#as i said this got really long and im sorry

[maidragoste]

hey hun! im sorry for your loss and i saw u post abt needing distracting. so could u write a jace x reader? it could be any plot you want whatsoever and could it be a modern au? as well fluffy! is that okay?

Hi, how are you?

Thank you for your message 💖 I'm sorry it took me so long to upload your request (in the end it cost me more than I thought to recover and then university and trying to find a job overwhelmed me) but I hope you like the result 🥰💖

Disclaimer: English is not my first language so I apologize for any mistakes.

It hadn't really been Jacaerys' intention to wait for you to come back from your date. He should be doing some college work but instead, he's watching TV without paying attention to it thinking about how the hours are passing and you still haven't come home. Your date should be fun if you don't text Jace anymore. Jace shouldn't be worried about you because he knew Rhaena would never have set you up with an idiot but he still couldn't help being worried.

Jacaerys wanted you to come home and see if you were okay. It would hurt him to hear the details of your date and see you all excited about another boy but he would bear it.

If only Jace wasn’t afraid of ruining things between you two then he would have taken you out himself after hearing you complain about how your love life is dead instead of letting Rhaena set you up with one of her friends. But Jacaerys is sure that you don’t see him as more than a friend and he doesn’t want to risk losing you so he doesn’t make a move. He's content with being able to be in your life, with the chaotic mornings of the two of you getting ready before going to class, with your text messages telling him everything that happens to you during the day, with the nights cooking together and with the breaks where you watch series snuggled together on the couch.

Jacaerys looks away from the TV as he hears the keys clicking into the lock. You walk in and Jace feels a pit in his stomach because you don’t look excited, you look defeated? Your eyes meet his and you give him a tired smile but you quickly break eye contact to take off your coat and sneakers and then run to the couch with him.

“So you wanna talk about it?” Jacaerys doesn’t even finish asking how much you’re already talking.

“It was fine. He’s nice and we talked for hours. Everything was going well until the end because he tried to kiss me.” If you hadn’t been busy fidgeting nervously you would have noticed how your roommate seemed to tense up all of a sudden. “I declined and he wasn’t bothered but it was awkward.” You sighed.

“Why did you reject him? Are you the kind of person who has a rule of not kissing on the first date?”

“Because I don’t like him” you declared, suddenly looking up and for a moment, at the intensity of your gaze, Jace forgot to breathe. “I could be his friend, but I’m not interested in him in any other way.”

“Oh” was the only thing that came out of the surprised man’s mouth.

“Oh,” you repeated, “Why did you wait for me, Jace?”

“Who said I was waiting for you? I was watching TV” he denied instantly.

“Jace”

Seeing your beautiful eyes looking at him pleadingly for a moment, Jace was afraid to give in and confess everything to you, as for more than a year he can’t stop thinking about you and wants to be more than your friend. But again, he’s afraid of making you uncomfortable and losing your friendship, so he asks instead.

“What does that have to do with you not liking your date?”

“While I was with him I realized that I actually wanted to be home with you” you confessed and instantly regretted it when you saw that he remained silent. “Forget it. I'm sorry for making it weird” You got up ready to go to your room so you could have a crisis alone about ruining your friendship with Jace when he took you by the hand and pulled you causing you to end up on top of him.

“Oh no, I don’t plan on forgetting it, not when I’ve been pining for you for over a year,” he stated making you smile.

“You’re a coward,” you mocked without malice. “Over a year and you never made a move. You’re lucky I decided to act.”

“You’re right,” he said smiling unbothered. “Now that we’ve established that I’m a fool and you’re the best, can I kiss you?” he asked and you laughed feeling delighted with him.

“Try not to sound so desperate to kiss me.”

“Can you blame me?” He arched an eyebrow, any embarrassment or fear he felt disappearing the moment he knew his feelings were reciprocated. “I thought a lot about kissing you and I finally have the chance.”

At his confession, you felt heat on your face and your smile grew. “You're such a fool.” You took his face in your hands and felt your heart warm at the softness with which Jace looked at you.

The moment your lips touched his Jacaerys knew he would become addicted to your kisses. He would look for any excuse to kiss you as many times as he wanted. You would probably become the clingy couple that his friends would make fun of. But he didn't care and he didn't think you would either because you were kissing him with the same intensity.

Taglist for all my House of the Dragon works

@chaotic-fangirl-blog @venus-flytrap3 @ajordan2020 @iloveallmyboys @sweethoneyblossom1 @fudge13 @crystal-faith @tita004 @ichanelvxgue @snowprincesa1 @joyouart @rosey1981 @alastorhazbin @papichulo120627 @apollonshootafar @jasminecosmic99 @partypoison00 @labellapeaky @rebelliuna @bxdbxtxh15 @impartinghades @thegirlnextdoorssister @angeliod @snh96 @aleemendoza2425-blog @natashaobo @watercolorskyy @nyenye @savagemickey03 @kishie8 @ewwwitsel @arabis-world @missusnora @nzygftoji @alisoncdariel @cookielovesbook-akie @partnerincrime0 @klara-lily @427120lxld @justhereiguess2 @buckylahey @wa801 @artistadistrada2002 @thelastemzy @justanotherkpopstanlol @yn-jackson @jacesvelaryons @pictureofcaroline

hotd masterlist

[itneverendshere]

shy!sweetheart!reader being secretly a metalhead (enjoying bands like falling in reverse and bad omens). rafe finding out like 🤨

this was ridiculously cute to write😌 and i felt like it feet pogue!bartender!reader's universe 100% so i did it.....if it wasn't want you wanted IM SORRY but it's canon in my head and my fingers worked really fast to write this down lmao. thank you for the request!!🩵🫂

you're in the walls that i made - r.c

pairing: rafe x pogue!reader (bartender!reader universe)

It had been a long day, and all you wanted to do was get home, toss on your favorite oversized hoodie, and dive into a YouTube rabbit hole of random videos on your phone.

Rafe, of course, was your ride—like usual. He’d somehow appointed himself as your unofficial chauffeur after shifts, and you weren’t exactly complaining. You were saving up for a car, and you were almost there, only a few more weeks and you’d have your baby.

But it was nice to have a reliable ride, even if it came with his very questionable music taste.

"Alright, let's go," Rafe said, pulling up in his shiny black truck as you slid into the passenger seat.

The smell of leather and cologne hit you immediately, as did the unmistakable thumping bass of whatever rap song he had blasting. The lyrics were, as usual, about women, money, and something about getting high on a yacht. You made a face without even realizing it—like you did every time.

"What's that look for?" Rafe smirked, glancing over at you as he pulled out of the parking lot.

You shrugged, hoping he’d let it slide. "Nothing. Just... nothing."

Rafe wasn’t the kind of guy to let anything slide. "Nah, you do that every time I play my music.”

You bit your lip, wondering if he thought you were a snob now. “What? No I don’t.”

He shot you a side-eye, his smirk widening as he pressed a little harder on the gas. "You got somethin' better on your playlist?"

It wasn’t like you were embarrassed. You just didn’t think Rafe, with his expensive taste and rich boy vibes, would get it. But before you could answer, the radio cut in between songs with an ad, and you almost jumped in your seat.

“On September 6th, for one night only, Bad Omens will be performing live at the Greyhall venue on the mainland! Get your tickets now before they sell out!”

Your heart raced. Bad Omens. They were one of your favorite bands, and they were going to be right there—just a ferry ride away. You stared at the radio, gripping the sides of the seat like you were about to take off.

"Wait, what?" You said under your breath, but loud enough that Rafe noticed.

He furrowed his brow, glancing between you and the road. "You okay? What's up?"

You bit your lip, feeling the excitement rising inside you and knowing it was pointless. You couldn’t afford concert tickets, let alone the ferry and everything else that came with it. But still, you couldn’t help the tiny squeak of frustration that escaped.

"It’s nothing. Just…one of my favorite bands is playing."

Rafe’s eyebrows shot up. "Favorite bands?" His voice lilted with surprise. "You never told me you had a favorite band. Wait—what band?"

You fidgeted in your seat, the seatbelt suddenly feeling too tight. "Bad Omens."

He blinked. "Who?"

Of course. You sighed. "They're a metalcore band. Like heavy, but not just noise. They actually sing. And scream. It’s complicated."

Rafe's expression was priceless—like you just told him you were secretly a wizard or something.

"Metalcore?" He repeated, testing the word,"Wait, hold up. You’re telling me you like that screamo stuff?"

He couldn’t believe what he was hearing.

You? The girl who got him by the balls since he laid his eyes on you? The quiet, sweet, always-put-together girl he drove home after work, into metalcore? It was like you just told him you had a secret double life.

You shrugged, feeling yourself blush a little. "It’s not just screamo. There's a lot more to it. It's deep."

“Screamo stuff,” he repeated, trying to wrap his head around it. His eyes moved from the road back to you, still processing. You were full of surprises, and every time he learned something new about you, it knocked him off his feet. He wasn’t used to it. Most girls he’d been with were pretty predictable—into the same stuff, liked the same fancy dinners, designer bags, the whole kook lifestyle. And then there was you.

You still sounded a little defensive, your fingers messing with the hem of your shirt. “I swear, there’s actual singing and meaning behind the lyrics.”

Rafe leaned back in his seat, still smirking, but he wasn’t laughing at you. He was actually impressed. You really didn’t care what anyone thought, did you? He couldn’t even pretend to understand the music, but it wasn’t just that—it was everything about you that threw him off in the best way.

"So that’s why you’re always making faces at my music? ‘Cause it’s not—what, hardcore enough for you?"

You couldn’t help but giggle. "I mean yeah, kinda." You glanced over at him, like you were waiting for him to crack a joke or say something stupid, but all he could do was stare at you like you’d just become ten times more interesting. “What, I don’t look like someone who’d enjoy heavy music?”

He laughed, shaking his head.  “I would've never guessed. You’re always so quiet. Sweet. I thought you’d be into, I don’t know, something soft and cute. You look like you’d be into Taylor Swift, not dudes screaming about whatever it is they scream about.”

You let out a small laugh, and he couldn’t help but smile at the sound. He loved that laugh. “Well, I do like Taylor Swift. But, you know, metal is just...it hits different.”

Rafe’s face went from shock to something else, like he was putting pieces together in his head. "Wait, that explains so much. Every time I put on something with a chill beat, you look like you’re dying inside."

"I just have different taste," you admitted.

"Damn, never thought I’d see the day," he muttered, more to himself. “So, this band of yours—Bad Omens—where they playing?"

"Greyhall in September,” you said quietly. "But it’s fine. I can’t afford to go."

He frowned. "The hell you can’t. Just get the tickets."

You blinked at him. "I can’t, Rafe. They’re probably expensive, and I’ve got rent and bills. Y’know, real life stuff?"

He furrowed his brow, like the concept of not being able to afford something was completely foreign to him. “It’s just tickets. How much could they be?”

"Probably more than I make in a week. Plus the ferry, the drinks, food—it's not that simple."

He glanced at you, like he was doing the math in his head. The guy lived in a world where nothing was “that simple” because everything was already done for him. He didn’t have to think about rent or ferry costs or budgeting for groceries. That wasn’t Rafe’s reality, and for a second, you could see it in his eyes—he forgot that your world wasn’t his.

"Alright," he said, shrugging like it wasn’t a big deal, "I’ll get them."

"What?"

"I’ll get the tickets," he repeated, more casual this time, like it was the easiest solution in the world. "You wanna see them, right? So I’ll buy the tickets."

Your mouth fell open. "Rafe, no. You can’t just—"

He looked at you like you’d just said something offensive. "I can.”

"No, you’re not buying me concert tickets. That’s ridiculous."

He rolled his eyes, acting like it was no big deal. “I’ve spent more on dumber shit. Consider it an early birthday gift. Or whatever."

“Do you even know when my birthday is?”

He didn’t even miss a beat, "October 8th” he said, his voice so smooth and confident that it caught you off guard.

Your jaw dropped a little, and you stared at him. "Wait—how do you know that?"

He shrugged casually, but he was proud of himself. "What, you think I don’t pay attention to you?”

When it came to you, he was locked in. Every detail, every little thing you mentioned, he was soaking it up. He knew. Out of all the random things, that’s what he remembered. You never told him outright; maybe it came up once in a passing conversation, weeks ago, buried under a million other details about work or life or whatever. And yet, here he was, dropping the exact date like it was nothing. You tried to play it cool, but inside, your brain was short-circuiting. Rafe Cameron knows my birthday. He tapped his fingers on the steering wheel, staring straight ahead, that smirk still glued to his face. He was being way too natural about the whole thing.

“Okay,” You snapped out of it, “You’re not buying me tickets, Rafe,” you warned him, crossing your arms and shaking your head. “Seriously, I can’t let you do that.”

He barely glanced at you, too busy making a smooth turn, “You act like I just offered to buy you a house. It’s a couple of tickets, not that big of a deal.”

“To you!” You huffed, leaning back in the seat. “It’s a big deal to me. I’m not just gonna let you drop money like that. For what? For a concert that you’re not even going to?”

Rafe let out a low chuckle, which only fueled your frustration. He thought this was funny.

“It’s just tickets,” he repeated, like that was going to wear you down. “Look, if it bothers you that much, you can pay me back. And I can go with you”

You felt your heart do this weird little somersault, like it didn’t know whether to panic or be excited.

What the hell was he talking about.

Rafe Cameron, Mr. Country Club, wanted to go to a metalcore concert with you?

Your head was spinning. He doesn't even know the band, you thought, trying to figure out if he was serious or just messing with you. But judging by the way he was drumming his fingers on the steering wheel, he wasn’t joking.

“You’re gonna come with me to a Bad Omens concert?” Your voice came out more skeptical than you intended, but could he blame you. The thought of Rafe at a concert full of screaming fans and heavy breakdowns was honestly hilarious.

He shrugged, eyes still on the road, totally unfazed. “Yeah, why not? Could be fun.”

Fun? FUN? You were genuinely struggling to picture him, in his usual attire, khaki shorts and a Ralph Lauren polo, at a venue packed with sweaty metalheads. You almost wanted to laugh, but then again, he was doing this for you. He was willing to put up with a night of music he definitely didn’t like, just so you could see one of your favorite bands. That meant something.

You scoffed. “How would I pay you back anyway? With what? My tips from bartending at the country club? Gonna take me six months to pay off Bad Omens tickets.”

He glanced over, eyebrow raised, like he was sizing you up. “You’re seriously gonna pass up the chance to see one of your favorite bands because you’re too proud to let me help?”

You bit your lip, torn between how much you wanted to see them live and how uncomfortable it felt to accept help from someone like Rafe. He was used to throwing money around—his daddy’s money, no less—and you... well, you weren’t like that. You’d grown up on the other side of the island, working your ass off to afford anything. 

The idea of someone just buying something for you? It made you feel weird. Like a sell-out.

“It’s not about a couple bucks. It’s about you doing this because you feel like you have to or something.”

His jaw tightened just slightly, and he shook his head like you were missing the point completely. “I don’t feel like I have to do anything. I want to do this. There’s a difference.”

You narrowed your eyes at him, not letting him off the hook just yet. “Why? Why do you want to do this so bad?”

There it was. That look again. He hesitated, like he was deciding whether to be fully honest or not, then leaned back in his seat, tapping his fingers on the steering wheel again, trying to play it cool.

“Because,” he started, his voice casual but his eyes were giving him away. “This is what friends do. They look out for each other. I’m not letting you miss something you clearly want.”

Saying the word made his chest hurt just a little. Friends. Right. But he didn’t let it show. He wasn’t exactly the relationship type, and everyone knew it. You probably knew it, but when it came to you things were different. And maybe the idea of spending time with you at that concert—just the two of you, no work, no distractions—sounded like a dream. How could he say that without looking like an idiot? Or worse, like a an asshole trying to buy his way into your life.

“Rafe, be serious,” you sighed. “I don’t like feeling like I owe someone.”

“You don’t owe me shit,” he said quickly, a little sharper this time. He seemed almost offended. “Why do you keep acting like this is some big favor? I’m not holding it over your head or anythin’. I just want you to go to the concert and have a good time. Is that so hard to accept?”

You did want to go. Badly. But accepting help like this wasn’t your style, especially not from Rafe, who lived in a completely different world. And yet you could feel how much he genuinely wanted you to say yes.

 “I’m being realistic.”

Rafe snorted. “Realistic? You’re being stubborn as hell.”

“I’m not—”

“Yeah, you are,” he cut you off, pulling into a stop at the light and turning his whole body toward you. His eyes were locked on yours now, serious but still with that hint of playful annoyance. “Look, I get it. Fine. You want to go to the concert. I’m offering to make it happen. End of story.”

He was used to getting what he wanted, and, right now, what he wanted was for you to take these tickets.

“Why do you care so much?” you asked, your voice coming out quieter than you intended.

He hesitated for half a second. Then that smirk of his came back, though it felt different. “Because I like seeing you excited about something. You’ve been dragging your feet every time I see you, and now, you hear some band’s coming to town, and you light up like it’s Christmas. You think I’m gonna let you miss that over a couple bucks?”

You opened your mouth, but no sound came out. He was always so sincere. And it threw you off completely. Rafe was a lot of things to a lot of people—cocky, reckless, arrogant—but he wasn’t usually thoughtful. Not to them. Not like this. You seemed to be the only one who saw the good in him.

But you still weren’t giving in. “Rafe... it’s just weird, okay? I don’t want it to be like you’re doing me a favor.”

He let out an exaggerated sigh, shaking his head. “Fine. Then don’t think of it like that. Think of it like— I’m investing in something I wanna see. You freaking out at this concert, screaming your head off, losing your voice for two days—that’s entertainment.”

 “You’re ridiculous.”

“And you’re difficult,” he shot back, eyes narrowing playfully. “But I’m not backing down, so you might as well just say thank you and take the tickets.”

“Or what?” you challenged, but your voice was softening.

“Or I’ll buy the tickets, show up at your door, and force you to go.”

You blinked. “You wouldn’t.”

He grinned. “Try me. C’mon,” he pushed, sensing you were caving. “You work your ass off at that club, always taking care of everyone else. For once, just let someone take care of you.”

Your breath hitched at that. He wasn’t just being cocky or trying to win an argument anymore. He meant it. You looked out the window, chewing on your lip. This was new, this was all so new to you it felt a little pathetic with how hard your heart was racing. There was a moment of silence, like you were both just waiting for the other to blink first.

Finally, you sighed, throwing your hands up in defeat. “Fine! Fine. Buy the stupid tickets. But don’t think I’m not paying you back. I’ll find a way.”

He just laughed, clearly satisfied with his victory. “I’ll take that as a ‘thank you, Rafe. You’re the best friend ever.’”

You rolled your eyes again but couldn’t help smiling a little. “Sure. Whatever helps you sleep at night, Cameron.”

As the light turned green and he started driving again, you let out a long breath, not knowing why you were giving up so easily. There was this strange warmth in your chest, knowing he cared enough to go toe-to-toe with you over something as small as a concert.

“Hey, for the record,” Rafe said after a moment, glancing over at you. “I’d do it again. Just so you know.”

You raised an eyebrow. “What? Fight me over tickets?”

He grinned, looking back at the road. “Nah. Fight you over anything, sweetheart.”

You rolled your eyes at the nickname, but you were beaming like an idiot now. You felt lighter. “Just don’t think this means I’m letting you pick the music on the way there.”

“Deal,” he said, laughing as he leaned back in his seat, clearly proud of himself. “But don’t get too used to it. Next time, it’s back to rap and yachts.”

You snorted, shaking your head. “Yeah, sure. Whatever helps you sleep at night.”

As he drove, you couldn’t help but peek over at him, catching the way his jawline tensed and relaxed, the way his fingers tapped the steering wheel like he was still buzzing from the conversation.

And yeah, maybe you’d heard the rumors surrounding him, believed them a little before.

Now, you weren’t so sure.

All the while Rafe felt like he’d just won the lottery. You had no idea how hard he was falling for you, piece by piece. Every small detail about you made him fall harder, and it scared the hell out of him how much he cared. But he couldn’t stop now.

Truth was, he didn’t want to.

[xxgoblin-dumplingxx]

i'd love to see more from the poly reader x poolverine verse im obsessed w them

"I didn't realize your... roommates were home today," Your sister said helping the youngest into his coat.

"It's what happens when you don't call," you caution. "They live here. You want free babysitting, you accept the terms. Sometimes it's kazoos. Sometimes it's roommates." For now, you'd accept her calling them roommates. It was partly true. And it was less rude than what your mother had said. She called them your caretakers.

Sarah narrowed her eyes at you and you shrugged, "They're fed and in one piece. And Zach has part of his social studies paper done. You're welcome."

She watched for a second as her boys willingly accepted hugs and kisses as you ignored her, beseeching them to learn something at school and make good choices and she sighed, "Thanks."

"Call next time," you tell her giving her a meaningful look. You didn't live alone anymore. And if she didn't want her kids exposed to certain things then she needed to give you enough lead time to hide those things... Today she got lucky.

________________

"Shhh," Wade said, holding up a hand, "You hear that?"

"Hear what?" Logan said opening a beer.

"Silence," Wade sighed, sinking on to the couch next to you, handing you a glass of wine. "Holy shit."

"And that's why I like being the cool Aunt," You tell him yawning. "I show up late. I bring presents. I leave before the crying starts. And then I enjoy my nice quiet house."

Logan snorted and reached over to rub your neck as he took your other side and picked up the remote, "Nice little racket, bub."

You take a sip from your glass and stretch, snuggling into Logan's side and putting your feet in Wade's lap, "Not too shabby, boys."

"For roommates," Wade teased, smacking the bottoms of your feet affectionately. "Didn't know roommates fuck like we fuck."

"Sorry-"

Logan grunted and wrapped his arm around you, "Pause was doin' some heavy lifting there."

"Mom... doesn't approve. What dad knows depends on the day. And I think my grandparents would just drop fucking dead. So. There's that." You lean over and lift a sleepy Mary into your lap and stroke her back before resting your head against Logn again. They are who they are and you are who you are. You don't fit in with the cookie cutter perfect family they have and you haven't from the second you took your first breath. But you fit here with a variant and a mercenary and their ugly little rat dog.

"We could ruin Christmas," Wade offered, "Just go make out in front of-"

"Or," you hum, "we can leave well enough alone so I can still hang out with the kids and let them have someone around that's somehow less fucked up even if I'm objectively a mess."

The boys traded a look and Logan kissed the top of your head. They'd work out the specifics later but for now, as long as your sister kept her comments to herself they'd behave- mostly. As long as it meant you got to see the kids. Because it was clear it made you happy, and because; truth be told, it hadn't been too bad today.

Wade cradled one of your feet in his hand and grinned, "I got a question."

"Might have and answer," you tell him, hissing when his thumb hit a tender spot on your instep.

"Why do all the rugrats call you, Shush?"

"My parent's housekeeper calls me Sugar," you answer. "Everyone sort of adopted it and Zach couldn't say it- so it devolved into Shush and stuck."

"Stop it, that's precious," Wade cooed, "I thought they called you that because they were always telling you to shut-"

"Not all of us went to school thinking our first name was Damn it," you snort.

Logan smirked and let go of you long enough to light his cigar. "What'd she call your sister?" he asked.

"Honey. Or Princess if she was being annoying... it's just that neither ever really stuck."

[puckpocketed]

hi!!! i saw ur post abt sam dickinson when he got drafted and then a few abt jacob fowler and as a newly indoctrinated sharks fan, i was like oh!!! so i just wanted to stick my head in and say hi!

hhii.....i just want to say we do NOT do refunds around here . no takebacks. any psychological damage suffered is something you consented to on the waiver. ok? ok. welcome <3

i must stress i am new here and stumbling around blind in the dark . this blog is not your sharks blog source. i think ill just link my favourite sharks blogs - in no particular order!!! (there are also blogs not mentioned here because they're some of these peoples mains/alts, i honestly just didnt wanna make this 2000 words long, so sorry if i missed u, i am thinking of u fondly!!)

@neonfretra <- ok i said no order but im lying about this one . my beloved colleague in sharks academia. we are half reblogs of each other during lbs so . deepest apologies for that. come to puckpocketed and see neonfretra2: the sqeakuel. neonfretra makes very cool art (said like a completely regular person with all my hinges attached !) <3

@oensible <- they are equal first in my heart my other beloved colleague and literally the very first sharks lb'er i ever interacted with. made the space silly and warm and ough <3 not super active atm but very very occasionally drops banger art + gifs + shows up in lbs and i cherish every SECOND !

@pacific-coast-hockey <- u will learn very quickly that being a sharks fan means also having brain worms about the sj barracuda. unavoidable disease SORRY!!! we love our silly ahl team. this is your cuda source!

@18minutemajor <- wall to wall bangers . art. art. beer league stories if u like those. more cuda content. like i cannot stress to u enough about the cuda part of Sharkudablr . also posts sheng pengs deranged editorials sometimes <3

@matthewmaticallyeliminated <- sharks media poster. + sometimes photos u wont find on other socials !! really, really good at screencapping games. 10/10 great taste in caps, bangers all the time.

@tofumilanesa <- skating blog, sometimes scholarship, and sharks shitposter. been here a long time. wekky source (to ME) . every time we talk im scared ill embarrass myself <3

@knitpurlgoal <- sharksposting!! also textile arts. also been around a lot longer than me :) honestly everyones been around longer LMAO !!sometimes sends me pager alerts like im due for surgery when theres big news.

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[tommygettingwrittenoff]

i just think if roles were reversed and buck was the one saying those gay ass lines to eddie, eddie wouldve proposed like four seasons ago

[fogwitchoftheevermore]

Yes! The ways the mechs and mcyt handle narrative have always been so similar to me but I've never been able to put it onto words. Would Love to hear what you have to say on the topic (after you have had a good sleep)

HI, it's time for me to get insane. Thank you for sending this ask cause now I have an excuse to maintag the post, lol. Also, I'm going to be using the term MCYT interchangeably with MCRP (Minecraft roleplay) for my own sanity. You'll know what I mean from context clues, I think.

So, hi, anyone who doesn't know about The Mechanisms. This post is going to be about some meta analysis tools that popped up in the Mechs fandom when it exploded in popularity back in 2020-2021. Due to the nature of both the Mechs and MCYT (which I'll get into in a moment), these concepts are generally very helpful for meta analysis of MCYT as well, and I think you guys would love them.

First of all, what was The Mechanisms?

The Mechanisms, originally known as Dr. Carmilla and The Mechanisms, was a band that formed in the late 2000s. It had a rotating cast of members, though most of the stuff you can easily find from them (such as their albums) was made when they had 8-9 consistent members. The Mechanisms officially released seven albums and one single before the band broke up in early 2020. The reason this band is similar at all to MCYT comes from a few things- the characters the band played, the stories the band told, and the archival aspect/age.

Because the Mechs were not a regular band, it was also a storytelling experience. Each Mechs album tells it's own self contained story (except for the Tales to be Told albums, which feature songs with their own stories that don't tie into the album at large). But furthermore, each Mechanism is a character. All the members of the band had characters they played, acting as a band of immortal space pirates moving through the galaxy on their ship, The Aurora.

The similarity to MCYT here is, of course, the characters. It's not always as simple to tell the difference between MCYT characters and actors as it was with The Mechanisms, seeing as (a lot of) MCYT doesn't start with the acting/roleplaying intention that the Mechs started with. But nonetheless, they share the understanding that even though this isn't a play or a TV show or whatever scripted medium, and that even though these characters (sometimes) share similar/the same names as their creators, they are, ultimately, characters the creators are putting on in order to tell a story. Whether that story is something more connected to the base characters (less roleplay heavy servers, Mechs backstory beats) or a story where the characters themselves are filling a role to tell a new story (more roleplay heavy servers, Mechs filling in for characters on the albums to tell their stories), there is always a story to be told.

There is also, as I said, the archival aspect. Archiving is massively important to both The Mechanisms and MCYT. It's definitely a lot harder with the Mechs than with most MCYT stuff, since the Mechs are a whole lot nicher, but that is not to say it's easy for either group. Archiving is vital to keeping both fanbases, and both sets of characters, alive, and there is only so much archiving you can rely on the creators of either to do. Those of you who take this task on are genuinely so awesome and I love you.

Alongside the archiving aspect (and as such, the lost media aspect), there's also the age of the Mechanisms, and (similarly to MCYT), the large number of people involved in the project, which results in lost and oftentimes conflicting canon beats. Mechs lore was not a strict, planned out thing. Large swaths of it were made up on the fly or forgotten down the line and rewritten or just made to work because the story needed it. As such, a lot of Mechanisms meta analysis had to reckon with the fact that the story was often telling you two or three or more things that could not be true at once nonetheless were, or was telling you something with the assumption that you knew something else, but that something else is now impossible to track down. So, sometimes, you just had to pick and choose, or try to reconstruct that lost knowledge. Similarly, varying POVs and gaps in time or gaps in story result in a similar concept for MCYT analysis- sometimes it doesn't really work if you take every piece of lore into account, so you just can't, even though every piece of lore is equally canon; or sometimes, a specific source is lost and you have to trust the memory of people who saw or were involved in the source instead.

Now, what is narratomancy? And how is it relevant to meta analysis of MCYT?

Narratomancy is the name for a few concepts of meta analysis that popped up when the Mechs fandom exploded in 2020-2021. The term was coined by @lucky-sevens (who, unlike anyone else I bring up in this post, I feel comfortable tagging because they're inactive, lol, so this won't clog their notifs), but the credit for various concepts under the umbrella of narratomancy can go to a ton of people. Personally, I'm going to be heavily referencing one post in particular by @/gunpowderedtim when it comes to the four main pillars of narratomancy, and how they are relevant here. (BTW I know OP of that post has shifted at least a bit to the MCYT fandom as well, so if you see this and would like me to tag you properly, please let me know!)

(EDIT: I was informed in the replies that lucky-sevens did not, in fact, coin this phrase, but they can't remember who specifically did. Alas another Mechs thing lost to time.)

Narratomancy refers to the general concept of the narrative as a thing within the Mechs universe. The narrative, a story that wants to be told, is an (at least semi) sentient creature that is bending the universe to its will in order to be told. This living narrative helps to explain and work through some of the problems or plot holes in the narrative, and understanding this helps a lot for meta analysis, or even just understanding the story. As stated above, I'm going to be breaking down four main pillars that the post above identified, and how they may be relevant to MCYT meta analysis. Not all of them are going to work- these were concepts made up for The Mechanisms, after all, and for all their similarities, it's not a perfect 1 to 1. Let's get into it!

Pillar 1: Universal Story

This is a pillar that has one really important and relevant concept, but I do have to bend a bit of it in order to make it work. Namely, what we're calling "the universe" here. But it's still quite important. You'll see.

As mentioned up top, The Mechanisms were originally called Dr. Carmilla and The Mechanisms. Dr. Carmilla (both the character and the creator) eventually left the Mechs to do her own thing, tell her own story, but the story of the universe at large is still hers. She's still got her name in the title, she's still the one who created the original lore, so to the universe, she's still the main character. She might not be the main character of any given story, even any given story she participates in, but it's all her universe in the end. As such, both her stories and the stories of The Mechanisms are canon, but they might not be strictly canon to each other. Because ultimately, The Mechanisms were the universe's vessel for telling stories, and sometimes the stories they told made for a weird concoction of conflicting canon, so you just had to accept that these conflicting canon beats were both canon, but which one was canon depended entirely on which story you were looking at, which one was trying to be told, who that story specifically was about (this is a concept that'll come up again later).

The reason this is a bit less relevant to MCYT in that, if a roleplay server is being well run, you (hopefully) won't have a main character in this way. And even if you do, that main character is not always going to be the creator of the server/universe, ala Carmilla. But again, it's not irrelevant, because I think this can be applied when you're looking at individual POVs of any given event or server.

Every character is the main character of their own POV, even if they might not be the main character of any given story beat or event. They have their own lore and story to tell in that POV, and when you sit down to watch their POV that is the story you'll get. It just so happens that said story might have things that are canon to it that are not canon to other POVs, that cannot be canon to other POVs, and you as the fan have to reckon with that. Sometimes these things might be small or not something that's gonna really throw you, like the conflicting Magic Mountain lore in this season of Hermitcraft. Other times, these might be really big things, like Martyn's Watcher lore in the Life Series.

But either way, while the idea that there is a Universal Story that has a clear main character doesn't really apply to servers, it certainly ties in to the idea of POVs. And furthermore, the "all of these stories are canon, but not strictly canon to each other" idea that comes along with Universal Story is a really vital thing to keep in mind when it comes to MCYT.

Pillar 2: Casting Call (Narrative Role Filling)

There are two main parts to Casting Call. The first is that The Mechanisms have a role in the stories they tell, even the stories that are not their own, like the album ones. These roles are often trope heavy, or based on pre-existing characters that the Mechanisms themselves have similarities too. The second is that the Mechanisms slot into these roles not necessarily because they want to, but because they have to in order to make the story work. Because the narrative wants them to help the story along to the ending.

This is definitely more relevant in roleplay heavy servers, but it still comes up on just about every server out there. While for the Mechanisms, the divide is between "the character I am" vs. "the character I am playing so the story gets told", the divide for MCYT tends to be a bit more "the person I am" vs. "the character I am playing so the story gets told". This divide (and people's inability to understand it) is the reason why MCYTs so often have to give the "Remember, we're all friends in real life and anything that the others weren't comfortable with wouldn't be in the videos" disclaimer. Everyone involved in this story is playing a character to move the story along, and that character may be totally removed from their real life person (such as Scott playing Xornoth in ESMP s1) or pretty similar to their real life person, but dialed up so they can tell a story, get a reaction (I don't know any of these people in real life, so I can't confidently pin someone down for this, but you get what I'm talking about).

Regardless, there is a story to be told, even if that story isn't thought out in advance, and that requires people playing the villain or the damsel in distress or the knight in shining armor sometimes in order to get it done. And, tying back into Universal Story, who is playing which of these roles can change as the canon of each POV changes (such as in Third Life, where who is filling the "villain" role depends entirely on which POV you're watching).

Pillar 3: Story Echoes

Story Echoes are a very Mechanisms based concept, because unlike everything else here, they are explicitly canon. This concept refers to the fact that The Mechanisms' stories "echo" throughout the universe, or repeat over and over again. It's in different places and different times, but these stories are out there, over and over again.

This one can apply to MCYT, but I have to admit, it's a stretch and a half. Ultimately, the way this applies here is in the fact that there's no such thing as an original story. Every story borrows from or is inspired by or is similar to another story out there. It's the nature of story telling. The first example for MCYT that comes to mind is fan Life Series, stories that take the mechanics of the Life Series but put them somewhere else, somewhen else, with someone else. However, Story Echoes are explicitly the same story repeating over and over again, which isn't really the case with this example. As I said, it's a stretch, but I didn't want to skip over this pillar entirely.

Pillar 4: Narrative Imperative

And the final pillar, Narrative Imperative, also referred to as Narrative Flow. Despite this one also being explicitly canon to The Mechanisms, it is also very relevant to MCYT, and in my opinion, the most important concept on this list for MCYT meta.

Narrative Imperative is explicitly canon in the Mechs universe when it comes to how The Mechanisms heal from injuries or death. As discussed in this post from the official Mechanisms tumblr, that healing factor functions at "whatever speed the story wants it to". This concept of "sometimes stuff just happens because it must for the story, even if it doesn't make sense or actively contradicts previously established canon" has been brought up before when we were discussing Universal Story, in respect to lore, to roleplay based story beats, for both groups. Here, it's more discussing a fact of the universe at large, a fact of how the Mechanisms function. And while the general concept of Narrative Imperative can be applied to literally any conflicting lore thing in any MCYT server or story (it's flexible in that way), I think it works best when talking about how game mechanics tie into the story.

What does death mean for this character? What does death mean for this character when on this specific server? What does death mean for this character on this specific server in this specific moment? What does logging off mean for this character, on this server, in this moment? What does voice mod or discord calls or chat mean to this character? What do skin changes mean? What does the Player Heads mod mean? What does sleep mean?

There are a million mechanics you can ask these questions about, and you can get a million different answers to each of them. Death can and does mean wildly different things on different servers (see: a Hardcore series like Naked and Afraid versus Hermitcraft). But it can also mean wildly different things on the same server to the same character at different points in time (see: the concept of "canon lives" on DSMP). Death, and numerous other game mechanics, mean whatever the hell the story (and the universe and creators involved) wants them to mean. You just have to take it in stride, the rules aren't clear because if they were, there wouldn't be enough freedom to tell a story.

Even on servers where it seems like the rules are clear, like the Life Series or other death games, death doesn't always mean what the rules say it does. Take glitch deaths, for example, like Loony's (almost) glitched death in season 1 of Deceit SMP. He glitched into a wall and should have died, but Legundo was allowed to cheat (use creative) to save him, or, had he died, been allowed to use cheats to bring him back, for fairness' sake. But this doesn't only apply to glitches- take one of Scar's off camera deaths in Third Life. I don't have the source for when Martyn talked about this on hand, but Martyn has mentioned that Scar technically died earlier in Third Life, when Martyn just snapped one day when Scar provoked him, killing Scar in a short, boring fight. There was nothing technically illegal or unfair about that kill, like with a glitched death, but when all was said and done, everyone agreed it just sort of... felt bad. That it didn't feel like a good story. So, the death was overturned, and the server went on as usual. The rules may have been clear here, but sometimes rules get in the way of a good story, so they're disregarded, simple as that.

MCYT stories are not being told in spite of their medium but in harmony with them. And as such, that means that sometimes, the narrative rules above all, and narrative imperative says that this mechanic is going to work like this, at least for now, at least for me. It might not ever work like that again, for me or for anyone else on the server, but it works like that in this moment, so you take it as is.

So, yeah, there's my essay! My final thoughts: Go listen to The Mechanisms. Go listen to Maki Yamazaki (Dr. Carmilla). I hope you enjoy these four concepts and keep them in mind when you are analyzing or playing the space of MCRP, because I think they are really helpful things to keep in mind. Have a good one.

[maraschinotopped]

undertale yellow. clutches head in anguish.

[lokh]

Im gonna need your like, whole musical rec list, bc literally every song you have posted has not flopped once, give me your faves i need to eat them

OUGHHH YOUVE UNLOCKED THE BEAST ARGSHHFHJDF....

in the interest of making this both easily accessible but not stretching the dashboard, im embedding bandcamp links when i can, otherwise linking to youtube when unavailable

in no particular order, inclusion based mostly on what im still actively into LMAO but also just things you should give a go at least once:

list of artist recommendations

zeal and ardor: described as a mix of african-american spirituals and black metal. try devil is fine, you aint coming back, wake of a nation or church burns

bloodywood: indian folk metal, literally nobody is doing it like them. recently featured in monkey man (2024), try chakh le, yaad or dana dan

stromae: if youve never heard any of his songs WHAT ARE YOU DOING..... incredible lyricist, described as a blend of hip hop/electronic. papaoutai made the rounds on tumblr a while back, but you should also try santé and l'enfer

alamat: pinoy pop. a youtube commenter described them as sounding like 2nd gen kpop which probably also explains why i took a shine to them LMAO, notable for the amount of filipino culture on display and the diversity thereof (singing in different languages, themes). first heard them thru kasmala either here or on twitter lmao, try aswang or maharani

andy bull: alt-pop. a lot of poppy and upbeat songs with a melancholic undertone imo. an australian artist, try it's all connected or keep on running

cosmo sheldrake: electronic, wikipedia also lists him as folktronica and baroque pop. you may have heard the song come along on an apple ad - hes known for sampling sounds from nature. pliocene for example features sounds from endangered ecosystems.

if you like cosmo sheldrake, you might like hidden orchestra (electronica, ambient). also making use of field recordings, i really love the archipelago mixtape but its a hard sell at about an hour lmao. if you like the following song then i implore you to give it a go

son lux: experimental, you may have heard from them in the entire soundtrack for everything everywhere all at once (!!!!!). try dangerous, dream state (brighter night) or live another life.

ammar 808: electronic/world fusion, also behind bargou 08 (folk rock you should also listen to). i just cant get ain essouda out of my head, but i also love geeta duniki

miyavi: j-rock, used to be a visual kei artist. these days he might be known more for anime openings like flashback (kokkoku) or other side (id:invaded), or for work like snakes in arcane (or actually inspiring and voicing a character in it), but ive always been partial to his early work like sukkyanen myv or ashita, genki ni naare

songs/albums

'threads' album by now, now (indie rock).

'dream to make believe' or 'what to do when you are dead' by armor for sleep (rock, emo). here's the truth about heaven from the latter album

i already posted about it but denzel curry's 13lood 1n + 13lood out mixx (rap, trap) is extremely good

the guilty gear soundtracks and im so serious im not fucking joking. different kinds of rock and metal and all sorts of influences put in, a genuine labor of love. xrd and earlier games are mainly instrumental with some vocal tracks (try give me a break or big blast sonic), while strive pretty much always includes vocals (of course i need to rec rock parade, but also try requiem. its genuinely hard for me to pick and choose lmao)

not an album and not an artist

coke studio pakistan and coke studio bangla knocking it out of the fucking park, im particularly a fan of harkalay and kotha koiyo na. you could try the other coke studios too (tamil, india, etc)

triple j like a version is when the radio station triple j brings in artists and has them do a cover of a song (artists choice). i liked denzel curry's cover of bulls on parade and flume's shooting stars (video for this one is incredible, man had a vision you just have to stick it out), but you get a lot of interesting interpretations like the wombats' running up that hill, gordi's in the end or, infamously. the wiggles' elephant

ive DEFINITELY missed out some, but thats what my music tag is for LMAO i hope someone discovers something they like here!!!!

[carcarrot]

ok sitting down for a moment at disneyland. elaborating on the post-beat concert shenanigans in the tags

[skrunksthatwunk]

reread the first 3 volumes of berserk (aka the black swordsman arc) today and started Really paying attention to guts this time and my takeaway is that he is TERRIFIED way more often than i thought. like puck mentions fear in the mix of emotions he's sensing from him but he is truly wide eyed quivering princessmoding his way through a lot of this ordeal

[theclearblue]

I'm gonna get into a brawl with my mother one day don't be surprised when I get on the news

[gojuo]

Are you the strongest because you are gojo satoru or are you gojo saturo because you are the strongest? I never understood why geto said that to gojo, can you explain to me? Did he want to give gojo a reality check?

Actually, he wanted to give Gojo an identity crisis lmao. In other words, what Geto's saying is that: Are you you? ("Are you the strongest because you are Gojo Satoru?") Or are you letting your strength define your sense of self? ("Are you Gojo Satoru because you are the strongest?").

In that moment, Geto was completely defeated/resigned/pessimistic (I can't find the right word arghggg) because he realized that what he wanted to achieve, he never could. But Gojo totally could because in the year between Riko's death and that moment, he had surpassed anyone and everything, and had become — for a lack of a better term — an untouchable god (Infinity automatically on at all times; RCT & RCT: Red; Hollow Purple; Domain Expansion mastered; in the process of mastering brain healing 24/7; etc.).

What Toji did to Gojo was turn him from The Strongest to Stronger Than The Strongest (omgggg romance <3 Tojigo agenda never ends). Essentially, Gojo had become far stronger than Geto, a fellow Special Grade and part of "The Strongest Duo", was and had risen up to be in a league completely on his own. This event in his life + Geto going rogue gave way to the worsening of Gojo's identity crisis.

That identity crisis I'm talking about is Gojo's lifelong status as "The Strongest" and his role in Jujutsu Society from the second he was born.

"The curses' increasing strength... At that moment, I understood the reason why! It's because of him! It's because of Satoru Gojo!! It's like when a seemingly unbeatable track-and-field record gets broken! Or when figure skaters suddenly have to add more spins to their jumps due to a single athlete's prowess!! When Satoru Gojo was born... the balance of the world was altered!"

From the second Gojo was born, he was not allowed to be Gojo Satoru (himself; "Are you the strongest because you are Gojo Satoru?"). He was pushed into a role by his birth family, his clan, other clans, and the entirety of Jujutsu society. Gojo was never just Satoru, the child, or Satoru, the person. From birth on, he was the Six Eyes, the Limitless ("Are you Gojo Satoru because you are the strongest?"). The bounty on his head was already over a hundred thousand before he turned 10 years old.

When Satoru Gojo was born, the balance of the world was altered.

This meant that he was raised as The Strongest, a role not only pushed onto him by the society and family he was born into, but by fate itself (the Tengen affair — remember that the Six Eyes is connected to Tengen and the Star Plasma Vessels through fate. A fate broken by the only one who lives outside of it: Toji Zen'in the man with absolutely no cursed energy at all. TOJIGO AGENDA NEVER ENDS GRAAAAAAAHHH)

Being raised as a thing instead of a person would lead any child to an identity crisis. He says it himself in ch. 236

He feels like nobody truly understands him, because there is nobody on his level of being. Nobody can stand beside him because of the disparity in strength between him and everybody else. He feels like he can't ever let anybody inside. He feels this way because Gojo defines his own sense of self — his identity and his own existence — through the strength he holds ("Are you Gojo Satoru because you are the strongest?"). Because he was raised to think like that. Because he was pushed into the role of "The Strongest" by fate, his family, all of society before he was able to define himself as just himself.

Gojo going to Jujutsu High in his teens would have been the first time he actually spent meaningful time with people who live outside of rigid clan society and culture. Geto, Shoko, Nanami and Haibara, none of them are from clans, so none of them would have treated him as if he were the Six Eyes and the Limitless first, human second. They would have treated him as just Gojo Satoru, their classmate in high school. Like a normal person. His belief system would have been challenged for the first time since his identity wouldn't be characterized by how strong he is, by his role as The Strongest in Jujutsu society. He'd just be another kid to his classmates.

Now that doesn't mean that his issues with his identity and Jujutsu society's dogma he was force-fed since birth were all fixed and everything was dandy, it just means that that line from Geto and his betrayal worsened what was already there and continuously reinforced and reaffirmed by Jujutsu society's penchant in making him a pariah (Nanami participated in this after Haibara's death btw, "Can't we just leave everything to him from now on?").

Are you the strongest because you're Gojo Satoru? Or are you Gojo Satoru because you're the strongest?

Geto asked this because he was angry at the world, defeated by it, and hurt by what Gojo had just said to him.

Because the thing is... Gojo is totally capable of killing all of humanity and creating a world only made up of only sorcerers. Gojo is The Strongest. Far stronger than Geto is. In the year between Riko's death and this moment, Gojo had far surpassed Geto in strength. The Strongest Duo — something that was a double-edged sword since it reaffirmed Gojo's belief that the measure of one's strength and prowess defines one's sense of identity BECAUSE there is now another Special Grade that is as strong as him, on the same level as him, therefore feeding into his confirmation bias — was no more. Gojo achieved enlightenment, Geto did not. Therefore, he was upset by Gojo saying that Geto wanting to create a world with only sorcerers was meaningless and impossible. And so Geto hit him where it hurt: Are you Gojo Satoru? Or are you just the role assigned to you?

Are you the strongest because you're Gojo Satoru? Are you your own person?

Or are you Gojo Satoru because you're the strongest? Or are you just a thing? A thing called The Strongest?

The second Gojo was born, he was dehumanized. Not just by his family, not just by Jujutsu society, but by the world itself. He was born into a world that adjudged him to be a thing — in his own words: an adored flower standing far above humanity and therefore untouchable in every sense of the way — not a person, an actual human being with his own identity. His time in high school, where he lived and existed outside of the confines of clan culture for a short period of time, was probably the first time in his life where he felt human. There were kids his age who weren't raised in clans, who weren't fed Jujutsu dogma from the second they started breathing, who didn't know him as The Strongest. He was just a fellow kid. And there was Geto, who was a Special Grade just like him, someone that Gojo would have categorized to be the same as him and who he would have projected his uncertainty about his own identity onto as well (because of his confirmation bias).

And then Toji comes along and changes his life forever. It's so ironic (and also the biggest reason why I love this ship so much), the one and only person who lives outside of the confines of fate (zero cursed energy) destroys and redefines the one person who came into existence precisely because of said fate (the Six Eyes is born because fate calls for them to be born in order to help Tengen with the merger). Gojo dies and comes back to life enlightened. All because "a monkey who couldn't even use Jujutsu" killed him. The poetry of it all, my god....

Okay anyways I'm getting distracted (Tojigo agenda never ends) what I'm trying to say is that Geto went through a complete different experience than Gojo did, and got left behind basically. While Gojo grew stronger and stronger (not necessarily a good thing for him), Geto went off the deep end and stayed stagnant on the powerscale.

This happening to Geto leads to his betrayal + him asking that question which in turn led to the worsening of Gojo's identity crisis. Because Gojo chose to define himself through the strength he holds and not through being his own person. And that belief only got reaffirmed more and more because Gojo truly became untouchable, truly reached enlightenment and lived on a plane not a single person could reach, not even the other person who was also called "The Strongest". So when Geto asked him, "Are you the strongest because you're Gojo Satoru? Or are you Gojo Satoru because you're the strongest?" he's asking, who are you really? Are you a person who happens to be the Strongest also? Or are you The Strongest, and nothing else?

Gojo, throughout his entire life up until that point, was raised to be and treated by everyone as the latter. During high school and his time together with another "The Strongest" around, he found a taste of humanity within his own self. Geto then goes rogue and asks this question, and Gojo decides that yes indeed, he is the latter. He validates his own dehumanization through making that choice.

And what's awful about this is that, he didn't need to do allat. He didn't need to isolate himself, he didn't need to decide that no one would or could understand him, nor did he need to resign himself to the role of "adored flower" that was pushed onto him since birth. Why? Well, Shoko says it best here in ch. 220:

Gojo made the choice to let his sense of self be defined by his status as The Strongest ("Or are you Gojo Satoru because you're the strongest?"), when that shit wasn't needed at all. But as a child, when all the people that surround you, the people who gave birth to you, the people who raised you all parrot the same shitty idea that he is The Strongest The Strongest the strongest the strongestthestrongestthestrongestthestrongestthestrongest, and then that kid escapes to high school where he has a few years of being allowed to be a normal teenager and then his BFF decides to become Jujutsu Hitler and throw that The Strongest crap back into his face right where it hurts? Well, what did anyone expect? It's just fucking sad.

And that's also the reason why I hated his death and the conclusion to his character, because Gojo dying without ever getting over being "The Strongest" while he was alive means that his character stayed stagnant throughout the entire story. And I cannot explain to you enough how much I hate that. But that's a topic for another time, so I'm ending this analysis that got way longer than I intended here. I hope this helped you understand that scene better ♥

[tankgotstuckinthecircusgate]

i know that when carlo suddenly decided that he needs to marry guy made a whole list in his head n like had a deadlines n shit. like it was some kind of a task he needed to do

[partangel]

look what came in the mail 🥺🥺🥺. very small october book haul due to the amount of time its taking me to read what i already have (mainly war and peace, which has been proven to be a very enjoyable but slow journey)

[faunandfloraas]

No but actually coming from someone with fine wavy/curly hair who had some hair loss and lots of issue I really and truly wish I could sit down and talk with Chan because he really needs someone who understands curly hair to get him some products and show him what to do and he also needs to stop using heat. Like no straightening. No hair drying. Or at least very sparsely.