#at least i'd hope so

[byler-alarmist]

I'm thinking about the basketball team and Jason calling the opposition "candy asses".

If Will had been at Hawkins for his senior year, those guys definitely would've been bullying him for his perceived homosexuality, right?

[reviviscencegruiform]

Why not with Jervis? I think they'd have his eyes.

[cozylittleartblog]

worst way to start my new year, thanks. i have a lot of things to say about these companies but i'm tired and just keeping it focused to the pin side of things for this one. do not ever buy pins from these companies, literally ALL of them are stolen from small artists like me. if you want to buy enamel pins, check out etsy, and artist's personal websites and shops! (though even Etsy has some bootleg pins that ship straight from china, so tread carefully…)

Every pin I've designed is, thus far, EXCLUSIVE to my etsy. if you find it anywhere else, it's been ripped off! and once these stupid bootlegs pop up, it's basically a never ending game of whack-a-mole trying to get them all taken down...

[la-cocotte-de-paris]

A lesson in the lustful female Gayze™: LA RELIGIEUSE / THE NUN (1966), dir. Jacques Rivette

[spellbird]

(Read from left to right)

Had an intrusive thought about Kazuki's facial hair and just had to make a little comic about it! It's been a while since I've made comics, so sorry that it's kinda messy/ just sketches. I tried to clean them up as best as I could!

[hilacopter]

So I'm assuming a lot of us have seen the "Creators for Palestine" thing plastered on our YouTube homepage. I'd be willing to give them the benefit of the doubt if A. it wasn't giving to PCRF, which isn't a reputable charity and donations to it go into Hamas's pockets B. the literal first person on the list wasn't antisemitic tankie piece of shit Hasan Piker. I'm so heartbroken over so many of my favorite YouTubers on the list.

[marshmallowgoop]

You came out of nowhere And you opened up my eyes to sunlight

[Song links: 1, 2] [YouTube link]

[wellfine]

HII I love your art so much it's so expressive and it feels like theres so much movement in it! I was wondering if u had any tips or advice to help with that? I practice anatomy and expression so much but it seems like everything I draw on my own is so stiff!! Anyway I hope you have a great week :)) <3

Hi there! Firstly, thank you so much for the kind words, it means a lot that you would take the time to tell me!

Second- my advice is to take everything you've learned about anatomy and THROW IT OUT THE WINDOW!!!!!!!

... For now. Just into the front yard so you can keep an eye on it. But I have seen many artists concentrate chiefly on studying anatomy only to feel like their art ends up too stiff. My own experience has been to treat anatomy as a tool best used to correct an image in the later stages of construction rather than as your driving foundation.

If "correct" anatomy (however you choose to define that) is the priority of your undersketches, I find that you end up with a sort of Skeleton Song approach to drawing - y'know, the knee bone's connected to the thigh bone, etc etc. Whatever energy, emotion, or intent you wanted your drawing to convey is getting lost each time you split it into another anatomical segment. By over-focusing on individual parts, you lose sight of your image as a whole.

The key to conveying dynamic movement in motionless art is to ensure every element of your image agrees on and communicates the same action, the key to which is something called the line of action.

A line of action is simply that - an implied "line" with wich you lead the viewer's eye and communicate movement. Think of it as the core of your figure's action, simplified to its rawest form. By knowing this, you know what to emphasise and what to de-emphasise.

Well, art is a visual medium and I am better explaining with drawings than words or I'd never have picked up a pen in the first place, so:

Images can have multiple lines of action, lines of action can complement and contrast each other, and a line of action isn't always as obvious as something like running. Imagine you're tring to make your art more "aerodynamic" to the eye. Since I draw a lot of One Piece fanart, I assume you're also familiar with it, and you can probably imagine how Oda uses "lines of action" when composing panels of Luffy punching something, Zoro slicing something, Sanji kicking something- etc etc. He's really good at selling the "oomph" of action shots by reducing visual clutter so that the impact of the action is greater.

(The Monster Trio's abilities are all designed in such a way that allow for REALLY striking lines of action... you can tell Oda loves studying manga fight scenes and wanted to create a world where he could push these concepts to the limit, and it's no wonder One Piece caught the eye of animators even before it was serialised by Toei)

You're probably already noticing how line of action also feeds into composition and silhouette when it comes to conveying movement in an image. Basically put, once you've isolated whatever action it is that you want to convey, the more visual clutter you can streamline away from that action, the stronger an impact that will have on the viewer. A firm line of action, an uncomplicated silhouette for your figure, and a readable overall composition of your image/panel are all ways to minimise visual clutter.

You can also use this information to achieve the opposite effect! Sometimes the ideal action you want to convey is not fast, or powerful, or confident, and you can use the same principles.

In fact, you can apply line of action to images that don't have any "action" in them at all. You can make a drawing of someone simply standing there feel more lively by applying these same principles to their body language:

You can develop an eye for how to simplify movement down to its "lines of action" by studying real photos and other people's art. Try simplifying a figure to its silhouette, and then simplify that silhouette further to a stick figure. And honestly, a lot of this could be boiled down to "see your image as a whole and not just a collection of individual pieces". Set anatomy aside during the composition stage and bring it back in when you start building up the sketch.

Moving away from the line of action, my second piece of broad advice is simply to exaggerate more. Lots of artists subconsciously hold themselves back from pushing motion, expression, etc. out of concern that it will look "too much". Well, maybe it will- but you won't know that unless you try! You can always walk it back if you think you took it too far, but I think you'll be surprised by how far you can push your art before you hit that point.

My final piece of advice is to work on line confidence. Even if you follow the rest of this advice, if you have hesitant and scratchy lines, you're undermining the flow and punch of your art. The best way to improve line confidence is simply by practicing! Do a lot of quick, timed studies, and use a permanent medium like a ballpoint pen or marker. Focus on unbroken lines wherever possible even if it makes your studies look like garbo. I find traditional studies are best for improving line confidence, but if you'd really rather stick with digital then just don't let yourself use the eraser tool, and try using a chunky brush with limited pressure sensitivity.

And that's it! Don't stress about it too much though. Loosen up with your art and, like any other skill, you'll improve with practice, time, and analysing what you like about other people's art. Good luck!

[ineed-to-sleep]

*me immediately after going through a terrifying and traumatic experience* haha yeah I guess it was rough but I'm fine now like I'm totally chill. It was kinda funny actually if you think about it

[littlebittyhollowbugs]

Time to think about how alone the pale king was when he died. He had lost everything. His kingdom yes, but even his closest relationships.

His trusted friends, who became dreamers, gave up their lives and all for a hopeless cause. His wife was driven away by her guilt and her grief. His child who he had learned to love, he sacrificed for nothing.

Almost every character that we know of who had a personal relationship with PK had either been sacrificed or had left him.

And of course all of it was his own doing. (At least largely his own doing.)

Still he sat completely alone in that throne room when he died there.

[marclef]

alright.... SO. since there has been.... a very big influx of people asking for Fake Peppino hugs. i have taken the liberty of making this easier for myself and shoved them all into (mostly) one drawing!! hooray!!!

(aside from 2 that i couldn't fit, and felt like drawing differently. but... you'll see!)

but anyways, i hereby present... THE FAKE PEPPINO HUG PILE!!!

featuring the hug-ees @noodletime (don't worry, he's been given VERY strict rules not to eat you.), @juliatv, @lavenderrvalleyy, @cyanityinsanity101, @yoyosiuwu, @hamsterrodent, and @creat0rstudi0! i hope i drew you all right 🤗😊

.... and now, two more Fakeys for your (hopefully) viewing pleasure!!

for the lovely @thatspecificanomaly, with their "Fake" Brick... i think getting a hug might be a bit too dangerous for them though, Fake seems fairly suspicious...... 👀💧

and then for my friend @abbyroseflame24, because i couldn't figure out where the heck to fit her into the big drawing... so she gets a full-body snuggle instead 🤗

(... phew, that's like 10 asks out of the way now at least 😅)

[bigmammallama5]

My parents bought their 4 bed 3.5 bath house 32 years ago for $145,000 (originally $200,000). This summer a similar house a block away (similar age, 4 bed 3.5 bath, slightly smaller lot) went up for $800,000. It's since been reduced to $650,000 and they put some more work into it, but it's still on the market. I know interest and investment and overall cost of living raise prices, but that just seems like highway robbery to me.

[lionpawsdiary]

if things had been different do you think lionpaw would have become a medic? even tho it isnt something she can do now do you think its something she still wants, in some part of her mind? or have you written out that impulse entirely?

Had the Clan not up and left, Lionpaw probably would have - if her curriculum had gone uninterrupted - changed from a Warrior's apprentice to becoming Mistlenettle's apprentice. Whether or not she would remain happy and satisfied in that position as she matured is another question.

It's definitely something I've factored into her character! She's fairly impulsive and just weaning off stories of the glory of battle, it's a bit hard to imagine the life of a medic as appealing at her age. There's also just not that much choice to her even if it did, Spikedawn can't hunt and Lionpaw's priority is keeping her fed and healthy. It'll come more into play the older she gets.

For full disclosure, I did do a medic run but ultimately I'll admit I wasn't vibing with it and changed tactics for this one. Too bleak, even for a premise like this lol

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[utilitycaster]

Do you think that Laura and Marisha are deliberately making their relationship somewhat toxic and unsustainable or do you think they see the relationship as healthy? It is just so different from all of the other relationships they have been a part of and not really in a good way. Would love to get your perspective on it if you have one

I am honestly unsure. I would like to say it's deliberate. Prior to it becoming canon, in fact, I, and a lot of other people who were less than enthused by Imogen and Laudna's romance and weren't entirely sold from the start, made the case that we expected they would be talking to each other and would put together a compelling story, not the dull fluff so common in fanon. While whether it's compelling is a subjective judgment, we know for a fact they didn't talk to each other. We know for a fact Marisha was surprised by the question of "Can I kiss you," and Laura was surprised by the answer. We know from a 4SD not long after (4SD #16, Kiss and Tell) that several episodes later they still hadn't talked. We know that Marisha perceives Laudna as holding Imogen back (and that Laudna perceives herself as doing so) from the Rose City Q&A. We know that from 4SD #20 (Episode Twenty) that Laura doesn't like conflict in narrative and Marisha does, and that Laura was thrown by Laudna's regression following Ashton's attempt to absorb the shard (4SD #19, Shard Candy).

I don't know if it's deliberate or not; I don't have any extra insight that isn't public knowledge any fan can easily access. But man, it doesn't feel like these are two actors on the same page about what's going on.

I've touched on this before but mostly in tags or whisper posts but I've always felt ill at ease with a number of for lack of a better term "fandom-approved opinions" and one of the ones that has baffled me the most is this idea that Marisha and Laura have exceptional chemistry. I watched Campaign 1 knowing the endgame ships but deliberately avoiding the fandom, and Vex and Keyleth did not even once occur to me as a thing. I watched the first year of Campaign 2 without a ton of fandom interaction because I was avoiding additional C1 spoilers and it seemed crystal clear that the obvious ship was Beau and Yasha; it felt like Beau and Jester only even had enough potential for me to multiship it as my general "whomever Jester picks" for like, 30 episodes. And yet people - people who didn't even ship either of the above ships and in some cases disliked them- would just say "oh man I can't wait until we get to a campaign where we can finally explore Marisha and Laura's incredible chemistry!" and it's like. I feel like I'm the kid in the Emperor's New Clothes on this! I understand that chemistry is to an extent a matter of taste and subjectivity, but it just increasingly feels like people looked at two campaigns of tables where Ashley was frequently absent and said "well, if I want an F/F ship that's between two of the women in the cast, I guess this is what I have to work with" and repeated to themselves that a flat pamplemousse La Croix was a Piña Colada until they started to believe it. I mean if someone wants to explain it to me in good faith I suppose be my guest and I will try to take it in, but it feels like people just treat this as incontrovertible fact and if you doubt it they're like "don't you have eyes" and it's like, well, pretend I don't. Explain like I'm eyeless and five because I have never understood this. They both have more chemistry with every single other cast member; it's not all romantic but man, I didn't even buy Laudna and Imogen as platonic best friends of two years. I have never had this problem with any other pre-existing character relationships Marisha and Laura have played, platonic or otherwise. It's literally just them. I just never feel like they're quite on the same page.

Back to the relationship between Imogen and Laudna onscreen, this was easily the best conversation since the start of the gnarlrock fight, and it is my hope it doesn't fizzle out the way that did. You can't keep kissing Laudna whenever she fears she's lost forever to Delilah, Imogen. Or you can, but that won't fix the problem. Again: are you disgusted? Do you feel betrayed? If you're not, why did you say that? If you are, how will you move past it? Do you want to be with someone who never feels like they're good enough for you? Laudna, do you want to be with someone who, no matter what they say, you feel you're holding back?

Early in the campaign, my feeling was that of our current situation, switched - Imogen felt her powers were a burden and a curse and Laudna kept referring to them and to her glowingly. It's just...ships passing in the night, no pun intended here. I hope it's on purpose and whatever comes from it is a good story - and either a tragedy or a happy story could be a good one. But I have a nagging sensation that Laudna wants out but is afraid to say no, and Imogen is afraid to let go, and I honestly don't know if the actors have realized this impasse and how the characters might resolve it, one way or another, besides the insufficient bandaid of a kiss whenever the conversation gets too uncomfortable.

[bluepallilworld]

woop woop here's a gif

Jing, baby, I wonder what she is humming...

happy birthday @ari-cuno ^^

thanks @shinechermont for organizing this collab gift :]

a still version under the readmore in case dumblr bring too much the quality down

also here's the reference I used to make the base (it changed so much XDc)