#and the way I feel about it atm

[caralara]

I know Louis' your fave so I hope it's okay that I send you this. But recently the blinkers have been coming off for me in regards to Louis. I think I used to have him up on a bit of a pedestal. I just thought he was this really intelligent guy, really aware of social issues and willing to fight for the right thing and be rebellious when necessary. I don't know. I saw things playing out very differently. But unfortunately, lately, I've been seeing a lot of laziness and complacency and a willingness to settle from him. A lot of contradictions as well. Like he gets the anarchist symbol tattooed but doesn't speak out or place his support behind anything substantial. I'm sorry, legalizing weed is his most political stance. And then being seen with the Starbucks cup and actually covering it in the video like lmao. Not knowing what number year your festival is when he supposedly had big dreams for it. I know this is so small but it irks me that he's been going on about playing the guitar for years. And he is yet to bring it on stage for even one song! I know it comes from a place of self-doubt and insecurity no matter how confident he makes himself appear but like he just doesn't help himself. And fans exaggerating and praising every little thing he does as if he isn't just some basic white man does my head in. Sorry I word vomited on you and I know this sounds harsh but I acknowledge it comes from a bitter place where I feel like his potential is just not being met. At the end it's his life and I genuinely hope he doesn't have many regrets later on.

hi babe

I think I am completely in the same situation as you! I might not be triggered by exactly the same things but I’ve been going over and over it for the last couple days asking myself why I’m so annoyed with him right now?? And I think it really is just the disappointment finding out your fave man is after all, just a man.

Like, to me, it feels like he’s been stagnant since early 2023. right now, to me it feels like he’s just on the hunt for the cheap thrill, getting the validation in that he also can pull massive crowds of screaming girls just like he did during 1D (and it isn’t even the actual validation he’s looking for??? Like he still starts yapping every time a man validates him as if it’s so much more important??)

I feel like he lost focus, or energy, or both. You know, you said it!! You know I love Louis to death, he’s my favourite, and genuinely, I don’t blame him. It makes a lot of sense to me. He’s finally proven himself to not be a flop to all the people doubting him. He’s overcome all the obstacles, did LTWT and had massive success with it, way beyond anyone expected, rode that wave, made a second album that proved he’s not a one hit wonder either, an album he actually enjoyed making, and proved his fans liked it, too. And then… it just kind of stagnated. His team made mistakes and miscalculations. Announcing Asia tour so short notice thinking, then cancelling bc it didn’t sell out, handling the announcements horribly, not realising LTWT was massive bc of all the pent up excitement and desire throughout years of a pandemic, the magnetism of it being the first solo world tour. They also didn’t get it when it came to Milano Summer fest vs. AFHF. The 35k sold out bc it was announced many months in advance and it was the last LTWT show - that’s meaningful to fans. It was easily accessible. You can’t translate just the numbers to „it’s bc he’s popular in Italy,“ there’s so many factors at play they ignored, and therefore AFHF Italy only sold 2/3 of tickets, and a lot of these people didn’t even show up (couldn’t, I better say).

For me, FITF felt like he had checked out a little. He’s plateauing. The excitement and irresistible draw he has is largely due to his resilience, his underdog persona he created that allows normal people to identify with him. And there just wasn’t any… growth since early 2023. He‘s also alienated a large part of his fandom with the bbg pushes, and as you know, I still believe it was all part of the bigger plan to end it, but it does feel like he gave up, got comfortable. And it’s not that I blame him for it necessarily?? Like all he’s been through? It makes a lot of sense to me that now he’s achieved all the things people told him he wouldn’t be able to achieve, that now the burn out sets in, that now, the driving energy of spite and wanting to prove himself has run out.

I feel like the jokes of “oh I’m a pothead I can’t remember if it’s the third or fourth edition of my super duper important close to my heart festival project” or “oh yeah sometimes I forget I’m an actual parent and have a kid” are getting old. Like, it doesn’t serve him anymore it feels like? To me it feels like the weed was a coping mechanism that helped him get through hard times, and that’s completely valid, but now it looks like to me it’s holding him back, blurring his genius.

I’m sorry for the rant back to you. I’m deeply upset because Louis is my escape, my happy place, fandom is my comfort, and I feel like it’s slipping through my fingers because it causes me more upset than happiness at this point. The amount of “kill yourself” messages I have gotten over criticising louis for announcing AFHF so short notice is frankly INSANE. Do people not talk to other people in real life?? How do the people around these people that send those messages deal with them in real life?? It’s so upsetting to see how many people feel comfortable typing out these kind of messages and sending them.

I do hope this feeling of mine calms down, and I can go back to just glorifying louis and have him as my comfort place, because I do not like the thoughts I have and the way it makes me feel.

[beneathsilverstars]

i hc that baby siffrin had their gender on LOCK, figured the fuck out, extremely happy with their presentation and sense of self and any physical transition plans! and then when he forgot the island he forgot his gender too and it's been a much longer and shakier path figuring it out again </3

[purpurussy]

charli xcx's critically-acclaimed album BRAT (2024) is something that can actually be so dan howell-coded

[rata-whitz]

Isgarren is like the best grouchy old man trope I've seen in a videogame for a long ass time too

He sucks, he's set in his ways, he's stubborn and got Big Opinions and you're not going to like or change them

Whoever was writing him IMO really knew how to write an Old Dude that's not cartoonish as hell on either side of the spectrum

[slightly-depressed-sloth]

Breakfast burgers!

(As always click for better quality)

I’d like to think that Damian is visiting after his Robin shift and they’re getting in some supersons hang out time before school

My emergency commissions are still open with everything 10% off the final price!

Version without lighting effects (+coloured lines) and zoomed in version under cut;

[artbyblastweave]

Got a Worm meta question for you. I'm starting on the early parts of Taylor's warlord era - I'm about to leap into Arc 13 - and the general concept of a ravaged American city being divided up by various supervillain groups is reminding me a lot of that Batman story arc No Man's Land from the late 1990s. Unfortunately my comics knowledge is rudimentary at best, and I haven't been able to any discussion comparing the two stories, so I was wondering if I could pick your brain on the subject. Was it just convergent evolution, or was Wildbow engaging with the Batman story in some way?

I myself have only read about half of No Man's Land- and several years ago to boot- so I've got limited ability to do a direct compare and contrast. No Man's Land is absolutely the sort of status-quo-shattering, history-book-making upset that, within Marvel and DC, nonetheless always inexplicably heals and loses salience until you can barely tell that it's still in continuity. Worm is heavily informed by Wildbow's irritation with that sort of thing, so I think it's totally reasonable to view the warlord era through the lens of "What if No Mans Land had no editorial escape hatch." Alternatively, I think it kind of makes sense to view it through the lens that it's working backwards from the premise of No Man's Land- In what kind of setting would it be plausible for the Federal Government to write off a sufficiently-damaged American City? In what context would the legal infrastructure have been established for that, in what context would that even fall within the Overton Window? What muddies my opinion on this is that the general concept of a ravaged, atmospherically-apocalyptic American city torn up by superpowered gang warfare is something that's kind of just been in the water in superhero comics since the mid-eighties at least, and it was a relatively common thing to see during the Dark Age- they were choice prey for all those overpouched musclemen with their poorly rendered firearms. I'd be surprised if Wildbow wasn't at least aware of No Man's Land, but it's definitely not the only cape book from the late 90s or early oughts where you could pick up that idea from. Ultimately this leaves me unsure if No Man's Land is the specific referent or if it's just part-and-parcel with trying to do an involved, thoughtful take on what cape comics were like at the time.

[towards-toramunda]

Essek Thelyss I am holding you so gently and rocking you like a little cat in my arms. I am making you soup with vegetables from your garden. I am forcing you to take a shower. I am braiding your hair out of your eyes. I am tucking you in with that blanket you knit a few months back.

I feel so normal about this fictional war criminal guys.

[skxawngonearth]

Thoughts on Teylan (major spoilers)

I think Teylan is the most tragic of the Sarentu kids (we currently know of), for several reasons.

The most obvious being how Mercer manipulated him up to the point that he (Teylan) would communicate important information towards the RDA/TAP in hopes of reuniate with Mercer.

We know Teylan is the youngest of the group, having no memories of the clan and his parents, nor the genocide executed by Mercer. And concidering the conversations/info pieces we get from the game, as well as Teylans own actions, we can safely assume that he saw a father figure in Mercer.

I do not agree with what he did, especially since it resulted in preventable deaths, but I think I understand his perspective; Teylan lost the only enviroment he knew, save for Alma and some of the tech, and had to face the world they were indoctrinated to fear since being with TAP (see in-game posters here).

To shorten this, Teylan is the most removed from Na'vi culture/Pandora itself thanks to TAP/Mercer, the one with the least life experiences, and probably the one Mercer focused on the most, due the the afformentioned; Teylan was the easiest to prey on from the start.

I hope the DLCs will pick up on character development, or at least will show us what happens to the other Sarentu. My hope for Teylan is that he will (someday) be able to leave Mercer behind and re-conect with his heritage to some degree.

[positivelyadhd]

Reminder that neurodivergent is not just having ADHD and/or autism.

It's anything that impacts the way a person thinks and experiences the world.

When we talk about neurodiversity, we are talking about anyone that identifies with that umbrella. Our experiences as neurodiverse people are unique, not just because there are many different sets of symptoms that fall under the "neurodiverse" umbrella, but because we are all unique and experience the world and societal reactions to our neurodiversity differently.

If you are neurodivergent in any way I hope you know that you are welcome in neurodivergent spaces and that your voice is so important. And that this post is for everyone but especially the people who feel like their experiences go unheard. you are just as valued in these spaces as anyone else and I encourage you to speak up if you would like to!

[mar-im-o]

[hella1975]

so there's a reason my new job got back to me so quickly about my application and that's bc it's an absolute fucking shambles like actually perfect timing for me to decide to rewatch the bear bc i have never more felt like ive been thrown into a broke on-its-knees establishment trying to crawl its way up the ladder where i am somehow a godsend to them. my old job was crazy and shambolic in the sense that the industry is just Like That but this one?????? insanity. every 5 mins i am questioning what im doing with my life. ive already had a walk-in fridge moment

[nemesis-is-my-middle-name]

i know i've posted abt this before also but i did not have screenshots to demonstrate just HOW gently passive aggressive ingo is to volo when they talk. i have no idea if they intended it this way but he sounds so "sadly my strict standard of conduct will not let me tell you to fuck off for asking weirdly personal questions just so you can share your theories but with the subtext toolkit available to me i am VERY much shooing you out of the way so i can get back to what i was actually trying to do."

[bornetoblood]

I adore the feeling absorbing a brilliant piece of art gives me. I fell raw, like I've been flayed, this connection I've felt to the work has ripped me open and left me vunerable. But I'm better for it. Like how insects are vunerable while molting, y'know

[raifuujin]

It's been more than 20 years and for some reason I feel that Gosho hasn't given Kaiao any development, how can more than 20 years pass and Aoko dynamics, relationship and feelings remain the same? At this point I feel like Gosho is just going to make them date because "they already liked each other" they remain in the same status quo

Hey, if we go by DC romance progress, they've been going too fast. We've already had suspicion of identity chapters, and that didn't happen until more than 400 chapters in DC. /j

Since heists have taken over any character development recently, I don't even know if Kaito and Aoko will even get any romantic progress. Maybe the actual identity confrontation will happen down the line, since that's thief drama, but atm, it really wouldn't surprise me if they only ask each other on a real date at the very end of the manga.

Like. I'm sure Gosho would love to make MK a love drama as well, but he writes MK so rarely, and usually as hype for something Kid related in other media. So the MK stories tend to be heavy on drama that can only take place at Kid heists. (To the point that the new chapters just. Use Kid as the plot device to show off a new character. Even Hakuba's never gotten so much 'look at this character being a detective' treatment in MK.)

-sighs- I just feel bad for MK as a series at this point. I like the characters, I like the general story idea, but. It's been going down a very steep hill with Gosho wanting things exciting, but not wanting any real progress in. Anything. But unlike old MK, the new stories aren't even nice standalone setpieces of story, they're... mundane. They could be high stakes, if you purely look at the scenarios on paper, but. We all know nothing's gonna happen to Kid. Nothing even happens to him when the actual bad guys show up, much less one-time antagonists.

We need actual character focus and development, not heist drama. Badly. Not even romance, though that'd be a nice change. Just any character expansion of our limited cast of characters. Gosho wants big, all the time, meaningless big stuff, when small would be so nice.

[undead-potatoes]

I don't think I've talked about this here before, other than some rly vague posts, but the reason why I dropped off on BG3 so suddenly was bc it played an active part in my worsening mental health.

As my (possibly OCD induced) intrusive thoughts and compulsions got worse, my BG3 obsession kinda got mixed into it, and eventually the whole thing became so tainted and triggering that I had to push it aside before it made things worse both for my mental health and my love of the game. I honestly held onto it for way too long, and it probably worsened things a lot more than if I had just cut things off earlier, but I just didn't want to let go of something that meant so much to me. Fandom got mixed into it too, so I just had to distance myself from the whole thing (if I unfollowed your BG3 blog or stopped interacting with most of your BG3 stuff this is probably why).

I can interact with it on my better days, but they're few and far between atm, and so I mostly stay away from now in hopes that I can go back to it once my brain is no longer a plate of scrambled eggs.

[lord-squiggletits]

Reasons why I don't buy into "posh, aristocratic, and/or bigot Pharma" headcanons

Listed in no particular order, mostly prompted by a conversation with a mutual (that I've also had many times in the past with other mutuals)

For some reason people assume that being a flight frame is what would make Pharma so prideful and disdainful towards everyone else? But in IDW1 canon, flight frames are actually an oppressed class who were restricted by functionism to only be allowed to be soldiers or cargo lifters. The only flight frames who got to go outside of that mold were ones who got special exemptions (Jetfire) or ones who schemed and took advantage of politics (Starscream). If anything, being a flight frame would be a source of self-consciousness/annoyance for Pharma, since he would be seen as unusual and probably get constant "wow I didn't know flight frames could be doctors" type comments that single him out because of his body and not because of his actual skill or personality. It's possible that he might be proud of being a flight frame AND being a doctor, like being so good of a doctor that being a flight frame doesn't matter. But Pharma certainly wouldn't feel prideful or entitled to anything JUST for being a flight frame.

Re: bigoted and/or functionist Pharma: I think this headcanon comes from the fact that Pharma worked at the New Institute yes, but so did other characters such as Chromedome, Rung, and Brainstorm who are neither posh nor functionists. It seems rather unfair to assume that Pharma specifically must be a functionist or hate the lower class because he worked at the New Institute, when other characters who were in the exact same situation weren't presumed to be bigots just because they worked at a shitty place. Also as my point above states, why would Pharma be a functionist when functionism is the institution that would've kept him from being a doctor if he (presumably) wasn't forged with medic hands?

Speaking of bigotry, it's canon that Pharma and Ratchet were best friends since they worked at the DMF together, which was pre-war; how in the hell would it be in-character for Ratchet to be best friends with Pharma if he was an open bigot and a functionist? Ratchet would literally never. Plus, secondarily, Pharma is canonically in love with Ratchet, so if he were some sort of posh aristocrat, it'd be pretty odd for him to be best friends and shack up with a guy that's as down-to-earth and rude as Ratchet is. Not impossible, but for me personally, it counts as a mark against posh!Pharma because I think the fact that Pharma was best friends with Ratchet means that we can form a broad outline of his personality based on the type of person that Ratchet would like enough to be best friends with.

Pharma's diction and way of speaking isn't "high class" at all. He pretty much speaks like any other "normal" character in MTMTE does, but what's more, there are actually a couple of instances where he speaks in a much more casual and loose way. Little details where he says "coz" instead of "cause/because", uses words like "chap", that time he chainsaws someone and says "Feels rough, doesn't it?" I wouldn't say that Pharma is lower class or anything, but when looking for evidence that he's posh or stuck up, his diction/manner of speaking is a good place to start, but there's really no evidence of any poshness there at all. MAYBE that one time he talks to Ratchet talking about "instruments" and making an analogy between a surgeon and a musician, but in that case he was just using a metaphor to make a point to Ratchet.

In general, the only notable thing about Pharma that anyone talks about related to him (besides "going insane and killing patients") is the fact that he's a good doctor and all the various feats he's pulled off. One would think that if he was some sort of posh bigot, people would complain about it or bring it up when talking about their memories of Pharma, but no. Literally Pharma's primary trait is that he's a hella fucking good doctor. I GUESS you could argue that since a lot of doctors IRL are rich bc they get paid a huge amount of money, that means Pharma is also rich and sees himself as above everyone else, but that seems like a rather large leap to make from what little we know about Pharma. And everything we DO know about Pharma points to the fact that being a doctor was his entire life, and the only specific case where he wants to be seen as "superior" is with regards to Ratchet, another doctor who Pharma feels insecure in comparison to. So again, canon points us to the fact that Pharma really only cares about practicing medicine, and the only person he wants to feel superior to is Ratchet, because Ratchet is a better doctor than he is.