#and they just. didn't. imo

[theyarebothgunshot]

the show is not making it easy to be an alobby truther, but i am still here.

i think alobby still makes the most sense, because we've got:

a whole lot of foreshadowing, throughout the whole season, but also during this episode

the script leak that was verbatim the last scene of the ep but just the bobby call got cut. i am choosing to believe they decided to cut that scene and draw the resurrection out

the lack of real emotional scenes in this episode which makes me think that bobby will be alive (not that it makes any sense either way, even if he is gonna end up being alive, the characters should still feel the impact and the audience should see it on screen in order to even justify this storyline but okay)

weird social media posts (the wording) from cast

if dobby, then:

the heavyhanded foreshadowing that leads to nothing was cruel

the script leak was either a joke (for the cast. not for us, just to be clear) or tm decided to change things up last minute to spite us all

the lack of emotional goodbye (both in episode and the weird sm stuff) kind of feels like a disservice to the character and peter

........so i am choosing to believe in alobby. for my health :)

[petrowriting]

the revelation that claudia’s rebirth was such a twisted and horrible moment, with louis dragging her like she was a thing, a stranger who neither of them knew but he kept saying over and over “our daughter, our beautiful little daughter” to lestat, really solidified the way she was never the main character of her own story. she was always an accessory to some or the other of louis’ whims: his guilt, his loneliness, his conflict of being a killer, his rocky relationship with lestat. there was love there, love from both her fathers, but it was never enough. lestat saw her too much as a wretched mirror held up to his own self, and louis was always too steeped in his own feelings to care enough about hers. claudia’s story truly was the greatest tragedy in this tale, treated horribly by every man around her, even her fathers, relentlessly exploited and brutally ignored, always second and never first. the only one who loved her the way she deserved to be loved was madeleine, and the moment she truly had her, her happiness was torn from her. and just before she died, she got to see someone actually choose her in her entirety, not for what she can be but for who she is, and it still wasn’t enough. she still burned alive in the sunlight. the love was there, but it wasn’t enough to save her.

[petr1kov]

i was asking myself how the wicked movie managed to make act 1 (which is around 1h30m in the play) into a 2h40m movie and not have it feel extremely stretched out and padded, but the answer is actually pretty simple: wicked's pacing is insanely fast. there's a lot of stuff crammed into just that first act and a lot of scenes that go by rather quickly outside the songs themselves, and while that works well enough on stage due to the medium it's in, it would definitely not translate well into movie - unless they decided to go the opposite direction and remove parts of it, which would not be ideal. most of the added scenes feel like natural extensions of the original ones because they just ease us into some concepts introduced instead of throwing them abruptly at us (such as the extra scenes with elphaba as a child, her talking with her father, her settling in on galinda's room, her training with madame morrible, dr dillamond meeting with other animals to discuss their situation, etc)

[gaffney]

THE KARATE KID (1984) / COBRA KAI (2018-2025)

[mayasdeluca]

MAYA AND CARINA STATION 19: 7x10 'One Last Time'

[fascinationstreetmp3]

i wonder how many more people would've vehemently hated gale right off the bat on full release if his introduction conversation had stayed like this or something similar

[welcometoteyvat]

"Come on. Everyone's waiting for you."

[teeayohess]

{ 18 simlish horror-themed recolors of misstiikeri+eir's m2f crooked tee } what a mouthful lmao

i wasn't too sure about how these had turned out at first, but after seeing them in game they actually grew on me, so here they are. thank you @gvaudoiin-tricou for encouraging me to finish them and share! i hope you like them :-)

since this is essentially a mash-up of several people's work (see credits), frankenstein-ed together, it feels pretty appropriate for the theme.... 🧟‍♂️🔪🦇🩸👽 consider this a tiny late simblreen treat, hehe 🎃

these separate tops are for AF only*, since that's what i needed in my game (but the TF/EF meshes should be easy to copy-paste onto) [edit: *added links to an AM version as well]

they are categorized as everyday, sleepwear and athletic (not sure who would want to sleep or exercise in fishnets but hey i'm not judging. also it's really easy to remove them if you like, since they're a separate texture from the shirt)

compressorized, tooltipped, and the files are labeled clearly. the swatch and previews are included in the rar file.

full disclosure, this mesh has a few issues i don't currently have the skills to fix: it has no fat morph (😑), and there is some clipping in places depending on how the sim moves, and a few dark spots (not super noticeable with the black texture, thankfully). if anyone feels inspired to fix the mesh or add morphs, i'll happily update this post and the linked file.

>>> get them here: { SFS } { MF } [edit: AM version here: { SFS } { MF } ]

credits, swatch & unedited pic under the cut.

swatch: (labeled according to the file names for easy id; i suck at reading simlish so 'flash' was all i could understand from that one, apologies if it's incorrect lol)

unedited preview: (taken in-game, with neutral lighting)

credits: the77sims & misstiikeri (original male mesh & 3t2 conversion) eir (m2f conversion) trillyke (fishnets), monilisasims (4t2 conversion) littlecakes (graphics), kalux (4t2 conversion) surprisepeach (graphics)

[anistarrose]

Davenport canonically says he's been teaching Barry to fly the Starblaster (as early as Cycle 17, a.k.a. Episode 61), and even trusts Barry enough to leave him solely in charge of the ship, specifically when the whole rest of the crew is literally diving into a flooded city with no idea what they'll find beneath, i.e., could easily all just fucking die. this was before the Hunger really Got Good, so to speak, at singling out and attacking the Starblaster, or catching the crew unawares, but regardless, I would like to propose...

Barry's fucking great at piloting the ship, especially relative to his amount of practice... and he fucking hates it. Barry's not Dav-level good, not by a long shot, but he's naturally talented as hell by the standards of people who aren't first-name-Captain, last-name-Davenport. except... Cap, you gotta understand... flying the ship is scary. flying the ship away from the Hunger singlehandedly is so scary. and flying the ship under technically lower stakes, but while his Captain and friends are there watching him? and able to be disappointed in him if he messes up? is so so so scary. the scariest thing of all, somehow.

Davenport trains Barry, Lup, and Magnus in piloting semi-simultaneously, so he gets them to compete with each others' times for flying around the robot planet, and Barry always absolutely crushes it, and then has to go breathe into a paper bag afterwards. he had enough anxiety driving through roundabouts with other people in his car to judge him back while he was on his home plane. he was the kind of guy to worry that people would think less of him if he slipped into always-goddamn-tempting road rage, or if he used his signal like a fucking nerd. upgrading from a car to a spaceship was never going to be for him.

[dilemmaed]

travnat come home the kids miss you

[cheriafreya]

Cartethyia, the "Blessed Maiden"

[rmbunnie]

Okay so post-Seeing Red reread that comes with reading through Green Arrow 2001, I have 2 new things I've noticed and thought were interesting! This is the first, and the second will be here later on:

Ollie is kinda on his empathy A-game in this one? Like he's being a good dad, a good friend/colleague, it's impressive how much he isn't flying off the handle. I feel like all-in-all post-Mia-HIV-diagnosis, or maybe even post-City Walls, I can't pin down the shift exactly, he becomes much more self-aware in regards to his own temper and emotional shortcomings, and he doesn't like try to change that, but he does start avoiding situations that he knows he won't be able to handle with grace, (which feels like a much more natural progression for him and most characters in general than suddenly getting better and healing and no longer being flawed, but that's just my preference,) and he's doing his best with that in this one. All this to say, he:

keeps the conflict with Bruce to a minimum, except for when he's calling out his parenting style and rightfully upset by the possibility that Bruce only showed up in the first place to lure out Jason, and he and Mia were planned collateral. (It's worth noting that once he critiques Bruce's parenting, Bruce's knee-jerk response is to say pretty much "I know you're being mean and irrational because you're upset, but remember when Roy got addicted to heroin?" which, even disregarding the Roy part, he's kinda chalking any questioning of his parenting style up to Ollie just being upset, when like, that's a very valid critique of the situation. And I think context is added to his critique of Bruce's parenting style by acknowledging that a. that this comes after Bruce calling Jason "dirt in the gutter" and GA responding like "whatever you say," and b. Ollie is canonically aware that somehow, Jason ended up buried in rubble in his last fight with Bruce, meaning he has at least a rudimentary understanding of the Joker showdown (although I can't imagine he knows about the whole ultimatum part.) Several times throughout this run, Ollie alludes to Bruce being a difficult parent (mainly to Dick, via gossip from Roy,) but he doesn't know Jaybin well enough to even recognize him in Heaven, so I think it's entirely possible that when he says Bruce was a bad father to Jason, he's referring not only to Bruce's general closed-off and authoritarian approach to parenting, but specifically to recent, post-resurrection treatment of Jason, (maybe including the blowing up?) which would be VERY interesting.

sends Mia away when he wants to talk one-on-one with Bruce about Jason's turn towards evil! I don't know how I didn't notice this one in my first readthrough, but after she accidentally says something rude about Jason's death and the topic of drug dealing comes up, Ollie asks Mia to talk to one of her contacts about the weapons deal that's going on (and makes a point of praising her in front of Bruce for her network of sources and good information-gathering skills,) and then immediately goes in and tries to press Bruce on how hard it must be to see Jason doing the things he's doing (where Bruce doubles-down on having no residual care towards Jason.) This doesn't mean anything in the larger plot of things, but I think it's really sweet that once she gets embarrassed saying something insensitive, Ollie kinda gives her something to do off to the side so the adults can talk about something personal she'd be out of the loop on. I wonder if part of the reasoning behind sending her away is so she wouldn't be psyched out by the failed sidekick talk and the general idea of a sidekick dying, turning evil (relative to this way he was before,) and consequentially being abandoned (at a surface level,) by his hero parent, as opposed to Bruce's cautionary tale approach to the whole Jason debacle. It happens right when Bruce starts claiming that Jason is like, morally lost. The idea that she would see herself in Jason before the gym fight and Ollie could predict that upsetting her feels like a stretch typing it out, but a very interesting one imo. Either way, it's for the best that Mia wasn't around to hear the "another piece of dirt in the gutter" remark, and Ollie seemed to plan for this.

Gives Bruce run of the case, even before Jason comes into play, just in an effort to be cooperative, and because “he’s visiting." I'm also moderately obsessed with "Try and wear something nice tomorrow!" Like yeah Brucie public appearance, I understand what it actually means, but yelling "wear that dress I like ;)" out into the night is crazyyyy.

Is just so cute with Mia, if there’s one thing Green Arrow 2001 makes Oliver it’s a girldad. That really shines in this storyline. His first reaction to Mia when she escapes/is let out of the gym is “are you hurt? Did he hurt you?” he’s hyping her up, he keeps talking about Bruce’s “wild child” taking “his girl,” he’s actually explaining things about Bruce's m.o. and disposition to her, just being a great father all in all. And not to cornplate, but he makes a little joke about hating pineapple on pizza to some goons and Mia agrees with him pretty close after the Winick issue where she says it’s her favorite to the Teen Titans (another point of contrast with Bruce in the Mia-Jason parallel this storyline centers on: Oliver takes Mia to join the titans specifically so she can have a support system, while Jason was established to interact with them only behind Bruce’s back, under the pretense that he’d be punished for working with them, and dies isolated from his peers) which reads like she’s lying just so she can keep agreeing with her dad?? Mia Dearden cutest of all time! They both eat the pizza anyways...

I'm biased, but I just think it's kinda sweet that he continuously refers to Jason as "kiddo," "this kid," "wild child," etc. Like even mid-fight. idk Ollie acknowledging his actual age just hits, king of actually understanding the parental relationship between a sidekick and the hero who adopts him while Bruce makes a point of referring to both Jason and Mia exclusively as partners, charges, etc. all comic. Like it's ROUGH his direct response to GA calling him a hell of a father is admitting he has failings as a "mentor," both emphasized in quotes and bolded. Jason's wrong in the Mia conversation specifically about their fathers being the same, not because they aren't genuinely disconnected from his and Mia's backgrounds, they are, but because Oliver is a genuinely active parent, unbeknownst to Jason. And it's a leap in logic to think Mia's in the same spot, but with his reference to go off of? It's just a really fucking tough example to work off of, that he's internalized as the standard. But in reality, Ollie's... kinda killing it?

[nenoname]

Details in Stan's letter that still haunt me

(how long will I continue thinking about a two page letter that's technically not even that long because Stan's handwriting is fricking large? .....you don't need to worry about that.)

The bro code only shows up in the Lost Journal pages, and to me Stan's message feels like it purposely echoes Ford's "miss you" in the college photo (and for some reason the message doesn't appear in the website version of the photo?) ....or alternatively Stan simply noticed how distressed Ford was about this entire thing and wanted to support him in a way so he can be sappy but without the kids knowing, or both!

Stan's claim about the Oregon lottery contradicts what the Lost Legends website said about Tate McGucket's ability to predict the winning numbers!! ...but also breaking into the Lottery HQ is definitely a very Stan thing to do and it's not the first time small gags have been retconned

Despite spending most of his letter nonchalantly destroying him, the taunt about ripping a dollar bill in half is the only part where Stan is directly responding to Bill. Maybe it's the two of them having similar ways of thinking but it's rather specific considering Bill taunts the reader about it...

And after Bill spends an entire book calling Ford Sixer despite normally using a pretty wide range of nicknames for him, Stan then spends his letter mainly referring to Ford as Sixer, even though post-Weirdmageddon he tends to use a mix of nicknames. And it's not like he'd gotten to see Bill himself for long, let alone see him steal that childhood nickname (that is only used twice in the actual show btw!). Did Ford tell him what happened or...?

With all this and the website's "still on your mind" message, what I'm getting at is my tinfoil hat theory of Stan somehow seeing some of the pages the irl readers saw, even when it should be personalised to the specific reader, and he's been lying about it for some reason. Considering that the book flat out doesn't make an attempt at convincing Soos, I find it a stretch that whatever Bill was telling Stan via the book was an attempt to convince him either.

Wouldn't be the first time Stan's skimmed through a book and lied about what it meant to him.

(...Now I kinda wanna see a story about the family reading their versions of the book and making fun of it while Stan is improvising every single one of his pages and blatantly ignoring Bill's attempts to mock and taunt him)

But also I'm fascinated by the letters that only showed up on the website (aka the Soos+Wendy+McGucket+Pacifica ones). I'm assuming that Mabel had stuck them on after Stan's letter... but they were basically eaten by the book itself because seeing Stan's letter kick-started Bill's breakdown which takes up the rest of the book

[xformalde-hyde]

Ms. Judge, Jury and Executioner

[rocketonthemoon]

I'm kinda new to the fandom and you seem to rec fics that I don't see around a lot. Any older SC fics I should look up?

Well I dunno how much I can vouch for my taste but SC fics I really like that are more than a few years old:

Where Lamps Go to Die by WastedOn - Kara pretends to be in a relationship with Supergirl and Lena gets jealous (probably my absolute favorite SC fic. One of the first I read and genuinely a lot of fun)

lena dies on a wednesday by @karalovesallthegirls - Lena is trapped in a loop, reliving the day she dies over and over again. She just doesn’t know it. (I think this was one of the first SC fics I ever read? absolutely fantastic)

in the shadow of that green light also by @karalovesallthegirls - Kara wakes from an accident with no memory and a mysterious caretaker who creates more questions than she answers. (I'm not normally one for horror but this is SO good and makes me want to rattle the bars of my enclosure it's so good)

1,370,911 by @pippytmi - Soulmate AND Singer/Songwriter AU (I reread this on the regular you don't understand the grip it has on me)

We Deserve Only Good Things by @thornedrose44 - Kara and Lena are working through how to be friends again and an alien has them meet the younger versions of each other (yeah this one wrecks me in the best ways honestly)

quiet when i'm coming home (i'm on my way) by @valkyrieskwad - Kara's a retired smoke jumper and has to figure out life afterwards (Kara learns how to fucking heal and I'm in love with this honestly)

and of course I gotta plug @i-am-robie's you're gunna find yourself someway, somehow - Morning Glory AU aka one of my favorite Kara fics ever

And then of course I gotta plug my own work.

These are only a small handful of course. This fandom is so talented there's so many good one's to choose! So like just go through my bookmarks and have a good time. Don't forget to leave comments!!!

[xfreischutz]

I don't comment on fics. idc if this is a "community" I will not leave a comment. it's the whole REBLOGS DO NOTHING all over again.

fwiw while i'm not a fic writer, it really means a lot to me when people leave their thoughts in tags and it also counters the usual 'lol why even bother it's not like anyone cares' thought -- which is not something you're responsible for fixing, of course, but if you specifically enjoy someone's work then maybe you do owe them something small at least for the enjoyment their work brought to you? i don't have an ao3 account but sometimes i leave anonymous comments or kudos on stuff i enjoyed because i want to thank the author for a good time. you didn't say you didn't leave kudos, so i'm hoping you do at least that.

in general, i think it's important for everyone to be aware that fandom has a community aspect and some of the things that i enjoyed the most in fandom was building stuff WITH other people and discussing things WITH other people, and if you take that away you just have like...content creators that you don't engage with? that's a very passive position to take in a fandom space and imo that's a void rather than a presence (lurking is/was a thing of course but i think lurkers still saw creators as People that they shared a space with, because the framing of fandoms was still a Community)

i'm not saying you must leave a comment or be publicly drawn and quartered, i'd just like people to think about how they engage with fandom and if they do at all. i'd also like to avoid any kind of implication that comments/reactions are 'owed' or 'non-creators pulling their weight/paying their dues' because that's transactional and also Not Community, i just want people to think about if and how they share the love and enjoyment of the media in common with others with sincerity.