#and then submit those drafts

[waugh-bao]

*

[onyourstageleft]

smoked a blunt last night and spent a half hour writing out this 'poll' in a note on my phone

[mushroom-madness]

regarding this question (https://www.tumblr.com/mushroom-madness/712987978507632640/submissions-are-open-until-april-5th), i've seen some other tournaments (i do not remember which and i'm genuinely very sorry if it was this one) have a prelims round where if there are too many high-submission options from any given IP, those get pitted against each other all in one poll to see who gets to represent the entire IP! though that seems like a lot of work it is something i wanted to mention just in case something like that appeals to you!

Yeah that’s what I plan to do! It’s just mostly because there’s LOTS of Pokémon with multiple nominations, and I was wondering if people would rather have all these pokes with multiple submissions in the tourney or to have more characters who were only submitted once! I do plan to do prelims for some IPs once submissions close while I’m assembling the bracket.

[xaykwolf]

Dissertation proposal edits...radiation that specifically turns grey matter to goo...

What's the difference?

[loverboydotcom]

that post i made on my writeblr about how there's this one story i have out with a mag that i want rejected because i have a story i think suits the mag better.....live cam footage of me receiving the rejection email on my rainy evening walk

[horsefigureoftheday]

Can you explain the "breyer horses are stylised" thing you said a while back? Not because I don't believe you but because I don't know enough about horses to see it (besides the mane and tail)

All artistic representations of a horse will be somewhat stylized. Humans can't help it, they imagine details, even when referencing photos or live animals. A swayed back gets exaggerated, sickle hocks are overlooked, the face becomes more expressive, because to a human who loves a horse, and who expresses their own emotions with their face, the horse's face just feels more expressive.

Take a look at this horse from Peter Paul Rubens' "Wolf and Fox Hunt" (1616) and how it compares to a photo of a horse

The artist was clearly familiar with horses, and most likely referenced off a live horse. And yet its face is much more expressive than a real horse's face - it's neotenous and borderline anthropomorphic, with its huge sorrowful eyes, and the short muzzle that puts the mouth in closer proximity to its eyes (making its expression more readable).

I think a lot of people see what they want to see when they look at a horse, and they reflect that in their art. Is the horse an independent agent or a tool of its rider? Is the horse an unthinking animal or a soulful creature like yourself? Does the artist admire animals, in spite of painting them in terrible war-like scenarios? Does the artist paint animals in these scenarios because he admires them? Is the horse meant to elevate the status of its rider, by being depicted as a soulful creature that nonetheless submits to its rider? (You can probably guess my own opinion from these questions)

Earlier art saw horses almost an afterthought, depicted from memory while their rider was drawn reverently. All those art pieces of emperors and kings on horseback, where the horse looks like a cartoonish oaf, use the horse as a symbol of power, with no regard for the animal itself. Even when the horse is beautifully rendered, it's nothing more than a vehicle to carry its rider. The artist has depicted the horse as expressionless, beastly, and soulless.

Even when you get into portraits of horses in the 17-/1800s, they are still stylized, though now you're just as likely to see a lithe and graceful companion, as you are a muscled working horse or a faithful old friend. Horse breeding really took off around this time, as did theories of animal minds, so adoration of horses-as-individuals became more widespread. Examples are "Lustre" (1762) by George Stubbs, "Mare and Foal in a Stable" (1854) by John Frederick Herring Senior, and "A Grey Horse in a Field" (1873) by Rosa Bonheur.

All this is to say that horses will always be stylized in art. Humans can't not twist the horse the suit their own tastes, and that's fine. I actually think it's kinda beautiful. The way horses are stylized can give you insight into the artist's opinion of horses. An artist with a neotenic, expressive stylization probably has more respect for horses-as-individuals than an artist who depicts them as inexpressive, powerful, willing beasts of burden.

Breyer horses have an airy painterly quality to them. Even the draft horses seem almost weightless. Compare Breyer's "George" with the self-released resin horse "Gustav," both sculpted by Brigitte Eberl.

George has much longer hooves and smoother curves in his legs - you could draw a near perfect curve from his hind knee to his toe -, giving him a flowing appearance with very little weight behind it. Gustav, on the other hand, has sharp edges and corners. He feels heavy. I'm a big fan of wrinkles and muscle on model horses, but the muscles on George seem like he's been through a rock tumbler. They're smooth and soft-looking, except for the extremely deep crevices between them, which are probably there to better catch paint and enhance the shading (an effect that's especially noticeable on George's thigh). Gustav, on the other hand, has very subtle muscling and virtually no wrinkles (he deserves neck wrinkles, give my boy neck wrinkles!!). He looks like a working horse with a solid layer of fat over his muscles. George's stylization is, for lack of a better word, smooth. Flawless. A bit too perfect for my liking. George is like the platonic ideal of a visually appealing draft horse. A horse like him can't exist.

I think resin horses by master craftsmen are the closest we'll get to depicting horses exactly as they are in life. The stylistic choices are extremely subtle, and seem more like a consequence of the medium than a deliberate goal on the artist's part (e.g., you can't make a realistic mane out of resin, so you have to compromise).

I love both the stylistic trappings that humans fall into when depicting horses and the endless quest for the perfect artistic representation of the horse. Both are beautiful. All horse art is beautiful.

(Obligatory disclaimer that I'm not an art historian or anthropologist, I literally studied bugs at university, so if you think I'm talking out of my ass you are MORE than welcome to add to this post!)

[lyralit]

ways to start writing more efficiently

stop writing with the word count on!

use a font like comic sans -- trick your brain into thinking that it's not important, that the writing can be stupid, if it's in a stupid font (if you can't tell i despise comic sans)

time yourself to get to a goal

or give yourself a certain amount of time

quantity >> quality in the first draft(s)!

jot down what you want to happen in that chapter

try organizing your writing (nanowrimo, for example)

do *not* reread! it doesn't need to make sense, it just needs to be there

try not to stick yourself to something you saw on tumblr. what works for someone else doesn't necessarily work for you!

take breaks. time those breaks.

practice writing short stories / oneshots of your characters.

try getting all your writing done within a certain goal (as much as I can for 30 minutes) rather than writing 5 minutes on or off

write down every little wormy idea that comes into your brain! sure, it's probably for a different plot, but maybe you can work it in somehow?

on that note, mash elements of your plots together rather than starting a whole new story

see maybe what little writing competitions you can submit your work to

proclaim your goal to the wide web for some peer pressure

rewards yourself. cheer on every thousand-word milestone. brag to your friends that you've written something, anything.

don't think of the big goal—don't think of publishing, or posting, etc. think of the end of your chapter, the development of your character, where it goes.

switch your writing environment! where are you most productive?

make a playlist only for when you write. never for anything else.

getting off tumblr, probably.

have people remind you of your goals.

remember that it all comes with discipline, but also your mental health is the most important!! don't sacrifice half your sleep to meet your nanowrimo goals. try to recognize when it's taking you too long and close the document. do something else. come back later.

take care of yourself. <3 use this post as a breather (or reminder to start!)

[wingedjellyfishflight]

Harem in Reverse

"You're soon to be 26, Your Royal Highness. You must put together your harem soon or risk being married off to whomever the regent chooses for you." You sigh, nodding in agreement. Choosing a direct husband would be against the rules, and frankly, you weren't interested in interviewing for the perfect man. Choosing many for their adherence to various qualities, though. That would be a good choice. "Shall I put forth a call for certain attributes? Strong arms? Large chest? Impressive intellect?"

"No, I want to review the troops this week. I will find my consorts among the best our nation has to offer." The advisor looks stunned.

"Your Royal Highness, those are rough men. They do not have the breeding or training to handle you gently as a consort should. They are-."

"Advisor Williams, I know what attributes I am looking for. Schedule me to review the best of the troops, then. If none catch my eye, then I will consider others." The advisor nods, frustrated at not being heeded, but knowing they must follow a direct order.

The following week, you are almost nervous while getting ready, the beginning of butterflies in your stomach. If you weren't so tired, you're sure it would be worse, but the night before was yet another attempt on your life. They are becoming more frequent and more violent now.

Sighing, you hurry to the courtyard where your mount, Rosebud, is waiting. A gift that you feel had been meant to be another threat on your life. The mount was no ordinary horse or pony. Instead, it was the largest draft mule you had ever seen. If you had treated him like a horse, you're sure the thing would have stomped within minutes. He was a vain creature who had to be sweet-talked and treated with utmost respect before he would agree to do much of anything. He was covered in whip and spur scars, telling anyone that he was difficult to force submission from, despite their best efforts. Not that you thought anyone could force an animal born of a mammoth jack donkey and a Shire horse to submit physically. You loved each and every scar, the signs of his stubborn nature on display for all to see.

"Hello, sweet boy." You greet him and let him snuffle you over, waving off the over eager stable hand. "May I ride you today? I am to inspect the troops." He blows a huff of air and turns his head away. You slide your hand along his proud neck and across his withers to the saddle. Checking it over, you deem it done well enough and climb on his back. Your legs spread wide across his broad barrel. Your advisors turn away, knowing that you will refuse their most strident pleas to ride sidesaddle.

"Let us inspect the troops." With that, the company is off at a quick walk to the parade grounds. Your group of advisors and the personal guard that you only marginally trust join the General and his entourage at the front of the formation. You strongly dislike the General. He is somehow the worst mix of ass kissing and condescending.

"The army is excited to be inspected this morning, Your Royal Highness." You barely manage to cover your snort. There is no way they are happy to be here standing in the sun to be inspected on your whim. You move from company to company, looking over the men and pointing out individuals to be inspected, but seeing none you would consider as consort. Reaching the special forces, the rabid dogs as your advisors refer to them, the General is incensed to see that the leader of one is missing.

"Where is the Captain? This is not an optional inspection!"

A man steps forward, "He was injured in a skirmish this week and is still confined to the hospital, General Argus." Looking over the group, you see several still sport bandages and healing abrasions. You nudge your mount closer, his ears perked forward in a match to your curiosity. The General apologizes to you for the disrespect of the men for not appearing but is cut off.

"Your Royal Highness. Escaping the hospital took longer than predicted. For that, I sincerely apologize." You turn, seeing a man limping toward the formation at a quick pace. This must be the Captain. As he falls in, you dismount your mule, resting your hand on his broad neck. Your personal guard hurriedly surrounds you, standing much too close. Rosebud takes exception to being crowded, ears flattening against his head. He strikes out like a snake. His teeth click just shy of the nearest man, who stumbles back yelling and unsheathes a sword. Without a thought, you draw your own ceremonial dagger.

"Touch one hair on Rosebud, and I will gut you." Everyone around you freezes before slowly backing away. "I will not be crowded by your incompetent forms when I am here to inspect the troops." They retreat from your anger, not wanting to risk you calling for their death. Rosebud drops his head, relaxing, and you absentmindedly rub his long ear the way he loves. His lip twitches and his eyes half close for a moment before he pulls away. You step forward, and Rosebud matches your pace, keeping his shoulder just behind yours. It took months to build up a relationship with him, and now he is putty in your hands most days.

An advisor tries to signal you to stay back, but you ignore them, your eyes on the men, looking for the best of them. You memorize the name of the Captain and another likely candidate, signaling Advisor Williams to your side. He groans but carefully walks to you, eyes locked on the increased alertness of Rosebud.

"I will have an audience with this Captain Price and Colonel König. As soon as the men are dismissed. In private." You walk forward and give a cursory inspection to the man who had spoken on the Captain's behalf. His uniform is impeccable, you are happy to see. You don't want them punished on your behalf. The smirk on his face beneath his mask sends a thrill through you. Another man who is not cowed by your station. That is important in advisors. Lieutenant Riley, his uniform says. You nod and mount Rosebud again, rejoining the pack of advisors to inspect the remaining troops. No others catch your eye.

Walking into your State room, you signal for everyone except the two soldiers to leave. While unusual, they are compelled to do so by your haughty glares and Advisor Williams guiding them away, barring the doors behind him and standing guard. Sitting in your throne, you drag your eyes over the men. Colonel König is wearing his customary face covering, and Captain Price has the cover he is well-known for in his hands.

"I have a proposal for you both that I want you to carefully consider. This proposal will not be spoken of again if you decline and it will not leave this room." The men perk up, and you see heat in their eyes as they consider one of the possibilities of your words. "I need advisors who are not advisors." That throws them off, and you see the Colonel shift uneasily. "These advisors would be the closest of any man or woman to me. They would teach and protect me with their very lives. My life is under threat and has been since the King and Queen died, my uncle taking over as Regent. I need advisors who will help me oust him and take my rightful place on the throne without contest and without raising his suspicions. Thus, I need men who will join my harem." You pause, savoring the way their faces change as they process this.

"Your Royal Highness, are you asking us to find you men to join your harem? That is most unusual, but we will do our best." You shake your head at Captain Price.

"Yes, but not in the way you are thinking. I am asking the two of you to join my harem and to advise me on the best men to round out such a harem. To be advisors and leaders in removing the despot from his fake throne. To be my lovers, spoiled in every way and to guard me from all attempts on my life. I want you both, and I trust you to choose others and to bring them to me for approval. If you decline this position, we shall never speak on it again."

"Yes, I would be honored to be chosen for your harem, Your Royal Highness." Colonel König does not hesitate to agree. He feels he has loved you from afar for years, and this is an opportunity he will not squander.

"I would be as well, Your Royal Highness." Captain Price is confident that declining now would be a mistake, and he is not a man prone to mistakes. "I have a few men in mind that would be good additions. They are a bit of a package deal." You nod, expecting as much.

"Their names?"

"John MacTavish, Simon Riley and Kyle Garrick, Your Royal Highness."

"I have two in mind that would be good choices as well. Hiro Watanabe and Kim Hong-jin. They are foreign, but good, loyal and strong men, Your Royal Highness."

The smile you bestow them with is almost a surprise to the men. "Then, I wish for you to gather your men and their belongings. You will join me tonight, my consorts."

"Yes, Your Royal Highness." The men bow and leave, stunned at the way this meeting has gone. You order Advisor Williams to prepare the harem quarters and pack your own belongings secretly. It would be folly to live apart from the men who will be your new private guard and you would be lying if you weren't excited to see under those perfectly done uniforms.

[claratyler]

omg being a composer SUCKS lol, its literally just working your ass off for an intensive competition that calls for the randomest instrument combinations and insanest requirements known to man, which means you DONT have a piece that fits those requirements, which means you have to write something new FROM SCRATCH in a very short period of time only for you to not even win loool and then you have a Very Specific piece that doesnt fit in any other call for scores lool

[idiotmf]

Screw ghosts

Ahem...

Paranormal investigator reader who keeps getting screwed (with) by ghosts.

Additionally, ghost reader who keeps screwing (with) the paranormal investigators.

MDNI, NSFW

Okay, okay, another one of those "hear me out" posts, I feel like most of my drafts are currently those sorts of posts.

I like the idea of a paranormal investigator (you) going around haunted places to try and get fucked by ghosts.

Gender of the ghosts don't matter.

All that matters is getting something ghostly shoved up your hole or bouncing on your needy cock, spread open or submerged in something you can't even see. Licked, groped and fucked by said ghost, maybe there's even multiple involved or maybe it's just one with a ton of hands, a ton of cocks or even mouths. Your imagination is your limit.

I mean, you wouldn't know, aside from the fact you're getting your brains fucked out, you also can't really see them, so who knows what they are but let's be real, you're just a little slut for those ghosts, you don't really care.

•~•~•~•~•~•~•~•

I also kinda like ghost reader fucking (with) a paranormal investigator who happens to be looking for ghosts to fuck them.

Go sit on a paranormal investigator's face today or shove a surprise down their throat and watch their mouth gape with nothing inside!

Bounce on their cock or make them bend over for yours. The possibilities are endless, go make that little slut submit to you!

Fill them up like the little whore they are or force them to try and fill you up, but oopsie, you're a ghost, so their needy little dick might spurt cum everywhere.

You know they'll come back for more sooner or later and if not, the next one is probably coming around soon, waiting for a ghost to take charge.

We need more monster reader x human character, truly.

Be the needy investigator to someone's horny ghost or vice versa.

Cheers, fellow freaks. (✌◠▽◠)

[arlertwhore]

pairing: sub!paige bueckers x fem! reader

synopsis: when you massage your gf paige, you discover her knots aren't what shes having trouble getting out.

warning (s): sexual content, fingering, nipple play, mommy kink!

word count: 929.

author note: gotta request for sub paige, dug deep in them drafts for this beautiful baby here 😫 i love the "tough girl gets dissolved to nothing" trope UGHH so yummy.

A significant part of being an athlete, one of the best on the court, was managing her trained muscles. In your shared bedroom, Paige had various massage tools & items to help her soothe her aches; guns, rollers, and balms, but she couldn't ever kick the comfort of her loving girlfriend’s hands.

"Pleaseeee baby," she begged you in the washroom mirror, behind you as her hands rested on your hips, pressing you back into her. "Need you," she'd said, burying her head in the crook of your neck, and you subsequently melted because how on earth could you have possibly resisted her cute little pout and those pleading eyes when she was so cute like that?

Believing you weren’t strong enough to massage her toned body, hardened from relentless hours of training and practice before she came home, you discovered that your true weakness was resisting her tempting reactions.

As she undressed, revealing her muscular upper body with a back glistening and tense from intense training—one you’d seen many times before, even scratched up and marked—your first reaction was, "There's no way I can do this," as you took in the full extent of her exertion.

"Try," she encouraged, lying down on the bed, and with a deep sigh, you advanced and reminded yourself she’d owe you a favor after this, perhaps some head.

You began. With each pass of your hands over her back, her muscles—initially taut and unyielding—gradually softened under your fingertips. Every stroke elicited a soft gasp or a deep huff, and her breathing grew deeper and more relaxed as she completely surrendered to the sensations you implemented upon her.

The way the big bad athlete yielded so willingly to your touch only intensified the heat growing between your legs. If not so, then it'd be the soft sighs and subtle arching of her back that indicated that she was enjoying every moment of your touch.

Maybe a bit too much. She wasn’t usually like this. She wasn’t usually this submissive, always so strong and in control on the court, in the bedroom, and in her words, but now, she was the flip opposite—melting and whining under your touch, completely submitting.

You furrowed your eyebrows, feeling a pang of guilt. This shouldn’t have been turning you on. Coaxing whimpers and curses from her parted, puffy lips, the way she responded to your lovely touch, and how she clenched her muscles each time you kneaded them all contributed to your growing unease and simultaneous arousal.

Whether intentional or not, you couldn’t help but lean down and softly kiss the curve of her neck from behind, cushioning legs draped over each side of her body.

"Y're so good, baby... fuck, yeah... just like that," she whimpered smally, pressing her body closer, damn-near shivering.

"Shut up," you murmur against the rose-scented skin of her back, licking and nipping at it softly, "I feel that good, Paigey?"

"Yeah," she breathes out, her needy voice trembling with and of surrender. "Kiss me again. Please," she begs softly, pulling you back in by grasping your hair. Her touch is gentle yet insistent, guiding you to the curve of her neck where your lips had left a lingering warmth.

“Mhm,” she hummed in delight, nodding as you encircled her body, your soft hands tenderly enveloping her tits. "So warm and soft... those fingers, I can't," she whispered, shuddering as your oiled palms glided gently and teasingly over her nipples, essentially massaging them.

You lay down flat on her back, nipping at her lips and listening to her whine needily into your mouth as you sink your oiled fingers into her, met with no resistance due to how completely lost in the moment you both are and how wet she is. The oil makes the glide smoother, heightening the sensation, and she claws at your wrists a little with her thankfully trimmed nails, whispering, "Yeah, bae, yeah... love your fingers in me like that, mmh..." Her voice maintains its natural tone but becomes whiny, needy, and desperate, as if something has taken over her.

Her moans sound different. The way she pushes herself back against your fingers, clenching around them with each pop of her hips, is different.

You pull your fingers out of her and press them into her mouth, feeling her eagerly engulf them as she bobs her head in a hungry, slutty motion. You’re unsure who this person is right now, but one thing is clear: it’s undeniably hot.

When she finishes cleaning your fingers, you sink them back inside her and stroke deeply, tiring your wrist.

"You're a good girl," you whisper into her ear, and she bites her lip, moaning blissfully with her eyes rolling back into her head. "Think you're Mommy's good girl?" you ask gruffly, and she gasps, a desperate, shrill cry escaping from her stomach, where she can quite literally feel your fingers jamming into. You’re about to demand words from her for fucking her so well when you feel it trickle down your wrist and realize she’s come silently, on command, just from that gentle praise.

Too much of a "Mommy's good girl," it seems.

You snap back to your typical role, remembering how you’re usually the one in her place. You joke, "What happened to all that control?"

You pull your fingers out of her and pop them into your mouth, her eyes following your every move. "Just savoring the taste of how good for me you are," you explain.

She nods, clearly pleased. "Good. I was hoping you’d remember you’re still my little bitch." MASTERLIST AUTHOR NOTE #2: unfortunately, i've become worse at writing cheeky lil endings :( THANK GOODNESS I DON'T HAVE TO SINCE ITS A DRAFT 😛 guys idk if its inappropriate to be releasing stuff rn since q-diddy has arose so think of this as me lightinin the mood around here lmao i just need these drafts gone!!

[transmutationisms]

can u elaborate on posture being a lie

As Beth Linker explains in her book “Slouch: Posture Panic in Modern America” (Princeton), a long history of anxiety about the proximity between human and bestial nature has played out in this area of social science. Linker, a historian of medicine at the University of Pennsylvania, argues that at the onset of the twentieth century the United States became gripped by what she characterizes as a poor-posture epidemic: a widespread social contagion of slumping that could, it was feared, have deleterious effects not just upon individual health but also upon the body politic. Sitting up straight would help remedy all kinds of failings, physical and moral [...] she sees the “past and present worries concerning posture as part of an enduring concern about so-called ‘diseases of civilization’ ”—grounded in a mythology of human ancestry that posits the hunter-gatherer as an ideal from which we have fallen.

[...]

In America at the turn of the twentieth century, anxieties about posture inevitably collided with anxieties not just about class but also about race. Stooping was associated with poverty and with manual, industrialized labor—the conditions of working-class immigrants from European countries who, in their physical debasement, were positioned well below the white Anglo-Saxon Protestant establishment. Linker argues that, in this environment, “posture served as a marker of social status similar to skin color.” At the same time, populations that had been colonized and enslaved were held up as posture paradigms for the élite to emulate: the American Posture League rewarded successful students with congratulatory pins that featured an image of an extremely upright Lenape man. The head-carrying customs associated with African women were also adopted as training exercises for white girls of privilege, although Linker notes that Bancroft and her peers recommended that young ladies learn to balance not baskets and basins, which signified functionality, but piles of flat, slippery books, markers of their own access to leisure and education. For Black Americans, posture was even more fraught: despite the admiration granted to the posture of African women bearing loads atop their heads, community leaders like Dr. Algernon Jackson, who helped establish the National Negro Health Movement, criticized those Black youth who “too often slump along, stoop-shouldered and walk with a careless, lazy sort of dragging gait.” If slouching among privileged white Americans could indicate an enviable carelessness, it was seen as proof of indolence when adopted by the disadvantaged.

This being America, posture panic was swiftly commercialized, with a range of products marketed to appeal to the eighty per cent of the population whose carriage had been deemed inadequate by posture surveys. The footwear industry drafted orthopedic surgeons to consult on the design of shoes that would lessen foot and back pain without the stigma of corrective footwear: one brand, Trupedic, advertised itself as “a real anatomical shoe without the freak-show look.” The indefatigable Jessie Bancroft trained her sights on children’s clothing, endorsing a company that created a “Right-Posture” jacket, whose trim cut across the upper shoulders gave its schoolboy wearer little choice but to throw his shoulders back like Jordan Baker. Bancroft’s American Posture League endorsed girdles and corsets for women; similar garments were also adopted by men, who, by the early nineteen-fifties, were purchasing abdominal “bracers” by the millions.

It was in this era that what eventually proved to be the most contentious form of posture policing reached its height, when students entering college were required to submit to mandatory posture examinations, including the taking of nude or semi-nude photographs. For decades, incoming students had been evaluated for conditions such as scoliosis by means of a medical exam, which came to incorporate photography to create a visual record. Linker writes that for many male students, particularly those who had military training, undressing for the camera was no biggie. For female students, it was often a more disquieting undertaking. Sylvia Plath, who endured it in 1950, drew upon the experience in “The Bell Jar,” whose protagonist, Esther Greenwood, discovers that undressing for her boyfriend is as uncomfortably exposing as “knowing . . . that a picture of you stark naked, both full view and side view, is going into the college gym files.” The practice of taking posture photographs was gradually abandoned by colleges, thanks in part to the rise of the women’s movement, which gave coeds a new language with which to express their discomfort. It might have been largely forgotten were it not for a 1995 article in the Times Magazine, which raised the alarming possibility that there still existed stashes of nude photographs of famous former students of the Ivy League and the Seven Sisters, such as George H. W. Bush, Bob Woodward, Meryl Streep, and Hillary Clinton. Many of the photographs in question were taken and held not by the institutions themselves but by the mid-century psychologist William Herbert Sheldon. Sheldon was best known for his later discredited theories of somatotypes, whereby he attributed personality characteristics to individuals based on whether their build was ectomorphic, endomorphic, or mesomorphic.

[...]

Today, the descendants of Jessie Bancroft are figures like Esther Gokhale, a Bay Area acupuncturist and the creator of the Gokhale Method, who teaches “primal posture” courses to tech executives and whose recommendations are consonant with other fitness trends, such as barefoot running and “paleo” eating, that romanticize an ancestral past as a remedy for the ills of the present. The compulsory mass surveillance that ended when universities ceased the practice of posture photography has been replaced by voluntary individual surveillance, with the likes of Rafi the giraffe and the Nekoze cat monitoring a user’s vulnerability to “tech neck,” a newly named complaint brought on by excessive use of the kind of devices profitably developed by those paleo-eating, barefoot-running, yoga-practicing executives. Meanwhile, Linker reports, paleoanthropologists quietly working in places other than TikTok have begun to revise the popular idea that our ancient ancestors did not get aches and pains in their backs. Analysis of fossilized spines has revealed degenerative changes suggesting that “the first upright hominids to roam the earth likely experienced back pain, or would have been predisposed to such a condition if they had lived long enough.” Slouching, far from being a disease of civilization, then, seems to be something we’ve been prone to for as long as we have stood on our own two feet.

[noxtivagus]

i actually really enjoy writing for school

[fans4wga]

CALL TO ACTION to support WGA/SAG-AFTRA: Submit a comment about the corporate monopoly crisis.

August 18, 2023: You can personalize the template message included in the above link, or simply just add your name & email. Seems like it's US only; please boost if you can't sign yourself.

From the WGA:

"More than 100 days into our strike, as we continue to fight for the sustainability of our profession, events in Washington, D.C. provide an opportunity for writers to shine a light on one of the root causes of the strike: media consolidation. For decades, the WGA has advocated for stronger antitrust oversight, bringing attention to the ways that mergers and vertical integration in our industry – from AT&T-Time Warner to Warner Bros.-Discovery to Amazon-MGM to Disney-Fox – have consolidated the power of our employers and harmed writers as well as the diversity of content. In numerous reports and policy filings – including a new report called The New Gatekeepers: How Disney, Amazon and Netflix Will Take Over Media, released yesterday – the WGA has documented the threat to our industry from past and future consolidation and called for more aggressive antitrust enforcement. Our current strike highlights the urgency of the issue; studios gained power through anti-competitive consolidation and vertical integration and then used that power to push down wages and impose more precarious working conditions for writers while profiting off of their work, and currently – together – refuse to bargain a fair contract for writers to mitigate those harms. Last month, the FTC and DOJ jointly released proposed revisions to their Merger Guidelines, a policy document designed to guide law enforcement around consolidation. These new Draft Guidelines are part of an effort by these agencies to reinvigorate antitrust enforcement. Compared with prior versions of Merger Guidelines, they give significantly more weight to the ways that mergers can be harmful and, for the first time, explicitly direct agencies and courts to consider how mergers can hurt workers. The Draft Guidelines have been released for public comment, and the FTC and DOJ want to hear from people who have been affected by consolidation – people like you.”

The FTC and DOJ are accepting comments on their revisions of the Merger Guidelines until September 18.

[sweetiecutie]

Dating Tom Marvolo Riddle

Warnings: NSFW, possessiveness, toxicity

A/n: sorry for the long absence babes! I’m in my depressive episode again, but I finally managed to finish those hc’s, they’ve been in my drafts for ages🙄. Anyways, hope you’ll enjoy it💖

Even though Tom never expresses his attraction toward you verbally, you can still see just how much you mean to him through his actions. His love is all about the small gestures like fixing the askew collar of your shirt, sharing his notes if you have difficulties in some classes, making sure that you eat enough etc.

You’re the only one who can actually touch him. Of course, teachers, especially Slughorn, often give Tom encouraging pats on the back or shoulder, but only you are allowed to touch his skin. To play with neat waves of his dark hair, brush your fingertips against Tom’s cheekbones in endearment, interlock your fingers while walking down school halls together. Only you

Tom is very possessive, not only with treasured magical objects, but also with you. He wants everyone to know that you are his, his and his only. Most of the time one of his hands rests securely around your shoulders or waist, keeping you as close as possible, glaring down at anyone who looks at you longer than a few seconds

Because of said possessiveness Tom is almost always by your side - you sit together in all your shared classes, and if it happened that he doesn’t take one of the subjects that you do, he has his devoted followers to be right beside you instead, making sure that no ‘unreliable’ people from your class are in near proximity to you. Outside of classes - you’re almost always seated on his lap. In the common room, courtyard, library - everywhere. He especially loves it when you sit on his lap during his privat meetings in the Room of Requirements - him sitting in the head of a long table with you cuddled up into his side, surrounded by his followers listening resolutely to every word he says. It gives him such a sense of power, having not only all of his minions, but also you - the only person he loves - at his complete mercy

Every one of Tom’s followers knows better than to talk to you, unless you are the one who starts conversation. And god forbid them being anything than polite and friendly to you.

Casual dominance? Yes, Tom is all about that. He likes it when you submit to his orders, no matter how small and trivial they are. “Darling, finish your tea, you need to warm up after a walk” or “Go to bed now, it’s too late” or “Put your book down, you’ve been reading for too long. Let your eyes rest”. And it angers Tom so much when you disobey, he wants what’s best for you, why can’t you see that? Most of the conflicts you guys have are actually caused by that, because you too don’t like being pushed around like a small child

Talking about conflicts - it is extremely hard for Tom to admit that he’s wrong, so if conflicts do occur between you two, Tom makes it look like you are the guilty one (even if you’re not). So yeah, he’s still a bit toxic, no matter how hard he tries to suppress it within himself

NSFW ahead!

Despite popular opinion walking around this mesmerizing platform, I don’t think that Tom sleeps around with every person he deems attractive. In fact, I’m pretty sure you’ll be his first (and only) sexual partner, even despite all the girls and boys almost throwing themselves on him in hopes of getting at least one touch

WILL👏FINGER👏YOU👏LITERALLY EVERYWHERE👏 Okay but this man has absolutely no shame when it comes to his lover (meaning you). Plus points if you’re in public place like library or classroom, and god, is he cocky. “You gotta be quiet, yeah? Don’t want other people to hear how much of a slut you are, do we?” all while his long slender fingers make their way up under your skirt, past the elastic of your pretty panties, and all you are left to do is to spread your legs a bit wider for Tom, and try to be as quiet as possible. And oh, don’t forget to take notes, you’re still in a middle of a class!

NOT into daddy kink. Being an orphan, even the word ‘dad’ itself feels strange, wrong even for Tom, so if you want to call him daddy - expect him to freak the fuck out. But if you’re into names he’d love it if you call him ‘sir’ or ‘master’, it gives him sense of power and authority over you

And while we’re on this topic - you’re called everything BUT your name in bed. Tom loves calling you names - whore, slut, fucktoy, darling, sweetness, princess - all that stuff. And oh, when he mixes praise with degradations, all while fucking you absolutely stupid *sighs dreamily*. “What’s that dollface? Is it too much for you? Can this slutty cunt take no more of my cock inside, hm? Stop pretending sweetheart, I know how much of a greedy whore you are, so shut the fuck up and take it”

Definitely will pin you against the wall as he towers over your smaller form, one hand resting next to your head while the other one cups your face gently, forcing you to look him straight in the eyes while whispering the filthiest things ever, making your panties soaking wet in a matter of minutes just by using his words. “You’re so needy, aren’t you? Walking around in that short skirt, swaying your hips like that. Think I didn’t notice, hm? I’d love to see those hips swaying while you ride my cock, what do you think about that?”

Even though Tom expects full obedience from you, he still likes it when you get a bit bratty. When you comply with every one of his orders, but there’s still something mischievous and coquettish about your behavior - naughty little comments slipping off your tongue here and there, and then you are batting that pretty doe eyes up at him, as if it wasn’t you saying all those things. “Moan louder” he orders in a strained voice, hips snapping into yours with loud smacking sound. “Fuck harder then” you quip back, sly smirk curling your lips at the sight of Tom’s perfect eyebrows pulling together in a frown. Your small giggle dies in your throat as man pulls out of you, just to slam his cock all the way back into your pussy, making your body jolt forward with the ferocity of the impact. Want it harder - you get it harder

Likes, reblogs and comments are highly appreciated, they inspire me on creating even more content for you💖

[writingwithcolor]

Sri Lankan Fairies and Senegalese Goddesses: Mixing Mythology as a Mixed Creator

[Note: this archive ask was submitted before the Masterpost rules took effect in 2023. The ask has been abridged for clarity.]

@reydjarinkenobi asked:

Hi, I’m half Sri Lankan/half white Australian, second gen immigrant though my mum moved when she was a kid. My main character for my story is a mixed demigod/fae. [...] Her bio mum is essentially a Scottish/Sri Lankan fairy and her other bio mum (goddess) is a goddess of my own creation, Nettamaar, who’s name is derived from [...] Wolof words [...]. The community of mages that she presided over is from the South Eastern region of Senegal [...] In the beginning years of European imperialism, the goddess basically protected them through magic and by blessing a set of triplets effectively cutting them off from the outside world for a few centuries [...] I was unable to find a goddess that fit the story I wanted to tell [...] and also couldn’t find much information on the internet for local gods, which is why I have created my own. I know that the gods in Hinduism do sort of fit into [the story] but my Sri Lankan side is Christian and I don’t feel comfortable representing the Hindu gods in the way that I will be this goddess [...]. I wanted to know if any aspect of the community’s history is problematic as well as if I should continue looking further to try and find an African deity that matched my narrative needs? I was also worried that having a mixed main character who’s specifically half black would present problems as I can’t truly understand the black experience. I plan on getting mixed and black sensitivity readers once I finish my drafts [...] I do take jabs at white supremacy and imperialism and I I am planning to reflect my feelings of growing up not immersed in your own culture and feeling overwhelmed with what you don’t know when you get older [...]. I’m sorry for the long ask but I don’t really have anyone to talk to about writing and I’m quite worried about my story coming across as insensitive or problematic because of cultural history that I am not educated enough in.

Reconciliation Requires Research

First off: how close is this world’s history to our own, omitting the magic? If you’re aiming for it to be essentially parallel, I would keep in mind that Senegal was affected by the spread of Islam before the Europeans arrived, and most people there are Muslim, albeit with Wolof and other influences. 

About your Scottish/Sri Lankan fairy character: I’ll point you to this previous post on Magical humanoid worldbuilding, Desi fairies as well as this previous post on Characterization for South Asian-coded characters for some of our commentary on South Asian ‘fae’. Since she is also Scottish, the concept can tie back to the Celtic ideas of the fae.

However, reconciliation of both sides of her background can be tricky. Do you plan on including specific Sri Lankan mythos into her heritage? I would tread carefully with it, if you plan to do so. Not every polytheistic culture will have similar analogues that you can pull from.

To put it plainly, if you’re worried about not knowing enough of the cultural histories, seek out people who have those backgrounds and talk to them about it. Do your research thoroughly: find resources that come from those cultures and read carefully about the mythos that you plan to incorporate. Look for specificity when you reach out to sensitivity readers and try to find sources that go beyond a surface-level analysis of the cultures you’re looking to portray. 

~ Abhaya

I see you are drawing on Gaelic lore for your storytelling. Abhaya has given you good links to discussions we’ve had at WWC and the potential blindspots in assuming, relative to monotheistic religions like Christianity, that all polytheistic and pluralistic lore is similar to Gaelic folklore. Fae are one kind of folklore. There are many others. Consider:

Is it compatible? Are Fae compatible with the Senegalese folklore you are utilizing? 

Is it specific? What ethnic/religious groups in Senegal are you drawing from? 

Is it suitable? Are there more appropriate cultures for the type of lore you wish to create?

Remember, Senegalese is a national designation, not an ethnic one, and certainly not a designation that will inform you with respect to religious traditions. But more importantly:

...Research Requires Reconciliation

My question is why choose Senegal when your own heritage offers so much room for exploration? This isn’t to say I believe a half Sri-Lankan person shouldn’t utilize Senegalese folklore in their coding or vice-versa, but, to put it bluntly, you don’t seem very comfortable with your heritage. Religions can change, but not everything cultural changes when this happens. I think your relationship with your mother’s side’s culture offers valuable insight to how to tackle the above, and I’ll explain why.  

I myself am biracial and bicultural, and I had to know a lot about my own background before I was confident using other cultures in my writing. I had to understand my own identity—what elements from my background I wished to prioritize and what I wished to jettison. Only then was I able to think about how my work would resonate with a person from the relevant background, what to be mindful of, and where my blindspots would interfere. 

I echo Abhaya’s recommendation for much, much more research, but also include my own personal recommendation for greater self-exploration. I strongly believe the better one knows oneself, the better they can create. It is presumptuous for me to assume, but your ask’s phrasing, the outlined plot and its themes all convey a lack of confidence in your mixed identity that may interfere with confidence when researching and world-building. I’m not saying give up on this story, but if anxiety on respectful representation is a large barrier for you at the moment, this story may be a good candidate for a personal project to keep to yourself until you feel more ready.

(See similar asker concerns here: Running Commentary: What is “ok to do” in Mixed-Culture Supernatural Fiction, here: Representing Biracial Black South American Experiences and here: Am I fetishizing my Japanese character?)

- Marika.

Start More Freely with Easy Mode

Question: Why not make a complete high-fantasy universe, with no need of establishing clear real-world parallels in the text? It gives you plenty of leg room to incorporate pluralistic, multicultural mythos + folklore into the same story without excessive sweating about historically accurate worldbuilding.

It's not a *foolproof* method; even subtly coded multicultural fantasy societies like Avatar or the Grishaverse exhibit certain harmful tropes. I also don't know if you are aiming for low vs high fantasy, or the degree of your reliance on real world culture / religion / identity cues.

But don't you think it's far easier for this fantasy project to not have the additional burden of historical accuracy in the worldbuilding? Not only because I agree with Mod Marika that perhaps you seem hesitant about the identity aspect, but because your WIP idea can include themes of othering and cultural belonging (and yes, even jabs at supremacist institutions) in an original fantasy universe too. I don't think I would mind if I saw a couple of cultural markers of a Mughal Era India-inspired society without getting a full rundown of their agricultural practices, social conventions and tax systems, lol.

Mod Abhaya has provided a few good resources about what *not* to do when drawing heavily from cultural coding. With that at hand, I don't think your project should be a problem if you simply make it an alternate universe like Etheria (She-Ra and the Princesses of Power), Inys (The Priory of the Orange Tree) or Earthsea (the Earthsea series, Ursula K. Le Guin). Mind you, we can trace the analogues to each universe, but there is a lot of freedom to maneuver as you wish when incorporating identities in original fantasy. And of course, multiple sensitivity readers are a must! Wishing you the best for the project.

- Mod Mimi