#and so while i talk about and around it a lot i never actually look directly at it. a very silly and complicated situation to be in!

[emmcfrxst]

omg old man!logan with mom!reader and laura has me in TEARSSSSS i love them so much

he would never admit it because he's too proud but does get a little jealous when all your attention is on laura. it's nothing serious obv (who tf would be jealous of their child😭) but he is left with with a heightened sense of need for you and your touch. so when night time finally comes around, he's super happy to get you all to himself and just shower you with the love that laura showered you with during the day <33

(the concept of reader being both logan's and laura's favorite person to ever exist is so sweet aaahhhhh)

i’ve said this before i believe but something about laura really brings out logan’s inner child; he’s a lot more mischievous when she’s around, allowing himself to act like a kid and have fun— he’s provoking her on purpose (all in good fun, obviously! he wouldn’t say anything that could actually hurt her feelings, at least not once he’s gotten used to interacting with a child again, he’s accidentally hurt her feelings before by being a little too brash, but that was before he decided to make conscious efforts to let her in) and bickering with her any chance he gets, a grin on his face when she takes the bait and argues back (he’s not gonna lie, he’s pretty proud of just how vivacious she is, she does remind him of himself but he won’t admit that out loud) because he’s really never felt quite as youthful when he’s around her. they’re quite entertaining to watch honestly, because he absolutely will stick his tongue out back at her if she does it, and he will chase her around the house in playful anger if she insults him. he also likes to ruffle her hair when walking past her because she always lets out the most offended little yell, jumping on his back in retaliation and he walks around the house with her hanging off of him like a koala, despite the ache/discomfort the added weight brings him. he’s also the one who started using the nickname “monkey” for her, partly due to her most prized possession: a plushie you gave her (which i talked about here if you wanna read <3) and partly because she loves to climb pretty much everything she sees; including trees, doorframes, random furniture, fences and of course her daddy. anyways yes, since she brings out the youthful side of him he does allow himself to fight her for your attention, which quickly turns into a competition (honestly pretty much anything turns into a competition when it comes to these two, it’s kind of their love language) and logan isn’t afraid to play dirty despite the fact that laura is like 11— he will use his strength to untangle her from you, playfully throwing her on the couch away from you and grinning at her while wrapping his own arms around you, mouthing “my turn now” to her, making her look at him with the most offended expression ever seen on a human being. there’s never a boring moment with them, and you’re constantly showered in both attention and affection <3

[godmadeaterribleerror]

As Much As I Do - No Love Lost One Shot

Series Masterlist

Author's Note: One-shot request from my love lordofthunderthr! Extra thanks because I've been waiting for the genuine smallest reason to use this gif because it's in no way going to fit into the actual story. Title from Bob Dylan by Fall Out Boy (you guys can pry my Fall Out Boy song titles from my cold, dead hands)

Word Count: 1.8k

Summary/Warnings: Takes place after Chapter 14 and around Chapter 15. It's fluff. Horny fluff.

Ben felt like a fucking cat. She was touching him casually while he “slept” and he was pretty sure he was fucking purring. The Thing was definitely making some sort of goddamn low sound, and Ben couldn’t blame it. She was touching him like it was simple, his head was buried in Her neck, and one arm wrapped was between her body and the mattress while one splayed out across the bed because it goddamn could. He was in their fucking bed and Ben could do whatever the hell he wanted on it. 

Except fuck Her. 

Ben wasn’t allowed to fuck Her. 

He wasn’t allowed to make Her moan and scream and feel fucking good. Fuck Her until she said his name and smiled at him and looked so fucking perfect, undone below him. Or above him. Or against him or in front of him or clinging to his body. He didn’t give a single shit, as long as it was Her. Wanting Ben, touching him, letting him touch her. Like this—where Ben’s breath was in time with her heartbeat and her perfect hands were running through his hair—but until She’d been ruined. Until her beautiful face was flushed and her hands were clawing at his back and her pretty eyes were blown out and lustful and all of it was for Ben. For how he was making Her feel, how she was gasping and begging for him to do it again and again until the only words She knew were Ben and please and everything else was just moans and whines. Until she felt half as damn good as Ben did now, resting on top of Her as she fucking pet him and he had to fight the Thing’s urge to just stay here for the rest of goddamn time. 

“I know you’re awake, Benjamin.” Her voice was so perfect, humming everywhere around him and soothing the Thing, that Ben almost missed her actual fucking words. “I can feel you.” 

He didn’t answer. Maybe She’d just give up, and keep him right fucking here—where they both belonged—forever. 

He should’ve known better. Ben knew Her too fucking well to think she’d ever just let anything go. 

“You’re heavy,” She said, and one hand dropped to the base of Ben’s neck. “And you smell like shit.” 

“Shut the fuck up. I smell fucking fantastic.” Ben didn’t move as he grunted the words against Her skin. He wouldn’t move, not until she damn made him. 

“I knew it.” 

Clever, impossible, perfect fucking woman. With Her happy giggle when Ben squeezed her closer and her gasp when he nipped the skin of her neck.

“That’s a goddamn underhanded move, Sunshine.” He muttered, and when he looked up at Her it was like he’d been struck by lightning. She was smiling at him so gently, eyes still heavy with sleep, and so fucking beautiful. Just looking at him, watching Ben like she’d never want to look anywhere else. 

“I don’t know what you’re talking about, Pretty Boy.” She kept smiling at him, voice smug. “I didn’t do anything.” 

Ben rolled his eyes. “You didn’t know I was awake,” he said Her name, and her smile widened. “You fucking baited me.” 

She shrugged, body shifting under Ben’s and making a small sound that sent a rush of pure fucking hunger through him. “Prove it.” 

Ben had a lot of favorite sounds She made. The small squeak when he flipped her body over his—sitting up with his back against the headboard and sliding her down his chest—was certainly on the damn list. 

“You’re a fucking menace, beautiful.” Ben pulled Her forward slightly, leaning down to growl in her ear. “I don’t think I’ll have to prove it. I think I’ll ask you again and you’ll just tell me.”

When Ben moved back, meeting Her eyes, he could feel her heartbeat under his hands. Resting right at the line of her shirt, never higher. Holding her right where he fucking wanted her. Against him, so when she squirmed he’d feel it. 

“Fuck yo-“ 

He didn’t wait to make a teasing remark or dirty joke. Ben just leaned forwards and touched Her. Kissed her pretty mouth until she opened for him, pushing his tongue in—almost down her throat—and just trying to get closer. As close as he was allowed to be, while still touching her more, making her feel good. Make Her hands pull at his hair, make her whimper a fucking perfect sound from her throat that Ben got to devour. He’d lost sight of his original plan, but he didn’t really fucking care. Not when he bit her lower lip and could revere in the way she leaned further into him, or when he had to try not to lose his fucking mind when she started to grind down on him. Started to practically fucking climb up his body. 

When Ben sucked on her tongue and she made maybe the best sound he’d ever heard in his life—unintelligible and breathless—he had to wrap his arms around Her and pull her into his chest. Hold Her there until he could get goddamn control of himself and not have to explain why he’d fucking cum in his pants. 

“Ben,” She whispered, head in his chest. “You really do smell terrible.”

He chuckled. “Brat.”

“Cunt. Can you please shower so we can train?” 

“I told you last night, we’re not fucking training-“ 

“And I told you, Benjamin, that I do not care what you told me.” She glared up at him, so fucking beautiful, and now Ben had to goddamn pretend he hadn’t already given in. “I am training, with or without you.” 

“You’re a pain in my fucking ass.” 

She smiled at him. “But…?”

Ben rolled his eyes, leaning his head back, forcing himself to stop staring at Her perfect face. “Fine.” 

“Fine?” 

“We’ll train.” 

“Thank you,” She kissed his neck, near his jaw, and hummed against his skin. “Now go shower. You smell like balls.” 

The only thing that kept Ben from taking a year in the shower—letting the Thing grab him and show him all the ways he could’ve just fucked her on the bed, buried himself in her and made her scream—was that sometimes, when they trained her singing, his doppelgänger would appear. It would make Her face flush, make her eyes wide and heartbeat quicken, and Ben would get to taunt her until one of them moved and he was kissing the air out of her lungs. It was something to look forward to. Something that made Ben fucking haul ass, getting in and out of the shower in four minutes flat. 

Ben hadn’t left the room when he realized that She was already singing. She’d gotten more comfortable with it, the longer they practiced, and sometimes would hum softly during movies or while doing normal things. Normal, easy things like laundry or dishes or cooking, simple fucking things that Ben got to share with Her. Got to watch how Her humming would send the world into a spiral of her, all the perfect fucking parts of her cast across the room for Ben to exist in. Colors and lights that he got to watch her sway in. 

This wasn’t that. This was singing. 

With words and instruments and a beat that ran through Ben’s body and bones. With the room turned into a dark club, with lights that flashed and changed in time with the bass. 

And She was dancing. She was singing and dancing and moving with the music like it had been made for Her. Like the rhythm had been designed to follow her legs, and the guitar had been made to move her hips. Like the whole fucking song had been perfectly tailored to her voice and how she moved through it. How she didn’t stop for even a second, never losing a breath, performing for no one like her life depended on it. 

It didn’t, but Ben’s life might. Everything in the world might hinge on letting her just dance like that forever. The Thing wanted all of this. All of Her, forever, like this, or it would fucking explode. Ben had no will to push against it. Not when She was dropping down and twisting and turning her body and so lost in it that she didn’t even see Ben. Falling to her knees and leaning back while her hands gestured with the lyrics. Trailed down her body and up again. Wrapping around her throat before falling to the side. Her whole fucking voice saying every word like it had been written for her, the whole face twisting with the emotions of the song, smiling and dropping into a pout and so fucking perfect. 

She only saw Ben when the song ended. When the club disappeared and they were back in the apartment, leaving Ben no longer hidden in the shadows of her illusion. He should probably feel like a goddamn creep, but Her mouth fell open and her heart picked up, so he couldn’t really bring himself to give a fuck.

“Hi,” She whispered, and Ben grinned at Her.

“Hello.”

“How long-“ 

“About three minutes,” he crossed the room until he was standing above Her. “Almost the whole fucking show.” 

“You, um, you showered fast.” 

Ben winked at Her. “I’d have showered faster if I’d known I was missing something. You do dance like a fucking slut.” 

She scoffed, wrinkling her nose at him. “That’s pretty high and mighty for the manwhore to say.” 

“It was fucking hot,” he lowered himself down until his nose was bumping hers. “I think I prefer your slut dancing, Sunshine. It’s more you.” 

“More me?” She gave him a flat look. “Fucking rude.” 

“How the hell is that-“ 

“You just called me a slut, Benjamin. That’s not very nice.” She whacked his chest, and Ben caught her hand. Held it there. 

“It’s more you because it’s fucking loud. Because it’s fucking captivating and hot. So fucking beautiful and good.”

Because it’s fucking perfect, the Thing rumbled. Because you’re fucking perfect. 

She was watching Ben with wide eyes. Opening and closing her mouth like she was going to say something. 

Instead, she fucking tackled him. Rammed Her body forward, crashed her mouth against his, and let Ben pick her up and carry to the couch. Training could fucking wait. Everything could fucking wait. She was making that same perfect sound from before, and her hands in his hair were making him groan, and when his hand started to kneed at her skin she made such a happy fucking sigh and Ben knew everything could wait. This was just Her. Making the Thing content and goddamn purr in his chest. Making Ben grin against Her neck when he sucked that one spot and she moaned his name. 

The whole world could go fuck itself. This was Her.

End Note: Let's all say thank you to @lordofthunderthr for some easy fluff in these dark times (Chapter 16 to a secret chapter number I cannot yet say).

I'm going to start a separate tag list for one-shots, so lemme know if you want to be added!

If you like this story, reblog, share, or leave a comment! <3

[anthurak]

So by this point, I think many of us are likely familiar with the idea that the breakup of Team RWBY at the end of Volume 3 is meant to thematically parallel the breakup of Team STRQ in the wake of Summer’s death, ie; Ruby falls into a coma for a few days while Summer disappears and then both their teams fracture. Along with a popular sub-theory that Blake leaving Yang after the Fall is meant to parallel Raven leaving Tai.

But the thing is, if Ruby falling into a coma at the end of Volume 3 is meant to parallel Summer’s (supposed) death and the way this loss caused the fracturing and breakup of their respective teams, then Raven’s actions DON’T really parallel Blake nearly as well as a lot of people think.

And in fact, I feel like Qrow could potentially have paralleled Blake’s actions FAR better.

Like people talk about how Raven ‘abandoned’ Tai just like Blake ran away from Yang after the Fall of Beacon. Except if the point of parallel to the Fall of Beacon is Summer’s death, then the parallel doesn’t work because Raven was ALREADY GONE from Team STRQ by the time Summer disappeared. To the point where Tai, Qrow and Ozpin had (and still have) NO IDEA she was even involved in whatever happened to Summer. Raven can’t exactly have abandoned Tai just like Blake did to Yang if Raven wasn’t even around.

Instead, as I’ve discussed in the past, I think Raven’s actions following Summer’s ‘death’ potentially line up far better with WEISS. Like if it turns out that losing Summer was what actually drove Raven to return to her tribe, then that lines up very nicely with Weiss being taken back to her family/Atlas in the wake of the Fall of Beacon: Both return to the shitty, abusive family that raised them. And given how much of Weiss’s character is tied up in her family and their ‘legacy’, then the way Raven eventually took over her tribe makes her an ideal foil; effectively representing a Weiss who did eventually take over the Schnee family and company, but in the process internalized all the pain and trauma her family gave her.

And as for a cherry on top; if Ruby falling into a coma after the Fall of Beacon is meant to parallel Summer’s supposed ‘death’, then what was one of the last things Ruby did at the Fall?

Run off on a special mission with Weiss, just like we now know Summer did with Raven.

Now going back to my point about how Raven was not even around to abandon Tai just like Blake did to Yang, you know who WAS presumably around when Summer ‘died’?

Yeah; Qrow.

Let’s consider what exactly Blake actually did following the Fall of Beacon beyond just a surface-level reading: Yes, she did go back to her family, similar to what Raven may have done, but given that the Belladonnas are NOT actually shitty and abusive, I maintain that Weiss is still the better parallel to Raven. Instead, let’s consider Blake’s whole arc across Volumes 4 and 5 relating to the White Fang: At first being depressed over loss and perceived failure before being inspired to start working for a better cause, in this case pushing back against and stopping Adam’s takeover of the White Fang.

So I have to wonder; what if this reflects what Qrow did with Ozpin and the conspiracy following Summer’s ‘death’? Maybe Qrow and his teammates had helped Ozpin in the past and knew what he was doing, but what if THIS was the point where Qrow became fully committed to Ozpin’s cause and joined the Ozluminati full-time? Perhaps seeing it as a way of ‘honoring’ Summer’s memory.

Instead of staying with the one teammate he had left (and possible partner) who was now in a massive depressive spiral AND had two kids to take care of.

It starts to make Qrow and Tai feel a lot like Blake and Yang, doesn’t it?

This is one of the big reasons why I think Qrow and Tai are the REAL foil to Bumbleby on Team STRQ. They effectively give us a look at a version of Blake and Yang whose relationship failed. Or rather, were never able to ‘take the next step’ and actually form their relationship.

Qrow is a Blake who fully internalized her self-loathing and belief that she didn’t deserve Yang or that Yang was better off without her and has simply been pining for Yang from afar.

Meanwhile Tai is a Yang who likewise fully internalized her fears of abandonment and fully resents Blake for leaving her or may not have ever even fully recognized her feelings for Blake in the first place.

Essentially, Qrow and Tai are the version of Blake and Yang who weren’t able to work through all the problems, issues and baggage which allowed them to actually start their relationship. Like a Blake who didn’t get that vital pep-talk from Sun at the end of Volume 4, or a Yang who likewise didn’t get that vital talk from Weiss in Volume 5.

Which in turn leads us to what I brought up earlier with Qrow joining up with the Ozluminati full-time, essentially representing a Blake who threw herself into reforming the White Fang instead of returning to Team RWBY and reconnecting with Yang. Meanwhile Tai simply throws himself into a deep depression, grief and ‘moping’, ironically all the things he would later accuse Yang of doing (at some point I’m going to do a post on just how much PROJECTING Tai has likely been doing…)

So now Qrow and Tai have this low-key toxic relationship where Qrow is more-or-less aware of Tai’s extremely dysfunctional parenting but has also been enabling it and a lot of Tai’s unhealthy coping mechanisms over the years because he’s been pining for Tai ever since their Beacon days and still is pining in a very depressed, self-loathing ‘I don’t deserve him/to be happy’ way and also doesn’t want to risk conflict with his former partner and also the only teammate he has left.

Thus Qrow keeps his distance and just goes along with Tai’s dysfunctions and/or lets Tai push him away. Which in turn just reinforces Tai’s abandonment issues.

And Ruby and Yang are still stuck with utterly dysfunctional parental figures.

Oh, and if you need more proof about the deliberate parallels between Blake and Qrow…

Then how about the whole damn song where they sing about how they’ve always felt terrible about themselves but now things are looking up for them.

[rosenclaws]

Hi!!! I love your writing so much <3<3

I was wondering if you had any thoughts about taking Leopold's virginity? Because I saw you mention that you think he might be a virgin :))

HI YES I HAVE MANY THOUGHTS!!

This is with an afab!reader who is not a virgin in mind but no pronouns are used.

warnings: MINORS DNI!! oral (m and f receiving), soft sex, leo being a bit of a switch/sub

Leopold’s first time headcanons

Okay so Leo is a virgin but because he’s a prude or because there isn’t anyone who wants to sleep with him. I mean damn the first scene of the movie is girls basically fawning over him lol. I think he views sexual intimacy as something that needs to be cherished.

It should be something romantic. A true, deep connection between two people who have given their hearts to each other and Leo has never felt that way until you.

When it comes to Leo’s first time I think there's a lot of lead up. Like a nice dinner and a bath together maybeee. Candles, I mean the whole thing.

Its slow and sweet and a little awkward but the kind of awkward that makes the two of you laugh in each others arms.

You 100% suck him off to start. I mean he’s gorgeous, so pretty and handsome that he deserves to get his dick sucked u know what I’m saying.

He doesn’t know what to do with his hands at all. Like he doesn’t know if he should touch you, touch himself. They keep moving. First they’re gripping the sheets, then they’re above his head clenching into fists, and finally you guide his hands to the sides of your head. Winking as you pick up your pace.

He also is a little loud. He tries at first to suppress his noises but he can't help it. His moans are heavenly. So desperate. He whimpers too btw. Like 100% that is a man who whimpers.

He doesn’t last long. Look Leopold is no stranger to. Getting himself off but this is unlike anything he’s ever felt before. So warm and wet and your hands are on his thighs and its a sensory overload that he can’t help but come hard in your mouth.

Even though it's his first time he really really wants to go down on you. He wants to make you feel good so badly. To make you moan because of him.

He's a little hesitant at first, not sure what to do but after some coaxing he dives right in. At first you think he's a dirty fucking liar about never doing this before because holy shit he is filthy without even trying.

Sloppy and wet and needy as hell as he buries his face in your cunt. He listens eagerly to all your instructions. What you like, what you don't like. He plans on studying you until he remembers every little thing that drives you insane.

HE LOVES TO BE CALLED A GOOD BOY!! I WILL DIE ON THIS HILL. He has a praise kink too. Loves to talk about how wonderful you are, how good you taste, how lucky he is. Oh my god call him a good boy and tug on his hair and he's a fucking goner.

"Such a good boy, so pretty."

He loves eating pussy btw. Like he's can't help himself and slowly humps the bed as he feels himself start to get hard again. He could live between your thighs.

Anyways when it comes to actually having sex you ride him for the first time. Wanting to give him nothing but pleasure. He watches with wide eyes as you sink down on his cock. He needs a second to just process it all. His arms wrapped around you, face buried in your chest as he slowly rolls his hips.

It's slow for the first time. You just riding him nice and slow as you whisper sweet things into his ear. He can't stop telling you how much he loves you. How happy he is. He can't get enough of you, especially when you moan his name. (He's def whimpering again)

After a little bit he'd switch positions to be on top. Missionary but he's got one leg hooked on his shoulder. His hips move slow but get harder with every thrust. Your nails dig into his back with every thrust and it turns him on a little more.

He's kissing every bit of skin he can while he's making love. He loves your neck. The whole experience is just overwhelming to him. It's amazing and wonderful but overwhelming. Every one of his senses are being overloaded with you and he can't get enough.

He makes sure you finish before he does of course. Asking you in a desperate tone what you need and how he can do it for you. Begging you to finish because he's going to explode soon.

"Please, please my love. Tell me what to do. Need to feel you."

When he finishes he (reluctantly) comes on your stomach, rolling over onto his back for a minute. He needs to catch his breath, a smile on his face that won't go away. He just feels completely blissed out.

When you try to move he stops you, wanting you to stay comfortable as he goes to get a towel to clean you up. Kissing every inch of you as he does so. Thanking you for this and telling you how much he loves you. He just can't help himself.

He falls asleep pretty quickly after. Holding you close in his arms as the exhaustion takes over.

It's a pretty soft and sweet first time, fueled by love. Leopold is gentle and kind and I think this is the perfect time to for him to show that in a more intimate setting.

Anyways I am obsessed with Leopold he deserves the world okay ty!!!

[raayllum]

Invert Life and Death Theory

Yesterday, the fandom received two season seven synopses that detail similar mysterious concepts:

The stakes have never been higher as Aaravos and Claudia are on the warpath, determined to destroy the Cosmic Order and invert life and death. With the world’s fate on the line, our heroes must be ready to sacrifice everything to save it.

As Aaravos and Claudia seek to destroy the Cosmic Order and invert life and death, our heroes must be literally ready to sacrifice anything and everything love and believe in to save the world!

I will touch on the 'sacrifice' portion likely here, and then further in another meta that was actually already sitting in my drafts about it (as we've known for a while that S7's main theme is sacrifice, even if I didn't expect it to be so blatantly spelled out in the summaries). But I digress.

Aaravos (and Claudia) want to destroy the Cosmic Order. They want to invert life and death, to turn it upside down (much like Aaravos' chest star I might imagine). Presumably this is to make the Cosmic Order mortal-mortal so that they can be permanently killed and Aaravos can have his proper revenge. He might also be working towards trying to reassemble Leola's spirit somehow.

But what is that attempted inversion going to look like? Well... It does contextualize the weird consistent emphasis his plans have had on the Moon and Sun specifically:

And we might finally know why:

Sun and Moon, Life and Death

In previous posts, I'd speculated there was more than just politics or revenge at stake in Aaravos seemingly killing Luna Tenebris and Queen Aditi 300 years ago. Of course the in-story explanation that's most obvious is that he wanted political instability, which I think is certainly true.

However, thus far there's not really a Reason in-text that it had to be those two. Why not another Earth dragon instead, or a Tidebound king? Throughout the series the elves that have gotten the most focus and worldbuilding have routinely been Moonshadow and Sunfire elves, and it didn't really have to be. And of course we could get into the weeds and say that Earth could've been associated with Life and Sun with death, etc etc. but the point stands that I think this series long focus on Moonshadow and Sunfire elves/philosophies in addition to Aditi and Luna Tenebris' deaths/disappearances makes a lot of sense if Sun = Life and Moon = Death, and these are the things that Aaravos wishes to invert upside down.

The fact that this reflective relationship between Sun and Moon possibly ties into Aaravos being in a mirror, characters having shadow selves running around in the narrative, and the emphasis on mirrored images in the dark magic dreams we see also makes sense.

Aaravos already toppled the Sun Forge and thereby Sun Primal on his way through to the Storm Spire. Going back to the Moon Nexus in S6 was a welcome callback to Through the Moon, but the Moon Nexus specifically having a portal between life and death... reminding us of that location because it's going to play a much bigger role next season (potentially like other characters, like Aanya) could be on the table. In taking Lux Aurea, Aaravos got the corrupted Sun staff after all.

Speaking of which, let's talk about

Rayla and Claudia

I don't think I have to explain why or routinely how Rayla is associated with the Moon as a Moonshadow elf. Secretive yet open, caught between love and duty, life and death, truth and lies, light and dark, Rayla embodies all this and more. Callum has also asked for her to be his Death if push comes to shove and he's possessed again, but she's also what has saved him in S6 from said threat of possession (and likely will again). This isn't to say that Aaravos needs a Moon arcanum and is going to take Rayla's (though I suppose he could), I think the likelier outcome is corrupting the Moon Nexus (and hence why you animate/rig Lujanne, Allen, and a new Phoe-Phoe design under your software at all). But it does mean I think Rayla will be a mirror to Claudia / whatever is happening with the Moon Nexus as a way to manipulate Callum, per usual.

Conversely, Claudia has wielded the corrupted Sun staff — a literally corrupted light that represents dark magic to her outright in S6, and one that she uses as a literal and metaphorical crutch — since season three, only occasionally using her father's staff with Viren only using the Sun staff for the Hearts of Cinder spell. She's a sun that's already been eclipsed by Aaravos, by death, in more ways than one. Someone who's walked a continually bloodier, darker path the further the show has gone on.

If and when Claudia gives up dark magic, she'll be 'restored' as the Sun — uncorrupted, bolstered by the truth ("Careful, if you tell the truth you will lose her"), shining brightly again. In the meantime, though, if Claudia is brought home in parallel with Callum being saved from dark magic corruption in S6, I think someone else will be Claudia's 'sun'. So let's talk about it.

Trials and Tests of Love

While we might see more — I could see Karim getting a trial on a technicality in S7 — as it stands now we see three former trials in the series. The first is in S4 among the Sunfire elves with Lucia, who ruined a sacred ritual by putting out a light, and is declared not innocent but worthy of life over death. Then we see Leola, who despite being truly innocent is condemned to death by the Star/First Elves and is made into nothing more than a light star known as Leola's Last Wish. Finally, we're going to seemingly have Rayla, whose actions did lead to the death of her troupe of Moonshadow assassins in the Silvergrove.

Just like with starlight vs moonlight vs sunlight with the Celestial elves, and Astrid + star magic creatures like Sir Sparklepuff in particular....

AARAVOS: Otherwise the sun will rise, and you will not.

We see this pattern of sun, star, and moon again with the trials alongside ideas of mercy, innocence, and concepts of paying the price.

Meanwhile, in season six, both Claudia and Callum were searching for their deep truths. Their path. Callum found his in Rayla and accepted it wholeheartedly. Claudia thought she'd find hers in Viren ("I'll look at him and I'll know / I need him to show me the right path"), but found only his body and the prison he left behind. Of course, the main reason that Viren died in season six was that he wanted to save Katolis, and more than that, he wanted to save his son.

She said that this was my home, and that my brother and I needed each other.

If Claudia is an eclipsed sun, a form of life turned death, than Soren is the uncorrupted version of the sun, ready and willing to guide her back if she'll just give him the chance. And in going back to Katolis, in sparing/saving Soren, Viren did help give Claudia what she needed in order to find her true path some day, too: a life with her brother and Terry at her side.

Claudia's first real test of love in the series was whether to choose the egg — the world, her father's wishes — over the safety and wellbeing of her family — her brother. She made the right choice.

I'm here.

It'd make sense if one of her final tests of love was a similar trial — maybe even if Callum under possession/Aaravos' control hurts Soren ("Oh I've been stabbed by the stab-prince!") — and Claudia once again chooses her brother over everything, just as he chooses for and fights for her. She ultimately chooses life over death, reflecting the massive change in herself and her character arc.

Likewise, Rayla being a Moonshadow elf saved from death ("I leapt to my certain death, but you spread your wings and you saved me" / "Finnegrin was going to kill you, I didn't have a choice") from Callum means breaking his promise, yes.

However, it also frees her up from needing to be an assassin and therefore from needing to behave like she's "already dead" or that Callum is. The possession/corruption would be a fate worse than death / metaphorical to literal death and rather than delivering either, Rayla would save him in turn. Like Claudia, she chooses life over death, symbolizing the same turning point. Callum, meanwhile, could get the Moon arcanum by realizing he has dark and light inside him; this may not mean a total blank slate (idk if they'd repeat that) from corruption, but a way to permanently throw off Aaravos' control of him regardless.

Life, over death.

Life and death working in harmony under principles of justice, mercy, and compassion.

Conclusion

This is more of rambling "notes on top of all this" place than a proper conclusion, but just a summary of stuff / some speculation for later:

Aaravos needed Moon and Sun stuff specifically from Luna Tenebris and Queen Aditi and that's why he killed them

Aaravos is going to successfully make the Cosmic Council mortal, even if that means making himself mortal.

This makes him more powerful than the Council and they may have reason to ally with our main team in order to take down Aaravos and/or be destroyed themselves

Rayla as Moon and Claudia as Sun reflect both life and death, but each will likely choose life over death; for Rayla this is about a certainty, for Claudia it's more up in the air if she'll have her redemption arc yet (I could see it getting pushed further to arc 3).

I think it'd be really nice if the inversion of life and death had broad implications meant some characters got to say goodbye, like Callum and Ez having a moment with Harrow and/or Sarai

And I think that's about it! What do you think inverting life and death may mean?

[machveil]

Beautiful, cute, dulzura, A quick question, do you have any advice for drawing? I see your drawings and I just fell in love with them, I just started drawing again but it's difficult...

I don't know, sorry, English is not my first language, using translator jiji 🤎🍁

(note: this post is long, grab a snack lol) ah! no problem, don’t worry about the translator haha (pinterest link - this is my masterboard for human references! I’ll talk about it more below)

I think my best advice for anyone wanting to draw is to break down your piece into shapes! (also, depending on your style, using different line weights)

from my experience, while looking at the whole reference is good, it’s easier to break down individual parts! while some parts can look complicated, a lot of things can be broken down into triangles, squares, and circles (or half circles)

I focus on character art, so I’ll be speaking about that - but it can applied to scenery and objects too. a lot of characters clothes are broken up into colored articles already - in the top reference, Ghost has a red bandanna on his arm! that bandanna helps break up his arm: the top near his shoulder is triangular, the bandanna itself is overall rectangular, and the bottom of his sleeve is a square

of course, depending on how you’re posing the character it can change the angle of what we’re seeing - there’s also an accommodation that your art probably won’t be a 1-to-1 copy with your reference. Ghost’s right arm (bandanna) has a white rolled up sleeve - while the model’s sleeve is square, I prefer to draw rolled sleeves more triangular

I think line weight is also important depending on your style! I prefer thicker lines around the entire character, and defining qualities also get thicker lines

I like thinner lines inside the character to help define dimensional shape and form. I use thicker lines on the inside of the body if there’s a shape/area that’s more in the foreground - example: König’s chest and midsection have thick line art to help differentiate from his left arm (behind his body)

I know a common piece of advice is to use real life references, and I agree… but, I never hear people talk about how to use references in a way that actually helps (“just draw from real life”, or “drawing with a reference is good practice”). I experienced that and wasn’t able to take anything away for years!

within the past year or so I seriously took a look at how using references can help me, so I want to try and talk about that - if I had trouble learning from references I’d wager someone else has

here’s my best example of using a reference because I actually remembered to! I labeled the figure to make it a little easier to follow

(1) my first tip is using a reference to figure out how the body ‘flows’. the human body has a lot of soft, rounded lines when you look at a picture - very few things are legitimately straight and sharp. I used the reference specifically to figure out how men’s pecs are shaped (of course, this is just one reference… because this is my headcanon for König’s body type haha)

(1) looking at references can help you understand how muscles move. in the reference with the woman, you notice how her right arm (down) muscles are layered - the shape portrayed by the reference lets you see how an arm’s muscles might be laid out in that position

(2) my second tip from the König reference is to look at negative space! the highlighted red portion between the arm and midsection is roughly the same negative space as the reference. if you’re using a reference and something feels off with the placement of what you’ve drawn I’d recommend looking at the space your reference takes up

(2) the negative space trick helps me line up where proportions should meet up - the distance between her arms lets me gauge how the rest of her body should be proportioned

(2) while it doesn’t match up 1-to-1 with the reference when layered overtop, it doesn’t have to! the negative space between the arms was enough for the sketch to mimic what the reference looks like. art doesn’t have to be a 1-to-1, but negative space can help you figure out ‘why does that arm look funny?’, “that arm looks funny because, compared to the negative space of your reference, it’s too (far away/close) to the body.”

(3) my last tip is the simplest, so I’ll just be referring to the König figure! when using references I look to gauge the distance between different body parts - it helps me get more realistic proportions. the bit I specifically compared to was the man’s stomach placement compared to his waist. I didn’t copy it 1-to-1 because I like the idea König has more of a tummy, but the reference allowed me to figure out an anatomical placement for where König’s stomach would be compared to his waist

I hope my advice wasn’t terrible haha everyone’s art journey is different, but these are tips I would have liked to know a few years ago (specifically the reference material ones lol). I wanted to focus more on the reference material because when people say ‘just use a reference, it’ll help’ it didn’t do it for me

I personally needed a more in depth explanation on why I would use a reference, what should I be looking at - because just drawing a person doesn’t necessarily help, and how should I be learning from it - I accidentally taught myself negative space before I knew what it was

but uhm… yeah, I hope this wasn’t awful! good luck on everyone’s art journeys, just remember that you’re allowed to take your time and try different things

if you guys have any other questions about my art feel free to jump into my inbox; process wise, inspiration, etc - I’ll answer anything I can<3

[archduke-enver-gortash]

mmm essay about sally and kid gort in the tags (cw for child abuse, mentions of suicide, animal cruelty and a murder attempt. i always hope i don’t have to say this but just in case: i don’t excuse or condone any of her or gort’s behaviour at all.) this is literally not even touching upon everything i have to say because i hit the fucking tag limit lmao. NOBODY READ IT’S BAD BRAINSTORMING I JUST NEEDED TO GET IT OUT SOMEHOW

[sskk-manifesto]

Ep 5!!!

[cuteniaarts]

@katkastrofa: *writes a single throwaway line in one chapter of Lost and Found that is never referenced again*

Me, completely randomly and with no prompting: Alright, bet–

[polysyndetonaddictsupportgroup]

I don’t know if you already said this elsewhere, but did the Zenin ever hurt Megumi in a way it simply wasn’t possible for them to explain? Like being poisoned or bitten by one of the dozens curses? Did Gojo catch them red handed (the red is literally megumi’s blood💀)?

The first time that they hurt him in a way that they couldn’t explain away was the last time they hurt him, because Gojo immediately cut them off and refused to ever let them ever get near Megumi again. The Zenin didn't fully realize this at the time they had custody, but legitimately the only reason why it got as far as it did was because Gojo didn't know.

They weren’t exactly advertising “yeah we beat him when we have him” to him, but it wasn’t exactly because they thought gojo would put a stop to it, per se. They didn’t tell Gojo anything they did to Megumi because they felt absolutely entitled to him. They didn’t want Gojo’s input or interference, and they didn’t like feeling like they had to ask for permission around this with Megumi. But they didn’t think he actually would cut them off from him.

In the Zenin’s mind, Gojo doesn’t love Megumi. He’s never loved Megumi. Megumi’s just a political pawn to him, a way to insult the Zenin and steal their most valuable technique for his own. And he got way more value from letting them see him. He got to have his influence on someone who was very likely to be clan head one day—if Megumi’s cut off from them entirely, he’s not moving towards being clan head. He got a bargaining chip with the Zenin—he could further his own goals by offering them more time with him. Megumi’s a powerful piece of leverage but only if Gojo actually uses him. Him intervening to protect Megumi by severing all contact doesn’t further his own goals, so when it all came to a head, they pretty blindly assumed that he wouldn’t give a shit about what they had just done to Megumi, because at the end of the day, they thought he was going to keep using Megumi for his own ends, which meant giving them access.

Instead, Gojo immediately pulled the plug on the entire situation. They never touched or saw him again. The first time that Megumi saw them after the incident that made them go no contact was when Naoya came to pick him up at his school.

[hamofjustice]

it's nice that we're getting anything i guess, but, i'm gonna be what may come off as a little petty and whiny here; it'd be cool if either iteration of the gen 9 anime so far was actually about gen 9's characters instead of using them as cameos to promote original stories we have no investment in yet

it's like, i dunno, like the bait and switch with sonic appearing in wreck it ralph ads, except if wreck it ralph existing meant there would never be a sonic movie, and if you were invested in those characters and recognized they weren't generic platformer mascots, sucks for you, nobody cares

maybe they're just giving the DLC space to do its thing with them first (if they do anything at all...) but idk, i was cautiously optimistic about nemona in horizons, only for her to be a character of the day that the episode wasn't about, and pretty excited by "gen 9 prequel anime" only to find out it's going to be like, four short stories about OCs who have quick brushes with them. these are like the lacroix hint of what an anime about the game could've been like and you're left to imagine the rest yourself

i shouldn't be that surprised if the gen 8 anime reduced hero of galar hop to a character of the day with a level 5 wooloo in order to let the galaxy revolve around ash battling his brother because epic charizards, but man. what if it wasn't like that that now that ash is gone.

we haven't seen penny and team star at all because they're the hardest to talk about without bringing up the trauma of school bullying and the fear of being yourself at school when you're way too young to be dealing with all that drama responsibly. she's still learning to love and forgive herself and feel wanted.

arven's story is about, like, being a latchkey kid to a self-absorbed parent, being unsure how to feel about repairing the relationship or how seriously to take them saying they love him, and struggling to make friends due to misdirected resentment toward people he's jealous of for having apparently normal families and the stubborn self-reliance he was forced into. he's still trying to process things, find himself, and let people in.

nemona is supposed to have been a directionless lonely and depressed kid who hated being called gifted when everything was hard for her, until she met the player character and gained a peer who understood and appreciated she was a little different and she didn't have to mask her true self to have friends anymore. she's happy for now, but may still be under a little too much pressure to be perfect at the expense of her own personality, and probably won't deal well with being abandoned.

as much as they resonate with adults and are a little darker than usual pokemon fare, they're also smaller scale and realer. they are all stories that are explicitly about and meant to be relatable to kids going to school! y'know, your audience! you don't need to paint over them with 3-4 new characters and new stories every time like there was nothing there, or something shameful you need to sanitize and cover up! you can just use the game the way it is!

this got a little more heated than i intended, i just feel a little ridiculous waiting anxiously for loose scraps of a sign that this story isn't over and in the trash already and nemona's life-changing attachment to the player character isn't going to go totally ignored, as we are bombarded with what is supposed to be followup material that almost all seems eager to talk about literally anything else like they think the main story was a mistake they need to run away from

now, i'm not one to complain about original stories being told, but this was already a story that had room to grow. imagine a world where the gen 9 anime was actually about nemona, arven, penny, and the friend who brought them together. or what their lives were like before that friend came along. every episode. that would get me to watch the anime again and whatever movie came out for it. ask yourself why we don't have that, or even the traditional, like, 1-2 characters tagging along with the MCs per region thing that would leave us knowing them better than we know some irl friends

how was starting over with 100% original characters and new lore that might conflict hard with the upcoming DLC the safer bet? why is a 44 minute miniseries specifically for fans of the game making up OCs for them to get invested in and scrambling to tell their stories as quickly as possible before throwing them in the trash instead of being about the damn game?

sigh. i shouldn't get invested in a series that's about selling monster plushies just because it had one story that stuck with me

[turtlemagnum]

when i was younger and hung out around my uncle a lot more than i do now, i remember whenever he referred to things regarding his native heritage, he always just called it "indian". called himself an indian, called the words he taught us indian, so on. since i was a little kid who didn't know any better, i didn't know that "indian" in the context of indigenous americans was a very broad, frankly bastardized term to paint a vast variety of cultures spanning two whole damn continents with one brush. it only occurred to me as i got much older than i was at the time that there'd be more than one "indian" language, and up until now since i had no idea what tribe(s) he even is i couldn't even begin to know where to look unless i found a download of every goddamn interlingual dictionary available and painstakingly checked every godddamn one for what their word for "thunder" is

the word he taught us meant thunder was hiloha. i didn't even know how to spell it until now, because he only ever said it aloud. literally just a few minutes ago, i decided to ask my grandma (his sister) if we knew what tribe(s) he belonged to. and apparently he's a mix of choctaw and makah. which gave me a lead, which led to me finding a dictionary on libgen, which led to me word searching "thunder" in the choctaw to english dictionary. it's the only word i remember him teaching us, and i'm unsure if he ever tried teaching us others. but it was his dogs name, and he was a damn good boy, so i remembered it clear as day. though, they normally shortened it to "hilo".

so, i guess what came out of this is that i now know a bit more about my uncle's heritage, and where to look for more research. so, if you're gonna have a takeaway from this, i'd appreciate it if you remembered the word "hiloha". it means thunder. and aside from being the name of a very good boy who deserves to be remembered, i think it's even more important to remember the histories, cultures, and of course the languages of all the indigenous folks who came before us and did their damndest to preserve their cultures in spite of it all.

[juniestar]

Oh my god one last thing my ex took me to outside lands and when we tried to watch lana del rey he laid down on the grass and had a “panic attack” (this was after months of him talking about how he didn’t like her) so we went to see foo fighters after a bit and he was FINE

[maliro-t]

some game design thinky thoughts.

[adore-gregor]

So I could really use some advice

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."