#aviciier

[demaparbat-hp]

I had a vision in shades of sacrifice.

[nightsi]

why worry now, you'll be safe hold my hand just in case and we won't fade into darkness

[chiliger]

“Hey, brother, there’s an endless road to rediscover… Do you still believe in one another?” - Avicii

[doyoulikethissong-poll]

Avicii - Hey Brother 2013

"Hey Brother" is a dance song by Swedish DJ and record producer Avicii from his debut studio album, True (2013). American bluegrass singer Dan Tyminski provides vocals for the track. Tyminski did the vocals for "A Man of Constant Sorrow" (poll #26) from the 2000 film O Brother, Where Art Thou?.

"Hey Brother" was written by Avicii, Ash Pournouri, Salem Al Fakir, Vincent Pontare and Veronica Maggio. The song, which serves as the album's third single, was solicited to Australian radio on 9 October 2013 and later released on 28 October 2013 in Germany, Switzerland and Austria. In March 2014, a version of the track remixed by Avicii himself was released on his remix album True (Avicii by Avicii), this time featuring new vocals from singer Salem Al Fakir.

In the UK, after climbing for several weeks, "Hey Brother" peaked at number two on the UK Singles Chart on 15 December 2013. In addition, "Hey Brother" peaked at the top of the UK Dance Chart. Including previous releases "I Could Be the One", "Wake Me Up" and "You Make Me", Avicii therefore reached the summit of the UK Dance Chart four times in 2013 alone.

In the US, the song entered the Billboard Hot 100 chart at number 77 in December 2013, and rose to number 16 in March 2014. After Clear Channel personnel noticed the song's success at pop and adult pop radio, they asked Island Def Jam to craft a remix that showcases the song's instruments more prominently. Support for this remix enabled "Hey Brother" to debut, and peak, at number 59 on Billboard's Country Airplay chart in March 2014. The song would become Avicii's final song to hit the top 40 before his death in 2018.

"Hey Brother" received a total of 67% yes votes!

[secondbeatsongs]

"The Nights" with every second beat removed

[kitconnor]

this is the "one hit wonders" excluding popular artists (as in popular to this day and widely played to this day), mainly based on the amount of streams it has gathered

[hyunjincanraptoo]

I've been watching channie's room a lot lately and I came to the conclusion that I need to marry that man

[andstuffsketches]

legend of zelda animatic set to hey brother by avicii [includes scenes from Wind Waker, Breath of the Wild, Link to the Past, Spirit Tracks, and Skyward Sword]

[redara]

"We share blood. We are brothers."

(inspired by Avicii - Hey Brother)

[elisabethmarlowe]

ITS 2015 and there’s Nothing U can do aBout it!! °❀⋆.ೃ࿔*:･ —— ༝༚༝༚

[doyoulikethissong-poll]

Coldplay - Hymn for the Weekend 2016

"Hymn for the Weekend" is a single by the British rockband Coldplay from their seventh studio album A Head Full of Dreams, featuring uncredited vocals from American singer Beyoncé. It was written by the band's members, while the production was handled by Rik Simpson, Avicii, Digital Divide, and Stargate.

"Hymn for the Weekend" reached number six on the UK Singles Chart and also reached the top twenty in countries such as Switzerland, Ireland, France, Sweden, Austria, Belgium, Italy and Spain. In the US, with the Seeb remix, the song reached number 25 on the US Billboard Hot 100.

The music video was shot at various Indian cities including Worli Village, Mumbai, and Kolkata. The fort showcased at the start and in between is Fort Vasai in Vasai, Mumbai. Scenes were also shot at the Maratha Mandir theatre, which is known for showcasing a single film, Dilwale Dulhania Le Jayenge, for over 22 consecutive years. The video is themed on the Indian festival of Holi and was filmed by Ben Mor. It features Beyoncé and Indian actress Sonam Kapoor. With 2 billion views on Youtube as of January 2024, "Hymn for the Weekend" is Coldplay's most-viewed video. Luminate Data reported the song "had the most total combined audio and video streams globally in 2022", with 35.9 million views coming from Canada, and 434.5 million from the US.

"Hymn for the Weekend" received a total of 57,6% yes votes!

[legendknit]

Not afraid to close my eyes

Life's a game made for everyone

And love is a prize

So wake me up when it's all over

[aeolianblues]

I can't muster up any nostalgia for the 2010s at all. It was drudgery. It was depressing as hell how directionless and saturated our cultural industries were. The decade of Chainsmokers, Imagine Dragons and Mumford and Sons dominating radio. The odd and blank stare you'd get from people for suggesting anything that wasn't EDM-pop. I. Have. Fucking. Had it. With 'Shape of You' to last a lifetime. If I never heard that song again I would be just fine. It was decade of 'Hello Sunburn, NH7 who?' (NH7 Weekender was also boring and 55+ in age, though this means something to very few people on here.)

It was the decade of swapping Ableton beats in discord channels. It was getting told off for not liking One Direction and Taylor Swift by your friends. It was when rock music had such a stone age mentality that genres couldn't mix, if you liked anything other than just rock music, you couldn't be considered a serious rocker (musician or fan).

And does anybody remember the "landfill indie" years? So much directionless indie music by bands that didn't quite have the impact for how often you heard their name: Wombats and what not.

The gender imbalance was so so fucked. Do festival bills were so dude-heavy. Sausage fest. Cock rock. We kept saying this and idiots kept saying "well maybe if women were any GOOD they'd get booked but they're sooo boring >:( and lame", like the idiots they were.

There was an all-male indie band called Scouting For Girls. The festivals they were playing had 2 girls on the lineup. The bookers did not see the irony. Or the problem.

Look at the nominations for every award show from this period. Christ.

There were a few musical highlights I guess. In terms of new bands we got like Wolf Alice, Royal Blood, Soft Play (then called Slaves) and CHVRCHES in 2013. From old bands we got Like Clockwork and AM, and Royal Blood got heavy endorsements from the likes of Alex Turner, Josh Homme and Dave Grohl for essentially 'keeping rock music alive'. Figure It Out was a banger, no less. We got Muse's Drones in 2015 too, though that's less than 5 notable rock albums I can think of in about half a decade.

We got Greta Van Fleet by 2017, but they were a talking point then because 60 year olds needed to debate whether they were allowed to exist for sounding like Led Zeppelin. Because of course. We cry when we have things and we cry when we have not. IDLES also began catching underground praise, though it wasn't as mainstream as Royal Blood received, definitely not before their Reading and Leeds 2019 performance, which was at the end of the decade, where Danny Nedelko began catching people's attention.

I'm much happier now in the music scene. There's a healthy crop of bands that have something to say, they make all sorts of music, and heavy music is surprisingly back in fashion.

As a card-carrying resident of the 2010s growing up, why would I ever want to dwell in 2015 when I can live a more inspired life in 2022?

[llamaisllama777]

Since EAPS will be ending maybe within the next month or two I wanna talk about this odd idea have had in my head for a while...

If the channels had end credits what would the final song in the end credits be?

Here's my ideas for what the song in the end credits would be...

Tsams - Hey, Brother - Avicii

The (old) laes - As it was - Harry styles / or the end credits for OK Ko, Let's be heroes

Eaps - All the stars - SZA and Kendrick Lamar

FEMNAF - This is me - The Greatest showman

The (new) laes - Glad you came - The wanted

In an odd way I'm happy EAPS is ending cause the actors deserve a break. They run how many channels? Plus their own personal ones!

Let them breathe.

[callofwinter]

These are some drawings I’ve made over the past few months of songs as dragons! Most of their colors are based off their album covers, but if not, then they’re based off of the color/vibe they give. Originally I was going to post these one per day but I don’t have the patience for that so…here you go

(Image description under cut as there are a lot)

[Image description: Twenty one (21) digital drawings with two (2) dragons each, each representing a different song.

The first (1st) is Tongues & Teeth and The Glacier House by The Crane Wives. The one on the left, The Glacier House, is a green, yellow, red, and blue dragon looking downwards. On the right is Tongues & Teeth, a pale orange and red dragon that looks angry.

The second (2nd) is Everybody Loves Me and Counting Stars by OneRepublic. On the left is Everybody Loves Me, a happy-looking, colorful dragon. On the right is Counting Stars, a glittery blue-and-white dragon that looks sad.

The third (3rd) is Hey Brother and Waiting for Love by Avicii. On the left is Hey Brother, a black, gray, and white dragon looking slightly upwards. On the right is Waiting for Love, a white dragon splattered with green, yellow, red, and blue that looks sad.

The fourth (4th) is Pitchfork Kids and 100 Bad Days by AJR. On the left is Pitchfork Kids, a light blue dragon with white cloud patterns and magenta horns that looks very tired. On the right is 100 Bad Days, a dragon of various shades of blue wearing sunglasses and pointing finger guns at the other dragon.

The fifth (5th) is Battle Cry and Cold, Cold, Cold by The Family Crest. On the left is Battle Cry, a black dragon splattered with dark blue and red spots that is roaring to the left. On the right is Cold, Cold, Cold, a dragon of various shades of swirling blue and a very colorful green underbelly. The dragon's neck is twisted to look right instead of left.

The sixth (6th) is Little Lion Man and Hopeless Wanderer by Mumford & Sons. On the left is Little Lion Man, a black dragon with colorful stars that has a lion's mane. On the right is Hopeless Wanderer, a sandy-colored dragon that looks very determined.

The seventh (7th) is I'll Keep You Safe and You Are Enough by Sleeping At Last. On the left is I'll Keep You Safe, a gray dragon riddled with golden patterns that resemble constellations, planets, and other galactic symbols. On the right is You Are Enough, a dragon with a warm color palette of green, yellow, and white that is looking at the other dragon with sympathy.

The eighth (8th) is & and Banana Man by Tally Hall. On the left is &, a black and white dragon that acts as an optical illusion taken straight from the album cover. On the right is Banana Man, a rather silly and crazy-looking dragon with red, blue, yellow, gray, and green stripes and horns that is grinning at the other dragon.

The ninth (9th) is The Garden and The Hand That Feeds by The Crane Wives. On the left is The Garden, a light blue and orange dragon that seems to be screaming and not doing too great. On the right is The Hand That Feeds, a blue-purple and orange dragon that is growling.

The tenth (10th) is I Ain't Done and Empty Page by The Crane Wives. On the left is I Ain't Done, a green, orange, yellow, and red dragon that is facing upwards and grinning. On the right is Empty Page, a black dragon with purple and pink marble-like patterns.

The eleventh (11th) is Father's Lament and River Song by Poor Man's Poison. On the left is Father's Lament, a dark yellow and brown dragon that looks desperate. On the right is River Song, a dragon of various shades of green and white holding a fishing rod. Pointing to this dragon is the caption "would rather be dirty sittin barefoot in de grass."

The twelfth (12th) is The Village and Something I Could Never Be by wrabel and Tony Ann. On the left is The Village, a vaguely purple dragon colored with the rainbow smiling at the other dragon. On the right is Something I Could Never Be, a dragon made of various shades of blue that is looking anxiously at the ground.

The thirteenth (13th) is Hartebeest and Harpy Hare by Yaelokre. On the left is Hartebeest, an odd-looking dragon with earthy colors, completely black eyes, a shawl, and feathers behind its ears with its mouth open. On the right is Harpy Hare, a pale yellow dragon with a deer-like helmet, pointed ears like a hare's, and branch-like patterns on its scales.

The fourteenth (14th) is The World Could End With You and Wake Up by Llunr. On the left is The World Could End With You, a dragon colored purple and yellow like the evening sky. On the right is Wake Up, a gray dragon with vague red, green, and white splotches that is yelling with tears streaming from its eyes.

The fifteenth (15th) is Not Sorry for Loving You and Suffering from EPIC: The Musical by Jorge Rivera-Herrans. On the left is Not Sorry for Loving You, a blue and red dragon colored like the sea with its head twisted to face the other dragon. On the right is Suffering, a black and yellow dragon grinning with the very small caption "pernelerper whrrrr." (Penelope why).

The sixteenth (16th) is Minor Holiday and November by Sparkbird. On the left is Minor Holiday, a pale white and red dragon facing upwards. On the right is November, a white, yellow, and gray dragon with its head reeled back and mouth open. The "no" in "November" is dark red while the rest of the word is black.

The seventeenth (17th) is It Takes Two to Tango and Deal With Destiny from Empires: The Musical by LDShadowLady aka Lizzie. On the left is It Takes Two to Tango, bright blue and white dragon with zombie-like features, such as a rotting face and blank eyes with its mouth open. On the right is Deal With Destiny, a white, yellow, and green dragon grinning with its eyebrows raised.

The eighteenth (18th) is Soldier, Poet, King and Thus Always to Tyrants by The Oh Hellos. On the left is Soldier, Poet, King, a dark green, red, and black dragon looking upwards. On the right is Thus Always to Tyrants, a light green, blue, red, and black dragon.

The nineteenth (19th) is Sowing Seeds and Predator by The Crane Wives. On the left is Sowing Seeds, a brown and pink dragon with wood-like patterns. On the right is Predator, a purple, pink, and white dragon who is looking down and crying.

The twentieth (20th) is Liar and Tell It Like It Is by The Arcadian Wild. On the left is Liar, a pale green and yellow dragon crying with its face chin on its neck. On the right is Tell It Like It Is, a black and white dragon looking downwards.

The twenty-first (21st) is Good Luck, Babe! and HOT TO GO by Chappell Roan. On the left is Good Luck, Babe!, a pale brown and red dragon looking at the other dragon seemingly in desperation. On the right is HOT TO GO, a bright blue, yellow, and red dragon that looks happy and excited.

End description.]

[sanders-sides88]

Patton: *singing to himself* I tried carrying the weight of the world, but I dont have any hands~

Logan: I promise you, those ARE NOT the words.