#anyways i just don't like it. if actually autistic people use the term because that's what they're most comfortable with then that's fine!

[katya-goncharov]

i wonder if it's just me who kinda gets bad vibes when neurotypical people use the term "on the spectrum"

[kouyou-arc-when]

ON DAZAI AND EMPATHY: A character study Before you read: Obviously diagnosing any character in fiction seriously is a fool’s errand, but I am a fool, so let’s just do this for amusement. The main thing I desire is to discuss is the extent to which Dazai is capable of various types of empathy, as well as how that influences the way he sees and interacts with others. It will be chaotic and all over the place because I just sat down and wrote this in a fit. Let me explain some factors in analyzing Osamu: The author's intention is clearly to make Dazai's internal world a mystery. Since we don't have enough information, all we can do is hypothesize based on external elements. Generally, across all novels, the only time we’ve seen anything of Dazai’s perspective is in “The Day I picked up Dazai” (Beast continuity) – where he “saves” Oda and tortures that random dude. We don’t hear his thoughts narrated from first-person perspective, unlike many of the other novels.

Now, the crux of the issue. For years, it’s been discussed whether Dazai is a “sociopath”. If we disregard that sociopathy is a very loaded term that can mean a lot of things depending on which specialist you consult, at the very least, Dazai does strike me as someone with a unique expression of empathy, who could qualify for Anti-social personality disorder or a related condition. I will abandon the idea that Dazai is a sociopath, and use actual concepts that have legitimacy within this post. Whether Dazai could qualify for ASPD or any other disorder is something I've seen discussed for many years within the fandom. I'll try to analyze how these concepts could apply to him. In regards to mental health and Kafka (since it is a contentious matter) and the validity of any of this: I understand that a lot of people are resistant to the idea that any of the characters could have conditions more complex than depression, anxiety, and PTSD. This is my counterpoint. I have noticed that Asagiri emulates a lot of characteristics commonly attributed to “geniuses”, without confirming or potentially even intending to write these characters as having a specific condition.

A great example is Ranpo – who will read as autistic to any decent mental health professional (Untold Origins). Did Asagiri intentionally sit down and say “I am going to write an autistic character”? Maybe not. However, the “genius” stereotype is profoundly connected to visions of autism, even if people aren’t aware of it. Take people like Sherlock, House and L from Death Note – they’re commonly believed to be autistic by fans. All of these characters borrow from the same group of traits, that just happens to correspond with a certain condition - savants have always been popular in fiction. It's been known that the favorite type of character for Asagiri is the “prodigy” type, and he has used geniuses across fiction for inspiration of most notable intelligent characters within BSD. For Ranpo it was Sherlock, for Fyodor it was Joker from the Dark Knight (a classic sociopath), for Dazai it was Patrick from The Mentalist.

What I’m trying to say is, you can see various personality disorders connected to the portrayal of these geniuses, and even without confirming their state, it is clear they are either intentionally or unintentionally coded to be that way. Extremely intelligent characters not being able to read social cues, lacking empathy, disregarding rules etc. is something we commonly see in fiction. Basically, a lot of people don’t even know that these stereotypes are based on certain personality types, disorders, and illnesses. It’s sort of like drawing a character and dyeing their hair a certain shade of blue that you don’t know the particular name of: it doesn’t change the fact that you used that color, and the fact it has a name. Most authors are not mental health experts anyways, so they may not be entirely aware of every detail of the psychological framework they write the character to possess. They also may not write it consistently, as they're mostly emulating stereotypes. I mention Ranpo and autism because a character can embody traits of a stereotype without the author even necessarily having the intention to do so, however, to anyone who knows a thing or two, it is clear Ranpo is on the spectrum. If Ranpo were to express a few traits that go against this, it would not necessarily take away from the large-scale portrayal he is meant to exude: an autistic coded genius.

Why am I saying this? It is entirely possible for the author to write Dazai as a person with anti-social personality disorder, to “code” him in that way, but to not be entirely aware of how an individual with ASPD realistically tends to act.  Because he may be emulating a certain "stereotype" of a genius, he may also end up emulating specific psychological states, without making them entirely consistent in a realistic way. Writing the way individuals with ASPD tend to deal with empathy can be extremely difficult for anyone. It's easy to emulate a sociopath on a superficial level, but beyond that, it gets more challenging. How would a person with limited empathy act when they're hurting someone? That is an easier idea to handle. But how will they act in a friendly relationship? This is where it gets tricky. That is likely why someone like Dazai can never be consistently compatible with a very specific disorder: but, he can come very close. Besides, concepts such as anxiety and depression are pretty well-known, but more niche mental health conditions are not as well understood. So, BSD Osamu was written with specific attention to mental health issues because the author himself was someone who spoke heavily on the topic. I’ve read a lot of real-life Dazai Osamu, with special attention to No Longer Human (the main inspiration for BSD Dazai was Yozo) – and neither RL Dazai nor Yozo gave me the impression they could qualify for ASPD at all.

I know BSD Dazai is the opposite of the RL author in so many ways, but I guess it’s relevant to mention this because we know so little of BSD Dazai’s internal working processes, and Asagiri's main inspiration can tell us a lot about the intentions behind Dazai's portrayal. Generally, an intention or idea behind a character can give a lot of clues to us - more than anything, I am under the impression some of the main ideas behind Dazai's creation was that: 1) He doesn't feel like he belongs among humans 2) He has mental health issues However, we have difficulty defining the exact source of why all of this is in more realistic terms.

Naturally, since Dazai, an extremely socially intelligent person, sees himself as "othered", it is logical to assume he is not capable of fulfilling some emotional function most people can in a successful enough way. If he were just mentally ill in more typical ways (only depression), I theorize he wouldn't feel that "othered". He specifically is not meant to feel human. Obviously, his extreme intelligence is one of the things that isolates him, but the question is what else?

We are led to believe Dazai "sees" something the rest of us don't, and that is one of the reasons he wants to die. However, there is something more to it, as I believe it to be. We have two characters who are as intelligent as Dazai: Fyodor and Ranpo, and neither of them is suicidal, as far as we know. I believe Dazai "feels" a certain way, and then finds a way to logically justify it. Due to his intelligence, he likely falls into a complex loop which leads him to existential nihilism: but you usually don't end up in a place like that if you tend to feel alright in the first place, regardless of how smart you may be. While Dazai is certainly isolated due to his extreme intelligence, most of the people who made an impact on him are nowhere near him in that respect. In fact, I'd argue Dazai isn't even looking for someone equally intelligent to him, unlike Fyodor (this would take another post to explain).

The man who means the world to him, Oda, is more emotionally intelligent and full of common sense, but definitely not his cognitive equal. You can tell a lot about a person depending on what they value: and due to this I believe that Dazai's main issues relate to emotional matters. He primarily feels isolated due to his emotional state, and his intelligence pushes the problem further. Otherwise, he would treasure people like Ranpo and Fyodor over guys like Oda and Atsushi: he's looking for something to ease his emotional pain. Dazai doesn't seek out raw intellectual stimulation as much as comfort/excitement. This post will be an analysis of how Dazai compares to the "average" psychologically and some of the reasons he may feel so othered. Basically, my theory is that the feeling of being "othered" comes from his emotional profile, as much as it comes from his intellectual capacity. Those two take equal parts in his psyche.

Why would Dazai feel so emotionally "othered"? I believe it may have to deal with a specific personality disorder or condition, and mainly how he experiences empathy. One of the possibilities is ASPD. Anyways, let’s look into common ASPD symptoms, and then we'll look into common behavioral patterns the character shows. Dazai is equal amounts portrayed seriously and in a “jokey” way, but his worst traits and moments are usually described without humor. To preface: Keep in mind that you can have any or all of these traits without it qualifying you for a certain disorder. It is the extent to which you show it that makes a person, like Dazai, out of the norm.

1. Repeatedly breaking the law: This one goes without saying, he was in the Mob as Young as 15, and seemingly a violent criminal even before that age. To differentiate him from other members of the Mafia, it is stated by tons of people throughout the story that Dazai was practically born for this job.

Oda in Dark Era:

He was openly murderous before the age of 15, according to both The Day I picked up Dazai and Fifteen:

Dazai and Oda interacting in TDIPUD When talking to Kyouka, it seems that he has an “interesting relationship” with murder as a whole:

One thing is for sure, Dazai is much calmer, calculated, and more Machiavellian than most criminals in BSD, and this all started at an extremely young age. Many people kill when they're young, but they're not this casual about it.  The age at which he was this cold about would be of diagnostic significance.

2. Lack of remorse: Everything mentioned above, it is clear that Dazai has an even more complicated relationship with guilt and empathy. I’m pretty sure anyone in real life would consider him out of the norm, as it’s explicitly stated Dazai doesn’t feel remorse for all sorts of things he does, but there are some hints he is either ashamed of the way he is, or regrets his nature, but accepts it. What is particularly significant here is how young Dazai is when he shows a marked level of these traits. A key event that stuck with me is from the Dragon Head event in Mayoi (from my understanding it was written by Asagiri), where Shibusawa mentions Dazai will regret something (to me it sounded like he meant that killing Shibusawa will end poorly for Osamu). However, Dazai’s reaction was interesting – it was like he was almost amused that anyone would believe Dazai “could” feel regret for anything.

Mayoi Later down the timeline it’s quite questionable whether Dazai feels regret for some of his actions because he hides his feelings like a snake hides its legs, but there are implications he is somewhat remorseful if you read between the lines. More on that later. Dazai has changed compared to his past self, but to talk about that, and the extent to which he has changed would take a whole other post.

More on his lack of remorse, In “The Heartless Cur” Dazai is very young when he gets some randos from the Mafia killed in front of Akutagawa, yet his main emotions are amusement and boredom. This is not the “typical” emotional range of most people, even practiced criminals. For example, Chuuya kills people just like Dazai, but his reactions to it are entirely different.  

from The Heartless Cur Murder tends to not be the preferred or first solution Chuuya goes for: there is an expected amount of hesitance if you read into Chuuya. He put a bomb below Chuuya’s and sabotaged Ango’s car without much bother. I’d say even if you do see It as a “means to an end”, the way he did it was really cold. Usually, when people of all kinds do bad things, they have remorse and empathy they need to suppress, but with Dazai we don't see much of that. It's like he can just "do it'. He’s also really great at torture, in Side B at age 15-16, he already describes himself as a “specialist”. This is also touched upon when he speaks to Kouyou:

No matter how "grey" a character is, torture is a very specific process that takes a particular psychological profile to pull off. To be a "specialist" at it, you definitely need to possess dented empathy. Lack of remorse and empathy does not mean a person is going to be a criminal at all - it simply opens the opportunity that they may get lost in those waters more easily compared to the average person.

3. Repeatedly being deceitful I’m pretty sure we don’t have to cover this one. Yozo, the character he was loosely based on, is a big liar, and commonly uses “clowning” to distract from his real personality. Even the real Dazai Osamu wrote extensively about the concept of “lying”.   There is a lot to talk about Dazai and “masking”, and I’ll get to that in the second half of the post. Generally, Dazai lies a lot, one can’t even be sure what his personality really is. He lies by omission, manipulates, and intentionally deceives people without any issues. There are so many quotes about this that I’d probably reach the image limit right there if I wanted to reference them all. 4. Being impulsive or incapable of planning ahead Does not apply

5. Has difficulty sustaining long-term relationships: Dazai is famously a hoe. From “All women are his type” (and it seems he has zero issues getting together with any woman, young, old or even taken) to being known as “the enemy of all women” (said by Chuuya), it’s clear he is very promiscuous. Wan is in the gray area of canon, but in one of the earlier chapters he has so many love letters by different women that Atsushi burns them all. Kunikida said he hits on any woman he sees in the Entrance exam novel, which is further supported by random Wan! Chapters, silly crossovers, and everything else (literally anything female).

Not only that, but Dazai sounds like a consistently manipulative and toxic romantic partner. In an Otomedia interview, written by Asagiri, Dazai’s real type was basically something like: “Any woman is fine, because he is confident he can shape her to suit his tastes” which shows a remarkable lack of care for the personhood and individuality of his partner.

When answered what he’d do if his partner cheated or betrayed him, his answer was even more concerning. Depending on the translation, it goes something like: “He has not been cheated on, but he has cheated on others” or “he set up women to cheat on him/betray him” where both are a lot, just in different ways.

Either he is compulsively unfaithful, putting all above together, or he plays mindgames with his partners. He’s also told Kunikida that: “And from my experience, it takes only a smile and some kindness to get a woman swooning over you when she's fallen on hard times” painting an image of someone who takes advantage of people’s weaknesses to get what he wants.

Regardless, it’s clear he is very manipulative and likely emotionally abusive. I won’t even touch upon his obsession with double suicide. There’s also the fact that he seems to use sex to get what he wants – insert scene where he fucks the nurse to get his phone back.

Other than that, Dazai appears to be rather solitary. Ango and Oda are said to be “the only ones close to him” because they respected said loneliness. Even in ADA, Dazai seems to be professionally close to people, but very few people seem to know him on a personal level. I’d say he keeps people at a distance intentionally – before it was violently, later it is by being avoidant. For as much of a womanizer he is, there was that early comic where he spent Valentine’s Day drinking at Lupin “with Oda”, instead of going out with any particular person. I think this demonstrates how emotionally distant he is from all the people he interacts with

6. Being irritable and aggressive:

Dazai is not particularly aggressive, nor irritable, but he has moments where he slips. Tbh, reading back, it says a lot about Dazai’s character who he gets angry at and why. It’s important to say that when Higuchi calls him out on “Hollowing out the hearts of his opponents” in incredibly brutal ways, Dazai replies that he thinks “Sadism is just a method, and how it’s boring”.

Akutagawa is the receiver of a lot of his violence to a disproportionate degree. He beats up Akutagawa beyond what could ever be “just training”. There’s something that ticks him off about Akutagawa, which is interesting, since Dazai tends to not react this way to anyone who doesn’t touch him “intimately” in some way. A lot of people justify Dazai’s physical abuse by saying it is “training”, but it stood out to me how he kicks Akutagawa in the stomach even the first time he meets him in “Beast”, when Akutagawa is just an extremely traumatized and deprived kid he refuses to recruit. There is not much utility to that kick, to me. It felt personal.

Another example of him expressing anger is when people “called him foolish for wanting to die” – clearly he did not take it well since all of those people ended up dead. This is from “The Day I picked up Dazai” when Oda tells him he is a fool for wanting to die.

Other times Dazai expressed rage was in relation to Ango and Oda, particularly anything that related to Oda’s wellbeing.

He snaps at his subordinates when they tell him he shouldn’t be friends with someone “of such low status”, and the only time we really hear Dazai say he hates someone is when he’s torturing one of the guys who put Oda in trouble in the Beast timeline of “The day I picked up Dazai”. Obviously, he is resentful towards Ango and incapable of forgiving him. “Dead Apple” guidebook touches on it.

“Though they were once good buddies who used to drink together, to Dazai, Ango is one of the persons who caused the death of Odasaku. He still holds that resentment up to now, and is unable to forgive. Ango also seems to feel Dazai’s silent wrath towards him.”

Harukawa has said to pay attention to how cloudy the eyes of a character are to accurately interpret their psychological state. I don't think there are many times Dazai's eyes are drawn in such an extreme way - there is no "light" she talks about here. His eyes are pure black when he talks to Mori during the Guild arc.

He also agrees with Fyodor on “Malice being the best fruit that God Bestowed upon Mankind”

There is also this with Jouno:

Basically, Dazai rarely gets angry, insults don’t work on him (as he tells Chuuya), nor does beating him up, but when he does get irritated he flies off the handle and has no issue crossing any normal boundaries.

That detail is what stands out to me – usually, people have a line they won’t cross when getting mad, but for Dazai it’s like most moral lines disappear. Imo, his anger is for social standards over disproportionate in how far he’ll go and how he'll act on it– he usually has a clear intention to harm the individual he's mad about. In comparison, Chuuya is someone who gets angry more than Dazai, but Chuuya clearly has a line he won’t cross. There is also no pointed sadism in his reactions. Dazai will likely do almost anything.

Basically, it's not how much Dazai gets angry, but the way he gets mad that sticks out to me. Most importantly, Dazai only ever gets enraged if it concerns something very personal and intimate: Oda and his death, his suicide attempts etc. At this point, for me, It’s safe to say that if Dazai gets extremely angry, it means the topic affects him on a deep level (a hint to whatever Is happening between him and Akutagawa, I could talk a lot about that). 

More on Dazai’s unpredictable and violent nature:

Stormbringer I think there is a valid argument in seeing Dazai’s aggression as just a tool he uses to keep others at bay, something to hold over people and control them – but even then, it shows a marked disinterest in social norms people usually respect.

7.Having a reckless disregard for their safety or the safety of others This one builds upon all the others. However, it’s always been interesting to me how it’s clear something flies over Dazai’s head when it comes to regularly empathizing with others.

This is often seen with Chuuya. In my opinion, most of the bullying Dazai gives Chuuya is not motivated out of rage, but rather some form of spite. He goes at length to Rimbaud about planning Chuuya’s murder in “15”, then he also lets Chuuya be tortured in “Stormbringer”.

I am under the impression he sees these moments as “amusing” and doesn’t fully emotionally understand why this is something bad, even if he does on a rational level. I’ll say that Dazai did seem to show some rage whenever anyone hurt him physically in the past (seems likely to be a hint to a traumatic past), which Chuuya did when they met, but I don’t get the impression he is generally angry with Chuuya, it’s more like he just enjoys fucking with him. Ironically, for how rarely Dazai gets angry, it seems he reserves his rage/irritation exclusively for people and things he cares about, so Dazai being specifically irritated at Chuuya is just a sign of how much the guy gets to him.

If Dazai were angry at Chuuya, it is in character that he would try to hurt him a lot more than he does. However, I'd say Dazai has a blurry space for what's ok between "keeping someone purely safe" and "deeply hurting them". There is some lack of emotional empathy there - to him, it is more amusing than anything to see someone he finds interesting struggle.

Dazai sees boundaries differently. He’ll put people into danger or through discomfort without worrying much, especially if he’s sure they’re going to walk and live after it, but sometimes not even that. (there’s so many examples of it). I’d say it’s not that Dazai doesn’t care, he just cares about people differently compared to what we’re used to socially.

Regarding personal safety, it’s pretty obvious: he’s a suicide maniac, but even more, he also puts himself in harm’s way all the time without any anxiety present. Examples are when he provokes that sniper in Dark Era (when Oda gets angry at him and wants to punch him), knows he is going to get shot by Fyodor, but lets himself get hurt anyway. When he “dies” in 55 minutes, he seems “lightly” surprised, but there’s no strong reaction to it.  To me, it seems that the only physical harm he dislikes is pain he suffers from another person (when he doesn’t plan it). Dazai apparently doesn’t feel much “anxiety” – I remember many different times when he comments on another character’s timidness or meekness, seeing it as something unusual.

8. Behave irresponsibly and show disregard for normal social behaviour He’s extremely eccentric, and even Ranpo says he doesn’t get him. Dazai asks women to commit suicide the moment he meets them, and often attempts suicide around people even if it distresses them (Entrance exam).

While I think he made this excuse in Dark Era to Taneda because he didn’t want to work with Ango, I do believe he believes what he said: “You’d lose your job if I did that.” Dazai wryly smirked. “I don’t like places with lots of rules.” Not being able to accept conventional rules is very often a telltale sign of a personality disorder. Clearly, Dazai fits many of the criteria necessary for having ASPD, so let’s look at some other details that are common for people with ASPD.

Masking: In psychology and sociology, masking is the process in which an individual camouflages their natural personality or behavior to conform to social pressures. Masking is common with many disorders, such as autism, ASPD etc. I am pretty sure it’s canon Dazai masks – on a BSD exhibit, the key element Asagiri wanted to talk about in Dazai’s personality was related to this.  

“When I describe Dazai to the staff, there is a phrase that I always use, “an unworldly being with a mental age of two thousand years.” Dazai has far surpassed the mental dimension that human can reach, thus no-one can even tell if the emotions he shows are the real things or not.

There are rare moments when that Dazai shows his very “human” side. That is when he talks to another superhuman who is on the same level with him. The other is when he talks about his old friend who has passed. This is the scene when Kyouka wondered “Maybe I’m, after all, just a murderer at heart.” and refused to be saved. And Dazai’s reaction to that. When he said “Don’t give me any of that!” here, he really meant it. That was an outburst from Dazai, as a 22-year-old boy, in this scene.” Light novels often describe his smile as fake, mask-like, and I could probably find 20 panels where Harukawa clearly drew him to intentionally seem like a fake smiler. From “15” to “Entrance exam”, Dazai often drops his mask, and then goes back to acting silly just to make the other person relax. He does this with everyone, Mori, Kunikida, Atsushi, etc. Chuuya also mentions that Dazai’s “happy-go-lucky” personality in ADA is something new, and he believes it doesn’t fit him.

Kunikida says this in the Entrance Exam: "For someone so full of eccentricities, there is something about his behavior that makes it seem as if he has an unobstructed view of the world. I don’t know exactly why, but all his emotions strike me as an act to some degree. Is he just playing dumb? Could there be more to him than he’s letting on, lurking behind his ambiguous mannerisms?"

More than anything, Dazai himself says that Oda was the person closest to seeing his “real” personality. That pretty much confirms he keeps his real self hidden away. I’d say that there are several possibilities to why this is: He hides it because he dislikes being vulnerable, he doesn’t know how to act “normal”, people are unable to understand him, so masking makes it easier for him to communicate with others…there’s a lot of theorizing I could do here.

Dazai also tends to have interesting thoughts about personalities as a concept.

You’ll commonly see Dazai say something serious, followed by a severe reaction of the other character, ending with Dazai changing his demeanor and saying “just kidding” to lighten the air.

Manipulation: Dazai is extremely Machiavellian – he is prone to manipulating everyone around him, regardless of how much they care about him or not. He manipulated Chuuya into joining the mafia, he does the same with Akutagawa even today: Here we have him preying on Aku's insecurities to sabotage his self-confidence

He seems to be able to cut off his emotions from any situation, seeing people in a raw, factual sense.

There are several moments throughout the novels where Dazai talks about people as if they’re purely resources or pawns. An example of this in Dead Apple (where Chuuya gets angry because he doesn't respect people or show enough sympathy)

The way he speaks of Atsushi, when asked what he thinks of him in a guidebook, is something like “developing as expected”. Especially in the original, it sounds extremely factual, mechanical, and cold. To me, that doesn’t mean he doesn’t care about Atsushi, he’s just the type to compartmentalize his emotions in opposition to his thinking. This is very common for a few personality disorders and mental health conditions: the capacity to totally cut off your emotions from the equation.  Obviously, many people are capable of doing this to one extent or another, but the amount to which he does it is what makes it significant.

Lack of traditional empathy: Personally, I think everything comes down to this. Dazai's experiences with empathy are one of the main themes of his character arc. I believe one of the things that makes him feel othered is his lack of emotional empathy.

People with ASPD tend to have issues experiencing what a lot of people consider “typical” empathy – however, ASPD is also on a large spectrum, so experiences certainly vary. Keep in mind that "lack of empathy" is common for all sorts of disorders, but since ASPD seems to be one of the most popular choices for Dazai, I decided to start there.

Before we continue, there are 2 types of empathy: Cognitive empathy is the ability to recognize and understand someone’s feelings and experiences and imagine yourself in those scenarios. Emotional empathy is experiencing shared emotions with someone or feeling emotions as though the experience is your own.

People with ASPD can commonly do the first type easily, and struggle with the second one. It does not mean they cannot experience emotional empathy, it’s just rarer for them to feel it. In my opinion, Dazai heavily relies on Cognitive empathy compared to Emotional empathy.

You can see often that he seems to not entirely understand “why” something is wrong on a personal level, but he can logically see it. This is a running theme, and you can commonly see that Dazai doesn’t fully understand “normal”.

“15” Asagiri seems to be writing Dazai as someone who has gone “beyond the human dimension” in his skills and intelligence, so other people can’t fully understand him, but I think this goes both ways. Dazai has lost touch with what’s the standard human experience.

One of the times Chuuya specifically calls out Dazai for not "acting human-like" is when he's not expressing empathy and respect. It is clear that Dazai's lack of empathy is one of the aspects which make others see him as "inhuman".

There is another situation with Kunikida  during the Azure Messenger arc where Dazai seems to apologize for not getting something “is normal”, it slips by you very easily. It is framed as a joke, and it can be read as him making fun of Kuni, but Kunikida asks himself why Dazai apologized. It does read a bit unusually.

To me it seems like Dazai doesn’t fully emotionally understand other people, so when his mask slips you can see that he struggles a ton with getting what’s exactly “typical”.

Because Dazai is extremely intelligent, he masks in order to fit into society, and he does it successfully since he can intellectually understand most social and emotional functions and processes. However, he slips up like everyone does. This is why he got along with Oda well – since Oda just let him act like himself without having ulterior motives. Dazai didn’t have to “mask”. He didn't see Dazai as "just anyone", but he also realized Dazai was human. Basically, to Oda Dazai was a kid that had empathy issues, but he was struggling much like everyone else.

Personally, I feel like Dazai doesn’t feel entirely “human” because he doesn’t feel “emotional empathy” on the same level as other people, and this is one of the key issues of the character (as it's clearly stated in the Dead Apple manga, where Dazai does seem a bit upset by Chuuya's reaction)

. The reason he felt “seen” by Oda is because Oda fully recognized this and still believed Dazai could do “good”. In our society, it is common for people to think that "empathy" and "sympathy" are conditions for being a good person, but it isn't so simple. The possible complexity of Dazai's moral state is why I find the character so interesting - a person without traditional empathy choosing to be good is really fascinating. (more on this later).

Boredom and general emptiness: “Boredom” is an extremely common complaint for people with ASPD – in fact, intense, non-standard boredom, along with other symptoms such as atypical experience with empathy, is one of the easiest ways to recognize ASPD. A “numbed” emotional state is common for people with ASPD, and due to their different emotional range and inability to connect with others in a more typical fashion, they are prone to “boredom” and seeking out extreme experiences.

Alcoholism/Substance abuse is common for people with ASPD, and it’s pretty much canon Dazai drinks a lot (alcohol is even in his likes). Aside from that, Dazai often cites boredom as one of the main reasons he wants to die, and I remember so many instances where he complains about it in bizarre circumstances. This is common for people with ASPD: depression/suicidality is comorbid, and I have heard people with ASPD mention they wanted their life to end once they no longer have enough stimulation. Dazai is often stated to be “bored”, or look bored even when extremely horrifying things are happening (people dying around him/telling their life stories..).  An example with Mori where he talks about wishing to die (from 15):

Another really funny thing, a lot of people with ASPD I have seen tend to dislike “dogs”. Obviously, this hatred comes from the real life Dazai being scared of them and thinking they can attack at any moment, but it’s a funny coincidence. They tend to dislike dogs for an entirely different reason than Dazai does, to be fair.

How Dazai seems to see himself and morals in general

Generally, to me it seems like Dazai is not entirely happy with his nature. He admires Oda and doesn’t understand why he wouldn’t use his talents to rise up in ranks within the Mafia, simply because that is logical to Dazai – perhaps it is that difference between them that he enjoys so much. He is frequently attracted to displays of empathy:

Examples: 1. Ango documenting the deaths of people within the mafia even if it’s “just a waste of money” 2. Almost everything Atsushi and Oda do

He often describes altruism as “interesting”. I am also under the impression that Dazai has a tendency to project his nature onto others, which we can gather from his “Evil expects evil from others” quote to Mori. Furthermore, he sadly remarks in Dark Era that he is “a man despised by righteousness”. so I feel like there is something up here, some sort of guilt, distaste or shame.

This tells me:

a)Dazai sees himself as “evil”

b)He is constantly assuming the worst in others or is prepared for the worst

Another thing this tells me is that Dazai is someone who is likely extremely wary of people’s intentions. This is a ubiquitous theme all across BSD, especially when we see him as a kid. Osamu tends to be skeptical of everyone and everything, as if he’s waiting for people to betray or fuck him over at any corner. In TDIPUD, he keeps getting upset that he can't figure out Oda, since it makes no sense for him to be so charitable for absolutely no reason. Oda said “good and evil are the same to you” – personally I interpret this as Dazai being largely amoral rather than immoral.  Whether Dazai can be described as “good”, “evil” or “neutral” largely depends on your view of ethics. Just because someone lacks traditional empathy, it doesn't mean they are necessarily sadistic or bad at all. Immoral and Amoral are two words that sound similar but have different meanings. Immoral is an adjective that describes “something against pre-established morals, ethics, or standard societal practices.” Amoral, on the other hand, is an adjective that describes “something or someone completely lacking morals.” In common society, if you’re not “good”, you are often automatically “evil”. Basically, a person who has "no morals" is just as bad as a person who has cruel beliefs, but those two fundamentally differ. However, in a technical, utilitarian fashion – this is often seen to be true. More or less, “good” is the neutral state, and the more you step away from it, the more “evil” you are perceived to be. The more moral conventions you break, the more "evil" you are, regardless of your intentions. The results of the actions matter more than the source and motivations. In the end, a person is dead, regardless of why you killed them or how you felt about it. The reasons why people do conventionally moral things can be all over the place too - people aren't always kind because they have sympathy. When I hear “evil and good are the same to you”, it sounds like Dazai has no need for either, meaning, yes, he has no inherent need to do good, but no need for bad, he is simply not opposed to either of them. Regardless of what he's doing, he feels the same way. They're both tools to satisfy particular needs. Many people read this and say "aha, so if he sees no difference between the two, that means he is evil", but I think the truth is in the middle. I always say that to estimate Dazai's moral framework, you need to judge him outside of normal conventions. Basically, his starting point in making decisions is different. He begins his process likely by thinking "what will this bring me?" Most of his “evil” is not out of pure sadism, it’s just that he feels no need to stop himself due to moral conventions, he mostly cares about practical results. This is opposed to Kunikida who cares about ideals and morals in a vacuum and pursues them in their most idealized version (and it's well known Asagiri writes duos as opposites). Entrance exam as a novel was about how idealism can lead people to ruin when it's unrealistic.

He’s naturally immune to socialized pressure that forms the moral frameworks of most people on an emotional level. All of this is very common for ASPD, and a few other conditions. The more I see Dazai talk about how he sees the concept of personality, murder, morality – the more I am convinced his ethical framework is focused on results rather than the inherent morality of said actions. Example: He's going to lie to you to make you happy, even though "lying is bad". There is no inherent value in staying honest if it makes an individual miserable in the long run, even though society sees frankness as a virtue. That way, most actions are “open” for Dazai to undertake, he has no qualms most people have against them, since he doesn’t have socialized morals. A lot of the time, we only see certain things as "unconditionally bad" because we've been socialized to see them that way, even if it's not necessarily logical. He simply lacks socialized morals, leading to a tendency to be amoral. Everything is a means to an end, every action is alright if it's a tool that has more pros than cons. Oda's death was a useful character arc, since it led Dazai to taking Oda's moral framework as his own. He doesn't believe he is better than others, nor does he enjoy hurting random people, he doesn't kill or rob randos to get something and believes he is justified in it. Things of that type would make him “immoral”. Most of Dazai’s evil actions seem utilitarian, rather than committed for the pure act of pleasure or cruelty. When I say “amoral”, I mean this from Dazai’s point of view. Since he has no “moral boundaries”, all actions are open for him to undertake. He can go as far as he wants to any extreme largely depending on his subjective worldview and feelings (as seen in Beast, where he breaks all sorts of ethical codes of being "a good man" so Oda could get a decent life). However, since he is aware that there is a fight between good and bad in every person, and that evil tends to win out compared to the good, under enough pressure, he admires people who selflessly continue to be kind. That is why Oda, a highly moral person even beyond what is logical (his insistence to not kill even if it harms him) is the opposite that pushed him to change. Ulterior motives tend to be something Dazai is worried about in people, perhaps because he is possibly projecting all he is, or can be, on others. He describes Oda specifically as:

"a man who has no ulterior motive". Oda is obviously being a good person partially out of self-interest ("people live to save themselves"), but this self-interest is not destructive. I think for Dazai, it was difficult to find people who didn't have an ulterior motive that was ultimately hurtful, and he projected that onto everyone. Oda acting in his self-interest was ultimately beneficial to everyone. All in all, while Dazai does admire Oda's morals - I think a lot of this appreciation comes from an intimate and subjective place, where he feels comforted someone like Oda even existed. Continuing Oda's work is likely an extension of this as well. Keep in mind, any person has the right to see Dazai's actions as bad, as they often are. I am more speaking of Dazai's internal mental framework. Conclusion: Dazai has no inherent need to do good or bad, for the most part. He just goes as far as he needs to to satisfy his emotional needs.

Oda saved Dazai’s life in the day I picked up Dazai, and listened to him, but expected nothing in return. I feel that Oda saw this struggle within Dazai, and the way “good and evil don’t mean much to him” due to his disorder, but recognized that Dazai perhaps didn’t want to be this way.

Since Oda saw Dazai’s “irregular” nature, and still believed he could be a good person, Dazai was touched and decided to change his life. I believe Dazai had some distaste for himself, regardless of his lack of empathy, he could recognize what he was doing was not entirely right. As Asagiri mentioned, Oda told him exactly what he needed to hear, and the fact that these words were so life-changing to Dazai tells us a lot about what he had on his mind.  In my opinion, to see who Dazai is, you need to follow exactly which words got to him.

In my opinion, it likely meant a lot that a person he actually admired wanted to be in his life, especially a person he considered so kind like Oda. He often says that Oda is “the most interesting person he knows”. Imo, this is because “empathy” is one of the things Dazai doesn’t fully understand. He had to learn it. Since he understands human nature so well, cognitive empathy comes easy to him, but he still fucks up sometimes.

Here, I also feel like he is talking about himself – he sees himself in Kyouka. It doesn’t come naturally to Dazai to be “good”, but he is trying his best, that is his ideal now. (Asagiri said this was one of Dazai's rare human moments). For that reason, I think Dazai admires empathetic people and tends to dislike those who are naturally violent, or even choose to be violent out of sadism.

On the BSD exhibit, Asagiri said Atsushi was "an empathy user", and how that is the key to his character. During one interview, the author mentioned that Dazai keeps testing Kunikida's ideals, but Osamu secretly hopes that Doppo will prove to be right, and Dazai wrong. This to me paints a picture of someone who hopes that "good" is worth it, at least from an intellectual point of view. When talking with Fyodor, he seems to admire people who live emotionally, thinking god doesn't prefer perfection, logic and harmony.

"The ones who actually make the world run Are those who scream in the storm of uncertainty and run with flowing blood"

Dazai seems to reject the idea that him and Fyodor and better because they are more calculating and cold - like I mentioned earlier in this god-forsaken post, this to me says Dazai believes empathetic and emotional people are better than him.

"I've come to see it many times, his gimmicks are the accidental and illogical that's a weakness two of us have in common" He suffers because he is not like them, and that contributes to him feeling "othered".

Negative emotions and Akutagawa

My guess is that one of the reasons Dazai has so many issues with Akutagawa is because he is projecting his own issues with his lack of empathy onto him. This makes him relate to Akutagawa, but also dislike him beyond how he usually treats people. Akutagawa questions why Dazai's acts of violence are justified, while Osamu is judging Akutagawa: to me it sounds that Dazai sees his actions as at least partly justified because they are "logical" and utilitarian. He puts a difference between him and Aku, as if Dazai's natural instinct is not to mindlessly hurt others. However, it's interesting he needs to draw this line.

I believe Dazai sees a lot of the hurt he enacts on others as either "justified" or subconsciously defensive. "If I don't hurt others, they will hurt me", and he uses this against all kinds of people to keep them in control. In the Dark Era novel, Dazai speaks of Akutagawa like this:

“When I first saw him over in the slums, I was horrified. His talents are extraordinary, and his skill is extremely destructive. Plus, he’s stubborn. If I’d left him to his own devices, he would’ve ended up a slave to his own powers until he destroyed himself.” Interestingly, Dazai was "horrified" at what Akutagawa was capable of, where most things don't seem to exactly phase him. I think something about Aku's capacity for violence even scares him, and he "lashes" out in response to control him.

Later on Oda calls out Dazai's thinking indirectly in Beast, saying that hurting Aku is still bad no matter why he did it. (more on this in the next section) However, it’s very clear he cares for Akutagawa in “Chopsticks and a Spoon”, so I do feel like he’s likely aware of it. In fact, that story contains one of the gentlest expressions Dazai has pointed at anyone, so I think he partially sees Akutagawa as "innocent" in nature, and more like a wounded animal. I'll likely write a post about it. Since Dazai has expressed some lament or even shame regarding him being a person "hated by righteousness", I do think he is a bit ashamed of who he is. This part is a theory: When talking about "No Longer Human", Asagiri mentioned that he felt the book was about "embarrassment". Since Dazai is canonically famously based on Yozo to some extent, I feel that we can guess that Osamu likely does feel some shame - the question is about what. The rare times we see BSD Dazai express something similar to shame is when talking about his moral nature (when he beat up Akutagawa in Dark Era), but it's a "blink and you'll miss it" type of thing. Yozo and RL Dazai's relationship with his father was one of the cornerstones of his work (NLH even ends with him mentioning how he would have been alright if he had a better relationship with his father). Within the book, Yozo feels all sorts of things which make him feel "inhuman", but he is terrified about being open about it due to his strict father who sees him as somewhat strange. Since the theme of "fatherhood" was lightly touched upon when Atsushi's orphanage director died, I do think this is potentially a sore spot for BSD Dazai too. My guess is that Dazai likely had a poor relationship with his father figure, who saw him as "strange" or "inhuman" due to the way he acted: leading BSD Dazai to feel shame over his nature. Perhaps one of the things that made his father see Dazai as inhuman was his lack of typical ethics and empathy. Osamu internalized this - and ended up becoming a criminal at a very young age, perhaps in an attempt to confirm what hurt him, seeing himself as someone who could mostly do bad (which could be one of the reasons he wanted to die so young). Perhaps Oda making a way for him to "act good" was life-changing because of that too - it targeted a specific wound. All of this is speculation, but Dazai did mention that "self-pity leads you to living a life that is an endless nightmare". My guess is he was talking about himself there: and his own experiences with shame. To extend this: I think one of the reasons Dazai is so harsh on Akutagawa is because he is possibly projecting his relationship with his father onto Aku. Akutagawa is violent and troubled, and Dazai was shamed for the same thing. (but it would take a lot of time to work through this theory, so moving on..)

Dazai exhibiting empathy However, Dazai does show empathy for Oda, and a lot of it. I’d go as far as to say that he over-empathizes with Oda, while he underempathizes with everyone else. His relationships with the people closest to him tend to be why some people think he may have BPD. Especially due to devaluation and the "favorite person" concept. For someone with this type of BPD relationship, a “favorite person” is someone they rely on for comfort, happiness, and validation. A FP is a person who someone with BPD relies heavily on for emotional support, seeks attention and validation from, and looks up to or idealizes. For Dazai, this is Oda. On the other hand, In the context of BPD, “devaluation” refers to a psychological defense mechanism or coping strategy that individuals with BPD may employ in their interpersonal relationships. Devaluation involves a shift in the person’s perception of others, where they view someone they previously idealized or held in high regard as unworthy, flawed, or worthless. They become unworthy of their affection and praise. The person with BPD may engage in behaviors such as intense criticism, verbal attacks, withdrawal, or even cutting off contact with the person they have devalued. These actions are often driven by the individual’s fear of rejection, abandonment, or a desire to protect themselves from potential hurt or disappointment. For Dazai, the clearest example of this is Ango. However, a person can exhibit the "favorite person" and project the phenomenon of devaluation without having BPD. In my opinion, Dazai does show heightened polarity in his feelings toward others, but I am not sure if BPD would be my choice for him. It's very difficult to say, as many conditions mask as BPD, and Dazai's expression of empathy is unique.

Dazai idealizes Oda, and deeply sees his pain as his own, while he always frames Akutagawa in a negative light, even though he is likely one of the people Dazai cares about the most (next to Oda, Chuuya, Ango, Atsushi, especially according to Beast). Another example of his heightened negative emotions are Ango, and Chuuya to a much lesser extent. My guess is that Dazai doesn’t deal with caring about people well, especially when they are any sort of “threat”: which is why he tries to “bully” them down. The reason he goes easier on Chuuya than Akutagawa is because he feels Chuuya is in his nature more sympathetic.

In my opinion, the moment Dazai warmed up to Chuuya was when he realized that The Sheep were pushing Chuuya around: he was no “King of the sheep”, he was acting out of empathy and care. Since Chuuya is so powerful, it was likely admirable to Dazai that he didn’t abuse his abilities for self-gain. This is when he decided to isolate Chuuya from the Sheep: and I think the reason above is specifically why

I'd say Dazai is likely "spikey" to anyone he cares about but has less confidence they won't hurt him. There are two camps of people: 1. Atsushi, Oda, Kunikida, Sigma (generally upright, meek, moral at the end of the day) 2. Chuuya, Akutagawa, and lastly Ango (people who are aggressive, challenging, and need to be put down in Dazai's eyes).

He cares about both camps (Sigma is debatable, I spoke of the type of personality Dazai seems to deal with easily in his case), but he likely feels "less safe" with the second type. Mori could potentially go into the second camp - there is some respect and resentment there at the same time. He even talks about this with Kunikida in Entrance exam.

"“I guess. But you, Kunikida, I’ve got a good idea of who you are now, so nothing you do will ever surprise me. I mean, compared with me, you’re just a simple man with a simple mind, after all.”

See? You wear your heart on your sleeve. You don’t hide how you’re really feeling. It’s nice. You know what else is nice? Just knowing that you’re going to be worrying later to yourself, ‘Am I really that simple?’”

“Why, you—”

But I refrain from arguing. Whatever my response, he’s just going to end up telling me, “I knew you’d say that.”

I suppose that being around Kunikida comforts him since he is predictable, yet kind. On the other hand, someone like Chuuya excites him, because he is wild and challenging enough, but is still a good person when it comes down to it. Basically, Dazai is hypervigilant of pain.

Akutagawa is “off the chain” in comparison to all of them. I am under the impression that Dazai can care about people without treating them well at all, and 2 of the people who are at the top of his list (Chuuya and Aku) are people he “seems” to dislike (In Chuuya’s case rather openly in his profile).

It appears that the more “intense” and “unpolished” parts of Dazai’s personality are strictly reserved for people he cares about, but he is extremely selective about who he shows emotional empathy to as it’s such a rare experience for him. He may capable of "cutting off" empathy to protect himself emotionally. It is quite clear some aspects of empathy miss him broadly in Beast, when he appears shocked that Oda would react so strongly to endangering Akutagawa since “it’s all supposed to end well if he survives”. That sentence itself is totally tone-deaf, yet Dazai is acting as if Oda is supposed to take that normally. It’s quite clear that Dazai doesn’t treat Atsushi all that well in Beast either, as he exploits his fears for Atsushi to be totally obedient to him.

I really like this moment, because it demonstrates that even if Dazai does have some point regarding Akutagawa and the way he goes about things, the way he has treated him is still too much – and Dazai can’t exactly convince Oda, a decent person, why this is ever justifiable under any circumstances. There is an aspect of regular empathy that misses Dazai – it doesn’t cross his mind why his actions are inherently bad. Perhaps it is possible that Dazai was treated with little to no empathy growing up, so he accepted that as a model for acceptable behavior. A lot of the time, cruel actions don't seem to even register to him as bad, in an almost innocent way. It's like it doesn't cross his mind that stuff is out of the ordinary. When talking to Oda about this, he was described as "childlike".

However, Dazai shows a lot of extreme emotional empathy for Oda, which tends to be rare for people with ASPD (obviously, all traits of it are on a spectrum).

Dazai clearly feels as if he himself is being beaten when Oda suffers. Furthermore, “Beast” shows that he is willing to endanger multiple people he cares about so Oda could live and write his book. In his words “the me from other worlds doesn’t care about the world” – showing that even though he may “care” about people, it’s really hard for him to fully emotionally connect with others.

This leads him to severe feelings of loneliness and isolation, but it’s quite clear Oda is the exception to this.

Dazai has multiple anxiety attacks when meeting with Oda in Beast and TIPUD:

“I see.” Oda says after he gives it a moment of thought. “I’ll do so then. That is very kind of you. You are a good guy.”

Dazai’s expression becomes distorted.

He opens his mouth, and closes it again, as if he can no longer breathe.

If he tells him everything now, maybe things will go back to how they were. The two of them will go to the bar together and have a toast. Just like that night.

“Odasa…”

Just as Dazai is about to say that name, a train passes by. The express train passing through that station cuts through the silence of the night, right next to where Dazai and Oda is."

and obviously the whole showdown at the bar. Earlier, Oda mentions that Dazai looks like he is about to cry:

 An interesting part here is that Dazai gets shocked that Oda would even consider that Dazai could hurt him:

It almost sounds absurd that Dazai, who is known for scheming even against people he likes, would be that surprised someone would expect this from him. This, to me, shows that Dazai does have that underdeveloped, childish emotional side to himself, where he doesn’t understand everything he does. It’s quite logical why Oda, or anyone else, would be consistently doubtful of Dazai, yet he is so used to not caring about anyone, that when he does feel things he is remarkably unpolished and just as illogical as anyone else. I’d say his heart is like a knife that went blunt from lack of use. Since he has no experience dealing with people he feels strongly about, it always comes across very messy – and Asagiri himself often describes him as childish at his most vulnerable.

Furthermore, the lyrics of the song for Beast have these words to say: “Loving you to death won’t kill me Because I don’t love this world enough” And in the Beast novel, he mentions all he has to give to the world is love. I think we can certainly see that Dazai is not emotionless.

To me it seems like Dazai is capable of selective emotional empathy. I feel like one of the reasons Oda was “the one” Dazai attached himself to the most, is because Oda was a struggling man who was also depressed (rather clear the more you read), but he was empathetic and accepted Dazai for who he was.

Him and Dazai had difficulties in common (the guy was a killer as a kid too), yet Oda did his best to be a good person – that is one of the reasons, as Asagiri mentions, why he had an “outburst” when Kyouka implied former killers can’t be good people. Oda was a good person in his eyes, and his role model of “empathy”: someone he wished to emulate. I am pretty sure that Oda became the blueprint for the moral compass he strives towards.

Most importantly, Oda didn’t really judge Dazai when he showed his lack of empathy, while he remained firm in what he believed in.

“Odasaku is the type of person who will never lecture anyone. Because he does not consider himself a superior person who can teach and guide others. However, it doesn’t mean that he has nothing he wants to say. The sentiments that he couldn’t convey in these two scenes were finally delivered to Dazai in the last scene through the words “Become a good person.” Very meaningful scenes when read as a set.”

is how Asagiri described Oda during the exhibit. As Asagiri says, one of the reasons he didn’t tell Dazai anything when he provoked the sniper was his modesty. Since Oda didn’t look down on him, yet showed concern and fully understood Dazai wasn’t just a struggling depressed kid, but someone with serious issues who also happened to be a child – Dazai grew to deeply care for him. Oda didn't shame him, likely avoiding Dazai's hypervigilant sensor for pain.

Selective empathy is common for many disorders – and Dazai, after not feeling “seen” his whole life, ended up making a true connection with Oda. I guess, in that sense – Oda was the one who really reached Dazai’s heart, and since he was the only one who came that close, all of Dazai’s emotional empathy is reserved for him.

In my opinion, the reason Dazai was so difficult to “get to” was that even people who had good intentions toward him never truly saw him.

To see Dazai as a depressed woobie who just needs to be saved is to idealize him – which wouldn’t exactly help him. They’re talking about a version of him that doesn’t exist. If the only way he could be seen as worthwhile was someone seeing him as more “traditionally good” than he truly is, it’s not going to work. He needs to be seen for exactly who he is, and still given a chance to be better.

Likewise, it had to be someone who wasn’t helping him in order to get something from him. I would say that one of the main reasons why Dazai got so attached to Oda was because his friend had no reason to save him, he gave him space, and didn’t even force himself into Dazai’s life.

It was purely altruistic, and for Dazai, who expects the worst from others and seems to fear people’s intentions, this was perfect. One of the main aspects of Dazai's character is his anxious-avoidant attachment style, where he is likely so afraid of potential pain, he pushes others away, or punishes anyone he cares about who might hurt him preemptively. A lot of this is not impulsive, but calculated, which is why he feels a natural resistance to Akutagawa (but relates to him and cares all the more because of it). He understands the self-destructive nature of Akutagawa.

"If I’d left him to his own devices, he would’ve ended up a slave to his own powers until he destroyed himself.”" I believe Dazai likely allows himself to fully empathize with Oda because he feels only Oda is "safe" in this world. The fact that Oda is dead and gone perhaps makes caring for him even safer, as his image of Oda will never change.

Conclusion: I'd say Dazai is someone who is probably extremely traumatized, with a specific emotional profile that doesn't allow him to experience empathy like normal people do - and this is one of the defining traits of the character for me. He is able to isolate himself from normal social pressures and boundaries - and because of this and his extreme intellect, he feels like an alien in this world. A lot of his struggle likely deals with the fact that he dislikes the hurtful person he is, but has difficulty seeing why he should be better - all while he has a distaste for sadism, cruelty and senseless violence in others. In my opinion, a lot of his own cruelty is "reactive": he acts "evil" because he expects the same from others ("evil expects evil from others), and decides he wants to beat them to the punch. He is comforted when he is in the presence of altruistic and empathetic people, because he doesn't have to be what he dislikes (as "enemy" evil will always make him react since he is threatened). In the end, he rationally sees that cruelty is negative, but he still feels it is an effective tool. If Dazai weren't this way, he wouldn't consistently choose empathetic people for his company throughout the story, while acting callous himself most of the time.

A lot of things Dazai does to me feel like he is avoiding hurt, or attempting to "control the pain" he gets in his life. Notably, Dazai mostly lets himself get "bullied" by people he sees as innocent and simple like Kunikida, since "Kunikida will never surprise him" - he knows that Doppo won't cross the line. Ironically, he famously says he "dislikes physical pain", but often gets himself into physically dangerous scenarios.

It's like he doesn't mind pain if he's the one in control (when Fyodor let the sniper shoot him, when that dude from Mimic shot him point blank). Avoidance of pain and control are other keys to Dazai's character. In that sense, I think Dazai was possibly traumatized and learned to almost completely disassociate from empathy early in his life. There are so many theories I could think of here that we'd get nowhere.

It is clear that Dazai is capable of extreme emotional empathy due to his relationship with Oda, and it's possible he doesn't allow himself to feel it in most scenarios due to his avoidant nature regarding pain. However, whatever the reason behind it, it is clear he doesn't feel a ton of emotional empathy in his day-to-day life, and this disassociation from empathy has crafted him into a person who doesn't fully understand "normal humans".

That is why he sees them as fascinating after Oda dies - he reaches Dazai's heart and opens him up to the idea that not all people are unempathetic and cruel - meaning Dazai doesn't always have to be on guard. Does Dazai have ASPD, or is his lack of empathy a result of other things: PTSD, CPTSD, is he perhaps autistic? I can't say for sure, as it could be so many things. Personally, anyone could make an argument for any of these in my eyes. Above, I mostly analyzed his displays of empathy and tried to study which emotional patterns he appears to follow. I think Dazai's character arc has a lot of worth specifically because we see someone for whom emotional empathy may not be natural trying to be good. It's a unique ethical dilemma, and that's one of the reasons I feel in love with the series. Since it isn't natural for him, his efforts mean a lot, and the struggle feels real and genuine.

Thank you all for reading if you made it this far <3 I've taken a lot of posts and translations I've gathered over the years, and I am sure I won't be able to thank everyone, but, I'd like to show appreciation for popopretty, aja154ever and many others for sharing info from exhibitions, databooks and so. Have a nice day !

[blessedbucky]

we tried the world, good god, it wasn't for us! (part 2)

pairing: autistic!satoru x suguru x autistic!reader

word count: 6k!

summary: a glimpse into the time before tokyo

tags: autistic!reader, autistic!satoru, bisexual!reader, bisexual!suguru, ableism, internalized ableism, mentioned child abuse, mentioned bullying, mentioned homophobia

beautiful people who asked to be tagged 💕: @ichikanu, @iceheartsice, @anders-is-being-a-simp-again

author note: i'm not going to stay this every single chapter, but just as a reminder, autism is a spectrum! i was a late in life diagnosis. like, i literally got diagnosed two-ish years ago at 30. so, i don't know what it was like to live a childhood with an actual diagnosis. i know, for most parents, their kid getting a diagnosis isn't the end of the world. i've done a lot of research on how autism is received in japan and it's a lot of mixed reviews. i can only imagine that living in a super tiny town isn't easy for anyone seen as "other" (LGBT, neurodivergent, sorcerers in regards to the JJK world). so, yeah, there's my disclaimer!

translation note: jiheishō is the japanese term for autism

oops done forgot to link part one

oops part duex here's the ao3 link

[SIX.]

“Jiheishō?”

Oh. There’s that word again.

Mother took you on another trip to the special doctor that’s all the way in the city. It takes a long, long time to drive there. Two hours, Mother said, when you asked. You wanted to ask her if she remembered how many times you’ve been to the doctor, but you can only ask one question on special doctor days. Mother has been really sad. You don’t want to make her sadder because you ask lots of stupid questions.

Is Father this sad, too? You wish that you could hug him like you do Mother, but you don’t see him a lot. He doesn’t like to talk to you as much anymore. He must be tired. He’s a farmer and works really hard. You were really happy when he came with you and Mother to the special doctor once.

“Absolutely not!” Father’s voice is loud. You drop your crayon because you got spooked. You’re outside with crayons and the special paper that’s colorful and feels really nice on your fingers. Before you went home, the special doctor let you take all your drawings home. “That’s what that quack came up with?! And you accepted that?! We spent all our money for that?!”

“Dear, please,” Mother says in that way that means she’s crying now. You want to go hide. It’s because of you. “Don’t you think this is the best outcome? We were scared that she had some kind of brain injury! The doctor said that the things that she’s been seeing are imaginary friends, that’s all. She has poor emotional regulation and an overactive imagination, so if we teach her what she can and can’t say—”

“What do you mean better?!” There’s a loud bang that makes you jump. “If she was sick in the head in some other way, we could medicate her! How do we treat this, huh?! What are we supposed to tell people? Do you know the position this puts us in now? This is an embarrassment on both our families! Our daughter will be no better than that Geto boy!”

Father is really, really, really mad. He’s super loud, too. It makes your head hurt more. The hospital had a lot of people, was really bright, and there was so much noise. You don’t know how, but you hurt Mother and Father, and that makes your heart hurt worse than your head. You guess this is because of what the doctor said. He said what was wrong with you, even if you didn’t know what it meant. Before he could tell you what it means, Mother said that she and Father would talk to you about it. She said that it wasn’t the doctor’s place.

You’re dumb. You should’ve known you hurt her when she got in the car after leaving the doctor and cried a long time.

Too scared to be seen by Father right now, you decide to leave. If he sees you, he’ll keep yelling, and you’ll cry. This might make him happier, anyway. He says that he wants you to be more normal. Normal boys and girls go play, right? You don’t have people friends, but you don’t think that matters. You just have to be gone from home until the sun sets. If Father asks where you went, it won’t be a lie to say you were playing with friends.

You walk along the rock road between farms to get to the forest where the river lives. No one waves to you like they do Mother and Father. You know they think you’re weird because your classmates think it, too. It’s not your fault that you have different friends than them. You think they’re jealous that they don’t have as many as you.

Oh!

There are special animals!

Just as they’re about to fly away in the forest, you see a big group of them. These ones look like cute squids!

If you think really hard and call for them like you see classmates do with cats or dogs then the special animals will come see you, but these don’t. “Wait!” They don’t hear you, either. They’re too far away. So, you give chase. You want to touch them and hold them like nothing else. You know it’s mean, but you’ve never seen special animals as cute as these before!

Will these feel like real squid or cooked? You hope it’s real squid. That would be so cool! Maybe you haven’t ever touched a real one, but you have eaten squid, and you hate it. It’s so gross inside your mouth that you throw up whenever Mother makes it. Not even takoyaki can make it better.

You’re on the side of the river when you catch up with the squids. You almost get bonked on the head by something. They’re all dropping stuff on the ground. Fruits and vegetables. They’re dirty and have fur on the end that Father told you were roots. It’s like the squid stole them from the farms. The squids hover in the air, even if they dropped their food. You take the chance to leap up and grab one of them.

You’re squealing at how slimy the squid feels when someone shouts, “Hey!”

All the rest of the squids float over to a boy that’s stomping out of some bushes. You know this boy. He’s the tallest in your class, but also the skinniest. His black hair is at his shoulders and messy. He’s the very first in your class to lose a tooth. He’s making a mean face, so you can see the hole in his teeth. This is Geto Suguru and he’s the only other person in class that people don’t like, though you don’t know why since no one talks to you.

“Let my squid go!” Geto shouts.

Your eyes widen. “You can see them, too?!”

“Yeah. Just like you can, I guess.” Geto walks to stand in front of you and yanks the squid you’re squeezing. “You’re not allowed to eat any of these! This is my food, and these are my squids!”

You’re confused. “Are those regular squids? Do regular squids fly? You only eat regular squids, right?”

Geto squints his eyes at you. “Are you stupid?” He shakes his head. “No. Ocean squids can’t fly. I’m talking about the ghosts.”

“Ghosts?” You tilt your head, trying to figure out what he’s talking about. Suddenly, a black hole opens next to Geto’s head, and a new special animal comes out. This one looks like a really big, ugly fly with teeth and eyes. You have seen these kinds around before. “That’s a ghost? I thought those are special animals.”

Another black hole opens. This special animal has a mushroom-shaped head with a little body and wings. “How does that even look like an animal, dummy? Most of them don’t look like the squids.”

“I know that!” Your cheeks puff out. You’re not dumb. He is! Ugh. Why did you think that he would be different than the rest of your classmates? Everyone calls you stupid! “I call them that because they come when I do. It’s like other kids and their pets. I can do the…the…psst, psst, psst thing.”

Geto finally loses the angry face. Now, he’s confused like you were before. “Huh? You mean…they listen to you?” He points at the bruise on his cheek. “I have to fight them before I can eat them. After I eat them, then they listen to me.”

“You eat them?”

“You don’t?”

“No!”

Maybe you are stupid, but so is he. The two of you stand there and look at each other while you think hard about what you learned. You can both see the invisible things that no one else can. Are there other people like you and him? There has to be! And they all are special because you and Geto are. They come when you call. Geto eats them.

At the same time, you both shout at each other, “Show me!”

“Whoa.” Geto holds his hand out to let you touch the black ball that he turned the ghost animal into.

It took you and him walking up and down the river to find a ghost animal that wasn’t already his pet. He watched with wide eyes and a mouth dropped open as you clapped and called to make the ghost animal come to you. Geto wanted to fight it, but you told him that he didn’t need to do that because it wasn’t going to hurt either of you now. You know that they can be mean when they don’t know the other person, but they don’t fight you.

Then, you were the excited one as you watched Geto show his power. It was bright, but it was so cool that you didn’t even care about that. It’s kind of like the special ghost turned into ashes, just breaking apart before it spun in circles, and it finally formed into a little black ball that Geto now holds.

“That was so pretty!” You’re so excited that you’re waving your arms. “It was so cool, too!” His cheeks are red. He looks away when he pushes the ball in your face. Grinning, you reach for it, but instead of getting to feel the ball, your hand goes through it and lands on his hand. “Oh.” You poke his hand. “Aw, it didn’t work.”

“Eh?” Geto blinks. He pulls his hand away, making sure that his ball didn’t go away completely, and it didn’t. He curls his hand around it over and over. “I guess only I can do it.”

You nod. “That makes sense. Just like only I don’t get hurt by them.”

“But we can both make them do what we say.”

“No,” you stretch the word out. “Um, it’s weird. They don’t see me unless I call for them. And I can make them not hurt me or anyone else and…stay there. But that’s kinda it, really.” You rock back and forth. “I guess I just make them not angry.”

Geto looks at you for a long time without saying anything.

It starts bothering you, getting stared at. You ask, “What is it?”

“Will you help me get bigger ones? You don’t have to do anything but make them be quiet like you did here,” Geto says. “It’s hard for the little ones to get bigger food for me.”

“Why don’t you ask grown-ups to get bigger food for you if the ghost animals can’t?”

Geto kicks some rocks into the water. He doesn’t look at you anymore. “Because I’m not asking for any of that food, dummy.”

“But…that’s stealing, isn’t it?”

“I don’t know what else to do,” Geto whispers. “My folks don’t give me food.”

You’re the one that doesn’t say anything for a long time. That makes your heart hurt. Parents are supposed to feed their kids, aren’t they? Sometimes, yours don’t, but that’s because your body is being bad. Mother works hard to make meals and you don’t appreciate that when your body makes you throw up the gross feeling food.

Would Mother and Father let Geto eat instead of you? Geto would probably like Mother’s food more than you. But…no. Father says that he doesn’t like Geto. He thinks that Geto is weird, too. Father might get even madder at you if you tell him that you and Geto are friends.

Kids are supposed to eat. It’s really, really important, your teachers say when you don’t want to eat lunch for the day. That would make it okay if Geto takes some food, right? Farms are big, anyway. Some animals go digging for food. You know that because Father said so. What’s different between a deer and a ghost animal taking food?

“You have to pay me for it,” you finally say.

Geto nods excitedly. “Anything!”

You hold out a hand to him. “I’ll help you if you be my friend.”

[FOURTEEN.]

“You’ve been crying.”

When Suguru cups your cheek and wipes at the tear stains with his thumb, you shrug him away. Not because you don’t want to be touched, but because you don’t want to dwell on what caused said tears. “I brought takoyaki,” you mumble as you slip your backpack off your shoulder. “Had to take a bite, but I know you don’t care about the germs.” Said takoyaki balls are wrapped in a napkin that you pass over to him.

“I almost don’t want to out of spite,” Suguru mutters under his breath.

“Then what? Should I throw it away? They’ll check the trash or check the yard to see if I buried it.” Hugging your knees to your chest, you put your forehead against your knees. “Eat it, please. I just want this whole ordeal to be over, okay?”

“Aren’t you too old for them to be forcing you to sit at the table?” Suguru keeps complaining as he digs into the takoyaki balls with gusto. He tries to be casual about it, but you’ve been best friends for almost ten years. You know when his parents haven’t been letting him eat.

“Aren’t you too old to be asking these stupid questions?” You turn your head to the side to quietly study him. It was nearing midnight when he came knocking on your window. The makeup from the day has rubbed off, so you can see the ugly bruise yellowing on his cheek. “Aren’t you too old to be hanging out with the weird chick? You know it makes their mood worse when they hear I made a scene.”

Suguru chuckles darkly. “They’d find another fuckin’ reason to get pissed off, trust me.”

“How’d we end up with the shittiest parents in this stupid village?”

“Everyone has secrets. They’re cruel to their children, to their spouses, to each other. Just like you and I do, they have their masks, but word gets around. You just don’t pay attention.” He reaches over to flick your exposed nose. “Did you hear about what happened with Endo Iyo’s father? His mistress from a village over showed up on their doorstep, saying she’s pregnant with his child.”

“Eh? No wonder she was such a cunt at school today.”

Suguru laughs quietly. “You’re awful, Squid.”

“Says the person that’s dishing out the gossip.”

“Okay, you got me there.” Suguru stabs the last takoyaki ball with his skewer. Before he takes a bite, he asks, “I’m surprised you’re not saying worse about her. Do you want to talk about what happened today? I heard that you and Endo got into a screaming match in the girls’ locker room.”

“All the mean shit that I had to say about her, I said to her face.” He snickers but stops when you go on to explain, “She was talking about doing mean things to you.” You fiddle with the hem of your sleeve. “I overheard her and all her little friends scheming. She said that when we start high school, she’s going to pretend to confess her love for you. She said that you’re such a desperate loser that you’d accept.”

Suguru doesn’t have much to say about that. He tosses the napkin away. You watch as, one by one, he licks the sticky residue of takoyaki sauce away from his fingers. He’s staring at you thoughtfully while he does. For some reason, it leaves you flustered, so you duck your head back down.

“Is that what upset your parents?” You nod miserably. “That was sweet, Squid, but you didn’t have to go through that for me. I know you hate to yell. But…you didn’t think that I would believe her if she said something like that, did you?”

“I don’t know. Maybe? Or…maybe you’d use her like she wanted to use you. We’re at that age, y’know. I hear guys talk about getting a hand up girls’ skirts and stuff.”

Suguru groans loudly. You glance over at him and he’s so disgusted that it makes you huff in amusement. “How low is your opinion of me? I have tastes.”

“How do you even know what your tastes are? Everyone our age is gross.”

“You’re not gross.”

“I wasn’t talking about me and you, obviously.” You unwrap your arms from around your legs, letting them drop. You shuffle around to cross your legs instead. “We start high school next year,” you whisper more to yourself than him. “I guess that I do have to start thinking about that stuff, huh?”

He makes a displeased noise in the back of his throat. “You actually don’t.”

“It’s what normal teenagers do, though, right? Girls think about making love confessions to the guys they have crushes on. They want to date.” You bite on your bottom lip. “That cunt, Endo…she even talked about swindling you into taking her to a big city to book a room at a love hotel. She thinks you have a big dick because you’re so tall. That’s when I snapped.”

“Oh. That was nice of her to say.”

“Suguru! Ugh!” You can’t even believe that he would praise her like that. Suguru is your best friend! This asshole is supposed to be on your side here! “Don’t be thankful for that! One day, you’ll meet a nice girl who will wax poetic about your dick and mean it!”

“Or boy.”

“Or boy—” you blink. Slowly, you turn your head. Suguru is pointedly not looking at you. Because he’s nervous. Your kneejerk reaction is to be hurt that he’s waited this long to tell you, but you understand why. During your first year of middle school, word got around that Kimura Kaito liked boys, and he left for the city without even graduating. “Or boy,” you reaffirm. “I can kind of forgive you for taking Endo’s compliment. It sucks that someone so hot is such a bitch.”

The tension in the air eases. With flushed cheeks and a laugh, he gives you a light shove. “How much did it pain you to lie like that?”

“I wasn’t, though?”

“Oh.”

“I thought you knew,” you admit. “Didn’t I tell you about the day that I was with my mother in the city? It was two years ago, I think? I saw an ad at the subway station with this model and said it’d be nice if she was my wife. My mom slapped me so hard that I knocked my head against a wall and busted it open.”

“No!” At Suguru’s shout, you immediately shush him. Sure, your house is bigger than his, but it’s not that big. He’ll wake your parents if he keeps this up. “I saw that and tried to ask you about it, but you didn’t say shit,” he hisses in a much quieter voice than before.

Oops. “Well, that’s what happened.”

Suguru tilts his head back, looking up at the starry skies. “We’re kind of perfect for each other, Squid. Have you ever thought about that? We see the same things. We were raised the same. We like the same things…”

“I don’t know what I would do without you,” you agree.

Just the thought of a life without Suguru in it makes your chest tight with panic. This is the exact same spiral that you had before you two entered middle school. You were so exhausted that first week of middle school because terror kept you awake all the nights before. You dreaded the change. You thought that, somehow, the rest of the kids in the village would finally figure out how amazing a person Suguru is and take him away from you. Now that you think about it, that might be part of the reason why you exploded on Endo. Maybe she joked about it, but what if someone else didn’t?

“Squid—”

“Suguru—” you stop when you realize that you and he started to talk at the same time. Since it feels like you’ve dominated the whole conversation tonight, you meekly offer, “You first.”

“Do you…” Suguru trails off. Whatever he wants to say, he doesn’t know how to get it out. You patiently wait. It’s like he goes through a lot of emotions, one after the other. Finally, there’s a defeated slump to his shoulders. “It sounds like it was a hard day for you.” He has such a soft smile, but it doesn’t reach his eyes. “Do you want to help me catch the ghost animal that I found last week?”

“You went manta ray riding without me?” You can’t help but pout about that.

“Sorry, sorry. I needed some time alone, that’s all.”

Yeah, okay, you understand that. For you, there are days when it’s simply too hard to even talk. So, you don’t dwell on that any longer. You move the conversation forward as if he never said it at all. “We’ll be so exhausted tomorrow,” you warn.

“It’ll be worth it.” Suguru rises to his feet. Holding out a hand to you, he grins wickedly, and declares, “It’s a dragon.”

“You couldn’t have said that earlier?!” You’re so excited that you scramble to your feet yourself. In your excitement, you almost forget that it’s midnight, and everyone else is asleep. Suguru puts a finger to his lips to remind you to be quiet. Eyes bright and vibrating with delight, you whisper-shout, “Let me grab my sketchbook!”

“Reminds me of Hong.”

“Hong?”

“It’s a rainbow dragon from Chinese mythology!”

“You choose to focus on the most random things,” Suguru mumbles. You elbow him in the ribs as a rebuke. He doesn’t even flinch. Since when did this skinny kid get so damn buff? Oh, from his asshole father making his kid do farm work in his place, that’s how. “What makes you think this is…whoever? Hong?”

“You can’t see it?” Hmm, well, you two do only have moonlight and flashlights to guide your way. There’s no electricity left in this old factory. “Here.” You take the flashlight from Suguru and wave it from side to side so that the light catches off the white dragon’s scales and the iridescent sheen that bounces off them. “See? Rainbow!”

Suguru steps forward to glide his fingers over the dragon’s hide. With a hum, he takes the blunt end of the flashlight and knocks it against the scales. The clang echoes in the silence. “It’s so odd that such a tough creature went down so easy.” He looks over his shoulder at you, brows knitted in concern. “Are you okay?”

“I might fall asleep on the way home,” you admit. It’s the dead of winter, but you had to take your puffy coat and the sweater under that off because you were burning with exertion. You won’t complain, though. This has really helped get out all that excess energy that’s bubbled up inside you all day.

“Oi!”

Both you and Suguru freeze at the sound of a human voice. At the entrance to the factory, there are a group of people. There’s one older man that’s dressed in a suit while the other three appear to be high schoolers—on the cusp of graduation, you’d say, based off how old they look. None of them are from around here. Those uniforms definitely don’t belong to your school. Not even from any other schools in your district. You’re not even sure they’re from your prefecture.

And maybe the sight of them wouldn’t be so alarming. Like you and Suguru, they could be some kids looking to goof around at spooky, supposedly haunted places…but one of them has a weapon. Seriously. The boy with spiky brown hair and a toothpick sticking out of his mouth has a katana drawn.

“Get away from that thing!” Katana Boy shouts.

You don’t know if they’re yakuza or some kind of serial killer group or whatever, and you don’t want to find out. Both you and Suguru act. Normal people can’t see ghost animals, but people can still be touched by them. You and Suguru has fucked around with ghost animals enough to know that. So, when Suguru throws an arm out and the rainbow dragon follows, the entire group is tackled by an invisible force.

Heart racing, you throw yourself against Suguru’s side, and the ground falls out from underneath you both after Suguru summons his manta ray. As soon as Suguru gets you both far away enough, he’ll let the rainbow dragon go. After Suguru swallows them, they’ll never leave him again, no matter how far he may go.

And as soon as you’re far away enough, you can freely shout, “What do we do now?!”

“It’s fine,” Suguru tries to assure you. “It’s fine. Take a deep breath.” How can he say that to you when there’s a rapid rise and fall in his chest, too? “Look, there—” he hesitates as he scrambles for a plan. “We won’t ever go back that way, okay? We were in another district, so they would start the search there, anyway. But why would they bother to look for us? What would they tell the authorities? They’d be admitting to crimes of their own!”

“Yes! Right! Okay!” The logic helps calm down the frantic racing of your mind and body. Because he’s right. He is. Those other teenagers would be looked at as crazy as everyone does you and Suguru—wait. Wait. “Katana Guy…he said to get away from that thing. Did he mean Hong? Could that guy see Hong?!”

“No, Squid!” Suguru shakes his head. He knows exactly where you’re going. “We are not going back there! Who cares if they can see what we do? If one of them had a katana, you think the others didn’t have weapons of their own? Whatever they wanted, it’s no good.”

“There are other people like us, though!” It’s starting to process in your mind. This makes your heart soar higher than this manta ray could possibly go. You’re still draped across Suguru’s lap. You pull at his shirt, yanking him away from his thoughts, forcing him to look down at you. “There are other people like us!”

“There…” Suguru’s eyes widen. The epiphany finally reaches him, too. “There are other people like us,” he repeats breathlessly.

“Let’s leave!” The grin on your face is infectious. You are both high off adrenaline and elation. “Suguru, I don’t care if we have to live on the streets…as soon as we graduate, we’re leaving here. We’re getting away from everyone in our shitty village. Let’s run until we find more people like us!”

Suguru holds up his pinky between your bodies. You immediately hook your own around it. “Yes,” he swears. “You and me, Squid. We’ll run and never look back.”

Little did you know, a week later, you and Suguru are given your destination to run toward.

Side by side, you and Suguru walk down the gravel road that leads to your homes. Halfway home, there’s a sleek black car that blocks the road. They’re not from this village because no one has a car as nice as that. You and Suguru plan to go around it, just assuming it’s for one of the farmers. It’s unusual but not rare. Sometimes, corporate lackeys come slinking in to try and buy up farmland.

The back doors of the car open and, with growing dread, you realize that those people are here for you and Suguru. Katana Guy steps out of the car, rubbing the back of his neck, looking like he wants to be anywhere but here. He’s not armed, thankfully. If you scream, will neighbors come running? They may ridicule you and Suguru, but this village protects their own. So, you could make a scene.

“Yeah, that’s them,” Katana Guy loudly announces while he looks over his shoulder at the other person stepping out of the car.

An unfamiliar voice calls out your name, followed by, “Geto Suguru.” There’s a big man that walks around to step up by Katana Guy’s side. This man wears thin, sporty sunglasses. His brown hair is a buzz, shaved close to his head. He’s got a mustache-goatee combo thing going, too. “Don’t be scared. We’re here to talk.”

Behind you, there’s the tale tell sound of Suguru’s rift opening. Nothing gets brought out, though, when you hold out an arm as a motion for him to stop and think. There’s an audience. This isn’t like it was the other night. The neighbors can’t see the ghost animals, but they can see the damage that’s done. They can feel the damage that’s done. Feelings for them aside, it’d bring up too many questions if a bunch of people died. That’s why Katana Guy and his gang aren’t doing anything, either.

“If you have anything to say, talk with our parents,” you state bluntly.

Sunglasses Guy approaches you and Suguru slowly. Suguru takes the arm that you still have held out and tries to tug you behind him protectively. You don’t go. Instead, you just hold his hand tightly, ready to bolt at the first sign of trouble. Sunglasses Guy stops when you and Suguru start backing up. On each side of the road, farmers are putting their tools down and walking to meet you.

“My name is Yaga Masamichi,” Sunglasses Guy introduces himself. “I’m a teacher at Tokyo Jujutsu High School.”

Suguru scoffs. “What? Are you here to offer us a spot?”

“Yes, actually,” Yaga answers. “I will speak with your parents, but I can’t give them the whole truth. They’ve never believed you when you told them, have they?” Your hand squeezes tighter as if to say to him, see! See! Just like us! “Behind me is one of our third-years, Kusakabe Atsuya. He says that you two took care of the spirit.”

“Spirit?” Suguru and you repeat at the same time. You think you know what he means, so you ask, “The dragon?”

“Yes.” Yaga nods. “That thing you encountered, the things that you’ve seen your entire life—those are what we called cursed spirits.”

It’s weird. It doesn’t even take that long for Yaga to bust wide open the door to a whole other world. It’s not super detailed, it can’t be because you’re on a time limit with suspicious neighbors, but it’s enough to comfort you and Suguru. You’re told about the foundation of jujutsu—cursed energy that births cursed spirits and the sorcerers that wield it. That’s what you and Suguru are, he tells you. You’re jujutsu sorcerers.

“The school that I teach at…we teach those like you how to hone and strengthen their techniques. We train them to become full-fledged sorcerers that will go on to save lives that cursed spirits threaten,” Yaga explains. “You’ll meet people like you. There are two others that would be coming in with you next year if you decide to enroll.”

“Yes,” Suguru blurts.

“Suguru,” you hiss. To Yaga, you demand, “Come back and be less suspicious about it. We’ll talk more then.”

Yaga accepts this with a nod.

When Yaga and his shady car is gone, Suguru stares at you as if you’ve grown another head. A neighbor calls out your surname, then Suguru’s, but you ignore them by stomping forward down the road. You’re tired of being looked at. Suguru allows himself to be dragged by the hand, but he’s still trying to press you.

Suguru says your name. “This is our way out!”

You’re exhausted. You want to go home, but Suguru’s not going to let this go easy. When you two are far away enough, you stop, and whirl around to face him.

“Did you even listen to what he said? The ghost—these cursed spirits—” all these emotions are starting to overwhelm you. It’s got your hands shaking. “Saving people means these things are dangerous enough to kill us. That’s…that’s scary! What if we fail? How could I live with myself if someone dies because of me?” Your throat is clogging up with emotion. “I want to leave, I do, but I don’t want to fight. I just want to understand!”

Maybe Suguru thinks it’ll make you feel better, but it makes you feel dismissed when he says, “That won’t happen. I’ll always be there to protect you.”

“How does that make things better? Do you not get that the thought of that makes me even more scared?!” You press the heels of your palms against your eyes. Your bottom lip quivers. “What if you get hurt because of me? What if you die because of me, Suguru? What am I supposed to do without you?”

“Squid, if we don’t leave now then we never will. We’ll be stuck here, doing nothing with our lives.”

“Go be a hero without me, then!”

“No,” Suguru answers flatly. “We both go, or we both stay.”

It’s too much pressure. The day weighs down and so does Suguru’s clear manipulation. You explode. “You’re such a piece of shit! This is so selfish! You’re making me decide your future, so I end up being the asshole if I make you stay here when you definitely don’t want to!”

“You don’t want to, either! But you’d rather stay here and let yourself be a punching bag for everyone because you’re scared shitless of change!” When you’re angry at each other, you both get nasty. “Oh, what is poor Squid gonna do if there’s even one little change to her day-to-day? How would she ever survive if something different happened for a change?!”

“Oh, what is poor Suguru gonna do if he doesn’t have someone to take care of out of pity?!”

“Pity?!”

“You heard me!” As you’re storming away, you throw over your shoulder, “Now, leave me the hell alone!”

Normally, crying the way you did when you got home to your room would exhaust you enough to let you sleep the whole night through. Your mind and body don’t want to do that tonight, though. You’re hyperaware of everything—the weight and scratch of clothes against your skin, the constant shudder of your thin window as the harsh winter winds bashes against it, the rattle of the heater in the corner of the room. You have to have a tough debate with yourself over whether to strip all the way down to your panties or to bear the burden of this weight against your skin. It boils down to being kept awake by cold or by fucking clothes because that’s the perk of having a brain like yours.

Can the day get worse? There’s only two minutes to midnight, but you’ve never had luck on your side.

For five minutes, you watch the bright, red numbers of your alarm clock intently. Is this like…what’s that American saying? If you watch the minutes pass by, is it like counting sheep? Will that keep your mind off the guilt that sits heavy in your chest like a stone?

That Yaga guy will be back. What if Suguru sees him before you? What will Suguru say? Will he finally give up on you or will he give up on the chance to break free from his parents and this awful village? You hate both options. It doesn’t matter which one you think about, they both replace that guilt inside your chest with panic.

At this point, you have to decide which option will be the least painful.

And isn’t that a shitty summarization of your life?

What’s worse? Gagging as you try to force down food that you hate the texture of or face your parents’ wrath? Gritting your teeth through days where even an overcast is enough to make your eyes burn or deal with the punishment for skipping school to curl up somewhere dark? Living with a low burn of panic as you let people surround and touch you as you try to pretend to be normal enough for a relationship or become a total outcast with nothing and no one to rely on?

Can you spend decades more in this village with this metaphorical mask that’s been nailed onto your face by your parents because they don’t want you to be seen by the world for who you truly are?

The thing that Suguru doesn’t understand is that if he goes to this high school, the only thing that’s separated him from everyone else will be gone. He will be surrounded by people who can see cursed spirits. He’ll no longer be seen as other. He would shine so bright at this new school.

It can never be like that with you.

Because, at the end of the day, people who are not born like you are all the same. Jujutsu sorcerers will have their own world with their own unspoken rules and their own incomprehensible language that you will only be able to decode when it’s too late and you’ve been stamped as wrong.

You don’t want to be left behind.

But you also don’t want to force Suguru to stay behind with you.

Who doesn’t want to be a hero? Not everyone can be, though. You weren’t built to be a fighter. It terrifies you, the thought of becoming one. You may be even more terrified to face the people than the cursed spirits. How exhausting will this be? You’ll not only be navigating the jujutsu world, but also the unspoken, too. You’ll have to learn new rules, learn to be around new people, and mold yourself a new mask.

You don’t want to let down Suguru.

Ugh.

You may as well go talk to him since he won’t come to you. He always waits on you to make the first move when you tell him that you need to be alone. So, you roll away from your futon, climb to your feet, throw on a few more layers, and climb out of your window into the freezing night.

The Geto house is two down from yours, but in the countryside, that’s a hike. It’s the smallest in the village. Suguru has said he’s lucky that he has his own room, but it’s close to his parents’. You don’t tap on his window like he does yours. Instead, he always leaves the window unlocked so that you can crawl through, as you do now. You don’t need to tiptoe over to shake him awake because, same as you, he never went to sleep.

Suguru meets you outside and brings a blanket with him that he throws over your shoulders and his. The two of you huddle under it, pressed right up against each other, soaking up the warmth from each other. You lean your head against his bicep, break the silence with a sigh and apology. “I’m sorry for being a bitch.”

“Don’t be mean to yourself,” he scolds quietly. “I was being impulsive.” He sighs. “You’re right to be scared. I want away from here so bad that I didn’t stop to think about the danger that I’d be walking us both into.”

“I’ve been thinking about it all and…I’m not sure that it’s dying that I’m really scared of.” You brought a pen with you and click the end. It keeps your hand busy and Suguru doesn’t mind the noise. “I’ve been all over the place, I know. I was excited at the idea of meeting people like us, of getting out of here, and I am! I—” you chew on your bottom lip. “I don’t want you to leave me behind when we get there.”

“Why do you think I would ever leave you behind?” Suguru sounds genuinely hurt which makes you feel guiltier. “Have I been such a bad friend that you think I only pity you?”

“No!” You jerk your head up, looking at him with wide, panicked eyes. “You’re my best friend! The best friend!”

Suguru doesn’t meet your gaze. “You’re my best friend, too, Squid. I don’t pity you. I haven’t stuck by your side because you’re my only option. I’m not going to throw you away at the first sign of attention from people who understand us. You were the first person to ever see me. You were the first person to take care of me. Now, we take care of each other.” He tilts his head down, bumping it against yours. “It’s you and me, Squid. It always has been. It always will be.”

Tears prick at the corners of your eyes. You didn’t think you had the energy or tears left in you to cry, but maybe you’ve still got some left. You grab his hand like a clingy girlfriend. Your voice shakes as you ask, “Promise?”

“I promise,” Suguru swears.

The next day, after school, you’re called into a private meeting with a counselor, your parents, and Yaga.

And when Yaga offers a full scholarship to Tokyo Jujutsu High School, you accept.

[dunmeshistash]

I can’t find it now, but you had a post about Kabru being high-masking, and you said you didn’t think he was, which is completely fair! I had a different opinion as someone who is high-masking AuDHD and wanted to share (but of course now I can’t find the post 9_9)

Personally, I read Kabru as being high masking autistic, with one critical difference between us: he’s an extrovert. I’m actually more like Milsiril than Kabru - I collect/make dolls, I’d rather be at home than anywhere else, I’ve been called creepy and weird and gloomy for all of those things, but I also learned how to mask relatively early on, so most people don’t ever get to see that side of me. For me it’s a lot of work and energy- most of the time. If I’m around people I like, it’s less so, but people in general take a lot of my energy. Kabru, on the other hand, is very extroverted. He gets a lot of energy from interacting with people, and for the most part his personality and interests are acceptable to the society he lives in. BUT his interest in dissecting people’s motivations and how they communicate and interact and how to move them in the direction he wants them to go, that’s considered overly intense and creepy even by his party. Kabru keeps a lot of his thoughts and honest reactions internal because he’s aware of how people interact and what is or isn’t acceptable. I do the same thing, and I engage in a fair bit of “manipulation” (neutral) as part of my masking - I know that asking people for advice, showing interest in their lives, complaining together about things, etc, will cause them to view me more favorably and I use that to keep myself “safe”, along with basically never talking about my interests. I’m friendly and open and helpful and I almost never fight back against anything, so people “like” me. It’s not all *fake*, but it’s not the whole truth either. I’d rather not engage in conversation at all, because I can’t talk honestly about my interests without being considered creepy- but if Kabru’s special interest is people and how they interact, to some degree he can talk about his interests without it seeming weird.

Anyways, that’s my perspective :D also thank you for being a Milsiril defender, it’s… really painful to see people calling her manipulative and superior. I know a lot of it is bc ppl DO NOT understand anyone who likes dolls as an adult but like….. liking dolls has less than nothing to do with “needing to feel superior” or in control -_-

Hello!! I collect dolls too!!! Proud to be nº1 Milsiril defender.

That's an interesting perspective! As far as I understand (I'm autistic too so I don't have personal experience to how allistic people work) everyone does some amount of masking, as in everyone has a version of themselves they use to interact with others and that "mask" usually falls when you're with people who know and understand you better

As I understand that type of mask is expected in society? Like you wont act at work the same way you do with your college friends (usually). But as some tumblr post said "we are the mask and the wearer" as in those masks are still a part of who they are.

That's why I said I didn't think Kabru was high masking, I hadn't heard that term before so I was confused

Maybe I don't fully get it but keeping some parts of yourself inside and not expressing it to people who wont understand is common among allistic and autistic people but masking is this but in a way more stressful way? Since you aren't just hiding facets of who you are you're making an active effort to hide the whole thing basically.

Kabru's mask seems to come easily to him and it doesn't seem like he makes an conscious effort to go against his nature to hide who he is that's why I said he probably doesn't do high masking in that sense. But in another sense he IS highly adaptable to the people around him and studies how people act so I understand that perspective! It's more of a personal interpretation tbh.

[am-i-the-asshole-official]

AITA for pretending my original fictional characters are my "friends" for the purpose of asking questions online?

Alright, so hear me out: I'm a writing hobbyist, I run a long-term D&D campaign, I like writing characters a lot and sometimes do it even outside of any stories, you could even say that it's my passion. Whenever I create a character that would have experience with something that I don't, I try to experience that thing myself, or if I can't, I ask others online about their experiences to make sure I can write my character accurately.

Here's the problem: back when I used to ask questions online from a writing/creative perspective, I felt like a lot of them concerning more controversial topics were getting dismissed and I got a lot of unsolicited writing advice unrelated to the original question. The most infuriating were always "You shouldn't write a character like that." or "You should change this integral part of the character to remove the issue that you're having."

Now, you can have whatever opinions you want about writing certain aspects of characters, but I would kindly ask you to shove them up your ass. I firmly believe that you can't judge a character accurately merely by their character traits written down in a vacuum, the execution is what really matters. One trait that could be seen as problematic when written badly can really enhance the character, story and it's themes if incorporated correctly. I'm not going to remove integral story-relevant characteristics of my OCs, and I sure as hell am not gonna delete them entirely just because an internet rando didn't believe that I could do them justice. Literally the entire reason why I'm asking these questions in the first place is because I'm trying to be as respectful/accurate to your culture/ethnicity/sexuality/gender/religion/disability/anything else. I GENUINELY want to learn and understand, so why don't you at least try to give me the benefit of the doubt instead of assuming it'll be done terribly?

Anyway, to give some examples of the questions that I've asked that were met with this kind of response:

"How would you write an autistic character who uses ASL but doesn't like to emote with their face?" (Was told to simply "make" the character like using their face even though it would go against how their other symptoms interact with each other, plus it would change how other characters view them and thus the story itself)

"What kind of slang would a black character raised in Brooklyn use?" (Was told to not write a black character using slang as a white person.)

"How would a Muslim character go about leaving their religion after losing their faith?" (Was told that the mere idea of an ex-muslim person was offensive)

I don't know if other writers also struggle with this, or if I'm just the unluckiest and always attract those kinds of people somehow, but after having to deal with it way too much I simply started lying and pretending that my characters are real so people would stop questioning my writing choices and just focus on answering my actual questions. For example, instead of the three questions above nowadays I would ask:

"Me and my Autistic friend are learning ASL together, but she doesn't like making expressions for sensory reasons. Is there anything else she can do?"

"What are some examples of actual slang used by black people in Brooklyn? My friend is from there but he likes to mess with me by coming up with fake words and pretending like they're slang, at this point idk what to believe."

"My friend lost their faith and is planning on leaving Islam. They don't have access to internet due to their parents so they wanted me to ask about what could be the possible consequences and how go about the process, or even where to start."

Also, obviously, I do way more research than just these questions, but I also really want to know the opinion of people in these communities about these topics and the discussion that develops from it. That's not something that simply reading a book or an article on a topic can give you and I believe that interacting with the community itself is an important part of properly portraying characters that belong to them as well. Still, a few of my friends told me that it's kinda shitty of me to lie in this way, especially when the end goal is to be respectful about certain traits yet me lying to these people is a sign of disrespect in their opinion. Personally I don't see it that way, I simply want people answering my questions to treat them seriously and if presenting them as real scenarios is what gets them to do it I feel like I have no choice, it has nothing to do with the respect I have for the communities in question.

Also, if this matters at all: 90% of my writing is entirely personal and will never be published in any way at all, the other 10% being the writing that I do for my D&D campaign which only my players get to witness.

So, with all of that out of the way, AITA?

What are these acronyms?

[anistarrose]

So I have only my two cents to give on the "curing disabilities in fantasy/sci-fi stories" trope, as just one disabled person among many disabled people, but here are my two cents nonetheless.

One defense of the trope is that it's simply a form of escapism, and moreover, a fantasy that disabled people themselves can quite reasonably find joy in — as a feel-good story, a break from all the pain of real life. Many — not all by a long shot, but many — of us would jump at the chance for a cure, after all, and it's not like we're not valid to do so. Lots of us take pride in being disabled, but nevertheless, sometimes it really fucking sucks.

The counterargument to the above is this: that this isn't a realistic trope, and that particularly in combination with the suffocating frequency that this trope is used, this becomes the opposite of a hopeful fantasy. When you have an incurable condition, and the only happy endings you see represented for people like you in fiction are inevitably only achieved once the characters stop being like you — that can be indescribably upsetting.

Disabled characters do not get happy endings while remaining disabled — and fiction is fiction and all, but I'm not going to pretend like this doesn't have gradual, accumulative real-life effects on the amount of effort people/society are willing to put into accessibility and acceptance, because of beliefs like "aren't you going to be cured someday anyway?" Or "isn't this disability just going to stop existing, someday? one way or another?"

I hope I don't have to explain how damaging it is to think the above way, or to imagine a future where disability doesn't exist. (Yes, even though disability is partially socially constructed. That's a load-bearing "partially".)

So, if you couldn't tell, I do generally relate a lot more to the harsher, more critical view of this trope — but I certainly don't want to judge actual disabled people for writing it either (and especially not people with progressive conditions), not when there is genuine catharsis and escapist joy that can be wrung from it. I obviously don't trust non-disabled folks with writing "cure" stories any further than I could throw them, due to a long fucking history of non-disabled people fucking it up — but also, no one should be forced to reveal personal details, let alone medical history, to justify their choice to write something.

This is the paradox that I am willing to come to terms with, by throwing up my hands and saying, "okay, so some of the time I sure don't like it, but it's technically none of my business."

That said: if you're non-disabled, or you're writing about a disability much different from your own (a physical disability when you're autistic, for example), and you want to write an escapist feel-good story featuring disabled characters: I also want to stress that "escapist themes" versus "no one's disability gets cured ever" is very much a false binary. You can have both.

I've never written a "curing a disability" story. But I've both written and enjoyed some extremely escapist, unashamedly hopeful stories revolving around disabled characters — and it's all about accommodation.

A story of any genre where society is more accepting of — and willing to collectively help care for — chronic illnesses and chronic pain? That's escapist, and if it's something that characters once fought tooth and nail for, it's pretty damn cathartic. A fantasy or sci-fi story where medicines are still required to treat a condition, but the medicines are more accessible, more effective, et cetera, may also be escapist depending on the context.

Fantasy service animals, high-tech service robots, magical or indistinguishable-from-magic mobility devices? They're all possibly escapist too. (Just note that a lot of disabled people may still maintain a personal preference for seeing the "real world" versions, and that's that's also perfectly reasonable. Remember that the gripe with the original trope has a lot to do with a lack of variety in representation, justified by arbitrary rules about how fantasy/sci-fi "should" look, and the goal should be not to replicate that.)

So, in conclusion: if you find yourself writing a disabled character, and want to give them a happy ending, I urge you not to jump to "their disability is cured now" without at least thinking through the alternatives. Do your research regardless, and accept that disabled people will likely have a wide range of opinions on whatever you decide to go with — but accept that disabilities themselves are varied, and should not inherently have to consign either characters or real human beings to tragic lives by their mere existence.

[sparkssys]

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

|-+-+-+-+-~~sparks system~~-+-+-+-+-|

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

Hey there! First of all, if you're here to start drama, fuck off before i know you're here. You don't wanna figure out what I'll do to protect them.

We're a traumaendo system of either 9 or 10, not sure yet!!

Most of our system members are endogenic but we have at least 2 traumagenic headmates.

Quick reference guide:

-💜 : Layla, traumaholder and persecutor (she/they/it)

-✨ : Glee, tulpa (they/she)

-☄️ : Magno, tulpa formed by stress and a breakdown (he/him)

-🫧 : Jake, femboy (he/him)

-🦴 : Sans, introject (he/him)

-syl : Sylvine, the avid gamer (she/her, also lesbian, her side blog is @sylvineslair . She doesn't front much because she gives us a huge headache.)

-carol : Carol

-⭐ : Avery: traumagenic little who just got back from dormancy. Probably the core. We don't know for sure and we don't care enough to figure that out.

There's (i think?) 2 headmates who don't really front in the same way we do, one is a drowser and the other we know nothing about.

More info under the cut!

~+~Useful info~+~

We are very inconsistent with sign-offs. You can just ask who posted what.

We are inconsistent with pronouns and we use i/me/we/us interchangeably. We don't care enough about it to change how we write.

We are autistic and collectively transfem. Some of our headmates aren't comfortable with feminine terms, so when in doubt, just use they/them pronouns.

Please use tone tags.

We no longer have a host, the lines are way too blurred to appoint one and it's an unnecessary label anyways.

We are not endo neutral. We are pro-endo. If you don't like that, leave. I have no patience for anti-endo rethoric and some "neutral" people are so infuriatingly hypocritical. -Layla

DNIs don't work. Don't like me? Block me. I don't have the time to check if you're some asshole crosstagging on my tags, and it's your responsibility to curate your own space, anyways.

After some time in both sides of proship discourse, I have decided I'm okay with people doing whatever. Antis are just toxic haters most of the time that don't even intend to try to help, they just straight up dehumanize and demean people they don't agree with. Y'all suck.

Also after some time in both sides of transID discourse, I've decided I don't actually give a shit about what they identify as and why. If I personally don't fuck with it, I'll block you. You do you and I do me.

-=edit log under the cut=-~please skip

15/05/24 13:32 PM: added tags

17/05/24 12:01 PM: updated the label we use for the system's origin, because it's far more complicated than we thought

17/05/24 12:53 PM: linked to post about Layla's gender and sex

19/05/24 18:02 PM: linked to Layla's stance about anti endos

30/07/24 14:30 PM: Deleted old text and links and prepared it for an update.

30/07/24 14:53 PM: Updated headmate list and basic info about them, added useful info for people interacting.

30/07/24 15:17 PM: Finished updating the post by linking to an informative older post, adding blinkies and userboxes and more information.

30/07/24 15:25 PM: Just realized I'm a persecutor more than a protector. Edited the label. - Layla

08/08/2024 05:59 AM: Cleared up some text that I should've deleted earlier and got lost in the middle of the edit log. Also added further clarification on some older edits.

08/08/2024 06:01 AM: Moved the cut to right above the start of the edit logs to better organize the information flow.

29/08/2024 6:22 PM: Added info on our stances.

29/08/2024 9:27 PM: Updated various information about how we interact with tumblr.

30/08/2024 04:26 AM: Cleaned up some old quirks and outdated text.

02/09/2024 12:35 PM: Linked to a very important post about my situation

[astridellejo]

Wrestling With the Greased Pig of Speech/Voice Loss Terminology

Okay. So here's my understanding of the terminology:

Selective Mutism (Situational Mutism) This one seems to stem mostly from anxiety (maybe a little autism too). I don't experience that degree of anxiety often, but it has happened on rare occasions. Personally, I hate this term. It implies that not speaking is a conscious choice. I think situational is a more accurate word. "There are some situations in which my anxiety causes me to be unable to speak. This can be short term or long term. But it is by no means a deliberate, conscious decision on my part. It's more like my brain gets hyper-stimulated or something and just forgets how to make mouth noises."

Nonverbal This term appears to be specifically autism related mutism. I'm ADHD, not autistic, so I don't use this term for myself. And not being autistic, I can't really offer more information on the term.

Nonspeaking I guess this is an alternative to nonverbal that is less autism-specific. I guess. I don't actually know for sure. I'm not really sold on it, though, because kind of like "selective" mutism it kind of implies that a person can speak, but for whatever reason, chooses not to. Don't talk if you don't wanna talk. But I suppose people who are physically unable to talk might take umbrage with your conscious decision not to talk. I'm cool with it, though.

Dysphonia/Aphonia One means "messed up voice" and the other means "no voice at all". Aphonia is a neat word. Right up there with anhedonia. (Ahh, Greek!) I use the term spasmodic dysphonia because that's the official diagnosis I got from the ENT doctor. Apparently there's a more recent term laryngeal dystonia that seems to be preferred, but it doesn't seem to be taking root. So for now, I still have abductor spasmodic dysphonia that has rendered me aphonic. Whee!

Mute This word exists. I'm not sure if I like it, though. I don't have a good reason why I don't really vibe with it. Maybe it's because muting is something we can do to our television or computer or Zoom meeting, implying that it's reversible and temporary. Or maybe it's because in my ASL studies I've learned a little bit about deaf history and the connotations the word mute has.

There are other situations that can lead to loss of speech, like throat trauma, muscle tension dysphonia, aphasia, and probably a bunch more that I haven't even learned about yet.

Anyway, I don't know. I'm still sorting through my thoughts on the whole experience of the last seven months slowly losing my ability to speak with a functional voice. It's weird no longer being able to do a thing that I did effortlessly for over 40 years. I'm handling it reasonably well, I think. I do miss being able to sing and hum to my favorite music, though. That right there I would consider a genuine loss that I'm feeling.

[mobblespsycho100]

👍 kabru, heh

thank you so much mwahaha

1. Bottom Line by Dom Fera

I think this song is very Kabru in a this has big "customer service" vibes, lmao.

"Drive me somewhere you've been liking" -> hes a people pleaser, letting someone take the reins while he supports them and hangs back is kind of his thing. Even though he plans stuff out and chooses his words deliberately, sometimes he goes along with ppl's wants and expectations for him a bit too much...

"Order something I don't want, I'll drink it anyway" -> basically Kabru when he had to eat the harpy eggs Laios offered lmao. 'Right, i hate this so much this is Monster. okay. wow i need to kill you' hes literally triggered (in the ptsd term sense and not the. warped internet meaning of it) and he's still like okay ! i will dig in ! to prove a point ! so laios likes and trusts me! (... what point kabru . cmon man. )

"Take a little time, it's funny how you're fine when I'm away -> he needs to be needed. He needs to help others, save them even, to protect them from the tragedy he has experienced. He's used to being dismissed and he does swallow it and take it but ik he was so 🤨😧😠 abt laios ignoring him and all the attempts to get to know him... so its like take a lil tine its funny how ur fine when im away ... Kabru knows Laios is the closest to conquering the dungeon. and hes like. I rlly wanna help u do this but . ik ur probably fine without me (... man he makes me . so 😭)

"It's natural to see a bottom line with me / A bottom line I'll be" -> A bottom line in business is like the final total right. The sum of everything thats written at the bottom. The ultimate outcome... the core. The fate of the dungeon is something he wants to decide and get a say in as well. Even though he knows he isn't the one thats going to conquer it, he chooses to stop Mithrun from beating up Thistle and grabs him and they free fall into that pit. Because he decided, yeah, the fate of this dungeon the one to conquer it has to be us short-lived races/humans. He is such an action oriented character . He makes such decisions. He is so determined to make sure that Utaya doesn't repeat itself. Man.

Anyway that's song 1. moving on to song 2.

2. Smoke and Mirrors by Gotye

This entire song is So Kabru coded its insane to me . but I grabbed these lyrics from Verse 3 Because the last line specifically makes. me go crazy.

"You're a fraud, and you know it" -> the freaking masker . he is such a liar and he knows it... theres not much else to say here. Playing the hero, the saviour, while knowing he doesn't actually have the skills to defeat the dungeon but hes just so desperate . man

"And every night and day you take the stage" -> he should get an acting award fr... always adjusting his personality and carefully planning his steps with each person he interacts with man... also inchtresting to me that he gets to be more #real with Mithrun. thats a whole nother analysis can of worms I won't get into but like they rlly drove each other's character development...

"And it always entertains, you're giving pleasure" -> To quote Holm, Kabru is the typa guy who would do anything to get someone to like him akdjskhf hes so real for that...

"And that's admirable, you tell yourself" -> (kabru voice) im so cool for this ahaha everyone loves me (guy who genuinely fucking loathes himself) /ref

"And so you'd gladly sell yourself to others" -> smile of pain. I just think hes a real business man sometimes . Goodness Kabru stop being a charismatic salesman of your own personality im going to explode .

Right. we're on to the last one I guess...

3. Dear Arkansas Daughter by Lady Lamb

GENUINELY cannot really do this analysis lyric by lyric or I will go ... well. I'll go into the deep end but . like . right. anyway. this set of lyrics above aka the most popular line is very Kabru appearance. (Goodness i need to make an AMV of this. I will one day once the executive dysfunction stops fighting my autistic hyperfixation ass)

THIS WHOLE . SET OF LYRICS IS JUST BIG KABRU VIBES (SOURCE: JUST TRUST ME BRO)... His heart is full of swords... the sword fighter (he is proficient in many weapons)... im not big into tarot (or well i havent researched it much) but the annotations for these lyrics said that its referencing the Three of Swords tarot card, which represents painful sorrow. and like.. man like a fundamental sorrow in Kabru is so oughh its just so . real. and again i need a whole nother analysis post for this since this is already So long

Tie my hands & knock my knees. he is so stressed he is so . nervous all the time and these r like. the freeze . trauma response. to me. he goes freeze and fawn a lot (fawn not specifically with abusers per say but like people pleasing tendencies again) and like kind of visibly looking nervous and stressed out up before saying smth next is smth he does a lot I feel.

And like the vibe of like sinking to the sea with a heavy heart but also being someone who brings hope in a way to others (ex: Rin and Mithrun, he ends up being their anchor and helping them start like living with their lives after the burden of their traumas and hellish experiences) but Kabrus own traumas are so immense and then the person who rises . who foils him and who brings him hope is Laios. like a ripe red apple like. something bright and tempting and also dangerous (smth smth the forbidden fruit symbolism. theres so much . like Kabru that I can dissect with like Biblical symbolism themes but like anyway he sees Laios as both the key to humanity's victory against the dungeon and as sin / a distraction from his goal because Laios makes him do selfish things and its just AAAAHGHH rahhhh. man. im normal)

ANYWAY YEAH ... that wraps this up. Thank you for sending this ask ❣️💌 I am very normal abt Kabru of Utaya dungeon meshi

[defectivegembrain]

I can't stop thinking about that person on my "autism is a disability" post yesterday, just it was quite confusing. Particularly the way they came and imposed an autism level framework on a post that never mentioned those. And it's not really just about that person, I really don't like when people do that. I respect what people call themselves and what terms they have been given, but when I talk about autism in general, I don't usually use such terms because they've literally never been relevant to my life offline. I've never been given any, I was diagnosed before they existed, and no professional I've seen has felt the need to apply them. I've never had anyone mention theirs to me face to face. It's not really a system I can talk about confidently, and I shouldn't have to in order to be heard.

But like with regards to autism being a disability, it just wasn't necessary anyway. If you assume someone being level 1 means they're not disabled, frankly that's very ignorant. Even with the above mentioned situation, I know enough to know that level 1 does not mean "no struggles" or "just different" or whatever, and people really need to stop using it as a stand-in for that. The mythical autistic person who is just quirky and cutesy but objectively can't be considered disabled does not actually exist. People who pretend to be that are doing something harmful, and you're also doing something harmful if you assign that idea to others.

[rayssyscourse]

if you want a syscourse topic, i personally was thinking about the mental age thing.

it kinda gives me whiplash tbh as an autistic person with DID. mental age is considered pretty ableist in the context of autism, but is considered perfectly fine and normal in a DID context. at least, community wise.

Oooh this is really interesting.

I'll preface this by saying I am not autistic, so I won't speak on autistic experiences. I have several neurodivergencies, but just be aware that when I talk about that, I am not speaking for autistic people.

So, I think the entire concept of "mental age" is kinda nonsensical. No matter how you have developed, your brain is only as old as you are. Young kids can be forced to act more maturely than they should, and adults can act more immaturely than they should, but either way, your brain has the experience of however many years you've lived.

Alter age, however, is a little different, and I think people shouldn't use "mental age" in place of it. Again, your brain can only be one age, but due to different circumstances the brain can split into alters that behave more accordingly to a different age.

So, for example, Grey (a co-host in our system) is 18 in headspace, and when fronting he behaves like an 18 year old, but neurologically he is only as old as the body (16). So he only has 16 years of neurological development and experience, but he is able to, at least to an extent, emulate the behavior of somebody older than the body actually is. He formed because the situation we were in was seen by our brain as something that I could not handle, and felt it needed a more mature and capable figure in order to cope. Thus formed Grey, who was able to emulate the behavior of someone a couple years older than me. He acts older, and in most senses is older, but neurologically he still only has the development and experiences of the body's age. (I'm only speaking on trauma-formed alters because we're traumagenic btw, I don't know how it works for non-traumagenics and that's probably a whole other convo anyways, lol.)

The thing is, I totally see what you're saying with the term mental age being ableist thing. This is purely anecdotal, but I saw this from the outside. My younger brother has autism, and for a long time as a kid I was told that that meant he was "mentally younger" than other kids his age. That didn't make any sense scientifically, but even more importantly it just wasn't true. He is still as intelligent and capable as kids his age, he just processes and expresses those things differently. To say an autistic person is "mentally younger" implies that they have on a fundamental level a lesser ability to think and process things, which makes it seem like they shouldn't be listened to or that their experiences are less valid in some way.

Plus, acting in a way traditionally seen as "immature" does not always equate to impaired thought processes. This is also anecdotal, but I have ADHD, and when I was a young undiagnosed kid, I would often get overwhelmed by tasks or sensory experiences that I did not know how to handle. This would manifest in outbursts, even beyond the years that it was age-appropriate. This didn't mean that I was less capable of processing the emotions I was having, or that I was not able to think as critically about them as others my age, because I absolutely was. I just processed them in a different way that my peers. (That's not to say that outbursts are a good coping mechanism, lol. That's just how my child brain decided to express what it was experiencing.)

All that to say, alter age and mental age are two diff things, and I don't think mental age should be used at all, especially when it's being used to mean alter age. Mental age implies that somebody has the development and experiences of a differently aged brain, whereas alter age helps to more specifically speak about the age a specific alter emulates or behaves as. Plus this also kinds goes into system responsibility/accountability, where to an extent alter age can affect their behaviors and responsibility for said behaviors, but that should not excuse unexcusable behaviors based on neurological age.

Sorry for how long this got lol. I ended up having a lot more thoughts than originally planned :) thank you for the ask!! <3

[am-i-the-asshole-official]

Am I the asshole for how my previous 'situationship' ended? (I genuinely do not know what to call this situation so that's gonna have to do).

Okay so I (20F) met a guy that we will call Chris (21M) on tinder in Oct 2022. We were at the same uni, and we had good rapport over text, so we decided to meet up. He was pretty awkward but once we actually got talking he was a good chat. Nothing romantic or sexual was discussed/acted upon.

We hung out a few times after that. I kissed him once after a night out, which he didn't reciprocate or ever mention again. Given the complete lack of romance/sexuality coming from him, and the fact that he is a very socially awkward person, I took the hint that he wasn't interested and didn't know how to tell me. I felt that i made the fact I was interested clear and he hadn't taken me up on it, so I just dropped the subject. We continued talking as friends, and I genuinely thought that's all it was.

Come Feb 2023, I went on a night out with a different group of friends, during which a friend of mine, we'll call Tom, kissed me. I nearly had a one night stand with Tom, but I ended up not sleeping with him and just going home because I was too drunk. Being drunk and cringe, I made a pretty crude post to my tumblr before I passed out which was something like "someone is actually attracted to me? Nail me to a wall!" (Long deleted because drunk me is an embarrassment lol).

I woke up to texts from Chris, who had seen my tumblr post and was upset. I was pretty confused because 1. He doesn't even use tumblr, 2. I don't remember ever giving him my account name but it must have been in a screenshot at some point, and 3. I was not under the impression that we were dating... I let all that slide like an idiot because I was really hungover. Chris and I then had a chill discussion about what we were, and agreed to be friends. Cool! I thought that was the end of the drama. We chatted and hung out afterwards with 0 difference to how it had been before.

Cut to May, and I sent him good luck wishes before an exam. He says thanks and I just didn't think about it again, normal exchange.

Over three weeks after I'd wished him good luck, I woke up to a wall of text he'd sent me at 3am where he went into detail about how i had strung him along and wasted his time; that he thought I was manipulative and playing "mind games" with him for that good luck text, which he took as me trying to psyche him out before the exam and make him fail the module; that he didn't want to 'just be friends anymore' because the knowlege that i strung him along hurt too much; that I "ignored him as he walked past" (I still have no idea where or when this happened, I straight up did not see him wherever it was). He also went into detail about physical and mental health issues he'd been going through (that I wasn't aware of before the wall of text) saying that I'd been a great help with them during first term, then "ruined his second term". He went off that my lack of communication skills is a detriment to everyone around me.

I was completely blindsided by all of that, and honestly really hurt that he'd accuse me of trying to make him fail his exams, but I'm not sure that he's not got a point? Looking back, yeah maybe I should have straight up asked him if he was interested back in Nov. But idk I'd say kissing someone is a pretty fucking clear communication that i was interested, and he made 0 reaction to it, what was i supposed to think? I'm not in the habit of pushing people when they do nothing in the way of reciprocation. But, one of the issues he disclosed to me was that he had gotten an autism diagnosis in April and I can see how not being 100% clear and verbal in my communication may have been the root of the issues here, given that he was undiagnosed autistic for most of the time I knew him.

Anyway, was my lack of communication an asshole move?

What are these acronyms?

[bigstupid69]

constance hcs if u don't mind? sorry for asking (did i already ask like,, 5 minutes ago i cant remember shit)

I had to copy them down, and definitely add more stuff to some of them so I apologize for the late response.

Constance headcanons below the cut

I think she's like surprisingly strong. I had after school activity headcanons for all of the choir and I put her on the swim team and also rugby apparently?? I think that was just me being a lesbian, but anyway. I put her on the swim team since that is literally the only sport I could think of where like the literal sweetest people are at least in my school, I also just like making Ocean's assumptions about everyone really wrong. That punch in the boob must've really fucking hurt and honestly deserved.

On the note of extra curriculars, she is definitely a band kid and plays the flute in band to reflect the sugar cloud recorder solo. She's probably forced to join every club Ocean signs up for and doesn't really enjoy being there, but she took a creative writing class with Ricky and Noel and did actually really like that.

Speaking of which she has definitely written fanfics on AO3, she seems like the type to be writing a 50k slow burn romance of two like background characters in a show or movie and then never update it ever again until she comes back and writes a completely different fanfic.

I made every member of the choir autistic regardless but I believe she has persistent depressive disorder, which is just chronic depression in much simpler terms, it's not fun.

She dyed her hair different colors constantly, not just purple; she just happened to die with the purple dye. She also is just the choir's hairdresser at points, and has dyed every choir member's hair at least once except Ocean because she's Ocean and doesn't want to experience joy. Mischa went with some like awful neon blue and despite Constance knowing how awful that would turn out he was now cursed with having blue raspberry slurpee hair for a week.

She does Kandi and makes bracelets for all the choir members, as well as super intricate designs like the animal beads and stuff like that. She also did rainbow loom so much, just has so many bracelets made stashed away in her drawers.

She unironically takes BuzzFeed quizzes and makes the whole choir do them with her; she'd genuinely redirect Mischa to those "Am I gay" quizzes when he questioned his sexuality.

She seems like she's the only one in the choir with a good sleep schedule but she's just amazing at hiding her depression and declining mental health since she's been doing it ever since she was in middle school.

She definitely had a small crush on Penny when she was first introduced to the choir, because of the mysterious attitude. But the trance would immediately get wiped away as she witnesses Penny just fall down the stairs tripping over nothing.

The only ships I heavily ship with Constance is candyrapper and sugarspace, and y'know in some universe of my art she is definitely in a poly relationship with them AND Talia, and I just want the world to know my vision. (Actually this idea is now haunting me and I might literally draw this crack ship I just made up uhm-)

Gets along the most with literally everyone but Ocean. They used to have a genuine non toxic relationship in elementary school, but she was probably just looking at the relationship through rose-colored glasses since she was just a kid…

[amelias-zelda-calamity-quintet]

Representation in MoaH (& GoS)

I don't like to tag my works with a lot of the rep tags they normally would/could have. Personally, from publishing the first book in Word Walkers, my experience is that those tags are more often used to blacklist works and I don't think people should get the opportunity to pretend that queer people, BIPOC people, disabled people don't exist by flagging that. Also like. As a white person, I feel a little weird being like "Look at all my BIPOC characters!" It feels a little virtue signally to me. Telling good stories should just include diverse casts because the world is diverse. You know?

Further, in my experience, particular with Wattpad at the moment, I have a platform to give people the 101 to a lot of these concepts (in particular queer and disability rep, which are my communities) and change their minds that they would have otherwise missed if they'd stayed in their bubble. It does mean you probably won't see things like neopronouns in my works, but if I can change someone's mind about they/them being singular, that's a start. I have a lot of ESL readers according to my stats on Wattpad and translating that can be difficult. But if my work can be a gateway for them learning what that means, that's more good done.

Also, my fics attract a lot of eggs so like. Y'all are finding me anyway, I don't need the tags.

Anyway, here's some of the confirmed rep in book 1 of MoaH and in GoS if y'all need a reference though for what is blatantly in the works so far.

Queer Rep

Marela is a lesbian and in a relationship with Saddiqah by the end of book 1

Link & Saddiqah are both bi-icons (confirmed in the Din's Temple arc) with femme preferences

The fortuneteller in Lake Town (Hart) uses she/they pronouns

The tour guide (unnamed) in Lake Town uses they/them pronouns

Zelda's middle sibling is transmasc, though he is not reintroduced as such until book 2 for plot reasons. His identity and the story around it is given a serious storybeat and is one of the reasons why MoaH Link is my only Link I firmly will say is a cis man, because I'm making a point of in having Link as an example of healthy masculinity (as a cis man) for a trans kid trying to find a role model on it. The series does not use his deadname again though after Link finds out in book 1

They show up later in book 1, but there's a gay couple in the Marksmen, Sorol and Kutt

That's just book 1. I've got an enby knight and an enby Goron in book 2. I've also gone over how some of the Gerudo naming conventions work in my worldbuilding posts to include enby rep like the Gerudo word for nonbinary, vyu, though Dirjaani Gerudo culture doesn't come up in the books until book 3.

Over in GoS, Endeavor is actually a huge part of my coming to terms with my own gender. Originally published with she/her pronouns, the current edits are giving Endeavor they/them pronouns to accurately reflect what I didn't have the language for in high school when I started writing GoS. Endeavor is agendered.

Endeavor has two moms

Two of the Earth Sages, Insen and Hira, are in a relationship, they are both men.

Disability Rep

Lance, Link's dad, uses mobility aids due to an injury that forced him to retire from the Marksmen.

Link has ADHD with anxiety symptoms, chiefly social. This is an intentional conversation on courage and how we define it.

Zelda is autistic. MoaH Zelda is also plus-sized.

Floan is auADHD, she has a special interest in bugs

Kaju, the son of Lake Town's steward, has a prosthetic leg

Ambrose has severe motion sickness (horseback riding is about the most he can handle, but he will not fight on horseback)

Not strictly a disability, but it's a point of worldbuilding that most Hyrulean lineage Zora don't do well in the cold, so there are accessibility enchantments made to allow for traveling extensively in colder regions.

Also not strictly a disability, but sign language is much more widely taught in Hyrule. It's a mandatory lesson for the Marksmen for tactics reasons, so Ambrose, Saddiqah, and Link all have at least a conversational level of fluency in it if not better.

Back in GoS, Link's granddad Lynard uses mobility aids.

Parijan, Guardian of the Spirit Sage, is blind.

Saruo, Priestess of Courage, has anxiety. Again, I like messing with the definition of courage.

BIPOC Rep

Ok, admittedly. MoaH is a little light here. But! In my defense, it's because I want the worldbuilding of MoaH to code countries and cultures with certain ethnicities and not races/species (i.e. the Gerudo aren't just automatically Middle Eastern, there are several cultures where Gerudo are prominent members with multiple influences). So in Hyrule, where the primary culture is Hyrulean coded European generic, there aren't as many opportunities for coded characters ethnically because that's not how I'm handling it. There are characters who are BIPOC, but it feels like a bit of a cop out to include them because then I just list off all the Gerudo who show up because their POC and that feels a little cheap. I am including them too, but I want to preface that other regions of this series are going to be better at this particular beat (I circle back to the enby knight, who is also BIPOC of Faronan-Dirjaani heritage, but that's book 2).

Basic ones, there are three major Gerudo characters in book 1: Saddiqah El Amin, Dragmire Al Iber, and Ayad Al I'Tidal. They are all of the more standard Hyrulean-Dirjaani lineages closest to canon expectation. Dirjaani cultures are influenced by Middle Eastern and North African cultures, so they are all women of color.

Saddiqah in particular, and this gets into spoilers so I'll be brief, is specifically coded to be a biracial woman. For reasons that come up in book 3. It's why her horse, Ajan, has a Creole name which is outside of the typical naming conventions I'm grabbing for the Hyrulean-Dirjaani names.

The Sheikah are coded as Japanese in the games, so Impa is coded as Japanese along with the Hyrulean Sheikah. Sorol is also a Hyrulean Sheikah, so this applies for him too.

The Dreeka in Hyrule are generally coded to be an indigenous group. Because of their relationship with the Sheikah, primary influence there is the Ainu. This includes all of the Dreeka characters introduced in MoaH (Constant, Temperance, Clarity, etc.) as well as the Drex in GoS (Endeavor, Justice, Zeal, etc.)

Over in GoS, Parijan and Dabir are both Middle Eastern coded, we are aiming to be more specific in the edits.

Sayyida and Daniel are both black.

This is loose canon, but I think there's a real read to GoS about making Link black because of the nameless and the felons' rights allegory that that is meant to be. I will not confirm it because Link is meant to be a stand in for the reader and how they see him, but I do like the interpretation.

And again, this is just book 1. There are nine books planned, there will be more.

[theconstitutionisgayculture]

There's a lot of stupid out there, but I think one of my least favorites is people using terms like "neurodivergent" and "neurotypical" and then defining themselves as 'special' because they, independently, have decided that their lives are harder than others' because of the way their brains are wired. (But like, that's actually something to celebrate, and the problem is those terrible "neurotypicals"!)

Not gonna get into it, but there's a lot of very real autism in my family, and it's not a bad thing... but it isn't quirky and special. It's a real disability. Making it into some kind of identity, and villainizing people who don't have it, is genuinely one of the worst things you could do if it's something you actually struggle with. And also? In my experience, everybody's got a hard life, "neurotypical" or not. I've never met anyone who isn't dealing with some real crap, most people just don't use that as leverage in every social interaction they have. (Is anybody actually "neurotypical" anyway? Human brains are so complex, reducing it to 'this one is normal, but that one isn't!' is so reductive.)

Yeah, mental illness is super trendy among certain people these days. Especially when those "illnesses" can be slotted into pre-existing personality traits. "I really like this show, this must be an autistic hyperfixation! Time to blame all my social failures on autism and never try to improve myself because I can't, I'm autistic!"

[sawthatmountainburn]

I mean, I do think it's useful to have a way to articulate who transmisogyny affects cause like it's not "everybody" as some might want to claim, but it's annoying that even the pro tma/tme distinction side cannot decide on what it actually means. like the thing that made me lose faith in it was this

like ok, let's accept the premise that TMA doesn't just mean transfem (a loosely defined term anyway) and can include non-transfem drag queens, which are mostly cis queer men with some exceptions. following so far.

but then what makes someone TME is the ability to wield transmisogyny against transfems, which means cis guys are TME. and that's also perfectly reasonable, but it does cause issue with the previous statement that non-transfem drag queens are TMA. Ru-Fracking-Paul himself has been very transmisogynistic on numerous occasions and somehow, I don't think he's an outlier! there's also an argument to be made, and has been made by some transfems and even drag queens, that ceasing to be in drag is more akin to taking off a costume, whereas trying to stop being trans is straight up life threatening. and like, sure, there's nuance to this, but it's a very stark and obvious difference, right? so clearly not all, if any, non-transfem drag queens are TMA. hell, I think there's an argument to be made that drag is actually being attacked because it's a queer artform, like "degenerate art" was attacked by the original Nazis; something related to transmisogyny, but distinct from it.

so like, it's infinitely nuanced as a lot of things are, which would be fine except for the fact that people demand others identify themselves as TME/TMA in order to participate in these discussions. and if you're a binary trans person who doesn't crossdress in anyway, the distinction is easy to make, but for others not so much and sorry if this hurts anyone's feelings, but declaring that it's just not worth talking about those "others" because they're such a minority, is just classic marginalization.

and like idk if there's a real solution to this. in my mind, it makes more sense for TMA to apply only to trans people who were AMAB. then there can be a broader term for stuff which includes that + drag queens who don't fall into that category + femboys who also don't + ditto butches + intersex women who are perceived as more "mannish" + whomever I might be forgetting idk it's 6am. but idk I'm just one guy with a particular (autistic) way of understanding the world so the models I find to make sense, might not resonate with others, nor be particularly useful in analysis. but jfc I'm tired of this wishy-washy nonsense and I'm even more tired of how allergic its proponents are to criticism.