#anti-indigenous racism in media | Explore Tumblr Posts and Blogs

end-otw-racism · 1 year

Text

End OTW Racism: A Call To Action

A fan protest against the lack of action from the OTW on addressing issues of harassment and racism on AO3 and within the organization

This is a Call To Action for Fans of Color and Allies

AO3 has acknowledged that they have a harassment & racism problem that its parent organization, the Organization for Transformative Works (OTW), needs to address. Currently, people can use AO3 to harass others through fanworks, comments, and tags. Just a few examples include: racist Untamed “spitefic” that used anti-Indigenous slurs and was written specifically to lash out at fans of color; a Transformer fic that used its Black-coded character to reenact George Floyd’s murder in July 2020; someone naming a fandom scholar who criticized their Nazi omegaverse fic in the tags of the fic specifically to incite harassment to the scholar; writers using racial slurs against commenters who pointed out racism in their hockey fic; and so much more.

In June 2020, after the murder of George Floyd, the OTW committed to addressing these issues. It has been nearly three years and they have not yet implemented any of the changes they promised, other than a blocking/muting tool that was already in development before 2020. We need to hold the OTW accountable to their own promises. (See the section further down on “Why Are We Doing This” for even more detail.)

As fans, together, we are powerful. We are organizing to protest the lack of action on promises made by the Organization for Transformative works to deal with issues of racism and harassment on their platform, Archive of Our Own.

We call on fans to do any or all of the following actions any time between May 17 to 31, 2023 to send a message to AO3 and OTW that we will hold them to their promises.

On AO3

Change the title of ten (or more!) of your most recent or most popular fanworks to include ‘End Racism in the OTW’ in the beginning, and provide a link to this post in your summary or first/top creator’s note

Post a new fanwork any time between May 17th to 31st with “End Racism in the OTW” either as the title or at the beginning of the title. The fanwork does not have to be long - it can be a 100-word fic, a quick sketch, a podfic of a ficlet, a 20-second vid/edit, a short piece of meta, etc. In the summary or first/top creator’s note, provide a link to this post

If updating any WIPs with a new chapter, add ‘End Racism in the OTW’ to the title and provide a link back to this post in your summary or first/top author’s note

Update your AO3 icon using the profile pic graphic in our Social Media Toolkit

Plan to maintain these changes until May 31, 2023, or longer if you wish

Send a message to the OTW asking for an update on their 2020 commitments!

For Readers: leave encouraging comments on fanworks with the "End Racism in the OTW" title to show your support of this initiative.

On tumblr

Reblog this Call to Action with the tag #End OTW Racism

Update your profile pics and banners using the graphics in our Social Media Toolkit

Follow this account for updates and signal boost our posts

On Twitter

Follow @/EndOTWRacism (remove the backslash) and signal boost our pinned tweet

Update your profile pics and banners using our graphics, and change your display name to include #EndOTWRacism

Use sample tweets and graphics from our Social Media Toolkit to tweet about your fanworks, and use the hashtag #EndOTWRacism

Help us make this a long-term campaign - sign up to help with other anti-racism projects and future actions!

What Do We Want?

Since their June 2020 statement, OTW has been working on updating their Terms of Service (TOS) to address racist and bigoted harassment, but with little transparency and only the vaguest of updates. It has been three years since their commitment to this update - we want to see the results of their work implemented in the next 6-12 months. Their TOS updates and complementary policies should include:

Harassment policies that can be regularly updated to address both on-site harassment and off-site coordinated harassment of AO3 users, with updated protocols for the Policy & Abuse Team to ensure consistent and informed resolutions of abuse claims

A content policy on abusive (extremely racist and extremely bigoted) content; by abusive, we are talking about fanworks that are intentionally used to spread hate and harassment, not those that accidentally invoke racist or other bigoted stereotypes

These points are not particularly new and are not our own innovation; please refer to Stitch's article written over two years ago, asking for several of these very things.

OTW has also already committed to various process-based actions for longer-term works towards centering antiracism, including hiring a Diversity Consultant. The last update that OTW published said that the consultant would be hired within the next five years (after already having had three years to work on it since their original commitment). That is not soon enough. We want to see the following process-based actions implemented:

Hiring a Diversity Consultant within the next 3-6 months

Committing to a policy of transparency on this topic, with quarterly updates on the progress of these projects including challenges and their plan for overcoming those challenges. These quarterly updates should be published on OTW News page and newsletters, not solely discussed in Board meetings

Why Are We Doing This?

16 years ago, Astolat famously published her manifesto calling for a fandom Archive of One’s Own. In that time, AO3 has grown to be a central pillar of fandom, likely far outstripping its founders’ original vision. It is more than just an archive now; it is a central hub of the modern fannish experience. AO3 and the OTW must continue to grow and evolve with fandom over time to remain a healthy and functioning pillar of fandom. To that end, there are several areas in which the organization, as it admits itself, is lacking.

In June 2020, in the wake of the George Floyd protests and the uprising of the Black Lives Matter Movement, The OTW published a “This Week in Fandom” referencing the works of Dr. Rukmini Pande and Stitch, among others in which they discussed ‘making change for a better society’ through ‘conversations about race and racism’. In response, Dr. Pande and Stitch submitted a letter to the OTW calling for a more formal public statement than an offhand reference in a News Roundup that only served to call for thoughts and discussion without any indication the organization intended to do anything, policy wise, to address the issues being raised.

Eventually, the organization did remove the references to the works of Dr. Pande and Stitch and then made an official statement on the issue of racism within the organization and AO3. In it, they identified several things they would be prioritizing to combat harassment and benefit users. Some of those have been implemented (notably those that were already under development). However as of this writing, little else has been done especially in regards to:

Improving admin tools for the Policy & Abuse team

Reassessing the current mandatory archive warnings with the possibility of implementing others

And, most importantly, reviewing the Terms of Service (TOS) to allow the Policy & Abuse team to address harassment that is currently not covered by the existing TOS

By their own admission, the current tools and policies of the OTW are not sufficient to deal with issues of harassment and racism.

Several people who were involved in the founding of the OTW, including previous OTW Board members and staff on the original OTW Content Policy Committee, acknowledge that the founding of the OTW in 2008 and early board iterations failed us as a fandom by not doing enough, and by not even considering the way racism is perpetuated in fannish spaces, despite a long history of racism in fandom.

It has been nearly three years since the original commitment by the organization with little visible, measurable progress on these three crucial issues and a complete lack of transparency on where they are in regards to even beginning to deal with these issues. In fact, in Q&As, it was heavily implied by a member of the board that those calling for OTW to deal with issues of racism (which OTW had already acknowledged as a problem!) were not really fans but outside agitators.

This has cast significant doubt on the organization's sincerity and commitment to their stated goals, and on their position as leaders of a central fan tent-pole. Fans of color are not outsiders. They are right here, members of our community, and they are being harassed and targeted and driven out while space and platforms are being given to racists.

We, as fans of color and our allies, find the current state of fandom and current actions (and lack thereof) unacceptable. Fandom is our space, all of ours. We, as a fandom, have a right to a racism-free space and have a duty to our fellow fans to create that space. Unlike so much of the world, this is a space we can control and make better. It is a space we must make better. To read even more about this movement, visit our FAQs.

#fandom #ao3 #otw #EndOTWRacism #End OTW Racism #racism in fandom #organization for transformative works #archive of our own #antiracism #otw board

9K notes · View notes

serenado-exe · 1 year

Text

So anyway -

The point is that Pizza Tower still has a racist, outdated stereotype of Indigenous people in the Oregano Desert level.

It even has a achievement for rain dancing around a totem pole (totem poles are a Pacific Northwest thing, not a Plains Tribe thing). They war cry at you and they throw tomahawks (because it's always tomahawks or spears).

Bellyache about the screencaps being 5 years old if you want, but the stereotype made it into the game, so he hasn't changed that much. He didn't change enough to have a shred of awareness about using a racist stereotype. And before anyone tries: that trope isn't a hallmark of Wario games or 90s animation, it's a hallmark of racism.

Even if he "doesn't" make bigoted jokes anymore (though I would consider the Tribe Cheese one such joke), he made an entire level based around that trope.

And like every other time there's an anti-Indigenous caricature in videogames or popular media, it doesn't get mentioned, or it gets glossed over because the creator went "Oopsie! That was cringe."

The exclusion of the Tribe Cheese from that salvo of screenshots undermines the entirety of it, because it's a solid example of him not having changed enough to be conscious beyond "that was unfunny," and everyone just focuses on what he said and when - without the connection to how that mindset still lingers in the final product of the game.

#mcpig #pizza tower #tribe cheese #indigenous people play games! we exist in modern society! we are not dead!#like not to be the mean indigenous person but i LIKE the game and it felt like shit to get to that level and that #and no i wasn't going to be able to move on until i said something about it #creators make western levels without being fucking racist challenge #also if you are american and played through this game and didn't even blink an eye at that but still went #''hm. gotta be critical of my media.'' like HOW critical are we talking #like you saw cheese indians and said ''yeah that's so normal.''

3K notes · View notes

rainbowsky · 9 days

Text

Sorry I've taken so long to address this, I've had a very busy day and didn't have time to finish this post (which I started yesterday).

I'm talking, of course, about the incredibly controversial situation surrounding DD right now. I've gotten some messages about it so I figured I'd give my thoughts in a bigger post so that I don't have to keep repeating myself.

(CW: racism, spoilers FPU)

I know that by now most people are aware of the situation, but I'm going to start from square one for those who are just catching up on the topic.

There is a scene in Formed Police Unit where Chinese UN peacekeeping troops need to rescue a group of citizens who are surrounded by terrorists. In order to accomplish this they disguise themselves as people from the community. This being Africa, the troops were disguised using blackface.

Yes, I am saying that DD and his castmates appear in the film in blackface.

I am not going to post a picture of that here. It's just something I can't post on my blog. I understand that many of you will want to see for yourself so I'll link a clip of the scene, which was posted on Weibo. Please be aware before clicking - this is full-on blackface. Always take care of yourselves, and if you think it might be upsetting to you don't click. You don't need to see it to be a 'good fan'.

Background

For those who may not know, this movie was filmed years ago, in 2021. During those years I have seen many anti attacks against DD, claiming that he is racist and has worn blackface. Here's the photo that was circulating back then.

At the time I thought the makeup that he was wearing was likely anti-reflective black paint or camouflage paint such as is used by snipers (which he played in the film). I assumed that he was wearing his own hoodie over part of a military costume, because he was wearing a cammo shirt and what might have been combat trousers.

I was certainly not expecting full-on blackface from this movie.

There's no getting around it - this is extremely difficult to look at.

Blackface is widely viewed as offensive and racist. It shouldn't be hard to understand why. Putting on another person's ethnicity like a costume is deeply insensitive, particularly when you consider that BIPOC (black, indigenous, and other people of color) are so frequently targeted, exploited and marginalized. For those in positions of privilege and power to put on the appearance of the people who they oppress and exploit... it's just shocking and awful.

Blackface is most frequently talked about in an American context, but it's actually a problem globally - including in China. More on all that here.

The film

I have not actually seen the film, so I don't know much about the context beyond what is being discussed in the fandom. As I said earlier, in the film a group of UN police officers need to infiltrate an area in the community and take on disguises in order to do so.

In promotional media this film is being presented as based on true stories from real missions*. It seems the situation in question really happened on a Chinese peacekeeping mission, and the UN troops disguised themselves as black citizens in order to infiltrate and extract the endangered captives.

*I'm going to give them the benefit of the doubt on this because it doesn't change how I feel it should have been handled.

This is important context that is being conveniently left out of much of the backlash about this situation. People are outright claiming that DD plays a black person in the movie - that he wore blackface to perform a role that a black actor could have played. This simply isn't true, and people making these claims are antis and liars. There's simply no excuse for not knowing the full context.

Having said that, I don't really think it matters how it ended up in the film. I do not think there is such a thing as a palatable or appropriate use of blackface. In this day and age it is nearly universally understood to be racist, and it's extremely controversial.

I can understand if they were trying to be accurate to the mission that they were portraying, but surely there are other ways they could have accomplished this scene (perhaps with the clothing but not the blackface). 'Historical accuracy' isn't as important as cultural sensitivity, not by any stretch of the imagination. In the interest of respecting audiences they could have adapted the scene to make the use of blackface unnecessary.

I really see no excuse for anything like this in 2024.

Audience reactions

Chinese sensibilities around these topics are very different from what we are used to in the West.

According to fan repos audiences initially didn't recognize any of the actors, and once it became apparent that they were in disguise, laughter erupted around the room. In fact, most fans are laughing a lot at the photos and video even on social media (although some Chinese netizens have been upset by it and have voiced complaints to various stakeholders).

It is also being widely discussed on Chinese social media as an exciting scene of heroism in the film.

I feel the need to point out that the laughter and mockery is a huge part of the harm, here. As if it's not bad enough that these actors are performing in blackface and presenting a perversion of black ethnicity, it also becomes an opportunity for audiences to mock and disrespect black people. It's become an opportunity for social media to be filled with racist jokes and mockery.

Roadshow statements

There have been some clips circulating of PR and roadshow moments with black cast members and some black audience members who have spoken up in support of the film and to thank the cast and crew for telling the story. Here's one example.

International fans have been dismissing those statements as ignorant or coerced, which I think is offensive and deeply fucked up. There's no planet on which I'm going to - with a totally straight face - say that a black person's response to the movie is not legitimate just because it doesn't comport with my own view.

This is a complex issue and there are inevitably going to be a lot of different perspectives. I hope people won't exacerbate the problem by supplanting black voices on this issue with their own, no matter what's being said. If there's any manipulation going on, let's assume it was in their choosing supportive black figures to speak for the film rather than claim that the black spokespeople are insincere.

China has a lot of issues with racism, there's no doubt about it. It's a huge part of why so many people try to whiten their skin, or why they mock each other when their skin gets tanned/darker. There is a lot of sinister, fucked up stuff going on in China around race - both in the country and in their dealings with other countries.

But we can't claim to speak for black people in China, particularly when they are speaking for themselves! I would hope this is extremely obvious!

Where's DD in all this?

It's understandable that bystanders will react to what they're seeing and might immediately deem it unacceptable - and DD along with it. Their reactions are valid, but as fans I hope that we can look at him with a bit more empathy. I hope that we can take a moment to try to see things from his perspective.

DD has been interested in and an avid fan of black culture since he was a small child. We've all seen how much he immerses himself in hip hop, street dance and the accompanying music and fashion. And yes, he's been accused of cultural appropriation in the past for wearing locs and durags.

However, I think fans need a bit of perspective here to get a sense of where DD might be coming from. Here's a guy who loves black culture, who has close friends who are black, who regularly works with black artists and who supports black artists, in a culture where racism against black people is prevalent and often extreme.

I think DD would probably be amazed to hear the accusations of racism against him. He likely has very few people in his orbit who are anywhere near as supportive of or as closely connected to black people as he is. He likely stands out in his circle as being particularly into black culture and connected with black artists, and probably regularly faces ignorant questions or digs from people around him about his close association with black artists and culture.

Not just because of racism alone, but also due to the racist parallels the government tends to draw between black culture, street dance, hip hop, etc. and criminality/moral degradation*. It's likely that ignorant people in his orbit have expressed concern or wariness toward him because of these associations.

*That is, until breakdancing became an Olympic sport, then they were suddenly onboard with some of it.

I'm not saying that he doesn't have a lot of learning to do (and if this situation becomes what I think it might become, he'll have a big opportunity to do so), I'm just saying that his ignorance isn't mean-spirited. He's coming at this from a totally different angle than any of us are, and he is immersed in a totally different cultural perspective than our own. In his world, his interest likely makes him a bit of an anomaly.

So those painting him as a horrible racist... it's just not how I see it.

The element of choice

I've heard many people say that DD 'didn't have any choice' about this role, that turning it down would not have been an option or that he would be under some kind of threat if he didn't take this role. I don't agree with that characterization of things. I don't think it's quite as 'gun to the head' as a lot of fans paint it.

I think it's more likely that he simply didn't realize that the role would involve blackface when he accepted it, or that he thought that blackface in this context - to infiltrate a terrorist cell and save civilians - would be fine. We don't need to depict China as forcibly compelling actors to take unwanted roles if we want to make sense of this. There are simpler, more logical explanations.

DD wouldn't have been the one deciding how to depict the scene - he didn't have that power in 2021 - but I also doubt he would have had a major problem with it given everything we know.

We must overcome our Western tendency to see things only from our own perspective. This has a totally different cultural context in China, and the voices we listen to about it should not be issuing exclusively from white faces that are not at ground zero of this situation.

Final thoughts

This film has had me worried from day one. I think most people have been expecting it to be full of offensive portrayals and propagandistic fuckery. There are so many ways in which a Chinese film about the UN is potentially a sticky, tricky mess. This blackface thing is likely just one problem on a towering pile of problems.

However, I'm not going to sugarcoat this - this has the potential to be a real shitshow for DD, and I am concerned. Especially if this film gets an international release.

We need to brace ourselves, because I don't think this is going to just disappear. DD has endorsements with international brands, and this could definitely cause backlash for those brands unless the issue is addressed and the scenes removed. There's no planet on which brands like Chanel and Lacoste can afford to have one of their spokespeople plastered everywhere in blackface.

If this film gets an international release and those scenes are left intact, it's possible he will lose some brands.

Let's hope it doesn't come to that, but let's face it - things like this have consequences, and that's why it's so important for producers and artists to be sensitive about what they're portraying.

While I think there's some endorsement risk here for DD, and the potential loss of some international fans, I want to be clear about one thing: I don't think this will threaten his career overall. In China this just isn't an issue in the way it is internationally.

I do hope the film team addresses this issue in some way, ideally by removing the scenes. They just finished doing a massive edit to remove ZZH from the film, surely they can handle something like this. But let's not hold our breath...

Everyone has the right to make up their minds about DD. As I've often said, being a turtle isn't for the faint of heart. That's not just because turtles are frequent targets for bullies, or because we have to constantly live with uncertainty and doubt.

Being an international turtle also isn't for the faint of heart because there are a lot of cultural and political minefields to navigate, and many ideological differences to adapt to. There's a huge learning curve and a lot of unknowns, and turtles who want to survive have to make peace with the fact that we and the boys are from different worlds in many ways. We may never know where they really stand on issues that are important to us.

However, in this case I feel confident that I know where DD's heart is on this issue. He simply doesn't hold hatred, disrespect or disdain for black people. Quite the contrary.

I think we'd all just feel a lot better if he had a good grasp on how to be a better ally.

And while we're waiting for that, I think we should put our money where our mouths are and learn more about these issues ourselves, both in China and locally at home. We want DD to be a better person; let's be better people too.

#bjyx #yizhan #ggdd controversies #please rebloggers don't tag with his name or the name of the film #i don't want this outside the turtle circle - the fan wars are horrific

239 notes · View notes

mutfruit-salad · 26 days

Note

I am sorry.

I enjoyed the show, I didn't analyze it critically when I should have and actively recommended it.

I realize the error of my ways and feel guilty.

Do you have any recommendations for good media in place of it?

The thing is that engaging with media isn't activism and engaging with more "ethical" media doesn't make for a better worldview. It's fundamentally impossible to purify your soul by consuming art, and the idea of purity in that way is already missing the forest for the trees.

Fallout New Vegas, along with 1 and 2, are games I love deeply. But New Vegas has horrendous problems with racism- specifically anti indigenous racism. 2 has some awful tonal problems and some downright horrifically aged humor.

The thing is, despite these works not being perfect- I still find tremendous value in them. The show, for all I have said about the ways it makes me deeply uncomfortable, is still quite often an engaging piece of art: an impressive passion project of thousands of creators and writers and filmmakers coming together to make something they believed in.

While I find the show's narratives quite troubling- I am also enraptured by the ways they're often presented. It is a show that is stylish and interesting and I think most people watching it don't notice these things.

Media analysis isn't a means of solving the ills of the world- because making media less problematic wouldn't solve any of the underlying biases that the society that PRODUCES this media has. Works like these are a branch of the tree, not a root. I'm pointing these things out as a way of countering some of these narratives- but also with the hope that it will help people notice these narratives in other places.

I'm not telling you that you can't like the show, or that liking the show makes you a bad person. I don't like it personally- and I'm wary of much of what the show is saying- but ultimately it is just a piece of art, and it should be understood as part of the current cultural landscape- created to turn a profit and entertain audiences. It is a product of its time and its culture and should be understood as such.

The things present in the show that we find offensive stem from the society that produced it- and must be understood as systemic problems and not one-off failings of the Fallout show team (not to say they are innocent, just that their particular wrongdoings are part of a larger issue.)

There are things far more important than the fallout show being problematic. Save the energy for other fights. There are a lot of people who need help right now. Take this as a learning lesson, and look out for these things in the world around you- not just on TV and in movies.

I hope this doesn't come off as rude or dismissive, and I hope it gives you something to think on.

#fallout #fallout new vegas #fallout show

99 notes · View notes

intersectionalpraxis · 4 months

Note

i just caught up with your blog and holy shit the situation at columbia university? i investigated it on twitter and the school took days to give a half assed non response and no mainstream media is reporting on the fact that 2!! former iof pieces of shit!! chemically attacked pro palestine students! some of them had to be hospitalized and columbia doesn't give a shit!

i called my senator to see if she has anything to say on the incident because the whole govt was up in arms over alleged antisemitism on campuses when it was about from the river to the sea. her staffer told me she'll make a note of my concern and that a statement depends on public interest. everyone who reada this should call their reps and ask for a statement! they can't be allowed to brush soldiers from a foreign military attacking peaceful protestors under the rug! columbia has a dual degree program with t*l av*i university which these terrorists are part of.

call your reps! demand accountability and more action from columbia!!

on a side note, it seems like the zionist professor, shai davidai, has deleted all his anti palestine tweets and limited his accounts in light of this. i hope he's afraid because the violent rhetoric we've seen from him directly led to this!

Yes, it's beyond awful. IOF soldiers -terrorists -did this to students at Columbia University, 8 of whom were hospitalized for their varying symptoms. I have seen a few American articles covering it, but they all call it 'alleged,' and most recently, The Rolling Stones published this, highlighting Columbia University banned the perpetrators:

I am also not at all surprised that most representatives would not bat an eyelash because the US government backs IOF terror and genocide. I urge people to still email Colombia and their respective Senators too, despite the fact that the system proves timelessly, they don't care, but we need to keep being vocal about it online so this NEVER happens again.

It should never be a double standard -bringing awareness about antisemitism, Islamophobia, xenophobia, racism, anti-black racism, anti-Indigenous racism -among many issues should all be spoken about equitably on campuses and everywhere in the world.

As for Shai Davidai, he's a disgraceful racist and zionist. Calls support for Palestine rallies 'Pro-Hamas' and all these students who participate as terrorists. He actively endangers Palestinian, Arab, and Muslim students. He keeps tagging Columbia University in his tweets and is going on vile tangents. It's just disturbing.

92 notes · View notes

marxistcomedy · 7 months

Text

Anyone working in counter-propaganda can testify to a curious experience: we’ll put in hours of careful research collecting an impeccable set of resources that undermines some warmongering narrative, and we’ll eagerly share it with someone who claims to despise racism in all its forms — say, an outspoken opponent of the West’s so-called “War on Terror.” Unexpectedly, we are met with a response that is somewhere between chilly reticence and downright hostility. What’s going on?

From our perspective, we’re offering water to a person who’s self-identified as thirsty, and yet they react as if we were trying to poison them! They turn on a dime to defend the same institutions whose lies they were denouncing just moments before. At this point the sense of pride and accomplishment that comes from seeing through propaganda and putting puzzle pieces together into a satisfying historical account gets brutally transformed into its exact opposite: a sense of crushing defeat. In response to this bitter experience, many researchers — serious people, with plenty of experience reading and writing, and sometimes even of being published! — lash out. They decide that people have been “brainwashed” beyond the point where they can be reached by words or rational appeal. They “realize” that the masters of propaganda have been far more successful than we first imagined: it turns out we’re not David fighting Goliath, we’re more like an ant facing an asteroid.

The same inquisitive nature that first led them to unravel war propaganda narratives begins to feed an even larger psycho-historical narrative, and nihilism takes hold. The tragic cycle begins to appear eternal: innocent, well-meaning, hard-working folks are, time and again, viciously tricked by the scapegoating of a new rogue in the gallery — Indigenous, Black, Spanish, Jewish, Soviet, Vietnamese, Cuban, Serbian, Muslim, Libyan, Syrian, Korean, Venezuelan, Russian, Chinese. Due to the sheer power of propaganda and mass-media, the masses helplessly fall for hatred and volunteer for war, even though it comes at a very high cost to ourselves, our loved ones, and our ideals (religion, environmentalism, etc.). Sadly, the innate human propensity to “hate the Other” seals our fate as a society… or something along those lines.

I am going to argue that this narrative is nonsense. It tries to pass off as universal and eternal something that in reality is particular and ephemeral. In short: Westerners aren’t helpless innocents whose minds are injected with atrocity propaganda, science fiction-style; they’re generally smug bourgeois proletarians who intelligently seek out as much racist propaganda as they can get their hands on. This is because it fundamentally makes them feel better about who they are and how they live. The psychic and material costs are rationally worth the benefits. As for those anti-imperialists who don’t participate in this festival of xenophobia — and here I include myself — we have our own elitist consolation: we accept the tragedy of masses of gullible sheeple falling for cunning propaganda because having overcome it flatters our own intelligence. The more we condemn society’s stupidity, the smarter we feel in comparison.

But am I not just worsening the problem, aggravating our hopelessness, by criticizing the critics in a way that suggests that no one escapes ideological self-flattery? I don’t think so. Paradoxically, it brings us all back to a more even and possibility-rich playing field.

The prevailing populist narrative grants the People (of the West) moral innocence by attributing to them utter stupidity and naivety; I invert the equation and demand a Marxist narrative instead: Westerners are willingly complicit in crimes because they instinctively and correctly understand that they benefit as a class (as a global bourgeois proletariat) from the exploitation enabled by their military and their propaganda (in Gramscian: organs of coercion and consent). We’re not as stupid as we’re made out to be. This means that we can be reasoned with, that there is a way out.

[emphasis mine]

#very necessary read rn imo #red sails #roderic day

98 notes · View notes

buggywiththefolkmagic · 1 year

Text

Personal Do Not Read Witchy Author List

There will be a google doc with updates as I find more authors to avoid. These are all my own personal opinion and I do take the author's actions into account when judging their ability to write legitimate information.

TW: Slavery, serial killers, racism, TERFs, creeps, neonazis, asylums, and a slew of other super unsavory things. I tried to make this list as PG as possible while highlighting the issues with these individual people.

*Alestier Crowley. *

He's a literal piece of garbage. Misogynistic, thief of a toooon of closed practices, has entire cults still dedicated to him, called himself a voice of God (both Abrahamic and apparently like 5 Egyptian deities??? I mean excuse me sir how about no??) He also declared himself ‘above’ Gods back in 1922 calling himself Ipssissimus. I hate Crowley so much I have literally stuck a picture of him to a dartboard before. He can suck an egg in the afterlife. He also put his own wife in an asylum for 'alcoholism’ because she wanted a divorce. The only thing he ever did right was get kicked down a flight of stairs at a temple once by a poet.

*Anastasia Greywolf*

Appropriates at least Jewish practices if not every Indigenous practice there is. Wholeheartedly encourages people to use magic instead of going to a doctor for things like oh I dunno EPILEPSY And claims she has spells for like Marvel-level super powers which uh no Ana. You don't. Lots of Christianity for a supposedly FULL pagan and wiccan author. Her spells are all controlled like...so wrong. So, so wrong. Don't ask please. I can't begin to describe it. Advocates for smudging and uses phrases like "Cherokee Rituals", and the Romani G-slur.

*Gerald Gardner*

Made his own branch of wicca, the first technically, and his own coven had to make rules just so he wouldn't spill everything to any reporter that asked. Used Crowley as a main resource.

*Jason Miller*

Claims to do Hoodoo. A horrible formatter, and generally super dismissive of being a rootworker and other potentially closed practices, has not been initiated. Has claimed that anyone can petition/pray to Papa Legba without initiation because "Vodou is a congregational religion/practice". From the Vodou and Haitian Vodou practitioners I have talked to that is VERY incorrect, it may be congregational but you still have to be involved in the community to be trusted with those practices because so much of it has been bastardized for media and racism purposes. He is also a student of Catherine Yronwode, who is another SUPER problematic figure in the Hoodoo/Rootwork community.

A link of his own words on culture appropriation which includes mild inaccuracy towards Indiginous Peoples and that they don’t ‘own’ certain practices when it’s very clear the wording of those practices DOES in fact come from those peoples. He’s fine with people being Yogis, or Shamans, or calling satchel spells mojo bags, and other such phrases and won’t correct people if they use such words out of context because “language changes”. Also says if someone within a practice says it’s closed to go to ANOTHER AND ANOTHER until you find someone willing to teach you??? That’s not how it works sir.

Source: https://www.strategicsorcery.net/on-cultural-misappropriation/

*Lisa Chamberlain*

Not an actual person. This is a ghost writer name for a bunch of garbage literally copy and pasted from wikipedia into books. I wish I was kidding.

*Lisa Leister/Lester/whatever other spelling she's used.*

Such a major TERF. Like JK Rowling level TERF. Claims magic comes from a womb so anybody that doesn't have one isn't a real witch. Like WTF lady.

*Raymond Buckland*

Where to start...uses the G-slur often. (His grandfather was romani so it blurs the line of blood quantum.) Very sexist and obsessed with the idea of a woman getting uh...undressed for rituals while men stay dressed and more things I cannot say ina PG space??? As magic?? VERY anti-minor and LGBTQA+. Toxic, just plain toxic. Can't do it. I have read his Blue Book and it's the least problematic thing he wrote. I'm alright with it.

*Silver Ravenwolf* WhOOO boy. So super anti-christian, which is fine and dandy...if you didn't claim to be in a lineage of braucherei/hexerei. Wiccan, like the type of wiccan that says no other witchcraft exists and yet has written folk magic books??? She really needs to make up her mind. Claims Satanists don't actually exist. Claims most Jewish powers worshiped "the Goddess" (whoever that is)??? Very cult-like language about "not telling friends and family about your new life/reality/experience/whatever". Also SO MUCH APPROPRIATION. SO SO MUCH. She also gets her history wrong, on a lot of basic information that most non-witches know about like say the Salem Witch Trials.

*Catherine Yronwode* Ooh man. So Catherine Yronwode’s career started as a comic book artist. She’s worked on such things like the Elvira comic, DNAgents, and a gaggle of super controversial trading cards which included the Kennedy Assasination, a serial killer collection, and the AIDS epidemic. Of which she was sued for using one half of the Hillside Stranglers duo in said killer trading cards without his permission, the judge sadly threw the case out because and this is a quote, “ If Bianchi had been using his face as a trademark when he was killing women, he would not have tried to hide it from the police.” There were two more from her comic days, but those aren’t super relevant besides the one that pushed the envelope of what sort of trading cards should be sold to children. On the magical side of things, I will be blunt here: As one of the ‘big bads’ of the Rootwork/Folk/Hoodoo community? I really REALLY dislike her. She has made numerous false claims about New Orleans/Haitian Vodou and that it’s only a very recent practice, non-religious, and slaves never used it because it didn’t exist yet??? History books and entire generations will disagree. An example would be this link of an open letter to her written by a New Orleans Voodoo practitioner and someone she wrote a whole article about: https://conjureart.blogspot.com/2013/10/open-letter-to-cat-yronwode-and-lucky.html

She owns a few different websites namely https://www.luckymojo.com/, has written numerous Hoodoo based books, and actively has accused numerous people who have asked her for sources and or disagreed with her of plagiarism and has slung more mud that you can shake a stick at.

She also praises a book on Marie Laveau and yet discredits herself by calling New Orleans Voodoo a new religion/neopractice??? She’s just confusing as all heck to me.

*Christian Day* This guy’s just a creep. One stuck in the early 2000s mall goth phase even though he’s over 50. He also appropriates Hoodoo and owns two Hoodoo shops as well as multiple other witch shops in Salem and recently New Orleans on the French Quarter (Which is pure tourist fodder and not a reflection of true New Orleans Voodoo/Vodun/Rootwork). He has also harassed ex-employees so badly it’s landed him in court. His book The Witch’s Book of the Dead also reads very much like a list of accomplishments rather than anything useful. All about his television spots and experiences doing that. (Did I mention he was in an episode of Ghost Adventures? Yes, that one with Zac Bagans??? And it did not make us witches look too great, honestly speaking.)

Sources for Harassment Claims: https://www.cbsnews.com/news/salem-witch-gets-protective-order-against-warlock/

https://www.wcvb.com/article/warlock-christian-day-ordered-to-stay-away-from-salem-witch/8228072

*Yvonne and Gavin Frost* I dunno how else to say this, I really don’t. These two? Pedophiles. Multiple writings of theirs included not-safe-for-work-or-children rituals that must include minors. Avoid. AVOID AVOID. AVOID ANYONE WHO USES THEM AS A RESOURCE! This should NOT be okay in any circle. They are VERY used within the Wicca religion so please be careful!!

*Orion Foxwood* Some of his information is very sound! I can’t fault him there. He does have a tendency to blend different traditions without actively TELLING you he’s blending them though. He’s and this is a direct quote, “He is a witch and Elder in Romano Celtic-Traditional Craft, High Priest in Alexandrian Wicca and teacher of the Faery Seership tradition. He is also the founding Elder of Foxwood Temple and a primary founder of the Alliance of the Old Religion, a national network of covens in his line that have united to preserve the ways of his Elders. He was the co-director of Moonridge, a center for metaphysical, Craft and Faery studies in Maryland” That’s an awful lot of traditions to juggle and not only write on but actively teach. He also performs conjure, which in of itself might not be an issue but Conjure usually blends into Hoodoo really quickly if one isn’t careful! A lot of the traditions he talks about from his family sound quite familiar, he’s clearly from Appalachia but his books on the subject blend in his other practices instead of keeping them separate.

*Starr Casas* She’s in the same category as Orion, only she doesn’t necessarily give her credentials to be teaching Hoodoo, and even wrote a whole book filled with Hoodoo love spells. She also co-owns a French Quarter Conjure Shop, which if you ask any practitioners from New Orleans...is catered to pure tourists and not a true example of the crafts from the area.

*Shawn Engel* I’m gonna be blunt here. More appropriation of the Jewish practices, Hoodoo, and other information that is just plain UPG without saying it’s UPG and encourages throwing hexes at political party members solo. I read The Power of Hex and had to put it down numerous times just to gather myself and not throw it away, I don’t know if it was tone or sheer level of appropriation...likely both.

*Kate Freuler* Of Blood and Bones is chock full of Hoodoo, full stop. Only acknowledges that something comes from Hoodoo once and also gets basic mythology information on the Deities she mentions wrong in some cases. Also a lot of the book seems to be UPG because the bibliography is super small for a 300 page book.

*Dorothy Morrison* I picked up Utterly Wicked once. A very odd book full of Hoodoo and Vodun spellwork and misinformation, the author is also Garderian Wiccan so even the writing of a book full of hexes is slightly...concerning compared to the Wiccan traditions and redes. Odd is the best I have to describe how I personally feel. I will say this again: Voodoo Dolls are not used to cause pain, stop bastardizing that single aspect of the practice. Thank you.

*Helena Blavatsky*

I dunno how else to say this either, her philosophy and occult knowledge, called Theosophy is a portion of what inspired Hitler. Pure unadulterated racism veiled in a ‘Atlantian Race Theory”. Horrible stuff, read for a class project once and felt disgusting.

*Christopher Penczak*Whoo boy. On the surface he seems alright, one of the first ‘male’ witches I had ever heard of except for Scott Cunningham. But the more you dig into his work the more inaccuracies and Christian bashing you see. For example: Christianty was the first patriarchal society. Uhm...I believe you’re kinda forgetting the men who ran Rome and Greece there sir. He also fully proposes the ‘burning times’ were like a ‘witch holocaust’. NO! NO IT WAS NOT. You can’t compare the hundreds of years and MAYBE a thousand-ish people dying to the millions that died in the short timespan the Holocaust was a thing. Fuck Christopher for that comparison and also for claiming it was a ‘burning time’ to begin with. (History says that most were hung...or tortured. Burning is a very small number of that list in general.

He makes a lot of sweeping statements and sees witchcraft as a religion and NOT a practice. He whitewashes, fully harps on the Wicca = witchcraft = religion thing and THEN hones in on the difference between “white and black” magic and how cursing is evil and yet highlights certain practices that actively practice...cursing...as they have for generations??? He (atleast) doesn’t demonize Satanism but does still backhand the idea anyway, that they CAN’T be witches because witches only ‘heal’. Cultural appropriation and fetishization of ‘Native’ practices while calling them primitive all in the same breath, I just can’t with this guy. I really can’t.

*Amy Blackthorn*

Owns a tea brand called ‘Blackthorn Hoodoo Blends’ she is white. When questioned by BIPOC individuals she complains and blocks them instead of explaining why she chose the name Hoodoo for just teas. TEA. She is also the author of Blackthorn’s Botanical Magic, Sacred Smoke (A book on smudging yikes on trikes), and Blackthorn’s Protection Magic.

Proof of blocking: https://thisblackwitch.com/2016/04/01/blackthorn-teas-whose-culture-is-it-anyways/

*Tarl Warwick *

Is more commonly known as Styxhexenhammer666 on youtube and other social media sites. Has written a pile and I mean a PILE of occult based books including ones on Hermetic magic, ritualistic magic, demons, solomon, folk plants and healing, Kabbalah, and many MANY more.

He makes no claim to being Jewish, and given his political wishy washiness, and multitude of controversies which includes claiming the Holocaust wasn’t ‘that many dead’, Charles Manson deserved release because he was ‘extremely innocent and didn’t kill anyone’, and fairly recently also wrote and published a book on Critical Race Theory and why it’s ‘garbage’. I can’t support him no matter how accurate some of his information may be (if any at all).

*Temperance Alden* This really pains me to say, Temperance in her Wheel of the Year book made a claim that birth control “stunted her magical abilities” because it affected her hormones…in OTHER words unless you are a perfectly hormone producing WOMAN you don’t have great magical power. AVOID. AVOID. AVOID. That is a slippery slope to claiming medication will harm you, not to mention how TERF-y it is AND completely disregards that magic is for well…everyone. Such a stupid gatekeep-y concept.

*Sarah Kate Istra/Dver*

Advocates for using ‘spirit animals’ regardless of Indigenous beliefs and concerns. Is also a known ally with the Piety Posse, a neo-nazi group of pagans who claim the term polytheist can only apply to them and if you aren’t a Hellenistic pagan…you aren’t pagan at all. They also advocate for animal sacrifices, blood tests to prove purity, and other horrible HORRIBLE stuff.

*Sannion/H. Jeremiah Lewis*

Obvious Neo-nazi, keeps images of swastikas on his personal blog, and not the ones that the nazis stole from, the nazi one. And super SUPER transphobic.

*Edward P. Butler*

Major persecution complex, spends half his twitter complaining about how monotheists are destroying…I dunno…everything? Also defends Krasskova quite heavily. Antisemetic as well.

*Galina Krasskova*

Hellenic pagans watch out. Defends the AFA. A ringleader of the Piety Posse. There’s a lot more horrific stuff about her and I won’t go into extreme details. But TW: Romanticizes SA with deities, human sacrifice, animal sacrifice. Compares debating to the holocaust, lots of victim blaming, gatekeeping, and screams folkish.

*Diana Cooper*

Racist. Hard stop. Also appropriates chakras. Has a weird belief that food controls skin color and that Africa will never be a good country because it’s the solar plexus of the universe…or something like that. I got 20 pages into the book and literally couldn’t go any farther. Did I mention this book was supposedly on dragons???

*Judika Iiles* So much appropriation, advocates for making altars and working with closed deities. Lots of incorrect information including dangerous spellwork like obsession spells. And one in particular that has roots in a racist stereotypes. Avoid please!

#witchblr #witchcraft #Authors to avoid #Will update in the future #If anyone has any questions about any of these please feel free to ask

330 notes · View notes