#and to him he can’t live without them

[independent-fics]

Okay okay but listen. In “The Inside Job” which is in season 3 (which if you’ve watched you know is an important Eliot season) we see Eliot caring more about getting Parker out than the blight. Which is important character development from the pilot episode where Eliot is “every man for himself” attitude. But Eliot still has priorities which is his team over anyone else. Which one could argue is selfish. But realizing this, seeing that to Eliot their survival is more important than everyone else’s and knowing he might make that call if he needed to, or was in a role that told them to, despite what everyone else thought, makes the season 4 cave conversation even more important. Like Eliot has gone from self survival to team survival and has chosen to stay there!!! Because of the possibility that no one else would make that call. There’s a blight or famine? Government agents incoming? Covers all blown? Eliot would chose to abandon the client and the mark instead of the team to ensure their safety first because to him every other problem could be solved later.

[superbat-lmao]

Jason travels to an alternate universe where Bruce only cares about being Batman. He took in each of his kids to serve the mission, not be his children.

Now, faced with alternate versions of his family, Jason has to grapple with the fact that his Bruce does care, that he is his father. Because the man in front of him now, trying to send him home, isn’t even close.

[rookanisstuff]

OHHHH WHEN DO YOU THINK WAS THE MOMENT LUCANIS FELL IN LOVE WITH ROOK?

[helianthus21]

i think it would be kind of juicy if Daniel, who's been kind of a shitty dad to his own kids, actually stepped up when it's about Armand’s children

[lambmotifz]

dean desperately wants to get inside sam but it’s not just about fucking him, it’s also because sam is quite literally his home and dean wants to crawl inside his chest and live in his rib cage, near his heart, where it’s warm and familiar

[cubbyyyy]

the fact that neil chose andrew out of them all is so dear to me. that andrew chose neil out of them all is so dear to me. that they chose each other is so dear to me. and at the same time it seems inevitable? like of course they chose each other, like of course no one else would be possible. they are what the other needs and that’s why they last. they are so compatible it’s scary.

and the fact that nora said if andrew didn’t have neil he never would’ve gotten happiness proves my point. I know some want to have the whole “you don’t need anyone to be happy” kind of mindset but in my book you’ll always gonna need people. It’s inevitable. and not finding the one who gets you, can make you miserable. It’s hard to find, but it’s so so sweet when you do and I’m so glad andrew got blessed with it. He got the one. and through hard work (therapy etc) he made him last. neil never became the one who got away because andrew worked hard enough to not self sabotage anymore. he learned to recognize neil as a good thing, an important thing and eventually he learns that neil feels the same and will never be the one to hurt him. he won’t be like tilda. so they make it last. and that’s everything.

[wyyvoren]

How does one even angst cumplane

well it’s simple. you put them in a situation.

[turtleblogatlast]

[ cw: violence mention / death mention / ]

Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.

And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.

Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.

[thetorturedlovergirl]

I love 15’s little ways of manipulating. They’re subtle but you can see them perfectly, adding such an interesting thing to his personality.

He knows the right words and the right moments to strike and he probably realizes all this.

[cloudabserk]

warning for discussing potentially upsetting content about creepy guys dating their adoptive sons. skip this post if u don’t wanna see it

so banana fish has this scene which obviously stuck out to me (that’s his adoptive father)

the focus is not on the opera itself, but the name of the composer. is the name amadeo/amadeus a reference to something else? the only thing i can think of is like… the relationship between mozart and salieri? the film amadeus came out in 1984, 1 year before bananafish began in 1985 (idk when these panels were drawn but i estimate around 1986-1990). but 1985 is the same year the vampire lestat was published, the book in which armand reveals his name was amadeo and provides most of the initial detail about his relationship with marius.

i feel like i’m missing some cultural information on why anne rice and akimi yoshida are making similar comparisons at similar times. i know wolfgang amadeus mozart was big in pop culture at the time, and maybe yoshida was just referencing salieri trying to destroy mozart out of jealousy, but the portrayal of “amadeo/amadeus” as a teenage sex worker in an unbalanced and harmful relationship with his wealthy and all-powerful adoptive father (who saw him as already “damaged” due to his history of abuse and then turns him into a literal killing machine) seems REALLY specific and completely unrelated to mozart.

it’s possible it’s totally a random parallel, and a throwaway scene, but given the timeline i feel like it’s also possible yoshida read the vampire lestat and is referencing the character armand.

thoughts? just a coincidence? is there something im not considering or does my timeline not add up?

[superbat-lmao]

Before Jason makes his debut as Red Hood, he goes apartment hunting.

And the thing about Gotham is, all of the apartments that would make for good safe houses, are safe houses. The Bat’s safe houses. If Jason wants to set up shop, he��s got to get creative. This means being willing to look the other way about some things. Namely, living with other people.

Jason gets a roommate.

Sure, he’d found a couple of spots that fit some of the criteria he used for making safe houses, but not all apartments were equal. And having a semi-functioning civilian cover was useful. Sometimes.

All this to say that Jason responded to a craigslist post of some guy looking for a roommate. The post was written well enough, decent grammar and a fair enough price. Unlike some of the places he’d “toured.”

He has to trudge up a few flights of stairs to get to the place, because roof access is always high on the priority list, and knocks on the door. He waits a few minutes, hears someone check the peephole, and then the sound of at least five separate locks being undone.

With the door finally open, he gets a good look at the guy’s face. Too good of a look, actually.

Because the man who opens it is Dick Grayson.

[laniidae-passerine]

I made my post about Dean Highbottom and then as I was writing my tags realised that his Hunger Games counterpart is Haymitch. and now my head is in my hands and I don’t think I’ll ever recover

[wildsaltair]

y’all don’t understand I need to BITE his ribcage

[crazysnakey]

Something something about the Third Doctor and the fate of Tantalus. You're trapped in one place. Everything you want, that you once took for granted is right there in front of you, you can see it you can reach for it but you can never have it. You will never attain it on your own. Your fate is dependent on the mercy or cruelty of others and you hate it and you rage against it but you can’t do anything, your defiance is treated like nothing but a childish tantrum but you refuse to beg, you won’t get that desperate no matter how long you’re trapped here, no matter how low you’re brought down. You stand among humans and you look human but you’re not, you’re an animal in a cage with them and you’re the only one who can see the bars. Gnawing and hacking at them to no avail. And yet all you can do is wait and hope and try and fail in an endless loop until an outside force interferes to free you from your prison. The carrot and the stick. How does it feel to be on the receiving end?

[daydreamerdrew]

The Power Fantasy (2024) #6 and #2

[kusanagihaku]

reading eset’s haku fic your highness rn and i’m going to SCREAM!!!! may u get any ssr u ever pull for immediately this was so GOOD im chewing ur haku up IMMEDIATELY