#authentication mechanisms

[atozofsoftwareengineering]

17 Essential Steps to Fortify Your AI Application

Master AI security with these 17 essential steps! #AISecurity #DataProtection #CyberSecurity

In today’s digital landscape, securing AI applications is crucial for maintaining trust and ensuring data integrity. Here’s a comprehensive guide to the 17 essential steps for fortifying your AI application. 1. Encrypt Data Ensure that all data, both in transit and at rest, is encrypted. Use industry-standard encryption protocols like AES (Advanced Encryption Standard) for data at rest and TLS…

[techninja]

Safeguarding Connectivity: Addressing Vulnerabilities in 5G Infrastructure

In the realm of technological evolution, 5G has emerged as the pinnacle of innovation, promising unprecedented connectivity, lightning-fast speeds, and transformative capabilities. However, amidst the euphoria surrounding this groundbreaking technology, concerns about security loom large. As the 5G landscape continues to evolve, ensuring robust security measures is imperative to mitigate potential risks and safeguard sensitive data.

Understanding the Significance of 5G Security

Defining the Paradigm Shift

5G represents a paradigm shift in wireless communication, revolutionizing industries, and empowering IoT ecosystems. With its enhanced speed, capacity, and low latency, 5G is poised to unleash a wave of innovation across various sectors, ranging from healthcare and transportation to manufacturing and entertainment. However, the proliferation of 5G also introduces novel security challenges that demand proactive solutions.

Addressing Vulnerabilities

The unprecedented speed and connectivity offered by 5G networks amplify the attack surface, rendering traditional security measures inadequate. Cybercriminals can exploit vulnerabilities in 5G infrastructure to launch sophisticated cyberattacks, compromising network integrity and data confidentiality. From DDoS attacks to man-in-the-middle assaults, the threat landscape has evolved, necessitating robust security protocols to safeguard against potential breaches.

The Evolution of 5G Security Measures

Encryption and Authentication

Encryption lies at the heart of 5G security, ensuring that data remains confidential and integrity is maintained during transmission. Advanced cryptography algorithms such as AES and Elliptic Curve Cryptography are employed to encrypt data packets, thwarting eavesdropping attempts by malicious actors. Additionally, stringent authentication mechanisms, including digital certificates and biometric authentication, bolster access control and mitigate the risk of unauthorized access.

Network Slicing and Virtualization

Network slicing emerges as a game-changer in 5G security, enabling service providers to partition network resources into distinct virtual networks tailored to specific use cases. By implementing isolated slices with dedicated security policies, organizations can ensure segmentation and isolation of critical services, minimizing the blast radius in the event of a security breach. Furthermore, network function virtualization (NFV) enhances agility and resilience, allowing rapid deployment of security functions to counter emerging threats.

AI-Powered Threat Detection

In the era of 5G, Artificial Intelligence (AI) emerges as a potent ally in the cybersecurity arsenal, leveraging machine learning algorithms to detect and mitigate threats in real-time. By analyzing vast datasets and identifying anomalies in network traffic, AI-driven security solutions can preemptively thwart cyberattacks before they escalate, thereby fortifying 5G infrastructure against evolving threats.

Collaboration and Regulatory Compliance

Industry Collaboration

The complexity and interconnectedness of 5G ecosystems necessitate collaboration among stakeholders to establish industry-wide standards and best practices. From telecommunication providers and equipment manufacturers to government agencies and regulatory bodies, concerted efforts are required to foster a secure and resilient 5G ecosystem. Information sharing and collaborative research play a pivotal role in strengthening cyber defenses and mitigating emerging threats.

Regulatory Frameworks

Regulatory frameworks serve as a cornerstone of 5G security, providing guidelines and compliance mandates to ensure adherence to security standards and privacy regulations. Regulatory bodies such as the National Institute of Standards and Technology (NIST) and the European Telecommunications Standards Institute (ETSI) play a pivotal role in shaping the security landscape by issuing recommendations and certifications to validate compliance with security protocols.

Conclusion

As 5G continues its inexorable march towards global proliferation, security remains paramount in unlocking its transformative potential. By embracing encryption, network slicing, AI-driven threat detection, and fostering collaboration across industry stakeholders, organizations can fortify 5G infrastructure against emerging threats and embark on a journey towards a secure and resilient digital future.

[batsplat]

jorge martin is just an off-brand motogp version of george russell. both incredible qualifiers, hard racers, have issues sometimes keeping their tyres together, have stayed in a satellite/backmarker team for three years begging the big manufacturer to accept them into the main fold and will randomly decide that they are actually done with race by beefing it into the gravel/walls on the last laps.

this is why ducati did not hire martin, he hasn’t done the power point presentation

strong last line but hm... do I agree with this...

I don't entirely disagree with the profile of racer, though jorge's a bit more in the flame bright and early mould (partly also just because of the different rhythms of those two racing series). he cut his teeth not just on being an exceptional qualifier but also a starter. even though this year, you do kinda have to say pecco's just?? uh?? he's never been a BAD starter but I swear he didn't used to be this good? some of his starts from the second or third row this year have been genuine works of art. this isn't relevant, just needed to mention it. that's part of why jorge does so well at sprints... he's really good at that abbreviated format, where it's just all out from the very start. mr russell was considered quite a poor starter in his williams days (though lbr that may have partly been car characteristics) - the qualifying's very strong and very consistent, but for a while the question was of capitalising off the line. he's got a few more drives that are about working his way through the field... like qatar last year. I just don't really associate jorge with that?

the bottling thing is debatable and we could get into that debate, but like, never mind that. we're leaving sports analysis now and getting back into vibes territory. the thing about jorge is that he has had a competitive bike from the word go. mr russell, whatever you think about how clutch he is or isn't, did not set a foot wrong in terms of making the mercedes case for himself. what happened with him was basically just... a series of unfortunate events that got him stuck in a spectacularly uncompetitive car for three years. got one shot in a good car in said three years (sakhir 2020) and delivered the perfect performance. but jorge!! jorge had 2022!! he blew it!! he did get unlucky with the gp22 vs the gp21 comparison early that season and how bastianini was able to take advantage of the early stage factory spec malaise, and he's far from the only gp22 who was struggling early on (cf one 'pecco bagnaia'). but still, some of his rides that year were. truly horrendous. and the way the whole thing played out left him with a massive chip on the shoulder.... that's the thing, right, I think what's so key about jorge is that sense of grievance, the fact that he was rejected for that factory seat and we're now several years on from that. and it's a really thin line between that being a good thing and a bad thing. like, anything that's a potential source of motivation fundamentally can be helpful, right? in 2007, casey showed up at ducati as not their first choice, kinda a stopgap, and also after yamaha had pulled the plug on a potential contract not once but twice. he has spoken again and again how yamaha and honda's behaviour towards him made him want to show them exactly what they were missing out on. he used that! it was good for him as a competitor that he had something to get worked up over! he's done it throughout his career! but on the flip side, if you're so busy feeling victimised that you're kind of already... primed for failure, then you've got a problem. like, if the takeaway is you're probably screwed anyway because you're being sabotaged by the factory, then even if that were true you're fucked before you start competing. you've already lost in your own head, you've made excuses before you've even started. it's a thin line! thinking the world is out to get you can either be a good way to get yourself to going, or it can be a loser mindset

quickly circling back to georgie boy, my main feeling is that they kinda have a different type of malaise. one is an overthinker and the other is at times very much an under-thinker. grussy actually shares the overthinking trait with his fellow 63 more than anyone else... all three kinda have this fun meeting point of a lot of cockiness and a lot of insecurity - they just balance them in other ways. and russell reminds me more of pecco in that kind of... being constantly thrown up against a Big Legacy of someone you admire, being in the shadow of greats and having to make your own name... you're very much part of a succession plan that leaves you with massive shoes to fill... (though admittedly grussy has also gone through the unenviable experience of getting to work closely with his hero and eventually having most of said hero's fans absolutely despise him. can happen, I suppose.) jorge is a bit more baggage-free. he's very much the main character in his own story, not so much faffing about with the narrative implications of all this shit. more straightforward! if jorge wins, it's about him. if he loses, it's also about him. ducati has been his world for the past few years, to the point where he's gotten a bit parochial about the whole thing. early this season, he was talking like - sure, the championship lead is important, BUT this is also giving him power in contract negotiations!! which... yes, that's true, but also that should be way down the order of priorities my man. jorge martin might be the only person in this universe who... genuinely might be more obsessed with beating pecco than marc? like, beating the marc marquez would be great and all, 8x world champion bla bla, but pecco is his personal antagonist! he's known him for years! that's ducati's golden boy! he needs to beat pecco so badly! there's something really fun about a rivalry where it feels like at least one side's feelings towards the other... kinda go beyond a personal relationship, like at a certain point it becomes about what the other guy Represents. jorge isn't worried about legacy and the shoes he's got to fill and can he truly live up to all those expectations as much as he's worried about himself and also occasionally pecco bagnaia

anyway, I've been thinking about the bottling thing... what jorge said about it earlier's been rattling around in my head since I saw the quote

man, it must be really tough, right? like, you don't know why it's happening... it's not just cockiness - though there is an element of someone who's kinda used to bulldozing his way through problems with sheer obstinacy and stubborn self belief (another distinction with the 63's, who are more introspective and prone to self-flagellation following mistakes). but it's also just... you can't figure out why it's such a fundamental shortcoming of your game! today, from the way pecco and also luca (apparently) were talking about it, it seems like there was something noticeable about how jorge was gradually losing a bit in his control and precision as a result of how the tyres were going off, as a sort of precursor of the fatal error. which... well, it's at least a somewhat understandable mistake, because it comes from pressure? it's not just the tyres going off each time - the mugello sprint crash was lap four, jerez was lap ten. but an interesting thing about his big errors this year is that they have all come as a result of serious pressure - as a result of pecco directly behind him in the case of jerez and sachsenring and like... in anticipation of the massive points damage he knew he was probably going to take in mugello. it sounds obvious to say pressure is more likely to generate mistakes, but of course that's not always true of our title contenders! pecco only really wakes up when he's already dug a hole halfway to the centre of the earth - but when he faces actual pressure, his track record is mostly very strong. his biggest howlers this season, portimao + catalunya sprints, both came when he was leading comfortably. martin has also made these pressure-light mistakes in the past, most memorably indonesia last year but... well

one of the most fascinating bits of sports are like... limits and ceilings and how your build-up as an athlete kinda determines what's possible for you. like, sports is sort of where you experiment with notions of fate and inevitability and all that, where you question whether it's possible for anyone to ever really change. is it once a choker, always a choker? if you know that you have this problem, this flaw that is always just there in the background, waiting to be actualised - what can you do? does it give you more or less hope that there's not a clear root cause? how debilitating that must be for confidence too, always knowing that you could cause everything you've worked for to crash down in a moment.... this is where. y'know, the thing with pecco, right, is that he's now gotten to a weird place where psychologically he has to be wary of the mistakes he himself makes - but he knows that he can also bounce back from them. he has that muscle memory, because he's done it before. he chucked it down the road in india and he won the title! jorge did it in thailand and he didn't! and the problem is that it becomes a self-reinforcing cycle of sorts, because even though the margin between the two of them at the end of last year ended up being relatively slim... one of them still won and one of them still lost. which actually means that even though pecco and jorge both have made serious mistakes this year (though pecco's track record is cleaner - in portimao the points punishment didn't quite fit the crime and in the jerez/le mans sprints he was kinda just unlucky), only one of them knows they can do this shit and win the title anyway

and now jorge has an entire summer break to go away and think about that. can be a good thing, get some distance, and it's easy to slip into a run of bad form that you can't escape if there's no interruption. can be an awful thing because you're sitting with your mistakes for weeks on end with no chance to rectify them. I'm naturally a pessimist on the 'can any athlete ever really change' question because life has very much worn me down on this topic over the last few years (aka some sports results made me really sad). but I always want to be optimistic! I want to believe athletes can fix their fatal flaws! I want to believe they can get better at managing their tyres and not folding under pressure. and pressure works weirdly... sometimes it's not really a test of 'mental strength' as much as it is of what kind of in-built margin an athlete has (btw this is my best guess for what goes wrong with martin). sometimes it's beneficial in sharpening the mind and erasing the possibility of you just... not being sufficiently concentrated (which is my best guess for what happens with pecco when he's not being pressured). can you truly get better at dealing with that? or at a certain point, have you already accumulated so much mental scar tissue that you're always going to get in your own way? who knows! maybe we're all doomed to repeat the mistakes of the past forever and ever. who knows

anyway. in response to this ask. I do think it's more a case of 63's aligned in being too stuck in their own head, too concerned with legacy, and walking a very thin line between arrogance and insecurity. all three of them, though, have a bad case of 'coming through the ranks in an era of greats they'll always be disparagingly compared to'. what's new can never be as good as what came before, right? and they're constantly struggling to manage or maybe even overcome basic flaws that seem to be embedded in their make up as competitors... maybe they'll make it, just a little. maybe they never will. but it sure is fun to watch them try!

[omegaphilosophia]

The Philosophy of Escapism

The philosophy of escapism explores the human tendency to seek distraction and relief from reality, often through activities that provide temporary respite from the pressures, challenges, or monotony of everyday life. Escapism can take many forms, from engaging in entertainment, such as movies, books, or video games, to indulging in fantasies or even using substances. The philosophical examination of escapism raises questions about its ethical implications, its effects on the human condition, and its potential as a coping mechanism.

Key Concepts in the Philosophy of Escapism:

Definition of Escapism:

Seeking Relief from Reality: Escapism is generally understood as the act of diverting oneself from the realities of life, especially when those realities are unpleasant or stressful. It often involves engaging in activities that provide a temporary sense of comfort, pleasure, or detachment.

Positive and Negative Aspects: While escapism can offer a necessary and healthy break from stress, it can also lead to avoidance behavior, where individuals neglect important aspects of their lives or responsibilities.

Psychological and Existential Dimensions:

Coping Mechanism: Psychologically, escapism can serve as a coping mechanism to deal with stress, anxiety, or trauma. It allows individuals to take a mental break, which can be rejuvenating in moderation.

Existential Escapism: Philosophers like Jean-Paul Sartre and Albert Camus have explored the concept of existential escapism, where individuals avoid confronting the inherent meaninglessness or absurdity of life. In this context, escapism can be seen as a way to evade existential angst or the responsibility of authentic living.

Ethical Considerations:

Balance and Moderation: Philosophers often debate the ethical implications of escapism, particularly whether it is a morally acceptable way to deal with life's difficulties. While some argue that moderate escapism is necessary for mental health and well-being, others caution against excessive escapism that leads to neglect of one's duties or relationships.

Authenticity vs. Illusion: There is an ethical tension between living authentically—facing reality as it is—and retreating into illusion or distraction. Some philosophical traditions, such as existentialism, emphasize the importance of confronting reality and finding meaning within it, rather than escaping from it.

Cultural and Social Aspects:

Escapism in Popular Culture: Escapism is deeply embedded in popular culture, with entire industries, such as cinema, literature, and gaming, dedicated to providing forms of escape. The cultural significance of these activities raises questions about their role in society and their impact on collective consciousness.

Societal Escapism: On a broader scale, escapism can also be viewed as a societal phenomenon, where entire groups or cultures may turn to escapist practices as a way of coping with social or economic pressures. For example, during times of war or economic hardship, the popularity of escapist entertainment often increases.

Philosophical Critiques of Escapism:

Stoicism and Escapism: Stoic philosophy advocates for facing reality with courage and rationality, suggesting that escapism is a form of avoidance that prevents individuals from developing resilience and wisdom.

Existentialism: Existentialists, particularly Sartre, criticize escapism as a form of bad faith, where individuals deny their freedom and responsibility by fleeing from reality. For existentialists, true freedom comes from acknowledging and embracing the absurdity of life, rather than escaping from it.

Escapism and Art:

Art as Escape: Art has historically been a means of escape, offering individuals the opportunity to experience alternative realities, explore new perspectives, and express emotions that might be difficult to confront in everyday life.

Aesthetic Experience: Some philosophers, such as Friedrich Nietzsche, have celebrated art and aesthetic experience as a vital and life-affirming form of escapism that transcends mundane reality and offers deeper insights into the human condition.

Escapism and Technology:

Digital Escapism: In the modern era, technology has significantly expanded the possibilities for escapism. The internet, social media, virtual reality, and video games offer immersive experiences that allow individuals to escape from reality in unprecedented ways.

Virtual Reality and Ethics: The rise of virtual reality and other immersive technologies raises ethical questions about the boundaries between reality and escape, and the potential consequences of living increasingly in digital or simulated environments.

The philosophy of escapism examines the complex motivations behind the human desire to escape from reality and the various forms this escape can take. While escapism can provide necessary relief and even foster creativity, it also presents ethical and existential challenges, particularly concerning the balance between facing reality and seeking refuge from it. The ongoing philosophical exploration of escapism helps us understand its role in the human experience and its impact on our lives, both individually and collectively.

[patternoticer]

for the record i do not think silver was the named non-entity of solomon little however i do think solomon little was perhaps silver's first lesson in choosing survival over loved ones

[thevalleyisjolly]

And what if I redesigned the monk class according to actual wuxia themes and tropes, what then. I simply think monks are cool and can absolutely be redeemed as a class once you take the Orientalism out of it and be a little more thoughtful about what fantasy martial arts are actually like in East Asian stories.

[ohhigh-imhi]

Excruciating and exhausting ripping yourself from a constant flow state of a trauma pattern 🔄

Confusing because sometimes everything feels “OK”—next thing you know, you find yourself triggered in the same reaction pattern loop. (Aggressive behavior, argumentative, withdrawal, stonewalling, people pleasing, avoidant/anxious pull, imbalance of energies)

Shedding light on your wounds helps them heal magically. Seeing them in a different perspective; a place of loving eyes and a diamond heart.

Stagnant power kept me trapped inside my own head. Seeking external validation was my first mistake. Snowballing into bigger problems, as I felt such low self worth I would measure my value by other people’s expectations, feeling worthless if I upset them or did something “wrong”.

Realizing and understanding the importance of perception and detachment , brought me to new heights of confidence. Learning to NOT take everything so personal as well as nothing belongs to me, I am simply experiencing it 🙏🏻

This is my first time living this life so I am giving my self grace, compassion, acceptance, love and respect for my own choices to grow snd manifest the life I’ve always desired

[silent-partner-412]

For all the discussion about different ways IS could handle same sex pairings in Engage or future games, I still think the best and easiest thing to do would just be to make it so you can choose anybody regardless of their gender.

Yeah yeah I know it’s “unrealistic” and that it’d be better to have characters with actual thought out sexualities and preferences but like. Cmon. The romance in this series, at least since Awakening, has always been extremely shallow and borderline comedic (esp in FE13 and FE14). I honestly don’t expect them to ever make super deep and compelling romances for any pairing, gay, straight, or otherwise. The very least they could do is allow gay people to engage in this part of the game by choosing whoever they want to choose (like straight people can).

[sanstropfremir]

I might just go on a huge tangent on here so I sincerely apologize, but I think this is something you've slightly touched on before, so maybe it's interesting to you? About the fact that literally Nobody on the staff/people who work behind the scenes of everything in the kpop industry are credited, mentioned or acknowledged for their work (other than, for example, the surface level “the designer deserves a raise!!!” that i so often see in mv comments :/). What I wanted to talk about specifically though is the company’s complete lack of crediting of these people?? I wanted to look into who directed this new mv that just dropped that I really liked the artistry, editing, and general composition of, but I found absolutely nothing across the group’s yt videos or their pages of who the director is, perhaps the set designer, editor, etc. Utterly taken aback, I checked the descriptions of other kpop music videos, from the most popular to more unknown groups (Twice, Dongkiz, to name a few), and again, nothing. I thought I was going insane, so I looked at mvs for like Amercian bands, and their video details are completely filled with the information of the producer, the recording studio, mixer, master, etc. etc, my point is: so much more than just the group’s twitter or merch page??? I’m like what is going on?? I noticed the kpop mv's only list licensing info at least, but so did the american ones? Idk. It’s either me not knowing where to look, or maybe I’m late to the fact that that is just how things work with kpop group companies or the industry as whole, just giving you no details as to who the hell else worked on this mv or song. I love my biases and appreciate their contributions, but I do not buy for a second that, more often than not, they wrote or produced or mixed absolutely nothing. I think it’s a huge shame that this is done because it reinforces the false idea that the idols are the ones responsible for everything we’re seeing and listening to. Maybe that’s the point, and that’s exactly what the industry wants you to believe, which that just makes it really sad. (Wait also maybe it all gets hidden because its work for hire or the companies buy ownership copyright...)

so i want to clarify some things for you, from the perspective of someone who works in the arts industry. firstly, and most importantly: visible credits exist in western filmic media because of unions. and there are still a LOT of fields that are not unionized. for thousands of years it was fundamentally understood that no performance based art form was done singularly by an individual, so there was often not a reason for there to be 'credits' in the first place. the whole assuming the face of the project is the person who did the most work thing? that's a very new phenomenon in the history of art, and it's capitalism's fault.

secondly: um. you are definitely not looking in the right places bc people are ABSOLUTELY credited? especially music production staff? i guess if you only look at a music video then sure yea there's not always credits there, but companies literally release tracklists and highlight medleys on their main social medias AS PROMOTION that have LISTS of their arrangers and composers. hell, tan's most recent tracklist has their fucking midi programmer on it????

also..............the fucking ALBUMS HAVE CREDITS IN THEM. i can't believe i have to say this but THE ALBUMS ARE THE MAIN PRODUCT AND THEY HAVE PAGES OF CREDITS IN THEM. i...????

like???

i got addy (@hoforwonho) to send these to me, these are from a lucy album and nayeon's album, and they literally have pages of credits???

lastly, and most importantly: the only people who are being 'fooled' into thinking that idols are 'producing' most of the content are western fans. because that is the stereotype promoted BY THE WESTERN MUSIC INDUSTRY. so that is the lens through which you view the korean music industry. koreans and korean fans are well aware that idols do not produce their own artistic content, there is quite literally a stigma around idols in sk about how they are not viewed as artists SPECIFICALLY because of this. gdragon and jonghyun were HUGE deals for being some of the first idol producers + songwriters. music is a huge part of the korean entertainment industry and people who make music are very much a visible part of it. kim eana is a very famous lyricist and she has a popular radio show. kbs just did a whole competition show featuring producers as the contestants. companies are not required to put credits in music videos because music videos are only one part of a kpop cb, and they are also not obligated to put those credits in english. just because you can't find something doesn't mean that it doesn't exist and the whole industry is at fault for it.

[majorkphob]

Thinking about how Hob spread the rumor about how Rue called off the Grabalba/Apollo engagement because Rue was in love with Grabalba

But then when Hob came clean to them, Rue was like >:( how dare you say such a thing about me- when they literally called off the Grabalba/Apollo engagement because Rue wanted what's best for both of them

[thedragonagelesbian]

i just remembered i love fabian seacaster a lot and i have to apologize for the person i'll be on wednesday

[riabunn]

please dni if you argue over which toontown server is better /srs

it doesn’t matter if you like corporate clash better than rewritten, at the end of the day, every toontown server is still toontown. we all like the same thing! we should be connected with each other as a whole, not be divided over servers

this especially happens whenever something big happens in ttr. while i was fighting high roller in ttcc today, there was a person who said they could not respect ttr. they said that after i told them to respect preferences after they said the two new cogs are ugly and that ttr is copying ttcc

it’s fine to have preferences but let’s not fuel the server wars please! we still like the same thing as a whole! toontown is toontown!

[illegiblewords]

Listening to lore vids and have heard a few possible origins for the Forgotten Realms, with one being like 'yeah Selune and Shar were the first two deities after Ao'. There are a few different creation myths, but this only further convinces me that Shar needs to be demoted at all costs lol. No wonder corruption within the pantheon is so bad, one of the progenitor deities is basically committing widespread malpractice and embezzlement.

If the DnD gods are to be held to any standard of professionalism, corruption needs to be addressed at the uppermost levels.

[spring-lxcked]

okay separate post because tags were getting long, but william resenting ppl and not realizing it / not understanding why is like. Common for him. this is about michael. this is about henry. this is about elise / mrs. af.ton. potentially even some victims. he resents ppl being authentically themselves. he resents ppl being better than him ( or even equal to him, in some cases ). he resents ppl who don't "have" to try as hard, who don't "deserve" to be doing better than him, etc etc etc. but he can't pinpoint that. he's not as self-aware as he thinks he is.

[jeanstapleton]

could you imaaaaagine if they stuck with this idea & actually went the distance with the pathos they bothered to reinforce his character with in the first place instead of dialing back to Rich Guy Who Cheats woohoohoohehehehe 😃🔫

[lith-myathar]

Still kicking that thought around, like I don't know that what I experience is severe or consistent enough to be a full on personality disorder but hoo boy going to the av/pd tag is a whole room of fun house mirrors