpler terms, he wants to be useful and make Nagi happy.
These two were in trouble from the very beginning. Nagi is lazy as all hell, has 0 motivation to do anything, and his dream is to live a life of luxury and never have to work. Reo, being the borderline baddie that he is, is more than happy to do EVERYTHING for Nagi. Borderlines love extremely hard! It's one of our best traits and I think it's important to showcase that Reo is a massive sweetheart at his core. He clearly loves Nagi a lot and goes to extreme lengths to make sure he feels taken care of. To someone with BPD, NOTHING is too big of an ask for a person they love, especially if that person is their fp. I also disagree with the argument that Reo 'made' Nagi codependent. Nagi likes being taken care of, he says it all the time. If you ask me, I would actually argue that Nagi takes advantage of Reo a little bit because he knows that Reo will do anything for him. But regardless, I think that Reo starts to develop an unspoken expectation with Nagi that he'll provide him with everything he needs, and in turn, Nagi will stick around. I don't think he's doing this intentionally, nor do I think it's being done in a manipulative way. I just think that Reo has a dormant fear of being abandoned that he doesn't totally know he has yet.
It isn't just Nagi that Reo showcases having unstable relationships with, though. Zantetsu is another good example. Reo starts out disliking Zantetsu, he snaps at him a couple times, and calls him a moron more than once. He starts to warm up to him because Nagi tells him to. The favorite person has MASSIVE sway in the borderline's life. If Nagi likes someone, Reo likes them too. (This is, of course, on the condition that they aren't a threat, looking at you Isagi).
In the immediate next chapter, Reo is acting like they're all best friends. He's climbing on top of them in their big bed, saying that the three of them are gonna win their matches, being a little pookie. He goes from not liking this guy at all to considering him one of his close friends super fast. Also on the topic of Isagi, when they're making up the teams for the second selection, Nagi doesn't initially want to tell Reo that he wants Isagi on their team bc he's worried Reo will be upset. But, when he does finally say it, Reo is literally fine with it because like I said, who Nagi likes, Reo likes! On the condition that they don't replace Reo, which clearly happened soon after.
On the opposite side of the spectrum, Reo also shows how he can go from loving someone to despising him very quickly. After Chigiri and Kunigami tell him to get back up in the game post-Nagi's abandonment, we can literally see the switch flip in Reo's head:
Suddenly, he hates Nagi. Nagi's a jerk who abandoned him; he never cared about him, and he threw him away. Dude literally says "Let's kill the bastards that betrayed us". This act of unintentional devaluing is called splitting. What Reo's essentially doing is going from one extreme to the other: if Nagi isn't his perfect treasure, he's the devil that broke his heart. There's no room for a grey area. The reasoning behind borderline's developing this black-and-white mindset is rooted in self-defense. If Reo devalues Nagi into being nothing more than a traitor, then he's stripping away the power that Nagi has to hurt him. If he looks at him like a rival or a villain, it's protecting him from being hurt by Nagi again.
That doesn't mean that he genuinely believes any of this, more so, he's trying to convince himself that it's true. We see that at his core, the reason he's acting like this is because he's hurt. I'll go more into it later on, but he's constantly thinking, what does Isagi have that I don't? What do I have to do in order to win Nagi back? This black-and-white thinking is an automatic self-defense mechanism that I think he's doing subconsciously. Regardless, the shifting he's doing here can cause a little whiplash, which brings me to:
Varied or random mood swings + Problems with anger, including frequent loss of temper or physical fights:
I can’t think of a better way to describe Reo's temperament than the wiki, so let me quote it: "Generally, he seems to feel every emotion with full force and is extremely aware of his own faults and shortcomings, which is evident in several instances of painful breakdowns shown in the spin-off manga. Due to his high emotionality, he can even get violent when he loses his temper."
Reo is characterized as being emotionally unstable. When he's happy, he's elated! When he's sad, he's miserable. There are a ton of scenes between the manga and spin-off manga that show how fast his emotions can flip, but this one was one of my personal favorites:
In this scene, Reo has developed a little scheme in the dining hall where the guys are trading their side dishes. At face value, a throwaway moment. But, I think it's worth looking at because not only does this show Reo's emotional response being triggered in an opposite, semi-extreme direction, but the root cause for the reaction was that he felt rejected by Zantetsu. In his own weird way, he's asking Zantetsu to come over and hang out with him. He's not being exceptionally clear with that message, but I can still pick up on it. "You wanna join in, don't you?" He's extending the invite, making himself vulnerable, and Zantetsu shoots him down by saying nah, I'm fine with my noodles. Reo JUMPS on him like YOU KNOW WHAT? I TOOK THAT PERSONALLY! lol. Jokes aside, I think this moment is a great one to argue Reo's BPD tendencies because it's such a seemingly mundane interaction. Even Zantetsu is surprised by Reo's random outburst. This also sets up the fact that one of Reo's most obvious triggers is being rejected/abandoned/betrayed, an extremely common one between those of us with BPD.
Other instances of Reo having a bad temper are a lot more obvious. In the match against teams V and Z, Reo straight up elbows Raichi in the throat, and then tries to go throw hands with Kuon for hurting Nagi. He only stops because if he gets into any more fights, he’ll get thrown out of the game and won't be able to play with Nagi anymore. He’s visibly pissed though and calls Team Z a joke. Hell, even Reo himself can recognize on a certain level that he can't control his emotions: they control him. They cloud his judgment and make him react in ways that he wish he didn't.
He is constantly plagued by these extreme emotional reactions that are out of his control. Not to say that people with BPD are unable to ever control their emotions, because we can! It takes time and therapy and practice though, which Reo hasn't had. His lack of regulation is also why he has such a dramatic and extreme meltdown when Nagi abandons him.
Fear of Abandonment:
Reo's biggest trigger and the cause of his inner turmoil throughout Blue Lock is his fear of abandonment. I mentioned before that I think he's had this fear dormant inside of him for a while as so many borderlines do, since he hasn't had the chance to experience it before. He alludes to it early on when they first arrive at Blue Lock:
The thought of leaving Nagi for somebody else? Reo considers that heartless. They came together, after all. They're going to win the world cup together. Nagi could break both of his legs and Reo wouldn't leave him, because again, Reo isn't there to team up with the best player and become the best striker in the world: he's there to play with Nagi!! And, like I said, in Reo's mind it's him and Nagi vs everyone else-
Reo exhibits a lot of signs early on of being jealous while they're playing in Blue Lock. I mean, as we discussed, everything should be focused around him and Nagi. When Nagi passes to Zantetsu in the team V and Y match, Reo pulls up like 'hey, why didn't you pass it to me?? ):' There are a lot of little moments like that, but Reo's jealousy is a lot more relevant to my argument after he gets abandoned by Nagi.
Let's talk about that word: abandoned. It seems dramatic, right? Reo uses that term constantly and exclusively. Every time he brings that moment up, he uses the word 'abandoned', or he'll say 'betrayed' or 'chose'. These are very definitive words. He’s not saying Nagi ditched him or flaked on him or blew him off, no; he has abandoned him. That word choice may seem disproportionate to the situation, but that's Reo's reality. This was the ultimate betrayal to him. The constant use of that vocabulary reiterates that in Reo's mind, there is no grey area. Either Nagi chooses him, or he chooses someone else. In choosing someone else, he abandons Reo. Reo is paranoid that Nagi isn't ever going to come back to him and it's because of something that Reo is lacking. How can Nagi like Isagi more than him, anyway?
Now, I do fault Nagi a bit for not communicating better at that moment. I understand that he's bad at communication, but I don't think Reo could have been more obviously upset if he tried. The dude was in TEARS. Nagi saw him devastated and then expected everything to be fine when he met him in the bathhouse? Idk. I'm going to give him the benefit of the doubt and say that he didn't realize it would upset Reo to such an extreme: maybe he thought that they would miss each other, but Reo wouldn't take it personally. I'm doing my best not to harp on Nagi since this is about Reo.
Abandonment is detrimental to people with BPD. It causes extreme inner turmoil that we see with Reo as the story progresses because it is the only thing he can think about. If he isn't trying to cover up his hurt feelings with this idea of revenge, he's self-destructing over being abandoned. He becomes obsessed with wondering why Nagi chose Isagi over him. Was there something wrong with him? Isagi isn't that impressive, why would Nagi rather be with him? These thoughts torture him endlessly and fuel his desire to 'steal' Nagi back. He literally says to Isagi, that he's going to steal Nagi back. Much to his dismay though, Reo starts to notice that Isagi is bringing out some positive traits in Nagi. Nagi's entire vibe is different with Isagi. Nagi is having fun playing soccer without Reo. In fact, he's having more fun. He's making plays he's never made before. His face is visibly different; he's more excited than before.
This is heartbreaking for Reo. Not only was he right that Isagi did have something to offer Nagi that he couldn't, but Reo is having a massive self-hate spiral during this point as well, so he's internalizing all of his flaws and mistakes while the thought is sitting in the back of his head: did Nagi actually have a good reason for abandoning me? Was I not enough to satisfy him? Did I only drag him down? This gets significantly worse the longer he watches Nagi and Isagi play:
Everything is falling apart. Nagi is doing completely fine without Reo, and Reo is an absolute mess. We're circling back to Reo's lack of identity here as well. He's watching firsthand that he's losing Nagi to Isagi: what does he do? What happens to him if he loses Nagi, who is he without Nagi? He's overwhelmed during this match and at one point Reo literally screams that he's going to tear apart their connection. Jealousy is consuming him, but it's also those feelings of inferiority and wondering if he really did deserve to be abandoned. If Nagi is so happy without him, maybe he really did have a reason. These are the thoughts that are circling around in Reo's head. Not to mention, he is constantly tortured by the flashbacks of Nagi leaving him, which I think is a great detail. Some readers might say it's just pointless recapping but I disagree, I think it's depicting how traumatic that was for Reo. As a borderline, being abandoned by your fp IS traumatic. Reo relives that moment so many times because so many things trigger it for him throughout Blue Lock. He can't even look at Chigiri and Kunigami without thinking about him and Nagi. It's a really devastating experience that quickly deteriorates him emotionally.
Constant feelings of worthlessness or sadness + Suicidal behavior or self-injury:
One of my favorite things about Reo is the fact that he is self-aware that he's behaving somewhat irrationally, but he doesn't know how to stop. When we look at one of the several times that Reo is curled up crying over Nagi, he mentions how he really did want to tell Nagi to go and have fun, but he didn't. He couldn't. The visuals shift for this too:
Reo doesnt want to be acting this way, but he can't help it, and that's frustrating to him. It makes him start feeling ashamed of himself. His inner thoughts start to spiral and he feels weak and alone. He's reflecting here on what his true feelings really were at that moment, and how scared and lonely and weak he felt as a result of Nagi leaving him behind.
These feelings quickly evolve into Reo feeling worthless and falling into bouts of self-hatred. He's so ashamed of the way he's feeling and behaving but it feels so out of his control. He says, "maybe if I hadn't gone to Blue Lock in the first place, I wouldn't have to experience this feeling." As I said before, borderline's feel things EXTREMELY intensely; the disorder is described as living with third-degree burns all over your body. Everything hurts. His feelings are so intense and all-consuming right now, it's all he can think about:
I saw some posts in the fandom reddit asking why Reo is acting like this. One in particular reads: "I get that he is betrayed and stuff but he is acting like it’s the end of the world, is it explained later why he acts like this? Is it because he doesn’t think he can win without Nagi?" Not to call this person out, I just want to answer the question in this post-
It has nothing to do with winning; it was never about winning. It was always about Nagi.
If we're looking at Reo through the borderline lens, it IS the end of the world for him. Nagi was his world. What's worse, he's fully aware that he's not acting rationally and he doesn't know why, which is making him feel ashamed and weak and embarrassed. Now I know why he's acting like this, but there are no Blue Lock psychiatrists sitting around to wack him with the mood stabilizers or the DBT handbook, so he's gonna stay feeling like a monster.
He lets these thoughts, along with the resentment and anger from being abandoned in the first place, fuel him for the second selection match. As he's watching the game play out, as Nagi is about to score the winning goal, Reo's mind starts racing with intrusive, negative thoughts.
He's praying that Nagi fails, that he gives up, that he stops trying, anything to stop that solidifying moment where he scores the winning goal and proves once and for all that not only was Reo not strong enough to stop him, but Nagi doesn't need him anymore. He catches himself really quickly, because he realizes he's sounding just like his parents. Everything is spinning out of control so bad, Reo wants Nagi to end up in a vulnerable position so that he isn't the only one falling apart. As he catches himself thinking this, he's disgusted with himself. He calls himself 'utter trash', and as he watches Nagi score the winning goal, he falls to his knees, wishing he was dead.
As he sits there decomposing in emotional turmoil and suicidal ideation, Nagi's team chooses Chigiri to join them, and it's the nail in the coffin. This is probably Reo's lowest point in the entire story IMO. Nagi comes up to compliment him on his plays and Reo shows us another classic borderline move: he's anticipating how bad it's going to hurt to be abandoned by Nagi again, so he's trying to push him away before it can happen. We see the dichotomy of his spoken words and inner thoughts here, where he's talking big game to Nagi, saying things like 'you clearly don't care about me anymore, you're throwing me away, if you're going to abandon me just do it properly', while internally he's thinking 'I'm the worst, I wish I was dead, please take this bait and break my heart so that I can self destruct in peace'.
i LOVE the visuals during this moment. This is what Reo thinks is his last line of defense, the last thing he can do to preserve any part of his dignity is to make Nagi hate him so that he'll stop throwing these crumbs of affection at him. It's also really telling that despite his switch in behavior and the devaluing of Nagi, the root of all of that is STILL that he was so hurt by the abandonment.
I don't think I need to analyze the suicidal ideation because he just straight up says he wants to die like three times in this scene but, aside from that, the visual of his inner thoughts vs what he's actually saying is so powerful. Not to mention the chameleon imagery which i'll geek out about in a second, this is another example of his black and white thinking along with the reiteration that being abandoned was literally traumatic for Reo: he says they can never go back to what they were before. Speaking as a borderline, this is painfully true. When people break my trust even in a small way, I can never view them the same as I used to. I can forgive them and let it go, but I'll never be as open with them as I once was. In Reo's shoes, he had Nagi up on this pedestal that he was perfect and would never do anything to hurt him, but he did hurt him (in the worst way possible).
After Nagi tells him he's a pain in the ass and that he doesn't care anymore, Reo thanks him for 'finishing him off'. In his mind, they're done now and he can suffer in peace and quiet without dragging Nagi down anymore.
Bonus Point: The Chameleon Effect
I LOVE THE FACT THAT HIS THING IS CHAMELEONS AHHHH

The chameleon imagery with Reo makes me INSANE dude. As I mentioned towards the beginning of this post, a part of borderline that is seldom talked about is the tendency to take on 'the chameleon effect', or mirror the people around them. REO'S ENTIRE THING IS CHAMELEONS LIKE BFFR ?? That image where he was trying to get Nagi to hate him, was before he even started using his chameleon style, it was just something the authors thought was necessary to include during Reo's mental breakdown. Aside from the cool imagery, his chameleon style is a reflection of his relationship with Nagi. He gets called a jack of all trades and a master of none early on in reference to how when he’s without Nagi, hes not really exceptional at anything. He never really took the time to master one specific thing because he was always so concerned with helping Nagi. This rings my BPD bell for a couple reasons: first of all, when you have no sense of identity and you’re worried it means you have no real personality ?? Steal one!! Take the closest person to you and copy that one. That’s something us baddies know VERY well. Also, think there’s something about you that your fp doesn’t like? Change it! You can morph into anything they want as long as it means they won’t leave you !! :*) Before he makes up with Nagi, he copies moves in hopes that it'll make him stronger and appear more desirable to Nagi. After they make up, he copies whoever he has to so that he can get Nagi to that goal and make himself useful, make himself somebody that Nagi wants to have around. It is a literal direct metaphor for him changing anything and everything about himself for Nagi and graaaahhhh it’s so cool
Reonagi ?? Some thoughts-
I want to close this yap session with my thoughts on Reonagi as a ship. I do think that they can work and I want to make that clear. I'm not on board with the 'borderlines arent capable of having loving and fulfilling relationships' crap. That being said, they both have to put in a bit of effort. Reo has already recognized a lot of his own issues. He admits that he was wrong for pushing his ideals onto Nagi, that he needs to let Nagi grow and be his own person, etc. Nagi really hasn't accepted any fault. I stand by the fact that Nagi needs to be more sensitive with Reo. Way too often when a relationship like this fails, all the blame is put on the one with borderline. I'm gonna be the outlier here and say that if Nagi cares about Reo, he needs to learn about Reo's triggers and be mindful of them. I'm not saying that since Reo is sensitive to abandonment that Nagi should just isolate himself from everybody else, but what I am saying is that when he's going to do something that doesn't involve Reo, he needs to learn how to communicate that he still loves and values Reo. "I'm gonna go play soccer with this person right now, but I haven't forgotten about our promise. When I come back, we can play together. I still love you and I'm not going to leave you for whoever tf I'm playing with rn." (sneaking that 'i love you' in bc like..they're literally canon at this point asdfghjkll) But, I do think that Nagi loves Reo and cares about him in his own way. The two of them just have to keep working on their communication skills. Nagi has the potential to have a hot rich husband who will literally bend over backward for him and buy him all the robux he could ever want, he's gotta put in a shred of effort!
I also like to think that Nagi didn’t totally get the fact that Reo doesn’t gaf about just playing soccer. Nagi thinks soccer is what they do together, it’s what makes reo happy, right? He’s always pushing him to train harder and take the game more seriously because he likes the sport, RIGHT? It would make perfect sense to go play with isagi so that he can get better at soccer and come back to reo a more improved player. Maybe that’s why he was surprised when Reo was so mad in the bathhouse, bc he wasn’t making the connection that Reo cares more about him than soccer. That Reo puts all that energy into him playing soccer because he thinks it’s something that they can have as their own, and once Nagi notices how good he is, he’ll start enjoying it and the two of them can hold hands and run around the soccer pitch!! I think Nagi missed that part tbh, and I don’t think he know that even now in the story. Maybe Reo doesn’t even notice it.
Anyway, a shameless plug to my reonagi playlist if that's your thing (i cooked with this one, i fear) https://open.spotify.com/playlist/5CsvSqmuI4cxOl1nTaV4GJ?si=737a0f21e0bd482a
Closing Thoughts:
Reo is a bpd baddie and I love him very much. I think he's a sensitive guy with a lot of feelings who would benefit from taking time to work through his trauma and his emotions. I hope that he eventually is able to build an identity for himself that doesn't involve Nagi, but baby steps, I suppose. I think Reo is a great balance of positive and negative borderline traits and he reads as a really believable and sympathetic character. He is, however, definitely that friend that you have to slap to stop them from running back to their ex.
Jokes aside though, BPD can be extremely hard to live with, even more so when it's undiagnosed and untreated. If someone you love has BPD, take the time to read up on it and do your best to understand them. I promise you, it will mean the world to them.
If you managed to get this far, thank you for reading! This was a messy stream of consciousness and I appreciate your support by listening.
604 notes
·
View notes
Text
Start Line: Growing and Transforming
We've been running this far, non-stop, all day yeah Never getting tired, we keep up this runner's high You know graduation Even though it's over, it's not the end Put on some new shoes Yeah we're ready at the start line
Things have been difficult for a lot of us, and sometimes, we just want a flicker of hope, or some words of encouragement that can push us to go further. Just… Something, a message, to tell us that the pain we’re going through right now is temporary, and things will be better.
Close your eyes, meditate on this topic and tell yourself that you’re on a brand new start line, and ask for the messages you’re called to hear. Breathe in and out, make sure your mind and heart is calm. Then, open your eyes to see which pile talks to you the most/draws you in the most. Once you’ve found your pile, scroll down to the respective parts to see what are the messages for you.
Pile 1 - Pile 2
Pile 3 - Pile 4
Disclaimer: This is solely for my entertainment purposes. Take only whatever you feel like it. If it doesn’t resonate, it’s okay to just drop it. Also, I do not consent to my work or images being used by third parties on this platform or other websites as well.
Decks used: Crossing Star Tarot Deck (Major Arcana), Linestrider Tarot Deck, Sweet Dreams Oracle Deck, Starcodes Astro Oracle Deck, self-made lyrics deck.
Pile 1
One card to represent you: The Magician rx
The first thought that popped into my mind is that… You’ve probably been told (many times) that you’re a good manifestor, but you have not seen it working out for you, or at least, not at the moment. You’ll need to try an error (or maybe errors) to find what works for you, and what works best for you. It can be rather disheartening to fail, but look for the opportunities in life’s challenges and learn the lessons. You work better by letting your physical body learn rather than your brain to absorb the knowledge. You probably have also noticed your tendency to self-sabotage, but you don’t intend to do anything about it. Perhaps, not at the moment, as you’re not in a right place yet to fix yourself, but you need to remember it and to work on it.
1. Why have things happened? - Four of Cups
You have been too focused on what you’re feeling and not looking at the outer world, on whatever that’s happening around you or to you. This definitely has something to do with The Magician rx above, where you’re sabotaging yourself and not focusing on the present. It’s giving me very… Neptune rx in Pisces vibes, so some of you who picked this pile may have Pisces placements. It’s like living in the world yet not living at the same time, where you’re floating and drifting, not seeing where you’re at or where you’re going. Life has been throwing you opportunities to learn the lessons, but you’re not learning it. Not to mention that you’re not organising what it is that you’re feeling inside and to do something about it. With all of that happening, some of you may feel you’re at a standstill or some will have their head and heart wrapped up in different bags and not know how to unify them.
2. How to stop your train of thoughts and start again from where you’re standing? - Knight of Pentacles rx
You have to stop dilly-dallying, and pick up the pace if you want to move away from where you’re standing. Sure, ADHD paralysis is difficult to deal with when you’re frozen (I’m referring to myself as well, in case y’all think I’m attacking anyone), but it is already something if you can move yourself away from the way of harm first. My first thought here is to train your body to be able to move on autopilot from time to time, which will help you in countless ways. Sure, you’re still sluggish and unenthusiastic, but let your body move first, exercise, and let your brain rest during those times. Another way you can attempt to stop those thoughts is to get help. Not only external help from professionals, but more of building healthy interpersonal relationships. True friends will want to help you to be better, and will be willing to spend some time to accompany you to carry out activities that are beneficial for both of you.
3. What to look forward to? - The Magician rx
You’ll be able to tap into your energy. I do think that this is a time for you to work together with your manifestation talent/skill, and for you to decide which direction you want to head. You need to remember that the direction you’re going is not something fixed, so no worries in making a decision. You can change that anytime, or go on a different journey if it doesn’t fit you. The more important thing is to have a welcoming heart, to dream and invite limitless magic into your life, allow your guides to show in unexpected ways. Do not be afraid, go step by step and find out what works for you. Of course, you can look forward to this if you take action. If you’re not doing anything, do not hope or wish for things to fall directly into your laps.
4. What have you left behind and grown from? - The Tower
You’ve gone through a huge upheaval, you’ve gone through a lot of chaos and traumas in the past. Now, you’re going through another fundamental shift. It may not be as tremendous and messy as it was in the past, but this shift is something more of an energy thing, where you need to learn to be more selective with where and who you want to spend your energy on. This energy encompasses mental, spiritual and physical energy, and you have to remember that you’re also an exhaustible being, where you can’t focus on others forever. Look back, and you’ll see how far you’ve gone from that unhappy place. Remind yourself that you’re able to do it again. Once you’ve grown from it, you’ll also be more free to explore your skills and abilities. You’ve always had a tendency to have a foot in almost everything, and with you now knowing how to distribute your energy and time? You definitely can. You can try focusing on what’s in front of you instead of attempting to explore far, you might find treasures closer to you instead.
5. When will things start getting better? When will you get your justice? - The Chariot
The Chariot talks about action and goal. I don’t think I need to say much on this, as it’s pretty self explanatory. However, remember to hold onto your reins as you move towards wherever it is you’re heading. You need to have a clear goal and a destination, else you’ll run out of energy/fuel, and you may end up in different places. You’ll need a clear and visible goal, and the stages need to be well defined and measurable. You get strength from seeing actual results, and that’s when you gain the confidence to continue moving forward. You will get justice when you’re moving forward. The justice here is internal, as it is more towards countering the self-sabotaging part of you. It’s difficult, but once you wipe the tears and bite on the happiness you’re seeing, you’ll know your purpose in life, and you’ll taste that justice.
6. Advice for you - Five of Pentacles, Nine of Cups rx, Ace of Cups rx
Some of you may be facing financial difficulties or even health problems. It’s best if you work on them now as you prepare for what it is to come. It can be quite disheartening at times when you question and wonder why hard times fall on you more often than others. This may also result in an unhealthy stream of emotions. Emotions itself isn’t a bad thing, the problem would be how you’re managing it. Don’t hold them in and stack them up. Find a safe place to release them, understand those emotions and nurture yourself back. Place your trust in the Universe, believe that whatever that is happening to you right now is part of a greater plan. Twist your thoughts a little, see it as a blessing where you’re finding problems when it’s still salvageable (it’s still painful but hey, we can work on it eventually). Tune into your heart, listen to your wishes, and look at what you have achieved throughout the years. Your wishes of the past are now fulfilled, and you’ve finally built the life you’ve wanted when you were much younger. Well, it may exist in different forms, or you’ve gotten it not according to how you originally planned, but it’s there. Know that you can change your wishes into reality because you have the power. Believe in yourself. Let’s say if you want to recover faster, you can manifest quicker healing. You can. Just make sure that you do not fall into the habit of feeling dejected and dissatisfied quickly. Hold on to a heart of gratitude. It will open up doors for you.
Overall energy: The Tower rx, Six of Pentacles
There’s a mix of energy here. You’re unsatisfied that things have gone out of your control, yet there’s also a sense of relief that you are not responsible over those things going out of control. Despite the difficult times, you still hold generosity in your heart, where you offer what you have (materials, energy, time) to those who need them. In turn, you’ll also be blessed with what you need. Accept help given to you with an open heart and a grateful attitude. The greater plan the Universe has in mind for you may have something to do with people and connection, so that may be an aspect you want to pay attention to. Things or memories from the past can be resurfacing, so stop hiding or running away, and face them.
.
.
Pile 2
One card to represent you: Death
First thing I’m picking up here is that you’re going through a lot of changes right now, and the next thing is that… You’re being watched over. There's a lot, and I mean A WHOLE LOT of things that are going on right now, and they’re overflowing your plate. I could sense a certain level of panic and dread over everything, but there’s also some form of apathy where you’re tired of everything and anything happening all at once. There’s too much that’s going on to the point you have no idea where or what to focus on, so you’re probably at a standstill where you’re looking at the overflowing plate, doing nothing. I’d say that this is a “freeze” response because you’re at a point where you can’t process anything at the moment, but once your brain starts spinning again, you’ll get things done. You have people watching over you, or your guides are protecting you at this time. Imagine you’re standing still in the middle of the path but no one is hitting you. It’s like that. Your guides are making sure that you have enough time to process whatever that’s happening to you and around you. Once you start moving, they’ll follow behind you and help you out when you ask them, especially when you’re facing any confrontation.
1. Why have things happened? - The Hermit rx
You’ve withdrawn yourself from certain aspects of life (friendship, or work, or a certain class, or even a hobby) with attempts of healing yourself and to give yourself more time. Sure, you’ve got the time, but those times were not spent on yourself, those free times were not helping you, but the other people in your life. In another sense, you were still busy, and you did not get the rest you needed. There’s a certain level of emptiness that I’m feeling here, and that you’re torn as well, not sure if you want to fill that emptiness or you want to remain it as so because of the comfort of being used to it. Do you trust yourself, with the steps and decisions you’ve been making? BET ON ME by ITZY was playing as I typed this out, and I do feel that there’s a message in this song for you.
2. How to stop your train of thoughts and start again from where you’re standing? - King of Pentacles rx
King of Pentacles is generally the last card of the deck, and what I'm seeing here is that you still have a lot more to go, that things are not final yet, and you have the ability (King) to change things to your favour. I understand that you're currently in a flight or freeze mindset, but you need to work your brain to trick it a little so that it moves, and you can reprogram it a little so that you can move away from the spot you froze. Be kind to yourself and let go of those thoughts that are haunting you, step away from those self-criticism, know that you deserve gentleness. The King is abundant in finances, life experience, but I'd also like to add connections into this list. To be a King, you must have known to pull strings around to make things work, to make sure you win the trust of the people. To achieve that, you need good and skillful people who are willing to listen to your plans and to make them work. Those connections are what will help you throughout your difficult times. Sure, people may have turned you down in the past, but know that they may not be in any position to extend any help back then, and that things may be different now. They will be more capable now. Some… May have a really painful tongue, not filtering their words. But still, they will help, and you'll be surprised with what they're able to offer.
3. What to look forward to? - Ten of Cups rx
This… probably is not gonna sound ideal to a lot of people but… You can look forward to having a fresh start. It's like the cups you have are now poured clean, and you are forced to redo things again, to fill them up again but this time, you get to choose what you fill them up with. Previously, when you were growing up, people around you filled those cups for you, helping you make decisions (that you may not like or agree with), or even tainting them (putting droplets of other things in it), and those form you to who you are today. But, by pouring them clean (a very, very painful process), you are now able to pour and fill your cups with whatever you want and whatever you need. You'll be able to work with your dreams and spirit's energy to reach your highest good as you fiercely protect your cups, your energy, your life. Your life is now yours to write.
4. What have you left behind and grown from? - Three of Wands
It feels like you have left behind a lot of original plans that you have made for yourself in the past as you build yourself anew. There's a lot of internal cleansing done, and you've decided to start everything from scratch again. You'll be able to build things again and fully immerse yourself in a new future you'll create. You've learnt to grow from pain and to see the smaller happiness in life, learning to accept that growth is inevitable. Visualisation is also vital here, where you will need to immerse yourself in whatever you have now as you visualise where you will be standing in the future. You decide your own path, and you have to walk it.
5. When will things start getting better? When will you get your justice? - Ten of Swords rx
Things will start getting better once you pull out all the swords from your back. There's a lot of… Purging. Yeah, purging is a more suitable word to use for your situation. Your situation is like the shelf full of ceramic plates that will crash the moment you open that door. But you still need to open it, you'll need to let all of those fall, and you can clean it, to make space for new items to put in. You now can choose metal plates, or plastic plates to put in, whatever it is that you want. But first, you need to clean the space, only then you'll invite limitless magic into your life and allow your spirit guides to show up in unexpected ways. They are there for you, through a breeze, through a flyer, through a sudden noise to stop you from crossing the road. Once you've made space, that's when you'll get your justice by living your best self.
6. Advice for you - King of Wands rx, Strength rx, Six of Swords rx
There's another King card here, telling me that whatever you're going through right now is not an easy one. It probably will be there a little longer and it is what will help you to build up your upcoming new life, to start everything again. You will need to be at peace with yourself and be kind to yourself first. Turn your strength and focus inwards, nurture yourself, and do not shy from cutting people out of your life if they drain you too much, even if they are family. You need to understand that you are your own universe, and you are your own priority. If you do not prioritise yourself, no one will. Others do not have that responsibility over you, so let yourself breathe. For now, heal your wounds, use it as your badge of honour, and live your life as how you see fit. Remember, it is you who define who you are, not your past.
Overall energy: Strength, Nine of Wands
There's a lot of strength in you, actually, just that you have not known how to work with it right now, not sure how to turn that strength for yourself. You have been resilient in everything you do, no matter how battered up you are, so let those tension fall from you. Sit down in peace and quiet as you receive the messages from your guides, letting them guide you through this time of difficulty. Trust your feelings, they know you better than yourself. Listen to your emotions, they understand your needs better. Act on them when needed, you will know when the timing is right.
.
.
Pile 3
One Two cards to represent you: The Tower rx, The Chariot rx
I'm… Not exactly that surprised to see two cards falling out. The Tree in this image symbolises the Tree of Life as I was doing the reading, so some of you who picked this pile may be told that you guys are knowledgeable or do possess some extensive knowledge in very specific fields. And with this knowledge comes expectations, which can be seen with two cards falling out for you. With these two cards, what I'm immediately picking on is that… You are in a phase of life that can be quite challenging right now, where things that are beyond your control are happening almost all at once, and you're losing your balance as you continue to run on the uneven paths. You're growing exhausted as you're being chased with expectations and by your own sense of duty. So, please take a break when you need it.
1. Why have things happened? - Three of Pentacles rx
There have been conflicts going on with you and your social circles, may it be disagreements between classmates/colleagues, or getting shunned by them for not going along with them. There’s a slight hint of one being an outcast here. Correlating to the cards representing you, how you became an outcast is also due to what you're going through life right now, requiring you to put a hold onto a lot of other things, including assignments and/or socialisation, etc. Your intuition has been your assistant throughout these times of perils, and it's giving me that you do know how and why you're in a situation that's making you stagnant. Not sure if you are capable of breaking that ice or you're resting at the moment before you take the first step out. Either way, unlike most people, you know where you’re standing at right now, and you do know how to make changes towards a new you if needed.
2. How to stop your train of thoughts and start again from where you’re standing? - Three of Swords
This is probably a weird way to put it, but you need to use your pain as a tool to help you get back to the present. You may be able to perceive pain differently, like… It's to prove that you're still living, that you're still alive, and you still can make changes to the situation you're in. You need to remind yourself that you're beloved, and that the Universe loves you and is throwing hints at you through very… questionable ways. Trust your inner wisdom and intuition, let them guide you to where you're supposed to be. Oddly, I'd say that you have been through something similar before, but you kinda panicked when your previous methods no longer work for this situation. This is the time where you need to find a new method that will help you develop your senses, and for you to be at peace with yourself again. Coping mechanisms, but let it help you with more than just coping.
3. What to look forward to?- The Chariot rx
I'd say that things will slow down, not because the problems are resolved, but because the tires have worn out. Your nightmare and problems have also run out of strength to go after you, which gives you a quick chance to take a small break before you retreat to somewhere safer, where you build a new coping mechanism and possibly plans for the upcoming problems. I'd also say that this is a good time for you to make new connections that will be helpful in the long run. Don't worry about burdening others, as I believe that there will be a chance for you to help them back. Friendships and connections are mutual, where both parties benefit from them. Not sure if you’re the type who’d welcome new changes. Nevertheless, challenges will be coming your way for you to level up. I’d say that these challenges are coming in a way where you’re capable of managing it. From there, you’ll experience a new sort of rebirth, and you’ll find a new identity that works with you better.
4. What have you left behind and grown from? - King of Pentacles
I have no idea why but I'm sensing some… Familial relationships and expected duties? Most of you may be working with establishing healthy boundaries with your family, making sure that the roles are properly and fairly distributed. It also feels like… Financial responsibilities aren't yours alone, and the entire family will need to figure out how to contribute and prepare for any emergencies. You’re now the King, where you have a comfortable relationship with your finances, knowing that it’s yours, your property, and you have every right to access it and to use it without guilt. There may be a chance where your family or extended relatives have guilt-tripped you to sacrifice or contribute to their needs, and you’re unapologetically free from those now. You now learn to trust your intuition more and let your inner wisdom guide you through your way subconsciously. It’s now a part of your life where you don’t really need to sit and listen, as you’re driving on auto-pilot by your subconsciousness.
5. When will things start getting better? When will you get your justice? - The Sun rx
I'd say that things will start getting better at unexpected times, or even at times when you can't see hope. The Sun is unable to shine on all people, it's unable to pierce through thick walls, but it doesn't mean it's not there. The Sun here feels mellow, like it's keeping its warmth and heat in check to not burn the other living beings that it's feeding. There’s also another message here that is assuring you that good things take time, and that you’ll need to be kind to yourself so that those blessings arrive and you’re ready to receive them wholeheartedly. The entire thing is a journey, and the roads can be bumpy. But still, what matters is the journey and you’re able to reach your final goal in a good condition, so take your time as you tread through those paths. Once you start walking and taking action, luck will fall by your side and accompany you through this journey.
6. Advice for you - Nine of Pentacles rx, Knight of Wands, Knight of Cups
You may be using your time unwisely by focusing on things that do not exactly benefit you. I’m not saying that you can’t, but you need to set your priorities straight and know what is the final goal of your actions. You may start a project that requires you to invest and purchase tools, when you’re rushing a deadline that’s gonna affect your assignment and final’s results. By doing this, you’re in a way, not planning well. Sure, you get your emotional fulfilment, but it also comes at the price of you failing your semester (touchwood). Passion projects can be fun, but you need to plan your time well, plan your resources well, plan your enthusiasm as well. The planning happens behind closed doors. Others will see how well you portray yourself and be drawn to you, but you need to remember the need for continuous effort for you to achieve the best results. The public, or people around you may gather around you because of how well you have a grip over yourself, and once things have calmed down, feel free to let yourself loose a little. People will show up around you, and it’s totally fine for you to enjoy the attention and affection. You just need to remember how much you’ve put in to build yourself, and not let others take you for granted, or to take advantage of your skills or what you have to offer.
Overall energy: Strength, Four of Wands rx
Strength and beauty comes in all forms possible, even through pain and tears. This is something that you’ll be learning to accept through this difficult time. Most of us may understand the beauty and appeal of pain, but not many can accept it. Whatever we’re going through right now makes us learn and accept it, to come to terms with it. Of course, changes come along with it and we will need to learn to adapt to it, to build a “New You” as you face the upcoming challenges. Know that whatever you’re doing right now is a pre-requirement for you to achieve your dreams. You are your own world, and you can change the world as you grace the strong wind standing your way.
.
.
Pile 4
One card to represent you: The Devil
What I’m feeling here is that you tend to have a certain level of control over some things in your life. The control here isn’t exactly pleasant, where it may be imbalanced and there can be some arguments going on. Temptations are heard as well. You know you’re stuck in some loop where you can’t escape, and you have no intention of escaping. The picture for this pile is somehow giving me Sex and The City vibes, where the neon lights (benefits, financial resources, interests) have been the focus of your sight, and this allows you to have a different perspective, or for you to see things differently from your peers.
1. Why have things happened? - Strength rx
You have lost strength, internal strength mainly. You were not surrounded by those who supported you, and your energy was depleted bit by bit as you tried to fit in. You have put yourself in a position where you depend on the actions and feelings of others, and you may have given up on your instinctive responses, not having the self-discipline and control you need. The Lion is your passion, and it’s now your enemy, threatening to destroy whatever stability and name you’ve built. Imagine a woman trying to tame the agitated lion and the two ended up in a fight, while the spectators (wrong group of friends) by the side just watched.
2. How to stop your train of thoughts and start again from where you’re standing? - Knight of Swords
You’ll need to start taking care of yourself, listen to yourself. You’re a person who prides your intelligence, and you tend to be in your own head a lot. However, you’ve listened to the noises out there that have affected you in a negative way. Not to say that you’re supposed to go back into the state of being in your own headspace, but for you to pay attention to yourself more, to listen to the voices of your heart instead of the external noises. You’ve always been head>heart, and now you’ll need to go head<heart. You may not like how different this… new routine is, but you will also know that it has to be done, as you’ve been seeing messages of this “new path” around. Balancing out the heart voices and head nagging is important, and this is how you shall start. You also need to remember you yourself, are the source of everything essentially you. You build yourself; you create yourself. You are not built on the words or acceptance of others. You need to remind yourself that you are already doing well, and the expectations of others are not yours to bear.
3. What to look forward to? - Ace of Wands
New beginnings come with changes. Once you’ve chosen a different voice to listen to, you’ll be able to regain energy, bit by bit, to attempt more changes in your life. Opportunities will surely come your way when you accept the positive energy around you, and it’s up to you to seize them and make them work. It’s a time for you to follow your instincts and have courage. Take action when you need them. That aside, it’s suggested that you return to your roots as you venture through this bright explosion of good energy. Remember the importance of grounding yourself and go back to the basics from time to time. It’s not only to cleanse your heart, but also serves as a reminder of where you came from, and how you need to be in touch with your past and nature.
4. What have you left behind and grown from? - Six of Wands
What I’m seeing here is that you’ve put down the yearn and drive for fame and luxuries, and have redefined success for yourself. You’ve awakened from the past and start to feel more energised, learning to start your days in a better mood as you count your victories. More people are recognizing your achievements as they approach you with interest. As you compare what you had and what you’re having now (or will be having in the future), you’ll be able to evaluate better and have a clearer idea of the direction you want to take next. You are warned of self-doubt and lack of confidence. You have to believe in your abilities and worth so people can trust you, so that you can trust and confide in yourself.
5. When will things start getting better? When will you get your justice? - Eight of Wands
Eight of Wands is a card that talks about movements. Once you’re moving, once you’re taking action, that’s when you’ll see things turning out different for you. You’ll start to receive things or messages that you’ve been waiting for, and it’s time for you to stop stalling. If you’re interested in someone, you will have to walk towards them and work for it. You’ll be able to attract a loving, happy, fulfilling relationship into your life as you’re no longer the old you. Remember, birds of the same kind flock together, and the same goes with people too. You attract people of your level. You want that person who’s active and charming? Be proactive in approaching them. Your justice will come in unexpected forms, but most of it would be releasing of past hurt. There will be times where you’ll want to hug yourself to sleep as you were reminded of how things have been difficult. This is one of the healing phases where you slowly let things go. The lighter you are, the better you become. This is also because the karma of those who’ve wronged you will not be tied to you anymore.
6. Advice for you - The Star, King of Cups rx, Nine of Cups
Rebuild yourself. This probably sounds difficult and too… idealised? But this is what you need to do. The Star is there to tell you that there’s a silver lining behind every grey cloud, that you’re not broken beyond repair, and that you’re able to work yourself up to another peak. This card is an extremely gentle card, so take that message and be gentle to yourself as well. You’ll need to practise self-compassion, listen to your inner feelings, cultivate yourself and let yourself grow into your very best self. Love others by first loving yourself, don’t forget about the promises you’ve made to yourself. Make new and healthy connections as you flourish. If you wish for them, they’ll come into your life. Learn to be content with the gifts you’re having everyday, learn to hold gratitude with what the Earth is offering you. With the amount of Cups here, try getting close to bodies of water (beach, sea, waterfall, etc). Water may be a healing element for you. Alternatively, try doing activities that are related to creativity (crafting, writing, drawing, or something that’s symbolistic) as they can be an outlet of your heart’s wants, which you can understand better from the results of your craft. Remember to stay hydrated too.
Overall energy: Justice, Eight of Swords
Justice is really your theme right now. You’ve been choosing to run away from the obvious, but it’s high time that you wake up, pull down the blinds that have been covering your eyes and to see the truth for who he is. The first action needed for every awakening is to open your eyes and acknowledge whatever that has been going wrong. Only then you’re able to take action towards a better situation. You’ll need to open up your heart and invite new changes in, welcome new beginnings in. The theme of Justice can be difficult and painful, but it’s necessary for you as you transform bit by bit, cutting down the vines that have been tying you down, severing unhealthy ties that have been binding you down (refer to The Devil). Get back your own autonomy, treat yourself right, let justice be served on who deserves them.
#tuliptic#🌷#pick a card#pick a pile#tarot reading#general tarot reading#self related reading#i finally completed this#this took so much time and energy and guess what i've been lacking these days?#time and energy!#work is finally less hectic and i now have time to do this too#special thanks to andy my bro for suggesting this topic#i had a hard time picking a topic to work with so yeah#this helps!#and it also serves as a self reminder#hopefully you guys find this helpful#cheers#(off i go to sleep at almost 12am)
196 notes
·
View notes
Text
Can’t We All Agree to Disagree?
~ or ~
Let’s Not Twitter our Tumblr
For past and present Lovejoy and Wilbur Soot fans, it’s been a wild week. Let’s review:
Will did an album Q&A on r/lvjy.
Will made a statement, stating clearly that the (abuser) labels are not true and he does not accept them.
A Wilbur Soot YouTube video dropped.
Lovejoy dropped “With Rob as my Witness.” (It’s a banger.)
The music video came out.
With optimism and excitement comes, of course, its counterbalance. Outrage, criticism, what-about-ism, pessimism. There’s this reflex to to smother joy, to remind people how wrong they are, how right you are, how there is only one way to interpret things.
This past week, I’ve found myself commenting on posts I find offensive. I’ve been mixing it up with people with whom I will forever fervently disagree. Even on Tumblr. Their venom sparks my outrage. They think I’m disgusting for ‘supporting an abuser;’ I think they’re disgusting for refusing to consider the voice of the accused. I just can’t resist taking the bait, and in the end feel shitty and sad.
Everyone wanted Wilbur to get in the dirt and say every little thing he’s been holding inside on this topic. We all want to hear it (even though we know it’s not smart, even if we claim we’re above it).
Supporters want to hear him explain himself, defend himself, offer details that will exonerate.
Those who’ve denounced him want to hear him say, “I did it, I admit I’m an abuser, and I apologize.”
But he won’t.
He knows more than we do.
Here’s what he knows:
Exonerate: He knows that there is no such thing as exoneration when the charge is subjective interpretation of a messy interpersonal relationship. He knows that he and his ex-girlfriend understood these events differently, and there is no proving or disproving those understandings.
Admit: He will not admit to abuse, because he does not believe that he abused her. He stated the label is not true.
Apologize: Of course that means he can’t apologize for abusing her, because (again) he does not accept that this was abuse. (If your lawyer tells you to apologize for a crime you didn’t commit, fire your lawyer.)
He apologized for other conduct that he did acknowledge. Shelby did not accept the apology. Neither did many of you. Another apology—some mythical, better, different apology— does not make sense. It’s not forthcoming.
So let it go.
Stop.
We’re all fighting and no minds will change.
Even if you’re criticizing Wilbur’s silence and refusal to get into the mud on this— you’ve got to be impressed by his self control. Do you honestly think he doesn’t want to scream and yell, pour it all out there, tell every little thing he’s been holding inside for months?
He realizes it won’t help.
Wilbur’s biting his tongue. Controlling himself. Letting horrible statements sit unanswered.
So let’s try.
Agree that we viscerally disagree.
Agree that we cannot reconcile these differences. There is a chasm between our viewpoints.
Let’s keep Tumblr nice. Let’s stay out of posts that enrage us.
If you think Wilbur Soot is a horrible person, trust me, he’s not trying to win you back. That’s not what the video was about. He doesn’t care that his audience is smaller and different. If you’re in need of a victory lap then celebrate that he’s lost lots of fans.
Move forward and choose for yourself. And let’s try not to dwell on it. Live and let live.
#wilbur soot#wilbur support squad#love for lovejoy#wss#lovejoy#shubble support squad#wilbursoot#shubble#lucky's essays
87 notes
·
View notes
Note
Hey. I want to say Thanks for all the work you do here. My question is nothing biological, it's just something that spawned from a memory about my high school sex ed.
For some context, I went to a private evangelist high school in a semi-well off neighborhood in Buenos Aires. I had scholarship and some subsides that allowed me to go there as a middle class kid. So I did get Sex Ed that I can say honestly was fine.
Like, they didn't tell us to just don't have sex. we had one talk every two months from 3rd year onwards taught by a biology teacher and maybe some TA that got called in as aide if something needed to be demonstrated.
But every now and then we also has a "social sex Ed" class. Usually taught by one of the counselors. The gist was the guy coming in and telling us about interpersonal relantionships. We had a unit on like domestic violence and one on abusive relantionships from what I recall.
So my question is if that's something that exists in the Sex Ed space? Like, I'm on board with teaching teens those stuff a 100%. It's undeniable a good resource. But Idk if that's something that's standard practice or my school was just doing that
hi, thank you for sharing! I'm glad to hear that you had access to so much information :)
what's typical of sex ed varies enormously from place to place; in some places, you're lucky if the teachers are allowed to acknowledge that protected sex exists at all instead of insisting on abstinence until marriage. personally I think that sex education absolutely should include discussions about safely navigating intimate relationships, because leaving that out makes sex seem like something that happens in a void, like it has nothing to do with any other kinds of human interactions, which doesn't improve anyone's communication. a lot of people come away from sex ed with the impression that they're supposed to just Know What To Do instinctively if and when the opportunity to have partnered sex arises, which couldn't be further from the truth and can make early sexual experiences much more stressful and scary than they need to be.
most of the in-person teaching I do is with younger folks, around the aged of 10-12. and we absolutely talk about consent and boundary-setting in addition to basic mechanics of puberty and pregnancy, because that's a really important part of the equation. teaching the kids how a sperm meets an egg is useless if we don't also teach them how to decide if they personally feel ready for sexual intimacy and how to talk that through with a potential partner, as well as how to say no if they find themselves in situations where they're being pressure to do something that they don't want.
I had a conversation once with the father of one of my students - nice guy, really excited for his kiddo to receive a thorough sex education - who told me with very real regret that his high school offered very thorough details on the physical mechanics of sex and contraception but didn't offer students any guidance on how to actually navigate consent with partners. while he never experienced any pregnancy scares of STIs as a teen, he said he was sure that he was nevertheless "not a very good partner" because while he knew about using condoms, he never learned how to actually talk through his feelings with the girls he dated. it seemed really obvious, to me that, having learned a lot since his teen years, he was carrying a lot of remorse for the ways he might have unintentionally hurt his teenage girlfriends, and was eager for his own child to learn the tools to avoid falling into the same behavior.
part of the curriculum is learning to spot inappropriate behavior and potential predation and how to seek help in those scenarios. when learning about sex, especially for young people, I do think it's genuinely really important to model positive, consensual interactions so that there's a clear point of comparison against situations that are unsafe. but in my class also talk about situations where there are questions of consent but no one clearly in the wrong. what if you friend wants to try kissing and you don't know what to say? what if someone you like is getting too touchy and you want them to stop? if you have a crush on a friend but they don't reciprocate, how should you act towards them after that? all of those are important scenarios to talk about, and help the kids build their skills of conflict resolution and communication in all areas of their lives.
so, the short answer is that it's absolutely not a universal practice, but I really wish it was because it would do a tremendous amount of good.
91 notes
·
View notes
Text
I get that this is due to people not read comics but, if you want a fun lighthearted batfam dynamic, I cannot recommend enough putting your story and characters in the Silver Ages. I see so much fanon material that would fit in this setting perfectly and it pains me that it’s not more popular or well known.
If you don’t know what the silver age of comics is, I’d recommend checking out this article!
And here for the 1956 Comics Code Authority.
It might not be in continuity anymore but the silver ages were such a large era of comics that defined the characters. And the format & restrictions of the silver ages allows you to easily bypass several common issues folks have with plots. In modern comics, there’s constant interpersonal drama because there has to be, if you resolve all those issues then you can’t sell more comics & they lose a lot of tension.
But due to the Comic Code Authority that is no longer an issue!
Randomly ignoring a dark past that makes connection between characters difficult [the poor aging of Jason’s bag of heads making it difficult for him to reunite with the rest of the batfam, for example] because it doesn’t fit with the theme you want?:
Comics are episodic in this era. Think of it like a early 2000s TV show. Things that happened in past comics/episodes often won’t affect the current story at all as the setting resets to default at the start of every comic. Additionally, literally all gore, torture, or explicit descriptions of murder is banned due to CCA restrictions, so you can choose to have it simply never have happened!
Characters that don’t fit at all in a story but you want a crossover for?:
The Silver Ages had SO MANY crossovers of heroes solely bc it sold comics. How compatible they are doesn’t matter in the slightest. The thinnest of reasons why they met works perfectly. You can even just have the characters know each other already and go “I know who can help me with this case! [Insert character you want here]! I met them in my last trip to Antarctica!” You only need maybe one sentence, two if you’re feeling frisky, to explain why they met and then you’re free to run wild.
Want a character to randomly acquire a superpower or meet a long lost cousin they have for one comic and then it’s never mentioned again?
I cannot state how frequently this happens. Silver Age comics were pretty much written cover first. Meaning the cover was made and the story was written after with the philosophy of “if my comic cover is more bizzare and eye catching then kids will buy it!” Like, there are multiple comics where Superman’s head got turned into an ant and Batman gets powers practically every other World’s Finest issue. Like it’s not even an “au” to do these things. That’s just what the Silver Ages were like.
Comic science and comic physics run rampant as well as bizarre villains! You can have so much fun with this!! Heroes often play the straight-man in bizarre scenarios with over-the-top villains in this era, making that aspect shine brightly can make for an inherently funny plot. You could either keep it fun and light or turn it into a psychological horror as the characters realize they can’t disobey the CCA code and have to follow a specific plot.
Also the restrictions of the CCA at the time would also help create some fun and unique plots if you wanted to keep the plot time-period accurate.
There’s a lot of restrictions but there are still many ways to create conflict in your fic! Plenty can come from the CCA directly!
Canon or HC LGBT+ characters could be pressured to not come out or face tremendous backlash. Time accurate homophobia, essentially.
McCarthyism and paranoia ran wild. Oh no someone suspected your blorbo of being a communist/socialist and now it’s ruining their life!
Characters dealing with how the CCA’s restrictions/their reality is inherently bigoted and can’t be themselves. (See: comics on topics of racial & religious prejudice aren’t allowed, characters can’t speak in “slang” or “vulgar language” and “good grammar” is emphasized (often targeting minorities), and the sanctity of family must be respected (no divorce, no queer people).
Also! Crazy over-the-top villains with deadly stakes are played with a lighthearted tone. Play it straight and suddenly your comic changed genre into horror if you think about it for more than a second.
Characters that used to be antihero’s are just straight up villains now or suddenly wake up with massive gaps in their memory and no one else can tell them why. There is no grey with the CCA. Just good and evil. Because that would make the villains sympathetic and we can’t have that!
If you want to just have a fun, campy and lighthearted tone however, that’s the Silver Age’s bread and butter. While keeping the CCA’s code in mind is good to keep a Silver Age story feeling time accurate and Silver Age-y, it’s definitely not necessary to follow each and every rule.
Here’s some more links to free silver age comics and places you can go to find information on silver age comics if you want to learn more that aren’t fandom wikis but rather made by nerds with a passion to catalogue and share their interest to others.
Your local library has a decent chance of having an omnibus of 50s-70s comics or you can order one from a nearby library if your local one doesn’t carry them.
A local comic shop or bookstore. Silver age omnibuses & “50 year anniversary/best of” type collections are usually present and have a good variety of silver age comics.
Jenny Blake Isabella (the creator of Black Lightning) has delightful reviews of the Batman Silver Age Omnibus on her blog that add context, critiques, and overall are a delight to read
Takes some hunting but this Silver Age Comic blog has a bunch of single issue reviews of Silver Age Batman comics.
Want a specific issue to read? Here’s super brief summaries of soso many issues curtesy of The Comics Archives blog.
The Internet Archive also has a few:
Batman & Superman world's finest. The Silver Age. Volume one
Justice League of America, the Silver Ages volume 1
Batman: the dynamic duo archives. vol 2 (I cannot find volume 1)
A good tip to find legal and free comics decently intact is to search [comic run title/character hero name & issue number if you have it] + “blog” + “review”.
There are so many in-depth reviews of comics in blogs by comic fans out there that practically share most of the comic panels in the post while giving context to past issues while the poster adds personal insight and opinions on the comic. Is it going to give you the whole issue unfiltered? No. But it allows newbies to get insight from old fans and old fans to get a new perspective on a comic they’ve already read. Blog reviews are such an underrated way to get new fans into comics considering how great of a resource they are! Don’t know if you’ll like a comic run? Read a bunch of reviews on it from different blogs! It’s truly so underrated.
I see a lot of dc fans that don’t read the comics because they don’t like the violence and dark tone of modern comics or don’t know where to start. Simple solution: Why are you reading reading modern comics then? Give the Silver Ages a try! They’re utterly corny and campy & I love them dearly.
They fit all of those bills with the CCA. Plus, with the episodic stories of that era, you can just pick up an omnibus, open it at a random issue and start reading. Hell, you can toss a stack of silver age issues in the air 52-pickup style and read them that way and you’re still be fine. You rarely, if ever, need knowledge from previous comics as they’ll often directly explain what happened to you. If you really need previous context, just like modern comics, they’ll directly tell you which issue(s) to read first.
Lastly.
It’s good to keep in mind the “By it’s time. For its time. Of its time” rule of comic analysis when reading old runs. Comics are: relevant during their time of publishing, for its intended audience (in this era, young american boys with a non-nuanced worldview) & with little care of how it’ll age, just that it’ll sell.
How history ties itself to comics is fascinating but also it’s good to be a little “👀👀 uh zoinks scoob that was a bad narrative or character decision that didn’t age well” and not dismiss it because that poor interpretation does have historical value as how it shows the moral, social, and political conflicts of the time in a neat little bow. Even if that bow is like, puke green.
Writers of comics will follow the misogynistic and racist ideals along the historical & social conflicts and ideals during the time of the comic’s publishing date. It’s uh, just kinda something ya gotta deal with when reading a lot of old comics runs. Most collections of silver age Batman/best ofs don’t often have comics that aged super badly but if you end up encountering any, it’s good to keep this in mind.
If anyone is inspired to write something based off of this, please tag me so I can read it!
#dc#dc comics#dc meta#batfam#batfamily#tagged bc their comics are listed >>#dick grayson#Batman#Bruce Wayne#Superman#Clark Kent#JLA#<<#bones writes#bones prompts#silver age comics#silver age dc#silver age batman#dc resources#bones lore#long post#bones talks#Batman meta#one way you can make this an Activity With Friends#is to have a plot that’s in the silver ages. then have a friend with the CCA code go through and beta your fic#you can use those notes to either make it more tonally accurate#or use that as fuel for the pointed out inherent horror there is in being stuck in a world where you’re policed by random rules you don’t-#know and can’t perceive.#plus taking characters made after the silver ages and writing them into a silver age plot is so much fucking fun#with how much fanon has spiraled. this is a great option to put fanon in a dc canon setting thats very elastic & has a lot of leeway
123 notes
·
View notes
Text
there's no one else around (you're touching yourself) (18+)
summary: By pure accident, you stumble across the home page of your manager's brother's cam site. But neither of them have to know, right?
title from: "Wet Dream" by Wet Leg
word count: 2.1k
content warnings: MDNI!!! male masturbation mention, what is technically sex work, camshow/cam work, afab reader genitalia, vaginal/clitoral masturbation, rabbit vibrator you're my best friend, pillow humping ummm, don't think there's anything else
side note: HI BEAR WITH ME I FEEL LIKE THIS IS SHORT BUT TRUST WE WILL GET BETTER WITH TIME
You should not be here. By here, you mean Lip's cam site.
You stumbled upon it completely on accident. It had been a long week, and you needed to blow off some steam, and your friend had suggested looking into cam sites for something more interpersonal than just porn. So it was safe to say you were surprised when, in the top twenty for the local area, Lip Gallagher was streaming.
You only know it's Lip from the triangle tattoo on his chest that you have not stopped thinking about since you saw it.
You should not be here. You should not be entertaining the idea of watching your coworker, your manager's brother. Your mouse is hovering over the video, the stream playing in the small display on the sites front page. But Fiona doesn't have to know, right?
That's what you keep repeating to yourself as you go through the process of making an account (of course Lip would set his page to accounts only, why wouldn't he, it's the best way to insure money is made.)
That doesn't stop you from feeling slightly embarrassed by it. Fiona doesn't need to know, Lip doesn't need to know, nobody needs to know.
You make your user something meaningless, something he wouldn't be able to tie back to you. Once you get the minimum access... It's enough to make you blush, mouth going dry as you take everything in.
In most of the thumbnails, you can only see Lip's chest. In a few of them... Well, in a few of them, you can see more than just his chest. So much more.
There's a few items on his site that require a subscription fee and... Well, you're not ready to commit to that just yet. The streams will do, for now.
You're quick to roll out of bed and grab your headphones from your shelf, wasting no time connecting them to your laptop and putting them on. Once you're sure they're connected, you quickly click on the stream, not leaving any room for hesitation as the video loads.
It is. A lot.
The stream only takes a few seconds to load up before it's playing on your screen. You move by muscle memory, putting the video in theatre mode.
You haven't even looked at the live chat as it blows by, little pings and animations dancing on the screen. You're not taking in any of it.
All you can see is Lip. All you can focus on. The only coherent thought in your mind is him.
"Fuckin' hell-" Lip grunts in your headphones. Your eyes are wide as you take in everything you can. You can't even be bothered to get yourself off, you feel like you'll miss something if you tear your attention away from the screen.
You've chosen an interesting stream to start with.
Lip's body is framed perfectly. It's different from the other thumbnails, more of him being shown. His arm is extended, bracing himself on what you can only assume is the wall beside his setup. His chair is positioned sideways, a pillow folded in half and positioned snuggly in the angle of the chair. The leg closest to the camera is extended, giving him a firm footing as his other rests on the seat of the chair.
If you hadn't already taken your jeans off, you'd be fighting with yourself to get them off as quickly as possible.
You're glad that past you had the forethought to place your vibrator beside you, and all you needed to do now was take off your own underwear. Lip's home page was enough pre-game that you don't have to play with yourself too much to slip in the silicone toy.
You have to hit a few buttons before you land on the setting you want. Timing the grinding of your hips with Lip's movements and the rhythmic vibrations of the rabbit is tricky, but you manage to match the pace as best as you can.
Lip repeats this pattern of thrusting into the pillow, punctuating each one with a firm grind against it and then stilling before starting up again. The motions are enough to drive you mad, letting yourself shut your eyes and pretend the toy inside of you is actually Lip as he groans in your ear about how tight you are.
He encourages you and the audience to edge yourselves for as long as you can. To keep yourself dangling on that edge of release until he tells you to let go.
He gives you the clear right before he lets himself come. He doesn't have to tell you twice as you grind against the rabbit buzzing against your clit. The feeling is damn near overwhelming as you gasp softly, listening to the way Lip grunts out praise and curses.
You slam your laptop shut before you can watch him end the stream. Your chest rises and falls heavily, staring up at your ceiling as your brain registers what you just did.
Fuck.
The pit in your stomach when you see Lip walk in makes you feel sick. You knew he was working today. You're not sure why it jars you so much, but the overwhelming anxiety that seeing him gives you... It's enough to make you regret seeing his cam page.
He spends enough time talking with Sierra on her way back to the bar counter that you can cash out your register. Despite your rush to go, you get everything settled nicely in the pouch you need to take back to Fiona.
When you look up, your stomach drops when you meet Lip's gaze. You're quick to turn around and flee the front counter before he can leave Sierra's side.
"Fi am I good to go?" You walk into her cramped office like a whirlwind. You're already untying your small apron from around your waist and folding it in your hands.
"Yeah. Everything okay?" Fiona looks at you, brown eyes wide and searching your own. You nod quickly, tucking your apron in your waistband and placing your till money on her desk.
"Peachy," you tell her, placing your hand on her shoulder and giving a quick kiss to the top of her head. "I'll see you tomorrow, Fi."
Fiona gives your hand a quick size before you're slipping out of the office, stopping at the locker that stores your and Sierra's belongings. You're quick to swing the door open and grabbing your bag from the top shelf. The way you jam your apron into your bag is a little more aggressive than you usually handle things but you are determined to leave before you can run into Lip. Once you close your bag and slip it over your shoulder, slamming the locker door shut after you and turning quickly on your heel.
You're a bit too in your own head, not paying any attention as you head out of the small employee area, not bothering to check if someone else is coming back there.
That is your mistake, colliding hard with someone else. You're hands act on their own, grabbing at the shirt of the person you ran into to keep yourself balanced.
"Whoa-" Goddamnit.
You shut your eyes and momentary curse whatever cosmic being has it out for you today. Once you know you're steady you quickly let go of his shirt, bringing your hands close to your chest and step back a little.
It would be your luck that on your way out the door you would run into Lip Gallagher. The very person you're trying to avoid facing.
"You okay?" Lip's voice is caring as he speaks softly.
"Fine," you say, looking for a way to slip past him. He takes up most of the walkway, and there's that sour taste in your mouth. Your brain is sending mixed messages, guilt, and disgust at yourself, but your cheeks feel flush with Lip so close to you. Maybe it's his own body heat...
"Y'sure?" Lip asks you gently. "Y'look all..."
The gesture Lip makes is confusing, simply just motioning at your whole body, and it makes you want to disappear into the shitty paint job on the wall.
"Great. Just need to get home, so uh.." You gesture behind him, hoping he'll get the idea so you can brush past him.
"Oh shit. Sorry. I'll see ya tomorrow then?" Like he's sad he missed you on the shift. The sentiment makes your stomach flip, and you have to fight it down as he slips by you, his chest brushing your shoulder so you have to turn if you want to keep looking at him.
"Uh, yeah.. Pulling a double, so I'll be here all day." You're not at all keen on the idea, but one of the girls had practically begged on her knees for you to cover her shift.
Lip huffs and shakes his head with a disbelieving grin. "I'll see ya then.."
He does that nervous habit he has, scratching gently at his nose with his thumb as you give you a small wave as you leave. The interaction is only... Slightly bizarre, if you put it mildly.
Fiona slips out of her office, leaning against the doorframe as Lip walks over to the lockers.
"They seem... Off, to you?" Fiona asks Lip as he grabs his rubber apron. He spares Fiona a glance before he brings the apron over his head.
"Off?" Lip asks.
"I don't know... Like skittish? Flighty?" Fiona tries to explain the feeling that's nagging at her brain. You left in such a rush and left her no room for explanation when you brushed her off.
"A little," Lip shrugs. "Just seems like they wanted t'get out of here before gettin' dragged into more work."
Fiona hums softly, crossing her arms over her chest. Lip nods before shutting the locker softly before leaving the backroom, leaving Fiona to mull over your interaction.
The rest of your week follows the same cycle.
Going to Lip's site, getting off while he streams himself getting off, and then trying not to face him the next day.
The only one who really seems to notice your quick get aways everytime Lip clocks in is Fiona. The not knowing makes her fidgety and agitated, becoming noticeably short with people until eventually she snaps.
"Did you do something to piss them off?" Fiona grills Lip as they watch you bid Sierra goodbye before slipping out the door to the restaurant.
The look he gives his sister is offended. Offended that she would suggest he had done something wrong when he barely had the chance to talk to you this last week. It did strike him as peculiar that you managed to slip away whenever he clocked in or found a way to switch shifts so you two no longer worked similar shifts anymore.
"Why do you assume I did something wrong?" He asks. Despite his defensive position, he wracked his brain for any possible interaction that could have caused your change in behavior.
"Because they only ever leave like a bat out of hell when you come in!" Fiona exclaims.
"Well, maybe you should ask 'em, since I didn't do anything wrong." Lip says, glancing around the restaurant as he stacks dishes in his bin.
"Oh, don't give me that!" Fiona turns to him, lightly smacking his arm with the till pouch in her hands.
"What?" Lip jerks his arm away from her, as if it actually hurt. He's just merely offended by the action.
"I have asked 'em! They just say their fine and leave as quick as they can!" She sets the pouch on the counter beside the register and rests her chin on her hands.
"Maybe you did something." Lip shrugs, mouth quirking up to squish his cheek up so his eye squints slightly. Fiona turns to glare at him, but he's not looking at her. Busy doing his job.
"What would I have done that would piss them off?" Lip comes up to settle beside her, setting his bin down as if he really needs to give it some thought.
"Well, let's see-" Fiona cuts him off with a hard smack to the chest.
"Let's see nothing, asshole.." Fiona mutters, leaning against the counter as she stands up straight and watches the people walking by.
"It's gotta be somethin'." Lip shakes his head slightly, picking his bin back up.
"I'm gonna figure it out." Fiona promises her brother.
"Yeah, you do that. I'll uh, I'll be in the back doin' dishes while you try figurin' it out." Lip claps Fiona on the shoulder, gives her a quick squeeze, and heads for back of house.
Fiona huffs at him before glancing back at the sidewalk. She's going to figure it out, whether it's a big secret or not.
Fiona will find out.
#saltnsugarbear#too much salt (18+)#wet dream [ series ]#lip gallagher x reader#lip gallagher smut#lip gallagher fanfic#shameless fanfiction
158 notes
·
View notes
Text
Jimmy dating headcannons (sfw/gn reader)
Disclaimer: this work contains unhealthy interpersonal practices and elements of abuse.
Side note: this was going to be LONGER and include nsfw but I've decided it's better to divide everything into parts. Finally getting this out because there is a critical shortage of Jimmy x reader works (cries and picks up a pen). Let me know if I missed something or made a mistake.
Enjoy!
— ok starting with the fluff: Jimmy feels too embarrassed to properly hold your hand, like some small shy boy. He will make it seem like you've the one who acts childish of course, holds your hand if you plead enough and only for a minute in public, for a bit more when in private. You can be lucky enough to tag after him holding his sleeve if he feels like it. Jimmy secretly loves to hold your wrist, especially in a tight grip, feeling your pulse beating under your skin (he is like a handcuff).
— Jimmy doesn't say "I love you", not in a usual sense. Instead it's always alternatives like common "You make me feel all warm and stupid inside" and the most rare "You mean a lot to me" spoken in a quiet sincere tone. Unfortunately "I love you"s are reserved for manipulation. He knows it gets people very compliant or/and defenseless. It doesn't do any harm anyway because he's merely speaking the truth. It's actually a litmus test if you love him or not, so be very careful with your words during those moments.
— primarily uses your name or alias you go with instead of pet names. Sometimes, Jimmy would use baby, babe, sweet cheeks (bear with me); dear, darling and love when he's pissed off or he tries to be condescending.
— Jimmy has a preconceived notion that your parents/family wouldn't like him, he has enough self awareness for that. Because of this, he'll try to make it seem like he's better than he is, so you better play along. If your family hates his guts, Jim doubles down, resulting in both parties wagging a war. Doesn't give a fuck about them at all after that disastrous first meeting. However, if somehow you family did take a liking to Jimmy, he's glad....but also puzzled. I think Jim has had shitty childhood, so when he is treated like a proper family member, he's lost. He doesn't want to see your family often because of his complicated feelings, but makes exceptions for the special occasions.
— Jimmy knows and remembers things about you to the points it's both scary and impressive: likes and dislikes, fears, dreams, ambitions etc. On the more positive side, this includes songs, books, movies, comics and anything like that — even if he doesn't like it, he has an understanding of what it is. If you call him out, Jimmy either says he doesn't care (he does, so much actually) or says "Of course I do, you can't shut up about [thing]" (lies).
— Jimmy doesn't have a lot of free time on his hands. If both of you are free, that means you are spending this time with him. No, your plans won't matter if they exclude Jim out of the picture. This involves discouraging you or outright sabotaging you. As per usual, he wouldn't find anything wrong with this kind of behaviour. You should just stop being unreasonable and spend some time with your lover. Look, he even went out of his way to find a movie you two would enjoy watching.
— birthdays with Jimmy are weird (if you could tell from the game). If you look forward to them, so does he; if you don't, well he congratulates you when the day comes and that's about it. It's much worse when the gifts are involved, because Jimmy will actually try to get what you want, and the more expensive it is, the more positive reaction he expects from you. He saved up throughout the year, denied himself pleasures and worked his ass off — if you don't shower him with appreciation and gratitude, he will make a scene about how selfish you are. On your own birthday.
— Jimmy keeps your gifts and trinkets in his drawer (if they small enough). He has some photos of you together, small souvenirs from trips, cute notes you left him — you name it. This habit will get creepy: the things having a lot of sentimental value to you, your trash like discarded perfume bottle and cream tubs, even your underwear. He wouldn't care if you made fun of him, but god forbid you misplace or throw away anything from that drawer.
— Jimmy loves when you rely on him. However, to a degree because this man quickly gets tired of running errands. If he offers to do something it's safe to agree, asking too much will get him worked up so don't overdo. With that said, Jimmy always does small things, like making your preferred beverage during the day, calling to remind you something, doing small chores unprompted, basically covering your bases. It's hard to feel unloved when you are remembered and cared for in that way. Also gives him an ammo for fights in case you forget how much Jimmy does for you.
— Jimmy insists on driving you everywhere (so people would know that you belong to him). Also it means Jim has lots of good punishments at his disposal when you two fight: lock the car from the inside? Leave you somewhere you don't know? Or just not pick you up altogether? Better leave all the arguments for later or don't bring them up at all...
— you are one of few people to see Jimmy's playful side: he just loves to joke around you. He wouldn't like it, but your sense of humour would rub off him greatly. If that wasn't enough this man loves to prank you in small ways: it's childish stuff most of times, like hiding or misplacing an item in your house and playing innocent. Other than that, Jimmy will whistle and catcall you when he sees you and will slap your ass in public when you leave. You are encouraged to prank him in return too, but you will be pranked harder next time. Grins, snickers and snorts a lot but laughs very, very rarely. However, it's one of the most healing things you could experience. Literally restores years to your lifespan.
— Jimmy doesn't like seeing you upset actually. He's not super soft or doting, he will pry the reason for your distress out of you whether you like it or not. If he deems it's unimportant, will tell you to suck it up, maybe even make a sarcastic remark. If it's serious business, he involves himself. Of course half the time it makes your situation worse and him angrier at himself which translates to Jim being angry at you.
— when Jimmy is upset, it's best to wait it out. I headcannon Jimmy used to have terrible anger issues but with years managed to control them to a degree. It doesn't mean he wouldn't lash out on you, his partner, it does get ugly. Him hugging you for comfort is actually more frequent than you would expect. As long as you don't address his tears or say much, Jimmy would calm down with little to no issue. Don't bring it up later too, he won't respond and will pretend it never happened.
— finishing with the reminder that you will be carrying Jimmy's emotional baggage as well as your own if you have any. I hope you have strong and healthy arms and back for that. If you're not careful enough or *cough cough* stay ignorant of Jim's bad influence on you, he will bring you to his level and mold you into who he wants you to be. But it doesn't work one way: in theory, you could "fix" some of his unsavoury outlooks but don't expect too much. After years of blood, sweat and tears it's possible to finally convince him to go to therapist. Praying he would continue on his own wouldn't be enough and you would need to actively encourage Jim to not give up on his mental health treatment. Way to go!
#the disclaimer was going to be bigger but half way i remembered i had a spine#mouthwashing#jimmy mouthwashing#jimmy mouthwashing x reader#x reader
142 notes
·
View notes
Text
Best Friend Duties: Crowe x reader
Summary: What’s a more fun way to suffer than having your best friend by your side! Spend a late-night moment with Crowe as you dive into research ruckus, deep conversations, and friendships! (Or something more? :D)
word count: 1.1k

Ah yes, the usual late night ventures inside your apartment filled with the radiations of your laptop (and your sanity). You need to sacrifice all of your nights in order to achieve good grades, after all.
But tonight is a little different.
With everything piling up, you needed some emotional backup. And who better to call than your ever-so-charming best friend, Jericho Ichabod — or as most know him, Crowe. He didn’t hesitate to agree to stay the night. A study buddy might just be what you need to survive this academic dilemna.
Truthfully, you've never had any visitors at your apartment until both you and Crowe got drenched and he had to evacuate to yours right away. Things were... Let's just say the past events were rather intimate between you two. Whenever you sit on the same exact spot of the couch, your mind immediately replays the moment where his longing presence was wrapped against you (specifically, your neck). Crowe is undeniably sly, but maybe that’s what keeps you hooked.
When he arrived, you whipped up some midnight snacks before getting started with research chaos. Your chosen topic? It was an investigation into the attachment styles and interpersonal relationships of Titan City's college students — specifically, those from the higher class. Moving on, you both sat on the floor, laptops glowing side-by-side on the coffee table. Back pain is a problem for later
Crowe let out a long yawn, rubbing his cheeks. "Our group needs more participant feedback... The lower years won’t bite, even if there are exclusive incentives." He pinched the bridge of his nose while contemplating his whole life in front of his glowing laptop. Research-1, Crowe-0.
“That’s rough,” you sympathized, typing away. “Keep pestering them. Kill 'em with kindness, right?” You understood his stress. Gathering respondents for a quantitative study felt like picking out roses — roses with thorny opinions that could make or break your data.
Crowe scooted closer, his shoulder resting gently against yours as he peered at your screen. “What about you? Are your participants settled?”
"Just wrapped everything up yesterday,” you said with a grin. “Thank goodness we have Hyugo in our group — guy can charm a freaking tomato in seconds. I contribute the write-ups while he handles everyone else.” You chuckled, recalling how your teal-haired classmate still managed to have his ball of energy despite chattering all day. “Surprisingly, the higher class students were… cooperative enough."
Crowe hummed, amused. "Ah, wonderful. You can finally acquire enough sleep." He skimmed through your paper again, now behind you, leaning in as he scrolled. You could say personal space was not in his dictionary tonight.
"The higher class, huh? What was it like to interact with someone most people fawn and despise?" He murmured, gently moving your hair aside to whisper in your ear. "I’ve been curious as to how that made you feel." He reassured you and waited for your response.
You laughed."Ah, yes... The Trivia Master Ichabod strikes again!" Crowe lightly smacked your shoulder, and you shifted back to a more thoughtful tone.
"Well, there are a lot more privileged beings than what I expected... For starters, the administration did accept the approval letter for conducting research related assessments, which surprised me because I really thought the higher faculty would reject the whole idea! I guess I got lucky." The more you presented your words, the closer he leaned to you.
Crowe nodded, face in deep thought. "Do you think that they treated you with real respect? Or was it just tolerance – waiting for the survey to end?" He ponders and awaits your new answer.
You hesitated. "Perhaps a mix of both. You never truly know someone’s real intentions unless you dig deeper into them." You answered truthfully. Crowe's presence lingers more and moves closer behind you.
"Just be careful with the people you allow to stay in your orbit. Not every star wants to see you shine." He lightly brushed your hair, giving you some comfort. "I look forward to the full results of your research. I could smooth out some grammar issues as well!"
You looked back, ruffling his hair. "You're such a multitasker-king! Or whatever that is. Seriously, thank you, Crowe. Just being with you in every small step means a lot to me. I feel like I don't help you enough, to be honest."
He blinked. "You're kidding, right? Your presence is always there whenever I need it. Every single moment we have together… It's like the stars shift to make room for a new constellation. Just being near you is enough."
He rested his head against the back of yours and sighed. You could feel all of his tensions fading away the moment he said that.
"Oh, Jericho. You and your way of words." you said as you nuzzle your heads together
Crowe smiled and pulled you into a hug. "How lucky I am that our stars crossed. Being your... best friend is the greatest fate the universe can grant me." His voice slightly faltered when he said those two words to describe what the both of you had at the moment: "best friend."
He settled his head on your shoulder again. "Speaking of friends, how do you feel about our friend group? If anything ever feels off… I’m right here."
He was referring to the four knuckleheads that somehow lifted your spirits up: Deryl, Geo, Brittney, and Jess. These past few months with them were the cherry on top in your chaotic college world. Brittney's dashing mindset, Jess's gentleness, Deryl's absurd obsession with Brit's sandwiches, and Geo's quiet yet attentive presence... A day with them is a guaranteed smile on your face.
And Crowe? Well, he was the whole galaxy.
You shut your laptop screen to fully face him. "I adore them all so much! They are incredible in their own ways. And, I wish... Society can see how amazing we are regardless of our state and more on recognizing who we are."
Crowe mumbled something you couldn't comprehend before gripping your arm a little tighter. "Maybe others don’t see it, but I certainly do. In my eyes, you are my brightest star ever." He leaned in and placed a soft kiss on your forehead.
"For the sake of lady physics, you're going to kill me, Jericho." You lightly smacked his head but proceeded to pat it afterwards. "You're too... Tender."
"Hm?” He tilted his head, fingers twirling the strands of your hair. "Is it a bad thing?"
"It might be,” you murmured. “If you keep doing that, you’re responsible for me." Before a second could even pass, Crowe leaned in further, bracing his arms on the table — effectively caging you in between. His damn smirk was as mischievous as ever.
"Maybe... That was my secret agenda all along."
#tkatb#tkatb fanfic#the kid at the back vn#the kid at the back x reader#tkatb vn#the kid at the back crowe#tkatb crowe#jericho ichabod#tkatb x reader#tkatb mc
84 notes
·
View notes
Text
I think a lot of saw's dialogue is very corny a lot of the time and sometimes straight up hilarious and it's not a secret that 3D was jam-packed with it but holy fucking hairball i hate the Hoffman mischaracterisation in this one so bad. A thing to note is that most of John's victims are one of three categories: personal petty bullshit(Art, post saw 3 Eric) , genuinely bad people (eg. Ivan, Xavier) and just some majorly unlucky bastards (anyone with addiction or mental health issues because John hates them for some reason probably Cecil but still)
Mark's victims go even higher on pettiness scale (excluding the nazis). He went from a guy who was low-key blackmailed into it to essentially driving amanda to suicide and going on a killing frenzy of more or less innocent people. The public trap is horrible in sll the ways. Exposing pedestrians to gore aside tge whole concept is just yaiks. Calling saw traps fair to any capacity is very questionable but here they straight up just executed a relatively young girl for the crime of having young adults interpersonal drama with two basic white guys. And the phrasing used of "whos the alpha male" cemented marks transition from just having the vibes of a miserable incel into becoming one.
My LEAST favourite moment of the whole franchise is Jill nightmare sequence. I wont talk about how it was voyeuristic and sexualised for no reason, but it was also COMPLETELY unnecessary. The trap was lame. Might as well have stripped her to a log slowly being conveyored towards a saw blade, at least it would have been an amusing reference.
I KNOW it's just Jill's imagination but Mark's quote about only killing her once rubs me the wrong way so bad. Not even in the cool horror movie way of where i feel the intent it's just BAAAAD. I hate this one more than piranha, killing is distasteful and anything that came out of Larry gordons mouth ever.

60 notes
·
View notes
Text
Sooo…
The protoframes, huh?
i wanted to go a bit into what each member of the Hex (yay, new syndicate!!) had to say when you got into proximity of them in the relay. there’s honestly a lot here to set the scene not only for 1999 itself, but introducing each protoframe as well as sort of hinting at their interpersonal relationships, and how they interact with one another! some of my favorite kinda of lore is specifically character development and personality-focused dynamics like this so here!!!! i walked back and forth for an hour for YOU! here is all proximity dialogue for each character in the Höllvania Mall relay:
ARTHUR:
“Question. Could I take Quincy down if he turned on me?”
“We’ll find you, Doctor. That’s a promise.”
“Stop sniffing around my head, Eleanor. If I want to talk, I’ll talk.”
“We need to keep Lettie on her feet. If she goes we all go.”
“Dunno why we even bothered with that cleaning rota.”
“Yeah, we can hold this place.”
“One day, Aoi. No more roadblocks and checkpoints. Just you and me and the bikes, open road for miles, all this bullshit far away. I swear to Sol.”
“Still too open. We need more chokepoints.”
“Bottled water. Like sodding gold dust.”
“Well Amir’s still alive. That’s a win.”
LETICIA:
“I got nothin’ to prove to you, Quincy! Go play your little games, niño.”
“¿Qué onda? The Lady Eleanor ain’t no more freaky than the last time you checked in. ‘Less you know different?”
“Yo, Aoi. Chill, hermana. Do something for yourself, for once. Arthur ain’t going to blow away if you blink.”
“The boss says care for his sister I care for his sister. As long as you still are his sister… and as long as I feel like listening to him.”
“Being loved and being hurt? Yeah, I make no distinction. I knew someone, once, wired the same way. Kept me sane. And what of it? Te crees muy acá ¿no? Get outta my head, Eleanor.”
“Never signed up for this. I’ll be home Mamá. Your little girl doesn’t end here. No te preocupes.”
“Man, I’ve been awake so long that even the spiders in my head have all gone to sleep.”
“Wacha: unless you’re pissing blood right this second, whatever it is can wait.”
“I swear, should lock Aoi and Amir in a cuna. Didn’t sign up for no babysitting gig.”
AOI:
“I don’t wanna go on patrol. I wanna take stuff apart.”
“Nearly time for the On-lyne boys.”
“Metal, metal, metal, what do you want to be?”
“Yep. I can live like this.”
“Arthur needs to keep some fuel in the tank for himself. Goddamn savior complex that man has…”
“I oughta get some headphones. Then I wouldn’t have to hear Quincy work off all that surplus testosterone!”
“If they take Entrati out, who’s going to look after that mutant jaguar of his? Poor thing won’t last five minutes in the wild.”
“Amir! Remember to hydrate!”
“Dear past self: we finally got those super powers we always wanted. Whaddayaknow.”
“GodDAMN. Lettie would you keep your frickin’ rats OUT of my SPACE?”
QUINCY:
“Don’t look up, Doctor.”
“Arthur needs to leave the Major to me, innit. Respect my methods.”
“Don’t mind the waiting. Plenty to be thinking about.”
“You don’t know me. Never see what darkens your rooftops. Inevitable, like the rain. Handing out consolations in a transient connection. Boom. Smoke. And ghost.”
“You wiv me, Eleanor? How deep in you go? See anythin’ you fancy, girl?”
“Amir is a weak, weak boy. Like Aunty said, ‘duppy know who fi frighten.’”
“Thassit… nice and steady.”
“How many man have the opps got? Not enough t’be takin’ me. Never.”
“Oi, Lettie! Grab y’ strap and let’s go. Best a five buys the drinks?”
ELEANOR:
“Don’t expect me to tell you what I’ve seen in Amir’s head. He’s not a beautiful, broken marionette, and he’s nobody’s project. He’s one of us.”
“Quincy thinks he’s going to wake up one night to me chewing the flesh from his ribs. Maybe he’s right.”
“I know you’re there. I can feel you. It’s okay, I won’t tell the others.”
“Aoi? She’s lovely and kind and strong, and… I kind of hate her a little bit. Because it should have been her spreading her happiness into everyone’s heads, and me throwing cars and trucks around.”
“I thought there were going to be two of you! Where’s the other one?”
“Blood. There’s gonna be a fight. Something… bursting. Crossed swords. Arthur!”
“What on earth is a ‘Mara Lohk’?”
“Oh, you’re going to make such a difference this time around.”
“I don’t think Doctor Entrati expected me to survive. I had a lot more than just a cough. But… survive I did. And Lettie has not forgiven me for it.
“Oh. OH. She’s wonderful! Triple-faced goddess! But there’s a shadow on her, isn’t there?”
AMIR:
“A little zap, and… infinite credit! No more ‘insert coin’! Not that we could insert coin. We have no coin. Once we had coin, but now Aoi has smooshed all the coin. Coinnnn.”
“Why did they never make a console port?”
“BAD MOVE, SPACE CAA-DET.”
“But the one thought none of them spoke out loud was - could Lettie reattach a head?”
“Hey, Arthur! Arthur! Arthur! Arthur! Arthur! Dahh, you missed it.”
“Eleanor? Are you there? Can you - can you give my brain a hug please? Thank you.”
“We’re getting a little too excited, let’s step it down, step it down before we get the blue cracklies. In one two out one two.”
“Oi’m Quincy. Oi’m gonna blow out yer kneecaps. Mashup in yer chip shop alright.”
“Ungh! This violent video game is influencing my emotions! Societal norms… eroding! Morality… subsumed! I MUST KILL!”
“This place used to smell so good. Coffee. Cookies. Fresh clean socks. Now it’s just rust, pain, and old socks.”
#warframe 1999#warframe#warframe spoilers#i love them your honor. i have a lot to say about specific things they said but that’ll be for another post.#tennocon 2024#arthur nightingale#eleanor nightingale#aoi morohoshi#leticia garcia#lettie garcia#amir beckett#quincy isaacs
330 notes
·
View notes