#and its not to say they should just give up on writing any characters that aren’t cishet white males

[jacquesthepigeon]

In regards to canon’s “adrien is a fairytale princess” thing, it is related to misogyny, yes, but it’s not directed at Adrien or a result of him being “femme coded”, it’s more so that the crew thinks reversing stereotypical gender roles is enough to be considered a feminist twist but they lack a vital understanding of the meaning behind these stereotypical roles and why they’re actually bad beyond being cliché and annoying. They haven’t broken down the tropes themselves but rather simply accepted the conclusion that they’re bad when applied to female characters without analyzing why they’re often applied to female characters in the first place and how it stems from misogyny.

I’ve mentioned the Enlightened White Male Atheist thing in the past (it’s not actually limited to any of these demographics but I’ve personally observed it’s more prevalent there) where a creator is so convinced that they’ve reached enlightenment about issues pertaining beyond their own lived experiences that they don’t need to keep taking any steps to improve themselves. They already know all there is to know and anyone that says otherwise is Wrong.

The crew is truly believes they understand writing and feminism well enough to execute it perfectly while actually only knowing the basic definition of each with no true understanding of the subject. It’s basically the problem with studying methods that rely solely on memorization rather than critical thinking, the students technically know what something is but they don’t understand it.

[bambiraptorx]

ngl one of my biggest pet peeves in media is when they acknowledge in universe that a character should logically have a concussion, and yet they don't.

Knocking someone out, having them wake up four hours later, and then having them be perfectly fine? Horrendously inaccurate to how head injuries work, but fine whatever it's a trope and if it's used in a genre that isn't trying to hold to realism anyway (like an action movie, fantasy story, etc), I am willing to suspend my disbelief. I don't like it, but I can accept it as a narrative tool.

Knocking someone out, having them wake up four hours later, having someone say that that character has a concussion, and then having the audacity as the writer to have said character be completely unaffected by the head trauma? Do not pass Go do not collect 200 dollars go directly to jail.

[kaythefloppa]

The one good impact Bunk'd had is that it can serves the best example to why shows being renewed for more seasons past their prime is not always something to be celebrated over or fought for.

[whispers-whump]

Some writing advice

that I like to use when I write. None of this is meant to be taken as hard and fast rules, they’re just things I like to do/keep in mind when I’m writing and I thought maybe other people would enjoy! <3

Never say what you mean

This is an offshoot of the very common “show don’t tell” advice, which I think can be confusing in application and unhelpful for scenes where telling is actually the right move. Instead, I keep the advice to never say exactly what I mean in stories.

By using a combination of showing and telling to hint at what you really mean, you force your reader to think and figure it out on their own, which makes for a more satisfying reading experience.

You might show a character getting angry and defensive in response to genuine care and concern. You could tell the audience that the character doesn’t see/talk to their parents often. But never outright give the real meaning that the character feels unlovable because of their strained relationship with their parents and as a result they don’t know how to react to being cared for.

Your readers are smart, you don’t need to spoon feed them.

Be sparse with the important things

You know how in a lot of movies there’s that tense scene where a character is hiding from something/someone and you can only just see this person/thing chasing them through a crack in the door? You get a very small glimpse of whatever’s after the character, sometimes only shadows being visible.

Do that in your writing. Obscure the important things in scenes by overdescribing the unimportant and underdescribing the important.

You might describe the smell of a space, the type of wood the floor is made of, the sound of work boots moving slowly across the room, a flashlight in the character’s hand. And there’s a dead body, laying in a pool of blood in the far corner of the room, red soaking into the rug. Then move on, what kind of rug is it? What is the color, patterns, and type of fabric of the rug?

Don’t linger on the details of the body, give your reader’s imagination some room to work while they digest the mundane you give them.

Dialogue is there to tell your story too

There’s a lot of advice out there about how to make dialogue more realistic, which is absolutely great: read aloud to yourself, put breaks where you feel yourself take a breath, reword if you’re stuttering over your written dialogue. But sometimes, in trying to make dialogue sound more realistic, a little bit of its function is lost.

Dialogue is more than just what your characters say, dialogue should serve a purpose. It’s a part of storytelling, and it can even be a bridging part of your narration.

If you have a scene with a lot of internal conflict that is very narration-heavy, breaking it up with some spoken dialogue can be a way to give some variety to those paragraphs without moving onto a new idea yet; people talk to themselves out loud all of the time.

Dialogue is also about what your characters don’t say. This can mean the character literally doesn’t say anything, they give half-truths, give an expected answer rather than the truth (“I’m fine”), omit important information, or outright lie.

Play with syntax and sentence structure

You’ve heard this advice before probably. Short, choppy sentences and a little onomatopoeia work great for fast-paced action scenes, and longer sentences with more description help slow your pacing back down.

That’s solid advice, but what else can you play with? Syntax and sentence structure are more than just the length of a sentence.

Think about things like: repetition of words or ideas, sentence fragments, stream of consciousness writing, breaking syntax conventions, and the like. Done well, breaking some of those rules we were taught about language can be a more compelling way to deliver an emotion, theme, or idea that words just can’t convey.

Would love to hear any other tips and tricks other people like to use, so feel free to share!!!

[exuvianen]

dating hc's with dr. ratio, aventurine + blade!

headcanons about what these hsr men do in a relationship witth you <3

cw: x reader, gn! reader (no physical descriptions), mostly fluff, sfw, headcanon style

notes: hsr brainrot… ahahaha... i hope i have a fairly good grasp on these characters and wrote them well. 

wc: ~1050 words, around 350 words per character. all under the cut!

feel free to drop an ask or to add on to my thoughts! likes + rbs are appreciated  <3

✎ Dr. Ratio:

He likes parallel play, or being alone together with you. He works on his own projects, like grading papers or writing a new thesis while you’re doing your own thing, like playing video games or reading. Occasionally, he might ask you for your input, such as ideas about his next thesis or what pose he should sculpt himself into next. 

He has a spare desk and chair for you in his office. You can choose to do work or entertain yourself there when you visit him and he’s still teaching a lecture, but feel free to take a nap on the plush sofa he bought just for you. 

He will nag you about your health but in an annoyingly endearing way. He fusses over you, telling you about appropriate attire for today’s weather, offering you an umbrella, and reminding you to drink water. 

He entertains all your ideas, no matter how silly or illogical. He’ll hear you out on anything you say, though he might have some very strong disagreements or objections to your ideas, especially if they are silly or completely nonsensical. However, he never turns you away when you bound up to him with a mischievous gleam in your eyes - he just sighs and prepares himself mentally to hear whatever goofiness comes out of your mouth. 

He’s your biggest cheerleader, supporter, and advocate. Though he may come off as intimidating, he is always willing to help advance your career or work. He has many connections and vast knowledge of the universe after all - why not utilize them for his beloved? 

He’s very good at dispelling any irrational thoughts in your head. If you’re panicking and your mind is disoriented, he’ll sit next to you and hold your hand gently, but firmly to ground you. He doesn’t speak at all when you vent out all your frustration, confusion, or anger - rather, he’s silently contemplative and then asks questions when you finish talking. He’ll indirectly guide you to a solution while gently calming you down as he dispels those pesky thoughts from your head.

He makes a custom alabaster head for you. 

♤ Aventurine:

A big fan of matching accessories and clothing. You don’t need to wear the exact same outfit, but he likes wearing complementary colors and jewelry to yours.

If you’d like, he’d be more than happy to bring you to casinos and public events with him. He wants to show off to you and let you witness his wit, talent, and skill like a peacock presenting its colorful feathers. 

He likes it a lot when you trace his skin through the spade-shaped hole in his outfit.

He hates the feeling of being vulnerable, but he likes being around you. This creates conflicting emotions inside of him. Oftentimes, he doesn’t know how to deal with it and just lurks by you. Pull him into a hug to quiet the voices in his head. 

He will send you packages or luxury items from the planets he’s visiting. You’ll be greeting a disgruntled Topaz or IPC soldiers at your door as they hand you various gifts ranging from limited-edition jewelry to flowers that bloom only once every 200 amber eras. He gifts extremely grand things, but he always knows how to find things that suit your tastes.

He’s a big spender on you. If you’re unused to the amount of money he’s willing to throw at you, he’s going to give you a lot of “exposure therapy” with his generosity. He’ll invite you to private auctions, lavish galas, luxury boutiques, and high-end jewelry stores. He’ll start filling your wardrobe with tailor-made clothes with the excuse that you should match his outfits when you attend formal events together, but his clothing contributions eventually infiltrate your closet pretty deeply. 

He enjoys being pampered and pampering you. Self-care nights are a must - as a representative of the IPC and one of the ten Stonehearts, he has to keep himself presentable and looking sharp, and that goes for his partner too! He’s more than happy to spend money to fund your trips to the salon or buy you any beauty products to use at home. He’d love to put on face masks together and share a drink or two with you. 

☠︎︎ Blade:

If you want to, and Elio’s script permits, he will bring you along on missions to safer planets. He’ll drop you off at a commercial district - feel free to go shopping or try out some novelty food while he wraps up his Stellaron Hunter business.

He likes getting his hair brushed. One of his favorite activities is sitting down and letting you comb through his hair after he cleans up from a mission. It’s an activity that leaves him vulnerable, but he doesn’t mind if it’s with you.

He’s an acts of service kind of guy. He moves to take your bags before you even say anything, holds open doors, and pulls out chairs for you. Brings you a cup of water and some fruit when you’ve been working for too long, and silently drapes his jacket over you when you shiver.

Tell him you like a certain pastry and he’ll show up every day and bring some. Show him a picture of a pretty flower and he’s boarding a spaceship to bring the flower to you personally. If you want something, he’ll do his best to get it.

He’s pretty quiet, but he’ll remember everything you say, what your preferences are, and what you like. He secretly writes it down in case his memory gets murky, and he’ll often reread his notes to remind himself.

He gives simple but traditional gifts to you, such as jade bracelets and pendants, and combs and hairpins if you have longer hair to wear or use them.*

He’ll treasure anything you gift to him. If you make an accessory for him, he wears it at all times. If your gift is small enough, he’ll stow it safely in his pockets and take it everywhere with him.

If family is important to you, he’ll send funds their way and ensure that they’re taken care of. 

As someone who’s often dead and then undead, his body can get stiff. He’ll enjoy it immensely if you massage him, and accompany him for his daily stretches and calisthenics. Even if you just hold him for a while, he finds that his muscles will relax from the warmth emitting from your body. Therefore, he quite appreciates having you physically near him.

* Combs, hairpins, Jade bracelets, and pendants were given as tokens of love and affection in Ancient China. These gifts have a deeper meaning/symbolism, but for the sake of post length, I did not write them all out. 

[jyoongim]

Hey I love your work so much! Could you please write about alastor with a wife who’s just like Jessica rabbit and ended up in heaven because she didn’t know about him killing but came down to visit him after meeting Charlie when she went up there. I just think I’d be wild for someone like Al to have a wife like that

AAAAOOOOGGGGAAAAA!!!! I could have written this in soooo many ways but i think its a bit like one i already wrote but I hope you enjoy nevertheless!!! @alientee

I highly recommend you listen to The Night We Met, Copacabana, and Why don’t You Do Right!!!! That’s what I envisioned for this one request!!!!

The meeting between the Princess of Hell and the Angelic council was a mess.

The Princess had a look of defeat, so you took it upon yourself to let her show you her hotel.

You prompted that you will be the one to go down and see if it were possible that demons could be redeemed.

I mean everyone deserves a second chance right?

You were talk even the worst sinner still possessed some sort of decency.

So you followed the Princess to her hotel to show you around.

Charlie was elated that you didn’t think her dream was just some fluck.

She asked you all sorts of questions. How you ended up in heaven and how was your life before you died.

”Believe it or not I was a singer at a gentlemen’s lounge. Oh darlin you should have seen me in my prime! Jazz, booze, and oh I had the sweetest husband.”

Charlie was shocked. I mean, yes you were breathtaking, but you really didn’t seem like the type to be tied down to some guy.

You giggled at her expression.  It was often the look men gave you when you refused their advances, happily boasting you were a taken woman and not some hussy that could warm their beds.

”Oh you’ll really find that the hotel has character. Our hotel manager might be a little…hmmm creepy but don’t pay him any mind” she said opening the door to the hotel to lead you through the lobby.

And character it did.

The interior was old-fashion but it had charm. A bit masculine for a young woman to run it,  but if the manager was a man, you could see why it looked the way it did.

You took a seat on a couch and waited as Charlie went to gather the residents so you would meet them.

You were slightly nervous. You were in Hell and hadn’t the slightest clue what demons even looked like.

You fiddled with your ring, how you wished to see your husband.

”Everyone we have a special guest so pleeeeaasssee be on your best behavior” you heard Charlie say.

You caught sight of a gnarly bar and the bartender, you smiled

”shot of whiskey on the rock love” Husker turned around and his eyes widened, yours did too “Why i never thought…Husker?!” You squealed happily, lunging across the bar to hug the demon. He smiled and patted your back, pulling away “Husker what ya doing down here?” He gave you a deadpan look, making you laugh. You then thought about it..

If Husker was down here then that…

”Charlie you should have said such beauty in our circle i would have cleaned up a lot better” a voice purred, making your head turn.

A tall spider smiled at you, giving you a flirtatious wink, which you sent back with a wave.

A little cyclone, a snake, and a seemingly human woman entered the room.

Charlie smiled “This lovely angel has decided to have a look around to prove Heaven wrong”

You introduced yourself.

”Now i know you’re not here long so Ill give you a quick-”

Charlie was interrupted by a radio-like voice.

”Don’t tell me you’re going to give a tour without me Charlie? You know we work as a team-” his words trailed off as he caught sight of you.

You stood, a happy smile on your face “Alastor baby!” You practically ran into his arms.

”Ain’t no way…”

”Noooo”

”oh welll that do make ssssennssseee”

”Pretty lady!”

everyone watched in shock as Alastor twirled you around, peppering your face in kisses.

”oooohhh my dear what a surprise this is!” He said hugging you. You heard a throat clear and broke your hold on him, turning to see everyone confused.

You gave a sheepish smile. Alastor beamed and hooked a arm around your waist

”Everyone this doll here is my wife! The prettiest thing that ever graced the earth!” You playfully slapped his chest.

Everyone's mouths dropped.

”WHAT!?”

You sat in Alastor’s lap as you told how you knew the red demon. Rambling on about how you two met and how your lives were like.

They just couldn’t process it.

YOU were married to Alastor. 

Married to the most feared Overlord in Hell. 

Wife to the Radio Demon.

How the fuck?

You were an angel? Literally and figuratively!

”How the hell did Mr. Creepy face fancy talk here get a broad like you?” Angel asked.

Alastor’s chest puffed with pride. His smile almost broke his face “with charm and wit my deluded friend” He said as he leaned his chin on your shoulder.

You giggled, it was always entertaining to see people's reactions to who your husband was.

You turned to Alastor,  lips pouty with a feigned upset look

”Now i been dead forever and not once have I seen you. Why? Why weren’t you in Heaven?”

Alastor stiffened, how was he to tell you that during your time alive he had killed many people just for the fun of it?

“Weeelll my dear I might have killed a few people” 

You blinked and then thought about it.

It kind of made sense, he used to be out ‘hunting’ at weird times of day, be gone at night saying he was working.

 You had a hard time getting stains out of his clothing.

That do explains some things.

”So do you regret anything?” He let out a laugh

nope. Not a single thing.

You shook your head “well since I’m heeeerrrrreee…why don’t we swing by juke joint, if you’re here, I’m sure Mimzy is here. I could use a good time. Its stuffy up there in Heaven. No fun at all”

Charlie perked “Ahh yes you must see how the sinners here are really like and what better than enagaging with them?”

Angel smirked “I know a place waaaayy better than some old booze lounge”

A club. You were at a club.

Your eyes honed in on a mic on the stage and it just happened to be open night.

You batted your eyes and just like that you were on stage.

The lights dimmed and you flipped through some songs to pick.

You might have been a bit old-fashioned but you were caught up on some of the modern singers that came through heaven.

The band nodded at your choice and you took hold of the mic.

With a twirl of your hand, you dawned on a 1920s theme look.

The gang mouths were jaw dropped as you started to sing, the audience was captivated. Catcalls and whistles filled the air.

Alastor felt static run through him as he sighed lovingly as you came down the stage and sat on his lap, mock fixing his bow tie as you sang. You teasingly nipped at his lips, causing his ears to twitch as you smiled going back to waltzing around the stage.

You smiled as bowed as the crowd exploded with cheers and applause as the lights came back on.

Ain’t no way Alastor had a bad broad like you, but the way you happily giggled as he whispered in your ear, pulling you into his chest…

There wasn’t denying it.

You held the Radio Demon’s dark heart.

His sweet, alluring wife

who would have thought?

[daenysx]

hello!! Your writings are amazing, can i get a james x female reader where reader gets jealous for some reason but she doesn’t say anything and james notices something is bothering her and just lots of fluff? Have a great day!!

i love how i can write fanfic with honest and dreamy characters, james is literally perfect for this! thank you for requesting lovely, i hope you enjoy

james potter x fem!reader

there's a girl at the party who wears your boyfriend's jacket.

you don't react because she's obviously james's friend. james stands next to her, talking to sirius and he doesn't see you standing at the door yet. you look around; you see remus drinking and talking to lily at the corner, marlene and dorcas are busy trying on a new lip gloss and they are clearly drunk. you don't think about the girl you don't know yet, maybe she's cold and james is so lovely, he gave his jacket without thinking anything-

well, there is something which you can't explain in this scenario. the girl keeps leaning towards james, her hand slowly makes its way to touch his arm. she's smiling, she keeps talking to sirius at the same time. she's leaning again, and again, until she presses her head to james's shoulder.

there's a pit in your chest, the possesiveness and the jealousy fill it cruelly. james looks dizzy, he flinches a bit, and he doesn't even look at the girl's direction. his eyes are on sirius, he laughs at him loudly but still it doesn't make you feel any better. she wears his jacket and she touches him, you are begging yourself to go get your boy but it's like your feet are stuck here. your lip twitches, you blink slowly until the ache in your chest lessens.

you take a few steps towards them, finally. james sees you and a huge smile forms on his face. he shrugs off, the girl backs off, james realizes there's an actual person on his shoulder. all of it happens in a second and suddenly you are pulled against james's chest, making an eye contest with sirius black.

"oh, hello." sirius says, he's clearly more drunk than james. "you look gor-geous."

you smile at him, james pulls you to his chest even closer. "thanks, siri. you look like you're having fun."

sirius gives you a charming smile. "i'm having too much fun mocking your boyfriend's new haircut, lovely."

"okay, stop flirting with my girl you dickhead." james says.

you still don't know who the girl is but that's because the boys haven't tried to introduce her. you fix james's hair. "i think it's nice." you say, referring to his haircut. he really looks good.

"yeah?" james whispers. "you like it?"

you nod, james leans in to kiss you. your lips meet halfway and sirius makes a stupid sound he always makes when you show affection in front of him. "ugh, it's like seeing my parents."

you smile, the girl and her hands are almost forgotten. she doesn't let you forget her though, she touches james's arm again and offers him his jacket back and smiles at him.

"thank you, james. i had a great time with you." she says. she makes a great job at ignoring you and your hand on james's back shakes. she leaves, james holds his jacket. you hide your face to his chest. you can't handle your boyfriend being so sweet and oblivious sometimes, you can't help but remember how she looked at james and how she tried to touch him further.

james still doesn't realize anything. he keeps talking to sirius, he thinks you're tired and that's the reason why you still hold onto him like you're hiding. you are not sure if you should feel this much of jealousy but she had his jacket and she touched him and she ignored you and she smiled-

"baby." james's voice interrupts you. "are you okay?"

you nod. "i'm fine. just tired."

"do you want to leave?" his voice sounds like he's sobering up, the effect of drinks slowly leaves his system as he sips ice cold water. you nod, he takes your hand and leads you outside. he passes your drunk friends carefully, you take a huge breath when your face meets the fresh air.

the street is quiet, james still holds your hand. you take another breath, looking at his eyes. you know he doesn't believe you when you say you're okay and act far from okay, but he doesn't push it. he just looks at you with his pretty eyes full of questions.

you can't resist, you can't hide anything from him for too long anyway. "that girl- um, she was wearing your jacket."

"yeah, she's an old friend from school. she said she forgot her jacket and she was cold."

you know he is honest, james has no reason to lie to you. "right." you say. "but well, i just noticed how she kept touching you and- it looked like she was trying to get close to you, i think."

james lifts an eyebrow. "wait, really?" he's cute when he tries to process what happened. "i mean, i don't know her intentions but- that's weird now that i think about it."

maybe it would be hard to believe if it were someone else but you trust james with your entire heart. you know he's open and honest with you all the time, you never had any reason to doubt him. he looks concerned right now, like he hurt you somehow. you squeeze his fingers. he pulls you closer to hug your shoulders.

"i'm sorry, sweetheart." he says against your hair. "i imagine how that must make you feel."

"it's not your fault jamie." you say back. "you were only talking to sirius, i don't even think you realized her touching your arm, you were a bit drunk, remember?"

james hums, your words help but probably because he tries to create the image you saw in his head, he frowns.

you tilt your head back to kiss his frown off. james accepts your kiss hungrily, he kisses you back with adoration. his hands cup your cheeks, thumbs rubbing your skin until you relax.

you give him a smile. "i love how nice you are to people."

james kisses your forehead. "i might be less nice, from now on my girl will be the only one who wears my jacket."

you blush, that sounds good actually. "james-"

"i don't want to see you upset. i'd be upset if i were you."

"thank you, baby." you say. "but you don't have to act differently, i love you exactly the way you are."

james thinks for a moment. "okay. then let's say i'll be more careful to understand people's intentions."

"let's go our home." you whisper. james nods with a kiss on your head.

you kiss him fondly on his cheek, your heart feels like it'll explode out of love. you smile, james's frown fully disappears. you hug him properly, putting your head on his shoulder, feeling his fingers on your hair.

[sleep-0-deprived]

I need a reader who's the one smitten to the male character(any)🙏

Reader pampers the male chara with love and spends things for him, but the male chara gets tired with the reader pampering him but just keeps on spoiling and pampering him.

Then one day reader visits the male chara's work place to pick up male chara only for his worker to flirt with reader, then male chara sees that and gets jealous then dragged him to his car then fucks reader to teach him a lesson that he should only be the one to be pampered and spoiled by reader.

then of course the male chara takes care of reader (after care) to apologize for being rough on reader <3!

- Btw ily your writings 🫶 ive seen many authors writing masterpieces and u're one of them! <3 (i still enjoy ur writings even if its smut and i appreciate you writing for us fellow male readers!)

His boy~ (jealous male character x pampering bottom reader)

A\N omg! You’re far too sweet to me with your praises! I really hope you enjoy I didn’t know what character to put so I just did a few I could imagine acting like this and you can pick<33

Car sex, rough sex, aftercare, neck biting, hair pulling, marking, bruises [character gets a little caught up in the moment and leave marks], anal sex, unprotected sex, semi public sex, handjobs [male reader receiving] <3

It’s no secret you were an affectionate guy, from making your boyfriend his lunches to writing him little love notes for work. Always eager to spend your whole check on him if he even mentions something he likes and you’re always so happy to buy.

Present day here you were happily walking into the front doors of your husbands job, ready to make it to the elevator and bring him his lunch that he insisted you “didn’t” have to make him.

Seeing your husbands co worker waving you wave back “hello Ryan” you speak in an Innocent tone when talking to him as he approaches with a wolfish grin looking you up and down staring from your waist to your hips with his gaze stuck on your ass but of course you didn’t notice you just kept rambling on about random things at one point talking about the weather, well that was until your boyfriend had started noticing you were here and to say he was livid with the way his co worker was staring was an understatement.

“Honey I didn’t know you were here?” Your boyfriend spoke in a soft tone looking over at you and Ryan seeing you holding his lunch as he stares “yep! I was bringing your lunch you must’ve forgot it?” You look over at your boyfriend as he waves to Ryan as he drags you away after all it was about time for him to get off and he was mighty impatient for you.

“I thought I told you to not worry about making my lunch?” He speaks a little worked as he drags you back into the elevator glaring at you silently all internally jealous and pissed about Ryan but not saying anything as he stands next to you “I know but I really wanted to bring you your lunch honey” you try to explain more but you couldn’t the next thing you knew was your arm was gripped tightly by him as he dragged you through his work lobby and out the front door pulling you to his car which was parked in a reserved spot in the dark parking deck “get in now.”

“Are you upset with m—“ before you can say much else you are shoved into the back seat pressing down with your back against the door as you get shut up by your boyfriends mouth on top of yours “lettin him look at you like that on purpose weren’t you baby?..” he grunts out his hand gripping hold of your belt as he grounds his hips to yours with him bitting on your bottom lip all jealous he doesn’t care about much more than stuffing his cock inside you.

“What are you talking about honey?~” his hands move down on your belt undoing it and tugging at the zipper of your jeans trying to get them down as he slips your boxers down fishing your cock out as it lays all soft on your thighs only making you look up at him confused “always were naive weren’t you?” Your boyfriend asks but doesn’t give you time to speak as his hand wraps tightly around the base of your cock as he leans down kissing you making you glad his car has tinted windows.

“Awh~ honeyy~” you whimper out trying to close your thighs and rock your hips into his hand as you moan into the sloppy kisses, your cock oozing pre cum all down your shaft making lubricant for his hand to stroke you with as your cock pulses and gets all stiff under his touch. “Like that’s? Hm?” He huffs out as he starts to stroke you faster being almost painful on your cock as you squirm against the back door tearing up at him as you shriek in pleasure feeling hot knots building up in your stomach.

“Close so close!” You open your eyes hazily trembling as your mouth goes agape, he snarls his lips coming off yours to bury his face into your neck as he starts planing wet kisses over your Adam’s apple holding his thumb to the bulbous tip of your cock pressing down a little to harsh making your eyes all doe like and tearful from the pleasure as the veins in your cock start to become more prominent under your boyfriends touch.

“Better hold it or when I fuck you, I won’t let you cum I’ll put the cock ring in my dash on you baby” your boyfriend speaks out being serous as his passive nature flairs up having you with your pants down in the back of his car as he uses his k nines to drag across your Adam’s apple digging them down into your skin nibbling at it despite his rough demeanor never actually biting hard enough to bring blood only biting to bruise your skin.

“H—Hng~!” You whine out loudly your cock becoming painfully hard in his hand “please! Please lemme cum honey!” You reach your left hand around gripping your boyfriends hair tightly as you hold his face in your leg lifting one thigh up onto his back seat buckling your hips back against the back door of his car as your plump lips part letting drool slip from the corners with your eyes all wide

“need to cum that bad baby?” He coos agaisnt your skin mocking and cruel with venom and lust in his tone as his hand holds the base of your cock a little tighter slipping his thumb off your cock head and onto the veins as he rubs them teasing your cock never giving you enough pressure to cum as his teeth let go of your neck letting the bite marks hit the cool air of his car.

“Yes please! need it so b-a-d” you hic the last part up as your tremble your nose scrunching up lewdly and your eyes closing letting a few tears loose “fine then cum on yourself for me” he hums amused with a grin watching you come all undone in front of him in the back seat of his car as your cock pulses harshly in his hand throbbing under his touch as rope after rope of hot cum shoots from you getting all over the leather seats as it spurts from your angry tip all thin as you do your best to hold open your thighs for him pouting before your boyfriend.

“Want me to fuck you now?” Your boyfriend cranes his head down a little to you as he asks. “Uh—huh” you can only hum out a response as you lay ready and willing to be stuffed trying to catch your breath from your orgasm as you heave laying against the back door of his car slipping your hand out of his hair trying to re adjust yourself.

“I’ve fucked you enough to not need prep, plus I think we both know that greedily little hole don’t care does it?” He murmured out in a grunt undoing his belt pulling at his slacks fucking his cock out of his boxers with it already rock hard ever since he was pulling you out of his job “yeah” you agree with you opening your thighs wider watching your boyfriend between them stroking himself fully hard spitting on his hand then using his other to spread your cheeks apart and spit on your hole making it pucker at the sensation.

“Deep breath for me baby” he growls not giving you enough time for anything as his cock head nudges your hole with him pulling your shirt up to your chest giving him a view of your pecs as his hands don’t their way to your hip using one to grip your thigh at a bruising strength lifting it up on his hip before snapping his hips forward bottoming himself out inside you knocking the air from your lungs making the car rock.

“O~h” mewling out in pain and pleasure as his cock presses against all your sweet spots with your rim stretched wide around his shaft feeling a burning pain as you twitch around him. “Mh always so tight baby” your boyfriend taunts out before he starts snapping his hips back and forth harshly thrusting making the pecs on your chest bounce back and forth the car rocking as you arch your back laying in the back seat with your leg lifted up on his hip and his other hand groping at your love handle diving his nails in harshly promising to leave a bruise.

“Hah~ honey please slow~” you mewl out lewdly pulling at his hair wrapping both thighs around him with your chin on his shoulders his face in your neck sucking at the skin and using his teeth to pinch it as he pounds into you with his hips slapping against your ass making your cheeks red as he presses you into his back seats with the only thing running through his mind was making you “his” using all his pent up anger at his co worked eyes to fuck you “fuck, take it all for me yeah ..”

“Ah- honey please~!” The car rocking back and forth with him on top of you making your cock pulse against yours and his stomach as your boyfriend grips your hips tightly nailing your prostate making your back arch laying beneath him with your hand in his hair feeling his cock pulsing roughly signaling him being close.

“Baby doing so good” he huffs out picking his pace up as the car windows fog up in the back making you cry out in pleasure with your thighs trembling on his hips and your eyes half lidded rolling into the back of your skull. “Mh yes yes oh!~” laying with your skin sweaty and your chest pressed bare against his button up as you lay with your shirt raise making your back stick to the leather of his seats as you get fucked feeling your boyfriends face in your neck biting at it gently nuzzling kissing and sucking at the already bruised skin.

“Close honey!” You mewl screaming out with your cock pulsing twitching between you two as your hole sucks his cock in desperately as it hits your prostate making his hips stutter “o-h fuck” he groans out shuddering with your thighs resting on his hips in the back seat as his tip twitches starting to cum inside you as each hot rope fills up your ass oozing out of you onto his leather seats as you tremble and shudder at the molten sensation triggering a reaction from your body as you start to cum again alll over yourself cumming all over your boyfriends pristine white button up.

“Did so good” your boyfriend pants out against your neck as he lifts his head up looking at you with his eyes half lidded and hazy all high on sex pollen between the two of you in the back seat of his car. “You can pull out now honey~” you whimper out sweetly as you nod feeling him slowly pull out of your ass, your hole all puffy and oozing cum onto his seats trying to clench and clamp around nothing.

“Here baby let me help” he whispers looking down as he reaches up front opening up his dash pulling out a few wipes to clean up his cum, willing down the seats as he gently pulls your cheeks apart cleaning your cum stained body “thank you honey~” you whimper out a thanks as you feel his hand on your stomach wiping off your cum. Your boyfriend’s hand traces down your body and wipes all the excess cum off your cock.

“I’m sorry I was so rough with you baby, I just got so jealous with how Ryan was looking at you..” your boyfriend pleads all sorry as he leans his head down kissing the bruises on your hips gently pulling your shirt back down and pulling his boxers back up trying to fix his slacks and buckle his belt back up. “It’s fine I don’t mind it…” you smile sheepishly laugh all flushed in the back seat pulling your boxers back up and zipping up your jeans searching around grabbing your belt as you slip it through the loops.

You slip into his passenger seat weakly moving as he gets into the drivers seat placing your hand in your thigh “how about we get you home and get you a bubble bath?….ill run it I’ll add the nice bath salts for your bruises?” He whispers a promise to you as he rubs your thigh gently petting it putting the car into drive pulling out of his jobs parking garage as you buckle up watching out the window when he turns onto the main road driving through the city leaving a promise of a night of being pampered by your boyfriend.

—Nanami, Choso, Kyojuro, Shiu, Kunikida, Aizawa, coach Ukai, William spears, Sir Crocodile

[artist-issues]

“At least it's not ferociously attacking God quite as directly as Steven Universe did…”

Not that I’m surprised by this statement, but can you elaborate on this? Kinda intrigued by your thoughts on Steven Universe.

Okie dokie, you’re not the only one who has asked me about this, so I suppose I’ll poke the hornet’s nest. 😅 I haven’t talked about this before because I assumed that everyone who wanted to hear my kinds of opinions on stories wasn’t watching or interested in Steven Universe.

It’s like asking vegetarian if they enjoyed a turkey dinner. The turkey dinner was so obviously not made for vegetarians to enjoy, so why would the vegetarian even bother analyzing the turkey?

But I think if some people are asking me why I think Steven Universe is anti-God (of the Bible) its because maybe they don’t know what the turkey is. Not completely. (Maybe not you, because like you said, you’re not surprised by my comment.) So I’ll explain my thoughts on Steven Universe.

If you’re just following me because you liked some stuff I posted, but didn’t realize that I’m a Bible-believing Christian and don’t want to hear about it, unfollow me now. Because I’m going to talk about some hot button issues here and the trolls will come out.

Steven Universe is really well-done. The jokes are funny, the writing is believable, the characters have great chemistry, great design, the concept is fascinating, the slow build-up and reveal of the plot elements is great. But when you watch the throne room scene in the last episode of Season 5 “Change Your Mind,” it’s alarmingly clear how much the whole show is not just settling for defending and championing the LGBTQ+ worldview—it goes all the way to attacking what Christians believe, on the other side.

Anything that’s pro-LGBTQ+ is doing that by default, but this show goes out of its way to do that.

You have to understand: God created and designed us. Deeper than that; He created and designed romantic relationships, and invented marriage. He didn’t just create love—He is love. So when humans come along and do what we’ve always done since the fall, and say, “I’d rather define what Your thing is and how it works for myself, God,” it’s not only an incredible slap in the face, it’s an attack on God’s actual identity—and it’s destructive for us and the people around us. Like a fish insisting it can breathe oxygen.

But Steven Universe goes beyond that. It knows that the Christian worldview is it’s biggest opposition. It digs right down to the heart of the worldview-battle. LGBTQ+ worldview says, “I should get to love what I want and be who I am, because I’m me. Love is love. (By which I mean, any action or relationship I choose to call love is love, because I’m the one calling it that.)”

Biblical worldview says “No, wait, you shouldn’t base your decisions on you alone; what you want changes day to day, and you’re broken, so you can’t ever be satisfied based on what you want—the Bible says God made you for something, and you rejected that, and it broke you. You’re not how you’re meant to be: even what you want and what you think love is is twisted up and can hurt you and others. But if you submit to God He’ll help you, He’ll fix what’s broken and give you new life by making you how you were supposed to be: He’ll live in you and through you.”

Are we beginning to get the picture?

See, the whole thing with the opposing views between LGBTQ+ and Christian people is as old as time. It’s not a new debate. It’s Satan and Eve in the garden. She says, “This is not how God said things should be,” and Satan says, “Are you sure that’s what He said? He knows if you do this thing, you’ll be like Him. You’ll be god: you’ll get to decide ‘how things should be’ for yourself.”

He lied and said that disobedience would satisfy her. That she knew what her own heart needed better than the God that made it did. That the very act of being imperfect would make her godlike.

And then Steven Universe comes along and says “if every pork chop were perfect, we wouldn’t have hotdogs.”

And has a cast of created being characters who’s imperfections (Garnet’s forbidden “love,” Pearl’s obsession, Amethyst’s insecurity) are supposedly “the best thing about them; what makes them who they are.”

And has a main character who used to be a part of the god-like creator relationship, but used her power to come down to earth and completely change who she is into a fully different person.

And has a godlike Creator character who claims she “doesn’t need” her created beings (just like the God of the Bible) but they all have a little part of their creator in them so she has to repress their imperfections; she holds them all to a standard that’s impossible to reach called “perfection” and punishes them when they don’t meet it even though it hurts them to try; she expects them all to do what they were created by her for; she fixes them when they can’t meet her standard by shining her light through them and making them extensions of their Creator.

And has a main character who argues, fights back, tries to stop her, and is answered with lines that sound surprisingly like what LGBTQ+ people hear when Christians argue with them: “you’re only making things worse; you’re just deceiving yourself; even while you resist it your actual light can’t help shining through,” etc.

White Diamond just wants everything to be perfect. Like her. She just wants her created beings to “be themselves.” But what she means is, be how she created them to be.

And she’s the bad guy. She’s playing God in this show, and Rebecca Sugar is saying, “If God is telling us that can only be happy by being perfect, as He is perfect, and doing what He created us to do, then He’s wrong. Our imperfections are what make us special—unique—individuals—free—and there is nobody who has the right to take that freedom away from us, not even out creator!”

And you know what?

If God were like White Diamond, like Rebecca Sugar believes Him to be, Steven Universe would be right.

But He is NOT.

God is not a dictator who forces us to conform to a standard of perfection and then smashes us when we don’t meet it. He is a King who made us perfect to begin with, and we rejected him, because He allowed us to do that. He knew that true love was love that had to be chosen, and He wanted us to love Him by choice, so he gave us the option. But Rebecca Sugar doesn’t understand—there was never “Choose God or Choose Yourself.” There was only, “Choose God or Choose Nothing.” There was nothing except God. Then He created everything. There is no version of reality where you have something better than God, or even slightly less good but different, to pick. You’re not jumping from one ship into a smaller one, but at least it’s yours—you’re jumping from one ship into a void, and then complaining that there’s no other ship. That’s humans. That’s not God. / White Diamond didn’t make her creations perfect (Amethyst) and she didn’t make them for love. She made them for power. That’s not the God of the Bible.

Even when we did choose to try and love ourselves instead of God, and therefore warped our ability to perfectly love at all, He didn’t smash us. True, everything fell and was cursed, which is exactly what He warned us would happen if we chose it, but it was a natural consequence of breaking ourselves. And then He didn’t leave us that way. He didn’t give up on us. And He certainly didn’t just zap us, snap His fingers, quick-fix it and turn us all into robots who are extensions of Him, who say they love Him but only because it’s His voice puppeting us to say it.

No. He came to us, chose to give up His life at the exact point on the timeline when Romans, masters in the art of slow, humiliating, torturous death, would be the ones to carry out His crucifixion, and saved us Himself. Through the sacrifice of His own life. And even then, we still have a choice. We get to choose to accept that incredible self-sacrifice when we don’t deserve it, and be given new life and a relationship with the Creator who knows us and loves us better than we can love ourselves or receive love from others—OR we can just keep stubbornly insisting that our slavery to the opposite of what God wants is somehow freedom, and our twisted versions of love are genuine, and we’re not broken, and die like that. Die broken creatures who lived their whole lives stomping their feet and screaming “I’m not a creature, I’m a god!”

White Diamond sacrifices nothing, because Rebecca Sugar doesn’t know the God of the Bible. She just knows her idea of Him. She’s never actually gotten to know Him. If she had, she’d learn how silly and twisted her idea is.

Because you know what, yeah, if every pork chop were perfect, we wouldn’t have hot dogs. But people aren’t pork chops. And hot dogs have flavor (not better than pork chops) but they are awful for you.

Christians aren’t perfect cuts of meat with no individuality or flavor. Just because we all know and love the same God doesn’t mean we have no personalities. It just means we don’t think so freaking much about what we are, or who we get to be, or what we like and want. Jeez, what a self-centered, narcissistic, self-obsessed way to live. She plays Steven like he’s this wonder-child, innocent and full of heart, who encourages his friends to love and keep trying. But honestly?

This is very pretty animation but it’s not real. Steven looks happy hugging Steven but self-love doesn’t ultimately get you that.

That’s all based on the premise that what he’s encouraging them to do is actually good, and will make them happy, and will help them love better. And it just won’t. Not in real life. That’s not how any of this works. Self-love is just self-obsession. And that is a sure-fire way to hurt you, and everyone around you.

You’ll never be free by choosing to run to a worse master. You’ll never be satisfied with your crappy attempts at loving yourself, because you were made to be loved flawlessly and forever by someone who is Love Himself.

And choosing to identify with your imperfections doesn’t make you uniquely you. It just makes you exactly like every other human being marching in the same line since the Fall.

White Diamond’s not relational. She’s up high and distant. That’s not God. He made you to be in relationship with Him. He loves you, totally and perfectly, and He proved it by sacrificing for You.

So yeah. That’s the problem with Steven Universe. Come get me, SU fans.

[weirdmarioenemies]

Name: F.L.U.D.D. (Flash Liquidizer Ultra Dousing Device)

Debut: Super Mario Sunshine

F.L.U.D.D. was Mario's first ever Platforming Buddy! Unless you count the Lakitu Bros. from 64, but they just operate the camera and don't affect Mario's platforming moveset, so I do not. So really, F.L.U.D.D. is- hold on, I really don't want to write every individual period each time I write its name. I'm just going to leave all the periods at the end of the post and you can put them where they belong yourself, or anywhere else you think is funny. Or you can keep them, I don't mind. Put them on a bagel and tell a friend they're poppy seeds!

FLUDD is a big deal. A landmark for the series in terms of mechanics. Not that these specific mechanics returned, but the concept of a buddy granting Mario some new abilities has become a recurring thing. FLUDD even talks, and is fully voice acted! In a robot voice! Like mine! A cute and silly little robot buddy for Super Mario.

So then... why don't I absolutely LOVE it? I feel like I should! But I'm just not getting that urge to imagine it driving a kart or playing tennis like I do with far less important characters. Does it work so well as a Tool that I have a hard time viewing it as a Character? Let's See!

I think FLUDD's design is honestly kind of perfect. The two massive screws that evoke eyes are really clever, and especially great is that they give it + shaped "pupils"! Aside from that, the nozzle's funnel shape is an extremely funny shape for a mouth, and FLUDD does indeed speak out of there. Excellent head! Though I feel like the excitement fizzles out once you look past the head, because the rest is much more "equipment" than "character". That's fine, this IS a piece of equipment! It just makes it feel less like a character, when I'd like it to have a bit of a balance of both. Maybe if the handles also functioned as little feet that it could walk around on? I don't know. Maybe that would be stupid... but I do love when creature designs are stupid!

FLUDD was made by E. Gadd, but that's all the backstory we get. We never learn why it was just there on the Delfino Airstrip, and that's really weird! The perfect tool to combat the game's main conflict is just there immediately when Mario arrives. It could have been a cool little mystery, but I guess the reality is just that some Pianta ordered it when the Goop Incident happened and got express delivery. Or maybe someone already had it and was just waiting for a calamity like this to happen, to justify the purchase!

I don't need to go over everything FLUDD does, right? I'm not the Super Mario Wiki, it's not my job! I'm here for the Weird. And a weird thing is that FLUDD freaken dies.

During the final boss against Bowser's Hot Tub, FLUDD starts stuttering, as if breaking down. And then in the final cutscene... it Dies! Mario goes to it, it tells him it hopes it was of assistance, and it dies. And Mario is sad, because this was his friend. But then in the very next scene FLUDD is back! Some Toads fixed it and it's fine now. So this ends up having the emotional impact of Mario needing to change the battery on his TV remote.

Even though it's our and Mario's friend, FLUDD is still an object, a product. It's technically not just FLUDD, but A FLUDD, one of many, mass produced. I have to wonder if it actually formed any bond with Mario, or if it was a one-sided friendship. Is it even capable of friendship...?

Whatever the case, the others absolutely consider FLUDD a friend, and well, that's just so sweet. During the credits we get to see some extremely compressed pictures of Mario and friends enjoying their real vacation, and FLUDD is there with them! It's not even on Mario's back anymore, or always WITH Mario, for that matter. Sometimes it's hanging out with Peach and some Toads, sitting there independently. I think it is safe to say FLUDD is a real true friend, and likes to just Hang Out sometimes! Even better, maybe it wasn't originally sentient, but learned how to love over the course of the adventure. Such a wonderful robot thing to do!

As expected, thinking in depth about FLUDD has absolutely endeared me to it. Hooray! It's about time. Well, it's too late for FLUDD to be relevant again, probably. I'm not saying it should be a driver in Mario Kart, but I AM saying there should be a kart based on it, and I'm also saying that this kart should canonically be the FLUDD, now upgraded. This feels like something that should have happened long ago!

This has been a long post, but it is far from all FLUDD has had to discuss! So next time, I will post about FLUDD once more, and its various appearances during the GameCube days and beyond! There is milk involved at some point. Get excited to learn what milk has to do with any of this!

Here are all those periods you were promised! I hope you like them.

....................................................................................................

[whumptober]

Anatomy of a Whumptober Prompt

We get a lot of questions about prompts, so I thought this might be a helpful post for how to break down a Whumptober prompt and get ideas.

Each day of Whumptober has 4 prompts: a theme trope, then three ideas. You can use any one, two, three, or all four in your work. Each day’s prompts loosely relate to each other but could also be taken individually. They can be interpreted as literally or figuratively as you want.

Let’s look at an example. I’m a writer, so I’m going to talk in terms of storywriting, but just remember that this challenge is open to all sorts of creative works, including art, gifsets, headcannons, crafts, or whatever else you can think of.

ICARUS

cage | “You'll say you'd never let me fall from hopes so high” | crash landing

(Fiona Apple, Never is a Promise)

So the theme is Icarus, with additional prompts of a place, a song lyric, and a situation. Taken together, you could write a story of Icarus, who was caged with his father Daedelus, flew too close to the sun on the hope of freedom, and crashed fatally to earth. But you could also look at each prompt in isolation for ideas.

Icarus:

themes of hubris

themes of freedom from captivity

winged characters

a child trying to prove themselves to a parent figure and failing

Cage:

being literally caged

feeling figuratively caged

breaking free of something (literal or figurative)

themes of imprisonment and freedom or false freedom

“You'll say you'd never let me fall from hopes so high”:

regret

promises made or broken

an accident and its aftermath

bitterness after betrayal

guilt after betrayal or accident

Crash landing:

literally falling from a height

being high (drugs, mania, medications, love, sugar) and crashing

plane/helicopter/airship/dragon/spaceship/winged creature crash

an angel falling to earth or hell

comet or meteor impact

This isn’t an exhaustive list, but just some brainstorming ideas I could come up with quickly. In a few of my fandoms, I could write about Bucky’s fall from the train and Steve’s guilt (MCU), Basch fon Ronsenburg’s fall from grace or languishing in a cage for treason (FFXII), Sephiroth summoning Meteor (FFVII), Chell being dragged back into Aperture after thinking she’s free (Portal), a dragonrider battle (ASOIAF/HoD), crashing into the Chionthar after victory (BG3), Geralt coming down after battle when the potions wear off (The Witcher). Any of these scenarios could be inspired by one or more of the four prompts for that day – my problem is always deciding which one I want to use!

“But Yenn,” you say, “what if I can’t think of anything for any parts of the prompt, or I don’t like the prompts, or they’re too much for me in some way?” No problem! We also have a list of 15 alternatives that can be substituted for any day (once per prompt). If you’re still stuck, you can always come on Discord and ask for brainstorming help. Everyone is super nice there, especially for a community of people that live to put blorbos in discomfort.

I hope this post helps give people ideas. We’re working hard to get everything together and should release the prompts in a couple of weeks! In the meantime, our 2024 playlist will be loading soon...

[bkd-b3ans]

You try to repair a watch, Boothill is being annoying as usual, you end up discovering his neurolink perfectly mimics human emotions.

-> Ship: Boothill X Mechanic!Reader (or just tech savvy idk the term really)

-> Rating: Safe for All

-> TL;DR: Boothill visits you after closing hours, nearly ruins a 5 million watch repair commission, stares for a bit too long while you work and overheats for a bit, ends up learning you live above your own workshop and you learn he gets flustered easy.

-> Extra notes: No idea where I will go with these, I just love writing stuff. Next one is going to be more about touching / feeling, but until then, you too can experience casual chatter. I do not proof read, whatever is written is in accordance to Ellios script, go meow at him. Take this "2nd" part as pure world-building.

-> Word count: 2k~ ish

-> First part: here

Thank you for reading and bearing with my awful English. If you have any prompts I would be more than happy to hear them.

"Pardner? Yoohooo~" Boothill was waving his arm like a manic from the front of the counter, trying to catch your attention, but you were too engrossed in your work, tinkering away with some expensive watch you were paid to fix, the tiny gears and springs neatly organized in your table in tiny boxes with labels, while you were hunched over the table, looking through a magnifying glass and listening to music, tongue almost sticking out like some cartoon character while you were trying to place the gear in its place carefully using some precise tweezers.

For all you cared, your shop was closed for the day, so why would anyone in their right mind, or that knows how to read a sign, would even bother you? Of course you didn't take into account a Galaxy Ranger that had a passion for annoying you at random times.

"Psst, hey, over 'ere..." he sighed, "Fudge this". Impatient as ever, Boothill just helped himself with one of the expensive motor oil cans in the counter and stepped around it, taking off his hat and placing it on your head.

The whole motion made you jump out of your skin, dropping the tweezers together with the very important, one of a kind gear, that you could barely notice while it was on your table, let alone on your floor, rolling off into the void like all of the pens you've lost throughout the years.

"WHAT THE FUCK, MY FUCKING WORK OF MY AEONS-" you took off the hat annoyed, hand still shaking from the scare and heart running laps in your chest. Shoving the hat into Boothills chest, you couldn't help but be angry at the man, sighing.

"Damn sugar-cube, didn't know ye were this jumpy. Ye should be more aware of yer surroundings you know?"

"What the hell does that mean. MY SHOP IS CLOSED BOOTHILL, CAN'T YOU READ??"

"Well, not your language no, it's all a bunch of jumbles and lines"

You looked confused for a moment before realizing that neither of you were from the same planet. You rubbed the bridge of your nose, trying to get rid of your furrow.

"Just, shut up and help me look for that gear. AND PUT THE DAMN CAN DOWN"

He raised his arms in defeat, putting down the can of motor oil and looking around your workbench while you were painfully looking for the gear with your magnifying glasses.

"Lotta' shiny pieces you have on the table. Are these really more important than your good old buddy, Boothill?"

"Unless you're willing to give me 5 million, then yes"

Boothill choked

"5 million?? For some beautiful watch?"

"What can I say, some people have more than they know what to do with. Now stop yapping and get on your knees, I can't see shit."

"Is that an invitation, darling?"

"... BOOTHILL!"

"Aye aye, don't get your feathers ruffled like this darling, just sit there and be pretty"

----------------

You couldn't help but be annoyed still, slumped in your chair, fiddling with your pen, while Boothill was looking around. How long has it been already, maybe a few minutes? Hours? Days??? Your work couldn't wait that much, and each ticking second felt agonizing. You were so close too, getting interrupted was the last thing you needed right now. You always had plans, a schedule, deadlines, you couldn't afford the unpredictability that is Boothill sometimes.

You almost got too lost in your thoughts before you heard a sudden thud, metal against wood, and a proud exclamation.

"Here it is sugar-cube, your pretty little thing... Cogwheel whatever. Now can you stop looking like someone spat in your food or do I need to repair this watch myself to make you happy?"

You could swear sometimes he was like a dog, a big doberman. For as scary as he could look sometimes, you couldn't help but be unable to push him away. All you could do was just let out an amused scoff, taking the gear piece in the palm of your hand, and gently placing it in it's box.

"No, no, you've done enough damage already. Why are you here even?"

"Just wanted to pay my best buddy a visit? What, a man can't do that no more?"

"No fixing your body? No maintenance work? Really nothing? Just a visit? Odd, thought you were a busy man"

"Oh I sure am sugar-cube, but sometimes even I need to sit down and relax."

"... In my workshop"

"In yer workshop, yes."

You sighed

"Fine, fine, stay for as long as you need, but don't touch anything that is in this-" you motion around your workbench "general area"

He tipped his hat in acknowledgment

"Aye aye, I'll stay put, fudge me, you can be very serious sometimes."

"5 million"

"Right yes, that's understandable."

You went back to work, trying to finish placing the last pieces inside that damned watch, headphones back on your ears. Boothill was simply slumped on the couch you kept around the waiting area, that barely saw any use to begin with. He was just looking around, bored out of his mind, the silence really starting to get to him. On occasion he's throw you glances, looking like a kicked puppy only to be met by your back either way. Yet he couldn't help but notice the few tics you had, tapping your foot, humming to yourself from time to time, arranging your hair by shaking your head around, and just how damn beautiful you looked in that dim warm light.

By no means we're you prettied up and groomed, after all, working with machinery all day will just lead to one always being covered by oil or sutt, clothes messy, the tools around your belt loud and heavy, but to him, it was part of the charm. The passion you had for what you did, the care you treated everything with, even his own body when it needed repairs. Sure, you two may butt heads more often than goats, but you were the reason he kept making his trips back to your workshop for any needs. He trusted you, felt comfort in your presence.

He could feel his insides start to heat up, his mind trailing off. Sure, he couldn't blush for the love of him, after all blood stopped flowing through his body long, long ago, but his body still reacted from time to time to strong emotions, and now it was no different. It felt, uncomfortable almost, a strange emptiness in his metal gut. Maybe it was the bullets he snacked in like some chips, or maybe it was more than that. He just simply pulled his hat over his eyes to focus and calm down.

-------------------

Finally, after so many hours, you were finally done, the watch ticking gleefully, almost as if happy with it's new look. You sighed in relief, finally placing down your headphones and slumping in your chair, pulling your glasses up.

"Finally... I swear they are trying to drive me insane with all these new 'trinkets' that have way too many small pieces for their own good. How you holding up, Boots?"

"Fine as ever sugar, bored out of my mind, but rested"

"Yeah, I can see that, you've already made a dent in my couch"

"Hey, I helped ya find that gear for free, can't I get some more respect"

"And who's fault was it that I dropped it?" You said, raising your eyebrow.

"Aye aye, sorry 'bout that."

There was a moment of pause

"Say, partner, you've messed around inside my body for a while now. Do you know if there's any functions that might mimic proper human emotions?"

"Human emotions? Hmmm"

You thought for a moment, trying to remember if you've seen any kind of code that might do that.

"I don't think I've seen anything like that, but I've also never like, actually paid attention. There may be some functions that mimic that, after all, you might need them to think and work properly. Why?"

"Ah, nothing important, was just wondering."

"I can always check if you want. Of course, for a price"

He couldn't help but scoff, amused "You were never free eh?"

"Someone has to eat"

"Sure, sure. I mean why not, might as well get this mystery solved, since I'm here and have nothing better to do."

"Then come with me"

You both went inside your garage, Boothill already used to all the steps, laying down on the weird table chair as he put it while you connected the cables to the back of his neck, opening the hologram screens.

"Let's see..." you rubbed your chin, pacing around while moving around screens, trying to find anything remotely similar to what Boothill mentioned, but it was rather hard. Every line kept changing dictating different functions every moment.

"Hmm...."

"Anything the matter?"

"No, I just realized why I might have never seen that kind of function. Your neurolink is adapting to everything you do, so it's changing constantly. I think the only way to spot anything us to trigger whatever made you so curious about your 'emotions'"

"Trigger em? And how the fork do you plan on doing that?"

You thought for a moment, moving next to Boothill, dragging the screens along with you. You didn't really give a warning as you poked his chest with a screwdriver, noticing some changes.

"What in the beautiful sky are you doing?"

"There it is" you just pointed at the screen at the suddenly changing lines.

"Your body reacts to your mental state. Right now you are confused"

"I sure as warm lake I am, you're poking me around with a screwdriver."

"What else would have you wanted me to do? Touch you with my own hands?"

He was about to say something, but you grabbed one of the screens, squinting at it.

"Getting flustered, Boots?" You could almost feel your own smug smile forming on your face.

"Flustered? Please, you'd think I'd get 'flustered' from just a check-up?"

"Bashful... Interesting"

"Hey! Stop saying things and answer me, sweetheart"

"And annoyed. Yeah, you do seem to have those functions, and they're damn advanced to mimic human emotions. Guess you aren't just metal after all. You still have the ability to feel. It's interesting how this changes..."

You got too focused on the lines of code, not paying attention to how you started leaning against the table, your hand extremely close to Boothills, fingers almost touching. Sure, you were just staring at the lines changing, but Boothill was staring at your hand, annoyed almost that he couldn't just grab it, only to be confused over why he was annoyed. You just chuckled to yourself and pushed the screen away, unplugging the cables.

"Well, mystery solved, your neurolink functions exactly like a brain and it sends the proper signals, so your body will be affected by your emotions."

"Great-" he rolled his eyes, standing up and scratching the back of his head "You need a new table, this one is forking uncomfortable."

"I don't take feedback"

"Yeah yeah, whatever you say darling." he just hopped off the table, adjusting his hat.

"H-"

"1k credits"

"Damn, let me finish at least. Fine, you know the drill"

"Nah, I'll let it slide this time. Getting to check your internals can be fun sometimes" you patted his back

"I'll go home, unless you want to guard my shop, you should leave too."

"You don't just live in your workshop??"

"...what...?"

"You know, like, I've always only seen you here, where is your home even."

"Oh... Oh! I guess you can say that? My home is upstairs, I bought the whole building when I opened so everything on the ground floor is the shop, upstairs is my place."

"Ok that makes sense... Can I-"

"No"

"Fine fine, I'll go my merry way then. I'll see you next time partner, and thank you for the free check-up"

"Don't get too used to them"

He nodded, tipping his hat and leaving.

[megs-mostly-past-random-fandoms]

The Strongest Cullen

Based on this request:  I loved your Jasper headcanon! Could you write a fic with it? Like Jasper meets his mate, but she’s human and he’s scared he’ll hurt her because of his strong blood lust. After they get to know each other, the reader tells Jasper what she thinks(your headcanon) and that she knows he his stronger than he thinks and that he won’t hurt her.

Here you are! I apologize for the wait! Familiar characters are NEVER mine!

Fandom: Twilight

Warnings: Mentions of vampire diet(I mean, it's Twilight), Jasper is an anxious boy. Fluff!

Pairings/Characters: Jasper Hale x fem!reader, mentions of other Cullens, specifically Emmett.

Carlisle frowned at the look on his adopted son's face. While Jasper was always tense around humans at school, he had never come home looking so morose. "Jasper?" The blond looked at Carlisle and sighed. "My mate…is human." It didn't take long for Carlisle to catch the drift. "And you're worried you'll harm them?" Jasper nodded which caused Carlisle to ask about the bloodlust around the mate.

       "I don't-I don't feel the need to drain her. Really, I hardly feel the bloodlust around her, but what happens if an accident happens to someone else while I'm around her? I'm the weakest link, we all know that, especially after what happened with Bella. If someone else is bleeding around us, I can't guarantee she won't be hurt as well."

       Carlisle smiled a little and patted his son on the shoulder. "Jasper, I really don't think that will happen. If you don't feel the bloodlust with her, it's possible that she will actually be able to calm you. Maybe you should give her a chance. You know mates, true mates, are a rare find. You should give it a chance if that's what your heart is telling you no matter what anyone else says." Carlisle left Jasper to think on what he'd said.

*time skip*

       Jasper couldn't fight his smile as you laughed after beating Emmett at Mario Kart…again. "I told you, Big Bear, you cannot beat me," you said with a giggle. Emmett pouted playfully and you leaned back into Jasper. A smile made its way to Jasper's face. He was more than happy that he gave loving you a chance. Still, he worried that something would happen to you. You were, by nature, fragile compared to him.

       "What's on your mind, handsome?" you asked, carding your fingers through his hair. Jasper sighed before standing and reaching his hand out to you. You didn't hesitate even a moment in taking his hand. Jasper led you up to his room and closed the door. For a moment, Jasper said nothing. He had no idea how to approach this with you.

       "Jasper? Are you okay?" you asked, looking up at him with such concern, the vampire melted. "There's something I need to tell you," he whispered. You sat down on the bed that Jasper, unbeknownst to you, had purchased simply so you would have somewhere to nap when you visited.

       "Okay. You're scaring me a little so just…get it over with." Jasper chuckled a little to himself. If you were scared now, he could only imagine how scared you'd be after he told you. "I-that is-my family and I…we're not exactly normal." You snorted a little. "No shit. What's normal about being so damn beautiful it should be illegal? Or never, and I do mean NEVER eating even though your mom cooks like a gourmet chef? Or the fact that none of you look like you get any sleep? Or the fact that I'm always so calm around you?"

       Jasper heard his family laughing downstairs and sighed. "Beautiful, you are not making this easy," he joked. You gave him a smile and took his hand. "I'm sorry. I was trying to lighten the mood a little. Whatever it is you have to tell me, I'm ready to listen."

       "We're vampires." The words just came out, as easy as breathing. You blinked at him for a moment and for that moment, Jasper couldn't feel any emotion coming from you at all. It frightened him, honestly. But then as suddenly as it happened, you were back. "Vampires? O-Oh okay. Well that explains…a lot actually." Jasper couldn’t feel any fear from you. Just curiosity.

“I can feel that you have questions. Ask,” he stated. He wanted to get this over with, just in case you chose to break his heart. You pondered for a minute as Edward’s laughter drifted up to Jasper. Clearly the mind reader had heard something funny in your thoughts. “So you’ve got some vampiric powers or whatever, right?” Jasper nodded and a slight frown made your brows furrow. “Does that mean Emmett’s been letting me win Mario Kart?!” 

Jasper stared for what felt like an eternity. Then, before he could stop himself, he began laughing. Really laughing for the first time in a very long time. “Really?” he asked between laughs, “I tell you to ask questions and that’s what comes to your mind?” You shrugged a little. “Look, I expect to cream your brother at video games fair and square.”

“You, Darling, are something else.” You beamed and gently tugged at his hand so he would sit down next to you. “Got you to laugh, didn’t I? Jasper, if you thought I was going to run, then you clearly don’t know me at all. We’ve been together for what, eleven months now? If you were going to hurt me, you would have already.” Jasper’s smile dropped almost instantly, but he replied, “There’s more. Some vampires have…gifts.”

“Since you’re telling me this, I assume you’re one of those vampires?” He nodded. “I am. I’m an empath. I can sense and influence anything anyone is feeling. Sometimes it even happens by accident. Edward’s a telepath.” It was in that moment your face finally showed fear, but that conflicted with what Jasper was feeling from you. 

“Y-You mean Edward can read minds? Like every mind?” Jasper confirmed, but mentioned that Bella was the exception. “Oh that’s…not good.” Jasper arched a brow and smirked a little. “Don’t look at me like that. You are insanely good-looking and there may have been a few…not so innocent thoughts a time or two.” Jasper shook his head fondly and chuckled. “Really though, why are you telling me this now? Has something happened?” Jasper denied it, but replied, “It’s only a matter of time though. I-I’m not as…strong as the rest of my family when it comes to our diet.”

“Your diet?” you asked, squeezing Jasper’s cold hand a little tighter. “We feed on animals. It sustains us, but not as well as human blood. I’m newest to the diet besides Bella and have struggled the most. I’m a weak link.” Your confusion grew in an instant. “Why do you say that? Do you think you’re dangerous to me? Do you want MY blood?” Jasper immediately denied your thoughts. “No. I just need to warn you. Accidents have happened around me. I don’t want you to get hurt because of me.” He then proceeded to tell you what happened with Bella and you asked a few questions.

Once you’d gotten your answers, you sat in silence for a little while. Jasper felt your emotions, confusion, curiosity, love, devotion. No fear, uncertainty, or disgust. That was a good sign. “What are you thinking, Darling?” he asked after a few minutes. “I don’t think you’re weak, Jasper.” His eyes widen. Had you not heard what he said? “What?”

“Think about it,” you told him, “You’re an empath. You said yourself that animal blood doesn’t satisfy as well as human blood.” At his nod, you continued, “Well then, it stands to reason that, when Bella gave herself that paper cut, you were all feeling some form of thirst, right?” Again, Jasper agreed. You nodded like you’d just solved a great mystery.

“There you go! You weren’t just feeling your own thirst, Jas. You were feeling Alice, Emmett, Rosie’s…everyone else’s as well. The thirst of seven vampires hitting you all at once. No wonder you snapped. You are absolutely not weak, Jasper Hale. In fact, I think you’re the strongest person I have ever known.”

Your impassioned words left Jasper speechless. His eyes filled with tears that would never fall. “I don’t deserve you. You are too good for me. You understand so much more than I thought you would. You’re compassionate and brilliant and I think I…love you, Y/N,” he admitted when he felt like he could finally speak again. You beamed at him. “Nonsense. You deserve all the love I have to give. And I love you too, Jasper. Fangs and all.” He rolled his eyes as you giggled.

(a/n: I hope you like it!)

Forever Tags: @fizzyxcustard @supernatural4life2022 @asgards-princess-of-mischief

Twilight Tags: @awesomebooklover17

[writingwithcolor]

Author with cultural disconnect: How do I write without making it seem as if I hate my own heritage?

Anonymous asked:

I’m a white-passing Asian author, and I’ve never felt all that connected with my heritage. My current story centers on a fairy (re: fantasy-world POC) child and ends with her realizing that her parents are toxic af and her human best friend’s family takes her in. This is the perfect opportunity to sort through my own issues with my heritage and finally convince my monkey-brain that it’s okay to not know how to cook Vietnamese food or celebrate tet or speak Vietnamese… But I also realize that if I’m not careful, this could easily slip into “Hey, I hate my heritage and so should you!” So how can I stop that from happening?

Writing for yourself first, not an audience

I ask you a simple question: why put pressure on yourself to have any sort of non-offensive messaging for a story that hasn’t been drafted yet and is to convince your monkey brain it’s okay to exist as yourself?

That seems like the fastest way to stop the story from being actually cathartic and instead a performance art piece when you already feel hung up on performing as “properly” part of your culture.

As I said in Working Through Identity Issues and Other Pitfalls of Representation, not all stories you write need to be for public consumption. Especially stories you’re using for your own self-processing and therapy, because you’re trying to get a cathartic moment that is rewriting your own story.

At what point does the public need to be involved in that?

I do understand the compulsion to want to post—I have definitely posted some Questionable™ material in my drive to get validation for feeling the way I do, wanting people to witness me and say “same.” It’s a powerful urge. Sometimes it’s worked, but most of the time it’s just made me feel horrifically exposed.

But you really do not have to post in public to get any sort of validation. Set up a groupchat with friends if you want the cheerleading and witnessing—people who will know your story and give you good-faith interpretations and won’t accuse you of anything. Honestly I’d suggest setting up this groupchat anyway; as someone who just got one again after quite a few years without it, my productivity has skyrocketed from being around supportive people.

Let the monkey brain have its monkey brain moment and shut off the concept the story is for the public. Shut off the concept of performing for an unknown audience. It’s for you. Be authentic, no matter how bad it would look to outsiders. They’re not reading it. Part of getting catharsis, sometimes, is being the worst version of yourself, somewhere nobody else can see it.

Deciding to publish the work

If, after you do write it, you find that you actually do want to polish it up and put it somewhere… edit it. Rewrite it entirely if that’s what it takes. Take the story through the same drafting process every story needs to go through, ripping out the unfortunate implications as you go.

Editing can be its own form of healing, as you try to figure out what this character would need to not be hateful. As you realize, once this longform journal entry is out of your head, what was bothering you now that you can see it pinned down on a page. But you absolutely do not need to write with the intention of editing in that healing. When I’ve tried, it’s fallen flat.

The healing will come from being yourself, no public involved, and writing about your feelings in their rawest form. Anything else is extra.

There’s no point in trying to put guard rails on the drafting process, not for a deeply personal piece. And by the time that drafting process is done, you’ll likely have specific scenarios and contexts that you can ask about, and you might even have ideas on how to fix it yourself once the story has a shape to it.

This is 100% a situation where there’s no real sense in idea workshopping something in the plotting stage. You’re doing something for you. Decide if it’s for public consumption later (while acknowledging “no” is a perfectly valid answer), and only figure out how to make the story not overtly harmful if you decide to put it out into the public.

~ Leigh

[emeryleewho]

I've noticed that people take writing advice way too literally and then get really mad about it, so here's a quick guide of what the typical "bad' writing advice is actually trying to tell you.

[Note: you don't have to take literally any piece of advice. It's just there for your consideration. If you hate it, leave it and do things the way you want. But the reason all of this advice is regurgitated so often is because it has helped a lot of people, so it's okay if it's not for you, but it may still be life changing for someone else.]

Write Every Day

"Write every day" is NOT supposed to be a prescriptivist, unbreakable rule that dictates anyone who doesn't write literally every day isn't a real writer. It's supposed to be a shorthand way of saying "establish a writing routine. Get used to writing at certain times or in certain places or in certain patterns, both so that you can trick yourself into writing even when you don't feel like it by recreating certain conditions, but also because if you only write "when you're in the mood", you may never get around to finishing a project and you likely won't be able to meet publishing deadlines if you decide to pursue publication."

The point of this advice is basically just to get used to seeing writing as part of your daily routine, something that you do regularly. But if you decide you can't write on Tuesdays or weekdays or any day when you have certain other activities, that's literally fine. Just try to make it a habit if you can.

2. Show Don't Tell

"Show don't tell" DOES NOT AND HAS NEVER meant "never state anything plainly and explicitly in the text". Again, "show don't tell" is a shorthand, and its intended message is "things tend to feel a lot more satisfying when your reader is able to come to that conclusion on their own rather than having the information given to them and being told they just have to accept it." It's about giving your reader the pieces to put the puzzle of your book together on their own rather than handing them a finished puzzle and saying "there. take it."

So if you have a character who's very short-tempered, it's typically more satisfying that you "show" them losing their cool a few times so that the reader can draw the conclusion on their own that this character is short-tempered rather than just saying "He was short-tempered". Oftentimes, readers don't want to take what you tell them at face value, so if you just state these sorts of details, readers will push back against that information. People are significantly more likely to believe literally any information they are able to draw conclusions on without being told what to believe, so that's where this advice comes in.

3. In Medias Res

This one is so often misunderstood. "In medias res" or "start in the middle", DOES NOT MEAN to literally start halfway through your plot. It also DOES NOT MEAN that you should start in the middle of an action packed scene. It just means that when you start your story, it should feel like the world and the characters already existed before we started following them. It shouldn't feel like everything was on pause and the world and characters only started acting the moment the story begins.

This is why starting with a character waking up or something similar can feel jarring and slow. We want to feel instantly compelled by your character, and the most efficient way to do that is [typically] to have them already doing something, but that something can be anything from taking a shower to commuting to school to chopping off a dragon head. We just want to feel like the story is already moving by the time we enter.

4. Shitty First Drafts

The idea that you should let your first draft suck and not revise it as you go is a tip presented to combat the struggle a lot of people have with not being able to finish a draft. If you find you've been working on the same first draft for five years and barely gotten anywhere, you might want to try this advice. The point is to just focus on getting to the ending because finishing a draft can give you renewed energy to work on the book and also makes it easier to get feedback from readers and friends.

That said, if your story is flowing fine even as you go back and make edits, then don't worry about this. This is advice specifically designed to target a problem. Likewise, this doesn't mean that you can't clean up typoes when you see them or even make minor edits if you want to. It just means not to let yourself get completely bogged down by making changes that you never move forward.

A "shitty first draft" also doesn't mean that your story has to be completely illegible. It just means that you shouldn't let perfectionism stop you yet. I see a lot of people say "well, I can't keep going until this first part makes sense", and that's totally reasonable! Again, the point of this advice is just to get you out of that rut that keeps you from making progress, but if you spend a couple weeks editing and then move on or you find the book is still making forward strides while you edit, then you're fine. You don't need this.

5. Adverbs

The idea that you "shouldn't use adverbs" DOES NOT MEAN that any time you use an adverb, you're ruining your story. It just means that you shouldn't *rely* on adverbs to carry your story, namely in places where stronger verbs or nouns would do a lot more heavy lifting.

For instance, you can write "she spoke quietly", but generally speaking, that "quietly" there is a lot weaker than just subbing out this clause for "she whispered". You probably have the word "spoke" all over your draft, so subbing out one instance of it here for a stronger verb in place of the same verb + an adverb makes for stronger prose. This doesn't mean that you'll never want to use the phrase "spoke quietly" over the word "whispered". For instance, if I write, "When she finally spoke, she spoke quietly, like that was all the volume her weakened lungs could muster." In this case, I'm using "spoke quietly" specifically *because* it echoes the previous spoke earlier in the sentence, and it evokes a certain level of emotion to have that repetition there. I also used it because she's not actually "whispering", but trying to speak at full volume only to come off sounding quiet.

So when people tell you to cut adverbs, they're saying this because people often use adverbs as a crutch to avoid having to seek out stronger verbs. If you're using your adverbs intentionally, having considered stronger verbs but ultimately deciding that this adverb is what does the job properly, then there's nothing wrong with using them. This is just a trick to help you spot one common weakness in prose that a lot of authors don't even realize they have.

6. Write What You Know

This is potentially the single worst-underestood piece of writing advice. "Write what you know" DOES NOT MEAN to write only what you know or that you have to put all of your life's knowledge on the page. It just means that drawing from your own experiences and already there knowledge will help you craft a better story.

So, for instance, being an eye doctor doesn't mean you have to write a story about an eye doctor. It doesn't even mean you need to write a story that directly deals with any eye knowledge. It just means that there are likely things you've experience as an eye doctor that can help inspire or inform your story. Maybe you remember a patient who always wore the same yellow shoes, and so you include a character who does exactly that. Maybe you spent a lot of hours dealing with insurance so you decide to write about insurance agents. Maybe your practice was located next to a grocery store so you decide to write a zombie apocalypse story that takes place in a location inspired by that shopping center.

The point is that, as people, our lived experiences allow us to relate to other people and craft more believable worlds. So don't limit yourself to your lived or experience or feel obligated to only write the things you've done, but when you find yourself wondering what to write about next or how to give a character more depth or how to describe this random location, pull things from your life and let what you already know bring a certain level of unique you-ness to your writing.

And the MOST important advice I can give you is to stop looking at writing advice as some holy, unbreakable rules passed down by the gods that you cannot ever deviate from. And if a piece of advice sounds totally bonkers, do some research on it. There's a good chance that whoever's passing it to you has no idea what they're talking about. But even if every other writer swears by a certain piece of advice, you absolutely do not need to take it. Try it on if you want, and throw it away if you don't, but stop making yourselves miserable by letting random internet people dictate your life. Most people giving advice on the internet aren't where you want to be anyway, so don't expect them to be able to guide you somewhere they've never been.

Everything's made up, and nothing matters. Write what you want.

[netherfeildren]

How to Endure Ardor:

Pairing: Joel Miller x F!Reader

Summary: Joel teaches you how to love him.

Rating: Explicit 18+

Content Warnings: Post outbreak; QZ Joel Miller; I'm saying this, but the setting is sort of ambiguous anyways, Stream of consciousness, Character Study, Alternating POVs; PIV sex; The troubles and toils of breaking up and then making up with a fucked up old man; Uncaring Joel; Mentions of painful sex; Toxic relationships or situationships or whatever you want to call it; I think I'm addicted to the idea of a Joel who'll never love you and I should probably see a doctor about it

A/N: she remembers how to write, who'd of thought!

Word Count: 1.3K

Read on AO3

This is a lesson:

“Tell me again,” she says, and it’s a begging.

A begging like what? Something that carries shame and smallness in the shape of it. Stay a little longer. It humiliates him for the wretchedness it pulls from him. Joel, please. Seeping blood the color of her supplication. Please, she says, please. And who else says please to him anymore? Who asks him for anything anymore but her? The only ones who ever had are long past and gone, and he can’t even barely remember they were ever really there to ask anything of him to begin with—can’t remember what it feels like to owe someone something and want to give it to them in a way that will actually make him. 

Tell me what again? That I want you? That I’ll stay? That I love you? I’ll come back, he says instead, the only thing he can promise and keep. And he wonders if it humiliates her too, the way he lies, the way he runs, the way he swears, the way he always comes back and comes back but never returns with the things she needs. A humiliation just like it is a begging. 

The thing they have: it’s strange, fickle, honest in its lies, very, very ugly. An ugliness that is shocking in a world gone to rot already. The sky doesn’t shine anymore and they bask in it. 

But also, and, the thing they have: it’s physical, saving.

This is obvious too, even if only to them.

He slides inside and you’re what? Hot and wet and slick, and—yes, a thing like a dream, but still only a thing. Something to have, something close to desire, but not quite, more like biological want. Woman turned possession. In his mind this is an excuse, a reason, a begetting. Like, what—like what? Like when you want a thing very badly but it is very bad for you, and you need to make up any excuse to have it, lie and lie and lie—to your mother, your best friend, the mirror—a begetting like that. Easy to understand only if you’ve been there. 

It started simple, it started like nothing, it started like the first time you meet someone and you know they’ll matter, you know they’ll mean something. So it started like what? Like a lie. 

Shifts at the QZ, long and toiling and reminders of the sort of life that died in an outbreak of monsters, only if for how unlike that past it was. Humans or fungus or—

—men who hurt—you, men who refuse your love, Joel Miller.

The crutch of your age, of you being weaker or smaller or in need, him being easily felled, wooed, easily conquered by something young and given without a try because there was never the opportunity for trying before. 

Now, it is like this: you take my cock and you take my come and you take my nothing, and I give so little and yet you still find a way to take and take and take, leech of a girl, dream of a girl, hungry. And with the excuse that it’s only in a way you contrive for your own self. But in the end, what does that make you? What do I make you into? 

These are the things he asks himself. 

Perhaps she goes away for a time, tries the route of escape, of variety. But when she inevitably comes back because addiction is riddled always in the same sorts of ways: did you try different bodies? Did you try different flavors and sounds? Did you look for me in all of them? 

The answer is usually yes.

At reunion’s turn: he rolls her over to face her, Joel, damp and panting and trying to be something—perhaps better, more honest—after a season of variety and honest attempts and shut eyes. He’s so hard for her, always is. 

Again: he slides inside and you’re what? His, undeniably. Not yours. Something to want but not desire because it’s too romantic a notion, and yes, there’s a difference even if he can’t put into words what that difference specifically is. Body and heart, perhaps, definitions that differ between disparate anatomical parts or levels of deniability. 

Nothing either of you have ever been able to put into words when lust and love aren’t things you can even say out loud for the shame of them, even if they exist within said same anatomy. 

You come together, the season passed, the separation passed but still kept at hand for the next time the closeness becomes too much. 

“Tell me again,” she says, and this time he remembers what she’s asking for.

“I fucking missed you, baby. Missed this pussy.” Because he can’t say it’s her heart he missed. Because Joel Miller does not have honesty in his arsenal. 

He spreads you wide, knee to shoulder so it hurts and pulls, so it’ll be sore and reminding tomorrow. The slap of his pelvis against the back of your thighs is obscene, wet and lewd, a string of girl cum keeping you connected, such togetherness, curve of your ass to the root of his cock—the two of you are together again. 

You know what I thought, when I tried to go away, you say. He doesn’t want to know, but he doesn't tell you so either, only slides in again, the mouth of your womb right there, threatening. I’m never going to feel like this again, and I hate how certainly I know that. He wonders if the unsaid part is that he’s the recipient of that feeling, the hate. 

He wonders if the pinch inside him is hurt. He wonders if the throb is love. 

All he says because he can’t say the rest is, I missed you, I missed you, and if he could look himself in the mirror—something that’s twenty years past lost—he’d ask: are you alright? Just tell me you’re okay. And it sounds in your own voice and with your own care and the feel of your own warmth. Is there anything I can do?

Other times, he sees himself through your own eyes, and then he knows for certain that the throb is love 

So he makes up for lost time, hard—and if it was a thing he knew how to be— loving. Mouth to cunt first, primed and soft and begging, making you come again and then another once more, then inside of you. Slow, splitting you open, red cunt like a wound, balls slapping wet, pulling out to watch the gape of the space he’s carved for himself. His cock is so hard and missing you something desperate. And he’s reminded of what it is to really miss something in a way he hadn’t been in twenty years of apocalypse, he’s forced to realized that it’s been so long since he’d had something to love that he’d not realized the feeling of missing that long past someone had gone away, only faint memory remained. 

Violent, is what this makes him after that realization—thrusts turning hard and punishing. How dare you give yourself to me? How dare you then take yourself away? You come around him again, the gift of your orgasm. How dare you not be able to accept the little I’m able to give when I’m trying so desperately fucking hard to give you even just this? 

He fucks you mean, he fucks you in the way of a man who doesnt know how to say the things he needs to say, in a way that’s confusing, that could make a less discerning woman feel only the hurt. 

But then again, you know him.

Fucks you in a way that is a little bit like love.

And so, amidst all of it, there is an honesty amongst the lies. A truth unspoken that they both know—I’ll come back because I need you, because you’re the only one who can give me the things I'm not strong enough to ask for out loud. 

You’re not sure which of the two of you is the one saying it.

Netherfeildren's Masterlist

Updates Blog