#and the r t i c o a w j k e z n keys don't work unless i forc hem down in a specific way

[tennessoui]

me in an abusive and unhealthy relationship with my shitty laptop: i'm going to trade you in for a better model!!

my shitty laptop, chain-smoking in bed: darling, you can't afford a better model.

[spencereidluver]

Spencer Reid A-Z Masterlist

these are written as a story with each letter being a new chapter. I recommend reading in chronological order for story purposes, but these could also work as one shots.

I’ve put them in a timeline and they are further categorized by emojis

key:

🧸- fluff

🔥- smut

❤️‍🩹- angst

🕰️- coming soon

2008

january

you join the BAU (age 24)

july

a is for About Time 🧸

b is for Boy Genius? 🧸

august

c is for Case by Case 🧸

d is for Diana🧸

september

e is for Even Guys Like Me? 🧸❤️‍🩹

f is for First Date 🧸

october

g is for Girlfriend 🧸

Spencer’s 27th Birthday

h is for Hold my Hand 🧸

november

i is for I knew it! 🧸

Henry LaMontagne is born

j is for Just So You Know… 🧸

2009

december

k is for Kissing Isn’t Enough 🔥

l is for Lover Boy 🕰️

m is for Merry Christmas 🕰️

january

n is for New Years 🕰️

1 year at the BAU

o is for Ours 🕰️

february

p is for Pretty Boy 🕰️

q is for Quiet 🕰️

march

r is for Really? 🕰️

s is for Sitter 🕰️

april

t is for Two Time 🕰️

u is for

may

v is for

w is for

june

x is for

y is for

july

z is for

[tazmilygray]

Kirby OC creation game

First letter of your URL is your character's species!

A - Puffball (like Kirby)

B - Penguin (like Dedede)

C - Whatever the mages and haltmanns are

D - Jambeliever

E - Key Dee

F - Scarfy

G - Waddle Doo

H - Burning Leo

I - Chilly

J - NESP

K - Noddy

L - Poppy Bros Jr

M - Paint Witch

N - Hamster

O - Human

P - Ripple Star Fairy

Q - Spider

R - Whatever Magolor is

S - Squeaker

T - Fecto

U - Awoofy

V - Octopus (like Chuchu)

W - Waddle Dee

X - Keke

Y - Whatever Tiff and Tuff are

Z - People of the Sky (flower fairies from KTD)

Favorite Season = Their Fighting Style!

Spring - Ranged Weapon

Summer - Melee Weapon

Fall - Healing/Support

Winter - Mage

Fave Color = What magic they specialize in, if any

Red - Fire

Orange - Rock/Ground/Earth

Yellow - Electric

Green - Nature

Blue - Water

Purple - Poison

Pink - ESP/Psychic

Black - Ghostly

White - Ice

Fave Flavor = A big part of their personality, a main trait

Sweet - Headstrong

Sour - Kindhearted

Salty - Short-tempered

Spicy - Selfish

What you like best will determine your character's Matter type

Clouds - Heart Matter

Rain - Soul Matter

Stars - Dream Matter

The Moon - Dark Matter

I hope this wasn't too much, I'd love to see what you create so, if you decide to use this, if you don't add on to a reblog, tag me if you upload what you make!

[thetopichot]

•°● Fluff Alphabet ●°•

I made my own version of the Fluff Alphabet because I'm a unhinged cat that has the power to do whateva I want. (｀ε´ )

Also you guys should totes tag me when you use these, I love seeing what you guys do with it!

A = Abundance Of Love (Are they a loud lover that loves to express their love in many ways or are they a quiet lover that loves those quiet intimate moments?)

B = Brave (Were they the first to confess? If so, how did the confession go?)

C = Control (Do they take the wheel of the relationship or do they let someone else do the driving?)

D = Dreamboat (What do they find attractive in their partner(s)?)

E = Empathetic (If their partner(s) was in a not so good mood, how would they cheer them up?)

F = Forgiving (If they had a fight with their partner(s), how would they apologize? Or would they be petty about it?)

G = General (Random Fluff Headcanon)

H = Home (How would they feel living with their partner(s)?)

I = Idealistic (What's their personal preference in a special someone?)

J = Jealousy (Do they get protective of their partner(s) when someone flirts with them?)

K = Key To The Heart (What is something that will make them fall in love instantly?)

L = Luxurious (Do they spoil their partner(s) rotten? If they do, how do they spoil them?)

M = Marriage (How would they feel about getting married?)

N = Nobility (How honest are they to their partner(s)? Do they hide anything?)

O = Overwhelmed (If they were in a not so good mood, how can their partner(s) help them out?)

P = Passionate (What is something to them that means a lot to them that only their partner(s) knows about it?)

Q = Quirky (Something silly that they do.)

R = Romantic (What is their love language?)

S = Sublime (What is the best gift that their partner(s) can give them?)

T = Touching (How do they feel about PDA?)

U = Undeniable (Did everyone know about their crush on their partner(s)?)

V = Visionary (What do they want their future to look like with their partner(s)?)

W = Wacky (General Fluff Headcanon. Again.)

X = Xaroncharoo (Yes, that's a word. Look it up. In a domestic sense, what are they exceptional at in the home?)

Y = Yearning (If their partner(s) went out to get something without them/went off to work, how would they feel about it?)

Z = Zonked (How do they cuddle?)

☆ミ Author's Notes Underneath 👇 ☆ミ

🩷 - Yippie! It's done. FUCKING finally. If you guys use these, you should tag me! You don't have to, but I would love to see what you guys do with it!

[simpfordemetri]

Carlisle Cullen nsfw alphabet

I'm so sorry,this was in my drafts and I totally forgot to post it,sorry to the one who requested it<3

A = Aftercare

God this men is the god of aftercare(and sex),he will snuggle his face on your neck,his hands up and down your arms gently,pulling you onto his chest and whispering how gorgeous you are.He will check if you are okay and let you sleep,while he gently caress your back.

B=Body part

His favourite body part of himself is his mouth,he loves to hold your hips while he eats you out,hearing the sounds that came off of you while he gives you pleasure.

His favourite body part of yourself is your hands,he will hold them up your head keeping you down him.

C = Cum

He loves cumming inside you,feeling your fluids around his dick,staying that way for a while.

D= Dirty secret

He would love to drink from you while having sex,but of course it's not his diet and If he ever needs to drink from a human it's not going to be you.

E=Experience

Oh,he is experienced,he knows what he makes to you and he is proud.Wont care if u have experience or not,but low-key love if you are virgin,knowing he will be the only one yo praise your body

F=Favourite position

Missionary,he loves being in top of you,hitting that spot over and over again just to see your face.

G = Goofy

He can make you laugh sometimes, but he prefers to keep it serious,he will have a soft smile on his face tho.

H=Hair

Has some hair,usually take care of it,but doesn't care if you have some,it's totally normal and he won't even notice.

I=Intimacy

He is gentle,not rude at all,he can make you feel good without making it dirty.He loves making love to you in a slow way.

J = Jack off

He doesn't,he has you,if you are not in the mood he can control himself.

K = Kink

Breeding kink,even if he is not going to risk your safety he always think about the fact of you pregnant, and make a family.

L=Location

Your shared room,there is no way this man will do something sexual with you outside your bedroom.

M=Motivation

Intelligence,he loves when you two shares opinions and you talk looking so smart.He is all over it.

N=No

Hurting you, dangerous kinks and public sex.

O = oral

Loves eating you out,your legs around his head and him pleasuring you for hours.

P=Peace

He is slow.Praising and loving every inch of you.

Q = Quickie

Nopnop,you will have to wait,he is not making love to you in a rush.

R=Risk

Nope.

S=Stamina

Of course he can last forever,but you usually last some hours,maybe three or four rounds.

T=Toys

He is willing to buy them,and uses them on you,controlling their speed and making you cum.

U = Unfair

Can tease you a little when you act like a brat,you will have to literally shout at him to finger you.

V = Volume

He is not afraid of you hearing him,and he will let out loud moans and soft growls.Thats what you do to him.

W = Wild card

He low-key loves when you take the control, riding him.

X = X-ray

Wow this men is big,22cm.

Y = Yearning

His sex drive is just normal,when you two feel like it,no pressure.

Z = ZZZ

Doesn't sleep but of course stays with you,resting his head on top of yours.

[jaybirdswriting]

maybe prompts where the A feels insecure & B re-assures them (them already being a couple) <3

A: Character B is aggressively reassuring to Character A. They're the type to go "YOU'RE THE BEST. INCREDIBLE. THE LOVE OF MY LIFE." and Character A is going "OKAY! OKAY!"

B: Character A tells Character B they feel bad about themselves. Character B responds by giving them the saddest look they've ever seen, and hugging them so incredibly tight as they whisper reassurances over and over again.

C: Character B kisses all of the places Character A is insecure about.

D: Character B gives Character A a nickname thar directly contradicts their insecurities. (EX: Calling them "Gorgeous" when their biggest insecurity is there face.)

E: Character A wakes up one night with Character B gently trailing a finger down their jaw. When they ask what they're doing, they reply, "Sorry. You're just so beautiful."

F: When Character B learns the depths of Character A's insecurities, they make a huge list of all the things they love about their partner to give to them.

More Undercut

G: Character A hides their insecurities under lock and key. That's why it shocks them when Character B directly compliments something they're insecure about.

H: Character B fondly calls Character A their "perfect (something)" (Examples: My perfect rose. My perfect gem. My perfect darling.)

I: Character A has always thought poorly of themselves. That's why it shocked them so much when they overheard Character A talking so highly about them to friends/family.

J: Character B proudly introduces Character A as their partner.

K: Character B not only reassures them, but is heavily encouraging of them to seek therapy.

L: When someone insults Character A's insecurities, Character B is the first person to jump to their defense.

M: Character B has a running joke that if Character A were a celebrity they'd be their biggest fan. Because everything about them is so wonderful.

N: Character B takes nonstop pictures of Character A because they find them so gorgeous. Character A is so shocked and flustered when they find out.

O: Character B has a chance to change Character A through magical means. They choose not to because they think Character A is perfect the way they are.

P: Character B shocks Character A by saying "I wish I was (trait they don't think they have.) like you." with a very genuine grin.

Q: Character A asks Character B how they would describe them. Without hesitation Character B responds with "Talented!"

R: Character B has a hard time fully grasping A's insecurities because they think so highly of them. In a weird way it's very reassuring on it's own.

S: Character B draws Character A and Character A realizes how beautiful they see them.

T: Character B is always there to listen and reassure if Character A needs to talk about their insecurities.

U: Character A is good at telling when people are lying. When Character B compliments them, they can tell that they're being nothing but truthful.

V: Character A can see how Character B's jaw drops whenever they entire the room. Their repeated reaction is a deep reassurance.

W: Character B always loudly acknowledges when Character A does a good job. They want them to understand how proud of them they are.

X: A very drunk/tired/under a truth serum Character B tells Character A that they think they're perfect.

Y: Character B is very full of themself. When Character A admits that they're insecure, Character B responds with "What?! But I am the most wonderful person alive and I assure you we're in the same league."

Z: Character B doesn't need to speak to reassure Character A. All they need to do is look at them with that loving look swirling in their eyes.

[frogspond200]

𝚈𝚊𝚗𝚍𝚎𝚛𝚎 𝚂𝚝𝚎𝚟𝚎𝚗 𝙰𝚕𝚙𝚑𝚊𝚋𝚎𝚝

𝚁𝚎𝚚𝚞𝚎𝚜𝚝𝚎𝚍 𝚋𝚢: 𝚕𝚘𝚕𝚕𝚘𝚠

𝚆𝚊𝚛𝚗𝚒𝚗𝚐: 𝙶𝚎𝚗𝚎𝚛𝚊𝚕 𝚈𝚊𝚗𝚍𝚎𝚛𝚎 𝚜𝚝𝚞𝚏𝚏

𝙰𝚜𝚔: 𝚌𝚘𝚞𝚕𝚍 𝚠𝚎 𝚐𝚎𝚝 𝚊 𝚢𝚊𝚗𝚍𝚎𝚛𝚎 𝚊𝚕𝚙𝚑𝚊𝚋𝚎𝚝 𝚏𝚘𝚛 𝚂𝚝𝚎𝚟𝚎𝚗 𝚄𝚗𝚒𝚟𝚎𝚛𝚜𝚎? 𝙶𝚎𝚗𝚍𝚎𝚛 𝚗𝚎𝚞𝚝𝚛𝚊𝚕 𝚛𝚎𝚊𝚍𝚎𝚛 𝚙𝚕𝚎𝚊𝚜𝚎

━━━━━━━━━━━━━━━━━━

A - Affection: Steven showers you with affection, constantly seeking your attention and love, Whether you want it or not.

C - Cherish: he cherishes every moment you spend together, treasuring you above all else.

D-Delusionly: his perception of reality is distorted by my obsession, blurring the lines between fantasy and truth...

E - Enough: No amount of your hate towards him or attention will make him hate you back, he's a very delusional person…He just thinks you're having a bad day.

F - Fragile: his delusion is delicate, like a fragile gemstone that could shatter at any moment...

G - Gore: he revels in the grotesque, finding twisted satisfaction in scenes of violence and bloodshed to those who hurt or even THINK. Of loving you.

H - Harmony: In his twisted harmony, he finds solace in your presence and the sound of your voice, touch, smell...Everything.

I - Intrusion: he invades your personal space, driven by an overwhelming desire to be close to you at all times.

J - Jealousy: Jealousy consumes him, fueling his rage at the mere thought of someone else capturing your attention.

K - Key: You hold the key to his heart, his life, and his very existence revolves around you and your affections.

L - Love: his love for you is obsessive and possessive, bordering on madness.

M - Manipulation: he skillfully manipulation situations and people, molding them to fit his desires and keep you close.

N - Nagging: he nags and criticism, convinced that it’s “for your own good” and to improve our relationship...

O - Obsession: My mind is consumed by thoughts of you, every waking moment dedicated to our twisted love.

P - Possession: You are his possession, a cherished object that he guards fiercely from anyone who might threaten you...

Q - Quandary: he is torn between his desire to protect you and his desire to keep you all to himself.

R - Rage: A burning rage resides within him, ready to erupt at any moment to defend our love from anyone who might think it's dangerous.

S - Secrets: He keeps every one of your secrets close, using them as tools to deepen his connection and maintain control.

T - Twisted: Your love is twisted and distorted, deviating from societal norms and descending into darkness.

U - Unhinged: his mind is unhinged, teetering on the edge of sanity as he clings to his poisonous love.

V - Violent: He is prone to outbursts of violence, lashing out at anyone who threatens your bond. Sometimes has outbursts on you whenever you look the other way

W - Worship: You are his divine deity, worthy of worship and sacrifice, the center of my existence. The sheet thought of not being with him rips him apart inside and out.

X - Xenophilic: he is captivated by your uniqueness, drawn to every aspect of your being...the way you walk, talk, move, and try to fight back, astonished him.

Y - Yearning: his yearning for you is insatiable, an all-consuming desire that drives him to extreme measures.

Z - Zealous: he is consumed by a zealous devotion to you, willing to do whatever it takes to possess you completely...

[fazedlight]

This is not, as far as I can tell, a real thing. Double-breasted??

It looks like an interrupted key cipher is real (in the sense that someone came up with it, but it sounded like it was an academic exercise rather than anything that saw real-world use).

But that's not what they did here. It looks like they just used a modified Atbash cipher, except they separated the vowels and consonants:

A E I O U

B C D F G H J K L M N P Q R S T V W X Y Z

You can see that if you fold these lines in half, you get A = U, K = R, Z = B. Since I and N are directly in the middle of their odd-numbered lines, I = I and N = N. So RUBNIU becomes KAZNIA.

It actually feels less secure to me than the original Atbash, since you shrink the vowel search space, and you have two letters that consistently map to themselves. (Albeit, any simple substitution cipher is going to be unsecure to begin with.)

It seems like a weird choice for Lex's favorite cipher. Vigenere ciphers are much more fun, saw real-world use, and went unbroken for hundreds of years... but maybe that's a bit hard to decode in an interesting way on TV. A rail fence cipher might've been visually fun?

Of course, both of those require Lena to have learned a keyword, but they could've done it!! It could've been left in his Stryker's cell or something idk. Just pick something real 😭

(If you want to see me going insane about a different nitpick in canon, here's why Lex's prison carving was wrong.)

(If you want a nice introduction into ciphers and cryptography, I highly recommend The Code Book by Simon Singh.)

[mewling-central]

Introduction to Collective Seraphic

Now that Seraphic's at a stable place, I think I'm gonna take some time to delve into the basics of how it operates. For this post I'll only be going into the language itself and not the writing system, as that's going to need a post of its own to elaborate on. I'll try to keep this as concise as possible, but I may make separate posts expanding on topics discussed in this one. So, without further ado, onto the infodump!

Background

Collective Seraphic (which I'll be referring to as "Seraphic") is an artlang that I've created for a comic that as of this post I have not began yet, but am still developing. The majority of the comic will take place on the Seraph Homeworld, an alien planet some 3,000 lightyears from Earth populated by the seraph species (pictured below):

Within the story, Seraphic acts as the lingua franca of the Seraph Homeworld and the many colonized planets under Seraph control. It's used in the government, and among speakers of differing languages. As such, this language was the first one that I knew I would need to make as it will play a vital role in both the storytelling and narrative structure.

Syntax

Seraphic is largely a fusional language, employing affixes to modify the semantic role and meaning of morphemes. Seraphic does not, in the traditional sense, have verbs, so the sentence structure is strictly subject-object (will expand upon later). Nouns decline for number and tense, and are grouped into seven noun classes. Adjectives agree with nouns in number, except if derived from nouns themselves, in which case they'll also agree in class. Seraphic is very head-initial; with demonstratives, numerals, possesives, adjectives, genitives, and relative clauses following the noun the modify; and prepositions preceeding the nouns they modify. Auxiliaries preceed procedurals (again, will expand upon later).

Phonology

Here is the phonological chart for Seraphic:

It has a syllable structure of (CC)V(CC). Plosives cannot exist word finally, clusters of consonants of the same manner are illegal, and vowel clusters are also not permitted. Syllabic consonants are grouped with vowels and behave much like them, carrying tone and stress, so they together are grouped and referred to as vocalics. Seraphic is a tonal language, employing the use of four tones: rising (á), falling (à), high (ā), and low (a). Low tones remained unmarked in both the Seraphic script and in romanization. Stress is syllable-independant. It will take either the ultimate, penultimate, or rarely the antepenultimate. Stress always falls on the syllable with a voiceless initial obstruent nearest to the end of the word. If none are available, it will fall on the syllable with an initial sonorant within the same parameters. Stress will never fall on a voiced obstruent. For clarity, I'll provide a key describing the pronunciation of the romanization.

Sounds that are similarly pronounced as they're read in American English:

m, n, p, b, t, d, k, g, f, v, s, z, y, w, l

Sounds that have special pronunciations:

ŋ, like the ng in English "sing"

p', like the ጴ in Amharic "ጴጥሮስ"

t', like the t' in Navajo "yá'át'ééh"

k', like the კ in Georgian "კაბა"

', like the the space within English "uh-oh"

c, like the sh in English "sharp"

j, like the s in English "measure"

x, like the gh in English "ugh"

ğ, like the γ in Greek "γάλα"

pf, like the pf in German "Pfirsiche"

ts, like the z in Italian "grazia"

tc, like the ch in English "chain"

kx, like the kh in Lakota "lakhóta"

r, like the rr in Spanish "perro", although occasionally like the r in Spanish "amarillo"

i, like the ee in English "meet"

į, like the ы in Russian "ты"

u, like the oo in English "boot"

e, like the é in French "beauté"

œ, like the a in English "Tina"

o, like the o in Classical Latin "sol"

a, like the a in English "bra" although this can change to be more forward or more backward.

Another letter that might trip people up is ł, which is meant to represent the high tone syllabic 'l'. Otherwise, syllabics are written the same as their pulmonic counterparts, with tone markers written when applicable.

Nouns

Nouns make up the bulk of the Seraphic lexicon. Every noun is grouped into one of seven classes:

Solar class: nouns related to seraphim or seraph-like beings, and seraph body parts. Prefix appears as zā-, zō-, zē-, s-, or ts-.

sēr = "person"

Astral class: nouns related to non-seraph animate lifeforms (their equivalent to "animals"). Prefix appears as ğr-, x, or kx-.

xuc = "cherub"

Vital class: nouns related to inanimate lifeforms (their equivalent to "plants"). Prefix appears as wā-, wō, w-, ū-, wē-, or wī-.

wējlux = "tree"

Terranean class: nouns related to landscapes, locations, and natural phenomena. Prefix appears as va-, vo-, vu-, f-, and pf-.

voxāl = "sun"

Metallic class: nouns related to inanimate objects, both natural and artificial. Prefix appears as ja-, jo-, c-, or tc-.

jağrú = "rock"

Lunar class: nouns related to abstract concepts, and terms related to time. Prefix appears as la-, lo-, le-, li-, y-, or l/ł-.

levren = "job"

Oceanic class: nouns related to general words, tangible concepts, numbers, all adjectives, and non-incorporated loanwords. Prefix appears as a/ā-, o/ō-, or aw-.

awuf = "group"

Adjectives do not agree in class, due to the fact that nouns originally are derived from adjectives, and noun classes acted as a way to differentiate between nouns and adjectives.

fa = "warm, hot"

jafa = "fire" (lit. "a hot thing")

When adjectives are used as predicatives, they decline into the oceanic class in order to take the procedurals (once more, will expand upon later).

Nouns also decline for four numbers: singular (one thing, usually unmarked), dual (two things, both things; suffixes as -ac, -oc, -œc, or -c), plural (things, many thing; suffixes as -n, -an, or -in), and collective (every thing, all things; suffixes as -āf/ōf, -áf/-óf, or -'ōf).

Seraphic doesn't use pronouns. Everything and everyone is referred to by name, including yourself. From our perspective, the Seraphic language constantly speaks in the third person. However, it can be repetitive to use the same name over and over again in a sentence, and sometimes you don't know the name of things, so they'll apply what I've called pro-forms. They consist of the demonstrative adjectives fl "this", sl "that", and xl "yon" declined into the Solar class and taking the place of the first, second, and third person respectively. For ease of reference, I'll provide the forms and their declensions below.

zāfl (I/me), zāflc (both of us), zāvlin (we/us), zāfláf (all of us)

zāsl (you), zāslc (both of you), zāzlin (you guys), zāsláf (all of you)

zōxl (they), zōxlc (both of them), zōğlin (many of them), zōxláf (all of them)

Seraphic makes no distinction in the gender of the speaker, in this regard. Although these resemble pronouns, they're not meant to be used as often as regular pronouns, and whenever possible it's much preferred that you refer to someone or something by name.

Adjectives and Prepositions

Adjectives are fairly straightforward. Adjectives follow the noun they modify (e.g. sēr tan "big person"), and agree with them in number (e.g. sēr tan "big person" vs sērn t'aŋon "big people"). Adjectives agree in the singular form with singular and collective nouns, and they agree in the plural form with dual and plural nouns.

There are three main types of adjectives: native adjectives (e.g. cna "good"), borrowed adjectives (e.g. anzn "nice"), and noun-derived adjectives (e.g. arfi/ofi "new"). Native and borrowed adjectives don't agree with noun classes, but noun-derived adjectives do. It originated from the animacy-based adjective agreement system in Proto-Seraphic, which has been lost in all other adjective instances. When you want to make a noun into an adjective you'll affix one of two prefixes to it: ar- (if agreeing with Solar, Astral, and Vital nouns) and o- (if agreeing with Terranean, Metallic, Lunar, and Oceanic nouns). There are specific rules on the forms each prefix takes based on the noun they're attached to:

"ār-" when preceeding high or falling vocalic syllables (e.g. sēr ārzājna "popular person")

"ar-" when preceeding low or rising vocalic syllables (e.g. wēn arfe "local fruit")

"ó-" when preceeding high or falling vocalic syllables (e.g. lalel ówē "grassy flavor")

"o-" when preceeding low or falling vocalic syllables (e.g. lesar olvulvren "economic problem")

"ōw-" when preceeding words that start with a vocalic (e.g. lnin ōwāsāvbas "momentary event")

Prepositions occur before the nouns they modify, and don't change form in any circumstance. There are currently 19 prepositions in the modern language, and they are usually connected to nouns via a hyphen (e.g. e-fe "at (the) place"):

cu = of; indicates possession

pr̄ = indicates the indirect object, equivalent to "to" in the phrase "The man sends the letter to me."

in/īn = as or like; indicates similarity or resemblance. Will either be low or high tone depending on the tone of the following syllable.

e/ē = at or on; indicates location.

tsa = near or for; indicates relative distance from a location or an action performed for the sake of the referent.

cni = without; indicates a lack of possession or company.

wa = in or inside of; indicates interior position.

tn = on top of, above, or before; indicates superior position or a prior instance in time.

pux = under, beneath, or after; indicates inferior position or a following instance in time.

pi = with, together with; indicates being in company of or making use of the referent.

fān = from or away from; indicates the motion of leaving the referent.

ku = out of; indicates motion from within the referent towards the exterior.

tun = into or through; indicates motion from outside the referent towards the interior.

xel = to or towards; indicates the motion of approaching the referent.

kxun = across; indicates motion from one location to another

pn̄ = around; indicates location surrounding the referrent.

cāza = between; indicates location in the middle of the referrent.

tē = after, behind; indicates posterior position.

fr = during; indicates a moment in time

Prepositions aren't combined in Collective Seraphic, but may be in certain instances in colloquial speech.

Procedurals

Okay, this is probably the most complicated part of Seraphic, so I'm going to need to get into things individually. First, I'll start with defining a procedural itself. Procedurals are the term I use for the prefixes used to describe the relationship or process of and between the agent noun and the patient noun. These are what act as the equivalent to "verbs" in earth languages. There are three in use:

Existential: used to denote a state of being or equivalence between agent and patient, or to the patient and itself. Equivalent to English "to be" (e.g. A is B, there is B). Usually prefixes as some variant of n-, m-, or ŋ-.

Actional: used to denote an action or process between the agent and patient, or with the patient and itself. Equivalent to English "to do" or "to act upon" (e.g. A acts upon B). Carries a connotation of agency and intent. Usually prefixes as some variant of re-, ra-, or r-.

Resultative: used to denote an occurence or change in state between agent and patient, or patient and itself. Equivalent to English "to become", "to happen", or "to change into" (e.g. A becomes B, B happens to A). Carries a connotation of passiveness or motion. Usually prefixes as some varient of ed- or ez-.

The procedural will change its form slightly depending on the class and declension pattern of the noun it modifies. It always affixes to the patient noun, demonstrating a relationship of an action and what is being acted upon. In this way, the patient can be clearly identified. In transitive or causative clauses, the word order is always S(P)O, with the agent acting as the subject and the patient as the object. In intransitive and passive clauses, the word order is always (P)S, with the patient acting as the subject and the agent demoted to the indirect object or omitted entirely.

Although seemingly limiting, using these three procedural, as well as prepositions, nouns, and adjectives, altogether can be used to make all sorts of verb equivalents that are called "procedural phrases". I'll demonstrate how to build a sentence now. First thing we need to know is the subject and object:

Sāx ... jafa (The child ... the fire)

Next, I'll add the actional procedural in the present tense to this.

Sāx rejafa (The child acts upon the fire)

By itself this is technically grammatically correct, but it doesn't really mean anything. It's too broad. So we add a prepositional phrase to specify exactly what action the child is taking towards the fire.

Sāx pi-sīman rejafa (The childs acts upon the fire with (their) eyes)

Now we know that the child is performing an action involving the use of their eyes. Now of course this could mean many different things in English, but in Seraphic the first thing that comes to mind would be fairly obvious: to see! Thus, "Sāx pi-sīman rejafa" would be the same as saying "The child sees the fire" in English! There are a lot of set phrases that equate to verbs, and remain consistent in their arrangement. Often differing phrases are a useful way to ascertain where someone is from or what their first language is.

Tense and Aspect

Seraphic has six main tenses: two pasts, two presents, and two futures. The two pasts consist of the recent past (happening recently) and the remote past (happening a long time ago), and they prefix and/or combine with the procedural.

Sāx pi-sīman ğrejafa (The child just saw the fire)

Sāx pi-sīman eğrejafa (The child saw the fire a while ago)

Similarly, the future tenses consist of the near future (will happen soon) and the distant future (will happen eventually).

Sāx pi-sīman drejafa (The child will soon see the fire)

Sāx pi-sīman izrejafa (The child will eventually see the fire)

The present tenses consist of a general present tense (happens) and the infinitive (to happen) which is used with auxiliaries and copulae and carries no presence in time.

Sāx pi-sīman rejafa (The child sees the fire)

Pi-sīman ezrejafa (To see a fire)

Whether someone considers an event to be nearer or farther in time from them is completely up to their discretion. There's no set timeframe for when to use the recent vs. remote past, it's all fairly subjective. However, whether you decide to use the recent or remote can really indicate whether you believe something to be in the distant past or future, or just a few moments ago or soon.

Seraphic also makes use of two copulae, the perfective -r and the imperfective -l, helping clitics that expand on the aspect of the procedural, i.e. how the procedural happens over time instead of when in time. The copulae are separate from the procedural, being placed directly before it and conjugating on their own similarly to the lexical procedural. When the copulae are in use, they are conjugated instead of the lexical procedural, while the lexical will be put into the infinitive. The exception to this is if the point in time is considered necessary to be stated for the sake of clarity or emphasis, in which case the lexical verb will also conjugate (though this isn't considered to be the default). The two copulae each conjugate to six tenses, and give 12 individual aspects in total. They are as follows, starting with the perfective:

āgxōnr - Pluperfect: indicates that the action happened at a point before some time in the past either specified or implied (e.g. āgxōnr nidsl "that has happened")

xōnr - Preterite: indicates that the action happened in the past with no reference to if it was completed recently or remotely. A general past (e.g. xōnr nidsl "that happened")

nar - Relative: indicates relative clauses, i.e. clauses that act to modify a noun similarly to an adjective. Equivalent to "that", "who", or "which" (e.g. lsl nar nidsl "the thing that happens")

ednr - Gnomic: indicates general truths, common knowledge, and aphorisms (e.g. ednr nezłsl "things happen")

t'enr - Future Simple: indicates the action will happen in the future with no regard to how near or far it is from the present (e.g. t'enr nidsl "that will happen")

āt'ēnr - Future Perfect: indicates that the action will happen before a time or event in the future (e.g. āt'ēnr nidsl "that will have happened")

And the imperfective:

ŋ̄xōzl - Discontinuous: indicates that an action was happening in the past, but is no longer happening in the present (e.g. ŋ̄xōzl nidsl "that used to happen")

xōzl - Habitual: indicates that an action is done often or out of habit (e.g. xōzl nidsl "that always happens")

īzl - Progressive: indicates that an action is happening at the very moment of conversation (e.g. īzl nidsl "that is happening")

nizl - Prospective: indicates that an action will be starting to, or is in the process of happening (e.g. nizl nidsl "that is about to happen")

t'ezl - Iterative: indicates that an action happens again, repeatedly, or more than one time based on context (e.g. t'ezl nidsl "that happens again" or "that happens again and again")

nt'ezl - Continuative: indicates that an action happens continuously and without end (e.g. nt'ezl nidsl "that still happens")

With both tense and aspects, this largely expands the capability of Seraphic in referring to time.

Moods

Seraphic makes use of seven modal particles to denote seven moods. They are always placed at the beginning of clauses, and no two modal particles can exist in the same clause. They are grouped into four categories: the declaritive (indicative and negative), the inferential (evidential and interrogative), the deontic (volitive and imperative), and the epistemic (subjunctive and conditional). They add extra clarity in the speakers mood or opinion concerning the clause they modify, and are as follows:

Indicative: base form of a clause. Indicates that the speaker is stating a fact or what exists, and is unmarked (e.g. idsl "that happens")

tu - Negative: indicates that the speaker is stating a fact that is untrue or what doesn't exist. Usually only appears in formal, official texts, as the first syllable of the procedural will chage tone to contrast as well and leaves the particle unneccesary in colloquial speech (e.g. tu īdsl "that doesn't happen")

cuc - Evidential: indicates that the speaker is stating a fact that they believe or understand to be true, regardless of having experienced it or not. (e.g. cuc idsl "apparently that happens") Direct evidentiality is denoted using a different method.

an/ān - Interrogative: indicates that the speaker is confirming whether a statement is or isn't true. Forms questions (e.g. an idsl? "does that happen?")

tcān - Volitive: indicates that the speaker desires for the statement to be true (e.g. tcān idsl "that wants to happen" or "that needs to happen" or "that should happen")

má - Imperative: indicates that the speaker is giving a command or suggestion, to themselves and/or to other referents. Functions additionally as a cohortative and a jussive (e.g. má idsl! "let that happen!")

tir - Subjunctive: indicates that the speaker believes the statement to be possible or likely (e.g. tir idsl "that could/would/might happen")

nun - Conditional: indicates that speaker believes the statement to be possible under specific circumstances or conditions (nun idsl "if/when that happens..."

Miscellaneous

That's about the basics of the Seraphic language outline. I'd like to eventually get into things like comparison, evidentiality, declension forms and the like, but those are all topics that definitely need their own individual posts. Real quick, I want to provide one more additional fact about Seraphic.

Seraphic uses base-16, meaning it groups numbers in sets of 16 instead of sets of 10 like we do. 1-16 would be written 1, 2, 3, 4, 5, 6, 7, 8, 9, A, B, C, D, E, F, 10. 10 would be read as 16, and equally 20 would be 32. They're still counting the same amount of things, they're just dividing it up differently!

Anyways that's about it, I hope to share more about Seraphic soon, and when the comic gets released I hope you'll all be able to read it and pick out the many many lines of Seraphic I've poured into it!

ŋKowīci cu-stux 'ōf tsa-levp'ā cu-zāsláf pi-lizt'n ğōdjasa! (Thank you all so much for reading!)

[jackhkeynes]

Can I ask about the history of your boral language? Like, how has it evolved over time? What's the worldbuilding behind it?

Absolutely! :D

For a brief introduction to the worldbuilding, check out this introductory I wrote recently. For the language development, this seems like a good opportunity to actually write up my sound change notes from Vulgar Latin to Borlish! Everything below is written from an in-universe perspective.

Sound Changes from Vulgar Latin to Borlish

The dialects of Borlish are the only surviving descendants of the Insular variety of Vulgar Latin, which comprised Borlish Latin and British Latin. This variety was not overly divergent from the contemporary (ca. 3rd to 5th century) Latin of the continent, with the following exceptions:

The loss of intervocalic /w/, as evidenced in inscriptions by e.g. clam "key" (continental clavem) and denio "I reach" (continental devenio).

The loss of wordfinal /s/, probably preceded by a period of debuccalisation where final was pronounced /h/. The dating of this sound change is controversial; cf. fifth-century *a femna* "the women (acc.)" (Classical hās fēminās "these women").

The second of these local changes was grammatically significant, as it weakened the distinctions between forms in noun declensions. Indeed, already by the Old Borlish period all number and case distinctions in nouns have been lost.

Posttonic vowel loss V > ∅ / "VC_CV

Final syllable simplification m > n / _# if stressed m s > ∅ / _# otherwise

e.g. amictate /ˌa.mikˈta.te/ "friendship" < amīcitātem

Palatalisation part 1 [t k]j [d g]j > tʃ dʒ k g > tʃ dʒ / _[i e] k > j / _C except [r l w j]

Fortition w > β /#_ j > dʒ / #_, V_V

e.g. iazo /ˈdʒat.tʃo/ "I lie down" < iaceō

Consonant lenition part 1 p t k b d g s > b d g β ð ɣ z / V_[V m l r n j w]

Palatalisation part 2 nj lj > ɲ ʎ Cj > Cʲ > jC except w or word initially

Final vowels reduce to schwa (unless stressed) V > ə / _# unless stressed

e.g. sabe /ˈsa.bə/ "he knows" < sapit; saibe /ˈsaj.bə/ "I know" < sapiō

Weak consonants lost [β ð ɣ] > ∅ / V_V

Mid-vowels break in stressed open syllables ɛ e ɔ o > je e o ow / stressed open ɛ ɔ > e o / elsewhere

Lenition part 2 p t k b d g > b d g β ð ɣ / V_V C: > C

Loss of much final schwa ə > ∅ / except after consonant clusters

e.g. liei /ljedʒ/ "halt" < Insular laedicum "collision"

Affricate shift tʃ dʒ > ts ʒ

sk palatalises (fills gap with ʒ), β shift sk β > ʃ v

Vowel u is fronted u > y

Mid-vowel rhotic shift e > a / _rC e > i / _r#

Full loss of schwa ə > ∅

Epenthesis before r ∅ > d / [n ɲ]_r ∅ > b / m_r

e.g. cendre /ˈtsen.dr̩/ "ash" < cinerem; puðir /pyˈðir/ "rot" < pūtēre

Vowels become lax in closed syllables i e o y > ɪ ɛ ɔ ʏ / closed syllables

Final consonants devoice b d g v z ð ʒ > p t k f s θ ʃ / _#

l-vocalisation and y-diphthong shift [l y] > w / _[C #]

Front vowels merge in weak position [ɛ ɪ ʏ ɛj] > ɪ / #_sC [ɛ ɪ ʏ] > ɛ / _w[C #]

Diphthong shift part 1 ai ɛi ɪi > e i əj aw ɛw ɔw > o əw u

Palatals and ɣ are lost (regenerating some diphthongs) ɲ ʎ > n l / #_ ɲ ʎ ɣ > jn jl j

e.g. aut /ot/ "had" < awt < ayt < ayd < aud < aˈβu.də < aˈbu.tə < aˈbu.to < Vulgar *habūtus; ismargre /ɪsˈmar.gr̩/ "arise" < ɛjsˈmar.grə < ejsˈmer.grə < ɛksˈmɛr.gre < Vulgar *exmergere

This is the stage, around the turn of the thirteenth century, usually referred to as late Old Borlish:

…sovravnt il deft nostre saȝntaðesem eð atavalesem n iȝ atrevre golfhavn seȝ hamar dont y verb divin ismetre ac povre paian. peðev soul ez font istovent por vn nov cliȝs d istroienz istablir… /soˈvront ɪl dɛwt ˈnostr̩ ˌsajn.taˈðɛsɛm ɛð aˌta.vaˈlɛsɛm nəj aˈtrəwr̩ gɔlfˈhon sej haˈmar dɔnt i vɛrb diˈvɪn ɪsˈme.tr̩ ak ˈpovr̩ paˈʒan ‖ peˈðəw sul ets fɔnt ɪs.toˈvɛnt pɔr yn nu cləjs dɪsˈtrɔjənts is.taˈblɪr/ …uphold our most sacred and ancient duty to let Gulfhaven be the centre from which we will send the Word of God to pagan lands. We ask only for the necessary funds for a new teachinghouse…

Moving into the Middle Borlish period:

Rhotacisation of syllabic l l > r / C_# except [j w]_#

This gives Borlish its signature pairs like capabr "competent"; capablessem "more competent".

Aphæresis of initial isC ɪ > ∅ / #_sC

Like IRL Italian, this means that many words gain an initial vowel only to lose it a millennium later: Latin stannum "tin" > Old Borlish istan "tin" > Modern Borlish stan "tin". However, this process also deletes initial vowels that were there from the start: Latin historia "story" > Old Borlish istoir "story" > Modern Borlish stoir "story".

Break-up of sr clusters and hiatus ∅ > t / s_r ∅ > v / [ɔ o u]_V uv > ov

The second of these rules is particularly interesting, since it regenerates some <v> which had been lost in the time of Insular Latin. For example, Latin novellus "new" had Insular form noellus "new" > Old Borlish noel "new" > Modern Borlish novel "new"

Front rounded vowels are lost y ʏ > i ɪ

This provides Borlish with another of its signature features, namely <u> /i ɪ/: tu /ti/ "you (sg)"; prun /prɪn/ "plum". The loss of front rounded vowels led to some homophonous pairs like lun lin /lɪn/ "moon; flax". In many cases this led to one of the pair falling out of use (in this case the latter was replaced with the competing form linsc).

Voicing of final s s > z / _#

The precise timing of this sound change is hard to determine, since it does not interact with any nearby sound changes. Likely this originated as a sandhi effect before a following vowel-initial word, e.g. tu es un /ti ɛ‿zɪn/ "you are a...", before being extended to all contexts.

Diphthong shift part 2 aj ej ij > ɛj i aj əj əw > aj aw

Borlish's answer to the IRL Great Vowel Shift, these changes are somewhat more modest (and take place a little later, between 1600 and 1800). In combination with the loss of front rounded vowels, however, these changes determine much of Borlish's least intuitive orthographic behaviour. For example, we have muy /maj/ "crumb", where <uy> underwent the changes /yj > ij > aj/.

The previous shift reflects the outcomes in the Damvath Standard dialect of Borlish; these recent changes differ greatly in applicability across the island. We clos with an 1800s sound shift:

Late consonant backing ʃ r > x ʀ

The latter of these appears to be part of a general areal phenomenon of backing rhotics. A single word reflecting both these changes is scuir /xajʀ/ "boy".

[tennessoui]

“The r t i c o a w j k e z n keys don't work” that’s HALF THE BOaRD 😭😭😭😭😭😭😭😭

"obi-wan" is just "b-" and "anakin" doesn't even exist if it's a bad computer day and they're all glitching at once LMAO

[i-did-not-mean-to]

April Alphabet Masterlist

So...here are my stories for the April Alphabet.

I've decided to also offer (supplementary or alternative) inspiration for my birthday celebration.

A - Archery - Kíli x OC (for @fandomfaeryreads)

B - Battle - Ori x reader (for @maalezzo)

C - Courtship - Gil-Galad x Glorfindel (for @maglor-my-beloved)

D - Dress-up - Erestor for @eunoiaastralwings

E - Escape - Boromir x OC for @scyllas-revenge

F - Flowers - Haldir x OC for @sorisooyaa

G - Gold - Fíli x OC (for @laurfilijames)

H - Horses - Éomer x OC (for @laurfilijames)

I - Inebriated - Nwalin (for @lordoftherazzles)

J - Jewellery - Celebrimbor x Maeglin (for @maglor-my-beloved)

K - Key - Ori x OC (for me)

L - Languages - Faramir x Éowyn (for @scyllas-revenge)

M - Mountains - Angbang

N - Nighttime - Námo & Irmo (in honour to @cílil)

O - Ordinary - Russingon

P - Picnic - Bagginshield (for @myeaglesong)

Q - Quiet - Finwëan Widows (for ME)

R - Royalty - Gondolin OT3 (for @jaz-the-bard)

S - Swords - Eönwë for @cilil

T - Tragedy - Bagginshield (for @maalezzo)

U - Unexpected - Beleg x Mablung (for @lycheesodas)

V - Voices - Maglor/Daeron/Finrod

W - Waterfall - Thranduil x reader (for @scyllas-revenge)

X - XOXO - Ori x OC, Fíli x OC, Teacher AU

Y - Yearning - Boromir x OC (for @lathalea)

Z - ZzZ's - Éomer x OC (for @laurfilijames)

This was fun!

[compneuropapers]

Interesting Papers for Week 42, 2023

The contribution of the basal ganglia and cerebellum to motor learning: A neuro-computational approach. Baladron, J., Vitay, J., Fietzek, T., & Hamker, F. H. (2023). PLOS Computational Biology, 19(4), e1011024.

Beta Oscillations in Monkey Striatum Encode Reward Prediction Error Signals. Basanisi, R., Marche, K., Combrisson, E., Apicella, P., & Brovelli, A. (2023). Journal of Neuroscience, 43(18), 3339–3352.

Inhibitory neurons control the consolidation of neural assemblies via adaptation to selective stimuli. Bergoin, R., Torcini, A., Deco, G., Quoy, M., & Zamora-López, G. (2023). Scientific Reports, 13, 6949.

Measuring memory is harder than you think: How to avoid problematic measurement practices in memory research. Brady, T. F., Robinson, M. M., Williams, J. R., & Wixted, J. T. (2023). Psychonomic Bulletin & Review, 30(2), 421–449.

How synaptic strength, short-term plasticity, and input synchrony contribute to neuronal spike output. Buchholz, M. O., Gastone Guilabert, A., Ehret, B., & Schuhknecht, G. F. P. (2023). PLOS Computational Biology, 19(4), e1011046.

A double dissociation between savings and long-term memory in motor learning. Hadjiosif, A. M., Morehead, J. R., & Smith, M. A. (2023). PLOS Biology, 21(4), e3001799.

Dynamic synchronization between hippocampal representations and stepping. Joshi, A., Denovellis, E. L., Mankili, A., Meneksedag, Y., Davidson, T. J., Gillespie, A. K., … Frank, L. M. (2023). Nature, 617(7959), 125–131.

The features underlying the memorability of objects. Kramer, M. A., Hebart, M. N., Baker, C. I., & Bainbridge, W. A. (2023). Science Advances, 9(17).

Neural spiking for causal inference and learning. Lansdell, B. J., & Kording, K. P. (2023). PLOS Computational Biology, 19(4), e1011005.

Purely STDP-based assembly dynamics: Stability, learning, overlaps, drift and aging. Manz, P., & Memmesheimer, R.-M. (2023). PLOS Computational Biology, 19(4), e1011006.

A key role of orientation in the coding of visual motion direction. Moon, J., Tadin, D., & Kwon, O.-S. (2023). Psychonomic Bulletin & Review, 30(2), 564–574.

Oligodendrocyte-mediated myelin plasticity and its role in neural synchronization. Pajevic, S., Plenz, D., Basser, P. J., & Fields, R. D. (2023). eLife, 12, e81982.

Metabolic activity organizes olfactory representations. Qian, W. W., Wei, J. N., Sanchez-Lengeling, B., Lee, B. K., Luo, Y., Vlot, M., … Wiltschko, A. B. (2023). eLife, 12, e82502.

Efficient coding of natural scenes improves neural system identification. Qiu, Y., Klindt, D. A., Szatko, K. P., Gonschorek, D., Hoefling, L., Schubert, T., … Euler, T. (2023). PLOS Computational Biology, 19(4), e1011037.

A shift in the mechanisms controlling hippocampal engram formation during brain maturation. Ramsaran, A. I., Wang, Y., Golbabaei, A., Aleshin, S., de Snoo, M. L., Yeung, B. A., … Frankland, P. W. (2023). Science, 380(6644), 543–551.

Perceptual Difficulty Regulates Attentional Gain Modulations in Human Visual Cortex. Sawetsuttipan, P., Phunchongharn, P., Ounjai, K., Salazar, A., Pongsuwan, S., Intrachooto, S., … Itthipuripat, S. (2023). Journal of Neuroscience, 43(18), 3312–3330.

Goal Choices Modify Frontotemporal Memory Representations. Srinivasan, A., Riceberg, J. S., Goodman, M. R., Srinivasan, A., Guise, K. G., & Shapiro, M. L. (2023). Journal of Neuroscience, 43(18), 3353–3364.

Diverse role of NMDA receptors for dendritic integration of neural dynamics. Tang, Y., Zhang, X., An, L., Yu, Z., & Liu, J. K. (2023). PLOS Computational Biology, 19(4), e1011019.

With Bayesian estimation one can get all that Bayes factors offer, and more. Tendeiro, J. N., & Kiers, H. A. L. (2023). Psychonomic Bulletin & Review, 30(2), 534–552.

Early-Life Stress Impairs Perception and Neural Encoding of Rapid Signals in the Auditory Pathway. Ye, Y., Mattingly, M. M., Sunthimer, M. J., Gay, J. D., & Rosen, M. J. (2023). Journal of Neuroscience, 43(18), 3232–3244.

[mythicalmagical-monkeyman]

Reincarnation au: a-z fun facts

A - Ao Lie is Mei's peepaw and legal guardian

B - Bi Wukong

C - Casanova is a nickname Macaque gave Ma even though it's totally in an ironic sense

D - DBK is also called the Purple Ox

E - Erlang Shen shows up (a few times)

F - Five arcs are planned

G - Muzha hits someone with guitar

H - Huntsman whistles a creepy version of Spin Spider Spin

I - "In deeds and in words" is the current name of the story

J - Ji-Ji is what I call Jiutian Xuannü cause it's a lot shorter

K - The Skeleton Key is used again

L - Macaque is lactose intolerant

M - Mo can talk

N - Nezha probably shows up less then his brother Muzha

O - Demon Olympics special

P - PIF is known as the best thief in all of China

Q - Qi is Wukong's last name now, Qi Wukong and Qi Xiaotian.

R - Rumble, Savage and Macaque see each other as brothers because they see it as being triplets

S - Shadowpeach (eventually)

T - Tang is polyglot

U - U all should know there is some retconning

V - (uh freebie) Sandy, DBK, and Ruyi used to all be very close, they are brothers who grew a part

W - Wukong and Bai He have dyslexia

X - (Another Freebie) Red Son and Macaque go by Red/Hong Hai'er and Mac until they learn their past selves names

Y - Yigong city is the name of the demon city Wukong has to protect

Z - (Last Freebie) Wukong gets a sword :3 as he doesn't want to use the staff because he thinks it rightfully belongs to MK

[simpfordemetri]

Emmett Cullen NSFW alphabet

A=Aftercare

He will bring you something to drink and eat,making sure you have energy ,then he will cuddle you in his big arms leaving kisses on your nose,if you don't want to sleep he will turn on TV.

B=Body part

His favourite body part of himself is his neck,love when you try to leave hickeys there even knowing they won't stay long.

His favourite body part of you is your back,he loves the way you arch it when he fucks you.

C=Cum

He loves cumming on your boobs,if you let him of course.

D=Dirty secret

Low-key wants to have a threesome with someone ,but never tells you.

E=Experience

He knows what he is doing,but didn't have much adventures.

F=Favourite position

Doggy,or 69.

Also loves when you two fuck standing up.

G=Goofy

Yes, absolutely,he will makes you blush with dirty jokes.

H=Hair

He is not shaved,so he doesn't care if u are or not.

I=Intimacy

He is a little rude,but take things slow, checking out if u are comfortable with what's happening.

J=Jack off

He does,and there are times that he makes sure you caught him just to turn you on.

K=Kink

Dirty talking,will tell you how good you are being for him and how amazing your pussy feels around his dick.

L=Location

EVERYWHERE,he doesn't give a fuck if you two are caught or not.

M=Motivation

When you use sarcasm talking to him.Thinks you are trying to tease him.

N=No

Hurting you,never.Also degradate you.

O=Oral

Loves giving and receive ,that's why he loves doing the 69.

P=Pace

Slow but rough,always grabbing your neck.

Q=Quickie

Loves them,specially if you go to the school with him,he would fuck you in the bathrooms.

R=Risk

Yes, everything you ask to try, expect if he thinks it could hurt you.

S=Stamina

Can last forever but if you are human then maybe 5-6 rounds.

T=Toy

Doesn't have,but if u have some and ask him to use him with you he totally will.

U=Unfair

God he is the king of teasing ,playing with your clit while watching a film until you turn off the TV and get on his lap.

V=Volume

He is loud, moaning your name over and over again.

W=Wild card

He loves when you two fuck in the kitchen table,that's the only time you two are scared of Esme catching you both cause she will go crazy.

X=X-ray

DO I NEED TO SAY ANYTHING? HAVE YOU SEE HIM?LIKE 25 CM

Y=Yearning

His sex drive is very high, if you are in the mood,he could be fucking for hours.

Z=ZZZ

Cuddles you to sleep,always teasing you about how tired you look after sex.

[macravishedbymactavish]

There are no summaries, only feedback and reactions.

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C A L L O F D U T Y

MODERN WARFARE 2019

A L E X K E L L E R

Blood on My Hands // @uselsshuman

One of the first Alex Keller pieces I've read back in the day. I still remember being curled up falling asleep as this popped into my feed.

Convallaria Majalis // @nightingale-ghost-writer

(Tangent before we begin, I struggled typing the title of this fic. No joke)

Arguably one of my favourite Alex one shots. I keep gravitating back toward it, and re-reading. The sentence about "sweet boy, could it be you need me too?" Holds free real estate in my brain

Tessellate // @deadbranch

MDNI - filth with plot. But Price and younger American Price, Alex? Yes please, I'll take that fever dream

Various HC // @deadbranch

Some are so out of the box and gives him another layer to his humanity outside of "previous CIA operative and current Freedom Fighter". I love it.

MODERN WARFARE 2022

T A S K F O R C E 1 4 1

141 Family Universe // @uselsshuman

Lord, have mercy on my soul. This is too damn cute. It's extremely heartwarming. Watching their little families grow.

J O H N "S O A P" M A C T A V I S H

Don't Blame Me // @bloodyknucklesforme

Soap x F!OC, "Nina". I initially read this on AO3, and found it here incidentally. The author continues to post little snippets about their lives.

S I M O N "G H O S T" R I L E Y

The Captain // @as-is-above-so-below

(Link is to their general fanfic taglist).

It's been months since I initially read this, but I can still remember key moments that bring varying emotions (ex. "We're having a baby! We're having a baby!" And "I can't push, not again").

Dad! Ghost // @nsharks

I found this amazing little trilogy one night while scrolling for Soap fluff and holy crow. Am I happy I did. Exploring both sides of Mr. Riley (Ghost and Simon) and how the lines eventually blur. Feat. Uncle Johnny and his new best friend: Simon's wife.

K Y L E "G A Z" G A R R I C K

C A P T A I N J O H N P R I C E

Tessellate // @deadbranch

MDNI - filth with plot. But Price and younger American Price, Alex? Yes please, I'll take that fever dream

GHOSTS

L O G A N W A L K E R

D A V I D "H E S H" W A L K E R

Warm Blankets // @uselsshuman

Hear me out. Warm, cuddly, slow mornings with Hesh and Riley. (Sign me up, RIGHT NOW)

K E E G A N P (????) R U S S

CHARACTER X CHARACTER AO3

Into the Fray // Tofu_Ghost - Keegan Russ x Logan Walker

The cholula conversation had me in tears (and moreso when my dude bought us cholula without knowing). And Logan listens to the Twilight soundtrack when he's sad

Discovering Kinks // samithemunchkin - Keegan Russ x Logan Walker

MDNI - drunk Keegan and selectively mute Logan learning intimate details about themselves during an intimate time

Heaven Called (Hell Sent) // defiantdevi - Keegan Russ x Logan Walker, Ghost x Soap

Reaper!AU, not gonna lie this one hurt a bit.

Brothers Keeper // emianium - Logan Walker x Hesh Walker (familial)

This one hurt a lot.