And can I say that another thing that resonates with me about ambrosius being a queer asian man is the focus on his bloodline and his heritage.
As a trans + queer asian guy I'm probably never gonna have genetic kids and as an only child that's something I've had to come to terms with. Queerphobia in Chinese culture (in my experience) in very different than in the US because instead of stemming from evangelicalism, a lot of it comes from the stigma of not being able to have kids and have a "normal" family and continue the bloodline. And the guilt of the bloodline ending with me is constantly something at the back of my mind.
Even though it's not really touched on in the film explicitly, a big part of Ambrosius' arc is saying "fuck you" to his responibility to his bloodline and choosing to be happy with his bf instead. And there's an interpretation of that which is arguing for queer asians to say a "fuck you" and choose their own happiness. We're allowed to be selfish, and choose ourselves
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"Scrooge said that he would see him—yes, indeed he did. He went the whole length of the expression, and said that he would see him in that extremity first."
- Charles Dickens, A Christmas Carol
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Godzilla x Kong New Empire but it's the Spongebob Movie
I had this idea BEFORE the movie even came out lol
This took longer than I thought! Please appreciate it!
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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okay i was rewatching into the spider-verse after watching across the spider-verse and noticed something during the scene where miles meets his universe's peter for the first time.
peter's spider senses are red and blue, the classic spiderman colors
but miles's are purple and green... like another version of miles i can think of 👀
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What do you think of Rook's savanaclaw card? <333
I didn't get him (and I need to save my keys for Silver's birthday, sob) so I looked up his groovy, and I'm not over how incredibly dramatic and epic and cool it looks in direct contrast to the absolutely ridiculous context. just look at that dynamic action and his majestic sparkling tears and keep in mind that this is pretty much right after a bunch of characters have been dance battling for his soul.
and then even the actual moment of the groovy is just like
this is NOT a negative in the slightest, I love it all, this truly was an incredible update in so many ways
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this year my challenge for everyone is to unlearn the association between love and morality. love is not something that is inherently morally good, and the absence of love is not something that is inherently bad. sex without love isn't morally bankrupt, it's just an action. people without love aren't less kind or less good, they're just people. when we can get past this false (and often unnoticed) dichotomy of good love/evil lovelessness then i think we are going to be able to take leaps and bounds in sex positivity, aro advocacy, certain discussions of mental health...
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when nimona first shapeshifted in front of gloreth, gloreth was a little freaked out, but more just shocked, and then they went on being friends. it was only once gloreth’s parents told her that nimona is a horrible monster that she finally turned on her. this movie isn’t subtle in the least with its themes, but i like this part of the movie because it really shows just how imaginary and baseless (for lack of a better way to phrase this) the fear of monsters (i.e. trans people) in society is. children, like gloreth, when left alone without any societal influences, will be faced with this Other, Different thing and accept it, just go with it. befriend them.
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