My personal headcanons on the origin companions and siblings
Wyll - only child. Done. finished. No siblings. But he would be big brother to anyone who needed it
Shadowheart - another only child. Elves don't have high fertility rates due to their lifespan, so her dad was lucky to get one with a human.
Gale - middle child, with an older brother and younger sister, idea word vomit located here.
Lae'zel - has siblings but it doesn't matter in her culture, so it's whatever if I understand the reproduction properly
Karlach - the youngest of 4, with three older brothers. I don't know why, it just feels right.
Astarion - has a younger sister who was between 10-15 when he was turned and then his family left Baldur's Gate to live in Evermeet. I have more on that one, but that's word vomit for another time
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hi my sweet lil buttercup laurie 💕 i have an odd question for you and i need to dig into ur brain and it is a lil nsfw but when it comes to jegulus, how would you see them if one of them worked as a phone sex operator? like who would be the person to make the call and who would be on the other end? like what are your headcanons on this and do you think they'd meet each other irl etc?
hi india my darling angel <333 sorry i didn't reply yesterday, i spent the morning getting tattooed with my sister AND THEN the afternoon and the evening at work.. but i'm finally here and ready to give u anything u want <3
i could see them both being the phone sex operator and viceversa, it all depends on the situation and how u decide to write/portray them!! however, i have a harder time picturing reg calling a sex line, unless it's like . for a bet . and i don't see him agreeing easily to a bet like that yk??
so to me, it'd be reg being a phone sex operator!! probably doing it either to earn some extra cash after he's been disinherited and doing odd jobs OR desperate for money and not wanting to rely on his brother/friends!! i think he was . very awkward at first and had no idea of how to do it, so he had to research/practise a lot and regrettably . ask barty for help, which would result on barty making fun of him until the end of times while also using it as an excuse for them to start hooking up again. but it's okay bc barty does give him really good advice in between it all
after he becomes more comfortable and gets the hang of it, i feel like reg would reply to calls while he's doing other shit around his flat or in his room yk?? he's sporting the most deadpan expression known to mankind while he fake moans in some stranger's ear and reorganises his books. he's unaffected and doesn't really care, this is just his job and he's only focused on doing it well enough to earn money
james would call at some point!! it can be either as a joke, bc of a bet, or even bc he's been broken up with recently and in a bit of a dry spell and just . trying something new bc he saw a leaflet for it or bc someone recommended it. i think he'd be nervous and be awkward during the first call but in a very charming way, and reg would find it endearing + he'd be quite into james' voice (which is the thing that would call his attention in the first place)
i doubt anything would actually happen during the first call!! they'd just talk and tease and banter, until reg realises their time's up and he hasn't given james the services he advertises for. he apologises profusely, offers another try, but james assures him it's completely fine and pays him anyway
next time james calls, it's with the attention to just . speak to reg again . bc he had a lot of fun and he's already a bit obsessed with his accent and how witty he turned out to be, but when reg realises who it is, he's on a Mission to do his fucking job and keep this man from getting him sidetracked
james is little confused about why reg's attitude changed all of a sudden, but after pushing slightly and getting no results, he supposes that he might as well get off to this yk?? it's the reason why he called in the first place, after all
reg starts doing what he always does, waiting for james to get all hot and bothered, except james realises quickly that what reg is saying is very . robotic and script-like and . generic . so it's not doing much for him. he mentions it, they start bickering, which turns into fighting, until reg snaps and retorts with something along the lines of . as if u could do it better etc etc
as u can imagine, james takes it personally
i won't get into a lot of detail, bc this ask is already ridiculously long, but they do end up having phone sex AND getting off. james kinda takes the reins and manages to coax reg out of his shell + finds out about what turns him on along the way. reg finally gets to let go and enjoy this whole phone sex thing and james gets what he was looking for (and more, bc he never expected it to be so into it or find it so hot)
the rest of their calls would go on a similar fashion, even if james is always the one calling and reg always begins their calls trying to . retain control and do his fucking job
and i like to think they'd meet irl at some point??? they move in similar circles, they have sirius in common etc etc. even in a situation in which reg and sirius are completely estranged, sirius could end up reaching during the story, or they find out they live in the same neighbourhood. or, well, as a bartylily stan, i could also see both friend groups coming together (sort of) bc barty and lily start seeing each other. i also think they'd recognise each other by voice alone and have a breakdown about it. i think reg would notice immediately bc of his kink with james' voice and i think james would take a bit longer and be so chill while reg is losing his mind (only on the inside tho). and then reg would say something, like an specific word or . turn of phrase and it'd click for james!! he'd be ecstatic and trying to get reg alone bc this is like . his dream scenario while reg runs away from him lmao
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Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?
I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.
disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.
this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.
what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.
with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.
from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.
with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)
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