DPxDC Multiverse Police
I've seen the idea that GIW is actually SCP foundation somewhere, and lately, I've been thinking a lot about Fenton Happy Ending, so I bring you this. Behold, GIW/SCP, Team Phantom, and Fentons are working all together, and the whole wide multiverse fears them.
So, a giant green Lazarus Pit that looks more like a vortex than an actual Pit randomly opens in, say, Ohio. Because I heard a lot of weird shit happens in Ohio. The world is worried, JL gets sent there, but they are not exactly sure of what to do with it. Nothing comes out of it, and, well, no one is volunteering to just jump inside it - Batman made everyone read his files on Lazarus Waters, and they are reasonably wary.
But then a thing appears literally out of thin air on top of it. It looks like a spaceship, kind of, but more sci-fi than what real spaceships look like. And before anyone says anything, a large green - Lazarus green - dome appears, effectively covering both the ship and the Pit and cutting the heroes off.
The heroes are Confused (tm). And worried. And no one has an idea of what the fuck is going on, for all they know it could be some kind of yet another alien invasion.
Then, two figures on the hoverboards - one read and one teal - come out of the ship, flying over the Pit. They are followed by drones, and they all look like they are... scanning the Pit? A few more people, wearing black visors and shiny white suits that look like they are packed with all kinds of tech, slide down on the ropes straight inside the Pit. It sure looks like they are very familiar with it and have a good idea of what they are doing, working as a team.
One of the figures on the hoverboard, the one in a teal suit, notices the heroes on the other side of the green dome. She - because both of them look feminine enough - slows down and flies down to the ground, landing in front of Superman and taking off her helmet. It reveals a rather young, no older than twenty years old girl with fiery red hair tied in a bun, with eyes the same color as her suit. She smiles at them.
"Hi, you must be the Justice League?" She asks politely, and as Superman gives her a nod just out of surprise at her friendly attitude, she touches her ear, "Mom, this is DC sector universe. Pretty sure it's not a dimension we've been before, though." She turns back to Superman, "You don't recognize any of this, do you?"
Batman intervenes before Supes has the time to answer, "Who are you?"
The girl nods and taps her ear again, "Yeah, they definitely don't know us. So mark it as either an unfamiliar dimension or an unfamiliar timeline." Then she turns to Batman and smiles.
"You can call us interdimensional police. And since all the Batmans we ever encountered never believed us, I'm going to send you a copy of the files your other versions complied all together, so you can read and add more if you feel like it."
She touches her wrist computer, and, a few moments later, Batman's comm comes online with Oracle's voice:
"B, I'm getting a shit ton of files on... Multiverse Law Enforcement?.. out of nowhere. What's going on?"
Now, JL is baffled. Some of them - Flashes and Bats, for example - knew there was a whole wide multiverse going on, but to learn the multiverse has police? That's new.
Meanwhile, the redhead continues:
"The green thing behind me is a natural portal to the Infinite Realms, the dimension between dimensions. Which is really not what is supposed to be happening, so we are in the process of fixing it. It will take from ten minutes to a few hours, depending on what's on the other side, but the portal will be gone soon, and then I'll have to ask you some questions."
"Questions about what?" Asks Flash, and the girl waves her hand in the air.
"Oh, well, about the portals? If one so big is opening up, it means a few smaller ones had to exist in this dimension already. Our tech is not picking them up if they are smaller than a certain size, but you must have seen them before. I believe in the DC sector, you call them Lazarus Pits? We can take care of them later, too."
The second hoverboarder flies closer to them and revs her engine.
"Jazz, talk to them later, Tucker and Agents are done. Fentons are about to get Dannies down, so you need to either come up or leave the shield."
The girl - Jazz - looks surprised.
"Dan, too?"
"Yeah, it's the Toothy Jungle on the other side. They wanted to ask Ember, but, eh, what's her guitar gonna do to plants, even if they are sentient?" The red hoverboarder shrugs, and Jazz tilts her head, looking back to the heroes.
"I think I'll stay with them. You know it gets violent when Dan goes down, so people get antsy about us. I don't want to give the wrong impression."
The other girl huffs, but doesn't argue.
"Okay. Get out of the shield, then, and for Ancients sake, keep your comm open. Danny has an aneurysm every time you turn it off." With that, she flies away, back to the ship, and Jazz taps her hoverboard so it folds down into a hexagon shape no bigger than a backpack. Then, she steps through the shield, joining the JL on the other side of it.
"Are you not scared we might take you hostage?" Asks Wonder Woman just out of curiosity, and Jazz smiles pleasantly at her.
"Don't judge a girl by her looks. I don't want to brag, but I did fist fight Superman once and won."
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So basically, after Amity Park got sucked into Infinite Realms, the whole town just kind of collectively decided they like it there. And somehow they reached a happily ever after with both Danny's reveal to his parents and GIW, and then Clockwork showed up and was like, you guys want human food supply, running water and electricity, right? Well, I can do that, and so much more, you can be the ultimate perfect town. And for the price? You gonna go on adventures from time to time and fix the multiverse when shit hits the fan in various dimensions and universes. Doesn't that sound like fun?
And Amity Park, who's seen so much weird stuff over the years that it greatly affected their idea of common sense, goes yeah, that does sound fun! Let's go, people!
So here they are, appearing in different universes and doing damage control. They are, like, the superheroes for superheroes.
I'm probably going to write a part 2 to it, I want to show off Danny and Dan and Dani too. Halfas on the loose, JL is mildly concerned and kind of scared, and Jazz is just like yeah, that's just another regular Tuesday :)
I love Jazz being a badass, yes. Also, if you didn't get it, the other one on the hoverboard is Val, the drones are controlled by Tucker, and the people on the ropes are GIW agents.
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
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"you are the only one who's ever broken me open."
"do not scream god's name, scream mine."
"please don't make me say it if you aren't going to say it back."
"your heart is beating so fast." "because i'm happy."
"i want to draw a map of your scars so i can always find my way back to your heart."
"i don't believe in such nonsense." "i'm not asking you to. i'm simply asking that you believe in me."
"is that good? that's all i want, to make you feel good."
"it reminded me of you. but then, sometimes i think everything reminds me of you."
"what a fragile thing, that love can so easily turn to violence."
"why are you doing this?" "because i love you."
"it didn’t feel right when I was always thinking of you."
"i would have felt like the luckiest person on the planet."
"are you gonna take that off or should i keep guessing?"
"i wanted this to be special."
"i can't believe... after all this time... i should have known it would be you."
"i want to be wildly, deliriously happy. wildly, deliriously loved."
"i try always to be too much for you."
"the sooner i leave, the sooner i will return and we can begin again."
"i didn't die." "you were dead to me."
"i don't care if other people see us together, you do."
"and you say i'm the one who should be resting."
"i'm sorry." "for what?" "that you got stuck with me."
"what makes you happy?" "lots of things." "and what makes you unhappy?" "lots of other things and some of the same ones."
"i wish i could give you the world." "the world is not enough. but you are."
"i have never needed anything so much as i need you. and i hate you for it."
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