#and this happens bc of course it does

[amatres]

slow on the layla picture bc i made three different dress designs like a fool

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[lotus-pear]

i think asagiri’s new favorite character is aya bc can anything else explain why both of her father figures just fucking dissolved in the same chapter

[skunkes]

micro comic with no real point or punchline i just have conversations i wanna draw out sometimes

[starry-bi-sky]

MMMM twins au with danny and dan except its og TUE timeline danny and dan

ok okay i neeeeed o write this down and share it before i explode buT. as the title says. twins danny and dan (who im going to be calling James/Jamie bc i cannot express how much i despise the name dan) where, instead of disappearing into the ghost zone after he's separated from danny's body, Dan rips out Vlad's ghost half, tears THAT in half, and fuses one half with himself and the other with Danny.

Shit happens, and BOOM. Two morally ambiguous and perhaps slightly murderous demonic twins from hell. Daniel James Fenton and his Twin WHose Always Been Here What Are You Talking About :) James Daniel Fenton. They are both depressed, lonely, and one bad day from becoming a mass extinction event :)

this is because i got grabbed by the hair today and dragged into the SVSS fandom screaming and the fanart of Shen Jiu/Shen Yuan/Shen Quingqiu (????) with his fan entranced me. Ice Prince Core is my favorite thing so naturally i have to implant that onto my favorite blorbos ever :)

After the Incident, both their appearances changed and they're practically identical to each other. Sorta. They both have heterochromia and salt-and-pepper hair. But Danny has one green eye and one blue eye and white hair with black streaks, while Jamie has one blue eye and one green eye and black hair with white streaks. I'm iving them both long hair, for funsies <3

nobody can tell them apart, they keep getting confused on whose who and frankly the mix-match hair and eyes make it worse not better asjd. they're horrifically codependent. please do not separate :)

and because i must. im pulling a blood blossom/tales of the passerine and giving them to pre-robin batman. batman and his terrifying demon(??) twins. nobody is quite sure if they're human or not, and the scourge of gotham are a little too terrified to ask.

(they dont HAVE to go to batman while he's pre-robin. however. i think its much funnier that way bc gotham isn't use to A) Batman having kids, and B) Batman having TERRIFYING kids yet. think of all the new fun rumors)

they both use war fans while they're out, and neither of them use their ghost forms because they at least have the remaining empathy to know that they're more likely to murder someone accidentally as a ghost :). Ghost form is for fellow mythicals and Functionally Immortals Only! Not for Squishy Humans.

Jamie: murder. bloodshed. revengggee Bruce: no. no. Justice. peace!! hope! Danny: bittinngggg. blooood. ^-^

They're honestly not bad kids they're just horrifically traumatized two halves of a whole that can never be reunited ever again :).

idk what their vigilante names are but i do know that the underground refer to them in horrified whispers as 'the twins'. this all stemmed from the desperate and sudden urge to see Danny and Jamie, as their vigilante selves, hiding the lower half of their faces with fans and looking terrifyingly judgmental while they do it <333

[dhmis-autism]

been thinking about them lately ok

[thechy-fychannel]

y'all ever think abt how it was julie having the affair and it is even said multiple times that she was the one who left him, yet wilson was still the one who left their home and moved in with house. like. he couldn't bear to stay in their home alone. he immediately ran to house and stayed on his couch for weeks. suffered through his pranks and his laziness and his manipulation. telling him he wants him gone while sabotaging his attempts to leave. and he only left once he got a girlfriend again.

[eatsbooksarchive]

If Eris meets someone and instantly realises that they are his mate, he knows nothing else of the person, how would he go about it?

i think he would try to take that shit to the grave — theirs or his. the one romantic relationship he is most readily exposed to throughout his life is fraught with abuse, despair, and unwillingness; the open romantic and sexual relationships his brothers participate in look a lot like subjugation; their secret ones, the ones that are genuine and sacred, are under constant threat of exposure; and we all know what happened to jesminda. not to mention being mated to him means becoming an external vulnerability, a heart beating outside of his chest, aching for a hand to reach out and crush it — and there are so many who would see him crippled in such a way. even beyond that, there’s the hostility a mate would experience amongst the autumn nobility. not while he was around, of course, but if they were ever left alone with all of the fae who wanted so desperately to ascend to power alongside the scion of autumn. so there’s obviously a lot of reasons he would keep it secret, all of them selfless, even if in the selfishness of the act.

but i do think, in the dark of the night, when the forest house is quiet and none are awake to scent the weakness on the air, he lets himself feel it — the second heartbeat, just outside of his chest. beating much slower than his own, as though in sleep. he imagines what they look like in repose, how they might nestle deeper into their pillow with a furrow between their brow as a dream stirs them towards waking, how he might like to lean forward and press his mouth to it until they settled, there, in the dark, where no one would know but him. and then — and then a servant creeps into his study to tend the hearth, which the ones loyal to him know not to do because he does not like to be disturbed and prefers to do so himself, which means this one is not loyal to him and is here to catch glimpse of what the heir is up to and report back to whoever sent them. (could be beron, could be a brother, could be a high-ranking noble who despises him, could be a high-ranking noble who hopes to slither into his bed. doesn’t matter much anymore.) the fantasy lives and dies in that moment, until the pressures of his life close around his chest once more and he must steal another reprieve from the heartbeat beyond, then it lives and dies there over again, again, again.

because the kindest thing eris vanserra can imagine doing for a mate is ensuring they never, ever know.

[skyblueartt]

I LOVEEEE when people make up random, “useless” for lack of a better term headcanons for their favorite characters. It’s so fun to meeee. Please drop any silly headcanons for your faves bc I love reading those fr!!

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[rafyki]

I think something that for me really sets aside Jack & Joker from other Thai dramas is its narrative structure. Thai dramas usually have a very simple narrative structure where things just keeps happening without a proper flow - I mean, something happens, it gets resolved, and then something new happen that keeps the story move; you know, all those little problems that aren't really all connected together (like, the main characters get together and then someone new appears that comes in between them; or it turns out that, idk, the family was homophobic all along, or that one of the characters actually had a complicated relationship with their family - things like these that are disconnected).

Maybe it's because Jack and Joker has a pretty solid and complicated plot, but something that I really love about it is the way everything that happens is connected, everything is a direct consequence of the characters' actions. It's like this since the first episode until the last one - the plot is brought forward by the characters' actions, everything they do has consequences on everything and everyone else. Like, Joke seeks Jack's forgiveness, so he wants to steal the ring for him, and he works with Tattoo and Hoy -> Tattoo steals the necklace which causes problems for everyone -> they need to steal the necklace back -> Jack meets Rose again, which causes everything else to happen, etc etc

Everything is connected. And I think it all comes back to one of the series' themes, which is that everything we do has consequence, that even if out intentions are good we can't predict what our actions will cause; that we live in a community and that we cannot think about ourselves only bc every time we do something that can end up influencing someone else's life. that we can't be selfish in a community.

[front-facing-pokemon]

[skunkes]

i loooove when ocs unrealized development makes them feel like real people like no i dont know whether talon is genuinely attracted to women after years of both clinging to them for safety and years of putting them onto that untouchable idealized Perfect Protector Pedestal that must remain untainted by any bad experiences, so he doesn't even try to Be With any. He doesn't know either

[lovesickeros]

lord its so dark in here the sahara desert of tsaritsa content you are like a shining oasis. your characterisation of her compels me & mihoyo would be hard pressed to top it imo.!! caaaaan i humbly request yr thoughts on her first meeting w a reader of any kind, or maybe even multiple kinds (sagau, sagau god au, isekai, etc) if you so desire...

it really is like a desert here. being the fan of a character we aren't getting until the last damn nation is driving me up a wall but i will persevere bc if nothing else i support morally bankrupt women in media. we r in a severe drought over here but i do my best. unfortunately nothing i say is ever coherent so pull out your translation notes its abt 2 be messy

also this got out of hand but thats bc first meetings w the tsaritsa are tricky to write + a LOT of her characterization lies in deeper exploration then just surface level yknow...NOT A DIG AT YOU this is just my excuse for rambling. gently pats the tsaritsa she can hold so much complexity i do not have the word count to delve into it completely :]

gonna talk cult au for a bit here though because that's 99% of my content. and honestly? she thrives in sub au's of the cult au like villain au + imposter au. it's basically made for her. i mean, early days, the imposter au had been going around for a little while but one of the first few ideas was the Fatui taking reader in so like. it kinda technically actually was. pretty sure cult au Tsaritsa popped up because of the imposter au. a lot of it's writers kinda left though which. man am i getting old or.

anyway.

there isn't much of a chance her first impression is all that positive. at best it's usually neutral, imo, but rarely if ever positive. specifically because i view the Tsaritsa as someone who isn't as fanatical as most of the acolytes typically are towards the creator. she's not exactly going to worship the ground you walk on unlike a certain geo lizard. which is partially why i think she thrives in the sub au's i mentioned.

imposter au, for example. she meets you at your lowest. there's no gaudy extravagance or pampering from the acolytes waiting for you because your own acolytes have turned on you. for all intents and purposes you aren't a "god" at all. which is why i don't think she meshes well with normal cult au reader. the Fatui are made up of outcasts, basically, and imposter au slots right in just perfectly. you're weak, at your lowest, when you meet the Fatui in the imposter au. and the Fatui can help you, too.

a mutual exchange, really. the Tsaritsa sees a tool she can use to one up the rest of the nations and especially Archons, and she has no qualms about you using her and the Fatui in turn. you both want something out of it, after all. whether you just want to be safe from the rest of the acolytes, or you want revenge, or whatever else..she'll give you the power to fulfill it, and she gains the strongest piece on the chessboard when all is said and done.

the best way i can describe the first meeting is "practical", i suppose. she sees an opportunity in you. the ultimate gamble. because if she "saves" you, and you dont trust anyone else because they tried to kill you, well..she holds all the cards, doesn't she?

but the Tsaritsa, imo, is just as capable of being just as fanatical towards you as anyone else. she just won't worship you as the creator. but as yourself? clawing your way back to your divine power and taking back what belongs to you? the Tsaritsa is, to me, a character who's character flourishes in long-term fics more because she changes a LOT between "just met reader" and after having been with reader for some time. she's practically apathetic at the beginning but a lot of her character, in my characterization, shines through LONG after the first meeting.

[kit-screams-into-the-future]

Okay I saw more of your art and had to come back (if it’s okay)

Maybe this time….King Marty? Like in a kings outfit with the septor

and crown and stuff? Idk

no problem at all! i'm just happy you enjoy :D

anyone with any remote knowledge of historical dress from any vague period or region please avert your eyes.

[classic-jamie]

santiago and jamie dynamic inspo board (TO ME!!!!! TO MEEEE!!!!)