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miraculouscontent · 3 years

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dailymotion

It’s heeeeere! Another summasalt, this time with nearly twice the length of the first one!

(Turns out that not having caffeine doesn’t help me talk any slower.)

Script below:

Anonymous asked:

Thoughts on Rocketear?

Can you Rocketear the newest episode apart with your salt, my beloved Salt Queen?

Penny for your thoughts on Rocketear?

Aw, anon! You can have that for free! I'm a generous goddess.

"Rocketear" begins with Chat Noir and Carapace - just Carapace, really - holding back a pack of what I presume to be the physical manifestation of the writing staff's age, or at least a representation of how behind the times the writing seems.

Just as the dinosaurs break through Shellter. Ladybug shows up with the scientist who revived the dinosaurs in the first place and said scientist uses a whistle to calm the dinosaurs down. There's also a line from Bob Roth about putting the dinosaurs in a theme park to make money and I know what it's referencing but it's so incredibly random that it doesn't really come off as a proper joke.

Carapace was notably sad right after battle, but insisted that he was fine when Ladybug asked. Rena, sporting a... - I would like to say "new design" but it's a recolor in every sense of the word - is hiding behind part of a building and smiles after the heroes before walking off. Ladybug takes Nino's miraculous back but sees that he's still upset and asks him again what's wrong. Nino asks where Alya was and Ladybug claims that she only needed Carapace for the job, which cheers him up but only until Ladybug is already gone.

Mm, I guess Nino and Adrien relate in heroism not being enough for them unless they have their respective love interest to flirt with.

Also, I know this is an obvious set-up, but the show can't tell me that Ladybug just always brought Nino and Alya whenever she needed one of them. Season 3 required her to go to Master Fu to get the miraculouses, and unless she already knew that Nino and Alya would be in the same location - which, okay, the show does basically shove the two of them together whenever Nino is onscreen, fair, if two characters are in a relationship in this show then it's weird for them to NOT be with that person - but it just seems like a gamble, not to mention proof to Shadow Moth that the two are close if Ladybug constantly brings both of them.

Anyway, Ladybug goes into the sewer and asks Rena if she's seen any sign of Shadow Moth or his traps. Rena didn't see anything and they de-transform. Marinette is about to leave when she thinks of something, but Alya assumes it's about her new look, which was apparently not voluntary on her part and the suit automatically adapted to Alya's new role as Rena Furtive, which she has now named it as.

Marinette reminds her that this is supposed to be a secret and that they agreed that the fox has no owner. When Alya is evasive about whether she told Nino that she won't be Rena anymore, Marinette stresses that everyone needs to believe that Alya won't be using a miraculous anymore so that she can remain an undercover spy.

What's the point in changing the look if you're not going to show yourself anyway? I mean, insurance, I guess, but still.

Alya, exasperated, parrots what Marinette has apparently told her before: that she helps Ladybug with Mirage in case Shadow Moth tries to follow her so Rena can follow him instead. Marinette stresses the situation again and Alya tries to get Marinette to agree on her telling Nino that she's Rena Furtive, but Marinette refuses.

At Marinette's house, Alya talks further and explains that she doesn't know if she can lie to Nino since they don't keep any secrets--Alya, babe, you kept Rena Rouge from him and didn't tell him that you knew he was Carapace until Ladybug was forced to give you your miraculouses at the same time. I don't wanna hear it.

Marinette states that it's too late for that and also not technically a lie, but Alya gets upset and says that Nino will never trust her again if he finds out that she kept something from him. Marinette brings up how she had to keep secrets from Alya too, but they're interrupted by Tom appearing and wanting to play games with them. Marinette makes an excuse about homework that she's repeated many times, as Tom comments that the teachers give her too much. After Tom is kicked out - hang on, lemme just... - Marinette uses the moment to show Alya that she's lied to her family a lot and hasn't played games with her father in months. She states that there's no other option as they have to protect their identities, and Alya agrees to talk to Nino.

In Alya's room - I just presume at this point that Nino's house doesn't exist and Chris is an illusion - Alya tells Nino that they need to talk, but stammers and states that it's hard to talk about. Nino thinks that she wants to break up with him, but Alya assures that she loves him. She finally gets to the cover story that Rena herself made up in "Sentibubbler" and Nino understands, sad that she won't be around anymore but agreeing if it's what Ladybug thinks is best.

Is it weird that Nino respects Ladybug's wishes more than Alya does?

Nino hugs her and is confused by why Alya was nervous to tell him, as she can tell him anything and nothing will change their relationship. Alya feels guilty and hugs back, murmuring about how they don't have any secrets; that's not what Nino said, but sure, push this plot to its already predictable conclusion. I mean, I thought it was vaguely sweet that Nino switched to seriousness immediately when Alya said that she wanted to talk, but how am I supposed to be invested in this couple when their dynamic boils down to "STRONG, INDEPENDANT WOMAN who wears the pants in the relationship because her boyfriend is portrayed as a wimpy coward"? Like, the show constantly dragged Nino down to make Alya look "powerful" by comparison, and then when it comes to characters like Marinette, we get a girl who works very well outside of her relationship with her endgame love interest.

It's the fakest form of "girl power," dragging guys down to raise girls up or actually making a strong girl character but having her love interest be a weakness that creates flaws in her that weren't there originally and having that love interest be who she's "destined for."

I'm rambling, sorry.

In class, Marinette assures Alya that she did the right thing and Alya agrees. As they're leaving school, Marinette talks about how their "night walks" start soon, and Alya non-subtly talks about how Rena Furtive will be on the lookout while Ladybug and Chat Noir patrol. She stops, however, as gets excited about some pictures she took of herself as Rena Furtive, which has a lot of details that Marinette hasn't seen. I don't know whether to groan at what I just heard or remind everyone that Rena Furtive is literally just a recolor and therefore this is the writers patting themselves on the back for this design, so let's just move on.

Alya then shows Marinette her phone--AUGH, MY EYES--and suggests making a poll on her Ladyblog so people can vote for their favorite Rena design. Marinette has to stress again that Rena Furtive is supposed to be a spy and thus invisible, which Alya admits that she forgot about.

Okay, I've been holding off on talking about this, but now seems like the best time to bring it up. Alya has been a trash friend as well as a trash confidant, and her role as Rena Rouge boiled down to, "it was convenient for her to be the fox at the time it was needed." She's not particularly stealthy like one would expect of a fox, and she was easily one of the worst candidates to be told Marinette's big secret. I'll get more into this later, but I have to stress that Alya has treated Marinette no differently since learning of Marinette's identity and has already gone against Marinette's orders once before at the time of this episode airing. Episodes are constantly torn between validating their decision to have Marinette tell Alya, having Marinette be worried about the decision while the show considers her to be ridiculous for it, and then having Alya either consider or make choices that clearly don't gel well with what's good for her role. Much like Marinette, she lacks a sense of self-control and--wow, a female character who's impulsive, never seen that stereotype before.

Point being, "Sentibubbler" stressed over and over that Alya was the right choice and deserved to be both the permanent fox and the understudy for guardian, but then we have "Rocketear" here where Alya is making basic emotionally-driven errors that I'm not even remotely sympathetic to when Marinette has gone through so much worse over the course of three+ seasons.

*sigh*

Alya laments that it's hard to find new content for the Ladyblog - ah, yes, tell me more about your struggles, Alya - but figures that at least she can post stuff about Chat Noir instead of--I don't know--making fake Ladybug theories to lead people off Marinette's trail. Marinette says that it's a great idea, though Alya still doesn't look too happy. The scene then rewinds to a little bit to show a different point of view, this time with Adrien and Nino. Wait, this feels familiar, wasn't there another episode that did something like--ohhhh no, this is going to hurt.

After saying good-bye to Adrien - something I wish I could do every time he's mentioned or on-screen - Nino catches the bit of conversation where Alya talks about the Ladyblog. Nino talks as if Marinette isn't there and asks Alya out to the movies because Marinette is chopped liver and this is about Alya and how sad she is, guys.

Wow, she's turning into Adrien faster and faster.

Alya hesitates, but Marinette assures her that there's still time. Alya excitedly runs off with Nino and they watch what I presume are previews given the narrator, featuring recycled footage from the Ladybug PV. Nino is upset because Rena is mentioned but not Carapace, and the preview features Rena telling Chat Noir to forget Ladybug because it's Chat and Rena herself who are trulu made for each other.

I don't know what's funnier; the complete lack of self-awareness or the suggestion that a biracial couple would exist in this show outside of a special that gives them maybe a minute of screentime and acts more like suggestive canon anyway. I think I might've been too generous with that line about dinosaurs.

Nino is offended by the preview and Alya brushes off his comments, stating that it's just a cartoon and it's made to entertain people, though Nino himself is certainly not entertained. Can't say I entirely blame him considering that Alya doesn't really try to say anything substantial or even agree with him. No cuddling or reassuring kisses, she just gets slightly sad and turns to her phone for a bit.

After the movie, Nino is cheered back up again until he catches Alya on her phone once more. He offers to take her home, but she's distracted, and he comments that what she showed to Marinette looked pretty nice; I don't know because they didn't show it. Nino asks what it was and Alya evades the question, stating that her battery is running out. Nino is suspicious, but spots Andre's ice cream cart and the two head over there. Andre calls them his favorite couple and asks what they want, but Alya sees Ladybug gesturing for her and has to run off, giving Nino a cheek kiss as she goes which feels like too little too late at this point.

Nino catches some conveniently-placed kids arguing over who Chat Noir loves, but they settle on the fact that girls in general love Chat Noir. Nino is then seen at the Seine watching the Ladyblog's latest video, where Alya is talking up how amazing Chat Noir is. I hate to stop every five seconds to complain - okay, actually I don't - but I presume this video must've been made after the movie since Nino seems like the type who would actively follow his girlfriend's blog, yet not only is this video perfectly set up to echo the kids and the movie preview, but Alya - despite apparently caring about her boyfriend soooo much that she kept trying to convince Marinette to bend the rules - didn't even try to warn Nino or text him so he doesn't take it too seriously. It's like "Sentibubbler" with the conflicting messages about identity rules; Alya cares about her boyfriend but both isn't thinking about how he'll take the things she says and apparently doesn't know him well enough to realize that he wouldn't be mad over her keeping a secret that she was told to keep. I already talked about how they play up Nino to be the emotionally weaker one of the relationship, but then they don't have Alya try to cover or make up for that. She's been acting very much not like Alya - you know, the one who in "Sapotis" practically bragged about how great she'd be at covering for Ladybug - with her stutters and weak excuses, so I can't completely blame Nino for being upset after everything that's happened when he sees the writers projecting onto Alya as she talks about how Chat Noir is brave and funny and cute and showing all these images of him as well. I don't agree with all of his actions, but--oh yeah, speaking of which--

Nino calls Adrien and is talking to him about how Alya must be in love with someone else. Adrien dismisses the idea, as Alya and Nino are together basically all the time, and asks who she could possibly be in love with. When Nino suggests that it's Chat Noir, Adrien laughs and jokes about it being Fang instead. Nino points out the video but Adrien did see it but is overall unphased and convinced that it means nothing. Nino says that he'll find proof and hangs up, but Adrien is certain he'll find nothing. Plagg comments that Nino will find someone because Plagg's charisma has definitely contaminated Adrien.

Ugh.

Adrien expresses concern that he put on the cat's charm too much and accidentally made Alya fall for him, and decides to visit Alya as Chat Noir to be sure.

Meanwhile, we get a reference to film noirs as Nino narrates. That's the second blatant reference this episode and now I feel like they wrote this script while doing a movie marathon.

Chat Noir arrives at Alya's house and Trixx hides before Alya opens the curtains to reveal her surprise guest. Nino is nearby watching the scene with his phone as Alya wonders aloud if something's wrong. Chat assures that everything's fine, but brings up the video she posted. He insists that it made him happy, but points out that she's been following him and Ladybug since the beginning and that they know each other much better due to everything that's happened. He has some conveniently-worded dialog as he starts to say that he hopes something's just an illusion and Alya gets worried that he's about to bring up Rena. Chat continues and clarifies that he wonders if she started to feel something for him, though adds that he understands because just look at him.

UGGGGH.

Chat clarifies by making a heart with his hands, which Nino sees. Alya laughs at this gesture and states that she has a boyfriend, doing the same heart gesture and suggesting that her love for Nino is even more than that. Chat Noir apologizes - hm, I didn't know he had the capacity to do that - and hugs Alya, saying that he was just confused.

An absolutely unnecessary hug for two people who, at least in terms of their current selves, have had very little screentime together, but this is also the show where making eye contact basically means your friends and it's all just to push the plot along so Nino inteprets that Alya is in love with Chat Noir, so whatever I guess.

Alya states that Nino is far more irresistable than Chat, then adds that she doesn't even know his secret identity, and she'd never fall in love with someone she doesn't know. Nino then runs away upset and the scene cuts away to the next day where--

Wait, wait, wait, hang on a second. Two things right off the bat there.

First off, we're just gonna sidle past that "wouldn't fall in love with someone you don't know the identity of" while ignoring the existence of the love square? Not even Chat thinking about how he doesn't know Ladybug's identity and trying to excuse that he doesn't have to? This guy is that certain of their relationship?

Secondly, Nino is practically sobbing and Shadow Moth doesn't take this as his opportunity? Same guy who akumatized Mr. Pigeon 72 times and has akumatized Gigantitan more than once? What is this pacing???

But--alright, so Adrien comes into school and sees Nino, still dressed up in his detective gear, which gets ignored completely as Adrien goes to tell him about Chat Noir and Alya. Because the show doesn't know how Adrien would convey this within reason, Nino interrupts him, taking him down into the lower part of the school where he has a desk and chairs set up. Adrien goes to ask when Nino had time to do this, but Nino slams his hand on the desk to cut him off. Nino presents the evidence he took and they go back and forth, likewise with Adrien turning off the background music while Nino turns it back on. Adrien insists that it's a misunderstanding, but pleads innocent when Nino asks how he knows. Adrien states that Alya is just a superhero fan and that she and Chat Noir have nothing in common.

Again, the complete lack of self-awareness is astonishing.

Adrien repeats what Alya said about secret identities and how she wouldn't fall for someone she doesn't know - they're really ignoring this, aren't they? - and continues hitting Nino's soft spots about how unlikely it is until Nino decides to tell Adrien something he's not supposed to.

He tells Adrien, not only that Alya is Rena Rouge, but that he's Carapace. Adrien goes through a range of emotions beyond sAD for once, shocked at the fact that they know each other's identities. Nino states that they don't keep secrets from each other, except now Alya is with Chat Noir. Adrien still doesn't understand and brings up how secret identities have to be protected, or else Nino wouldn't have told him because Ladybug wouldn't agree to it.

Oh, here we go. So that's why they waited.

Nino states that it was Ladybug herself who gave them their miraculouses at the same time; not giving the reason why, of course, nor pointing out that they're temporary heroes so there's understandably some leeway. Adrien is having a moment, but manages to bring the subject back to Alya and Chat Noir, who he still doesn't think are a thing. Nino argues that it's because Adrien doesn't know Chat Noir, but he does because he's Carapace and knows how Chat Noir acts. He says that it's all flowers and confessions when Ladybug appears, but he gets rejected because Ladybug thinks that he's annoying, and she's right. He adds that Chat flirts with Rena Rouge and that's all that needs to happen, with Chat stepping in on the first mission Carapace lost in. Nino laments the loss of the love of his life and wishes to shut Chat Noir up forever; we all do, Nino, we all do. Shadow Moth finally steps in with - oh, less than eight minutes left in the episode, yikes - and Nino is akumatized into Rocketear.

Rocketear rejects Adrien's pleas to stop, insisting that Chat Noir is who he's after, not Adrien, and Adrien transforms in sad fashion despite Plagg's reminder of who Rocketear is after. Alya, meanwhile, is in the art club with Marinette - wait, since when was Alya in the art club - telling Marinette about how Chat Noir thought she was into him due to the video, which Marinette groans at. There's an earthquake and they peek outside to see Rocketear firing his tears at Chat Noir, shouting that he stole Alya from him. Chat Noir tries to tell him otherwise, but Rocketear won't listen.

Alya groans at Nino doing this, then she and Marinette set off to find a place to transform. They conveniently go to the same place Adrien and Nino were, so they see the desk that Nino had set up.

Genuine question, how seriously does this episode want me to take itself, because now when I recount all the unnecessary love square drama in my head - because you know that's where this is going - I'm going to have to think, "Nino, dressed in a detective outfit, ripped off his fake mustache and told Adrien both his and Rena's identities, and also that Ladybug was totally cool with it and thinks that Chat Noir is annoying."

Gettin' two completely different vibes here. The episode clearly wants to be important but it doesn't take itself seriously either, which it totally could while including enough jokes to keep things light. Instead, I'm just left scratching my head and wondering what tone they're going for.

Marinette finds Nino's phone on the desk - I'm calling continuity error on that one because he at no point put it on the desk, at least not on-screen - and she questions Alya on the video she sees. Alya insists that nothing happened, apparently completely unphased by her boyfriend having spied on her, and says that he wouldn't have misunderstood if he'd heard the actual conversation.

The two transform and Ladybug immediately uses Lucky Charm, receiving a projector. Ladybug is clueless and Rena Furtive suggests creating an imaginary movie like Nino. Ladybug gets an idea, remembering Alya's earlier comments, and Rena confirms that she remembers every word of it.

Aaaaand, just like that, all of the tension has been completely sucked away. You know, "Backwarder" was a trash episode, but at least when Ladybug was showing every step of her plan, she didn't tell us what it was.

Meanwhile, Rocketear and Chat Noir are still arguing--I started zoning out at hearing the same thing over and over again at this point, so I just presume they were fighting over who does stuff behind their love interest's backs better; I don't think they came to an agreement but they're both losers anyway.

Chat Noir says that he'll prove his innocence, tossing his baton aside to show him giving up, but Rocketear points out that it proves nothing and strikes Chat Noir with his tears.

Our endgame love interest, everyone. Straight As yet about as smart as a sack of bricks, and that at least won't flirt with anyone non-consensually.

Chat Noir makes a point that he doesn't want to hurt Rocketear, and Shadow Moth tells Rocketear to take his miraculous before finishing him. Chat Noir can only weakly tell him not to before Ladybug snags Rocketear's wrist and diverts the shot. Ladybug explains to Rocketear about the projector and how it'll let him hear the audio of the recording he took. She adds that she doesn't know what Chat said, but she trusts him.

Marinette, I'm sorry, I feel so bad for you.

Ladybug turns on the projector and Rocketear relaxes at actually hearing what was going on. Rena then de-transforms and hurries out to meet with Rocketear, hugging him as Rocketear apologizes for doubting her. Alya also kinda sorta apologizes in a way I don't understand and Rocketear then breaks his akumatization, very casually, all on his own.

Yeah, just--casually, in a matter of seconds in fact. You know, it's really sad when people resisting akumatizations are more tense and emotionally compelling than them breaking them. This is twice in one season now and has zero impact considering that Nino's reason for being akumatized was already taken care of so he had no reason to stay akumatized anyway. Him breaking his own object to release the akuma would've at least been different, but instead it's just a repeat of what Alya went through with even less tension considering that Alya's wasn't even that good in the first place, relying on her relationship to Ladybug rather than who she knew to be her best friend.

Moving on, Ladybug captures the akuma and uses Miraculous Ladybug to bring everything back to normal. Shadow Moth monologues about how love and secrets don't go well together and he's sure that she has a lot and I'll talk about this later.

Ladybug hands over the magical charm, which Nino takes but insists that he won't need it, as he'll never let Shadow Moth use his love to manipulate him again. Plenty of other things to get akumatized over, but they gave the supposedly ace character a robot to help him stick out and also gave the supposedly aro character a miraculous back in season one to give her more importance. If characters aren't in love then they need something to ceompensate for it.

Nino apologizes to Chat Noir for being wrong and Chat Noir assures him that everyone has doubts, even him. He gets sad and Ladybug asks him what's wrong, but he insists that he's fine - officially throwing away his right to be upset at her later as far as I'm concerned - and they do their usual fist buuuuu--

...Really?

Everyone then splits up and Chat Noir sulks by himself instead of--you know, talking to Ladybug, or asking her anything, or making any sort of excuse for her because that would mean he actually has faith in her and understands that their partnership is different from temporary heroes, even if the excuse was as basic as her wanting to protect him more than the others because he would be that egotistical if they didn't want to stretch out this unnecessary drama.

Later on, Adrien is staring at a picture on the Ladyblog that might be a metaphor for the show considering how "in the foreground" Chat Noir and Rena are.

Adrien vents about Ladybug giving miraculouses to Alya and Nino, but Plagg states that she's the guardian. Adrien clarifies that he's referring to Alya and Nino knowing each other's identities, but Plagg doesn't see the issue. Adrien gets huffy and asks why the rule exists for LadyNoir but not Ninya, but Plagg again points out that she's the guardian, so she makes the rules, though obviously he uses cheese metaphors to convey it.

Okay, Plagg is only, like--half-right because he doesn't have all the information. If you don't mind me rambling for a bit, I'm on the fence here because, on one hand--yes, I agree that Marinette should be allowed to make her own rules, and I often do that in my writing because I think she should be permitted leeway in order to let herself be happy, but on the other hand, it's not technically her rule, as she had to let Alya and Nino in on their identities back in the Season 2 finale, so Fu was still around for a season. She wasn't even guardian yet!

Now, presumably so the fandom could blame Marinette if anything happened, Marinette never discussed this with Fu on-screen, so I can't say whether or not Fu knew, but I feel like he must've since Marinette had to have told him the heroes' identities off-screen, given "Party Crasher," and thus I imagine that Marinette would tell Fu everything that happened, which is consistent with what she does on-screen even if she'd keep things from him for a little while.

"Furious Fu" had also established that not even Master Fu followed rules completely, meaning that Marinette is in this awkward spot of mostly following what Fu taught her, which aren't all guardian rules anyway, and having to break the rules on occasion for various purposes. I can't say what Fu approved of and what he didn't, because episodes spend so much time on the love square that they forget about Marinette as a person and how she interacts with everyone else. From an emotional standpoint, I can't blame Marinette for not revoking the miraculouses of people whose identities get discovered because of her, as I imagine she feels guilty and it probably doesn't seem fair to force them into another miraculous or have them be entirely without one because of a mistake that she made, meaning that someone needs to be throwing a lot of red flags for Marinette to be through with them.

Though obviously, from the show's standpoint, it's just an excuse to not make new models, but I complained about that enough in "Sentibubbler" and this episode even went out of its way to design a detective model for Nino while spraypainting Alya's bodysuit in the same breath, so this is the world we live in.

Anyway, Marinette is essentially in this position where she still has Fu's rules hovering over her, but she's also trying to step out on her own and make her own decisions to varying degrees of success or failure depending on your point of view. Tikki--wait, no, bad idea--Su-Han then, could easily give input on these things, perhaps with Marinette discussing a modern day set of rules for someone her age and going back and forth with Su-Han on what the right choices to make are, finding something that's comfortable but within a realm of predictable control. Su-Han was okay with some rules being broken after seeing how Ladybug handled them and they could've easily made this episode about that instead, but instead, we get rules being set and then being broken on a writer's whim.

Which now brings us to the end of the episode, where Marinette is on the phone with Alya and apologizes for causing trouble between her and Nino. Alya tells her not to worry and she'll fix things - you know, those things that, to Marinette's knowledge, have already been fixed - and asks if Marinette trusts her. Marinette does, and Alya hangs up in order to face Nino.

Yeah, that feeling of dread in your stomach? That means you know how predictable the writing is and what's about to happen, good for you.

Alya explains that she has to tell Nino something and he's worried, this time trying to sheepishly break the tension. She explains that she's still Rena Rouge, much to Nino's shock, and adds that she's in hiding, which is why Ladybug didn't want her to tell anyone. Nino asks why she's telling him if she's not supposed to tell anyone - proving my point from a while back that he wouldn't have been upset had she kept it a secret - then asks if Ladybug agreed with it.

I want to give him a pat on the back for considering Ladybug, but he didn't even tell her when he had the chance that Adrien knows his identity now, so I'm just beaten down at this point.

Instead of answering the question directly, Alya says that she can't hide her identity from him because she loves him and they don't have secrets.

You know, like Nino telling Adrien about Rena's identity, or Alya saying specifically that she's a permanent holder, which I'm sure both of them will confess to since they said that they don't have--aaaaand the episode ends on happy triumphant music, okay.

I mean, I guess Alya at least didn't tell him that Marinette was Ladybug, but that is such a low bar and not even remotely worthy of congratulations when Alya told Nino the specific thing that Marinette told Alya not to tell; the thing that they had agreed on.

Nino wasn't upset anymore. He won't be getting akumatized either. Alya endured the supposed hardship of being a permanent fox holder for four episodes before breaking down and telling her boyfriend. Even her excuse doesn't hold any water because, again, they're both still technically keeping a secret, particularly Alya who knows Marinette's identity as Ladybug. The episode also apparently forgets that Alya and Marinette's friendship must not be as strong by her logic of telling Nino specifically everything, as Alya kept Rena Rouge a secret from Marinette for all of Season 3, but tells Nino about continuing to be Rena Rouge in Season 4. Boyfriends before BFFs without explicitly saying it, or to be more specific, whatever screws Marinette over the most, because that's what this comes down to, made worse by "Optigami" where Marinette told Alya that she'd tell her everything and I guess that doesn't go both ways.

"Sentibubbler" had Alya stress that no one would ever know. She promised Marinette and told Marinette to trust her, and the episode spent its entire running time talking her up and assuring Marinette that she was the right choice, even considering Marinette ridiculous for worrying when Alya had done something without Marinette's permission the episode right before it. Then, three episodes after "Sentibubbler," when Marinette is finally comfortable and trusts Alya completely, Alya betrays that trust. Nino betrayed that trust, knowing he wasn't supposed to do so but telling Adrien his and Rena's identity anyway, because he was losing an argument and needed to PROVE something.

Marinette gives them an inch and they take a mile. Marinette bent the rules so that they could continue to have the miraculous they'd started with and they disrespected her because it was hard for like a day.

And if this bites them back, it won't reflect poorly on them, it'll reflect poorly on Marinette.

It's not like Alya just overrode Marinette. She didn't go, "Hey, I'm telling Nino, I'm sorry," or tried her hardest to go back and forth with Marinette until they both agreed. No, she did what she told Marinette she wouldn't do without saying a word to her, because LOVE and SEEEECRETS.

And this only applies to her, of course, because don't think I didn't notice the parallels between this episode and "Truth," because WOW.

Episode begins with Marinette hoping for something and it blows up in her face? A date at the cinema that ends on a sour note? Plot-centric couple trying to get Andre's ice cream and the female with a secret needing to leave in a hurry? Boyfriend character getting akumatized over their girlfriend's secret? Boyfriend assumes/suggests that the girlfriend's secret involves Aaaaaadrien - or his alter-ego in "Rocketear"'s case - and the episode hints as much to him even though he's completely wrong? Akuma's colors are blue and black? THE BRIDGE?

But, ahhh, little difference, here and there, y'know, like how Marinette was forced to break up with her boyfriend while Alya got to keep hers, and Nino got to have long talks with Alya while Luka got little to nothing with Marinette.

Because do note that Alya, while trying to convince Marinette and talk to Nino about not keeping secrets, at no point suggests that Marinette deserves to be happy and deserves to have a boyfriend and that Marinette should be allowed to tell Luka her secret so they can get back together, so you have Alya here selfishly prioritizing her relationship with Nino while making no comment about Marinette's relationship, essentially asking Marinette to allow her what Marinette herself didn't have the luxury of, and Alya knows this because Marinette told her. It is both incredibly insensitive of Alya and incredibly insulting of the show to make so many parallels between this episode and "Truth" just to have everything crash down for Marinette because she's Marinette while everything goes well for Alya and Nino because they're not Marinette.

We've talked before about the formulas that are literally baked into the show, and one of those is how Marinette makes a mistake in every episode and has to learn from it. What that mistake is in this episode, I don't know, but considering that she apologizes for Alya and Nino's problems, I guess the show blames her for what they themselves had taught her.

Point being, there's a clear karma system in place, but it only applies to Marinette, and forcing her to mess up in every episode means that she is literally not allowed to be with Luka because had she been able to clear things up between them, he would've eagerly accepted her and they could've been happy. It'd be too difficult for her to mess up when Luka doesn't put mountains of pressure and expectations on her like everyone else. Factor that in with how she can be herself around him and it leads to situation that are too difficult for her to screw up in because her mistakes - more often than not - center around Adrien or her role as guardian.

And because another rule in the show is to bring up Adrien so they don't "lose him for too long," she can't avoid bringing him up either. If he's not in the plot, he has to be mentioned, leaving Marinette in a lose-lose situation that she'll never be free from.

So, let me just get this straight then:

The guy who spied on his girlfriend instead of talking to her about his assumptions gets to keep his girlfriend, not because he realized it was wrong regardless of whether he was correct or not, but because the situation had been cleared up for him, yet the guy who actively resisted his akumatization, saddened by his girlfriend's secrets but wanting her to share them when she was ready, gets broken up with and tossed to the wayside because he's not a rich blond boy who got a miraculous because he happened to be within the twenty meters of space where Fu was searching for new holders?

Meanwhile, the girlfriend who has gone against the wishes and insistence of her best friend - guardian of the miraculouses, by the way, so she calls the shots, something that Alya herself said in "Optigami" BEFORE GOING ON TO DO HER OWN THING IN THE SAME EPISODE AND BEING REWARDED FOR IT - is allowed to go against the wishes and insistence of her best friend again for the sake of "all love, no secrets" with her boyfriend and so she can have the happy ending she wants, yet the girl who was chosen for a miraculous without her consent, forced to screw up and talk about a random boy who doesn't even go out of his way to spend time with her, treated like absolute trash by writers who find humor in her misery, and is the only one to receive overly harsh and long-lasting consequences for her actions while also covering up and forgiving the actions of others within the episode where they do it...

doesn't get her happy ending, and won't ever get her happy ending. That thing Shadow Moth said about love and secrets not going well together? Yeah, only goes as far as the writers want it to, because both Nino and Alya still have secrets, and some of the ones they did tell each other were forced by someone else and kept until that very moment. This idea that people in love have to tell each other everything and that it makes a relationship stronger makes me immensely uncomfortable, and that lesson is also in "Guiltrip."

People should be allowed their secrets, and obviously there are exceptions for things that are being hidden with malicious intent, but being essentially forced to share everything or risk not having a "full and complete" relationship is stifling and sounds like it'd only cause stress.

This episode sucks. It furthers and confirms everything I've already thought about the show, Nino's screentime continues to be dependent on Adrien, Alya, or both, there are pointless references that completely take me out of the experience, and the utter betrayal from Alya and supposed message of the episode just reminds me that Marinette is inevitably going to be stuck with a guy who didn't even DO anything in this episode and is going to let himself stew instead of asking for any sort of clarifications from someone he apparently trusts so much.

So the takeaway is that Marinette's life is awful, she'll be forced to apologize for rules that she didn't even come up with herself, her best friend will walk all over her for the sake of her relationship with a guy - not even for the sake, really, they were going to be fine, it was more for HER personal comfort if anything - and the guy who actually makes Marinette happy and could've known her identity instead BECAUSE HE AT LEAST DIDN'T HAVE A TRACK RECORD OF SPILLING HER SECRETS gets treated in the exact same way that she does; like nothing, just something to abuse unfairly.

What a waste of an episode.

#MC's Videos #category: episode summaries #category: salt #salt: adrien agreste #salt: chat noir #salt: alya cesaire #salt: nino lahiffe #video: critique #MC's Renders #render: persona #episode: Rocketear #((I would usually apologize for rambling but you guys seem to like it lol.))#((I could still afford to trim down the summary probably and repeat myself/ramble a BIT less but yeah.))#((I'm also feeling a little more comfortable this time around))#((which might come off in my inflections.))

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clairegregoryau · 2 years

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On Pinocchio and other tales in OFMD, or: a story about storytelling, truth and lies, and reinvention.

Hi all! . I'm a writer and historian, deep diving into deep themes and story structure in #OFMD. Today I'm talking about the use of Pinocchio, both as a story in its own right, and as a storytelling device. No, it's not a thesis. Yes, it is a bit of an essay 😅

First up, I think it's interesting to note that David Jenkins' Twitter and Instagram bio references Pinocchio- 'A wooden doll who became a real boy who grew into a man who created and showruns OUR FLAG MEANS DEATH.' It's clearly a significant reference for him. Here's my breakdown of the deeper meaning within the show:

1. I went back through the show looking for links and references, and I thought it was pretty interesting that the only place Pinocchio is referenced is in the first episode. This leads me to three conclusions- one, that it's most important as a narrative circle contained within the first episode; two, that Stede's story arc overall is relevant without having to refer back to it directly; and three, that the telling of the story itself is actually a key part of why it's used.

3. It's an instantly familiar story that was not, incidentally, written until over a century and a half after the events of OFMD took place (but that's just one bit of the excellent way this show plays fast and loose with history, setting it aside when an anachronistic reference makes the story stronger). Most in the audience will instantly think of the Disney film, but it began with a book. And both the book and the film are, IMO, relevant to the deeper theme in different ways.

4. First up- the book. Written by Carlo Collodi in 1883, the tone of the original was a lot darker than the film. It was a story about a wooden puppet (created and controlled by others, relevant!) who dreams of becoming a real, independent boy. He misbehaves and lies, and he's described as a wretched boy, a disgrace, a rogue, and I'm sure a fair few other things that people broadly use to describe Stede at various times. Here's the stuff that really pinged when I started thinking about it:

*The book ends- dun dun dun- with Pinocchio being hanged, then reborn as a real boy. I did not know this until I went looking, and it instantly made me realise that this was the arc of the first three episodes of OFMD. Stede, the wretch, the rogue, the liar, ends up hanged by the Spanish, before he's cut down and reborn into a real boy the moment he meets Blackbeard.

We see Stede tell a dangerous truth twice in OFMD, both times to a Badminton, perfectly mirrored in the first and ninth episodes. Once when Nigel tells him that there's a rumour going around that he's a pirate, and Stede confirms that's true (to Nigel's great amusement- and ultimate doom). And the second time is when Chauncey tells him that Ed has confessed to Nigel's murder, and Stede tells him that's not true. The first time, Stede's pushing back against a poor impression of him. But the second time is completely unselfish- he's confessing to the truth for Ed, not for himself.

6. Let me swing back around to sum up the Pinocchio arcs in the first episode and the first three episodes:

a) In the first episode, Stede's always been a puppet, under the control of others. He's gone to the sea, and then he has to be brave and truthful, and voila. Stupid puppet pulled it off, as Wee John says at the end of the episode.

b) He hasn't been entirely unselfish about it, though. He's left his wife and kids 'on a whim' (echoing Mary's later words, unfair as they may be) to gain what he wants. And so that arc continues a _little_ bit longer, in a different way, while various people accuse him of being terrible, until he is hanged and reborn. You could probably argue that the same arc repeats a third time, from the beginning all the way to the end, when he finally manages to be unselfish, brave and absolutely truthful about who he is and what he wants.

7. Swinging back across to the idea that Pinocchio itself is maybe not as important as the telling of the Pinocchio tale- there's a classic writing technique called the Rule of Three. If something is important, repeat it three times to cement it. And there are three key moments where storytelling takes centre stage. All three take place at night, with the whole crew clustered together on deck.

In episode 1, Stede tells the tale of Pinocchio

In episode 2, Pete tells the tale of Blackbeard

In episode 6, Ed tells the tale of the Kraken

On review this collection of tales feels VITAL to me. In the first instance, Stede's telling his own story. In the second, Pete's introducing the legend, the image, the idea of Blackbeard that everyone knows. It's essentially just as fictional.

In the third instance, Ed's telling his own truth and his own lies all bundled into one. It's only after the fuckery that he admits the real truth is both less scary and more- he is the kraken. He's spun a fictional tale to protect the truth of himself- but then he gives up the truth to Stede, and trusts him. Everything changes from there.

So we've had Stede tell lies and the truth. We've had Pete tell lies, before we see the truth. And we've had Ed tell lies and truths as well. We've seen Stede reinvent himself by the end of the first episode, or so he thinks, and then reinvent himself again at the end. And we've likewise seen Ed reinvent himself with Stede (first thinking he might steal Stede's identity, then realising he can actually have his own true self and Stede). In his own way, Ed's been Blackbeard's puppet all along, if not also Izzy's- and he hasn't managed to cut the strings just yet. A fellow fan observed that this comes around in a perfect way in the ninth episode, when Lucius reads from Stede's journal to prove that he's a real pirate in order to save his life. He's genuinely writing his own story, and his own truth. Before that Frenchie tries to pass the journal off as fan fiction, played for laughs because nobody's been much of a fan. But when Stede's life is at risk and Lucius reads his story, the crew rally around to back him. He might be hopeless, but he's their captain, and they're his crew. And that's the end of the story- for now...

#omfd #our flag means death #deep dive #fiction #stupid puppet pulled it off #storytelling #talk it through as a crew #blackbonnet #renew our flag means death #ofmd meta

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wkemeup · 3 years

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Sunrise (7)

summary: After an explosion takes his arm and his only sense of belonging, Bucky is content to live out the rest of his days in the hollow comfort of the dark. This is, until Sam drags him down to the local VA and he meets you. (Modern AU) pairings: bucky x reader chapter word count: 4.8k warnings: ✨kissin✨ 🧡 series masterlist / series playlist

“I can't believe this happened,” Natasha groaned, sinking further into her couch cushions as if it could swallow her whole. She held a bottle of cheap vodka in her right hand, her left digging through a bag of sour cream and onion chips. Her red hair was untamed for the first time since you’d known her with strands sticking out at the sides and pieces falling out of her braid. She took another swig from the bottle.

“Maybe it’s not that bad?” you offered, though the slight alteration of your pitch gave way to your doubt.

Natasha had been hired through her new security firm to work the art rooms at MOMA. You’d walked her through the hiring process and sat through hours' worth of practice interviews and resume building and anxiously bouncing your knee as you both huddled around the library computer and waited for the email to come through confirming her hire.

She’d worked so hard for this job. She’d held it for almost six months without incident.

Nat deadpanned as she wiped the excess droplet of vodka from her lips with the wrist of her sweatshirt. “I tackled a civilian, Y/n.”

“You said he was acting suspicious! Isn’t that enough of a defense?” you tried, betrayed again by your tone. You winced.

“He was staring at me with those beady little eyes of his,” Nat grumbled, shoving a few more chips in her mouth, continuing before she had a chance to swallow. “He kept looking over his shoulder toward me like he was checking the surveillance of the exhibit, like he might be staging a robbery in his head or coming up with methods to blow it all to shit.”

She huffed the hair from her eyes, only for it to fall down exactly back into place at the center of her forehead. “Turns out the only plotting he was doing was to get my phone number. Didn’t know that, of course, until I’d had him pinned to the ground and his hands behind his back.”

You sighed. It wasn’t an uncommon occurrence for veterans like Natasha to struggle in maintaining steady employment. Adjusting to civilian life never came easy. It was why so many soldiers chose to reenlist again and again. Even after years of PTSD and the fractured relationships their distance left behind, they boarded that plane. You’d witnessed it firsthand.

“They fired me,” Nat admitted, sinking further into the couch.

She was one at the VA the others feared. With her strong features and deep voice, intimidating glare and the aura of a woman twice her size, no one took to her be anything but the stone-cold persona she amplified. You were one of the few she let her guard down around long enough to see the fragile, loving person underneath.

“I’m sorry, Nat,” you told her. You reached for her hand, squeezing it in your own.

She shrugged. “It’s fine. Move on to the next one, right?”

You nodded. Keep moving forward. It was the most she could do.

“But enough about me,” she huffed, rolling her eyes. “What’s going on with you and the broody amputee?”

“Nat!” You swatted her hard on the arm.

She was unbothered, shoving another handful of chips into her mouth. “Don’t pretend like it's not completely obvious how much the two of you are into each other. Every time I look up to take a sip of coffee at book club, one of you is making heart eyes at the other. Spill.”

You didn’t know where to begin. It felt like you’d known Bucky your whole life. But you started with the moment Sam introduced you at the VA. You told her about the moments at the library and how eagerly he read through every book you placed in his hand. You told her about the coffee trips to Luciana’s and the extra time he spent helping you set up for book club and cleaning up when it ended. You told her about the walks in the park and surprise visits at the library.

There were a few moments you left out, like Bucky’s panic attack on the crowded streets and the flashback episode the fireworks created, but you told her about the good parts. The holding hands. The comfort you felt when he walked into the room. The kiss you’d shared just a few hours earlier.

“Shit, we’re talking about James Barnes, right?” Natasha laughed as you told her he’d been the one to press forward to kiss you first. “Sam used to talk about him all the time before he started showing his face around the VA. I’d gotten the impression that he was barely keeping it together after what happened over there, like he was a ghost or something. Sounds like he’s got some game back though.”

You nodded, a laugh on your lips though it felt a little drained. You thought of the picture on Sam’s desk and the vibrance in Bucky’s smile with his arms thrown over the shoulders of his closest friends. You thought of the version of the man Natasha described, the same one Sam referenced in the library the day before when he thanked you for helping Bucky find himself again.

Curiosity crept it. It was more than that, though. You wanted to understand how a man so full of life and charm and energy could be wiped clean so quickly. You wanted to know, not for your own selfish indulgences, but so you could better understand the man you were falling for. A man who lost himself for so long and was only now starting to pick up the pieces again.

“Do you know what happened to him?” you asked, a bitter taste of shame lingering in your mouth.

“I don’t.” Natasha shook her head and you sighed, nodding. You resigned to let the inquiry go entirely – it wasn’t something you’d ever ask Bucky about directly, but then Natasha cleared her throat. “I do know he came home with a Bronze Star, though. Sam said he won't even look at it.”

You narrowed your eyes. “A what?”

“A Bronze Star. It’s awarded for exceptional bravery in combat,” Natasha explained. “My guess is it’s got something to do with how he lost his arm.”

You suspected as much. He carried himself with such distain, as if he couldn’t stand the body he was in. You’d felt the sharp cringe in his back whenever your hand drew too close to his left side, how he’d often stare at you in disbelief whenever you so willingly reached out to touch him. He’d never once removed his jacket in front of you and sometimes you wondered if he made careful avoidance of the mirrors in his own home, too.

***

The first time you saw Bucky again, you’d kissed him on the sidewalk. Rushed up to him as you skipped steps descending outside the doors of the Brooklyn Library, hands pressed firmly to the sides of his face, and just... kissed him.

It startled him at first, enough for his arm to hold out at his side, frozen, for just a second too long before it settled on your spine. Your fingers gently traced along the stubble on his cheeks, smiling bright against his lips, and he’d kissed you back as tourists and locals filtered through the busy walkway as if they were little more than a blur around you.

It became routine, it seemed, for Bucky to be waiting at the steps of the library for you. He didn’t shy away when you raced towards him, didn’t flinch when you reached for his hand, didn’t hold his breath so tight he could hardly focus.

Instead, he was full of laughter. He made jokes that would put Sam’s cheesy one-liners to shame. He walked with you on empty residential side streets even when his anxiety had started to ease only so could take his time with you, dragging his feet along the pavement to stay by your side as long as possible. It was what he told you, anyway, and your heart just about leapt from your chest.

You began to see glimpses of the man in the framed picture upon Sam’s desk. Outgoing. Flirtatious. Charming.

Sam noticed the difference almost instantly. The way his eyes flickered over to the two of you, narrowed upon the absence of space between you both as you leaned against Bucky on the couch, books nestled in your hands. Sam had been standing in the doorway to book club, peering in through the window, when you noticed him staring. His smile grew wide upon his face, a very unsubtle and enthusiastic thumbs-up followed, and you waved him off before Bucky noticed he was there.

No one in book club asked questions when after another meeting, you’d taken to resting your head on Bucky’s lap as you read, his own book settling on your shoulder. Tony peered over the top of his binding a few times with a curious stare the time Bucky had finished his book early and spend the remainder of the time reading yours over your shoulder, his finger drawing patterns on the top of your thigh, a kiss pressed to your shoulder here and there. Natasha smirked from her seat on the floor.

It happened so quickly, how easily you’d fallen for him.

Always in the smallest moments, in the sweetness of his smile, in the way he glanced over at you every so often as if he were checking to make sure you were still there. He opened up pieces of himself to you, set them gently into your hands and waited to see whether you’d keep them safe or throw them to the fire. It was agonizing for him – the vulnerability of trust – but you’d hoped that by protecting the pieces he showed you, he’d feel safe enough to give you more. You wanted it all. You wanted all of him.

Sam insisted he’d never seen Bucky smile as much as he has been since he met you, including in the time before the war. It surprised you at first, until you remembered the photo on Sam’s desk. It was the same smile Bucky flashed you just moments before when he swiped a bite from your donut while you were talking to Tony. Teasing. Lighthearted. The weight of mere feathers on his back.

“Y/n? You alright?”

Bucky’s voice drew your attention away from the tourists wandering around the park, taking photographs of the ducks at the edge of the pond and the old oak trees with leaves of fallen red and orange at their roots, the open branches giving way to a view of the Manhattan skyline.

You blinked a few times, turning to Bucky as he sat on your left, his brows furrowed in concern. You must have been quiet for too long, which was unusual for you, so you pushed out a smile for him, a slight squeeze in his hand.

“Just thinking,” you told him.

“What about?”

You pulled his hand into your lap, tracing over the lines in his palm absentmindedly. A distant pulse of his heartbeat could be felt in the tips of his fingers.

“You.”

He smiled at that, the corners of his mouth curving high up into his cheeks. A twinge of pink rested on the tips of his ears. He chuckled in an effort to hide his nervousness, though it lingered into his voice. “Me? I’m sitting right here.”

“What? I can’t think about you?” you teased, bringing his hand up to your lips as you pressed a kiss to his knuckles. He watched you with the kind of awe that left him speechless for a moment. It was your favorite look on him; how his lips parted ever so slightly, the blue of his eyes shading into something softer, the muscles in his face slacking.

He cleared his throat. “Uh, I guess that’s okay.”

“Good,” you smirked, setting in against his side. You rested your head on his shoulder, playing with his hand in your lap as you watched two little boys chasing the ducks around the pond, flapping their arms and trying to encourage the ducks to fly.

You’d been sitting on the old, wooden bench under the tallest oak tree for nearly two hours when you glanced up to find a series of dark clouds rolling in and obstructing the cast of red and oranges filtering along the horizon. They hung heavy and ominous as a shadow lingered over the park.

“Hey Bucky?” you started, sitting up straight as you gestured to the clouds. He had a sort of sleepy look in his eyes like he could have been content to sit there with you all night long. “We should probably get out of here before—”

You felt the first raindrop on your cheek. Wiping it away, you looked up into the sky just in time as sheets of rain poured out from the clouds. You gasped, grabbing a firm hold of Bucky’s hand and yanking him up to his feet.

“Come on!” you yelled over the rush of rain as it slammed onto the cobblestones in the park and shook the trees. Bursting into laughter, you threw the hood of your jacket up over your head in a half-ditched effort to stay dry. Bucky’s hand secure in your own, you took off running, only for his laughter to follow you as he chased you down the streets.

Rain drenched into your hair and ran in droplets down your spine, clothes soaked through to the bone by the time you realized where you were running. Luciana’s was just around the corner, calling to you like trumpets at the golden gates. Hot chocolate nestled between your palms, the warm hum of the radiator, nibbling on leftover pastries from the day. Truly, Heaven.

By the time you reached Luciana’s, you’d nearly slammed into the door trying to get inside. The canopy was incredibly small, no bigger than space for a single person, but you reached out and gripped Bucky by the lapel of his jacket and tugged him beside you to pull him from the rain. You could feel the heat of his breath through his labored pants, the small puffs of warm air pressing out into the cold, and you laughed nervously at how close you were standing.

“Her daughter has a dance recital tonight,” Bucky read from the sign posted on the inside of the door. “It’s closed.”

Sure enough, as you looked inside, the lights were out, chairs flipped upside down and resting on the tops of the tables. Rain poured against the windows, the mist of it still catching your spine and you pressed up closer to Bucky, nearly against his chest. You tried to control how fast your heart was beating, but you were almost certain he could feel it.

“Okay, let me think,” you said, more so to yourself, as you looked out into the streets. They were empty, save for a few cars going about ten under the speed limit and a few teenagers sprinting by in backpacks and school uniforms. Your apartment wasn’t too far from here...

“Follow me!” you shouted over the rainfall, grabbing a hold of his hand.

***

Bucky didn’t have much time to ask questions, because your hand was in his again and suddenly you were dragging him back out into the streets. You took him down the block, through a few back streets, and along a series of brownstones with fallen leaves littering the streets and the high arch of tree branches shading the sidewalk in small relief from the rain.

You skipped up a few stairs, shouldering open the door and pushed Bucky inside. He waiting in the small doorway as you dug through your bag for a pair of keys, wiping a line of rain from your forehead. You exhaled in relief as the door unlatched and you reached for Bucky’s hand again, guiding him inside.

One floor up and the first door on the left, you stepped inside of your apartment and quickly began rushing around to rid yourself of your jacket and the soaking wet shoes on your feet. Bucky stood planted on the doormat, the door closing slowly behind him.

Rain tapped against the outside windows, a dark cloud of grey hanging in the sky and casting a shadow into your living room. A single lamp illuminated the space in a soft yellow tone, touching over dozens of blankets hanging over the couch and bundled up in a basket on the floor, books piled high on the coffee table, newspapers with highlighter marks folded neatly on the kitchen table, and a few cardigans draped over the chairs.

“Can I make you coffee? Tea?” you asked from the kitchen as you wrung out your hair in the sink, shaking off the excess droplets from your hands. Bucky glanced down at the floor, realizing he was carrying water through the hardwoods in your apartment. He winced, quickly making his way back to the doormat.

“I’m alright, thanks,” he said, keeping himself as small as he could on the mat.

“Take your shoes off,” you instructed, pointing to the series of boots lined up by the door. “I’ll go find you some dry clothes.”

With that, you disappeared into your bedroom.

Bucky stepped out of his shoes, wandering further inside. He’d been too out of it the last time he was inside your apartment, too unfocused with one foot across the ocean to really look around.

He found himself drawn to the hallway leading up to your bedroom, with pictures hanging along the wall in old, wooden frames. Some from what looked to be your childhood, with softer features upon your face and dressed in overalls and bright pink sneakers. Then, a few from high school with your arms hung around the shoulders of your friends, mid-laugh. But there was one in particular that caught his attention.

At the very end of the line, hung a photograph of you standing in front of a couple who looked to be your parents. You seemed to be a few years younger, judging by the cut of your hair and the softness in your features. On your left was a man dressed in an air force uniform, hands clasped behind his back. You were standing on an airbase, smiling, but your eyes were red, reflective. Like you’d been saying goodbye and were desperately pretending otherwise.

“This was all I could find,” you said, emerging back from the bedroom with t-shirt and sweatpants in hand. They were too large for you, men’s sizes, and Bucky felt his heart clench as he saw the faded air force logo on top corner of the shirt. He wondered if it belonged to the man in the photo.

“Thank you,” he nodded as you placed them on the counter.

You were wringing out your hair with a towel when he realized you’d changed, too. The dampness on your skin clung to the fresh cotton of your t-shirt, pulling it tight against your chest. He exhaled a tense breath.

"God, look at you,” you laughed, a hand reaching up to touch the tips of his hair as they dripped excess water down onto his shoulders. You pushed it to rest behind his ear, brushing the lingering rain from his cheeks. “It’s unfair, you know?”

Bucky narrowed his eyes, confused. “What is?”

“That you look this handsome soaking wet.”

His instinct was to laugh, but the way you were looking at him made his breaths a little shallow, his stomach twisting into knots. You weren’t teasing as you said it, no lingering joke in its wake. He swallowed.

“I... uh... what? No.” He tried to brush it off, but your hands had slid along his waist behind the hem of his jacket and it stopped him dead in his tracks.

He held his breath as you flattened your palms against his stomach, running your fingers over what once had been hardened muscle before he let himself fall into darkness that took over his life for months. Now, his body favored something softer. You didn’t seem to mind though as you bit down on the fullest part of your lip, hands sliding around to his spine.

“Let me take this off? Please?” you asked, voice low, with the kind of inflections laced within your tone that made Bucky shift uncomfortably in his stance. Your hands slipped up along his chest, lingering by his shoulders and you gripped onto the lapel. It was soaking wet.

“You must be freezing,” you tried again, a little lighter this time, offering him a sweet smile. You must have noticed his apprehension because you softened a bit, letting your hands rest against his cheeks as you drew his attention to you. “It’s alright, Bucky. It’s just me.”

He searched your eyes as you gazed up at him and though he tried, he found no reason to turn you away. His heart was pounding in his chest, his right hand shaking a bit, but then, you leaned forward and captured his lips against your own, and suddenly, he was at ease again.

You kissed him and his right hand found its way to rest against your lower back, pressed flat against your spine; it clenched into the fabric, seeking more, and his fingertips brushed over a sliver of bare skin. He felt your hands slid down along his neck, to his collar, until they slipped under the fabric of his jacket against, resting on his shoulders. You were waiting for his permission.

Then, as you pulled away from his lips for only a second, he nodded. Your lips returned to his almost instantly, and he wondered if maybe you were trying to distract him, or help to ease him as the fabric draped down off his shoulders. His heart was thunderous in his chest, louder than the press of rainfall against the windows outside, but there was a sense of calm in it, a nervousness certainly, but a comfort, too.

He felt the weight of the jacket lift from his shoulders as you set it to hang over the chair. He felt instantly lighter, like you’d removed an anvil from his back, and he suspected it had less to do with the rain-soaked fabric than he cared to admit. He kept his eyes closed as your hands roamed along his shoulders, focusing on the feel of your lips as they traveled from the corner of his mouth along his jaw line.

“Bucky?” you called so sweetly it nearly made his knees buckle.

“Mmm?” He felt a little dizzy, high on the touch of your lips to his skin.

He heard the soft ruffle of fabric as you grabbed the clean clothes you brought for him on the counter. Then, your hand slipped into his and he let his eyes flutter open. You were watching him with more affection than he was prepared for. His heart lurched forward, aching to jump right into your arms.

“Come this way.”

He nodded, trailing behind you as you led him into your bedroom. The lighting was dim, barely casting in a soft orange glow from the lamp at your bedside. The clouds were still dark and heavy as they hung outside the windows, the rain obstructing the view of the brownstones across the street.

“Here,” you set the clothes on the bed. “Get changed alright? I don’t want you catching a cold.”

You smiled for him and his heart just about burst. Then, you disappeared into the bathroom, closing the door behind you.

Bucky stepped forward, running his hand over the Air Force logo in the top corner of the t-shirt. He picked up the shirt, and held it against his nose. It smelled like you, like maybe you’d been wearing it for years now, but there was a name written in sharpie on the inside tag. It was barely legible, but it didn’t look like your own. He tried not to think about who gave you this shirt and who wore it before him, and he quickly removed the damp one soaked to his skin in favor of the one you’d given him.

He changed his pants, too, and a wash of relief came over his body as the chill faded from his skin. The clothes were warm, soft, and he raked his fingers through his hair, thankful it had dried enough to stop from dripping down onto the fabric.

“Hey,” you called, emerging from the bathroom. Your eyes paused on him for a moment, taking him in with the fresh clothes on and something unrecognizable flashed over your features – something that resembled sadness. You shook it off quickly, pushing out a smile as you walked toward him. “Better?”

“Yeah,” he admitted, pressing a kiss to your hairline as you wrapped your arms around his waist. “Thank you.”

You leaned up to kiss him again and he swore everything around him came to a sudden stop. You tugged him down onto the bed, sliding in behind him as you threw the covers over you. Bucky kept his back pressed to the mattress as you climbed over his waist, settling with just enough of your weight compressing against him that he found a relief in it.

His right hand slipped along your waist line, sliding flat over bare skin, warm to the touch. You smiled against his lips and he found himself laughing as you peppered kisses along his cheekbones, his nose, his hairline, down along his jaw, and then finally – back to his lips again.

So lost in you, in the moment, he felt his left hand slid along the underside of your shirt, fabric brushing over the top of his hand as he touched over your ribs and inching closer to your chest. He stifled a moan as he cupped at your breast, swiping his thumb along the pebbled nipple. It wasn’t until he felt an echo of a muscle spasm at his left shoulder that he realized he wasn’t feeling anything at all.

His eyes snapped open and he found his right hand at the base of your spine, your shirt untouched. Reluctantly he glanced down at his left side; the open sleeve of the t-shirt leaving no pretenses in its wake. He was empty there. A piece of him missing. He tried to swallow back the frustrated groan before it passed through his lips, but you heard it. You felt it, too.

“Bucky?” you questioned, concern littering your eyes as you pulled away. “Are you okay? Did I do something wrong?”

“What? No, of course not,” he replied quickly, brushing his hand along the side of your face until it drew a smile back to your lips. The way you were watching him, like maybe he could entrust you with the darkest parts of himself, if only for glimpse, and it pushed him to say more. “I just... I hate that I can’t hold you the way I want. There’s more that I would—” He groaned, head sinking back into the pillows. “I’m not used to... I don’t— I don’t know how to with only one... um...I haven’t— Not since before—”

He bit down on the inside of his cheek, his ears flushing red. You seemed to understand what he was saying as you nodded ever so slightly; the fact that he’d barely learned how to manage his life again with only one arm – everything from washing his hair to getting dressed in the morning, to chopping vegetables and reading a book. He hadn’t even attempted to consider what it was like to be with a woman like this; to want to hold her and please her and touch as much of her as he could. It never crossed his mind before you.

“I’m in no rush,” you said simply, like maybe you were implying you’d wait around long enough for him to figure it out. Or maybe, you’d be willing to help him learn again. You leaned in to press a chaste kiss to his lips. “It’s late. You’ll stay tonight, won’t you? I don’t want you out in that storm.”

Bucky nodded, feeling a little dizzy as he stared up at you. Backlit from the soft glow of the lamp illuminating around you like a halo, Bucky would have said yes to just about anything you could have asked of him. Relief pressed over your features and you sank down onto the bed beside him, curling up against his right side.

Your arm draped across his waist as his circled around your shoulders, fingertips drawing patterns along your skin and leaving goosebumps in their wake. Then, you reached over him to turn off the lamp and a comfortable darkness blanketed the room, the only break from the silence the gentle tap of the rain against the windowpane.

For the first night in months, he welcomed the kind embrace of a dreamless sleep.

#bucky x reader #bucky barnes x reader #bucky barnes #bucky barnes x female reader #bucky barnes x you

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river-bottom-nightmare · 3 years

Text

Nightwing #81 Review

i swear i actually thought no one was interested so i didn’t write one but a grand total of two (2) people said they wanted to read it, so here it is. honestly, my opinion’s been going a bit downhill, but the art is really cool and there are some decent parts so. holding out i guess? i really hope taylor has an end goal or at least a cohesive plan, otherwise i don’t see this series going anywhere i’ll particularly enjoy

the cover is very straightforward in its imagery, this villain has nightwing in the palm of his hand, easily manipulated, easily controlled no matter the action dick thinks he’ll take.

what i find interesting is the colour: both previously and heavily in this issue, the colourist has chosen to make pink this villain’s main colour, with different shades of pink as accents. so why the red in the cover? possibly to just make it more eye-grabbing, though one could argue that pink is even more eye-catching than red. maybe to convey a sense of dread or fear that pink won’t fully get across. either way, it’s definitely a decision i’m curious about.

so melinda zucco is in a high enough political position within bludhaven that she is next in line to become the mayor after the previous mayor died and dick just,,,,didn’t have any idea she existed? dick didn’t know anything about her? forget dick’s own brilliant detective skills, forget his doggedness at anything zucco related, you’re telling me bruce never found her and told dick about her? maybe he wouldn’t have now, but back when dick was a young kid, he definitely would have at least made dick aware of her existence, to let dick know and ask if he wanted to interfere with her life or anything.

i have a thought about zucco’s facial expressions. she is very much stone-cold poker face throughout the entire issue. the only time i see her pull a different expression is near the end when dick corners her against a wall with an arm around her throat.

this is most certainly intentional, what with the varied and intense expressions we see on other characters, dick most prominently. i’m wondering what exactly is the creative team’s reasoning behind this. in these panels, zucco is meeting with the most dangerous, powerful, near-bloodthirsty man in all of bludhaven and becoming the mayor of the city respectfully. in both of these panels, there is barely a hint of emotion in her face: no fear, no determination, no satisfaction. it’s just odd, considering the circumstances she’s in, regardless of any training recieved.

just spitballing here but. like. from what i’ve read so far, dick doesn’t really seem like bludhaven’s guardian angel. more like when peter parker first put on spandex and blindly stepped out into new york.

dick, how exactly can you underestimate someone from one move. so he caught your escrima. anyone with enhanced reflexes can do that. you still don’t know how he can actually fight, and this is shown in the next set of panels.

i just don’t like the wording here. dick’s “underestimated” him, but beats him up easy in the next page. in addition, i don’t know much about combat, but i would assume it would take more than one move to determine exactly what an opponent’s skill level is, made even more complex when you add physical enhancements and metahumans and aliens into the mixture.

idk my first thought when i saw that he caught the stick was “ah ok he’s enhanced” because obviously he couldn’t have reacted fast enough if he wasn’t (as there are few people trained enough to catch it on human reflexes alone.) then the wording in the next panel, i’ve underestimated him, made me think “oh no ok so he’s not enhanced, he’s just a really good fighter and can give dick a run for his money in a fight.” then, it turns out my first assumption was proven correct in the next panel. it just comes across as misleading to me.

(also sidenote but his curls are cute.)

have i praised the art enough in this series? no, i have not.

i adore the way this is laid out and illustrated. without even having to read the text, the action sequence is visually engaging and intense, and easily followable from one panel to the next. dick’s physical expertise comes through quite efficiently, and i love the special attention shown to draw our attention to dick’s escrima in the bottom right corner.

also that move in the middle row leftmost panel that’s the mcu black widow move to get up off the ground it was the first thing i noticed and it made me laugh; thought it was worth noting

i’m really loving dick’s escrima sticks in this run. they’re just so multipurpose, it’s hilarious and exhilarating. kinda reminds me of bruce’s belt, the way the button in the middle does eevveeerrryyytthhiinngg.

got a problem? don’t worry! dick’s installed a feature into his escrima that can fix that! (i like thinking dick helped make them it makes me happy and makes my engineer!dick side satisfied)

yawn. your big heart is your one true weakness yadda yadda the fact that you care will be used against you blah blah we get it. jesus can the villains please find a different weakness to exploit, this is getting old.

i need dick’s capacity to empathize and care and love to stop being a weakness that villains sneer about. bonus points if dick saves everyone anyway, either because of or despite his great big heart and the villain is surprised by the goodness of mankind or some shit like that.

i need it to be a strength, right from the get-go. the fact that he cares so incredibly much should be an asset that dick has and will use. he’s a very complex character with years of background, it can’t possibly be that hard to find another weakness of his.

ooooh this is cool, gosh i absolutely love this.

because what exactly is the reader doing? we are seeing the fear in dick’s face, just as this villain intended. even better, we’re seeing the reflection of it from the villain’s glossy mask, telling us exactly what we’re seeing and exactly what he likes so much about it.

dick’s standing up straight, shoulders drawn back, looking up at this villain’s face with determination and resolve, but his suit is tattered. one eye looks to be swollen. his hair is falling limply around his eyes, as opposed to the curls from earlier. his escrima aren’t even part of the main focus, instead blending into the side of the mask in the outer corners of the mask’s eyes, which tells you exactly how big of a threat they are to this villain.

poor bitewing’s quite alarmed.

also on second thought why would you bring your puppy out like this, when you know you’re gonna end up fighting someone in the suit. a) how many grey three-legged adorable little puppies live in the bludhaven area dick? and how easy will it be to connect the doggo running around with nightwing with the doggo that dick grayson owns? and 2) is this puppers trained? does she have fighting experience? how exactly can you ensure she will survive this highly stressful situation?

dick take better care of your dog

you know what? i was with tim on this one. why exactly is dick so optimistic and trusting about the people of bludhaven? bludhaven, which has been described as gotham’s smaller, smellier, more corrupt sister city once or twice. it’s not just the corrupt people in power, the entire system needs to change and people need to have faith and hope in order for them to come together, espcially if they’ve been living in conditions like how bludhaven has been described. from how clueless dick is about his own goddamn city, i can tell he hasn’t been here long.

it was a nice moment of hope, i’ll admit. but it was a tad unrealistic for me.

also it was in a weird place in the comic. this sort of confrontation and big get-together of the people to rejuvenate hope in each other feels like it should come near the end of a run, if not the end of an issue. certainly not in the first third of an issue. the pacing’s a bit off to me.

loyal little puppy patiently waiting for her human to wake up. i love her so much.

no it’s not. it’s bitewing.

living for this t-shirt honestly. do comics of dc characters exist in the dc universe? they must if the mug and the shirt are any indication

(now i’m imagining the first batman movie that came out in the dc universe and bruce just. being so offended at who they chose to play him.)

well, yes. but when a group of people are put through hellish conditions over and over again, they soon become desensitized to the pain and terror of their everyday lives in order to both stay sane and keep their life relatively stable, and part of that becomes ignoring or blocking out anything that isn’t directly important to you or your loved ones. having a bleeding heart will most likely get you killed in a city like bludhaven if you don’t have the same skills that vigilantes have.

and of course, people are more than capable of coming together and rallying under their city’s vigilante after seeing the good they’ve done and how they’ve helped the people, but that sort of trust takes time and effort to build. dick also had the whole ric arc and was gone for a while, which has been referenced several times in this particular issue in fact. that’s not going to make bludhaven’s citizens any more likely to trust him.

maybe i’m being a bit harsh but this comic is comic off as a bit too idealistic for the amount of change nightwing can do in a city given the present and past circumstances as well as nightwing’s own abilities. even dick grayson can’t pull off everything.

ok seriously this needs to stop this needs to stop.

right now, dick reminds me of oliver queen in the few episodes of the cw’s arrow i watched. he does the punchy-kicky-fighty and occasionally has smart insights due to the skills he gained from his past that he certainly definitely totally has but only ever exhibits once, while his team does all of the background research and information gathering and actual work.

this is dick’s city. if he has the same intelligence, worth ethic, and stubbornness in this run that he’s been shown to possess all his life, then he knows this city inside out. he’ll have meticulous notes organized in a ridiculously efficient system, he’ll have scouted out zucco long before this started, he’ll have known when anything big happened in the bludhaven political landscape in an instant.

i’m really not liking exactly how much dick’s relying on babs and tim in this series. sure, he loves them and cares for them and likes working cases with them. but he always pulls his own weight, has always been a mentor figure to tim instead of what’s weirdly becoming the other way around, and takes point on the cases in his own damn city.

what kind of weak-ass oracle is this?? redacted fbi files are child’s play. babs used to hack into the fbi for fun. this one particular picture is so out of character i want to laugh.

reading this series has unfortunately made me confront that, despite the tiny fluid acrobat dick that lives in my head 24/7, canon dick is impossibly 5′10 and muscular at that.

mmm. titties.

tim said hydrate or die-drate bitch

love how dick’s doing all this intense brooding and stuff meanwhile bitewing is curled up in a soft comfy post having the time of her life.

you don’t understand i would legitimately kill myself for her.

also the lighting in this one scene is cool. the blue tones come off so well.

they’re just. so multipurpose!! they can become a bo staff. they can cut glass. they can become a grapple hook/line. they can electrify someone. they’re a funky colour. i’m becoming really attached to these things. absolute solid choice in weaponry.

if you’re gonna write up every rookie mistake dick has made during this series to head trauma, then dick shouldn’t be out and about at all, much less in costume.

see this? this is just straight up wrong. dick most definitely should have spotted her, and would have immediately moved to take her down.

scratch that, dick would have done a full check of the building, because he knows not to break into places uninformed, especially if the owner of the apartment was raised by the maroni family. someone as highly trained, experienced, and competent as dick wouldn’t have done this.

and if you chalk it up to head injury, (which is probably true), than his ~love interest~ and his little brother should have done a much better job making sure he stays in his house.

zucco looks so awkward it’s fucking hilarious

are those shadows that mimic a domino mask, to both reflect and hide the fact that his mask is missing? are those bruises around his eyes, to show how, despite what good he’s doing, being nightwing is hurting dick right now?

(isn’t his domino mask supposed to have an electrifying feature that keeps people from removing them?)

it’s a little odd how the three known villains of this series are all coloured in warm shades, more specifically pink. meanwhile, in earlier issues, dick’s fondest memories were in pink, memories of him and alfred in particular. why has the colour pink changed from signifying something benevolent to something malicious? idk i hope this gets explained later.

this i did like. either it’s just a display of brute force in anger, or dick slipped the ties and pulled them off once untied. both ways, it’s an unintentional display of power, and i think that’s kinda cool.

again. dick is,,,tall? sort of? weirdddd

i’m so glad most readers are unified in the notion that this was the absolute dumbest fucking thing.

i’m hoping this gets disproved or something soon. and i hope dick doesn’t fall for it, because he definitely knows better than to take something as important as this at face value.

what exactly is taylor trying to accomplish here? why is he trying to go back on what we all knew was a happy, loving childhood and throw strife and disharmony and (what i’m assuming will be) infidelity? this will not end well at all.

---

,,,,,this review got way longer than expected lol. and i realize most of it just became me ranting. i guess i didn’t realize how ticked off i was originally. fingers crossed it gets better.

tag list: @woahjaybird @birdy-bat-writes @anothertimdrakestan @subtleappreciation @screennamealreadyused @bikoncon @pricetagofficial @catxsnow @thatsthewhump @xatanna-troy @red-hood-redemption @capricorn-stark @batshit-birds @comics-observer

#nightwing 81 #nightwing #dick grayson #dc #nightwing 81 meta #nightwing meta #dick grayson meta #dc meta #river thinks too hard

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dogbeegone · 3 years

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Hey guys, haven’t made an original post in some time lol. If you guys don’t know, Steve Blackman released the episode names for season three of the Umbrella Academy. I’ve been thinking about what each episode might be about and I have a general idea for each!

Here’s the titles of you haven’t seen already:

Meet the family: I think this title is a pretty self explanatory one. We’re gonna meet the sparrow academy. We’ll probably see them as kids and we’ll get to see all of their powers. I’m also sure that there is going to be a fight scene between the Sparrow Academy (SA) and the Umbrella Academy (UA).

Worlds biggest ball of twine: I think this episode is going to be the UA figuring out how their actions in the 60s affect their current present. I think Harlan, Sissy, Ray, the people at the asylum (they’re gonna thing Diego had something to do with JFK’s death or something) and the overall damage they’ve done (y’know being wanted world wide) is gonna hit them all hard in this episode.

Pocket full of lightning: Now i’m a bit stumped about this episode. When i think of lightning in a UA sense, I think of powers, which leads me to believe this could be a Five or one of the SA centric episode. We also know from the comics that Luther and Five are twins (and considering it was a big part of book three, I feel like they’re gonna work it in somehow). I feel like this episode could hint at the two of them being twins, but overall idk.

Kugelblitz: During the time when Steve was introducing the titles, he said that we’re going to have to search up what kugelblitz meant. So... i did.

Because a kugelblitz has to do with energy, I feel as though this episode is going to have something to do with Vanya and her powers. If it’s not about Vanya, I feel like this could be a Reginald episode. We know the third comic is about Hotel Oblivion (which is a hotel in space), so perhaps this has something to do with how Reggie gets to the hotel/how he created it. If not, I definitely feel like this episode will have some power explosion from someone and I think that someone is Vanya.

Kindest Cut: For this episode, I have a few ideas of what it could be about. I feel like it could be about pushing forward the fact that Luther and Five are twins (like how it cuts deep that they’re twins but in some way it’s a good cut y’know. maybe they go to where they were born and find out they’re twins or something). I also feel like this episode could be about Diego. If that is the case, that means we’d get a better look into what Lila has been up to and how the commission is. I think both options are good tbh.

Marigold: This episode is definitely about Reginalds backstory. Marigold is supposed to represent the little energy orbs Reginald released in S1 E10 and the ones Vanya put into Harlan in S2 E4(?). Because of this, I feel like we’re finally going to see more of Reginalds history, as well as a bit of where Harlan is too. He was given the orb things, which leads me to believe that he’s going to have something to do with this episode.

Auf Wiedersehen: Klaus episode! There is no way this isn’t a Klaus centric episode. Klaus, is German, and so is the name of the title. Also, we know from bts photos and videos that the Berlin Wall is going to be featured in episode seven The Berlin Wall was also destroyed in 1989 (i think. not 100% sure on that if someone wants to fact check me lol). The Berlin Wall also happens to be located in Germany. So, what I think is going to happen in this episode is that Klaus is going to go to Germany to find a version of himself that wasn’t taken in by Reginald. He’s going to get upset (obvi) and he’s going to have to say goodbye to a part of him he always wished he had (auf wiedersehen means goodbye in German). I think this of it has something to do with saying goodbye to Dave. Considering Dave was dispatched early into the military, we very well could have a different outcome for him.

Wedding at the End of the World: This title reminds me of S1 E1 - We only see Each Other at Weddings and Funerals. I think this episode is going to have the same vibe as the pilot episode. We all know Allison was once married in her life time (well, she was married twice, but yk what I mean). Because of thugs, I feel that we’re going to see why her and Luther have the connection they have in this episode. I’m not 100% sure if this is true (fact check me again lol), but I think that Allison rumoured Luther into liking her. If that’s the case, I think that’s going to be revealed in this episode. This means that Wedding is a type of metaphor, if that makes sense. I also this this relates to the title of S1 E1 because of the death theme they both hold. The pilot episode references funerals, which was Reggies funeral in the first episode. Now, when you think of the end of the world, you often think of death. What happens when you die? You have a funeral. Because of this, I think Reginald is going to die in this episode, and it’s going to reveal some of his secrets which will lead to the final two episodes.

Six Bells: I feel like this episode is a part one to a two part thing with the final episode. In both S1 and S2, they had episode 9 start at the beginning(ish) of the day, and episode 10 finish the day - leaving us on a cliffhanger. I think this is going to be the same type of vibe with this season. Going off of the last episode (E8), I think Reggie is going to die and his secret is going the be revealed. What is that secret? Hotel Oblivion. I think the six bells are referencing the six Hargreeves siblings (UA) going to Hotel Oblivion, sorta how there’s those bells on the front counter that you ding when you need service. I think it’s a reference to them ‘checking in’ to Hotel Oblivion. Steve also said that the six bells is going to make sense more as we watch the season, so Hotel Oblivion could be referenced earlier on (Kugelblitz type beat?).

Oblivion: Obviously this is referencing Hotel Oblivion, which is what the third comic is about. If this is the case, I feel we’re going to see a major fight scene (bigger than the one at the end of S2), where the UA and the SA have to work together to fight all of the bed guys Reginald locked away (if you don’t know what hotel oblivion is, it’s a hotel that reginald made in space where he kicked all of the things the UA fought throughout their life time). I haven’t ras the third comic yet, but i’m pretty sure (from what i’ve heard) that the SA helps the UA fight something big, and if that’s the case, we’re going to see some teamwork in this episode. I also think this episode is going to end on a cliffhanger, cause we’re almost 100% sure there’s going to be a S4.

Anyways, this took forever to write lol. If you guys have any other ideas about what you think S3 is going to be about, lmk! I love to hear theories about this show!

#the umbrella academy #vanya hargreeves #ben hargreeves #five hargreeves #klaus hargreeves #allison hargreeves #luther hargreeves #tua netflix #tua s3 #sparrow academy #diego hargreeves #tua s3 speculation

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lover-of-queens · 3 years

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Farah Dowling is Alive Part 2

The follow up to Part 1 or as I like to call it: look mom, I told you this degree would have uses in the real world!

If you haven’t had a chance to read it yet, you can find Part 1: Here

You know the drill, under the cut cause this is probably going to get long!

Episode 4: Some Wrecked Angel

Episode opens with our favourite trio. If you’ve read the first part then you’ll be familiar with my argument that it could be possible the writers are leaving Farah x Saul threads to pick up at a later date. I think this scene has some interesting ones. There’s a lot of effort in this scene to set Farah and Saul up as parallels - in a way that also makes them stand apart from Ben. We have them saying his name together, but also, when they discover Callum’s body, both Farah and Saul are in sync as they move into a kneeling position.

I don’t necessarily know if this could be considered an argument for them bringing Farah back, however, in the scene with Farah, Stella and Luna, Stella brings up an interesting point about Farah’s pedagogy. We’re told that Farah chooses care and time over “solely results” when it comes to teaching. In the next episode we learn Rosalind’s own teaching style involves putting her students “through hell”. I don’t necessarily know when the change will happen but given this, I don’t see any way Rosalind can remain Headmistress, especially when they’re taking pains to show Farah as better suited for the role.

Also important in this scene is Farah and Luna’s last exchange. We know what appearances Luna has helped Farah maintain - the barrier/illusion that stops Aster Dell from being seen. So, what’s interesting is Farah’s next line:

Farah: “Yes, we’ve both done a great deal to preserve Solaria’s reputation.”

This does not get addressed during the remaining episodes. Personally, this line and the amount of tension between Farah and Luna also strikes me as a potential thread that could be picked up later. I’m going to wager that I’m not alone in wanting to know what exactly they did to “preserve” Solaria’s rep. And my guess is, because Brian has mentioned that they’re going to expand on the winx world, we’re going to be finding out more about Solaria in S2. Theoretically, I suppose whatever event that is being referenced here could be dealt with without Farah on screen, but then we’d miss out on all the fun tension! Also, as of right now, fan response to Luna is nothing compared to Farah (at least from what I’ve seen).

Tattoo theory, several people have already spoken on this and I don’t want to speak over them. I’m still sorting out my own thoughts on whether it’s Farah’s or Eve’s but I will say that Farah is always wearing rings so it seems to me that if they wanted it covered they could easily do it with a ring (or makeup). If the tattoo is purposely put there then I’m going to assume its for a reason that the writers may want to deal with at a later date (hint, hint: bring back Farah).

Episode 5: Wither Into the Truth

I may do another post on this at some point if I can find enough to say to warrant it but Farah’s eye colour when she does magic. Up until now every time Farah’s done magic her eyes have glowed blue and yet in the scene where she questions Beatrix they glow light orange. Now I’d always assumed that the colour of the glow = element, which was why I didn’t know why Farah’s glowed blue to begin with; she’s a mind fairy so I would have expected the purple that Musa has. And actually the confirmation of her being a mind fairy comes from Fate’s IG page shown below, I don’t know if it’s ever explicitly stated in the show? Further, to my knowledge, Farah is the only fairy we’ve seen whose eyes glow different colours. So, a thread to pick up in season 2, perhaps?

Also I’m very interested in the use of the word “Once”. In this instance I would almost take it to mean ‘no longer is’ but the tense is present perfect (I think?) which can suggest the continuance of an action. But now I’m being overly nitpicky and technical. Also I don’t know how ‘principle’ made it through what I’m assuming are several stages before making it onto IG, but it gave me a laugh!

“Incredibly powerful” yet loses to Rosalind without a fight? Not buying it. Additionally, the use of “other forms of magic” is interesting and I figure could be taken to mean other elements. But I wonder if there’s more to it than just that. Farah shows knowledge of archaic Fairy Magic with the Nettle Amalgam, so maybe there’s more archaic knowledge out there that she knows ... that could prove helpful.

Now, back to the episode. When Farah and Hologram Luna are talking, the fact that there are two burned ones travelling together is cause for concern.

Farah: “There are two of them travelling together. That hasn’t happened since … In a long time.”

Once again we are left with a thread of something that has happened. In the same IG post as above, in the section for Saul, it mentions that he and Farah became confidants “after experiencing the Black Woods Massacre”. I wonder if that could be what Farah’s referring to here? I know the massacre has come up once or twice in conversation and correct me if I’m wrong but I don’t believe it’s ever been properly explained? To me, it looks like a great bit of backstory to get into at a later date. It may not confirm Farah being alive necessarily, but you could take it as a sign that we might see Eve again.

Lastly, for this episode, is the scene between Farah and Bloom. Specifically this part:

Farah: “I will help you get the answers you need. I give you my word.”

You can probably guess what I’m going to say at this point, a thread that can be picked up in season 2! You could counterargue that Rosalind could help Bloom with answers (as she offers in the next episode) but in my humble opinion, I don’t think it would offer narrative satisfaction. First, because we’ve been shown what a terrible mentor Rosalind is. Second, they’ve spent the first season showing how Farah and Bloom’s mentor-student relationship has developed (bloomed?) so it seems a waste to go through all of that development for nothing.

Episode 6: A Fanatic Heart

Rosalind has her little prison break. Personally, I still think there’s a lot of unanswered questions about what happened after Aster Dell, how they imprisoned Rosalind, etc. And I do hope that we get some answers in Season 2 - again these answers may not necessarily involve Farah on the screen but as every writer gets told the age old advice of “show, don’t tell”, I think there’s potential for that.

Farah immediately tries to disprove my points about her intelligence by wandering alone in the woods at night. But she’s pretty, so I’ll allow it.

Rosalind gives Bloom some answers but not all, so I do think that my point above about Farah helping Bloom find more answers still stands. Further, I find the Farah is Bloom’s mother theory to be unlikely for several reasons (this is not the post for them) but I do want to draw our attention to several lines of dialogue here.

Bloom: “You hid me from Miss Dowling.” ….

Rosalind: “The guidance you needed was love. Farah couldn’t give that to you. Vanessa and Michael could.”

There are SO many reasons why this exchange is fascinating. I’m interested in why Bloom brings up Farah to begin with - her other points could stand alone to the same affect. I’m also really interested in the direct comparison between Farah and Bloom’s adoptive parents -- if Bloom hadn’t gone to them, she would have gone to Farah? It almost seems as though the direct comparison implies that. Also, considering Bloom’s relationship with her adoptive parents, I really doubt the validity of the statement. Plus, I wouldn’t trust Rosalind’s idea of love in general.

Also, Rosalind is just so certain that Farah couldn’t love Bloom … can’t love in general? There’s just so much of Farah and Rosalind’s relationship that hasn’t been explored that I think really needs to be.

Now, the scene that always makes me cry! Farah and Bloom have had a difficult time this season and it’s all lead up to this moment of trust and vulnerability - on both sides. If you ask me, this season has been setting Farah up to be the mentor figure that Rosalind was not - Rosalind’s opposite. And they’ve worked hard at it, even when they were trying to convince us Farah might be the evil one which like lmao. I find it hard to believe that they would go through all of that work just to discard it by leaving Farah dead. Especially because what Farah admits to Bloom in this sequence feels like a changing moment for her - she recognizes things she wishes she would have done differently (being less of a figurehead, being more open) and I think its only fair that Fate allows her to follow through on those things.

And onto the scene that I really don’t want to rewatch but I’m going to do it for y’all. I’ve touched on Farah x Saul moments so it’s only fair that I touch on Farah x Rosalind ones. There is tension here (looking at each other’s lips, Rosalind getting closer to Farah, Farah grabbing her), I mean the cast has joked about shipping them. But there are several different ways to read this and you are more than welcome to your pick! It doesn’t really change my point, which is … thread to pick up in season 2? Have you started taking a shot every time I’ve said that (please don’t <3).

Farah who has shown herself to be incredibly intelligent and cautious when it comes to Rosalind turns her back on her. And we get what is probably the most important piece of evidence: the eye glow. It can mean absolutely anything, but I’d wager one of the reasons its there is to have people do exactly what I’m doing here. Theorizing about whether Farah could still be alive. I’m going to take that as a sign there’s hope (mainly because I think it would be cruel to suggest a ‘could she come back narrative’ and then … not have her come back). Also, in the Fate novel, it describes Farah’s death as “too easy”. I absolutely refuse to believe that it could be easy to kill Farah when she’s proved time and time again how powerful she is.

That finishes my episode by episode analysis. It totals well over 2500 words. If you can believe me, I still have more to say on this topic (discussing general counterarguments and possible logistics of Eve’s filming), so stay tuned for a Part 3?

#Farah Dowling #fate: the winx saga #fate the winx saga #fate SPOILERS

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canceltheact · 3 years

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Part 6: The Aftermath - Simulations, Collabs, and Actor's Emergence

In the past two weeks, we have seen through the types of video uploads that Mark has put out, along with Lixian’s behavior, that despite Actor’s attempts to keep his identity under wraps, there have been increasing signs in the in-canon Actor channel and Mark’s real life channel stuff that tips us off otherwise.

First off, in the first week after MIR, there were only compilations and old footage from streams, which wasn’t exactly too important, except for a few things - first, the fact that a lot of the text and effects were surrounded in that Lunky/Actor rainbow aberration - implying that Lixian isn’t really acting of his own free will...not controlled, per say, but not allowed to talk about the secrets of Actor.

Secondly, in the 3SG compilation, we have an interesting change in edit that Lixian made - instead of the normal jumpscare from 3SG 57 with Mark with no eyes, Lunky is plastered over Mark’s face, implying Actor and Lunky’s connection.

After this, we get into the pattern of Mark playing ONLY simulator games and 3SG in his normal Let’s Plays (besides the videos made out of Mark’s 3 Peen in a Podcast with Bob and Wade). This trend is interesting, especially just after the Markiplier Isn’t Real thing - a subtle nod to us that the very reality we are seeing in the Let’s Plays are a facade to what Actor has been doing.

However, the interesting thing that has popped up from these videos isn’t just the type of game that has been done, but, specifically, the behavior of Lixian. And it mainly started with the editor collabs that Lixian has been doing with Marcus (aka Nerd Fiction) and Rachel, the two new editors - not only a tool to help them learn the ropes to the type of editing Lixian does, but also leaving room for an interesting plot device.

In the first collab episode with Rachel, “Cooking Simulator”, Lixian seemed to be able to be in control by Actor, doing his VCR chromatically aberrated bidding, but being a bit more acting of his own free will, being a bit more resentful of the job instead of compliant.

However, in the second Rachel collab video, “Car Accident Simulator”, Lix seems a LOT LESS compliant and even rebellious. Yet Mark seems to be ok with joshing Lix’s chain around, calling him editor. Even more interesting...the fact that Lixian says “I’ve got all your dirt!”

And upon closer inspection…

A reference back to Markiplier Isn’t Real. Showing what that “dirt” actually is.

So, why is this? Well we think that Mark still thinks Lixian can’t escape, but with Rachel’s help, Lix is more free from Lunky and Actor’s grasp... still playing along with Actor’s game, but planning to get stronger and plan an attack.

Unfortunately, this state of the upper hand does not last long. In the Forest 3 Peens stream before this, we get another Lunky appearance and (Mark suspicion stuff, think of something better to day later, combined with that Lixian comment, he puts two and two together)

This leads us to the latest 3 Scary Games: #64 and #65. In these two, some of the last regular appearances of Lixian, we see jumpscares like usual, but these monsters are...different. The spider monster in #64 is much more detailed than any monster we’ve seen before, and in #65, the Mark heads speak in a newer type of audio effect. And in both of these video outros, Lixian is shown to ax and kill them both, fighting them off. (not showing images due to arachnophobia that spider is dang scary) This tips us off that these monsters are different than just the typical jumpscares we see in 3 Scary Games - Lixian is deliberately against these monsters. And in BOTH VIDEOS, Lixian is in the same position, asking where Mark is.

This is why we haven’t seen Lixian in videos since this - because he is trapped in an area either by Lunky or Actor, fighting off these monsters and unable to escape while Actor keeps up his facade. You all know that three is a pattern from Mark, and this has happened twice in a row...our big suspicion? 3 Scary Games 66 is going to be the culmination of a LOT of stuff with Lunky, Lixian, and Actor. Maybe even Dark and the other editors! Keep an eye out.

However, despite this trying to keep up appearances, through real life and in canon, Actor’s facade has been breaking to us little by little.

The Reddit banner changing from a Heist promo to a picture of Date Mark a week after MIR.

In the “Teardown” video, Mark is shown with some interesting edits when he goes to shoot a tree - seems normal, but with that font being Lunky’s font (see Lunxian image in Part 3) and his background being red, this definitely seems like Actor - even the things he says,” You wronged me and it’s only right for me to come to pay back what is due” - seems like he’s projecting anger from the people in his past onto this tree.

Then, even the day after the infamous Cloak promo, we see even MORE allusion through referencing Actor scenarios THREE TIMES in the “Stormwatch” video: once referring to WKM, once referring to the END music and filter from WKM (timestamp 21:17), and a reference to the Warfstache Markiplier interview, which points to Actor from THIS CONVERSATION: “You heard it here first ladies and gentlemen Markiplier has admitted to NEVER KILLING ANYBODY” “Well I never said that”.

So, we should have you caught up with all of our important findings for now. As you can see, Actor has been playing his games for quite some time. But he’s gotten bold - far too bold, to commit these actions towards his editors, to try and keep up this facade, in order to keep himself not under suspicion.

And this is where you, dear reader, come into play.

It’s not too late to end this game Actor has us in. We, the viewers, give these alternative egos power, and if we refuse to play Actor’s games any further and cancel his acts, we can begin to weaken and perhaps even eliminate Actor’s grip on the channel. When the timing is right, and you’ll know when you see us in the future asking the viewers to surge social medias with the hashtag #CancelTheAct along with #MarkiplierIsntReal to get it trending, we ask that you help us with this goal. Start even right now on Twitter or Reddit, or TikTok or Instagram - reference this Tumblr, reference this evidence, reference any NEW evidence you have found in any new videos. Look out for lore, and spread the word.

This may be our only avenue to have our voices heard, and to truly unearth what Actor has been threading together all along.

#markiplier #markipliergame #markiplierlore #markiplierisntreal #canceltheact #darkiplier #lunky #markiplier lunky #sorry for posting late this was a BIG one thank you for all your support!

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that-shamrock-vibe · 3 years

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Round-Up Review: WandaVision (Spoilers)

Spoiler Warning: I am posting this review the Monday after the finale of WandaVision drops on Disney+, so if you haven’t yet seen the entire series don’t read on until you have.

So I was going to do a fully fleshed out review of the entire series of WandaVision, but just as I’m about to finish…Tumblr decides to freeze on me and I lose a day of work so I have now decided to work this review a different way and rather than giving a general reaction and going into a character analysis, I will be breaking it down into what I loved, what wasn’t there for me fully and where I feel we are going next.

General Reaction:

So I could of very easily gone through this series episode by episode...but based on the fact that not only was this a play-by-play mystery with a lot more questions than answers each week, but also as the series progressed, particularly after Evan Peters arrived at the end of episode 5, the fan-theories and potential spoilers almost made me not want to know what was going to happen because the theories were becoming so grand that the series could surely never live up to expectations, which is why I feel the director of the finalé stated that fans may be disappointed...because ultimately I don’t think the finalé did live up to expectations. But these were expectations built up as an culmination of fan-theories, comic-book insight and also MCU baiting.

By MCU baiting, I mean that the creatives of WandaVision decided to be creative, and possibly playful, by including several red herrings that went absolutely nowhere but were the main conspiracy theories driving the fan-speculations and fake spoilers throughout the latter half of the series.

Dottie...who was she? Nobody important. Evan Peters...was he Quicksilver? No. Was he Mephisto/Nightmare? No. Was he important? Not really. Monica’s mysterious engineer contact, a fan-favourite character? Not even a character from the comics, I think.

Now that’s not to say this series asked questions that weren’t answered satisfactorily, but a lot of them seemed to build up to what is to come rather than giving us all the answers in this series. Is that a good thing? Yes because I feel this will make this series more rewatchable than I feel it already is. I for one of re-watched each episode at least twice sometimes three times each week leading up to the next episode and having just seen the entire series as a whole product I can safely say that characters and elements from this series going forward may have call-backs to the events of this series which will make for clicks, more views and more plays.

Speaking of watchability, can we talk about how interesting it has been to watch half-hour scheduled programming for 9 weeks like the olden days, and the fact we can call television life before streaming “the olden days”?.

But honestly sitting down, for me on a Friday morning at 9:30am without fail, to watch what began as a 25–30-minute MCU sitcom before turning into a 30–40-minute MCU mystery every week harkened back to my childhood and coming back from school to watch my shows which only aired once a week at that time. Feige’s and the creatives in the MCU brought back that feeling of nostalgia for me which I never really expected from a comic-book property.

Speaking of classic televisual viewing, I really enjoyed the standard sitcom setup of this series. I knew of all the referenced shows going in like The Dick Van Dyke Show, Bewitched, The Brady Bunch, Malcolm in the Middle and Modern Family, but it was also nice to see some standard sitcom tropes seen in the majority of sitcoms utilized throughout. From Agatha posing as the nosey neighbour to the fashions of each sitcom era and even the fourth wall breaks both from Billy in the Halloween episode in a Malcolm in the Middle spoof to the following episode literally titled “Breaking the Fourth Wall”.

Also, I will say here that all those MCU “stans” who are complaining they didn’t get the big grand beginning of Phase 4 that was promised to us by Feige as “something different”, the guy’s mantra is to keep it simple and the finalé was hardcore Feige. “Something different” was the set up and delivery of this slice of the MCU and some fans are still moaning about that so some people are just never satisfied.

What I Loved

Scarlet Witch

Give Elizabeth Olsen awards for this season! Make gold rain down upon her! Honestly, I have loved Elizabeth Olsen as Wanda Maximoff since her formal introduction in Avengers: Age of Ultron, but now we have formally been introduced to the Scarlet Witch she is not only the most powerful female if not character in the MCU but also the best character in the entire MCU to date.

Not only is this series personifying how an individual deals with their grief, but when you consider the fact that Wanda, who is by all accounts a 29 year old woman due to being blipped for 5 years, and has lost her parents at a young age, her twin brother at 25-26 so still a young age and then the first love of her life twice, first by her own hand and then by the Mad Titan so that initial sacrifice was for nothing, it’s just a lot to put on one individual with this level of raw power without expecting her to finally snap and create an alternate reality where everything is under her control.

The creation of her twins, who I will get into further down, was well done and, for want of a better word, organic for the series. But I did like how they showed the real-life struggle of not just having a new-born but having twins. Wanda is trying to maintain control of this world she has created as well as keep Vision in check, but also because the twins are seemingly not under her magical control, she must juggle maintaining the world and its people with being a new mother.

But the biggest crisis for Wanda comes in when Fietro shows up, I still do not believe she ever truly thought this was her dead brother resurrected. It wasn’t until he said “long lost brother” that he asked “Pietro?” and she spent the entire next episode interrogating him until the façade finally slipped and she decided he wasn’t.

After this, everything falls apart for her. Not only is her reality literally slipping with Vision at odds with her, the world constantly shifting between eras and her not understanding what is happening.

This is of course when she is confronted by Agatha Harkness who has not only taken her twins but also been fooling her by being “Nosy Neighbour Auntie Agnes” for this entire time when in reality she is a with from the days of the Salem Witch Trials who wants to understand Wanda’s true potential and then absorb all of her magic.

But when we got to see Wanda’s true potential as she went “Beast Mode” as the Scarlet Witch complete with stunning new outfit and crown, this levels the character up to that top spot in the MCU as the best and most powerful character.

I am excited to see where the Scarlet Witch’s potential will take her next.

WandaVision Love Story

I also really loved the fact that as well as a personification of dealing with Wanda’s grief, this series was truly a love story between Wanda and Vision.

From the first episode when we see them getting “married” and being that unusual suburban couple trying to fit in with seemingly everyday suburban life when the entire set-up is Wanda’s idyllic dream world.

As Darcy said to Vision, the love these two have is real. I did an entire post on why Scarlet Witch and Vision are the best MCU couple, and this series amplifies that. It becomes clear that these two are not actually married and in fact this Vision isn’t even the Vision we have seen developed through the movies, but he is a replication of Wanda’s true love and this is how she chooses to show it.

The fact they go through all of the typical newlywed couple goalposts of marriage, homemakers, kids, a dog, domestic disputes. It’s all there and feels so natural even though we are talking about the relationship a potential Nexus Being and a Synthezoid.

Their final goodbye in the series finale is honestly as heart-breaking as any love-lost in a tragic romance movie. Seriously how many more times is Wanda, and by extension the fans, supposed to say goodbye to Vision?

Agatha Harkness

I love Kathryn Hahn, this series has solidified that for me. Not only is this the first live-action appearance of Agatha Harkness but also the way in which she was modified from the comics is in a way that I would be annoyed with any other way if not for the fact that it was Kathryn Hahn playing her.

Now yes, fans of the comics knew “Agnes” was really Agatha Harkness from the casting announcement, but the actual reveal wasn’t epic because we already knew, it was epic because of the way it was revealed.

“Agatha All Along” has honestly become one of my new favourite songs, it is such a catchy tune, incorporates a couple of classic sitcom nods and is very memorable.

But also, even the fact that the final line of “…and I killed Sparky too” has become so memeable without overshadowing the overall song is such an impressive feat.

The Lopez’s not only capitalise on their Frozen success but also Kathryn Hahn gets to show her musical talents by singing the actual song…it was just incredible.

But yes, Agatha being a villain, as she has been in the comics but not on this scale, was a great decision for this series because Kathryn Hahn managed to inject her own brand of cynical dry comedy with echoes of Cate Blanchett’s Hela to create a fully rounded menacing villainous character.

Not only do we learn about her origins of how she can absorb magic by murdering her entire coven, mother included, but also that she elevates that by being able to steal any magic, even that of the powerful Scarlet Witch, truly makes this witch a threat within the magical realms of the MCU.

Even though she was defeated I am thrilled she didn’t die, she has simply been taken off the board for now but is still able to be put into play if and when she is needed again, maybe in Doctor Strange 2 maybe sooner, who knows?

Monica Rambeau

I have to say, I do not know much about Proton from the comics and genuinely though Maria Rambeau was a bigger character than she was, but considering they killed her off-screen during this series I don’t think she actually was.

I loved how the effects of the blip are still showing their repercussions as Monica returns after being victim to the blip and is immediately thrust into a chaotic post-blip world that echoes the real-world COVID-19 crisis I imagine.

From the start once outside of the Hex, Monica hits the ground running as both a SWORD operative and a self-assured hero trying to do the right thing by saving the town of Westview and Wanda while thwarting Hayward.

I really loved how her “Boss Lady” persona that Agent Woo grants her was very well realised because she did not take any nonsense from anyone. She got the Space Rover so she could attempt to re-enter the Hex, she attempted to reason with Wanda not once, not twice, but thrice.

And when the rover couldn’t penetrate the Hex, she decided to re-enter unprotected knowing what the barrier would potentially do to her physiology…and it did not disappoint.

Monica got powers, she got powers in a spectacular way. I loved how while she was physically struggling to break through the barrier, she could hear the voices of her nearest and dearest (archive footage from Captain Marvel) which spurred her on until she finally pulled herself together and became the superpowered individual she was always going to become.

But she didn’t stop there, not only did she try to once again confront Wanda who at this point was rather unhinged, but she didn’t take her threats lying down and instead tried to break into Agnes’ house before getting caught by Fietro.

However, once she worked out Fietro was really Ralph and was able to free him from Agatha’s control, she wasted no time in running off and making herself useful and just in time as she stopped Hayward from shooting the twins and assisted them in subduing the rogue SWORD agents.

As for Monica’s future, she has been drafted by that Skrull to join Nick Fury’s new team and may return to honour her late mother’s position as director of SWORD. All I know is her future is as bright and vibrant as the energy waves she can now see.

Twins

I love Wiccan and Speed so much, I love the Young Avengers so much, I love Wiccan and Hulkling’s relationship from the comics that is inevitably going to happen hopefully, but the fact this was the origins of all of that gave me everything.

Even before their birth, I loved how the pregnancy was making everything in the house go crazy. Some fans believe this was Wanda’s powers out of control due to pregnancy, I think this was actually Billy’s reality warping powers either acting from inside the womb or amplifying Wanda’s reality warping powers.

When the twins were in existence, I feel Wanda wasn’t prepared for what was going to happen. Billy and Tommy had their own minds and weren’t afraid to show them. Not only with finding Sparky but also with revealing their powers.

It’s fascinating as both these characters have the powers of either their mother or uncle, Billy has reality warping powers and Tommy has super speed. But while both got great chances to show them both in the Halloween episode and also in the series finale, I do believe we have only just scratched the surface of particularly Billy’s powers.

Of course they were always going to be lost at the end of the series, as they were in the comics when they were reabsorbed into Mephisto, in this instance they were seemingly deleted along with their father and the Hex…but then we hear them calling out to Wanda while she’s examining the Darkhold? Is this really them? Multiverse variants? What does all this mean? We need answers!

Darcy Lewis

I was thrilled when I heard Kat Dennings was not only returning to the MCU but being part of different characters’ stories rather than just Thor.

I loved how Darcy was on it from the start by firstly identifying that she and the other three scientists in recruitment didn’t share any common field so that meant SWORD had no idea what they were facing, but then being the one to identify the broadcast of WandaVision.

It did truly feel like we were watching Darcy be us while she was watching the series, seeing her get so invested in the hijinks and the plot twists was very relatable. Kat Dennings sold that relatability just as she does in every performance for me.

Then her fan-girling over the wider MCU, Kat Dennings is a fan of the MCU outside of her own appearances, so the fact she confirmed Vision did not get blipped but actually died and also had that moment in first meeting Monica was adorable.

Also, the fact that Darcy was the one who figured out not only that Monica’s cells were being re-written but also that Hayward had nefarious intentions with wanting to track down Vision, it just gave Darcy a purpose in the series and almost made her invaluable. Monica and Jimmy don’t have the backgrounds to be the “person in the chair” but Darcy does, and I was happy she finally got the chance to showcase it.

Even when she was taken into the Hex and temporarily became the Escape Artist, she was still Darcy in a way, then she became Vision’s source of information and road trip buddy before being left on the side-lines only to then return and help defeat Hayward.

What Didn’t Work:

Too Many Red Herrings

As I said this series and the series creatives had far too many red herrings planted to either fool us or tease us without any solid resolutions.

The biggest one is definitely “Fietro” who as it turns out isn’t Multiverse Quicksilver from the Fox X-Men movies but is instead an in-universe actor named Ralph Bohner who was enthralled by Agatha to play the part of her husband and be her spy and lackey.

Honestly not only am I annoyed that Evan Peters was used for what was ultimately a boner joke, but also it does throw dirt into the wound as to the fact we may not be getting Mutants or the X-Men for a while yet in the MCU.

Then there’s Dottie...similarly to Fietro this could have been a smart way to bring Mutants into the MCU. While yes Dottie was believed to be Mephisto or a witch of some description, I was actually onboard with the idea that this was the MCU Emma Frost. It would have been poetic for Agatha Harkness to be working with Emma Frost to not only maintain her manipulation but also with Emma’s telepathic abilities but also potentially have Emma working as a double agent for the Hellfire Club who also want to harness the powers of the Scarlet Witch similarly to how they wanted to control the Phoenix Force.

Wanda in the MCU has already been compared to Jean Grey, so how about Scarlet Witch becoming the Black Queen of the Inner Circle?

Next, Ultron. A namedrop as many times as this deserves some sort of payoff. Ralph got his and it may have been disappointing but at least we got resolution. So why, when Ultron was named numerous times and we as fans even had Avengers: Age of Ultron being the next recommended watch for us at the end of every episode except the finale, did nothing come of it? If White Vision was voiced by James Spader I would have been happy.

Finally, there’s Monica’s engineer “guy”. We didn’t find out who this was because the contact Monica met with was an Air Force contact delivering the Space Rover, but who was the engineer who designed it? Why didn’t we meet him?

I personally feel this engineer is Reed Richards, there is obviously a rich history of space being connected to Reed’s origins as Mister Fantastic, we know the Fantastic Four are coming to the MCU, it would simply make sense to first introduce Reed as maybe a scientist for SWORD or Nick Fury’s team before bringing in the full team.

I know the other option is Hank Pym, but really if it was Pym then why couldn’t they just pay Michael Douglas for a cameo?

The Future of the MCU

So, what does WandaVision set up for the Marvel Cinematic Universe?

Well, we know that this is the start of the Multiverse Arc that will continue with Spider-Man: No Way Home later this year and conclude with Doctor Strange in the Multiverse of Madness next year. It is confirmed that Scarlet Witch will show up in the latter of those two movies, but we have no idea what role she’ll serve in Spider-Man.

The other story this series sets up is Secret Invasion which will happen during the series of the same name starring Nick Fury and the Skrulls and also Captain Marvel 2 which will not only feature Carol Danvers and Monica Rambeau but also the upcoming Kamala Khan aka Ms. Marvel. This puts three superpowered women in the same movie and possibly will be the nexus of the Secret Invasion storyline before the concluding movie being an Avengers level event.

Then there’s also Falcon and the Winter Soldier starting in a couple of weeks, that series will most likely connect to Black Widow due to including Yelena Belova but also because that was originally supposed to come out before WandaVision it is tough to see if it or any other upcoming series except for Secret Invasion will connect to this series.

And of course, there is the upcoming Young Avengers project, we have yet to get confirmation of if this will be a movie or a TV series but we know we are having the players put onto the board in Disney+ shows and MCU movies. We have Wiccan and Speed, we know we are getting Kate Bishop and America Chavez as well as already having Cassie Lang just recast for the upcoming Ant-Man 3 to hopefully finally become Stature, and while we have yet to get confirmation of Hulkling it is possible he will appear in Secret Invasion given the Kree-Skrull elements.

Overall, I rate this series a solid 9/10, this series gave me practically everything I wanted and there were many times particularly in the finale that I felt this was the best Marvel Television series. I still stand by the fact that I think it is but the red herrings of Fietro, Mephisto, Ultron and Monica’s “guy” meant I couldn’t call it a solid 10/10.

Regardless of that, I felt this series gave us something different in an MCU mystery, formally introducing witches into the MCU, the love story of Wanda and Vision was intoxicating, meeting Wiccan and Speed in the early years was glorious and honestly Wanda embracing her destiny and becoming the Scarlet Witch…if the entire series was at that level it would be a 10/10 across the board.

So that’s my Round-Up Review of WandaVision, what did you guys think? Post your comments and check out more Marvel Reviews as well as other TV Reviews and posts.

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gaynoctgar · 4 years

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Prompto’s Brotherhood Arc is Fatphobic 2, Electric Boogaloo: Haley’s Back and She is Pissed

This essay is going to be an even deeper dive into the fatphobia that permeates Prompto’s character arc, and is going to handle the issue with more grace and nuance than I did the first time. This is also going to explore the effects the arc had on me as a player, and on other players who share my experiences. It is going to be very organized, long, and methodical (word count: ~5300). It’s a bit of a doozy, but it is something I feel it is very important. I have been wanting to elaborate on my previous Prompto essay for a long time, and for reasons I will detail below, I feel that I am ready to do this now.

Consider this a sequel to my earlier essay, and I will be referencing it throughout.

Stand back everyone; Haley’s about to get mean and personal.

Under the cut for safety and length, please avoid if the subject is triggering to you! Take care of yourselves!

Thank you all so, so much for hearing what I have to say.

TW: fatphobia, eating disorders (both in terms of Prompto and of the author)

Intro

All right everyone, buckle in. Last time I think I was a little bit too nice about this. Last time I think I let a little too much go. But I’m a full three years older now and I’ve seen a few more things. And now I think it’s time that I really just let loose and criticize the fuck out of Square for something they have consistently done wrong, and that is the way they have handled issues with weight in regards to one Prompto Argentum.

Many of you may know that Prompto is one of my favorite characters in anything ever. This very sideblog, in fact, used to be named for him (old url was promptoisbi). It’s because of this that I hate that he’s so consistently shit on by the narrative, but right now we are talking about the out-of-universe insidiousness of the fatphobia that completely permeates this story.

The first essay is right here but the TL;DR version of that is essentially “the way that Prompto’s weight loss in Brotherhood is portrayed as a moral and positive good and in fact necessary for him to be a protagonist is immensely fatphobic. Because the game refuses to problematize this, I am going to, and I’m going to contextualize that with my own experiences to help explain why this is so fucked.” At that time, I was recovering from long-term anorexia, and I think that permeated a lot of what I wrote. I don’t regret this, and I still think the essay is pretty solid. But I’m not a woman who won’t admit her own limitations, and one of mine at the time was that a lot of my fatphobia was internalized. Now that I am healing, now that I have talked to other people with experiences that mirror my own (notably @chubbyargentum), I think I am in a better place to articulate what upsets me.

The rest of the essay will be divided into six parts, themed as follows:

A redux of my central criticism in the first essay, that the narrative treats Prompto’s weight loss as a positive, moral good. In fact, it’s necessary for him to be seen as a protagonist.

Detailing that Prompto’s weight loss was directly motivated by another character, and this other character does not apologize to Prompto at all for his previous behavior. We are in fact supposed to believe that him saying what he said was a good thing.

Evidence that Prompto still legitimately has an eating disorder from his trauma. This goes unexamined by the story, and in fact seems to be actively encouraged by other characters, notably Ignis and Noct. This isn’t to bash the characters, but the way they are written.

Points 1 and 3 combined produce a genuinely triggering experience for players like me; this is where I detail some of my own history with weight and eating problems.

Anticipating pushback, I propose two alternative scenarios that avoid the problems outlined in parts 1-4: one where Prompto doesn’t lose weight, and one where he does but it’s handled a lot more sensitively.

A personal look at what (and who) actually motivated me to do a Part 2 to my essay.

Followed by a TL;DR conclusion if you want to jump right to the heart of things. I know this is a long essay, and I don’t apologize, but I do want to make it accessible to those who might have a harder time reading something so long.

Time to knock down these points, one by one:

Part 1: Equating Weight Loss to Morality

Prompto’s episode in Brotherhood, “Dogged Runner,” serves as our introduction both to Prompto as a character, and pulls double-duty to show us how he becomes involved in the life of a prince. Gladio and Ignis’ episodes did not have to do this double work because they are in Noct’s life by occupation, but Prompto, being a commoner, needs this introduction. Unfortunately, this episode is not twice as long to handle the double workload it gave itself, and the plot clearly suffers for it. For those who don’t remember, Prompto seems to be a child who more or less raises himself--a shy boy who is in the same grade as Noctis. He is quite obviously overweight, and the episode in fact chooses to focus the bulk of its attention on that rather than how he met Noctis (this will be explored in Part 2, below). This is what I take issue with.

Due to....an encounter, we’ll call it, with his royal classmate, Prompto becomes motivated to “improve himself to become someone worthy of a prince,” as described in Episode Prompto. Right off the bat, this description is implying that in order to be worthy of Noctis’ companionship--even independently of Noctis’ own actions, which will be problematized in the next section--he must be different than the way he is.

This...doesn’t make sense. We already saw that Prompto was a kind and generous soul, if rather shy. He took in “Tiny” of his own accord; he fixed her up and fed her and made sure she was healthy, solely out of the goodness of his heart. What else could this literal child need to “improve” about himself to make friends with Noctis? Well...the episode focuses on this in a way I would almost argue is objectifying. We see in excruciating detail how this literal child (I feel the need to mention again that Prompto is 12 years old and doesn’t seem to have consistent parents) approaches the world with a black-and-white mentality….that is, he seems to focus exclusively on eating salads and running an excessive amount (we’ll get to this more in Part 3). Further objectification occurs when we are shown repeatedly that a minor is taking “progress shots” of himself in his underwear.

A bit of a tangent, but the way that last one is drawn...y’all did remember Prompto was 14/15 at that time, right? Extra H points for Square, right there.

So yeah, once all of this happens, Prompto is finally deemed by the narrative to be acceptable enough to enter the life of a prince. Basically, if you’re fat, get a goddamn eating disorder and you can be a protagonist!

And I’m actually gonna take a second right now to address the more common, and generous, interpretation/criticism I am anticipating. I know what SE was trying to do here. They were trying to show us that Prompto’s “self-esteem” was the problem. That he needed to gain more confidence, and losing the weight didn’t actually solve that problem. I know this is the intent because the hotel scene exists. But...answer me this. Why is losing weight treated as an analogue for Prompto’s internal character growth? Why is losing weight an analogue for literally anything? If the issue was Prompto’s insecurity and shyness, there are a dozen other ways to show that. I can think of one right now: maybe have Noctis try to make friends and Prompto runs away because he gets nervous and tongue-tied and that’s the source of their lingering awkwardness. There you go, much better episode.

Part 2: Noctis is a dick

And I say this as a Noct stan. Y’all know I love him. With all my heart, I do. But...I don’t think he starts the game as a good person, in this respect at least. I do think he becomes one. And I think that his growth and maturation over the course of the game is absolutely a treat to watch.

I’m gonna immediately qualify this by saying I do not think Noct is a dick on purpose. Noctis is, in fact, unfailingly kind in most situations and this is one of his greater strengths. I just think he is just as much a victim of internalized fatphobia as Prompto is, despite not having the experience of being fat. I think two things contribute to this: biases that went unchecked by any of his caretakers, and genuine social difficulty brought about by his upbringing.

But now it’s time to get to….the incident. The reason these two know each other. After Prompto takes care of Pryna, she runs to deliver her letter to Noctis and eventually returns to Luna, as was her original mission. Luna, noticing Prompto’s name on a bandana tied around Pryna’s leg, tasks Gentiana to help her find this kind soul so she can thank him. Luna does, and Prompto receives a letter that soon becomes his prized possession. The princess operated on the assumption that Prompto and Noctis were friends, seeing as Prompto encountered Pryna, and asked that he remain “ever at [Noctis’] side.” Prompto takes these words to heart, and resolves to introduce himself to his royal classmate.

Here’s where the problems begin. We know that Prompto is shy because we have seen him before. He kinda kept to himself, away from the other kids, content to take his pictures. To Square’s credit, I was really expecting Prompto to be a target of bullying because of his weight and he wasn’t….yet. This actually makes his interaction with Noctis a lot worse, however. We all know what happens next: Prompto does try to introduce himself to the loner prince (who, by his own admission later, was also kinda shy), and he happens to trip. Noct goes to help him out because he’s kind at heart, and a confused Prompto thinks that Noctis means that he wants to see the camera. Noct is baffled and says something along the lines of “I meant you, dummy!” and goes to help Prompto up.

Honestly, end the scene here. They become friends because Noct is unexpectedly kind to someone he didn’t even know, and that sticks with Prompto, and they’re childhood best friends. Right? RIGHT?

If Square had had a modicum of decency, yes, this would have been how the scene closed. But then Noct had to open his fucking mouth. When trying to help Prompto up, he remarks that the poor boy is “heavy,” something that quickly and immediately impacts Prompto. Noct, also being 12, seems none the wiser and jovially heads off to meet Ignis. But Prompto? Prompto is….affected by this. He decides then and there that he has to not be heavy anymore if he wants to be Noct’s friend.

“But Haley!” I can hear y’all saying, “Isn’t it Prompto’s fault for internalizing a harmless comment in such a way? Why are you so angry at Noct because Prompto took it too seriously?” Or alternatively “Noctis was also a child, he didn’t mean it!!”

Well, it’s all about how the narrative treats the situation. I mentioned this before in Part 1, but the reason I’m mad at both Noctis and Square is because the narrative treats him as though he is in the right at all times. If the issue really was with Prompto as a character, then we wouldn’t have been shown his journey in such excruciating detail. We wouldn’t have been subjected to the downright harmful avenues he goes down in pursuit of this goal (see Part 3 for elaboration). We would have just seen Prompto trying to work on becoming more outgoing--maybe talking to his neighbors more often, for example.

One small scene in particular gets me here: we do see Noct return to the place where they met and he seems to be baffled by the fact that Prompto will not talk to him. We in fact know this to be the case because in the hotel scene, Noct explicitly says Prompto “should have said something sooner” in terms of starting their friendship. Now, this pisses me off for two reasons:

That this wasn’t addressed in Brotherhood itself. We see that Noct kinda wants to approach Prom again but doesn’t seem to know how. If we are assuming he messed up on accident, this would have been a great time for Ignis to tell him so, maybe motivate Noct to apologize.

That Prompto doesn’t immediately call Noct out for this line, or say something along the lines of “Well you kinda straight up insulted me when we first met.”

So, because neither of these scenarios is the case, I have to assume that Square wants us to think that Noct was correct to insult Prompto, and that him losing the weight is a good thing, in a narrative sense.

Finally, it’s straight up out-of-character for Noct to be this way. Not the misspeaking part, that is perfectly in-character. It’s the fact that this bias of his goes unchecked by Ignis or Gladio, and he is never made to apologize for hurting another person’s feelings. Part of growing up is realizing that sometimes your actions can hurt other people, even if you don’t intend for them to. The fact that the intent wasn’t there doesn’t mean the hurt wasn’t real. Since Square is so convinced that Noct needed to “mature” in this story...I am immensely disappointed that the opportunity wasn’t taken here for him to learn. And even more disappointed because I am pretty sure this is intentional. Every single one of Square’s fat characters is used as a side character or comic relief. In order for Prompto to be a protagonist, he had to lose weight, and to have Noctis--the central protagonist--be the character to directly motivate that is a slap in the face.

Part 3: Don’t Recover, Buddy!/ It’s actually good that you have “obesophobia”

So I know I put the trigger warning at the top of this, but I’m doing it again, because now I’m gonna talk about eating disorders. So this is your last chance to back out if that stuff is legitimately triggering, which I understand.

I’m gonna say it right now: Prompto has anorexia

[several people are typing…. .jpg]

I don’t think this is subtle, and I do think this is intentional, so let me break it down. Prompto exhibits a lot of the symptoms, and yes I am speaking from personal experience. He’s exhibited all of these from the moment Noct made that comment when they were kids, and, notably, only from that point on (hence why I wrote Part 2 the way that I did):

Prompto has an obsession with fixing meals. He’ll be the one that helps Ignis the most often. In Prompto’s case, this is a sign that he loves preparing the food, not so much partaking: classic hiding of symptoms. There is also the fact that most of the salads are his favorite meals, which yes, is a deliberate callback, but I don’t think it’s a good one.

Prompto runs a genuinely stupid amount. I think that exercise is well and good--I’m something of an exercise buff myself--but it’s the way that Prompto does it, to the point of exhaustion, that is a problem.

Despite being borderline underweight, Prompto legitimately still seems to think that he is still fat. This is supported by his reactions to multiple dialogues, which I’ll get to in a second, and the “obesophobia” thing on his character profile which….yeah I shouldn’t even have to explain that one. Prompto is legitimately afraid that he will gain weight--specifically, that he will be fat again.

The fact that according to that same profile, Prompto’s photography habit started when he took progress photos of himself!! So he’s also got some legit body dysmorphia going on.

These are the ones that are most obvious to me, anyway.

“Now okay, Haley,” y’all are furiously typing, “so what that Prompto has anorexia? That’s a relatable character flaw!”

Well….one, no it isn’t. A disorder of any kind is not a character flaw. I’d be willing to let that slide if the following were not also true: other characters seem to reinforce these behaviors of Prompto’s, and I am looking directly at Ignis and Noct. Let’s start with Ignis. I’m sure we have all gotten the random dialogue of

Prompto: All right, let’s hit up the Crow’s Nest! Ignis, for no fucking reason: If you wish to put on weight? Certainly. Prompto, defeated: Yeah, I know…

Every time I get this dialogue I want to yell and also want the option to kick Ignis out of the party. Also the fact that no one steps up on Prompto’s behalf (notably, you know, his goddamn best friend!!) is a bit of an Issue too. Another one involves Ignis, but I have only gotten it once, so I can’t remember it exactly, but Ignis says something to the effect that he can make “whatever [Prompto] wants” for dinner and Prompto says “Yeah, it’s the wanting that’s the problem.” That’s...that’s horrifying and y’all should be concerned for your friend.

To turn my attention back to Noct, objectively the most important person to Prompto, we need go no further than “Why is your face so fat?” in selfies.

This one legitimately made me mad. Prompto panics and retaliates with “What?? I’m not fat!!” (notably, he said “I” and not “my face,” which is a bit of a slip), and Noctis is supposed to be his best friend. I was somewhat okay with Noct being passive in the earlier incidents, because maybe he wanted to spare Prompto the group drama that would ensue, but Noct directly engaging in it actively pissed me off. I also want to say this isn’t me bashing on the characters in the slightest, I am simply calling attention to the way they are written. Because they are not called out by anyone else, because this behavior is treated as acceptable, I have to assume the narrative wants me to agree with them.

The only conclusion I can gather from this is that not only are the bros aware of Prompto’s disorder, but they actively encourage it. Which would only further Prompto’s assumption that they only will love and accept him if he looks a certain way. No wonder the poor kid was so freaked out about his barcode!

Part 4: This shit is triggering to players

The subtitle for this section should be “Haley talks about how deeply “Dogged Runner” affected her in a PTSD kind of way” because that’s what I’m going to be doing. Second trigger warning for eating disorders and weight talk, because that’s what this is gonna be. This also is not going to be nice. I have strong language for Square:

Here’s where I come clean about why this issue matters so fucking much to me, and why I am now freely and openly saying “fuck you” to Square every chance I get. When I first saw Brotherhood, I was at a stage in my life where I was not coping well with my body image. I had my first brush with anorexia in high school, but it was coming back because I was in a new place, and I felt like that was the only thing in my life that I could control. So I had been eating less and falling back into the habit, except...this time I had my support system. So I thought. I went into the anime wanting to learn more about the characters I had come to love, and I walked out of it thoroughly triggered and horrified that Square would stoop to such shoddy, lazy, and harmful storytelling.

I had...a moment, here. I won’t detail the breakdown too much but I was genuinely not okay. To see behaviors that I had ferociously clawed my way out of, and was violently resisting once more, portrayed not only as not unhealthy, but as desirable for people like me...it genuinely felt personal. And, I imagine I wasn’t the only player who felt that way. In fact, because I have talked to other people like me, I know this is the case.

Let me take you on a trip, for a moment. Humor me. Imagine you’re in your early 20s, and you’ve put a lot of ugly, horrible coping methods behind you. Imagine your best friend in the entire world, @nonbinary-recipehs, recommends this game they are playing, and you play it together and start to consume its media. Imagine the horror and dread that settles on the both of you watching this episode, which rings so similarly to the times you passed out from lack of food, from over-exercising, from over-straining yourself to be this idealized version of thinness. Imagine seeing that the outcome of this episode isn’t Prompto getting the support he needs from his friends, but that the narrative legitimizes his suffering. In fact, this brutal suffering and rapid loss of weight was necessary to justify this character’s relevance to the narrative! Imagine how that must make you feel. Maybe those coping methods that were so horrible actually weren’t. It worked for Prompto, maybe it’ll work for you!!

Perhaps that little thought experiment will help you understand what this whole situation can feel like to players like me, to people who have struggled with internalized fatphobia and with eating disorders, who have been called heavy, who have been made to feel as though their worth is in their thinness. Fuck you, Square. Fuck you for not having an ounce of consideration for how this might possibly look. Fuck you for not considering people like me as complete people. Fuck you for making me watch a character I love suffer, not to tragedy, but to an illness that could have been avoided if anyone had shown him even an ounce of respect or care or decency or decorum--

…

I did warn y’all I was angry, this time.

Part 5: Two Alternative Scenarios that would Avoid All This

“So Haley,” you’re saying, somehow having read past the rant in the previous section, “if Square did it so horribly, how would you have done it?”

That, my dear reader, is an excellent question. In fact, I’ve got two solutions, which I will explain and elaborate upon below:

The first is rather simple: Prompto doesn’t actually lose the weight and becomes a canonical fat character. Absolutely nothing else would change about the story or Prompto’s character except for the following:

Noctis would become curious as to why this new friend of his was avoiding him. He then has the opportunity to open up to Ignis or Gladio and reflect on what he said, and realize that he actually hurt Prompto’s feelings. This motivates him to apologize, and the two become Actual Childhood Friends.

Prompto just Has This Body Type Now and nobody says dick about it, that’s just the Way He Looks

You could explore internalized fatphobia I suppose but I don’t actually trust Square to do this sensitively. You know who I do trust? Liam ( @chubbyargentum ), who writes the Nighttime Sunshine AU and fic.

All of the previously mentioned fatphobic comments are completely removed because all the bros love and support him.

Prompto isn’t the comic relief because of his size, he just happens to be both. Yes, there is a difference, and no, I am not going to derail the essay by explaining that.

Prompto would still absolutely kick ass, take names, shoot people, love chocobos...all the shit he does in canon. But now, you have a character who didn’t have to be completely humiliated to get to this point. Now you just...have a guy who happens to be friends with the prince, because he is kind and caring.

But okay, let’s take another approach. Let’s say Prompto does still lose weight. How, then, do we accomplish this without being fatphobic or debasing Prompto’s character like canon did?

That leads me to solution 2: Prompto does lose weight, but it’s incidental. Let me explain what I mean here:

Let’s have a situation in which the apology does still happen as I outlined in the first solution. Childhood friends is a thing.

As such, Prompto becomes...increasingly curious at all the cool training Noct does.

Noct is….embarrassed about this, I think. Because Prompto doesn’t like Understand What It All Means...and they’re still pretty young. Noct doesn’t want him to understand.

But Prompto? He wants to be able to Do Cool Shit, especially if it means defending his best bro who also happens to be the prince. And he doesn’t want Noct to do any of this alone. He asks to train with Noct, no special treatment (except for like the fact that he legit can’t do magic).

Gladio...allows this, begrudgingly. Then, permanently, when he notices Noct tries harder as a result of showing off.

Prompto starts to learn how to take care of himself from Gladio, and from Ignis, who has...gathered that Prompto doesn’t exactly have parents, and becomes invested in helping him learn how to cook healthy meals for himself. Who knows? Maybe the healthy eating will rub off on Noct!

The result is that, over time, Prompto does lose some weight...and starts to bulk up as Puberty Happens. However. This is all incidental. Prompto never set out to lose weight because he hated himself or felt unworthy, like in canon. He set out to become strong and train with his best bro. This is absolutely critical.

With this solution, Prompto does lose weight, but doesn’t become the borderline underweight young man with an eating disorder we all know and love. Instead, he’s been brought up around healthier traditions, which makes him immensely more suited for the role of Crownsguard when that time comes. In fact, he might have entered it at age 18 just like Gladio and Ignis did, despite Noct’s protests. Another thing I like about this solution is that it shows how Prompto is friends with Ignis and Gladio; how those relationships developed independently of Noctis, and why these four really are the family unit the game wants me to think they are.

And with these two solutions, I believe I have laid out some much stronger backstories for our beloved boy that avoid all of the...unfortunate implications of his canon backstory. I only wish that Square had thought about their implications just a little bit more, and done Prompto some true justice.

Part 6: What motivated this essay, and the power of shared experience

This isn’t really a proper conclusion, that’ll be in TL;DR, but I would be remiss to not include what actually motivated me to write this massive essay, and also share it with all of you. The sharing part, I think, is super critical. When you inhabit marginalized identities, and in this case I specifically mean having a fat body, it can be...difficult to share and discuss your experiences. Harder, still, to be public about them, and to criticize media that perpetuates these harmful ideas. But here I am, doing that. Here’s why that is.

About a month ago, I met @chubbyargentum, who is called Liam. I was cruising through the promptis tag, as you do, and found his Nighttime Sunshine AU, and his blog is filled with excellent art for it as well. The premise of this AU, on its face, is very simple: it’s a story where Prompto and Noctis did not actually become friends in high school, and two very important things are different: Prompto is still fat, and Noctis is a closeted trans man. While I can’t speak to the trans experience, I can indeed speak to the experience of inhabiting a fat body. And this AU….spoke to me. I don’t want to spoil too much but there is a rather emotional scene that just...confronts everything I wanted Square to confront about this that they never did. He approaches the topic with so much sensitivity and nuance, something that is so rarely seen in fandom.

I’ve talked with Liam every day since, and my brain has consistently been enlarged. A lot of things I let slide before...felt so egregious to me that I had to say them. I’ve been confronting my own internalized prejudices towards certain kinds of bodies all the time, and I am learning every day. He’s become a very dear friend of mine, and I care deeply about him.

This also came at I guess you could say the “first climax” of my journey with weight loss, which I had never had success with despite the trauma I described in Part 4. I’ve lost...a significant amount of weight since March, and I think the reason I’ve had so much success is 1) the support of my friends (notably @nonbinary-recipehs, @pocket-prompto, and @chubbyargentum), and 2) not feeling like I hated myself anymore. I approached it as a journey to become more strong, not less fat. As I outlined in Part 4...Prompto’s Brotherhood episode and character backstory were and are legitimately triggering to me, and, I imagine, to many others. Liam had the confidence to put the content in the world that he wished to see, and this essay is helping me do the same.

Having other people who share your marginalized experiences and validate them...well, I’m sure many of you know. It’s a feeling like no other. And I’ve never really had this feeling explicitly about the experience of being fat until now. Now, I understand that my anger is in fact, righteous. And I am not afraid to say so. The power of shared experience motivated this essay and, in fact, everything that I do on this blog. I have come away from this AU with the bravery to say aloud what I have always known to be true.

So thank you, Liam. Thank you, big brain group. And thank you, readers, for listening to an experience that may or may not mirror your own, and for opening up your heart enough to hear the roughly 5000 words before this point. Thank you for making the effort to understand, and the effort to learn and grow.

TL;DR

I did promise to provide an easily digestible version of the…(checks word count) ~5000 words before this point, so here we go. The central thesis of this essay is something like “the way Prompto’s weight loss arc was portrayed in Brotherhood is horrendously fatphobic for a number of reasons.” I then broke it down into six major pieces: the first four being the fact that weight loss is treated as moral by the narrative, the uncharacteristically dickish actions of Noctis, the fact that Prompto’s disorder is encouraged by other characters, and the out-of-universe triggering effects the story has. In the fifth piece, I outlined two alternative scenarios: one where Prompto doesn’t lose weight at all and remains fat, and one where he does lose weight but healthily so and fleshes out his character. In the final piece, I explained the motivation behind writing this essay, namely interacting with other fat fans like @chubbyargentum. I explained all of these points in great detail, being careful to stress that my issue with this isn’t any of the individual characters, but the bias that motivates the writing.

So...what now? Well, I’m not really sure. But this was something I really had to put into the world. I think it is important and necessary to speak up and criticize media that harms you. And you know what? Final Fantasy XV is still my favorite game. It is because I love it so much that I was motivated to write this, and by sharing it, I hope to contribute to a greater discussion about fatphobia in gaming, and in life.

#final fantasy xv #ffxv #tw fatphobia #tw eating disorders #prompto argentum #please be respectful with this one #i feel like this is an unpopular opinion #but it is incredibly necessary that i say this #because it is something i believe #and because I don't want square to continue to get away with it #thank you for read #haley.exe #haley writes ffxv #haley has opinions #i'm preparing for so much hate

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mikhailoist · 5 years

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Why Dean and Cas Will Go Canon in 15x09: An Analysis Essay

There have been many speculations about what the future holds for Dean Winchester and Castiel as the end of Supernatural approaches. For the past eleven years, the Destiel relationship has been explored, although it has unfortunately been used as a way to queerbait LGBTQ+ audiences. Despite the subtext and the countless romantic tropes present between these two characters, they have not yet been established as a canon relationship on the show. However, the fifteenth and final season has built a storyline centered around Destiel and the very likely chance that they will become canon ⁠— specifically in the ninth episode. In this essay I will focus primarily on the impact the Destiel relationship has had on Dean’s character development, and why I believe Dean will finally admit his feelings for Cas in 15x09.

Dean has never been known for being the best at expressing his feelings. He has said the words “I love you” only twice on the show (to my immediate knowledge), and both of these moments occurred in the much later seasons. In the season 12 finale, when confronting his mom, Dean’s “I love you” follows an emotional exclamation of the words “I hate you”. He hates his mom for leaving him and making his life miserable, but he loves her because he can’t help it. Meanwhile, in season 14, Dean tells Sam “I love you for trying” when Sam attempts to find a different solution to the Michael problem. We as viewers know Dean loves his little brother, but the fact that it took him fourteen seasons to admit those words out loud conveys how difficult it is for him to grasp the concept of love. However, back in season 8, a discarded version of the script for 8x17 has Dean saying “I love you” to Cas during the scene where Cas, brainwashed by Naomi, is beating Dean up. This would have been the first time on the show that Dean said these words to anyone; however, Jensen disagreed with that part of the script and had it changed. He knew his character well enough to realize that, at that point in Dean’s story, he was not ready to utter those three words to anyone. However, the fact that the writers even considered having Dean tell Cas he loves him is proof that Cas has been a primary factor in helping Dean realize that it’s okay to let his walls down and express his love for other people. Castiel has, in many ways, offered his own love to Dean over the years, a love that Dean hasn’t ever known. All his life, Dean has either been hurt or abandoned by the people he has admitted to loving. His mother, Mary, severely hurt him and left a wound that is still healing ⁠— yes, he loves her, but he explicitly stated that he hates her, too. We never heard Dean say he loves his father, though if he loves one emotionally toxic parent because he can’t help it, we can assume he loves John for the same reason. Meanwhile, Dean’s love for his brother is definitely strong ⁠— he’s made deals to bring him back from the dead, and so on ⁠— and while that love has been reciprocated, Sam has never loved him quite as much. In 5x16, Dean learns that Sam’s personal heaven was the day he left for Stanford, which was Dean’s own personal hell. Dean has always pulled countless strings to save Sam’s life, but when Dean was trapped in Purgatory in season 8, Sam didn’t even consider trying to find a way to bring him back. The list goes on. This isn’t to say that Sam doesn’t love his brother; it just further proves my point that Dean has never felt the same love from the people he gives it to ⁠— at least, not from his immediate family. Castiel is another story. Cas has shown love to Dean in many ways, ways that can easily be defined as healthy, pure, unconditional, etc. He “hunted, rebelled, and [he] did it, all of it, for [Dean]”; he refused to leave Dean when the Mark of Cain was turning him evil; he gave up an entire army for Dean; he always comes when Dean calls to help him in his time of need; he “gripped [him] tight and raised [him] from perdition”. The list goes on and on. The point I’m making here is that, while Dean’s character has slowly been developing in the sense that he’s learning to let himself love people, he always ends up getting hurt in the end. Cas was the one who never hurt him. This brings us, finally, to the premise of their relationship in season 15. Dean is holding a grudge against Cas and closed himself off, which ultimately drove Cas away in 15x03. However, when we watch Dean blame Cas for Mary’s death, I believe we’re only seeing the surface of what’s really going on Dean’s head. Jensen even addressed this at his panel with Misha at DCCon, when he stated that there will be an answer to the question of why Dean is treating Cas so horribly in 15x09. He says, “Dean has a moment by himself where he prays to Cas, and it’s a bit of a confession on why he feels the way he feels and why he’s treating Cas the way he treated him.” This spoiler alone is loaded with so much material that hints towards Destiel becoming canon, and I will address all of it shortly.

As soon as season 15 premiered, you, me, and all the other fans of this show knew we’d be in for a wild ride. With Jack dying at the end of season 14 and Chuck unleashing an apocalypse of ghosts on the world, we all had a feeling that the plot would center around Sam and Dean fighting ghosts like old times ⁠— taking the show back to the basics, per say. This was a fear I had, especially when one of the first trailers for the season featured Dean saying to Sam, “You and me against every soul in Hell? I like those odds.” However, right off the bat, we see in 15x01 that the brotherly relationship is not intended to be the primary focus of the season. It’ll definitely be a huge aspect, as it always is, but there are many other themes that outweigh the brotherly relationship and are becoming much more present in the final season. All of these themes connect back to Destiel in one way or another. The first one is “Family don’t end in blood”, a memorable quote that originated from Dean’s father figure, Bobby. The most important people in Sam and Dean’s life so far do not share their blood, but the boys consider them family. As this essay is focused on analyzing Dean’s character, I’m going to mention a few family members who don’t end in blood for Dean, specifically. The first is Bobby, of course, who is still a primary father figure in his life, despite being deceased since season 7. The second is Jody, who is the most maternal figure in Dean’s life and was once referred to as Dean’s mom over Mary. Another is Charlie, who was extremely important to Dean and, as he said, “the sister [he] never wanted” (jokingly, of course). Seasons 12 through 14 partly stripped away the “family don’t end in blood theme”, especially with Mary returning and the episode where Dean got to have closure with John. At the same time, Jack became like a son to Dean. Dean even says “he was our kid” when referencing Jack after his death in 15x01. So, even though Supernatural seemed to forget about “family don’t end in blood” for a while, it seems like the writers are returning to that theme in season 15. Cas, of course, is a huge part of this. He leaves in 15x03 because Sam and Dean “have each other”. This is heartbreaking to hear Cas say because, despite everything, Dean has always made it a point to tell Cas that he’s family (some of the prime examples being 8x17 and 11x23). However, it’s interesting to note that Dean forgave Jack at the end of season 14 for killing Mary, because he considers Jack family; meanwhile, Dean is still holding a grudge against Cas, even though Cas wasn’t the one who killed her. Not to mention Dean only knew Jack for a couple of years, while he’s known Cas for eleven ⁠— and still, for some reason, what Cas did was unforgivable. It’s extremely difficult from an audience viewpoint to understand why Dean is so unwilling to forgive Cas after everything they’ve been through, even though we know he considers Cas family. And that’s just the thing. Cas is more than family. That’s why Dean is closing himself off, because after everything revealed at the end of season 14, it’s easier for him to stay angry with Cas, the man he loves, than to face the truth that Chuck made known to them: “Nothing about [their] lives is real.” The “we are” scene in 15x02 clarified Dean’s fears about the Chuck situation. He believes nothing about his life has ever mattered, because Chuck designed every aspect of his life. Why, then, is he only choosing to project this anger onto Cas? Dean believes the fact that he saves people for a living doesn’t matter, yet he’s still saving them; he’s still fighting the good fight. He probably believes Rowena’s sacrifice doesn’t matter in the grand scheme of things, yet he mourns her death and feels terrible after she dies. Despite feeling this way, he still shows kindness to Sam, to Rowena, to Ketch ⁠— to everyone but Cas. The only reason for this that makes sense to me is the heartbrokenness Dean feels upon realizing that he and Cas were never real. He can bear the thought of his relationship with his brother being fake all along, but when it comes to Cas? The angel who pulled him out of Hell and the only one who has ever shown him what love truly looks like? If none of that was ever real, I can imagine why Dean feels the way he does. That doesn’t validate the way he’s treating Cas by any means, but knowing Dean, I understand. This man has always been closed off. When he finally opens himself up to the possibility of love thanks to Cas, only to have a fear instilled in him that none of it ever mattered, I understand how terrifying and heart-wrenching that is for him. I understand why it’d be easier for him to be angry at Cas and to push him away. And he wouldn’t do this if he just saw Cas as his brother ⁠— because he’s not even pushing his own brother away, and we know how close Sam and Dean are. No, he’s pushing Cas away because Cas matters to him in a way that is unparalleled.

Three episodes into season 15 and the writers are already focusing on the Destiel “breakup” as the primary conflict. Every episode so far we’ve had some kind of interaction or comment that has increased the tension between them. The “we are” scene is a prime example, as is the final scene of 15x03, of course, but there are other moments as well. In 15x03, when Dean volunteers Cas to go to Hell with Belphegor, he subtly mentions that Cas has “been there before”. This moment was small and fleeting, but there’s no way the writers didn’t include it on purpose. Cas going to Hell to rescue Dean was the catalyst for their relationship. It’s where everything started. It’s a pivotal moment in Dean’s life that I’m sure he holds extremely close to his heart. Now that Chuck’s control over their lives has been revealed, Dean is probably thinking that Cas rescuing him from Hell never mattered, either. But it did matter, and that’s what Dean has to learn. And he will learn, because the second major theme of season 15 is going to focus on free will. I wholeheartedly believe this ⁠— it was even mentioned at Comic Con 2019. (This is also why I disagree with the fan theories that the Supernatural finale will mirror Swan Song, but that’s an entirely different essay.) Dean is going to learn that the relationship he built with Cas was a product of their own choices. When Cas said “we’re making it up as we go” in regards to him and Dean, he meant it. It will take him some time, but Dean’s going to see that he and Cas do matter and they are real. He’s going to pray to Cas in 15x09, which is a sign of his faith in Cas, not God. It’s a sign of faith in the angel who believes in free will just as much as he does, rather than a sign of faith in the god controlling their lives. The prayer alone can heavily be identified as a romantic trope, especially since Dean always prayed to Cas in the past. Cas was the one who taught him faith. Not faith in God, but faith in him. Faith that Cas would always come when Dean called and that he would always be there to pour love into Dean’s life. But a simple prayer isn’t going to be enough, and we all know this. This is where a spoiler released by Misha Collins comes in. Misha said, and I quote, “I think their current relationship is precarious, and it’ll take something really big happening to heal their divide.” Something really big. Knowing what we know about Dean, what is something really big going to look like? I’ve already restated Jensen’s own words that Dean’s prayer is going to be a confession, and to confess means to “admit or acknowledge something reluctantly, typically because one feels ashamed or embarrassed”. We know Dean feels ashamed about pushing Cas away, but why did he push Cas away? He’s going to have to tell Cas the full truth, otherwise Cas is not going to come back. He’s moved on; he’s tired of being treated like a punching bag, like he doesn’t matter. Sure, he’s been told by Dean that he’s “their brother”, but even that wasn’t enough to get him to stay when everything started falling apart. We know Cas loves Dean in a different way, a very special way. He knows he and Dean “share a more profound bond”; he was willing to risk everything for Dean. I’m sure he knows Dean feels the same way, but our poor hunter is going to have to admit that out loud if he wants his angel back. In 15x09, I believe Dean will confess to Cas that he pushed him away because he loves him. He’s going to admit that he loves him differently than Sam or Jack or any other member of his family, and that’s why it was harder to accept that he and Cas may never have been real. Hopefully, by 15x09, Dean will try to assure himself that they are real; that, or he will ask Cas to come back, because even if they’re not real, he would rather pretend that they are. I think he will tell Cas in his prayer that he wants to continue writing their own story. Back in season 4, Dean taught Cas how important it was to have free will; in 15x02, this was paralleled by Cas in the “we are” scene. I think it will all come full circle in 15x09, and Dean will realize that the story of him and Cas is beautiful, it’s not controlled by anyone else, and it’s theirs. Tears will form in Dean’s eyes, he’ll bow his head, and admit to Cas that he loves him. Not as a friend or a brother, but as someone he wants to be with in a romantic way. Because for the past 15 seasons, all signs have pointed to a romantic relationship between these two. Season 15 is already focusing heavily on a breakup storyline. And if Misha said it’s going to take something really big to patch things up, then Dean finally admitting his romantic feelings for Cas is the only thing that makes sense to me.

#yes i wrote a whole ass essay #yes i know i'm extra #yes i know i'm probably gonna get clowned #but THIS is IMPORTANT!!!#deancas #destiel #dean x cas #dean x castiel #dean winchester #castiel #spn #supernatural #15x09 #spn 15x09

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itsclydebitches · 4 years

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RWBY Recaps: “Gravity”

Good lord, folks. Buckle your seat-belts because we’ve got a lot to get through this episode. I think this is my longest recap to date, so settle in.

Episode Eleven’s “Gravity” starts out simple enough, focusing on the two fights we’d set up during “Out in the Open.” First up, Ironwood vs. Watts. Overall this fight does a really excellent job of showcasing their different fighting styles. Right from the start Watts is pointing his gun forward to take a clear shot at Ironwood, whereas Ironwood points his backwards to use as a surge of momentum.

He’s going to do this frequently throughout the battle, constantly using his gun to maneuver in the air, slow falls, regain his balance, and change directions, a much more complicated series of choices than the one-off shots we see Ruby use with her sniper rifle. This is partly because Ironwood seems to have a much larger supply of bullets---some sort of energy/dust ammo---than Watts does. His steampunk-esque gun holds only nineteen bullets, requiring him to keep track throughout the fight. Which is always a fun trope but sorry, Watts, you can’t compare to the king.

Thus, with limited weaponry available to him, Watts is forced to get creative with the arena itself. We see him manipulating gravity, shooting up columns of water and fire, and making use of his own pathways between platforms, all in an effort to throw Ironwood off and catch up unawares. However, Ironwood is, frankly, the much better fighter. He was right last week to assume he could handle Watts even though he sent three off to tackle Tyrian. He’s able to recover much more quickly and learns from any mistakes, as evidenced by his ability to hit Watts dead on while in the air the second time he takes out the gravity. When they come together in hand-to-hand Ironwood easily dominates, no doubt thanks not just to his military training and huntsmen lifestyle, but also in large part to his prosthetics which I would assume grant him more speed and power. Throughout the course of the fight we see Watts consistently take more damage to his aura and he’s unable to sense when Ironwood is sneaking up on him. After that little maneuver, Watts (presumably) grows reckless and lets off his last three or four shots in a random barrage. All of them miss.

This emphasis on emotion continues when they land back onto the main stage with Watts shouting, “You never appreciated my genius, James! You just stood atop it and called yourself a giant.” Oh, did Ironwood actually do something horrendous in the past? Is there something juicy that would explain---though not excuse---Watts’ turn towards villainy? Nah. He quickly follows that up with, “You chose that fat imbecile over me!” referring to Pietro. So... nice one, Watts. Crazy arrogance, willful ignorance of Pietro’s own, clear genius (anyone who can create Penny is no slouch), as well as a bit of fat-shamming on top of it all. No sympathy from me.

This moment emphasizes how unhinged Watts is becoming though as the fight turns against him. Even when he manages to setup a head shot Ironwood reveals, “You’re smart, but you’re not the only one who can count,” referencing that Watt’s emotions got the better of him, leading to him wasting his last bullet before it could be of real use.

...except not. I’ve got to admit, I was very pleased when all of this---or at least this particular moment---was merely a plan to get Ironwood to let his guard down. Watts is way too smart a character to be done in by the “You got too emotional and that made you sloppy” trope. So kudos there (even if it remains to be seen whether that Pietro comment was really his motivation, or just another part of the plan). Instead, he uses Ironwood’s confidence in his victory to trap him with the rings that control the arena, essentially pinning Ironwood’s non-prosthetic arm through the energy shields he’s been using. We can immediately see that the parts that have touched Ironwood already have horribly burned the skin.

And that ends up being Watt’s downfall. Not stupidity on his own part, but his lack of understanding of Ironwood himself. He assumes that this truly is a trap for him, rather than another sacrifice. After all, what fool would ruin their one remaining arm to stop him? Watts himself wouldn’t. Don’t pull, he cautions Ironwood, not “unless you’re hoping to add more metal to that body of yours.” Watts goes so far as to turn his back on Ironwood who then makes the sacrifice we all knew he would. One burned, useless arm later and he’s free.

I would like everyone to keep this moment in mind. Namely the utter devastation of it. I’d go so far as to say it’s as bad at Yang losing her arm in Volume 3. Despite seeing it bandaged later, Watts at least thinks it will be a complete loss if Ironwood sacrifices it. He’ll need to “add more metal,” AKA replace his arm, so though he obviously still has it in the following scenes, we don’t know if it will ever be functional again. Just as important, Ironwood had to choose to do that to himself. That wasn’t a horrific, but ultimately clean cut done in a moment of surprise. That was a conscious decision, a slow pull through all that pain, and then having to finish your fight immediately afterward. It’s a very different kind of psychological trauma, no better or worse than having someone take your arm from you by force. Throughout this volume I’ve seen a lot of fans being critical not only of Ironwood’s main decisions, but just his overall attitude as well. Too strict, too stern, doesn’t smile enough, yells sometimes, etc. basically associating someone who isn’t all sunshine and smiles with someone who is “bad.” Ignoring for the moment that we can say the same thing about many of our group---notably Yang---I have little doubt that I’ll see similar posts after this episode. Writings in the vein of, “Ironwood is unhinged! I can’t believe he yelled and hit his desk like that!” So everyone just keep this moment in mind and ask yourself how calm you’d be if you’d sacrificed your arm like that all of half an hour ago. And then found Salem’s calling card on your desk. And then came to the realization that the allies you trusted have been lying to you from the start. And then Salem herself appears to mock you. And then your city is about to be overrun. Basic summary of the rest of the episode: holy shit. So yeah. If Yang is allowed to be angry and upset after losing her arm, or just angry in general like she is in the later half of “Gravity,” I think we owe it to Ironwood to let him be angry too. I have a lot of feelings about the utter insanity he’s been forced through with little to no support and if he wants to take all that out by hitting his desk once, by god I’d say that’s a good coping strategy given the circumstances. Both the writing and the fans tend to erase trauma once you’ve passed age 25. The girls have every right to be upset, to break, to not trust people because they’ve been through a few months of hardship, but Ozpin isn’t allowed the same after a couple thousand years of that. We’re going to see the same hypocrisy later in this episode---the group can be upset about lies but Ironwood is not---and I’m hoping (against hope) that the fandom doesn’t make that worse by sweeping this injury under the rug. It’s horrific and absolutely has a bearing on his inability to keep his cool with the group immediately afterwards. We’ve long passed Ironwood owing them endless reassurances and calm responses.

Anyway, Ironwood still manages to finish the fight because his remaining arm is his robotic one, giving him the strength to easily drag and raise Watts into the air one-handed. He dangles him over the edge of the arena, announcing that he will “sacrifice whatever it takes to stop [Salem].” A clear bit of foreshadowing for his decision at the end of the episode. Watts responds that he hopes he does.

We then move to the Tyrian fight which, on the whole, I don’t think was done quite as well. Granted, there are a lot of enjoyable and badass moments. I like that Clover’s first act is to announce that Tyrian is under arrest, maintaining the law that Atlas (and Ironwood) works to uphold. It doesn’t matter that Tyrian is a crazy serial killer in league with an immortal sorceress hell-bent on destroying the world. Even crazy serial killers have rights and are given the option of surrendering, even when everyone present knows there’s exactly zero chance of that happening. It’s the principal of the thing and the ability to say, “We gave him a chance.” In a world overrun with inequality, this is a small but important attempt to level the field. If you do something wrong you face legal action and those rights are announced to you. Same for Tyrian. Same for Team RWBY. But we’ll get to that.

For now, we see Qrow attack first and like back in Volume Four he and Tyrian are pretty evenly matched. The tide doesn’t turn until Robyn and Clover come into play. Throughout this exchange we see a lot of cool combos among the three of them. Tyrian will block an incoming arrow with his tail only for Clover to snag it with his hook. Robyn can get another arrow to perfectly bounce off the walls and then Qrow’s scythe, hitting Tyrian dead on. Clover can dive between Tyrian’s legs, giving Qrow the opening he needs to attack. It is, as said, pretty badass... almost a little too badass. Personally, I would have appreciated them messing up once or twice. They’re all professionals, yes, but Qrow and Clover have only had one fight together. Robyn, meanwhile, wasn’t even allied with them until an hour ago. This is a situation where skills shouldn’t really trump, “We’re three very distinct people who don’t know each other’s fighting styles well, trying to attack one guy in very close quarters.” There should have been some screw-ups. Especially when we take semblances into account. What, are we supposed to assume here that Clover’s semblance just conveniently overrides Qrow’s? That no mistakes---let alone anything bad---will happen in this fight despite the fact that it’s an extreme parallel to Volume Four? That whole battle emphasized, “Don’t come closer!” because when people fight near Qrow bad shit happens. Now, he fights with two other people in a narrow alleyway and there’s not a single repercussion. Based on their travels looking for the geist, I don’t buy that Qrow’s semblance is just conveniently inactive while near Clover. Even if I did... that’s not a very good writing decision. To me, it’s just more evidence that Rooster Teeth doesn’t understand its own rules/doesn’t know what to do with an ability like Qrow’s. It causes problems only when they explicitly want it to. Then, miraculously, it’s no longer in effect.

Still, we’ll acknowledge that RWBY had a lot else it wanted to accomplish in this episode, so the need to power through this fight is somewhat justified. I personally would have had the entirety of this episode be the two battles---I was shocked when both ended just eight minutes in---but I’m obviously not the one writing the show. Thus, instead of an episode devoted to both the action and the emotion of confronting our two main villains this volume, Tyrian loses his cool after getting punched in the gut, manages to catch Robyn’s arrow in his teeth...

But it’s a bomb.

Down he goes. Fight’s done.

Which leads us into the second half of the episode. I want to preface this with a short acknowledgment before we go any further.

Did these last ten minutes give me what I’ve been looking for since the beginning of Volume Six? No. It’s easy to assume it did because all the pieces are there. Ironwood is finally angry about the secret keeping. The Ace Ops are criticizing the group left and right. Surely this is the “The group is capable of making mistakes and they should be called out for it!” that I wanted, right? Not really. For the simple reason that there is a massive difference between:

A story that acknowledges mistakes as mistakes. The characters either grow from this lesson or dig in their heels and are painted as being in the wrong for that decision.

and

A story that takes what the audience (me) perceives as mistakes and frames them as justified choices. The characters do not grow because they’re 100% sure they’re in the right and those who would criticize them are painted as in the wrong.

“Gravity” is so far into that second option I don’t think the series can come back from it. Does the group face criticism? Yes, but every single time the writing insists that it’s undeserved criticism. It paints the group as the underdogs facing unfair odds, rather than equals---with all the responsibility that comes with that---facing criticism that they need to own up to. Absolutely nothing in this second half implies that the group is going to learn from their mistakes because they, and the writing, still insists that they weren’t mistakes. Which is precisely what we’ve gotten before. Cordovin might criticism them, but Cordovin is in the wrong. Winter might criticism them, but Winter is in the wrong. Every time a character goes, “Hey, you shouldn’t have done this” the group responds with, “Yes we should have!” and the story backs them up. Yes, you should have attacked Argus. Yes, you should have stolen an airship. Yes, you should have lied to Ironwood and spilled the secret to Robyn. Yes, yes, yes. That’s the takeaway every single time. The group is never in the wrong. Others just think they are and those others are painted as cruel, militaristic, unhinged characters.

It’s not at all what I was looking for. Just more of the same.

So that’s the preface. In terms of what we actually get, Ironwood returns to his office with his arm bandaged and in a sling, carrying Watts’ bag, only to drop it when he sees the queen piece on his desk. He calls Winter asking, “Was anyone caught entering the school grounds while I was away?” and when she says no Ironwood has her race off to the Winter Maiden, unknowingly leading Cinder there in the process. “Now show me where you’ve been hiding her.”

We then cut to the group where the trouble begins. They’re not just curious about why Ironwood is recalling them with Mantle still in need of evacuation, they’re actively questioning it. This is the attitude I simply don’t understand. The group acts as if Ironwood is deliberately screwing everyone over when they know better. This is no longer the beginning of the volume where they thought he was some horrific dictator hell bent on destroying his own Kingdom. This is just an hour or so after, “We should tell Ironwood!” and the happy-go-lucky ‘We trust him now’ moment. Even less time after Ruby stared up at him in awe with, “He’s doing it.” They had reason to trust him before they even made it to Atlas. They were given even more reasons in the form of Ironwood sharing his secrets, early licenses, and being allowed to work on the tower. They then still waited until Ironwood was doing everything they wanted before giving him some of that trust back... but the moment he stops doing precisely what they want---we want to keep evacuating Mantle---he’s deemed suspicious again.

I mean seriously, is the group that dense? Are they incapable of thinking to themselves, “Wow, something must have happened if Ironwood is recalling us before evacuations are complete,” which is precisely the case. The scene tries to frame it as “Group Good” and “Ace Ops Blinding Obeying Orders Bad” but that aspect doesn’t even come into play. There’s nothing blind about it. It simply takes two seconds of critical thinking skills to realize that something really awful must have happened back at the Academy that trumps what you’re doing in Mantle. This is what I mean by the writing being biased. Before we even reach the fight in Ironwood’s office it’s trying to paint him as potentially cruel, potentially suspicious, potentially abandoning his people, look how worried our heroes are about this secret decision he’s made... when all that requires ignoring some really basic deduction in order to reach those assumptions. Remember that intelligence is a plot device in RWBY. If they want Ironwood forced to spill his secrets, he’ll randomly start talking about them in front of his enemies. If they want Ironwood painted as the villain, the group will randomly be incapable of realizing that maybe, just maybe, something went wrong on the home front and you’re needed there.

Things just get so much worse from then on. The group splits with JNR going off to find Oscar and, admittedly, I was shocked we got that at all. I mean yeah, it’s setup for the final reveal at the end of the episode, but the fact that anyone remembered Oscar was missing---let alone happily went off to find him---was still a surprise. So only Team RWBY heads back to Ironwood’s office where they find him (rightfully) panicking over the queen on his desk. Weiss tries to baby him, acting like he’s freaking out over nothing, when all these characters should recall precisely what Ironwood himself points out: the last time we saw this symbol it was a message that Beacon had fallen. He’s not paranoid here. He’s entirely justified in his panic. Ironwood likewise points out that they may have been duped into bringing thousands of people into Atlas as easy targets and Vine agrees, setting up that the Ace Ops are on Team Ironwood throughout the course of this conversation. Not out of blind loyalty, but because he’s right. That is a concern. That may be the plan. We do need to try and do something about that. Team RWBY, however, isn’t convinced.

That is, until Ruby realizes that the chess piece is made of black glass. Which means Cinder left it. Normally I’d congratulate her on that deduction---it is the one smart move we see Ruby pull this whole episode---but I just hate what follows. Namely that Ruby and Ruby alone controls her team’s opinions on a situation. Again. We saw it back in the snow, then again when Blake announced in the elevator that they’d do whatever she wanted. Team RWBY is the one who blindly follows their leader, not the Ace Ops, the only exception being Blake and Yang going rogue in regards to Robyn, but we see that hive-mind mindset here again. Ironwood brings up a good point? Nothing. Ace Ops support that point with more logic? Nothing. Ruby supports it? Oh, suddenly Weiss and Blake are taking this seriously. Suddenly Yang is fired up and ready to do whatever is necessary. Ruby controls the room. It’s only when she’s on board that her teammates decide this is worth getting riled up about.

Which, as I’ve said before, is a horrible way to write a diverse group. Especially when the writing is trying to paint the Ace Ops as mindless soldiers. For all their claims that they just have to follow orders, they’re the only ones parsing through this situation and coming to their own conclusions. It’s just that their conclusions do end up aligning with Ironwood’s which is the “bad” take in this scene. Team RWBY, however, waits until their leader makes a decision and then simply rides her cloak tails. The day that Blake, Yang, or Weiss legitimately disagree with Ruby---not a token “Are you sure we should keep secrets from Ironwood? We’re not actually challenging this. Just checking in”---is the day the writing will disagree with her. AKA, no time soon.

Blake tries to give some bland reassurance about them all being with Ironwood to which he responds, “Are you with me? How did Robyn know about the global communications tower?” Thank you! Thank you for giving us Ironwood’s characterization back and acknowledging that he has no reason to buy their generic ‘Got your back’ statements when everything they’ve done this volume has proven otherwise. They don’t support Ironwood, only themselves and their own teams. The minute he does something they don’t like he’s chucked under the bus. Too bad the writing doesn’t acknowledge any of this and instead continually paints the group as being justified in their decisions. It’s that hypocrisy again. When the group yells at Ozpin for keeping secrets we’re supposed to be on their side. When the Ace Ops yell at the group for keeping secrets we’re... still supposed to be on their side.

Weiss tries to diffuse the situation with “None of this matters right now!” which is real rich when they were just complaining about Ironwood not telling them why they were called back. They get to worry over that, but Ironwood isn’t allowed to worry about them outright betraying him? “Loyalty always matters!” he shouts back and he’s right. Why should Ironwood trust them to have his back in this crucial moment when they’ve never had it before? I’m already seeing more of this hypocrisy among the fandom. When Ozpin kept secrets and told lies the group was given a whole volume to be pissed about that and fans still, to this very day, insist that it hasn’t been enough time for them to get over it, to regain even a portion of that trust. But now that Ironwood has been lied to and betrayed in the same manner? People are annoyed that he’s not just shrugging it off. How dare you not get over in thirty seconds what our heroes got weeks to work through. His inability to just suck it up, as it were, is used to make him seem irrational here. I don’t see anyone, characters or fans alike, acknowledging that his anger is as righteous as the group’s was out in the snow. That there is the disconnect.

Of course, something has to break the tension. Drawn by all the fury and fear, a grimm pops out of Watts’ bag. A fail-safe for if he was defeated and captured. Salem immediately takes control of the grimm and kills it, using its form to appear before them. She reveals that it doesn’t matter that her men were captured. They were just there to “set the stage,” which they’ve done. Still doesn’t explain the random Penny side plot to my mind (seriously, why did the story bother to resurrect her when she has done nothing plot-wise or emotionally?), but whatever. Much more importantly, the stage is set for Salem herself. She’s approaching with the grimm army we saw her amassing which is... iffy.

First off, why? Why after a thousand years has she suddenly changed her MO from keeping to the sidelines to a full-on attack? Again, what’s the catalyst for that massive change? We don’t know. Meanwhile, from a writing perspective, I’m hesitant about having our Big Bad thrown into the mix before the finale. We know there are plenty of volumes left in this series, which automatically undermines any battle they might have with Salem. Will they win?? Of course not! Because RWBY isn’t over yet. Granted, this could all just be a ruse of some sort. Maybe Salem just wants them to think she’s approaching with an army, which would be much more up her alley in terms of long-distance manipulation. But if not... seriously, what’s the point of that?

Here’s hoping it’s a bluff.

Speaking of manipulation, we get a fantastically creepy moment where Salem tells Ironwood to “simply accept the futility of your situation” while smiling like a kind mother. That’s the Salem who is truly dangerous. Ironwood reaffirms that he won’t give up the relics and Ruby pips up with, “We don’t have to kill you to stop you.”

Hey wait. I’m gonna give you all another graphic.

This is Ozpin’s stance! This is his plan! His version of hope! We spent all of Volume Six having the cast beat on him for, “Omg Salem is immortal?!” and with the exception of Nora’s comment, no discussion of this in Volume Seven... but now suddenly Ruby is making this announcement? The group came to this revelation sometime off screen which we a) don’t get to see and b) once again created no scenario in the form of, “Wow! Ozpin was right all along! Maybe we should go talk to him...”

I’m just... wow. The number of times the writing takes what the group and the adults do, the exact same perspectives and decisions, and twists it so that the group comes out looking like heroes and the adults look like misguided, unhinged fools who need to be put in their place... I’m really over it at this point. And by extension the group themselves. Their characterizations have been so badly mangled at this point I legitimately don’t like them as people. I don’t care if they say they want to protect Mantle, or if they say they’ll support Ironwood, or if they say they’re unsure about their choices. All their actions claim otherwise.

Rather than grappling with the huge revelation that the group is apparently no longer obsessed with Salem’s immortality (or rather that Ruby isn’t. The rest of the group doesn’t actually matter. As established, they sync up with her beliefs the second she announces them), we return to Summer Rose. Salem goes, “Your mother said those words to me” and Ruby... loses it? What? I would have been 100% on board with this if we’d gotten it last Volume because then we saw Ruby losing her cool periodically. The smashed alcohol bottles. Chucking her scroll. Screaming at Qrow. That was all building to something. But then we had a year and roughly twelve episodes of normality. Ruby jumps into her fight with Cordovin and has been fine ever since. Hell, she’s been bubbly and confident, goofing off with Penny in one episode, then giving strong orders to her team in another. The one time we see her falter was in her conversation with Qrow and he reassured her completely that she was both doing the right thing and in no way comparable to Ozpin. Now, suddenly, one line from Salem and Ruby collapses? Full on incapacitated? I could buy the crying while still standing strong, I could buy a collapse if we’d kept her characterization going from Volume Six, but this kind of reaction in this context just felt so extreme. Doesn’t help that I really wasn’t sold on the voice acting here. Those cries sound less like devastated sobs and more like weird hiccups. Not to rag on Lindsay. On the whole I think she does a really excellent job as Ruby, it’s just this particular moment didn’t read right to me. I didn’t feel Ruby’s supposed grief here.

So that was... a lot for one line from Salem in a volume of otherwise confident and cool-headed Ruby. We also don’t see it amounting to anything, as per usual with RWBY’s writing. Ruby isn’t out of commission for the rest of the conversation or anything. She pops right back up after a second in Yang’s lap, just as confident and go-getting as before. There was no lead up to this and there are no consequences for the breakdown. Rooster Teeth honestly seems to think they can just chuck random things into the story---Ruby needs to show emotion at some point!---and then just leave it at that, entirely disconnected from everything else around it. Would we have known that Ruby just had her first breakdown of the series a minute later while once again betraying Ironwood? Nope.

Finally, this scene shows us again that the Argus battle was a bunch of nonsense. Ruby’s eyes nearly activate when she’s grieving for her mother, imagining---or perhaps seeing via Salem?---a sad Summer, not a smiling one. Just like her eyes activated while seeing Pyrrha die. Just like they activated when Blake was nearly killed by the Apathy. They activate now while thinking about her mother’s death. The montage of happy moments in lieu of the sad ones not working last volume was entirely out of place.

Salem finally leaves. Now everyone is panicking about this army. Elm points out that they’ll know if anything approaches. Vine checks and realizes that Watts took out their perimeter. Either that or Salem has already destroyed everyone and everything out there. It’s impossible to know. During all this Blake asks if the Amity tower is actually finished and we get more nonsense about how Ironwood is evil for telling a lie, but the group is always justified in telling theirs. The writing really tried to compare Ironwood telling Mantle---who I guarantee 100% does not care about whether a communications tower is finished while they’re getting attacked by grimm---a lie to lure out one of their biggest threats to Blake and Yang going behind Ironwood’s back to tell a potentially non-trustworthy outlaw about said tower, risking that the information would fall into the wrong hands and doom the project before it could be completed either way. Those are not in any way comparable situations, yet the writing really has Weiss going, “General Ironwood?” in a ‘How could you betray us like that?’ tone while Yang continues to look pissed.

And as if they didn’t know! How is this a personal betrayal? They were all helping to build that tower. Surely they’d know it it was that close to being done. Again, critical thinking skills, people. Anyone with two brain cells and their insider information should have looked at Ironwood’s announcement and gone, “Oh, that must be a bluff. Just a few days ago we were arguing about whether to continue taking resources from Mantle. No way is Amity ready. He’s going after Watts. Who is indeed the much bigger threat. Considering that he has control over the entirety of our technology and there’s literally no downside to telling Mantle about a finished tower when they’re getting devoured by grimm.” This is another, “But lying is wrong!” in the face of “But lying kept us alive...?”

Does everyone get what I’m saying here? How RWBY takes these situations and tries to paint them in an absolutely ridiculous light, expecting the audience to blindly accept this perspective despite everything else they’ve seen for themselves? Like, two episodes ago? I swear I’ve never encountered writing that treats its audience this badly. Scene after scene relies heavily on the viewer having no ability to think for themselves. Just accept that Ironwood is a horrible person for lying about the tower even though there are no repercussions for that and we JUST watched him defeating Watts as a result. Like, five minutes ago. That just happened. In this episode.

Ironwood then drops the bomb that Winter has gone off to claim the Maiden power. Interesting development. I wonder what that means exactly. Is she just going to lock herself away until the Maiden dies naturally? Do they have her on some sort of life support and is there an agreement to pull the plug if necessary? Are they going to use a machine similar to the one Pyrrha was in and try to force the change early? Or is this just a misleading comment and Winter is merely off to protect the Maiden, no intention of taking the power now? Who knows. We’ll have to wait until next episode to find out.

Ironwood likewise announces that the staff and the lamp need to be locked away now that they’re compromised, even though they’ve been compromised since they first saw Tyrian in Mantle. Insert another [this scenario is so stupid and contrived] explanation here. It’s made worse by Ruby’s childish “You said we could keep it.” Excuse me? What, did you think the lamp was your personal property now forever and always? Is Ruby really sitting there arguing that something Ironwood told her weeks ago trumps the obvious logic of putting the relic where it’s somewhere safe? That’s the characterization we’re going for, a leader who cares more about, ‘But you said we could have it!’ over the fate of the world? What even is this? The fact that Ironwood has to explain to them that the situation has changed just reinforces the group’s overall attitude. That is, one of arrogance and importance. They literally need to be told why putting the relic in a nearly impenetrable vault is better than letting them have it just because they want it. Plus, you know, they lied about the lamp from the start. So there’s that too.

Finally, Ironwood reveals that Amity was originally a plan of Ozpin’s but he didn’t push it far enough. Instead, he intends to use the staff to lift all of Atlas instead, hopefully taking two relics and a Maiden far out of Salem’s reach. Ruby wants to use the tower for its designed purpose instead, which is only a valid option in her mind because the writing was stupid last week. If there had actually been any logic there---if people had been allowed to react naturally and in a variety of ways to the Salem announcement, rather than a super convenient “Yeah! Let’s all work together!” across an entire, panicking city---she wouldn’t be quite so eager to tell the whole world. But we all know at this point that logic bends to the protagonists’ whims, so Ruby wants that same perfect ending across all of Remnant. She stands her ground, as does her team. Obviously.

Meanwhile, the Ace Ops aren’t just following Ironwood’s orders like the writing wants us to think via Harriet’s earlier comment. Rather, they’re each thinking through the situation for themselves and making very good points. If Salem has taken out our perimeter than we know our tech and people don’t stand a chance against this army. We just finished up the fight in Mantle and none of us are in a position to start another. Notably, Harriet brings this up, the one whose aura took a massive hit while nearly getting crushed underfoot. Vine points out that sometimes you have to lose a battle to win the war, but Team RWBY, to be blunt, simply doesn’t care.

I’ll be blunt myself here too: I don’t have an easy solution to this particular scenario. I don’t know what the “right” or the “wrong” choice is. Weighing starting a fight with VERY high stakes you’ll lose against abandoning the people of Mantle is just a straight up horrific decision. Like so much of what Ozpin faced, there is no clear-cut, good answer here. Do you stand by the people and risk the world, or work to save the world and doom the people? I don’t know and I do commend Rooster Teeth for writing a difficult choice... just not in giving each side the weight it deserves. Because as said, we’re meant to root for Team RWBY, always. Theirs is presented as the “right” choice every time, despite the fact that, as established, this is far from a black and white decision.

What frustrates me the most is when faced with all of these logical and very important considerations (we might not have backup, we’re in no position to fight, if Salem gets the relics and another Maiden the world is screwed) the group won’t even acknowledge these things. They’re so set in their own perspective they won’t even give these HUGE concerns the time of day. Rather, Yang shoots back, “You can’t just back down from a fight!”

That’s it. That’s the group’s problem in a single line.

This is what got Pyrrha killed.

It’s something the group should remember. She also insisted on fighting when she should have retreated and, since this was back during the days when characters actually faced consequences for their actions, it cost Pyrrha her life. Granted, going after Cinder was a truly useless endeavor. Pyrrha achieved nothing with her sacrifice. Here, Team RWBY hopes to save the people of Mantle, adding a clear justification for their insistence on fighting... but this is nevertheless indicative of that larger “punch it until it stops moving” mindset. It’s not that they decide to fight instead of retreating that’s the problem, it’s that to their mind fighting is the only option. Ever. This is what led to them attacking Cordovin and destroying Argus’ mech, drawing a massive grimm in the process. When faced with the option of backing down, Team RWBY doesn’t consider that an option at all. Which is heroic when up against an actual enemy, far less so when you’re facing an ally and the choice to fight has serious repercussions attached to it. Hell, the group doesn’t even consider compromises. They could have easily acknowledged that collecting the relics, the Maiden, and getting the staff to work on Atlas will take time. You do that while we focus on evacuating the rest of Mantle to the city. But no, even the concept of a compromise simply isn’t possible. You just always fight. Straight up. Anyone who suggests anything less isn’t a true huntsmen. “We’re loyal to the people!” Ruby shouts, as if “the people” doesn’t also include the rest of the world that Ironwood is trying to save and that they’re endangering by keeping the relics and Maiden within Salem’s reach.

That is one messed up perspective to tout in a story infused with the complex and the morally gray.

The real kicker though? Ruby’s ‘My way or the highway’ attitude obliterates a solution that fell straight into her lap. Jaune calls and says straight out that they have another situation. If Ruby had listened to her teammate for just three seconds they all would have learned about Oscar, thereby undermining Ironwood’s plan. He can’t keep the lamp safe if he doesn’t know where it is. You look for it while, again, we evacuate Mantle. Then we take everything out of Salem’s reach. Win-win. Instead, Ruby blasts her way through the situation. Literally, dodging Ironwood and hiding behind his desk shouting a highly bias version of his plan in the hopes of getting everyone on her side. And it works.

Because those like Clover don’t get to hear any of that context. Like how the perimeter is gone, there’s an army potentially coming, no one is in a position to fight, we’ve already lost a relic... they just here a Ruby’s version of events that paints Ironwood as the callous man Robyn thought he was---oh my god he’s abandoning Mantle for no good reason!---and people will react accordingly. Ruby likewise doesn’t care that shouting such information over all channels does things like, say, clue Tyrian into their plan. She just wants to do things her way, right now. Pausing to think (because thinking isn’t fighting) simply doesn’t happen.

I used to adore Ruby as a hero. Someone who was intrinsically good, hopeful, and wickedly clever in her ability to come out on top. Now she’s stubborn, arrogant, at times cruel, and charges in headfirst like her sister, refusing to consider any perspective other than her own. And her team endlessly supports that. The writing endlessly supports that. This isn’t our hero working through her flaws, but rather a flawed character that the writing refuses to acknowledge is flawed. When Ruby flies behind Ironwood’s desk the music rises triumphantly, just like it did when she attacked Cordovin’s mech. When Ironwood announces that they’re under arrest, Ruby spits back, “We won’t just let you take us” and we’re supposed to cheer.

Which brings us back to the question of whether the group really faced consequences here. Let me give you all a random, non-RWBY example of two scenes. Scenario One:

Parent: You punched her?

Teen: She insulted me!

Parent: I understand that, but that doesn’t mean you were justified in attacking her.

Teen: Oh, I was.

Parent: Maybe you were, maybe you weren’t, but you can’t solve all your problems that way.

Teen: I... I know that, okay. Back off. I just get so angry...

Parent: I know. We’re going to work on that. You’re grounded this weekend. We can discuss this more then.

Teen: [sighs] Fine.

vs. Scenario Two:

Parent: You punched her?

Teen: She insulted me!

Parent: I understand that, but that doesn’t mean you were justified in attacking her.

Teen: Oh, I was.

Parent: Maybe you were, maybe you weren’t, but you can’t solve all your problems that way.

Teen: Screw you! It worked didn’t it? I think a good punch goes a long way.

Parent: That’s not... okay look. You’re grounded this weekend so---

Teen: Like hell I am. [Proceeds to run off]

Teen: [Later to friend] ---and then she tried to ground me? Can you believe that?

Friend: Holy shit what an asshole.

If we put aside my own iffy dialogue for the moment, Scenario One acknowledges the complexity of the situation while likewise pointing out that the teen didn’t handle herself well. RWBY has achieved that here: the ethics of this scenario are acknowledged as complicated, but the group did things they shouldn’t have, as evidence by Ironwood’s anger and the Ace Ops’ criticism. However, Scenario One goes on to let the teen acknowledge that mistake, thereby validating it in the first place. A consequence is set, grounding, and they accept that, thereby further validating that their behavior needs work. They accept the consequence because both they and the writing acknowledge that the consequence is deserved. It takes what was previously two subjective stances---they say I’m wrong, I say I’m right---and encourages the audience to find the middle ground. Neither was totally wrong or right. The teen might be justified in some respects, but still made mistakes in others. She needs to improve.

RWBY, however, steers firmly into Scenario Two wherein the teen (Team RWBY) insists points blank that they never made mistakes in the first place, thereby encouraging the audience to question whether Ironwood and the Ace Ops (the parent) is right to be calling them out at all. We see no humility or guilt, only confidence. Ruby shouting “No!” at Cordovin when she’s told to surrender. Yang keeping silent after admitting that she and Blake told Robyn, not bothering to apologize or admit that this might have been a breech of trust. They challenge the validity of the claim that mistakes were made and by virtue of being protagonists encourage the audience to challenge it too. Finally, we see them reject the consequence because they will not admit that it’s deserved. The teen will not accept a grounding. Ruby: “We won’t just let you take us.” We’re then told by others that this rejection was warranted. The friend reinforces the view that the teen was right to run because that punishment is undeserved. The message is, “You never did anything wrong in the first place.” The plot of RWBY likewise reinforces the view that resisting Cordovin’s arrest was right by having her randomly let the group go. The consequence is replaced with a reward and, presumably, we’ll have a similar situation wherein the group either defeats the Ace Ops or is released by them. The consequences never take hold because the writing doesn’t think there should be consequences in the first place. Team RWBY isn’t going to be arrested here. They’re certainly not acknowledging that on some level they deserve to be. We didn’t see that humility while they were cuffed on the airship---that most basic acknowledgement of, “Did we make some mistakes? Could we have done something better? Is Ironwood right to be this mad?”---and there’s none of it now here, either. The tone is pure, “How dare you try and arrest us? We’re the good guys here!”

This remains as pro-protagonist as it has been the last two volumes. There are no consequences, only another hurdle for the group to overcome, painted as heroes for doing so. It’s Team RWBY vs. The Ace Ops and there’s no confusion about who we’re supposed to be rooting for. The Ace Ops because the group should rightly be stopped from hindering Ironwood’s attempts to keep the relics and a Maiden out of Salem’s hands, for their own lies and secret keeping that endangered them all this volume? Nope. It’s Team RWBY as the presumed heroes, facing off against soldiers who (supposedly) prioritize orders over what’s “right.”

And yeah, Oscar is gone. There are a number of dismantled robots and blaster fire in the room where Neo presumably took him. So unless they do a flashback we don’t get to see if/how Ozpin reacted to this initial attack. I hope they do provide a flashback because otherwise that’s another crucial scene of Oscar’s that happened off screen...

Can’t wait to see what else we’ll end up with next week! Until then, 💜

#rwby #rwby volume 7 #rwby volume 7 spoilers #rwby recaps #mymetas

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