#anyway hope you like the headcanon!

[chaotic-goodsir]

🍏

Thanks!!

So, I guess this is kind of a headcanon for John and Xander as well as Wilbur, but you know when Paul says in TGWDLM that he's never heard of PIEP, and John replies:

'No, and you never will. Not a peep.' ?

That was Wilbur's joke originally. When John was training as a PIEP agent, Wilbur told him he needed to be less intense around frightened civilians, and that making a stupid pun - which Wilbur had a tendency to do anyway - was a good way to put people at ease.

He only meant to use that specific joke as an example, but John took the advice to heart and it became his go-to introduction when explaining PIEP to anyone outside the organisation (even more so after 2005).

That is, until Xander invented the 'we're a small team - just me and a few of my peeps' version from Black Friday, which John immediately added to his repertoire.

[bonicedemandarina]

Click for better quality

Shotout to Leona and Cheka for singlehandedly getting me out of the worst artblock I've had in months, love these guys

Tbh I just wanted to draw Cheka doing that one thing kids do when they treat you like a climbing tree, I have other drawing about that but it's a work in progress, it was supposed to be animation practice but Ibis got some crunchy quality on the canvas if you don't pay so. Yeah. Also Grim is here bc why not

[finsterwalds]

Got a request for Skyler and Saul content.... Here's my proposition: instead of having an affair with Ted Beneke, Skyler and Saul are pretending to have an affair to piss Walt off but they actually aren't. Non-pictured: Saul gets beaten up by Walt for this

[lucabyte]

sorry loop if this looks gay to the viewers

[viivenn]

have you ever wondered what captain phasma looks like without her helm? perhaps i have an answer to your burning curiosity…

in this i’d like to also discuss some headcannons for miss phasma because cappie phazzie is just so… 🥰😍🙏✨✨

- the scar on her eye is both a cut and a burn. when she fell in all that fire the only spot unprotected by her armor was the break in her helm, and now it's a patch of burned skin. the harsher scar pictured here is present as well because that scar comes from the initial blow from finn.

- i'm also willing to bet phasma doesn't wear makeup either. "there's no time for it nor is there a need". however she would, on free time/when she's training, wear industrial/cargo pants, thick military/combat boots, and a gray tee tucked in neatly with a simple black belt. the logo to accompany that shirt is a small first order sigil near the collarbone and on her pants she would wear patches with her name, rank, and perhaps home flag on it as well as the first order's sigil as a patch.

- she's not offended by the assumption of masculinity, because she takes on the role of forceful and brutal commander whilst maintaining a strong reputation amongst the ranks of the first order. secretly, though she sees him as freakish and only tolerates him for his status, she's quite amused by kylo ren and wouldn't have it any other way. “the first order is not the same without him." she would also quietly tease him for his inability to find the map to skywalker.

- she would also probably take great pride in how shiny her armor is and routinely keep it clean on her free time, desperate to keep scuffs and marks out of it. she doesn't like deformalities, especially when it comes to her personal items.

- in terms of where her loyalties lie , she is ultimately loyal to herself despite her position and rank amongst her fellows. she would never admit it out loud though, and keep to herself about that opinion, but if it came down to her or a few members of her troops, she'd be fine with the sacrifice.

- phasma would probably pretend her baton is a lightsaber on occasion, side training with saber combat on either opponents or training dummies. if she is caught doing so, she would most certainly threaten the life of whoever caught her playing pretend. "you won't tell a soul if you value your life. now get back to work.”

- she probably secretly drinks tea in her quarters as well because she's british and it's natural.

in my humble opinion , she is most certainly , “gaslight , gatekeep , girlboss”.

[poorly-drawn-mdzs]

i wanna know more about svsss menopause

They synced their periods together too well. Now they are synced through their perimenopause years.

[zecoritheweirdone]

hehehehehhooo,, decided to draw some hermits as the mystery skulls animated gang!! why? uhhh mostly just 'cause.

special thanks to the ibaaf server for helping me pick the roles! gem is vivi,, false is arthur,, pearl is lewis,, and etho is mystery!!

better pic of pearl under the cut, where you can how lazy i am,,ms ksmsksjs

[turtleblogatlast]

Don’t think I ever quite said what my LGBTQ+ headcanons are for the boys, so these are my current thoughts! Always changing of course but this is what I feel most strongly right now.

[rottingraisins]

it kinda sucks that you hc a canonically pansexual character as gay (clef)

i deliberated not answering this one bc i dont rlly mean to get into representation discourse or w/e during pride month of all things but i think the sentiment behind it is very fair so i feel bad ignoring it.

firstly, i think it needs to be said that clefs "canon" romantic orientation is very much just, whatevers funniest or most poignant for what youre trying to do with him. i understand the sentiment, there are characters in scp who are queer in a very specific and straightforward way where i'd also be upset if people erased that about them, but clef is not that guy. he is probably the single most contradictory character across the entire wiki, and everyones got a bit of their own take on him.

secondly, to defend my own take a little, i don't even really see clef as strictly homoromantic. i think when applying queer labels to fictional characters one tends to kind of treat them as these ontological, prescriptive truths, rather than how labels are used in real life, by the individual themselves to approximate their lived experience.

what i'm trying to say is i don't think clef the character, at least the version of him i'm most fond of, the fifty something year old reformed casual homophobe from resurrection and co, really knows what the term "pansexual" means, or "mlm", or "demiromantic", which are other words i'd use to describe him if i were using the prescriptive approach.

i think clefs relationship to romance is deeply complicated and not something he spends a lot of time really thinking about, and in practice, despite the theroretical breadth of his capacity to be attracted to other people, he's really only attracted to men, which is to say one particular man who also just so happens to be dead, so there's no point in really dwelling on it.

[dailyloopdeloop]

DAY 7: i miss my wife bonbon

[dustykneed]

we've seen the tos triumvirate with their childhood pets -- now for the aos rough childhood trio meeting each other's childhood pets.

don't know what possessed me to make a parallel of my own post from eight months ago but i can't complain... i like drawing them happy as kids loll. think ive gotten better at drawing bears from memory 🎉

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[itslilacokay]

gonna admit uhh vicagent is the only ava ship so far that i feel ""safe"" posting on this blog.............. do any of you looking at this want me to post other ava ship stuff orwhat please PLEASE LET ME KNOW PLEAAAAAAAASE

[snoelledarts]

I need you to spill every. single. solangelo headcannon you have. ty 🫶

Oh I had to think about this SO HARD. (Also I have not read TSATS yet but I WILL SOON so if this conflicts with anything cannon... no it doesn't.)

~ Starting off soft, Will absolutely learns how to play Mythomagic and plays with Nico. They're both canonically massive nerds, it is destiny.

~ While they spend most of their teenagehood focusing on healing Nico's past, as young adults things slow down enough that Will uncovers his own slough of trauma that comes with being a caretaker from 12 years old onward and watching so many of his siblings and friends die/not being able to save them.

~ Will goes to college in New Rome to study actual medicine, but returns to Camp Half-Blood as a permanent doctor (which goes with my headcannon that Camp Half-Blood builds its own smaller version of New Rome for all the adult demigods to live their lives and help out camp from).

~ While Will goes to medical school... Nico simply decides education isn't for him and spends most of his time helping his friends, playing video games, being his father's right-hand man, and OF COURSE doting on Will.

Now for some sillier ones...

~ Stay-at-home boyfriend Nico di Angelo cooks the best home-cooked dinners that rival Sally Jackson herself and the demigods they're friends with in New Rome start inviting themselves over to Will and Nico's house for dinner.

~ The Solangelo residence is absolutely filled to the brim with collectibles and legos and everything nerdy you could ever imagine. They go to Comiccon together in California once a year and Nico is VERY dedicated to his cosplays.

~ Nico's favorite way to hug is by tucking his arms into his chest and just letting Will absolutely engulf him. Will's favorite way to hug is with Nico's arms tight around him, hands spread out on his back, while Will's arms hang loose and low around his waist, and lets himself sink into Nico's presence.

~

[jojo-schmo]

Just Admit It- Part 1

I've been playing around with possible friendship dynamics of the Beast Council for fun!! I love imagining what kind of childhood they could have in the Forgotten Land all together.

What if Carol and Sillydillo are the fun-loving extroverts? Leon is the introverted one who's been smitten by Carol for a really really long time but he's too shy about it? And Gori is the friend who is an excellent observer and will bluntly tell you what he thinks (and maybe has a tendency to get grumpy when things aren't easily going his way).

Somewhat of a prequel to this other doodle comic about Leon and Carol- everyone here is still a kid ^_^

Part 2

[books-are-my-life-stuff]

命短し恋せよ乙女！ (Life is brief. Fall in love, young maiden!)

Happy Birthday to Lemon Irvine! (July 7)

Dedicated to fellow Lemon fan @edwinas, happy birthday!