#angling with worms

[canisalbus]

I think machete would be good as a big huge awkward borzoi (esp this one that is radiating misery)

This borzoi looks like he's been betrayed by everyone he loves.

[fumifooms]

"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!

The first thing to note is that she does think highly of him

In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…

She does love a brooding mysterious guy who closes himself to love. But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.

And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…

And can we talk about that drowning one… You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter. And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.

Sit your ass back DOWN you are in no state, self-sacrifical hero much damn

And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says. This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.

^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.

All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.

But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.

And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.

And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"

He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for

And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It. With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????

She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room

Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait

There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol

Going off a bit more under read bc it’s my fave topic

Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst

Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks. Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.

Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

 Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing. And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts

A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart…….. And they have to climb to her too…. Crazy

Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw

To quote a friend, truly the shiny secret unlockable dating sim capture target : THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY SHES LIKE. WIDE EYED FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀

And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)

So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees

……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu

So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending. Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……

[mumblesplash]

my favorite thing about comics specifically is how much it checks your ego if you think you know how to draw characters. like i’m pretty sure people who don’t do comics assume the hard part would be how *many* drawings are involved in making a comic, and sure that’s part of it, but i think the real challenge is having to accept you’re not as good at drawing characters as you think you are. being able to depict a convincing character, a dynamic pose, or even an expressive face out of context as opposed to within a narrative is such a different skill set in ways i don’t think a lot of people realize

[imminent-danger-came]

Not to me, not if it’s you.

[cephiwyrm]

biggest fucking clutch in salmon run history

[artbyblastweave]

Got a Worm meta question for you. I'm starting on the early parts of Taylor's warlord era - I'm about to leap into Arc 13 - and the general concept of a ravaged American city being divided up by various supervillain groups is reminding me a lot of that Batman story arc No Man's Land from the late 1990s. Unfortunately my comics knowledge is rudimentary at best, and I haven't been able to any discussion comparing the two stories, so I was wondering if I could pick your brain on the subject. Was it just convergent evolution, or was Wildbow engaging with the Batman story in some way?

I myself have only read about half of No Man's Land- and several years ago to boot- so I've got limited ability to do a direct compare and contrast. No Man's Land is absolutely the sort of status-quo-shattering, history-book-making upset that, within Marvel and DC, nonetheless always inexplicably heals and loses salience until you can barely tell that it's still in continuity. Worm is heavily informed by Wildbow's irritation with that sort of thing, so I think it's totally reasonable to view the warlord era through the lens of "What if No Mans Land had no editorial escape hatch." Alternatively, I think it kind of makes sense to view it through the lens that it's working backwards from the premise of No Man's Land- In what kind of setting would it be plausible for the Federal Government to write off a sufficiently-damaged American City? In what context would the legal infrastructure have been established for that, in what context would that even fall within the Overton Window? What muddies my opinion on this is that the general concept of a ravaged, atmospherically-apocalyptic American city torn up by superpowered gang warfare is something that's kind of just been in the water in superhero comics since the mid-eighties at least, and it was a relatively common thing to see during the Dark Age- they were choice prey for all those overpouched musclemen with their poorly rendered firearms. I'd be surprised if Wildbow wasn't at least aware of No Man's Land, but it's definitely not the only cape book from the late 90s or early oughts where you could pick up that idea from. Ultimately this leaves me unsure if No Man's Land is the specific referent or if it's just part-and-parcel with trying to do an involved, thoughtful take on what cape comics were like at the time.

[atlas-five]

people connecting today's episode w the corruption is so funny cuz my first thought was spiders. my mind went to the woman who erupted a bunch of spiders at trevor herbert that one time; and the ep abt the guy who lived at the hilltop halfway house, and how his old housemates still looked like themselves but had become spider egg sacs or some shit

[polararts]

All the embroidered patch-stickers are sent out~!! Check your emails for tracking. >:))) [>Online store<]

[pigeonneaux]

Mormaid fil

[aghostsdestiny]

'Whether by chance encounter or not, if It sees fit to pursue you, no road is safe for you to be on.'

@finalityzine

[commsroom]

eiffel returning to earth and encountering people and places and things that he's known so closely for years - that some part of him might even instinctively feel he should recognize - but without the ability to consciously remember them vs. lovelace returning to earth and seeing all those familiar things and knowing them, and knowing how they've changed in her absence, but being unable to shake the part of her that keeps telling her she's seeing them for the first time. how both of these could be used as an exploration of trauma, and returning to a place (that hasn't changed at all; that's changed too much) that you no longer fit into; that rubs up against the changed shape of your life in raw and uncomfortable places.

[svtskneecaps]

yknow what with the strife building between forever and bad and the ripple effect that might have on the server at large i think now is the perfect time to fridge bad. go touch grass, mr boyhalo, it's time to see people either fall apart or come together without you. bc listen. listen. when the dms are bumpin with 'bad can you ___' every thirty seconds. sometimes you just gotta steal badboyhalo and see what the fuck happens. i just want to know.

and i also want bad to slEEP GODDAMNIT

[since-times-long-forgotten]

worm slime on my hand but its ok because I love them

[randomnameless]

I mean… fire emblem shouldn't be taking in consideration when making points about representing real world issues or using it as a crutch for sociopolitical arguments irl. One of the best examples in this franchise of "culture bias" and "covet bigotry" is Fates, where Hoshido is too pure, too good, and Nohr is the bad, bad, evil barbaric nation. And this goes so far as to make birthright's story a more watered down version of blue units vs red units story from shadow dragon.

In 3H now the good, pure nation is Fodlan, and those who surround it are either filler to make the worldmap look prettier, or barbarians that like to hunt the good guys for sport (Almyra and Sreng, and possibly Dagda), with Brigid being a repetition of the noble savage trope. Just bc there's a poc guy that wants to unite people and get rid of prejudice in story, doesn't mean that the developpers agree to that or support that.

(Also, let's not talk about Hopes and how Claude's altruistic dream turns out to be unifying two different nations and make the cohabit by force with him as sole leader of both. AKA the typical fire emblem trope of uniting different countries under one ruler, something that's not progressive in the slightest)

Mmh,

Speaking on eggshells here because Fates isn't really my area of expertise, but basically, iirc you can thank Pat for scrubbing the worst of Hoshido!

Fates' best route is Revelation (rip izana) where both countries accept to set aside their differences to work together, meaning that, obviously, Hoshido wasn't only "blue unit land" against Nohr's "red units".

Even through Birthrout, you can catch here'n'there, even in the Pat version!, how Hoshido isn't roses'n'daisies, it's the land where Mikoto takes her niece "hostage" ffs as a measure against Corn's kidnapping (you can't tell me she never guessed Azura was Arete's kid!), where Ryoma (idk if you were the same anon as back then?) as the crown prince ignores the plight of the nohrians and why they were attacking Hoshido because life in Nohr sucks and they're starving (idk if, much like the Leonster/Thracia conflict, Hoshido refused to trade with them and let them starve instead), the fuckery with Mokushu and Shura's backstory, or Hoshido being Misogyny Land (tm).

Heck Birthrout has you march on Nohr's capital city iirc, and fight in the streets - it's in Birthrout that Corn's obsession with taking revenge/defeating Garon leads to Elise' death - so it's not the the "blue unit waltz on red unit lands, routs the enemy and calls a day".

So I don't think the Fates writers really wanted to push the "pure unproblematic land" card with Hoshido compared to Nohr, but rather depict them as both flawed - in different ways - and needing to work together.

Now, I wouldn't say the nations of Fodlan are good compared to the rest of the filler nations that make up this verse's world - after all it's Adrestia who starts hostilities against Dagda'n'Brigid and Adrestia who most recently flattened Brigid and made it its vassal! - but in a sense you're right calling them filler, the FE series in general don't spend a lot of time to depict nations in general, they're just "the place character X is from" and for all of its, hm, reknown writting, Fodlan is following the trend, Albinea is no less different than Cheve (wait, we have one map set in Cheve! kill that) so bar flavor text, they're effectively just "filler".

I disagree about Sreng and Almyra being filler though, if Sreng could be seen as a ref to the Thracia situation or Norh/Hoshido fight for ressources, Almyra?

Is basically Verdane all over again - with the dubious honor of having a Verdanite Lord who, unlike Jamke has some relevance to the plot bar his introduction, but most important, seems to appreciate and want to emulate/import the values/methods of his country to the cast/main plot.

Can you imagine FE4 where Jamke suggests to kidnap Deevtar to seduce lure Andrei in a trap and rekt him?

Of course not.

Just bc there's a poc guy that wants to unite people and get rid of prejudice in story, doesn't mean that the developpers agree to that or support that.

I guess they agreed with the "get rid of prejudice without dealing with the dragon in the room" idea, but the main issue I mentionned and talked about in the other anon reply was the how, and what, doylist wise, it conveys.

"I'll unite people and get rid of prejudice by busting open your country to my people who are as prejudiced as you supposedly are, and I will bring you new values"

That's... not a good way to bring people together lol.

Even in FE16 I found Claude and Almyra's writing a bit odd : why asking Timmy first to stop shunning Bob when Timmy started to avoid Bob because Bob keeps on stealing his lunch money? Shouldn't you ask Bob first to, uh, not be an ass?

In Nopes?

Bob ruins Timmy's house, hits Timmy's toddler sister in the face and still steals his lunch money - but now, Bob has the nerve to tell Timmy that he's doing this to "help" him.

Also, let's not talk about Hopes and how Claude's altruistic dream turns out to be unifying two different nations and make the cohabit by force with him as sole leader of both. AKA the typical fire emblem trope of uniting different countries under one ruler, something that's not progressive in the slightest

Hmmm,

I don't know if you played the older games (FE1 to FE10), but as far as I remember, bar Archanea verse, we have different rulers for each countries and the world is never an unified entity -

And even then, Marth doesn't unify the world by making people "cohabit by force", as forced as it is, everyone gives him their crown.

Sanaki doesn't tell Elincia to suck it as she annexes Crimea in FE10, ditto with Innes and Joshua, or Ced and Ares in Jugdral... I can see Leif's unification of Thracia falling under that criteria, but even then, it's not so much by force than Travant making suicide by cop because he wanted the peninsula to be united and understood he couldn't be the one to do it.

Uniting the continent by force is, on the contrary, what red emperors do, and in traditional FE games, red emperors are defeated.

To return to your main point :

I mean… fire emblem shouldn't be taking in consideration when making points about representing real world issues or using it as a crutch for sociopolitical arguments irl.

Of course, and I totally agree!

The FE series has always been, as its core, a series where a "rightful ruler" returns home to rule "rightfuly" and better than its predecessors, by acknowledging what they did wrong and what they can do now.

That being said, a game is never written in a vacuum : that's the doylist side of various discussions : "What were the devs thinking, was what their reasoning when they decided to make the game this way?"

In 2004, real world persons believed that putting Devdan in their game was okay.

You can give them some flak because different cultural references between Japan and the US world (hell, western world at this rate because damn if Devdan hit "international" racist stereotypes boxes!) - and yet, can you really suppose the devs wouldn't have known, in 2004, that those stereotypes are harmful to real life people and Devdan was basically an insult?

But Devdan was just a living (as much as a fictional character can be alive, but you catch my drift lol) stereotype, the issue was just with Devdan existing.

It was 2004, 15 years later, we expect of IS - not your backwater company! - to never ever fall in the same pits, right?

(well, we had FE13 with the Feroxi main characters who love to fight being dark skinned... so the Devdan dev might still have been there :/ )

FE Fodlan, let it be for design or even names, took some inspiration from RL (it was funny upon release to catch all those links and nods!), and while i appreciated the aesthetic, it was bound to create another "Devdan" issue.

You have Almyra, designed with several RL inspirations (they weren't being subtle with Claude's battalion called the Immortals lol), from design (Claude's clothes and braids!) to units (mounted archers!) to, well, names.

Okay, in itself, it's nothing as insulting as Devdan's existence. But taken with the context?

The devs wrote that Fodlan's aesthetic was supposed to be the Age of Discoveries (1500s and onwards?) so yes, during that Age, you had people who were prejudiced as fuck against people from other lands/different cultures.

But in 2019, we know that those prejudices were full of shit, and either fueled by ignorance, or just, the need to find a good "excuse" to get new lands/manpower/ressources.

Maybe the devs wanted to showcase this part of history : depict the characters being prejudiced against "foreigners" and have them later learn that their prejudice was unfounded !

But... they took the inverse path

Hilda's racist stereotypes? They're shown to be....

True through both games!

As you put it, Almyra are the "barbarians" who : attack the land the characters are from when they're at their weakest, for no reason than to get a good fight - even if it means dying which in turns create several orphans they don't give a fuck about - pillage and "rampage" in cities, let their allies die after accepting a "mutual support" alliance with them, and ultimately rave and scream at their "outdated" values and how you're going to bring them yours.

"You see those people who were derided as savages and barbarians back then in RL - and still are in some parts of the world because the early 2000s happened and in general because racism exists? - Well I'm going to base my fantasy "token barbarian country who is untrustworthy and backstabs everyone" based on them!"

:/

I know you can't compare tomatoes to watermelons, but the Baten Kaitos franchise also has a nation who's, more or less, full of assholes, racists and imperialist pieces of shit. But the devs in those games designed each island/country from scratch, there is no nation that immediately calls back to "RL country X or culture Y"!

you can make a farfetched point about the people wearing ceremonial masks and having totems being a mix of several RL inspirations or at least being a call back to them... but they're part of the most OP people of that universe!

So why? Why, doylist wise, FE Fodlan designed with care - you can't tell me those costumes and outfits were designed in 10 minutes! - Almyra and its characters... only to have them act out as what an english book from the 1780s depicted "oriental" people ?

Unlike Devdan, the racism doesn't ooze out from the way the characters/country was designed, but what role they fit in the story.

It's not a sociopolitical commentary or representing real world but more like another jab at IS for being as prejudiced against non western/japanese cultures and civilisations as they were when FE4 was released, which is problematic in 2019/2022.

(and then you have Square Enix giving us Hyzante in Triangle Strategy, which is even more in your face with the dubious parallels)

[dunadaan]

Men Erain, Evendim - The Lord of the Rings Online

         Men Erain, or "Way of Kings", is found along the south-eastern shores of Lake Evendim, leading into Annúminas. At each side of the worn road lies the tombs of ancient High Kings, and a few other ruined structures. At the mountain a few estates remain, memories of when the Kingdom of Arnor eclipsed, a history hallowed by the Dúnedain.

        For many long years these tombs remained undisturbed, but after the fall of the North-kingdom to the Witch-king of Angmar, tomb-robbers and thieves came into the lands of Evendim. It is unknown if any of the treasures buried with the kings still remain, but the Rangers of the North have long maintained their vigil over the tombs.

[avi-illustration]

I think I forgot to post these but here's some Tangent doodles as a treat :]